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WARREN BUFFETT ON WHY HE BOUGHT APPLE $AAPL DESPITE NOT KNOWING HOW TO USE A PHONE “I wouldn’t be any good at it. I’m so late to the game. I don’t know what to do with the phone.” “But I just recognize the fact that you’re gonna have one,...

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53,255 görüntüleme • 3 ay önce •via X (Twitter)

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Carlos Alcaraz says he initially wasn’t sure if he was cramping or if it was an issue with his adductor during his match against Zverev, ‘I just told what happened to the physio & he decided to take a medical’ “I didn’t think it was cramps at all at the beginning. I didn’t know exactly what it was. I ran to a forehand and started to feel it in the right adductor. That’s why I called the physio. Because it was just that moment, the rest of the legs.. the left leg was good. Not good but decent. After that with all the stress I didn’t know what was going on. I didn’t know if it was going to be worse or not. In that moment I just talked to the physio and said ‘Ok I just went to run to the forehand side and I started to feel the right adductor.’ He decided to take the medical time out and he did it. I just told what happened to the physio and he decided to take a medical.” (via Australian Open Press)
2:04

Carlos Alcaraz says he initially wasn’t sure if he was cramping or if it was an issue with his adductor during his match against Zverev, ‘I just told what happened to the physio & he decided to take a medical’ “I didn’t think it was cramps at all at the beginning. I didn’t know exactly what it was. I ran to a forehand and started to feel it in the right adductor. That’s why I called the physio. Because it was just that moment, the rest of the legs.. the left leg was good. Not good but decent. After that with all the stress I didn’t know what was going on. I didn’t know if it was going to be worse or not. In that moment I just talked to the physio and said ‘Ok I just went to run to the forehand side and I started to feel the right adductor.’ He decided to take the medical time out and he did it. I just told what happened to the physio and he decided to take a medical.” (via Australian Open Press)

The Tennis Letter

516,847 görüntüleme • 5 ay önce

Jackie Gleason, the legendary American comedian and star of “The Honeymooners”, on the time he got CBS to send him a private train to Miami: In the 1960s, Gleason decided he was done shooting his show in New York. He wanted Miami, and he wanted to arrive there in style. “When we’re doing the Honeymooners, I had a big contract for that for two years. And after the first year, I said I didn’t want to do it. And they didn’t believe me. They thought I had a job somewhere else. And finally, they realized that I just didn’t want to do it.” When the network came crawling back and asked him to do another show, Gleason was out in California shooting a picture. He said yes — but only under one condition: “I said, ‘All right.’ I said, ‘But I want a train that goes to Florida.’ Because I had come down here and played golf and liked it and I figured might as well go to Florida and do the show. Play golf all the time and they went for it.” They went for it. What followed was a rolling party stretching coast to coast. Gleason breaks down what was on board: “Everything. We had two Dixieland bands come from California and they would spell each other. I’d say to them, ‘Take five miles,’ and the parties went on 24 hours.” Asked if there were girls on the train, he laughs: “Boy, there were girls. There certainly were. And they were very, very nice girls. Nothing on it happened. I know that sounds ridiculous, but it didn’t. Might have been because the berths were too small, but regardless of that, nothing happened on that trip.” Asked if there was a bar on the train, his answer is perfect: “A bar. The train was a bar. I guess that’s a classic example of what clout is.” Then he drops the line that captures the whole story in a single breath: “‘Send a train, please.’ That’s right. When you’ve got good ratings and you’re one, two, or three in the ratings, there is nothing your little heart desires that they don’t provide.”
1:42

Jackie Gleason, the legendary American comedian and star of “The Honeymooners”, on the time he got CBS to send him a private train to Miami: In the 1960s, Gleason decided he was done shooting his show in New York. He wanted Miami, and he wanted to arrive there in style. “When we’re doing the Honeymooners, I had a big contract for that for two years. And after the first year, I said I didn’t want to do it. And they didn’t believe me. They thought I had a job somewhere else. And finally, they realized that I just didn’t want to do it.” When the network came crawling back and asked him to do another show, Gleason was out in California shooting a picture. He said yes — but only under one condition: “I said, ‘All right.’ I said, ‘But I want a train that goes to Florida.’ Because I had come down here and played golf and liked it and I figured might as well go to Florida and do the show. Play golf all the time and they went for it.” They went for it. What followed was a rolling party stretching coast to coast. Gleason breaks down what was on board: “Everything. We had two Dixieland bands come from California and they would spell each other. I’d say to them, ‘Take five miles,’ and the parties went on 24 hours.” Asked if there were girls on the train, he laughs: “Boy, there were girls. There certainly were. And they were very, very nice girls. Nothing on it happened. I know that sounds ridiculous, but it didn’t. Might have been because the berths were too small, but regardless of that, nothing happened on that trip.” Asked if there was a bar on the train, his answer is perfect: “A bar. The train was a bar. I guess that’s a classic example of what clout is.” Then he drops the line that captures the whole story in a single breath: “‘Send a train, please.’ That’s right. When you’ve got good ratings and you’re one, two, or three in the ratings, there is nothing your little heart desires that they don’t provide.”

History Nerd

69,027 görüntüleme • 1 ay önce

T-Pain reveals he bought a $1.7M Bugatti with his last dollar and didn't even know he was broke "When I bought that Bugatti, that was the last bit of my money, and I had no idea that was the last bit of my money. I demanded that my accountants send the money for the Bugatti, and when I got it, they were like, 'Hey, so we may have to sell your house.' I'm like, 'What are you talking about? I have a Bugatti.' And they were like, 'Yeah, that was what we were gonna use to pay for the rest of your house'" "I was never secure because I never knew what the hell was going on with my finances, I mean. Now I'm very, very, very, very close to my finances, and I'll know every dollar that goes out. If somebody tries to send $4 from one of my accounts, I get an alert on my phone"
0:59

T-Pain reveals he bought a $1.7M Bugatti with his last dollar and didn't even know he was broke "When I bought that Bugatti, that was the last bit of my money, and I had no idea that was the last bit of my money. I demanded that my accountants send the money for the Bugatti, and when I got it, they were like, 'Hey, so we may have to sell your house.' I'm like, 'What are you talking about? I have a Bugatti.' And they were like, 'Yeah, that was what we were gonna use to pay for the rest of your house'" "I was never secure because I never knew what the hell was going on with my finances, I mean. Now I'm very, very, very, very close to my finances, and I'll know every dollar that goes out. If somebody tries to send $4 from one of my accounts, I get an alert on my phone"

Mikli

842,971 görüntüleme • 1 ay önce

Jackie Gleason, the legendary American comedian and star of "The Honeymooners", on the time he got CBS to send him a private train to Miami: In the 1960s, Gleason decided he didn't want to shoot his show in New York anymore. He wanted to do it in Miami, and he wanted to get there in style. "When we're doing the Honeymooners, I had a big contract for that for two years. And after the first year, I said I didn't want to do it. And they didn't believe me. They thought I had a job somewhere else. And finally, they realized that I just didn't want to do it." When the network came back asking him to do another show, Gleason was in California making a picture. He said yes, but with one condition: "I said, 'All right.' I said, 'But I want a train that goes to Florida.' Because I had come down here and played golf and liked it and I figured might as well go to Florida and do the show. Play golf all the time and they went for it." They went for it. What followed was a rolling party across the country. Gleason describes what was on the train: "Everything. We had two Dixieland bands come from California and they would spell each other. I'd say to them, 'Take five miles,' and the parties went on 24 hours." Asked if there were girls on the train, he laughs: "Boy, there were girls. There certainly were. And they were very, very nice girls. Nothing on it happened. I know that sounds ridiculous, but it didn't. Might have been because the berths were too small, but regardless of that, nothing happened on that trip." Asked if there was a bar on the train, his answer is perfect: "A bar. The train was a bar. I guess that's a classic example of what clout is." Then he delivers the line that sums up the whole story: "'Send a train, please.' That's right. When you've got good ratings and you're one, two, or three in the ratings, there is nothing your little heart desires that they don't provide."
1:42

Jackie Gleason, the legendary American comedian and star of "The Honeymooners", on the time he got CBS to send him a private train to Miami: In the 1960s, Gleason decided he didn't want to shoot his show in New York anymore. He wanted to do it in Miami, and he wanted to get there in style. "When we're doing the Honeymooners, I had a big contract for that for two years. And after the first year, I said I didn't want to do it. And they didn't believe me. They thought I had a job somewhere else. And finally, they realized that I just didn't want to do it." When the network came back asking him to do another show, Gleason was in California making a picture. He said yes, but with one condition: "I said, 'All right.' I said, 'But I want a train that goes to Florida.' Because I had come down here and played golf and liked it and I figured might as well go to Florida and do the show. Play golf all the time and they went for it." They went for it. What followed was a rolling party across the country. Gleason describes what was on the train: "Everything. We had two Dixieland bands come from California and they would spell each other. I'd say to them, 'Take five miles,' and the parties went on 24 hours." Asked if there were girls on the train, he laughs: "Boy, there were girls. There certainly were. And they were very, very nice girls. Nothing on it happened. I know that sounds ridiculous, but it didn't. Might have been because the berths were too small, but regardless of that, nothing happened on that trip." Asked if there was a bar on the train, his answer is perfect: "A bar. The train was a bar. I guess that's a classic example of what clout is." Then he delivers the line that sums up the whole story: "'Send a train, please.' That's right. When you've got good ratings and you're one, two, or three in the ratings, there is nothing your little heart desires that they don't provide."

Emmett Voss

289,880 görüntüleme • 2 ay önce

Burt Lancaster on how he got cast in "The Leopard" (1963) after he rejected it the first time: "I bought 11 copies of ‘The Leopard’ because I thought it was a great novel. I gave it to everyone. But when I was asked to play in it, I said, no, that part’s for a real Italian. But, lo, the wheels of fortune turned. They wanted a Russian, but he was too old. They wanted Laurence Olivier, but he was too busy. When I was suggested, Visconti said, ‘Oh, no! A cowboy!’ But I had just finished ‘Judgment at Nuremberg,’ which he saw, and he needed $3 million which 20th Century-Fox would give them if they used an American star, and so the inevitable occurred. And it turned out to be a wonderful marriage. My best work. But you see, nobody told me not to do it. I was the one who said I couldn’t do it.” (Burt Lancaster's interview with Roger Ebert, 1986)
1:29

Burt Lancaster on how he got cast in "The Leopard" (1963) after he rejected it the first time: "I bought 11 copies of ‘The Leopard’ because I thought it was a great novel. I gave it to everyone. But when I was asked to play in it, I said, no, that part’s for a real Italian. But, lo, the wheels of fortune turned. They wanted a Russian, but he was too old. They wanted Laurence Olivier, but he was too busy. When I was suggested, Visconti said, ‘Oh, no! A cowboy!’ But I had just finished ‘Judgment at Nuremberg,’ which he saw, and he needed $3 million which 20th Century-Fox would give them if they used an American star, and so the inevitable occurred. And it turned out to be a wonderful marriage. My best work. But you see, nobody told me not to do it. I was the one who said I couldn’t do it.” (Burt Lancaster's interview with Roger Ebert, 1986)

DepressedBergman

136,028 görüntüleme • 3 ay önce

Reporter: The FIFA decision. Millions of American soccer fans are obviously very happy, but what do you say to the critics who say this sets a precedent that other powerful leaders— Trump: Well, I don’t know. I mean, I can only say this: I had nothing to do with the decision. What I did do is say, “I think that should be reviewed,” because I watched the play, and he didn’t do anything wrong. You’ve got to look at it. By the way, if he did, I’d probably feel differently. If he punched him in the face or did something wrong… I thought your young, wonderful basketball player, Caitlin—I thought she was treated rather rough, if you want to know the truth. That was a much different kind of an event. That was a pretty bad event. But in this case, he didn’t do anything wrong. Two people ran into each other. And by the way, if you look at that game, there were 10 instances that were much rougher than that. So I think it starts with the fact that it shouldn’t have been a foul. Then you have to look at the person who raised the card, and that’s up to you people. You look at it. But I didn’t think it was very good because it was not good.
1:56

Reporter: The FIFA decision. Millions of American soccer fans are obviously very happy, but what do you say to the critics who say this sets a precedent that other powerful leaders— Trump: Well, I don’t know. I mean, I can only say this: I had nothing to do with the decision. What I did do is say, “I think that should be reviewed,” because I watched the play, and he didn’t do anything wrong. You’ve got to look at it. By the way, if he did, I’d probably feel differently. If he punched him in the face or did something wrong… I thought your young, wonderful basketball player, Caitlin—I thought she was treated rather rough, if you want to know the truth. That was a much different kind of an event. That was a pretty bad event. But in this case, he didn’t do anything wrong. Two people ran into each other. And by the way, if you look at that game, there were 10 instances that were much rougher than that. So I think it starts with the fact that it shouldn’t have been a foul. Then you have to look at the person who raised the card, and that’s up to you people. You look at it. But I didn’t think it was very good because it was not good.

Acyn

109,353 görüntüleme • 8 gün önce

250727 warning in taipei #우지 white puppy trainee woozi <3 👤 i never scolded them, there were times when everyone was scolded and howoo were present, i have no memory of scolding howoo individually. they were the standard for trainees. woozi was able to learn choreography within an hour but he didn’t go home and waited for the others. so he was someone who never really expressed [when he had hardships]. if i were to give an extreme example, when he was a trainee he had to remove his wisdom teeth but he went to the practice room and sat there alone. so i asked him what was wrong and it was to the level where he said it was so painful that he wanted to go home. he was someone who even when he was in pain he didn’t express it, if he was struggling he didn’t say so, a white puppy who listened to instructions well
0:55

250727 warning in taipei #우지 white puppy trainee woozi <3 👤 i never scolded them, there were times when everyone was scolded and howoo were present, i have no memory of scolding howoo individually. they were the standard for trainees. woozi was able to learn choreography within an hour but he didn’t go home and waited for the others. so he was someone who never really expressed [when he had hardships]. if i were to give an extreme example, when he was a trainee he had to remove his wisdom teeth but he went to the practice room and sat there alone. so i asked him what was wrong and it was to the level where he said it was so painful that he wanted to go home. he was someone who even when he was in pain he didn’t express it, if he was struggling he didn’t say so, a white puppy who listened to instructions well

🌌

27,216 görüntüleme • 11 ay önce

Travis Kelce says he got hammered and thought he was about to get rich off Warren Buffett. Then he opened his mouth “I go to a huge music festival in the Hamptons. I go with a bunch of guys from New York in the money world, finance guys” “I immediately start having beverages, the Kelce way. I get shitfaced. Don’t even know who’s performing” “A guy comes up and says, ‘Dude, Buffett’s here. He wants to meet you.’ I’m like, Holy sh*t, that’s big money. I’m way too hammered to talk finances” “Get a water, get it together. I go meet Buffett, shake his hand, and we have the best conversation I’ve ever had in my life. He’s smiling ear to ear. I’m thinking I’m gonna be rich, he’s gonna invite me in on all his investments” “And he starts telling me this story about picking up the guitar in high school. And I go, right to his face: ‘No way. Warren Buffett played the guitar?’” “And his face went from smiling ear to ear to not smiling at all… and then he got tapped on the shoulder because he had to go sing Margaritaville” “That was me mistaking Jimmy Buffett for Warren Buffett”
2:12

Travis Kelce says he got hammered and thought he was about to get rich off Warren Buffett. Then he opened his mouth “I go to a huge music festival in the Hamptons. I go with a bunch of guys from New York in the money world, finance guys” “I immediately start having beverages, the Kelce way. I get shitfaced. Don’t even know who’s performing” “A guy comes up and says, ‘Dude, Buffett’s here. He wants to meet you.’ I’m like, Holy sh*t, that’s big money. I’m way too hammered to talk finances” “Get a water, get it together. I go meet Buffett, shake his hand, and we have the best conversation I’ve ever had in my life. He’s smiling ear to ear. I’m thinking I’m gonna be rich, he’s gonna invite me in on all his investments” “And he starts telling me this story about picking up the guitar in high school. And I go, right to his face: ‘No way. Warren Buffett played the guitar?’” “And his face went from smiling ear to ear to not smiling at all… and then he got tapped on the shoulder because he had to go sing Margaritaville” “That was me mistaking Jimmy Buffett for Warren Buffett”

katsu

2,703,084 görüntüleme • 6 gün önce

Despite a win and bonus at UFC Winnipeg, Charles Jourdain wasn't happy with his performance: "I was very pissed at myself because I came in with only one strategy, and I don’t think that’s good for where I want to be in this sport. To come in and just be like, ‘Ok, I know what Kyler Phillips is going to do...’ I think I underestimated—not Kyler Phillips—but the fact that he comes from the MMA Lab. They have Mario Bautista, Sean O’Malley, Marcus McGhee, Kyler Phillips—they have a big group of very good bantamweights. The fact that he was always moving on the outside—he was very annoying. I wasn’t able to establish my boxing, and as soon as I overreached, he went to the body lock."
2:30

Despite a win and bonus at UFC Winnipeg, Charles Jourdain wasn't happy with his performance: "I was very pissed at myself because I came in with only one strategy, and I don’t think that’s good for where I want to be in this sport. To come in and just be like, ‘Ok, I know what Kyler Phillips is going to do...’ I think I underestimated—not Kyler Phillips—but the fact that he comes from the MMA Lab. They have Mario Bautista, Sean O’Malley, Marcus McGhee, Kyler Phillips—they have a big group of very good bantamweights. The fact that he was always moving on the outside—he was very annoying. I wasn’t able to establish my boxing, and as soon as I overreached, he went to the body lock."

Ariel Helwani

29,928 görüntüleme • 2 ay önce

Howard Hawks on his meeting with Al Capone & what Capone and another famous Chicago gangster thought about 'Scarface' (1932) when they saw the film: "Interviewer: Did you have any contact with Al Capone while making the picture? Hawks: While we were making 'Scarface' (1932), five or six of them came out and said, “The boss wants us to see the picture.” And I said, “You go and tell him when it comes out, he can pay a dollar and buy a ticket. You don’t scare me. Why the hell don’t you come out and just ask to see it?” They reported to Capone that it was just great, and they invited me to Chicago to see him. They met me at the train, and they were late. One of the fellows said, “There was a killing last night and we had to go to the funeral.” I said, “Do I have to ride with you if there was a killing last night?” They said I could ride in a different car. But when we went into a café, they would sit with their backs to the wall, and I had my back to the door. We had some damn good-looking girls with us, a bit brassy but very pretty. When I saw Capone, we had tea, and he was dressed in a morning coat, striped trousers, a carnation, being a very nice man, saying how much he liked the picture. I was with him two, three hours. Then he asked me to come again, and I stopped by there. But there was a shooting in Chicago, so they said that he couldn’t come because he was hiding out in Atlantic City or something. Then he came to see me when I was working in Hollywood, and the cops came and arrested him right on the set. Interviewer: So he did see 'Scarface'? Hawks: Five or six times. He had his own print of it. He thought it was great. He’d say, “Jesus Christ, you guys got a lot of stuff in that picture! How’d you know about that?” I said, “Look—you know how somebody can’t testify if he’s a lawyer? Well, I’m a lawyer.” And he laughed. He didn’t give a damn. Another famous gangster brought two very lovely daughters out to watch the movie and introduced himself to me. He said, “Where’d you get that stuff in that killing?” I asked him, “Why? Are you mad?” He said, “No, I’m just curious.” I told him, and he laughed, and he said, “That’s the way we did the shooting. Why hasn’t the picture played in Chicago?” I said, “They won’t let me.” He said, “Do you want it to play?” I said yeah. And he said, “Can I use your phone a minute?” When he finished he said, “You can play it any time you want.” ('Hawks on Hawks', Joseph McBride, 1982) P.S: On this day, 94 years ago, 'Scarface' (1932) premiered in New Orleans, Luisiana.
1:22

Howard Hawks on his meeting with Al Capone & what Capone and another famous Chicago gangster thought about 'Scarface' (1932) when they saw the film: "Interviewer: Did you have any contact with Al Capone while making the picture? Hawks: While we were making 'Scarface' (1932), five or six of them came out and said, “The boss wants us to see the picture.” And I said, “You go and tell him when it comes out, he can pay a dollar and buy a ticket. You don’t scare me. Why the hell don’t you come out and just ask to see it?” They reported to Capone that it was just great, and they invited me to Chicago to see him. They met me at the train, and they were late. One of the fellows said, “There was a killing last night and we had to go to the funeral.” I said, “Do I have to ride with you if there was a killing last night?” They said I could ride in a different car. But when we went into a café, they would sit with their backs to the wall, and I had my back to the door. We had some damn good-looking girls with us, a bit brassy but very pretty. When I saw Capone, we had tea, and he was dressed in a morning coat, striped trousers, a carnation, being a very nice man, saying how much he liked the picture. I was with him two, three hours. Then he asked me to come again, and I stopped by there. But there was a shooting in Chicago, so they said that he couldn’t come because he was hiding out in Atlantic City or something. Then he came to see me when I was working in Hollywood, and the cops came and arrested him right on the set. Interviewer: So he did see 'Scarface'? Hawks: Five or six times. He had his own print of it. He thought it was great. He’d say, “Jesus Christ, you guys got a lot of stuff in that picture! How’d you know about that?” I said, “Look—you know how somebody can’t testify if he’s a lawyer? Well, I’m a lawyer.” And he laughed. He didn’t give a damn. Another famous gangster brought two very lovely daughters out to watch the movie and introduced himself to me. He said, “Where’d you get that stuff in that killing?” I asked him, “Why? Are you mad?” He said, “No, I’m just curious.” I told him, and he laughed, and he said, “That’s the way we did the shooting. Why hasn’t the picture played in Chicago?” I said, “They won’t let me.” He said, “Do you want it to play?” I said yeah. And he said, “Can I use your phone a minute?” When he finished he said, “You can play it any time you want.” ('Hawks on Hawks', Joseph McBride, 1982) P.S: On this day, 94 years ago, 'Scarface' (1932) premiered in New Orleans, Luisiana.

DepressedBergman

67,217 görüntüleme • 3 ay önce

🚨 “I didn’t want the vaccine at all.” 🚨 Bill Maher says he didn’t want the COVID vaccine but felt he had no choice if he wanted to keep living his life. “I did have to conform.” “Not that I’m against all vaccines, just I didn’t think I needed that one.” “But I had to have it. I couldn’t have continued my life.” “They wouldn’t have let me do the show, and I had to do it here. I did it in this room.” Adam Carolla Bill Maher
0:41

🚨 “I didn’t want the vaccine at all.” 🚨 Bill Maher says he didn’t want the COVID vaccine but felt he had no choice if he wanted to keep living his life. “I did have to conform.” “Not that I’m against all vaccines, just I didn’t think I needed that one.” “But I had to have it. I couldn’t have continued my life.” “They wouldn’t have let me do the show, and I had to do it here. I did it in this room.” Adam Carolla Bill Maher

Children’s Health Defense

12,061 görüntüleme • 5 ay önce

This High School baseball coach sounds like has his hands full. I feel for him. He kicked this senior off the baseball team. Listen to the senior laugh and then try to degrade the coach. When asked why he was kicked off he said the reason was they took him out of the game (for who knows what) and they didn’t speak to him about it. So, he got on his phone in the dugout and was texting with his mom telling her to not bother to come to the game. Everyone knows you aren’t to be on your phone in high school during a game. Just by listening to the student and also the fact the coach had an officer present, I can tell what I already need to know. Sounds like the coach is trying to turn a program around. Do you think the coach made the right decision? Context is everything I know, but listening to him, can’t you kind of gather what the issue is? Who thinks this is exactly what is wrong with our younger generation?
0:53

This High School baseball coach sounds like has his hands full. I feel for him. He kicked this senior off the baseball team. Listen to the senior laugh and then try to degrade the coach. When asked why he was kicked off he said the reason was they took him out of the game (for who knows what) and they didn’t speak to him about it. So, he got on his phone in the dugout and was texting with his mom telling her to not bother to come to the game. Everyone knows you aren’t to be on your phone in high school during a game. Just by listening to the student and also the fact the coach had an officer present, I can tell what I already need to know. Sounds like the coach is trying to turn a program around. Do you think the coach made the right decision? Context is everything I know, but listening to him, can’t you kind of gather what the issue is? Who thinks this is exactly what is wrong with our younger generation?

👉M-Û-R-Č-H👈

1,331,353 görüntüleme • 3 ay önce

NEW: Stephen A. Smith FIRES shots straight at the Democrat Party....blaming them for the war in Ukraine and saying Trump has done MORE to solve it than ANY Democrat. He didn’t hesitate to call it like he saw it. “So we’re not pointing all the fingers at the Democratic Party, but in the end if we’re gonna tell the story…let’s tell the story to the American people and give them a clear depiction of what is transpiring before our very eyes.” “When I see a flagrant intent not to do that just because you want to get at Trump—listen—I don’t hesitate to criticize the president when I feel he deserves it.” “Donald Trump has had a few occasions where he deserves criticism.” “But on this particular situation he’s done MORE than we’ve seen any Democrat in office try to do when it comes to Russia and I just don’t get it.” “So I said so and I don’t regret it.”
0:38

NEW: Stephen A. Smith FIRES shots straight at the Democrat Party....blaming them for the war in Ukraine and saying Trump has done MORE to solve it than ANY Democrat. He didn’t hesitate to call it like he saw it. “So we’re not pointing all the fingers at the Democratic Party, but in the end if we’re gonna tell the story…let’s tell the story to the American people and give them a clear depiction of what is transpiring before our very eyes.” “When I see a flagrant intent not to do that just because you want to get at Trump—listen—I don’t hesitate to criticize the president when I feel he deserves it.” “Donald Trump has had a few occasions where he deserves criticism.” “But on this particular situation he’s done MORE than we’ve seen any Democrat in office try to do when it comes to Russia and I just don’t get it.” “So I said so and I don’t regret it.”

The Vigilant Fox 🦊

28,857 görüntüleme • 10 ay önce

haoshua on vanity fair — shua vs minghao and the waffle knit shirt 😭 🎙️Tell the person next to you a secret you’ve always wanted to tell them 🦌 When we went to Hong Kong recently and you bought the same thing that I did, I was a little upset 🐸 (burst out laughing) 🦌 I went to a clothing store as soon as I arrived in Hong Kong for the concert, and I bought something there, like a waffle knit shirt. I just bought that and kept it in my luggage because I was going to wear it sometime else. The next day, at our concert, he’s wearing the same waffle shirt. And I asked him, ‘When did you get that? I bought the exact same thing yesterday.’ He bought it on the same day at a different time, and he is showcasing that in front of the fans before me, when I bought it first. So I felt like the image the fans might get is like, ‘Oh, he thought he bought, like a cool shirt! He followed him.’ 🐸 That’s right. That’s what he did
1:01

haoshua on vanity fair — shua vs minghao and the waffle knit shirt 😭 🎙️Tell the person next to you a secret you’ve always wanted to tell them 🦌 When we went to Hong Kong recently and you bought the same thing that I did, I was a little upset 🐸 (burst out laughing) 🦌 I went to a clothing store as soon as I arrived in Hong Kong for the concert, and I bought something there, like a waffle knit shirt. I just bought that and kept it in my luggage because I was going to wear it sometime else. The next day, at our concert, he’s wearing the same waffle shirt. And I asked him, ‘When did you get that? I bought the exact same thing yesterday.’ He bought it on the same day at a different time, and he is showcasing that in front of the fans before me, when I bought it first. So I felt like the image the fans might get is like, ‘Oh, he thought he bought, like a cool shirt! He followed him.’ 🐸 That’s right. That’s what he did

pastelmoon ✈︎

312,266 görüntüleme • 7 ay önce

George Lucas on how he had to reluctantly write the screenplay for 'American Graffiti' (1973) & the confidence he gained from the movie's success: "When I was doing 'American Graffiti' (1973) I was still struggling with my ‘I don’t want to be a writer’ syndrome. I had some good friends of mine that I wanted to write the screenplay, but it took me like two years just to get the money to do a screenplay. And I got a little tiny amount of money and—which I had to go actually to the Cannes Film Festival to get on my own. So finally I got this money. I called back and I said, you know, “I got the money. We can start working on the screenplay.” And they said, “Oh, we don’t want to do that now. We’ve got our own low-budget picture off the ground and we can’t write it.” I said, “Oh no.” I said, “What am I going to do? I am in Europe and I’m not going to be back for like three months and I want to get this thing off the ground.” So they recommended another student from school that I knew pretty well. I had a story treatment that laid out the entire story scene by scene, so I called him over the phone from London and I said, “Do you want to do this?” And he said, “Okay.” The person I was working with at that time as a producer made a deal with him for the whole money because there wasn’t very much. It was so tiny that he could only get him to do it for the whole amount of money. When I came back from England, the screenplay was a completely different screenplay from the story treatment. It was more like 'Hot Rods to Hell' (1967). It was very fantasy-like, with playing chicken and things that kids didn’t really do. I wanted something that was more like the way I grew up. So I took that and I said, “Okay. Now here I am. I’ve got a deal to turn in a screenplay. I’ve got a screenplay that is just not the kind of screenplay I want at all and I have no money.” And, I spent the very last money I had saved up to go to Europe to make the deal, so I had nothing. That was a very dark period for me so I sat down myself and wrote the screenplay. After I did 'American Graffiti', and it was successful, it was a big moment for me because I really did sit down with myself and say, “Okay, now I am a director. Now I know I can get a job. I can work in this industry, and apply my trade, and express my ideas on things and be creative in a way that I enjoy. Even if I end up doing TV commercials or something, or I fall back into what I really love is documentaries. I’ll be able to do it. I know I can get a job somewhere. I know I can raise money somewhere. I know I can do what I want to do.” That was a very good feeling. At that point, I’d made it. There wasn’t anything in my life that was going to stop me from making movies." ('‘American Graffiti’ at 52: A Sentimentally Affectionate Look at America Before the Collective Loss of Innocence', Sven Mikulec, Cinephilia & Beyond)
1:46

George Lucas on how he had to reluctantly write the screenplay for 'American Graffiti' (1973) & the confidence he gained from the movie's success: "When I was doing 'American Graffiti' (1973) I was still struggling with my ‘I don’t want to be a writer’ syndrome. I had some good friends of mine that I wanted to write the screenplay, but it took me like two years just to get the money to do a screenplay. And I got a little tiny amount of money and—which I had to go actually to the Cannes Film Festival to get on my own. So finally I got this money. I called back and I said, you know, “I got the money. We can start working on the screenplay.” And they said, “Oh, we don’t want to do that now. We’ve got our own low-budget picture off the ground and we can’t write it.” I said, “Oh no.” I said, “What am I going to do? I am in Europe and I’m not going to be back for like three months and I want to get this thing off the ground.” So they recommended another student from school that I knew pretty well. I had a story treatment that laid out the entire story scene by scene, so I called him over the phone from London and I said, “Do you want to do this?” And he said, “Okay.” The person I was working with at that time as a producer made a deal with him for the whole money because there wasn’t very much. It was so tiny that he could only get him to do it for the whole amount of money. When I came back from England, the screenplay was a completely different screenplay from the story treatment. It was more like 'Hot Rods to Hell' (1967). It was very fantasy-like, with playing chicken and things that kids didn’t really do. I wanted something that was more like the way I grew up. So I took that and I said, “Okay. Now here I am. I’ve got a deal to turn in a screenplay. I’ve got a screenplay that is just not the kind of screenplay I want at all and I have no money.” And, I spent the very last money I had saved up to go to Europe to make the deal, so I had nothing. That was a very dark period for me so I sat down myself and wrote the screenplay. After I did 'American Graffiti', and it was successful, it was a big moment for me because I really did sit down with myself and say, “Okay, now I am a director. Now I know I can get a job. I can work in this industry, and apply my trade, and express my ideas on things and be creative in a way that I enjoy. Even if I end up doing TV commercials or something, or I fall back into what I really love is documentaries. I’ll be able to do it. I know I can get a job somewhere. I know I can raise money somewhere. I know I can do what I want to do.” That was a very good feeling. At that point, I’d made it. There wasn’t anything in my life that was going to stop me from making movies." ('‘American Graffiti’ at 52: A Sentimentally Affectionate Look at America Before the Collective Loss of Innocence', Sven Mikulec, Cinephilia & Beyond)

DepressedBergman

56,916 görüntüleme • 6 ay önce

Inspired talking about Skewmond and" the best jungler in the west" debate Q: Everyone was talking a lot of Skewmond, and I would like to know about: do you believe like the series put an end to any debate about the best jungler in the West? Inspired: To me, there was never a debate. I knew that I’m always the best, but I think Skewmond is a good player. I wouldn’t say that he had any phenomenal series, though, this tournament. I think he, against T1, he still made a lot of mistakes. When he was stronger, he didn’t really try to fight enemies, and or sometimes just over committed a bit, and I think G2 won against T1 just by waiting for T1 to make mistakes. I think today, I think Skewmond played well in the team fights. I think every time he was on my screen and we’re like skirmishing and team fighting, I think he did a good job. But I think just like team wise, and like how they all played together as a team and use their jungler was wrong. And it’s hard to say, as I always said, that don’t really know who’s there like which jungler is good because you don’t really know what was his idea beyond the game plan, what his teammates wanted to do. But it just seems like they were not connected well enough, and on top of that, as I said, I think the drafts were not that great. So yeah, I think he’s a good player, but I think they need to work more on team synergy in order to actually pressure when they’re strong if they want to be like the best in the world, because I think they definitely can, but need to work a bit more. Source:
1:18

Inspired talking about Skewmond and" the best jungler in the west" debate Q: Everyone was talking a lot of Skewmond, and I would like to know about: do you believe like the series put an end to any debate about the best jungler in the West? Inspired: To me, there was never a debate. I knew that I’m always the best, but I think Skewmond is a good player. I wouldn’t say that he had any phenomenal series, though, this tournament. I think he, against T1, he still made a lot of mistakes. When he was stronger, he didn’t really try to fight enemies, and or sometimes just over committed a bit, and I think G2 won against T1 just by waiting for T1 to make mistakes. I think today, I think Skewmond played well in the team fights. I think every time he was on my screen and we’re like skirmishing and team fighting, I think he did a good job. But I think just like team wise, and like how they all played together as a team and use their jungler was wrong. And it’s hard to say, as I always said, that don’t really know who’s there like which jungler is good because you don’t really know what was his idea beyond the game plan, what his teammates wanted to do. But it just seems like they were not connected well enough, and on top of that, as I said, I think the drafts were not that great. So yeah, I think he’s a good player, but I think they need to work more on team synergy in order to actually pressure when they’re strong if they want to be like the best in the world, because I think they definitely can, but need to work a bit more. Source:

Yujin Ha

107,964 görüntüleme • 1 gün önce

Next up, letter I: “Intro - A Million and One Questions / Rhyme No More” #JayZ30 #JayZ DJ Premier: “That one was totally his [Jay-Z’s] idea. He called me and said, ‘I want to do this intro to the album [In My Lifetime, Vol. 1].’ Even when we were doing ‘Reasonable Doubt,’ same thing. He would call me, and he would rap the rhyme on the phone a cappella. So, with this one, same thing. He did the whole ‘A Million and One’ verse for me over the phone with the idea, and he said, ‘I want it to connect some type of way ... and I’m gonna go motherfuckers can’t ... and when I say rhyme, I want the drop.’ He's very calculated on how he wants to do his thing ... he goes in there and cuts it. I’ve never seen him write anything on paper. I’ve been in many sessions with him and never seen him write.”
5:22

Next up, letter I: “Intro - A Million and One Questions / Rhyme No More” #JayZ30 #JayZ DJ Premier: “That one was totally his [Jay-Z’s] idea. He called me and said, ‘I want to do this intro to the album [In My Lifetime, Vol. 1].’ Even when we were doing ‘Reasonable Doubt,’ same thing. He would call me, and he would rap the rhyme on the phone a cappella. So, with this one, same thing. He did the whole ‘A Million and One’ verse for me over the phone with the idea, and he said, ‘I want it to connect some type of way ... and I’m gonna go motherfuckers can’t ... and when I say rhyme, I want the drop.’ He's very calculated on how he wants to do his thing ... he goes in there and cuts it. I’ve never seen him write anything on paper. I’ve been in many sessions with him and never seen him write.”

Luis

118,307 görüntüleme • 22 gün önce

Joe Rogan issues a HEARTFELT apology to Theo Von over his recent comments: “I apologized to Theo. He knows I love him and he said that and we laughed and we joked around about it and I apologized for the way I talked about this. But I felt like I needed to explain to other people too, to get what was going on in my mind out and it certainly wasn’t like covering for Israel and it wasn’t trying to paint him out like he’s damaged or treat him like a child.” “I just want him to be okay. And when you’re dealing with someone, or when you have had experience dealing with someone where it winds up going very badly, and then you’re just left with this feeling, like, what could I have done? You know, I didn’t do a good job of it, especially the Marcus King thing. That’s terrible what I did. I didn’t mean to.” “I was just trying to—you don’t think sometimes when you are in the middle of a podcast. You’re having a conversation, you don’t think about the impact that it’s gonna have. That’s one of the reasons why, you know, podcasts are so weird because like you’re in the middle of trying to be entertaining, but you’re also just having a conversation and I f*cked up because I felt so badly about it. It was like there’s got to be a way to address this where I just express myself and so that’s why we’ve never done this before.” “We’ve never done this kind of a thing after a podcast, but it was very important to me. He’s an awesome person, a great friend, and one of the most interesting and funny people I’ve ever met in my life. And I just felt terrible about it. And I told them I would never bring it up publicly again, but I think it is important to let people know that aspect of it.” “So I’m gonna call him and clear this with him and make sure he’s cool with me saying this, but I’m pretty sure he is gonna be. And that’s it… I’m a human and I’m flawed like all of us and I f*ck up and it’s probably not the last time. It’s definitely not. I’m going to f*ck up again. But my intention is never to hurt anybody, ever. And that’s why I mean I very rarely if ever even get upset at anyone other than like corrupt politicians. But I do my best to just try to be a good person, spread positivity.”
2:26

Joe Rogan issues a HEARTFELT apology to Theo Von over his recent comments: “I apologized to Theo. He knows I love him and he said that and we laughed and we joked around about it and I apologized for the way I talked about this. But I felt like I needed to explain to other people too, to get what was going on in my mind out and it certainly wasn’t like covering for Israel and it wasn’t trying to paint him out like he’s damaged or treat him like a child.” “I just want him to be okay. And when you’re dealing with someone, or when you have had experience dealing with someone where it winds up going very badly, and then you’re just left with this feeling, like, what could I have done? You know, I didn’t do a good job of it, especially the Marcus King thing. That’s terrible what I did. I didn’t mean to.” “I was just trying to—you don’t think sometimes when you are in the middle of a podcast. You’re having a conversation, you don’t think about the impact that it’s gonna have. That’s one of the reasons why, you know, podcasts are so weird because like you’re in the middle of trying to be entertaining, but you’re also just having a conversation and I f*cked up because I felt so badly about it. It was like there’s got to be a way to address this where I just express myself and so that’s why we’ve never done this before.” “We’ve never done this kind of a thing after a podcast, but it was very important to me. He’s an awesome person, a great friend, and one of the most interesting and funny people I’ve ever met in my life. And I just felt terrible about it. And I told them I would never bring it up publicly again, but I think it is important to let people know that aspect of it.” “So I’m gonna call him and clear this with him and make sure he’s cool with me saying this, but I’m pretty sure he is gonna be. And that’s it… I’m a human and I’m flawed like all of us and I f*ck up and it’s probably not the last time. It’s definitely not. I’m going to f*ck up again. But my intention is never to hurt anybody, ever. And that’s why I mean I very rarely if ever even get upset at anyone other than like corrupt politicians. But I do my best to just try to be a good person, spread positivity.”

RedWave Press

2,265,707 görüntüleme • 1 ay önce

A player at a casino was accused of being too good and kept winning, they forced him to return all of his chips and cashed him out and told him to leave, there were whispers that they thought he was card counting. I never been to any place where they forced you to do a return and sent you on your way. But I have heard of retail places doing that. When the customer tries to argue at the register they are like you know what, here take your money back and leave. Back when the PS5 came out I was desperate to get one for my kid too, I was searching online for those obscure local stores that had them. I found one in Rochester, NY. I placed the order and got a confirmation and a notification from my bank saying an amount was taken out by them. So I figured they had it and it was fine. A week later after I didn’t get it, I called and he said yes he still had it but he’s been busy and will ship it out asap. I was like ok cool, so another week went by and I called him again and asked what the hold up was. This time around the guy was quite nasty and told me I needed to be patient because he was dealing with some stuff. He then said “you are acting like you don’t want it!” Which was weird because if I didn’t want it I wouldn’t be checking on why I didn’t get it yet. Next day I wake up to a notification from my bank saying the amount taken was credited back to my account and it showed the retailers name. He cancelled my order and refunded my money. So I called again and he said I was harassing him and he rather not sell to people like me. At that point I was furious but what could I do. I was thinking maybe he didn’t have it all along, maybe he only listed it as a means of bringing attention to his store in hopes people browse and buy other items too. Either way the idea of a place of business saying they don’t want my business and giving me my money back and refusing service is ridiculous to me.
2:57

A player at a casino was accused of being too good and kept winning, they forced him to return all of his chips and cashed him out and told him to leave, there were whispers that they thought he was card counting. I never been to any place where they forced you to do a return and sent you on your way. But I have heard of retail places doing that. When the customer tries to argue at the register they are like you know what, here take your money back and leave. Back when the PS5 came out I was desperate to get one for my kid too, I was searching online for those obscure local stores that had them. I found one in Rochester, NY. I placed the order and got a confirmation and a notification from my bank saying an amount was taken out by them. So I figured they had it and it was fine. A week later after I didn’t get it, I called and he said yes he still had it but he’s been busy and will ship it out asap. I was like ok cool, so another week went by and I called him again and asked what the hold up was. This time around the guy was quite nasty and told me I needed to be patient because he was dealing with some stuff. He then said “you are acting like you don’t want it!” Which was weird because if I didn’t want it I wouldn’t be checking on why I didn’t get it yet. Next day I wake up to a notification from my bank saying the amount taken was credited back to my account and it showed the retailers name. He cancelled my order and refunded my money. So I called again and he said I was harassing him and he rather not sell to people like me. At that point I was furious but what could I do. I was thinking maybe he didn’t have it all along, maybe he only listed it as a means of bringing attention to his store in hopes people browse and buy other items too. Either way the idea of a place of business saying they don’t want my business and giving me my money back and refusing service is ridiculous to me.

SonnyBoy🇺🇸

767,336 görüntüleme • 16 gün önce