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Watch my pussy while I stuff it the way it was made for 🩷 #rape #rapeme #rapefantasy #rapebait #porn #nudes #wet #horny #fuckme #slut #dmsopen #naked #tits #tight #sexy #sex #pussy #porn #nsfwtwt #nsfw #whore #slut #lingerie #rapemeat #fuckmeat #rapetoy #NoLimits #dildo

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Nicki Glaser: I can't get off without watching porn. Joe Rogan: You can't get off at all without watching porn? Nicki Glaser: Not even close. I wouldn't even try. If my internet was down we had a power outage the other day at my house and it was just like, "Okay, well, I would be screwed without I couldn't do it. I mean, I would figure out a way. I think I would manage. but if my if my toys aren't working and aren't plugged in, and if I don't have porn, I'm just not getting off. I've never been someone who can do it manually and, and with my imagination. It's really a problem, because the porn I watch is like, not good. Joe Rogan: What kind? Nicki Glaser: Joe... Joe, Joe, Joe. Joe Rogan: Nicki, Nicki, Nicki. Nicki Glaser: Um, dude, it's bad. I mean, I got a threat on like, a DM from just some fucking troll a while back that was like, If I put out a hit on the dark web for you to be gang-raped and asked paid the guys $100,000 to do it I can make that happen and you know someone would accept that." And I was like "Jokes on you, that's my fantasy." Now, I mean I was... I don't really mean that. Please do not do that. Joe Rogan: (Chuckles) Nicki Glaser: But I was also like, no, that's I'm not joking, like, that's tends to be the stuff that I watch is like really aggressive, gangbangs, and like women tied up. I pay for my porn because I feel so bad what's happening to the women in it. I hope that they are being compensated for it. So I pay, like, 30 bucks a month for I'm watching really fucked up stuff. Um, and I've always been to. been into like being tied up and like I I'm someone who doesn't feel like I deserve pleasure without, like, having pain.
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Nicki Glaser: I can't get off without watching porn. Joe Rogan: You can't get off at all without watching porn? Nicki Glaser: Not even close. I wouldn't even try. If my internet was down we had a power outage the other day at my house and it was just like, "Okay, well, I would be screwed without I couldn't do it. I mean, I would figure out a way. I think I would manage. but if my if my toys aren't working and aren't plugged in, and if I don't have porn, I'm just not getting off. I've never been someone who can do it manually and, and with my imagination. It's really a problem, because the porn I watch is like, not good. Joe Rogan: What kind? Nicki Glaser: Joe... Joe, Joe, Joe. Joe Rogan: Nicki, Nicki, Nicki. Nicki Glaser: Um, dude, it's bad. I mean, I got a threat on like, a DM from just some fucking troll a while back that was like, If I put out a hit on the dark web for you to be gang-raped and asked paid the guys $100,000 to do it I can make that happen and you know someone would accept that." And I was like "Jokes on you, that's my fantasy." Now, I mean I was... I don't really mean that. Please do not do that. Joe Rogan: (Chuckles) Nicki Glaser: But I was also like, no, that's I'm not joking, like, that's tends to be the stuff that I watch is like really aggressive, gangbangs, and like women tied up. I pay for my porn because I feel so bad what's happening to the women in it. I hope that they are being compensated for it. So I pay, like, 30 bucks a month for I'm watching really fucked up stuff. Um, and I've always been to. been into like being tied up and like I I'm someone who doesn't feel like I deserve pleasure without, like, having pain.

👑 𝐓𝐇𝐄 𝐊𝐈𝐍𝐆

7,604,650 просмотров • 2 месяцев назад

Mia Malkova says she only became a TRUE STAR in the ADULT WORLD once she started showing her real personality instead of just the overly sexualized version of herself "I only feel like in the last maybe four or five years I've really started showcasing my personality." "Beforehand, it was mainly just like a very overly sexualized version of me before like the real social media boom." "I do have a I think I have a big personality." "Originally though, with the adult industry and the sex work I was a big slut, and I wasn't thinking business-wise at all. I was literally just there for a good time, and I was loving every minute of it." "So I think that that's what people really like noticed and resonated with was, 'Hey, this is real. This girl's really turned on. She's really passionate.'" "And then as far as social media, I think now because people have been watching me, it's a very intimate thing to, you know, have like a favorite porn star and to watch that kind of a content and that relationship." "So I also think when I really started showcasing my personality, I think people find me endearing. I think I'm endearing." "Not, no, a lot most of it's amateur. I haven't shot for a company other than Playboy, but that's not porn, porn, for a couple of years." "Yeah, it's more important to get all my mainstream content than it is for me to get my non-safeword content. It's more important to me. 'Cause I feel like it markets, it's how I market myself, and then I feel like people are just gonna find their way to my non-safeword content, you know, on their own. I don't even have to promote it too much." "I'm still interested in, like, I would I wouldn't say I'm fully retired. I would shoot for companies, but it would really have to..."

Dunmola♋

21,503 просмотров • 19 дней назад

Violet Myers discusses scene strategy, industry contracts, and working with Vixen on No Jumper with Adam22: "In terms of doing the more extreme, crazy porn stuff, are you still in that bag? Like, are you still trying to do gangbangs and like double penetration, crazy stuff?" "Yeah, I'm actually getting ready actually for—I'm doing a DP in the end of March, and then my first gangbang DP in April." "Wow." "Yeah, with Vixen, you know. So, I was like—when I was deciding who to sell my asshole to, which is funny—I was like, I want to give it to Vixen because their Tushy scenes and the way they shoot is like scripted, it'll take my vision to another level versus shooting it with other studios. And they were the ones that actually offered me the most money." "Right." "So I was like, I get to shoot how I want, and they're offering me a lot of money, like it's a double win for me. So, now we're getting to the end of the contract now, and I was like, we gotta go all out. Like, we were just gonna go straight to DP gangbang. I was like, 'Oh no, I gotta do my DP first, because then my first DP is useless.'" "Right. That's a good point." "So that's why I'm doing it. So I'm asking all my DP friends, like I'm asking Angela White, like all my friends who are like pros in DPs, and they're like, 'It's easier than anal.' I'm like, 'Oh, then I'll love it.'" "I don't understand that. How is it easier than anal?" "'Cause you're getting double penetrated, so you're getting fucked in your vagina and your asshole." "Yeah, I know, but how is that easier?" "I don't know." "The only difference is there's an extra dick in the vagina." "They're saying it's easier, and I'm—they've shot so many, so I'm taking their advice. I'm just stretching." "Yeah, that's the only thing. I like that you're still going for it, 'cause you could probably pretty easily just coast and be like, 'No, I'm not gonna do all that crazy stuff.' But I respect a porn star who wants to actually do all the hardcore porn star shit while they're in their prime, you know?" "Yeah, and also like I watch a lot of anime, I like—love that. The DP gangbangs, and I'm like, I'm sure my fans want to see that, so..."

CIP3R

23,907 просмотров • 28 дней назад

Raquel Welch on the terrible experience she had while filming 'One Million Years B.C' (1966) & the "Political agenda" of the feminists towards sex symbols like her: "Since the ’60s, sexy girls always seem to end up in sci-fi features; and they’re still doing it. Look at Jessica Alba and Megan Fox. Since I was still unproven at the time, I was hoping that Fox would groom me for more challenging roles. But as fate would have it, the studio had a completely different plan for me. My first starring role was to be in a dinosaur epic called 'One Million Years B.C' (1966). Fox’s studio head, Dick Zanuck, called to tell me that I would be playing the part of Loana in this remake of the 1940 caveman classic. Although I thanked him for my “big break,” all I could think was, A dinosaur movie? You've got to be kidding me! I figured my performance would disappear without a trace. (...) When that famous photo [poster of the movie] was snapped on location, my little ones were miles away, playing by the hotel pool with their nanny at the bottom of a mountain, while Mom was atop a smoking volcano . . . and it was snowing! In fact, it was soooo cold that the entire crew was bundled up in nice cozy parkas. Even the cameras froze. So they hung pots of hot coals underneath the camera boxes, to keep the motors warm. But nobody seemed to care about my motor. Why didn’t I have a parka? “Cave girls don’t have parkas,” I was told. Not surprisingly, I came down with a severe case of tonsillitis. It was so not how I had pictured it. On the first day of shooting, I went straight up to the director, Don Chaffey, and said quite seriously, “Listen Don, I’ve been studying the script, and I was thinking .. .” He turned to me in amazement and said, “You were thinking? Don’t.” Then he said, “You see that rock over there?” I was all ears. “That’s Rock A. When I call action, you start running all the way over to Rock B, which is over there. When you get about midway between the two, pretend you see a giant turtle coming over that hill. You scream... and we break for lunch. Got it?” I got it all right. He was just the first in a long line of producers and directors who didn’t give a rat's ass what I thought. For years I felt like the Rodney Dangerfield of sex symbols. I got no respect. I'm glad those days are over. But I was wrong about the dinosaur movie; it wasn't a leap into obscurity. By the time we wrapped and I boarded a flight for London, unbeknownst to me, my life was already changing. When I stepped off the plane in Heathrow Airport, I was greeted by a swarm of press and paparazzi. What was the deal? No one could be more surprised by this than I was! Suddenly, I had become famous! I had to pinch myself. Was it really happening? It was a once- in-a-lifetime break for me and my kids. So Mommy became the reigning sex symbol of the swingin’ ’60s and ’70s, at the height of the sexual revolution—with one hitch." A sex symbol in the Age of Flower Children didn’t sit very well with the hardline feminists of the time. They dismissed me as nothing more than a sex object. They didn’t look beyond the poster image to see what I was made of. It felt like a slap, until I realized that official feminism had a political agenda that is not inclusive of all women. It’s only for those who fit a criterion, which does not include a bikini. So be it."" ('Raquel-Beyond the Cleavage', 2010)

DepressedBergman

35,851 просмотров • 8 месяцев назад

Kristen Stewart says a studio cut her out of the Snow White sequel that made half a billion dollars because of slut shaming Howard: “That movie, the one with Charlize Theron-” Kristen: “Snow White and the Huntsman” Howard: “That f*cking movie made like a half a billion dollars. And then they didn’t ask you to be in the sequel” Kristen: “We lived in a different time then. You know what I mean? I feel like now, the slut shaming that went down was so absurd. And they should have put me in that movie. It would have been better. Not to be a d*ck” Howard: “You’re saying there was slut shaming of you?” Kristen: “Well, they didn’t put me in that movie ’cause I went through a highly publicized scandal. So they were scared of touching that” Howard: “That’s why they didn’t have you in the sequel. That was a dumb move” Kristen: “I think so” Howard: “Isn’t that wrong though, not to put you in a sequel ’cause you fell in love with the director?” Kristen: “I wouldn’t say that I fell in love with the director, but yeah, it was a weird thing, but it wasn’t that big of a deal. It literally wasn’t. The work is so much more important. What do you care?” “I just thought that movie, we could have made a great second one and we could have done it in a functional and healthy way. And then we didn’t ultimately do that, and that’s okay ’cause I did other stuff and it’s fine. But yeah, that was weird” Howard: “So you were blamed for not being in the second movie just because you had sex with somebody. That’s what you’re telling me” Kristen: “I did not f*ck him” Howard: “Oh, you didn’t f*ck him. Okay. So why not clear that up? Why not say that?” Kristen: “Well, who’s going to believe - it doesn’t matter. You make out with a dude in public. It definitely looks like you did” Howard: “So it was an innocent sort of thing. The media made it out to be a big deal” Kristen: “Yeah. I mean, look, it wasn’t innocent. That was a really hard period of my life. I was really young” Howard: “Well, it’s understandable. You’re a young woman. You were going out with Rob” Kristen: “Yeah. I didn’t really know how to deal with that. I made some mistakes” Howard: “Hey, guess what? Everybody does” Kristen: “And honestly, it’s no one’s business and people get over sh*t like that. It really is not a big deal” “And basically what I’m saying is the work to me genuinely was ignored in a really sort of frivolous, silly, petty way for a group of adult people who are supposed to be running studios and making films”

sara

787,770 просмотров • 1 месяц назад

“PORN RUINED MY LIFE.” Former porn stars are opening up about what they say happened behind the scenes of the industry. Lana Rhoades said that when she was one of the biggest performers in the industry, everyone wanted to make money off her, pushing her toward increasingly extreme situations. “Some of my experiences are really humiliating for me, and I wish that they never happened.” She described being pressured into extreme sexual acts, including what is commonly referred to as a “golden shower.” Riley Reid says the consequences followed her outside of work: “A lot of times when people ask me if they should do porn, I tell them no.” She says it made dating, family life and intimacy harder, while also leaving her worried about how her future children might be treated. Mia Khalifa described another consequence: “It brings me deep shame. It makes me feel like I lost all right to my privacy.” Then there are stories involving addiction, suicidal thoughts and serious health consequences. Brittni De La Mora said she was making significant money while battling cocaine and heroin addiction and severe suicidal thoughts. Randy Spears said pornography changed the way he viewed women, making him see them even more as sexual objects. But the comments pushed back hard. Some mocked the stories, comparing it to putting your hand in a fire and then blaming the fire for burning you. Others argued that these testimonies reveal something much darker about an industry that can exploit people who are already vulnerable. Drama or reality? What do you think? Let’s hear what you think about this clip 👇
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“PORN RUINED MY LIFE.” Former porn stars are opening up about what they say happened behind the scenes of the industry. Lana Rhoades said that when she was one of the biggest performers in the industry, everyone wanted to make money off her, pushing her toward increasingly extreme situations. “Some of my experiences are really humiliating for me, and I wish that they never happened.” She described being pressured into extreme sexual acts, including what is commonly referred to as a “golden shower.” Riley Reid says the consequences followed her outside of work: “A lot of times when people ask me if they should do porn, I tell them no.” She says it made dating, family life and intimacy harder, while also leaving her worried about how her future children might be treated. Mia Khalifa described another consequence: “It brings me deep shame. It makes me feel like I lost all right to my privacy.” Then there are stories involving addiction, suicidal thoughts and serious health consequences. Brittni De La Mora said she was making significant money while battling cocaine and heroin addiction and severe suicidal thoughts. Randy Spears said pornography changed the way he viewed women, making him see them even more as sexual objects. But the comments pushed back hard. Some mocked the stories, comparing it to putting your hand in a fire and then blaming the fire for burning you. Others argued that these testimonies reveal something much darker about an industry that can exploit people who are already vulnerable. Drama or reality? What do you think? Let’s hear what you think about this clip 👇

Savage Lord

820,616 просмотров • 18 дней назад

Intel had its own answer to Nvidia, and it was killed a week after he walked out the door. This is Pat Gelsinger, 34 years at Intel, on the project nobody remembers. At the height of Intel's strength on CPUs, they laughed at what Jensen was building. "When we were at the height of our strength on CPUs at Intel, we sort of scoffed at his machines. Right? Like, oh, it's a graphic machine. There's some gamers who want to use that kind of stuff. It was always the big CPU and those little GPUs." Nvidia did the unglamorous thing instead. They put a real software stack under it and made it slightly better every release, for years, while nobody scored them. "But when they started to build a real software stack with it... this CUDA thing and SIMT as a technology... And it just sort of kept getting a little bit better and a little bit better. And it was a little bit Jobs-like in that way. 'We're just making it better every release and it's becoming more robust.'" Nvidia did not see the payoff coming either. Somebody else found it for them. "And all of a sudden, the crazy Japanese HPC guys said, hey, we could take those graphics cards and maybe start using them in HPC. And that was defining moment where it wasn't just about doing graphics anymore..." Intel was not blind to any of it. Gelsinger had a project to do exactly the same thing with x86. "I had a project at Intel, Larrabee, where we were trying to take the x86 and essentially do the same thing." Then he left the company. "In my first departure from Intel, the project was killed a week after I left. And the world would have been so much different." He returned as CEO more than a decade later, to a company that had spent the interval handing money back to shareholders instead of building. "In the five years, five, six years before I came back, Intel gave $100 billion to shareholders. It hadn't built a new factory in a decade when I got there." Bookmark & watch:

Fireside Alpha

35,296 просмотров • 2 месяцев назад

Everyone This Is So Important, PLEASE Take The Time To Listen To Or Read This Post American Electrician Drops Extremely Important Facts About What’s Being Put Into Our Atmosphere ☣️ “I was just out back with my dogs and I grabbed a handful of this stuff and I was going to let it melt on my hands just like this. Okay. One there's a big ice film on here. So I held it and I threw it down and what was left, I wanted to see if it was just going to melt and it did. I was about to throw it down and do this but then I smelled it. I'm an electrician. Whenever burning wire is in a wall or there's an arc, there's a smell that happens instantly. It's called ozone. You know that smell very well as an electrician. You walk in a house, you smell ozone. You know there's a fire. There's an electrical fire somewhere. So I'm trained to smell that smell. And I've never smelled it in snow. Now I'm Gen X and as a boy, 70s and 80s, after the rain you know you would smell an ozone smell and uh it was kind of natural you know it's a little bit just a little bit of ozone uh for just a few minutes but i've never ever ever smelled it in snow so i went and looked it up and uh i want to know the effects of ozone when 48 states all have snow at one time and it's coated in ozone what could that mean Well, when I looked it up, when I looked it up, what it said was that ozone has an effect on humans of irritation to the lungs, coughing, bronchitis, emphysema, all these things can be aggravated. And I know they're about to roll out disease X. They're about to say that everybody's got all these lung issues and all this. So, I started looking at what would cause snow to have this level of ozone to still be trapped in here like this. And ozone, oh so this is the thing, snow forms at around 50,000 feet. And your rain is usually 30,000 feet and lower. And I've always known that even when I was young. And then that changed in the late 90s. They were talking about the clouds were at 50,000 feet it was raining outside that's unnatural it doesn't make any sense and that's when you know i started to realize it was weather modification stuff going on but anyway the point is i started looking into it uh online and said that uh high levels of ozone would come from uh man-made things pollution this and that you know so so they've put something up there in the sky they put something up there to cause all this snow. And we, if you're on this channel, if you're on this page, you already know, or you should, that they're doing, they're manipulating everything. But what they've done is they have sent something down here to us. And we're all out here, it's all about to melt, and we're all gonna breathe it at one time. And it was online, it was saying that massive doses of ozone all at one time are extremely detrimental. They're gonna cause a lot of lung issues, a lot of wheezing, a lot of chest irritation. So, be prepared, watch out for it. Because I was looking around, I mean, it's like 34 here right now. And this isn't melting the way snow usually melts. Like there's a little bit of water right there. But normally, I mean, you know, you've got rivers running down the side of my street and you don't. It's like, it's like it's just evaporating. I've never seen snow melt in this fashion before. Like, my driveway's dry. Like, look at this. See the wet line? There's a wet line and a dry line. And it shouldn't be that way, you know? All this snow should be running together. But it's just right on the edge of the snow. And even down at the end of the snow. If all this snow's melting. That's bone dry. That's bone dry right there. That makes no sense, because the water should be coming down. So, there's weird things happening. It doesn't make sense when you look at it at first, but when you start putting all the pieces together, this is uh, this is the beginning of what they're trying to do. They've sent this down here on us.”

Wall Street Apes

1,694,090 просмотров • 2 лет назад

If you watch this ~50 minute screen recording closely (yeah, I know, it's long; there are also some times when my computer was very slow and laggy, just skip past that part. And at one point I had to run and get my 9-month-old a new bottle and left it on a boring screen, sorry!), I believe you can see real signs of the kind of runaway, recursive AI self-improvement that people have been warning of for a while (Mr. Kurzweil most notably and prophetically). Why do I say that? What's different now? Well, there's a reason my set of agent coding tooling is called the Flywheel. These tools all mutually self-reinforce each other. And they all flow directly into my ntm tool (short for "named_tmux_manager"), which acts as a sort of integration point and nerve center for the tools (this is becoming more true by the minute as I'm now seriously working on ntm). Now, ntm was something I started making to automate some aspects of my workflow, but it was the kind of thing where, until it was perfect, it sort of just slowed me down. So I didn't actually use it even though I kept working on it and trying to improve it, and suggested to users that they try it in my tutorials. Well anyway, I finally got around to "dogfooding" ntm last night, and now it's going to get very dramatically better at an alarming rate. Some of that is from applying my "idea wizard" prompt to generate more useful features and building that stuff out and addressing obvious pain points I encountered during my newfound usage of the tool. But a lot comes from my realization that, once again, ntm's true utility is not as a tool for ME, but for an agent. That is, ntm lets one instance of Claude Code or Codex act as, well, me, do the things that I had been doing manually. Do I wish I had started using ntm earlier? No, for two big reasons: 1) Doing it manually helped me build up my intuition massively, which directly led me down the path of creating useful prompt strategies and workflows; these often began as ad-hoc prompts that I realized could be generalized and made more versatile/universal. Lesson: don't prematurely automate until you have an intimate, intuitive feel for your "core value-add loop." Otherwise you'll have a fully automated system quickly that efficiently and automatically does a stupid or otherwise sub-optimal thing. 2) My eyes have been opened to the beauty and power of Skills. I'm not talking about your garden-variety skills that are just a simple markdown file. I'm talking about true tour-de-force directories of perfectly structured and organized files that are filled with good information, insights, workflows, etc., but presented in a way that is highly optimized for consumption by AI agents, with extreme attention paid to things like perfect progressive disclosure, token density, agent-ergonomics, agent-intuitiveness, etc. And also Skills that go way beyond markdown files, with full integration into Claude Code where it makes sense via hooks, sub-agents, and even Python scripts. These kinds of skills are a qualitative difference in expressive power and usefulness and a total game changer. They are also effectively composable, creating almost an algebra of skills that let you use them together in powerful ways. I'm working on a subscription service website and CLI tool now to share what I've learned here most effectively, stay tuned for that in the coming days. Anyway, I now know what to make and how to make it. So, getting back to that screen recording, what does it show that makes me claim recursive self-improvement is here? If you keep your eye on the upper left tmux pane, that's the "controller" agent. It is using ntm to control all the other panes which are also running Claude Code (but ntm fully supports other agent types like Codex and Gemini-CLI, and it's trivially easy to mix and match them if you wanted to have, say, 8 CCs and 6 Codexes for writing the code and 3 Gemini-CLIs for reviewing code.) Now, there's nothing that crazy about this much so far. But where it starts to get very cool is that as the session continues and we encounter real-world problems, things like my ridiculously overloaded computer that keeps hanging for long periods, Claude Code instances that crash and get into a frozen, unresponsive state, it can learn from that. And you can see it using my skill writing skill to refine its ntm vibe coding skill in real time. And then take that skill and refine it to be more intuitive for itself. Or use my cass tool skill to search all the session histories to look for problems that came up and strategize how to solve them. The most useful part was when, towards the end of the session, I told it to reflect on all the things we had done and problems we encountered. One way it can usefully leverage those reflections is by improving its ntm vibe coding skill to make it cover more edge cases and exigencies. But the other, more fundamental, way is for it to conceive of and design the optimal new features and functionality for ntm itself so that the tool embodies those lessons in a first-class way. This offloads cognition from its brain onto its tooling, just like how a person can lean on spellcheck or a calculator. It codifies correct, effective reasoning at the tool level, where it's more reliable and robust and repeatable. And btw, did you notice what code base it was working on the whole time? It was none other than ntm itself! So as it worked on its own tool, it had reflections and ideas about how to further improve the tool. Now, it could have just as easily gotten those insights and ideas while using ntm to work on a different project, but the fact that it was working on itself is almost gloriously meta and recursive. So by the end, after learning from tending to a big group of agent workers (btw, I have previously emphasized doing everything in a really distributed/decentralized way, where each fungible agent gets identical marching orders that tell it to use my bv tool to find the optimal bead to work on. This does work very well, but occasionally results in some contention and overlap from thundering herd, or at least wastes time/tokens/communication in avoiding that before the agents waste time duplicating work. But in this new ntm-oriented workflow, I was able to have the controller agent in the upper left use bv itself and then optimally parcel out the instructions to each agent so that we could know for sure that there's no overlap), I ended up with a ton of new beads for new features, which I had it optimize and polish a few times. Now I can swap to a new Claude Max account and have the swarm implement all those new features! It should only take a couple passes like the one shown in the screen recording to get everything implemented. Then we can rinse and repeat, having the agent read through the full session histories of each agent and its experience from its own session in sending ntm commands and seeing how they worked out in practice, to come up with the next batch of changes to both its ntm vibe coding skill AND to the ntm tool itself. Do you see how rapidly this turns into Skynet? My mistake earlier was in focusing on making myself a "faster horse" as Henry Ford used to joke about customers wanting before he showed them what they should really want (a Model T). That is, something that would make my experience nicer while doing this agent swarm based development workflow. But the obvious lesson is that you should make all your tooling agent-first because the agents are just better at this stuff. You can still watch, and of course I did add a ridiculous number of very nice human-centric features to ntm that you'll be seeing in the next day or two, but those are really kind of "for fun" to make us humans feel better about the process. All the real value-add is happening "by agents, for agents." PS: Towards the end, you can see me switch to my Mac and tell Claude to improve the skill that I made earlier today for taking the mkv screen recording files from OBS Studio and muxing them into MP4 files for sharing, while downloading songs from YouTube to serve as the background music. I made it so it can also grab the thumbnails and generate little song credit cards that show up in the lower right corner. This worked perfectly the first time! I'll include some screenshots in a response post showing how that worked, but it was awesome to witness. Skills are POWERFUL. I'll also post a link to this video on YouTube if you prefer to watch it there.

Jeffrey Emanuel

25,483 просмотров • 8 месяцев назад