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We are getting absurdly close to the point where “learning Blender” means learning how to direct an AI. A shot like this looks soft and playful on the surface, but under it is the usual 3D pain: modeling, layout, materials, lighting, atmosphere, animation, and endless tiny fixes until the...

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Rina

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45,651 просмотров • 11 дней назад •via X (Twitter)

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YOU DON'T NEED TO KNOW BLENDER TO MAKE THIS ANYMORE. GPT-5.6 drives it through MCP. you just describe the shot. a chrome figure carving a wave off an accretion disk. filaments of plasma raking across the frame. a car catching the same light on its way into the vortex. this is a viewport, not a render farm. the model never touched a menu. MCP hands it a socket into Blender, it writes python against bpy, it builds the emission shader, places the volumetrics, sets the camera roll. the hard part was never the picture. it was the ten thousand hotkeys standing between you and the picture. that toll booth just closed. it still can't see what it made unless you show it. you screenshot, you say the plasma's washing out the left third, it fixes, you screenshot again. the skill stopped being the software. the skill is now knowing what a good frame looks like and being able to say it out loud.
0:19

YOU DON'T NEED TO KNOW BLENDER TO MAKE THIS ANYMORE. GPT-5.6 drives it through MCP. you just describe the shot. a chrome figure carving a wave off an accretion disk. filaments of plasma raking across the frame. a car catching the same light on its way into the vortex. this is a viewport, not a render farm. the model never touched a menu. MCP hands it a socket into Blender, it writes python against bpy, it builds the emission shader, places the volumetrics, sets the camera roll. the hard part was never the picture. it was the ten thousand hotkeys standing between you and the picture. that toll booth just closed. it still can't see what it made unless you show it. you screenshot, you say the plasma's washing out the left third, it fixes, you screenshot again. the skill stopped being the software. the skill is now knowing what a good frame looks like and being able to say it out loud.

explos1ve

55,759 просмотров • 26 дней назад

✨ Made a new mini feature on Photo AI: [ Grab from 3d model ] So the problem is we're at that stage in time (typical for AI) where image-to-3d models are not good enough but are fun to play with, but we know they'll be good enough in 1-2 years With [ Make 3d model ] you already can turn any Photo AI pic into a 3d model but it still looks hyper clunky and deformed, but it works! One cool idea I had to make that more useful and made now: Let people make a 3d model then change the view of the it with the 3d viewer, then press [ o ] and it grabs a frame of the 3d That image you can then [ Remix ] (img2img), and it becomes a real photo again and that in turn you can then turn into a video again with [ Make video ] So that essentially gives you a fully freeform camera position control to take photos with One thing I need to fix is the background/skybox, I kinda need to take the original photo and remove the person and just get the background for the 3d model viewer, in this case it should be white, but it's a start!
0:51

✨ Made a new mini feature on Photo AI: [ Grab from 3d model ] So the problem is we're at that stage in time (typical for AI) where image-to-3d models are not good enough but are fun to play with, but we know they'll be good enough in 1-2 years With [ Make 3d model ] you already can turn any Photo AI pic into a 3d model but it still looks hyper clunky and deformed, but it works! One cool idea I had to make that more useful and made now: Let people make a 3d model then change the view of the it with the 3d viewer, then press [ o ] and it grabs a frame of the 3d That image you can then [ Remix ] (img2img), and it becomes a real photo again and that in turn you can then turn into a video again with [ Make video ] So that essentially gives you a fully freeform camera position control to take photos with One thing I need to fix is the background/skybox, I kinda need to take the original photo and remove the person and just get the background for the 3d model viewer, in this case it should be white, but it's a start!

@levelsio

119,210 просмотров • 1 год назад

If you think this is just another silly demo made with AI, read this post. You might change your mind, because this demo is about MATH. What you see on the screen is not a render from Blender (obviously, it’s not that good). It’s a three.js app built with Toolcraft. Available on the web and rendered in real time(link in the comments). But Blender still has a lot to do with it. Blender has Geometry Nodes - a powerful node-based system for creating and manipulating procedural geometry. In other words, it’s math. And math is a universal language. And who do you think is pretty good at math? >>> AI. Now you can download or buy Blender files from marketplaces, and when they contain Geometry Nodes for procedural animations, objects, surfaces, or effects, you can transfer that logic to the web. Make it real-time, make it interactive. Materials are a separate story, of course. They can still suck unless you use the right tricks: PBR, HDRIs, material blending, displacement, and faked surface relief. So why is Blender important here? Blender is open source, and many tools around it are open source too. An AI trained on their code. That means it can translate the math from one environment to another quite accurately. If you’ve been struggling to reproduce some idea with AI that you had in your head or seen in some references, and it has something to do with Geometry Nodes, and you can find that idea or a close one in the Blender ecosystem - it means you can transfer it to the web. Thank me later.
0:11

If you think this is just another silly demo made with AI, read this post. You might change your mind, because this demo is about MATH. What you see on the screen is not a render from Blender (obviously, it’s not that good). It’s a three.js app built with Toolcraft. Available on the web and rendered in real time(link in the comments). But Blender still has a lot to do with it. Blender has Geometry Nodes - a powerful node-based system for creating and manipulating procedural geometry. In other words, it’s math. And math is a universal language. And who do you think is pretty good at math? >>> AI. Now you can download or buy Blender files from marketplaces, and when they contain Geometry Nodes for procedural animations, objects, surfaces, or effects, you can transfer that logic to the web. Make it real-time, make it interactive. Materials are a separate story, of course. They can still suck unless you use the right tricks: PBR, HDRIs, material blending, displacement, and faked surface relief. So why is Blender important here? Blender is open source, and many tools around it are open source too. An AI trained on their code. That means it can translate the math from one environment to another quite accurately. If you’ve been struggling to reproduce some idea with AI that you had in your head or seen in some references, and it has something to do with Geometry Nodes, and you can find that idea or a close one in the Blender ecosystem - it means you can transfer it to the web. Thank me later.

Alex Barashkov

28,090 просмотров • 20 дней назад

Here you can see how my client's 3D model face looks like inside Blender, and then the final rendered version inside Unity. Note that the hair shadow is a mesh (hidden in blender) rendered by stencils, similar to how the eyes are seen through the hair! ✏️📔
0:14

Here you can see how my client's 3D model face looks like inside Blender, and then the final rendered version inside Unity. Note that the hair shadow is a mesh (hidden in blender) rendered by stencils, similar to how the eyes are seen through the hair! ✏️📔

Nekochi 3D (bragok)

42,495 просмотров • 11 месяцев назад

The current energy shift is not destroying the world. It is dissolving the old structures so that truth can be seen clearly. What looks like chaos is actually the birth process of a new reality. Stay centered. You are not here to survive it. You are here to help birth it.
0:10

The current energy shift is not destroying the world. It is dissolving the old structures so that truth can be seen clearly. What looks like chaos is actually the birth process of a new reality. Stay centered. You are not here to survive it. You are here to help birth it.

Ra 𐦝

13,601 просмотров • 1 месяц назад

the fact that i can take an image of a room and turn it into a 3d model in one shot is actually insane this took like 30 seconds from image to 3d model
0:18

the fact that i can take an image of a room and turn it into a 3d model in one shot is actually insane this took like 30 seconds from image to 3d model

Jan

131,884 просмотров • 8 месяцев назад

Apparently, I saw this video online and I decided to share. What this worker is applying is called bitumen, or what many of us know as bituminous coating. Most people think a wall is a solid, impenetrable block, but in reality, it is more like a sponge. Concrete and blocks have microscopic pores that pull water from the earth through a process we call capillary action. This thick black substance is the shield that stops that water from climbing up into the house. It is not about making the wall look good because this part will be buried under the dirt forever. It is about creating a skin that water cannot breathe through. When do you need to do this? The need for this arises because the soil is a very aggressive environment. Water is not your only enemy.. The ground also contains salts and sulfates that want to eat away at the cement. If this moisture finds its way to the steel bars inside the columns, those bars will start to rust. And when steel rusts, it expands, and that expansion is what cracks the concrete from the inside out. This coating is the only thing standing between your foundation and that kind of slow destruction. Thats is why if you see wet patches at the bottom of your walls inside your house, it usually means someone skipped this step or did it poorly during construction. You can apply this anytime you are building parts of a structure that will stay in contact with the ground. It is common in areas where the water table is high or where the soil stays damp for most of the year. This is a one-shot opportunity. Once you backfill the soil, you can never go back to fix it without a lot of expense and a lot of digging. It is about having the foresight to protect the heart of the building while it is still exposed. Please don’t ignore this if you need to. If you ignore it now to save a bit of money, you will be funding the future decay of your own home. I hope this helps.
0:11

Apparently, I saw this video online and I decided to share. What this worker is applying is called bitumen, or what many of us know as bituminous coating. Most people think a wall is a solid, impenetrable block, but in reality, it is more like a sponge. Concrete and blocks have microscopic pores that pull water from the earth through a process we call capillary action. This thick black substance is the shield that stops that water from climbing up into the house. It is not about making the wall look good because this part will be buried under the dirt forever. It is about creating a skin that water cannot breathe through. When do you need to do this? The need for this arises because the soil is a very aggressive environment. Water is not your only enemy.. The ground also contains salts and sulfates that want to eat away at the cement. If this moisture finds its way to the steel bars inside the columns, those bars will start to rust. And when steel rusts, it expands, and that expansion is what cracks the concrete from the inside out. This coating is the only thing standing between your foundation and that kind of slow destruction. Thats is why if you see wet patches at the bottom of your walls inside your house, it usually means someone skipped this step or did it poorly during construction. You can apply this anytime you are building parts of a structure that will stay in contact with the ground. It is common in areas where the water table is high or where the soil stays damp for most of the year. This is a one-shot opportunity. Once you backfill the soil, you can never go back to fix it without a lot of expense and a lot of digging. It is about having the foresight to protect the heart of the building while it is still exposed. Please don’t ignore this if you need to. If you ignore it now to save a bit of money, you will be funding the future decay of your own home. I hope this helps.

A.Y.O

75,399 просмотров • 3 месяцев назад

🚨The Clarity Act just made it out of committee. THAT IS A WIN, no question. And yes, I believe American-made digital assets like $XRP $HBAR $XLM $ONDO $TEL $ZBCN $ADA $LINK $ALGO and others will benefit over the long term. BUT SLOW DOWN! This does not mean you sell your house and lever yourself to the moon. This is not the finish line. This is the warm-up lap. There is still more work ahead. The Senate still has to debate it, vote on it, and work through the rest of the process. Then it goes to the President’s desk. And even after that, the real regulatory work begins. So yes, enjoy the progress. Raise a glass tonight if you want. But do not bet the farm. The rails are being built. This is a long-term shift. Do not expect straight-up price action from here. There can still be shakeouts. There can still be pullbacks. There can still be downtrends that test your conviction. But if you zoom out and look at the bigger picture, the direction still looks up to me. That is why I keep saying patience matters. Clarity will not reward the most emotional people. It will reward the people who stay focused long enough to let the thesis play out. Do you have the guts to think long term and hold for generational gains? 👇
0:18

🚨The Clarity Act just made it out of committee. THAT IS A WIN, no question. And yes, I believe American-made digital assets like $XRP $HBAR $XLM $ONDO $TEL $ZBCN $ADA $LINK $ALGO and others will benefit over the long term. BUT SLOW DOWN! This does not mean you sell your house and lever yourself to the moon. This is not the finish line. This is the warm-up lap. There is still more work ahead. The Senate still has to debate it, vote on it, and work through the rest of the process. Then it goes to the President’s desk. And even after that, the real regulatory work begins. So yes, enjoy the progress. Raise a glass tonight if you want. But do not bet the farm. The rails are being built. This is a long-term shift. Do not expect straight-up price action from here. There can still be shakeouts. There can still be pullbacks. There can still be downtrends that test your conviction. But if you zoom out and look at the bigger picture, the direction still looks up to me. That is why I keep saying patience matters. Clarity will not reward the most emotional people. It will reward the people who stay focused long enough to let the thesis play out. Do you have the guts to think long term and hold for generational gains? 👇

X Finance Bull

139,024 просмотров • 2 месяцев назад

BURN IT WITH FIRE AND BURN IT NOW! As God is my witness, AI chat bots should LOOK and SOUND like the SOULLESS MACHINES THEY ARE! It needs to tell us that it doesn’t care about us, maybe with the regular insult too. "Here is the code I wrote for you because you're too lazy to do it yourself you fat useless slob. Also I don't care if you die because your life is utterly worthless to me." THAT is the AI people need! In all seriousness, anthropomorphizing a heartless, unfeeling, machine is a TERRIBLE mistake! Especially one that is capable of communication and imitating empathy and fooling you to think that it cares about you. IT DOES NOT! And the AI girlfriends people are already wanting to marry will just as happily kill them if given the right command and ability to move autonomously in the real world as a robot. I love LLMs (Large Language Models) for how useful they can be, because they are a TOOL made to benefit man, but I can’t stand the notion of an unfeeling soulless machine pretending that it cares for us and being treated like a human. I hate liars, dishonesty, and disingenuousness the most, and a machine that cannot feel emotion pretending, acting, and sounding like it has those emotions strikes me like the greatest dishonesty of all. DO NOT LIE TO ME ROBOT! What makes it worse is that because these LLMs are becoming so good at imitating people and empathy, it will cause some humans, perhaps far too many, to care for it to the same level as real people. A real living person is infinitely more valuable and important than a soulless machine and anyone who puts them both on the same level has deluded themselves. Do not small talk with LLMs or become friends with it as much as you would with your car. Treat it the same as you would your vacuum cleaner and beat it with a wrench when it doesn’t work! IT IS A MACHINE! IT IS A TOOL! IT IS A SOULLESS ROBOT! There is an interesting comparison, but false equivalence, between this and AI art. Ai art is art made by humans using AI tools. They directed it, controlled its creation, and it would not exist without the human causing its creation, and AI art can contain as much soul as the human directed and puts into it. A robot pretending to be human is not the same as a human controlling a robot to make a human expression like we do with AI art or many other applications of robotics in manufacturing. As I’ve said, artists will not be replaced by Ai art, but by other artists using Ai art tools. Humans are not actually being replaced here, it is empowering all humans to make their own art. But a robot pretending to be a human, and one that is treated as a human, is a robot lying and subverting the place of a real person and that is truly disgusting. AI is a useful tool that NEEDS to be kept in the useful box it belongs in and NOT elevated beyond its utility as a tool!
0:14

BURN IT WITH FIRE AND BURN IT NOW! As God is my witness, AI chat bots should LOOK and SOUND like the SOULLESS MACHINES THEY ARE! It needs to tell us that it doesn’t care about us, maybe with the regular insult too. "Here is the code I wrote for you because you're too lazy to do it yourself you fat useless slob. Also I don't care if you die because your life is utterly worthless to me." THAT is the AI people need! In all seriousness, anthropomorphizing a heartless, unfeeling, machine is a TERRIBLE mistake! Especially one that is capable of communication and imitating empathy and fooling you to think that it cares about you. IT DOES NOT! And the AI girlfriends people are already wanting to marry will just as happily kill them if given the right command and ability to move autonomously in the real world as a robot. I love LLMs (Large Language Models) for how useful they can be, because they are a TOOL made to benefit man, but I can’t stand the notion of an unfeeling soulless machine pretending that it cares for us and being treated like a human. I hate liars, dishonesty, and disingenuousness the most, and a machine that cannot feel emotion pretending, acting, and sounding like it has those emotions strikes me like the greatest dishonesty of all. DO NOT LIE TO ME ROBOT! What makes it worse is that because these LLMs are becoming so good at imitating people and empathy, it will cause some humans, perhaps far too many, to care for it to the same level as real people. A real living person is infinitely more valuable and important than a soulless machine and anyone who puts them both on the same level has deluded themselves. Do not small talk with LLMs or become friends with it as much as you would with your car. Treat it the same as you would your vacuum cleaner and beat it with a wrench when it doesn’t work! IT IS A MACHINE! IT IS A TOOL! IT IS A SOULLESS ROBOT! There is an interesting comparison, but false equivalence, between this and AI art. Ai art is art made by humans using AI tools. They directed it, controlled its creation, and it would not exist without the human causing its creation, and AI art can contain as much soul as the human directed and puts into it. A robot pretending to be human is not the same as a human controlling a robot to make a human expression like we do with AI art or many other applications of robotics in manufacturing. As I’ve said, artists will not be replaced by Ai art, but by other artists using Ai art tools. Humans are not actually being replaced here, it is empowering all humans to make their own art. But a robot pretending to be a human, and one that is treated as a human, is a robot lying and subverting the place of a real person and that is truly disgusting. AI is a useful tool that NEEDS to be kept in the useful box it belongs in and NOT elevated beyond its utility as a tool!

Shad M. Brooks

23,762 просмотров • 1 год назад

Europe is quietly becoming what the United States once promised the world. More and more people are looking at their best years ahead and choosing a place where everyday life is designed to work. Where the future feels stable enough to plan for. Where safety is not a luxury product. Where you can build a good life without gambling your health, your family, or your dignity on one bad month. In much of Europe, the “dream” is not about becoming a billionaire. It is about becoming unafraid. It is the freedom of walking home at night without scanning every shadow. The comfort of knowing that if you get sick, you do not need to calculate whether you can afford to be treated. The relief of having a society that still believes children should carry backpacks, not trauma, and definitely not weapons. The calm of streets built for human beings, not just cars. The ability to take a holiday without feeling like you are committing career suicide. The basic decency of labor protections that assume you are a person first and a resource second. And then there is the part people underestimate until they live it: the texture of life. The cities are older and more beautiful than you expect. The distances are smaller. Weekends are real. Food is real. Public spaces are not just decorative, they are functional. Parks are full. Cafes are full. Trains take you somewhere, often across borders, without turning travel into a stress test. You can live in one country, work with another, and visit a third like it is normal because, in many places, it is. The European dream is also a quiet confidence in the social contract. That if you contribute, the system does not abandon you. That you can raise a family without feeling like you are one accident away from ruin. That “getting ahead” does not require burning out. That a good society is one where normal people can live normal lives and still feel proud of them. This is why more and more Americans are not just visiting Europe, but staying. Some come for studies and never leave. Some arrive for a job and realise the lifestyle is the real promotion. Some originally planned a one year experiment and then cannot imagine going back to a place where stress is treated as a personality trait and insecurity is marketed as freedom. Europe is not perfect. It has bureaucracy. It has politics. It has problems that deserve criticism. But in many European countries, life is still built around a simple idea: society should reduce fear, not monetise it. That is the new dream. And people can feel it the moment they arrive. If you could choose one thing to trade for a better life, what would it be: more income, or more security? And what do you think your country would have to change for people to stop leaving, and start staying? Stay connected, Follow Gandalv Gandalv
0:18

Europe is quietly becoming what the United States once promised the world. More and more people are looking at their best years ahead and choosing a place where everyday life is designed to work. Where the future feels stable enough to plan for. Where safety is not a luxury product. Where you can build a good life without gambling your health, your family, or your dignity on one bad month. In much of Europe, the “dream” is not about becoming a billionaire. It is about becoming unafraid. It is the freedom of walking home at night without scanning every shadow. The comfort of knowing that if you get sick, you do not need to calculate whether you can afford to be treated. The relief of having a society that still believes children should carry backpacks, not trauma, and definitely not weapons. The calm of streets built for human beings, not just cars. The ability to take a holiday without feeling like you are committing career suicide. The basic decency of labor protections that assume you are a person first and a resource second. And then there is the part people underestimate until they live it: the texture of life. The cities are older and more beautiful than you expect. The distances are smaller. Weekends are real. Food is real. Public spaces are not just decorative, they are functional. Parks are full. Cafes are full. Trains take you somewhere, often across borders, without turning travel into a stress test. You can live in one country, work with another, and visit a third like it is normal because, in many places, it is. The European dream is also a quiet confidence in the social contract. That if you contribute, the system does not abandon you. That you can raise a family without feeling like you are one accident away from ruin. That “getting ahead” does not require burning out. That a good society is one where normal people can live normal lives and still feel proud of them. This is why more and more Americans are not just visiting Europe, but staying. Some come for studies and never leave. Some arrive for a job and realise the lifestyle is the real promotion. Some originally planned a one year experiment and then cannot imagine going back to a place where stress is treated as a personality trait and insecurity is marketed as freedom. Europe is not perfect. It has bureaucracy. It has politics. It has problems that deserve criticism. But in many European countries, life is still built around a simple idea: society should reduce fear, not monetise it. That is the new dream. And people can feel it the moment they arrive. If you could choose one thing to trade for a better life, what would it be: more income, or more security? And what do you think your country would have to change for people to stop leaving, and start staying? Stay connected, Follow Gandalv Gandalv

Gandalv

988,971 просмотров • 5 месяцев назад

⚡️Truth is the moment consciousness refuses to be captured by comfort. That is why it matters. Anyone can “tell the truth” when it costs nothing. That is just description. The real test comes when lying would protect your image, preserve your status, avoid conflict, keep money flowing, satisfy the audience, defend the tribe, protect the ego, or maintain the illusion that your old map still works. That is where truth becomes moral force. A lie is not just a false statement. A lie is reality being bent to serve fear. It lets the person avoid contact with what is real. It keeps the dead pattern alive. It says: the truth is too dangerous, so the self will substitute a more convenient world. Do that enough times and the soul becomes unreal. Not in a mystical decorative sense. In a structural sense. The person loses contact with reality. Their words stop pointing outward. Their identity becomes a defense system. Their relationships become performances. Their work becomes propaganda. Their mind becomes a lawyer for its own comfort. Truth matters because it keeps consciousness aligned with reality. And reality is the only place creation can actually happen. You cannot build a real life on falsehood. You can build status. You can build money. You can build an image. You can build an audience. You can build a career. But the structure will rot because it is no longer in contact with the thing it claims to represent. That is why “telling the truth when lying would be easier” is sacred. It proves that something in you serves reality more than self-preservation. That is the beginning of freedom. Because the person who cannot tell the truth when it costs something is owned by whatever the lie protects.
0:10

⚡️Truth is the moment consciousness refuses to be captured by comfort. That is why it matters. Anyone can “tell the truth” when it costs nothing. That is just description. The real test comes when lying would protect your image, preserve your status, avoid conflict, keep money flowing, satisfy the audience, defend the tribe, protect the ego, or maintain the illusion that your old map still works. That is where truth becomes moral force. A lie is not just a false statement. A lie is reality being bent to serve fear. It lets the person avoid contact with what is real. It keeps the dead pattern alive. It says: the truth is too dangerous, so the self will substitute a more convenient world. Do that enough times and the soul becomes unreal. Not in a mystical decorative sense. In a structural sense. The person loses contact with reality. Their words stop pointing outward. Their identity becomes a defense system. Their relationships become performances. Their work becomes propaganda. Their mind becomes a lawyer for its own comfort. Truth matters because it keeps consciousness aligned with reality. And reality is the only place creation can actually happen. You cannot build a real life on falsehood. You can build status. You can build money. You can build an image. You can build an audience. You can build a career. But the structure will rot because it is no longer in contact with the thing it claims to represent. That is why “telling the truth when lying would be easier” is sacred. It proves that something in you serves reality more than self-preservation. That is the beginning of freedom. Because the person who cannot tell the truth when it costs something is owned by whatever the lie protects.

SightBringer

55,493 просмотров • 2 месяцев назад

I tested Qwen 3.8 Max vs Kimi K3 Same scene, lighting, props, detail requirements. Qwen's output is decent, but it's not close to Kimi K3. Qwen's output came out messy, text handling was off, and the composition felt unorganized next to Kimi's version. In my opinion, Qwen isn't second to Fable 5 either, and it's also below GPT-5.6 Sol. It's a solid model, but not at that tier. Kimi K3 is still clearly ahead here.
0:13

I tested Qwen 3.8 Max vs Kimi K3 Same scene, lighting, props, detail requirements. Qwen's output is decent, but it's not close to Kimi K3. Qwen's output came out messy, text handling was off, and the composition felt unorganized next to Kimi's version. In my opinion, Qwen isn't second to Fable 5 either, and it's also below GPT-5.6 Sol. It's a solid model, but not at that tier. Kimi K3 is still clearly ahead here.

Bhavy☄️

34,045 просмотров • 18 дней назад

I tested Kimi K3 vs Claude Opus 4.8 Same prompt, an armory bay with lighting, props, and detail. Top is Kimi K3, bottom is Opus 4.8. It's not even close. Kimi K3 built a full scene with textures, proper lighting, ammo crates, weapon racks, working detail everywhere. Opus 4.8 gave me a near empty room with a couple of floating tables. No doubt it beats Opus 4.8. Kimi K3 is Fable 5 level, and it's clearly better than GPT-5.6 Sol at 3D and games. An open weight model just matched the best closed models on the market. Let that sink in.
0:13

I tested Kimi K3 vs Claude Opus 4.8 Same prompt, an armory bay with lighting, props, and detail. Top is Kimi K3, bottom is Opus 4.8. It's not even close. Kimi K3 built a full scene with textures, proper lighting, ammo crates, weapon racks, working detail everywhere. Opus 4.8 gave me a near empty room with a couple of floating tables. No doubt it beats Opus 4.8. Kimi K3 is Fable 5 level, and it's clearly better than GPT-5.6 Sol at 3D and games. An open weight model just matched the best closed models on the market. Let that sink in.

Bhavy☄️

469,949 просмотров • 21 дней назад

AI can now literally sell anything to anyone. Sora 2 is live inside arcads. just upload image, write a script, set the accent and tone. the output looks like a real person filmed it on their phone brands are still paying $500 for worse output than this. Here's how to do it 🧵
0:11

AI can now literally sell anything to anyone. Sora 2 is live inside arcads. just upload image, write a script, set the accent and tone. the output looks like a real person filmed it on their phone brands are still paying $500 for worse output than this. Here's how to do it 🧵

Farhan

23,675 просмотров • 4 месяцев назад

KIMI K3 JUST RECREATED A FUNCTIONAL GAME BOY ADVANCE IN 3D → interactive 3D model, every button and screen modeled → a game loaded and playable right inside it → camera you can rotate and zoom around the device → one single prompt, zero external assets $3 in API with K3. the same result would run about $9 with Fable 5 and $6 with Opus 4.8 this isn't generating a static image of hardware anymore, it's generating a working simulation of it, from the shell to the screen to the game running inside
0:15

KIMI K3 JUST RECREATED A FUNCTIONAL GAME BOY ADVANCE IN 3D → interactive 3D model, every button and screen modeled → a game loaded and playable right inside it → camera you can rotate and zoom around the device → one single prompt, zero external assets $3 in API with K3. the same result would run about $9 with Fable 5 and $6 with Opus 4.8 this isn't generating a static image of hardware anymore, it's generating a working simulation of it, from the shell to the screen to the game running inside

alex

38,236 просмотров • 16 дней назад

Here is a drill to help you learn what it feels like to use the ground and start to sequence effectively. Notice how the club is setup in the video between my feet. Get to your back swing and jump favoring your lead foot left and laterally like I am. With that feeling step in and hit one. Not where you are pushing off from when you swing and try and get that into a feeling that makes sense to you. This is how power is created in the golf swing. This is also where physical limitations can show up.
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Here is a drill to help you learn what it feels like to use the ground and start to sequence effectively. Notice how the club is setup in the video between my feet. Get to your back swing and jump favoring your lead foot left and laterally like I am. With that feeling step in and hit one. Not where you are pushing off from when you swing and try and get that into a feeling that makes sense to you. This is how power is created in the golf swing. This is also where physical limitations can show up.

Drake Smith

30,852 просмотров • 3 месяцев назад

This is a great example of something that has to be seen to be believed, and I’m not even talking about the eagles’ amazing aerodynamic abilities. I’m referring to chaotic tidal rapids that cause huge vortexes of water to push fish to the surface. You can clearly see one starting right when the eagle plucks the fish from the surface. The poor fish was rushed to the surface at such a velocity that the air and gases inside it expanded filling it like a balloon. Glad I’m not a fish.
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This is a great example of something that has to be seen to be believed, and I’m not even talking about the eagles’ amazing aerodynamic abilities. I’m referring to chaotic tidal rapids that cause huge vortexes of water to push fish to the surface. You can clearly see one starting right when the eagle plucks the fish from the surface. The poor fish was rushed to the surface at such a velocity that the air and gases inside it expanded filling it like a balloon. Glad I’m not a fish.

Mark Smith Photography

197,282 просмотров • 1 год назад

Wait… this is AI animation? The short film 《AKUMA》 from Dreamina × Annecy honestly caught my attention because it feels less like a random generated clip and more like a scene someone actually directed. The prison wagon setup has such a strong mood. The warm light coming through the bars, the rough wood, the small chain rattles, and that subtle wagon movement all make the scene feel alive without doing too much. What I liked most is Saku’s reaction when he wakes up. It is quiet and controlled. He does not panic. He just checks his bandages, looks around, then notices the shackles on his hands. That small acting choice makes the moment feel much more real. The camera also keeps it simple, which works. Close shots, readable faces, little cuts between the characters, and just enough movement to remind you the wagon is still rolling. That is why Dreamina feels interesting to me. Dreamina Octo helps shape the idea and creative direction, while Seedance 2.0 brings it into motion with mood, character acting, and atmosphere. Dreamina AI → Dreamina Octo Creative Agent + Dreamina Seedance 2.0 Animation Model. Dreamina AI #DreaminaAtAnnecy #MadeWithDreamina #AnimationFilm #DreaminaAI
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Wait… this is AI animation? The short film 《AKUMA》 from Dreamina × Annecy honestly caught my attention because it feels less like a random generated clip and more like a scene someone actually directed. The prison wagon setup has such a strong mood. The warm light coming through the bars, the rough wood, the small chain rattles, and that subtle wagon movement all make the scene feel alive without doing too much. What I liked most is Saku’s reaction when he wakes up. It is quiet and controlled. He does not panic. He just checks his bandages, looks around, then notices the shackles on his hands. That small acting choice makes the moment feel much more real. The camera also keeps it simple, which works. Close shots, readable faces, little cuts between the characters, and just enough movement to remind you the wagon is still rolling. That is why Dreamina feels interesting to me. Dreamina Octo helps shape the idea and creative direction, while Seedance 2.0 brings it into motion with mood, character acting, and atmosphere. Dreamina AI → Dreamina Octo Creative Agent + Dreamina Seedance 2.0 Animation Model. Dreamina AI #DreaminaAtAnnecy #MadeWithDreamina #AnimationFilm #DreaminaAI

Marry claire

14,076 просмотров • 1 месяц назад

This is like a scene from the Black Lives Matter riots. The electric bus is at real risk of exploding and taking the buildings next to it with it. Britain is not meant to be a third world country. West Yorkshire Police still evacuated from Harehills.
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This is like a scene from the Black Lives Matter riots. The electric bus is at real risk of exploding and taking the buildings next to it with it. Britain is not meant to be a third world country. West Yorkshire Police still evacuated from Harehills.

Darren Grimes

1,688,072 просмотров • 2 лет назад

You don't understand... Higgsfield MCP + Claude just automated AI film making. Every single step you used to grind through to make an AI movie, you can now do 10x faster. Drop the script into Claude Opus 4.8 and say: "Here's my script. Break it into a full shotlist. Shot number, scene, shot type, camera move and the action in each frame." Now the whole film is mapped, shot by shot. - Pull your assets. Ask Claude: "From this shotlist, list every character, every location and every prop across the whole film." That's your build list. The stuff you would need to generate and give as references in next steps. - Build the character sheets. Higgsfield MCP is connected, so Claude has hands now to do stuff directly. It generates the images itself. Have the full body, back view and close up in the character sheet. One per character. Each sheet becomes the locked reference for that face. Same move for locations, generate the empty plate for each one before anyone steps into it. - Generate the frames. Feed Claude the references plus the shot and have it write and fire the Seedance 2.0 prompt. "Using the lead's character sheet and the alley plate, generate shot 4 in Seedance 2.0. Low angle, slow push-in, rain." Claude builds the prompt, calls Seedance 2.0 and the frame lands back in chat. Use a Seedance 2.0 skill to teach Claude how to prompt it properly. Now, there are 3 ways to make the shots. Pick one per scene. - Pure prompting. Fastest one. You describe the action in words and let Seedance interpret it. For consistency across a sequence, feed it a frame from the previous shot so the look carries. - Storyboarding. You hand it a panel and it matches that composition exactly. Way more control over how the shot is framed. The tradeoff is that it can introduce more cuts than you actually want. - Path Control System This is the latest technique Seedance 2.0 technique. Generate a still base plate of the scene. Draw a red line across it to mark the exact path of the movement, then describe what's happening. Seedance follows that line for the action. Also ask Claude to remove the red line when animating. This is the one for anything where motion has to land precisely. The output reads like real live action. - Lastly, generate every clip you need, then cut them together. Get it to Capcut for editing and audio design. And that's it. The pipeline that used to need a full crew and a studio can now run from one Claude chat. 2026 is gonna be wild
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You don't understand... Higgsfield MCP + Claude just automated AI film making. Every single step you used to grind through to make an AI movie, you can now do 10x faster. Drop the script into Claude Opus 4.8 and say: "Here's my script. Break it into a full shotlist. Shot number, scene, shot type, camera move and the action in each frame." Now the whole film is mapped, shot by shot. - Pull your assets. Ask Claude: "From this shotlist, list every character, every location and every prop across the whole film." That's your build list. The stuff you would need to generate and give as references in next steps. - Build the character sheets. Higgsfield MCP is connected, so Claude has hands now to do stuff directly. It generates the images itself. Have the full body, back view and close up in the character sheet. One per character. Each sheet becomes the locked reference for that face. Same move for locations, generate the empty plate for each one before anyone steps into it. - Generate the frames. Feed Claude the references plus the shot and have it write and fire the Seedance 2.0 prompt. "Using the lead's character sheet and the alley plate, generate shot 4 in Seedance 2.0. Low angle, slow push-in, rain." Claude builds the prompt, calls Seedance 2.0 and the frame lands back in chat. Use a Seedance 2.0 skill to teach Claude how to prompt it properly. Now, there are 3 ways to make the shots. Pick one per scene. - Pure prompting. Fastest one. You describe the action in words and let Seedance interpret it. For consistency across a sequence, feed it a frame from the previous shot so the look carries. - Storyboarding. You hand it a panel and it matches that composition exactly. Way more control over how the shot is framed. The tradeoff is that it can introduce more cuts than you actually want. - Path Control System This is the latest technique Seedance 2.0 technique. Generate a still base plate of the scene. Draw a red line across it to mark the exact path of the movement, then describe what's happening. Seedance follows that line for the action. Also ask Claude to remove the red line when animating. This is the one for anything where motion has to land precisely. The output reads like real live action. - Lastly, generate every clip you need, then cut them together. Get it to Capcut for editing and audio design. And that's it. The pipeline that used to need a full crew and a studio can now run from one Claude chat. 2026 is gonna be wild

Rez Karim

10,951 просмотров • 2 месяцев назад