we one-shotted a 7-minute true-crime documentary in HyperFrames Studio 🎬 not a clip. a full film: the $4.5B Bitfinex heist, made in the style of Fern's investigations. script, voice, edit, sound, footage, 3D. HyperFrames studio did every part. what makes 7 minutes hard 👇 ✂️ the edit 37 scenes,... 10,525 frames, every cut timed to the narration. the agent measured Fern's pacing and how their films split between 3D, diagrams, documents and footage, then cut all 7 minutes to match. 🔊 the sound 109 sound effects, each timed to the frame. music comes from HeyGen's audio library: the agent auditioned 41 tracks against Fern's soundtracks, kept the closest, and hard-stopped them on the big reveals. 🎙️ the voice the whole narration is generated with HeyGen Voice 1. the agent transcribes every line back and re-records any it misreads. 🗂️ the footage the agent sourced everything itself with our skills: court filings, DOJ releases, Bitfinex's 2016 blog via the Wayback Machine, the blockchain record of the stolen coins, real logos. then it cropped, graded and animated every piece. what it couldn't find, it built: almost 4 minutes of 3D in HyperFrames . this format belongs to Fern, some of the best investigative storytelling on YouTube. all credit to their team. go watch the originals 🙏show more

same channel, a different series 👇 the film above is from Fern's true-crime series. this one is from their brand breakdowns: "Starbucks is secretly a bank". 4:46 ☕️ the two series don't open, cut or sound alike. so the template works in two layers: → channel layer: what every Fern video shares. the 2:1 frame, one studio narrator, no host on camera → series layer: what each series does its own way. story structure, edit rhythm, motion graphics, footage, music one creator, many series, each with its own playbook.

why we remix the best creators: 1/ to learn from them. a great channel is years of hard-won craft: how to open, when to cut, where the music drops. we turn that craft into templates an agent can work from. 2/ to pass it on. anyone can bring their own idea, start from what the best have already figured out, and remix it into a style that's theirs. the goal isn't more copies. it's more people making great videos, in styles nobody has seen yet ✨ Fern's originals 👉

@HyperFrames_ um ... whats going on here

@HyperFrames_ So good

@HyperFrames_ Why on earth would you call this a "true crime documentary"? No true crime producer will come up with something like this. It looks like an explainer video

@HyperFrames_ Why does everyone post amazing videos created with Claude but never share the tutorials?

@HyperFrames_ will be my next video!🧑‍🍳

@HyperFrames_ Are the 3D animations generative ai?

@HyperFrames_ nope. every 3D shot is built in code with three.js inside HyperFrames. no generated video or images.

@HyperFrames_ the mixing of sfx and music could use a little more work if you ask me!! Great visuals tho

@HyperFrames_ This is fire

@HyperFrames_ 🔥🙏

@HyperFrames_ The character movement in the 3D scenes is excellent. I hope you'll share your method soon.

Does the narration re-recording pass happen before the edit is timed, or can it repair a line later and retime the cuts/SFX? A replacement take can change duration even with the same script.

before. the agent locks the voice first (transcribes every line, re-records misreads), then builds the cut grid from the word timings. change a line later and the grid regenerates, so cuts + SFX move with it.

@HyperFrames_ true crime on demand !?!?

@HyperFrames_ on demand? yes! 😎 in HyperFrames Studio 👇

@HyperFrames_ but @WaterrrMiao how we can use @HyperFrames_

@HyperFrames_ we will open all the templates i've showed in the hyperframes skills next week!

@HyperFrames_ This is good