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wendy williams interview (2004) — how def jam was racist towards foxy brown’s caribbean/hip-hop sound. and stole her ideas when sean paul got mainstream success.

175,608 просмотров • 1 месяц назад •via X (Twitter)

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Megan Thee Stallion is being accused of lying on the witness stand by online hip hop fans regarding her mental health, and need to spent over 200K on mental health therapy — to support her Lawfare defamation lawsuit against hip hop journalist, court reporter, and media personality, Milagro Gramz…. Now just put things into perspective — online commentary from hip hop fans are questioning how Milagro with only 40 followers can affect Megan’s mental state so dire, when Rap/Hip Hop ICON, Nicki Minaj, who has over 200 million followers didn’t affect her at all, according to Megan…. "Big Foot" is a song by rapper Nicki Minaj, released on January 29, 2024. The song is a diss track released in response to a lyric from rapper Megan Thee Stallion's single "Hiss", released three days prior…. In the diss song, Nicki refers to Megan as promiscuous alcoholic who is being passed around by industry men, also claiming that Megan slept with her best friend men and dead mama boyfriend — as well as lying on Tory Lanez because she was not shot… Nicki Minaj returned to the Billboardcharts the week of February 13, 3024 — with her new hit song, “Big Foot.” The song is not necessarily a proper single, it’s a diss song, but it became a big win for Nicki anyway. As her latest offering appeared, the superstar added to her growing list chart wins, including on one ranking that she made history on just a short time ago…. “Big Foot” launched at No. 3 on last week’s edition of Billboard’s R&B/Hip-Hop Digital Song Sales chart. The tune sold a little more than 36,700 copies in its first tracking period, according to Luminate….That would normally be enough for the cut to rank as the bestselling in the hip-hop genre, but that frame turned out to be incredibly competitive….

HarrietEve9

16,542 просмотров • 9 месяцев назад

Fat Joe (Joseph Antonio Cartagena) is a Black Latino man of Puerto Rican and Cuban descent whose African ancestry, Bronx upbringing, and lifelong immersion in hip-hop culture make him an authentic representative of Black culture within the genre‼️. He has repeatedly affirmed this identity, including in conversations with Charlamagne tha God, and his body of work demonstrates concrete contributions that helped shape and expand hip-hop‼️. Puerto Rican and Cuban populations have significant African ancestry from the transatlantic slave trade; genetic studies and historical records show substantial West African admixture in both groups‼️. Fat Joe has publicly discussed his roots in these terms‼️. In appearances and discussions with Charlamagne (including Breakfast Club and related platforms), he has spoken about growing up in the South Bronx as a product of that mixed heritage‼️emphasizing the Black and Latino realities of the neighborhood that produced early hip-hop‼️. He has rejected attempts to erase the African component of his background, framing his origin as inseparable from the same street, cultural, and musical environment that Black Americans and Afro-Latinos shared in New York‼️. This is not performative; it aligns with how many Afro-Puerto Ricans and Afro-Cubans understand their identity: Black by blood and experience while also Latino by language, family, and nationality‼️. Hip-hop was born in the Bronx among Black and Puerto Rican youth‼️. Fat Joe came of age in that exact milieu in the 1980s–90s‼️. He did not enter the culture as an outsider; he was formed by it‼️block parties, battles, the same parks and projects that produced the foundational generation‼️. His accent, slang, fashion, swagger, and lyrical references have always been those of Bronx street culture, which is Black American at its core with heavy Afro-Latino participation‼️. He has consistently centered that shared experience rather than distancing himself from it‼️. Claiming otherwise ignores both genetics and the lived history of the genre’s birthplace‼️. Concrete Contributions to Hip-Hop Artist and label builder⁉️: As a solo artist and founder of Terror Squad, he gave platforms to artists (including Big Pun, who was also Puerto Rican with African ancestry) and helped keep hardcore East Coast street rap commercially viable in the late ’90s and early 2000s‼️. Hits that crossed over while staying rooted: “Lean Back,” “What’s Luv⁉️” (with Ashanti), “Make It Rain,” and collaborations with artists across the spectrum moved units and radio while retaining the aggressive, street-oriented sound associated with Black hip-hop of the era‼️. Cultural bridge without dilution⁉️: He brought Latino presence into mainstream hip-hop conversations without soft-pedaling the genre’s Black foundations‼️. His work with producers, rappers, and DJs from the core hip-hop community reinforced rather than diluted the culture‼️. Decades of consistent output, features, and public advocacy for the art form have kept him an active elder statesman who still speaks the language of the streets that created hip-hop‼️. When Fat Joe discusses his origins with Charlamagne, he is describing the same Bronx Black/Latino continuum that produced hip-hop itself‼️. His African ancestry is real, his cultural formation is real, and his contributions are measurable in records sold, artists launched, and the continued visibility of that New York street sound‼️. Attempts to separate him from Black culture require ignoring both genetics and the actual history of the genre he helped carry forward‼️.

(st_ides)

24,487 просмотров • 5 дней назад