Video wird geladen...

Video konnte nicht geladen werden

Beim Laden dieses Videos ist ein Problem aufgetreten. Dies könnte an einem vorübergehenden Netzwerkproblem liegen oder das Video ist möglicherweise nicht verfügbar.

We've created animation on the same topic, but this time with a close-up view and a layer-by-layer breakdown. This animation highlights the action of the Pronator Teres and Supinator muscles as they work to rotate the radius, enabling pronation and supination of the forearm.

Anatomy Standard

70,296 subscribers

128,406 Aufrufe • vor 1 Jahr •via X (Twitter)

Bildung Wissenschaft & Technologie

Anya Rossi• Live Now

Private livecam show

9 Kommentare

Profilbild von Enigma🔪🔺SH0P IS OPEN!!

Enigma🔪🔺SH0P IS OPEN!!vor 1 Jahr

Thank you so much for these videos! These are super helpful to understand anatomy!

Profilbild von Chad Simon

Chad Simonvor 1 Jahr

This is awesome 👏

Profilbild von Mr Spat

Mr Spatvor 1 Jahr

wow God makes cool stuff.

Profilbild von fxzt

fxztvor 1 Jahr

👍

Profilbild von ₳stral Ⓥⓞid

₳stral Ⓥⓞidvor 1 Jahr

Perfect timing, I am trying to rig this area and didn't know how it rotated

Profilbild von Dr. Edward Oates

Dr. Edward Oatesvor 1 Jahr

like

Profilbild von Bones_of_amber

Bones_of_ambervor 1 Jahr

Very cool!

Profilbild von IronStarLad🇵🇸

IronStarLad🇵🇸vor 1 Jahr

That's gross and we should not be able to do that. Somebody code this out of our genes pls

Profilbild von Mr. Moo

Mr. Moovor 1 Jahr

Incredible example.

Ähnliche Videos

PRONATOR TERES IN THE THROWING ARM The Pronator has 2 insertions on the inside of the elbow 1) To the Medial Epicondyle through the Common Flexor Tendon 2) To the medial portion of the Ulna (Deep) In 83% of arms, the Median Nerve Runs right between those two heads Due to throwers commonly having hypertrophied and toned up Pronators, this can become an issue with compression of the Median Nerve which runs down the forearm and into the thumb, index, and middle fingers When tight, it can limit Supination and Elbow extension With Pronation and Supination, it is important to test both Range of Motion and Strength in both the Elbow flexed and extended positions as this will affect the muscle lengths of each Trigger points here typically refer deep into the wrist and Anterior Forearm In chronically “tight” Pronators, check the opposing muscle groups (Supinator and Biceps) as you may find they are significantly restricted and essentially forcing the Pronator to “Drive with the E Brake on” with every contraction OR You may see excessive weakness that allows the Pronator to Bully it into living in the Pronated, shortened position This is a non exhaustive list of some quick nuggets in regards to the Pronator Teres as there are a ton of global and external issues that can play a huge factor here

PRONATOR TERES IN THE THROWING ARM The Pronator has 2 insertions on the inside of the elbow 1) To the Medial Epicondyle through the Common Flexor Tendon 2) To the medial portion of the Ulna (Deep) In 83% of arms, the Median Nerve Runs right between those two heads Due to throwers commonly having hypertrophied and toned up Pronators, this can become an issue with compression of the Median Nerve which runs down the forearm and into the thumb, index, and middle fingers When tight, it can limit Supination and Elbow extension With Pronation and Supination, it is important to test both Range of Motion and Strength in both the Elbow flexed and extended positions as this will affect the muscle lengths of each Trigger points here typically refer deep into the wrist and Anterior Forearm In chronically “tight” Pronators, check the opposing muscle groups (Supinator and Biceps) as you may find they are significantly restricted and essentially forcing the Pronator to “Drive with the E Brake on” with every contraction OR You may see excessive weakness that allows the Pronator to Bully it into living in the Pronated, shortened position This is a non exhaustive list of some quick nuggets in regards to the Pronator Teres as there are a ton of global and external issues that can play a huge factor here

Armored Heat

13,730 Aufrufe • vor 3 Jahren

⚾️ FULL EXPLANATION OF HOW THE ELBOW HANDLES STRESS When you throw a baseball, the inside of your elbow gets hit with a big pulling/gapping force. Your body has three main ways it protects the elbow from that stress. Think of it as three layers of protection working together every time you throw. ✅ Radiocapitellar Joint Compression As the inside of your elbow tries to gap open during a throw, the outside of the joint compresses. The radius and humerus on the lateral side press together, creating a physical barrier that limits how far the elbow can open into valgus. ✅ Forearm Musculature All the forearm muscles that attach to the inside of the elbow help shield it. They anchor to the medial epicondyle and act as active stabilizers during the throw. This group includes the pronator teres, FCU, FCR, FDS, and palmaris longus. The simple takeaway is that the stronger/stiffer these muscles are, the more support they provide to the UCL. Training them through finger flexion, wrist flexion, ulnar deviation, and pronation is extremely effective. ✅ Ulnar Collateral Ligament Whatever force is not absorbed by joint compression and the forearm muscles ends up on the UCL. A UCL on its own can only tolerate roughly 35 newton meters before failure, yet every pitch produces FAR MORE than that. This highlights how essential those first two protective systems really are. 🎯 Conclusion In the big picture, your bones and your ligament offer a set, mostly fixed level of protection. They are important, but they cannot be dramatically changed. Your forearm musculature, on the other hand, is highly trainable. It can get stronger/stiffer pretty quickly and make a meaningful difference in how much stress your elbow can safely handle. If you are looking for the most direct, actionable way to protect your elbow, building stronger forearm muscles is the clearest and most impactful place to focus.

⚾️ FULL EXPLANATION OF HOW THE ELBOW HANDLES STRESS When you throw a baseball, the inside of your elbow gets hit with a big pulling/gapping force. Your body has three main ways it protects the elbow from that stress. Think of it as three layers of protection working together every time you throw. ✅ Radiocapitellar Joint Compression As the inside of your elbow tries to gap open during a throw, the outside of the joint compresses. The radius and humerus on the lateral side press together, creating a physical barrier that limits how far the elbow can open into valgus. ✅ Forearm Musculature All the forearm muscles that attach to the inside of the elbow help shield it. They anchor to the medial epicondyle and act as active stabilizers during the throw. This group includes the pronator teres, FCU, FCR, FDS, and palmaris longus. The simple takeaway is that the stronger/stiffer these muscles are, the more support they provide to the UCL. Training them through finger flexion, wrist flexion, ulnar deviation, and pronation is extremely effective. ✅ Ulnar Collateral Ligament Whatever force is not absorbed by joint compression and the forearm muscles ends up on the UCL. A UCL on its own can only tolerate roughly 35 newton meters before failure, yet every pitch produces FAR MORE than that. This highlights how essential those first two protective systems really are. 🎯 Conclusion In the big picture, your bones and your ligament offer a set, mostly fixed level of protection. They are important, but they cannot be dramatically changed. Your forearm musculature, on the other hand, is highly trainable. It can get stronger/stiffer pretty quickly and make a meaningful difference in how much stress your elbow can safely handle. If you are looking for the most direct, actionable way to protect your elbow, building stronger forearm muscles is the clearest and most impactful place to focus.

Armored Heat

10,212 Aufrufe • vor 8 Monaten

The sweat, effort, and emotion behind this poster were worth every second and you guys took it to another level! ♥️ Here’s a sneak peek into the layer by layer breakdown of one of my favourite posters from the #OG campaign!!!

The sweat, effort, and emotion behind this poster were worth every second and you guys took it to another level! ♥️ Here’s a sneak peek into the layer by layer breakdown of one of my favourite posters from the #OG campaign!!!

Suryahhh

21,244 Aufrufe • vor 9 Monaten

CSS Tip! ✨ You can create these parallax effects and image cross-fades with scroll-driven animations 🤙 img { animation: fade; animation-timeline: view(); mix-blend-mode: plus-lighter } img:last-of-type { animation-direction: reverse; } @keyframes fade { to { opacity: 0; }} This one's fun! 😁 The trick with the cross-fading image is to make use of one animation that runs at the same time on two images inside a container. You use the same animation, animation-timeline, and animation-range. But, you use animation-direction: reverse on one of the images so they go in the opposite direction 🫶 The use of mix-blend-mode: plus-lighter; produces a better cross-fade result 💯 A viewTimeline (view()) works because you know that both images are the same height. The range you can use is img { animation-timeline: view(); animation-range: cover 45% cover 55%; } That means when the image has covered 45% of the scrollport (In this case, the window), start the animation. And finish when it has covered 55% 🎬 How about the slight parallax? This is a trick with calc(). You know the top of the small image and the big image line up. And you can do this by absolutely placing the caption outside of the small image. The trick is to translate the small image by a distance so it lines up with the bottom of the big image. You can do that like this :root { --catch-up: calc( var(--big-height) - var(--small-height) ); } @keyframes move { to { translate: 0 var(--catch-up); }} Then drive that animation with a scroll-driven animation using the container of both images as the driver 🤙 /* section contains both images */ section { view-timeline: --container; } .img-fader { animation: catch-up both linear; animation-timeline: --container; animation-range: 50vh calc(100vh + (var(--big-height) * 0.25)); } That's it! Scroll-driven image cross-fading and parallax effects without any JavaScript. This demo will work in all browsers as there is some JavaScript in place where the API isn't supported 🤙 To do that, it uses GSAP ScrollTrigger 🏆 As always, any questions, requests, etc. hit me up! 🤙 CodePen.IO link below 👇

CSS Tip! ✨ You can create these parallax effects and image cross-fades with scroll-driven animations 🤙 img { animation: fade; animation-timeline: view(); mix-blend-mode: plus-lighter } img:last-of-type { animation-direction: reverse; } @keyframes fade { to { opacity: 0; }} This one's fun! 😁 The trick with the cross-fading image is to make use of one animation that runs at the same time on two images inside a container. You use the same animation, animation-timeline, and animation-range. But, you use animation-direction: reverse on one of the images so they go in the opposite direction 🫶 The use of mix-blend-mode: plus-lighter; produces a better cross-fade result 💯 A viewTimeline (view()) works because you know that both images are the same height. The range you can use is img { animation-timeline: view(); animation-range: cover 45% cover 55%; } That means when the image has covered 45% of the scrollport (In this case, the window), start the animation. And finish when it has covered 55% 🎬 How about the slight parallax? This is a trick with calc(). You know the top of the small image and the big image line up. And you can do this by absolutely placing the caption outside of the small image. The trick is to translate the small image by a distance so it lines up with the bottom of the big image. You can do that like this :root { --catch-up: calc( var(--big-height) - var(--small-height) ); } @keyframes move { to { translate: 0 var(--catch-up); }} Then drive that animation with a scroll-driven animation using the container of both images as the driver 🤙 /* section contains both images / section { view-timeline: --container; } .img-fader { animation: catch-up both linear; animation-timeline: --container; animation-range: 50vh calc(100vh + (var(--big-height) 0.25)); } That's it! Scroll-driven image cross-fading and parallax effects without any JavaScript. This demo will work in all browsers as there is some JavaScript in place where the API isn't supported 🤙 To do that, it uses GSAP ScrollTrigger 🏆 As always, any questions, requests, etc. hit me up! 🤙 CodePen.IO link below 👇

jhey ʕ•ᴥ•ʔ

242,205 Aufrufe • vor 2 Jahren

Ever wondered what it takes to create a #Starship launch animation from Pad 39A? Over 2 years of: modeling, simulating large-scale smoke plumes, compositing, refining, and solving complex software and hardware challenges behind every frame. Deconstructed layer by layer in a full VFX breakdown of the #Starship launch animation. #SpaceX #Starship #Pad39A

Ever wondered what it takes to create a #Starship launch animation from Pad 39A? Over 2 years of: modeling, simulating large-scale smoke plumes, compositing, refining, and solving complex software and hardware challenges behind every frame. Deconstructed layer by layer in a full VFX breakdown of the #Starship launch animation. #SpaceX #Starship #Pad39A

3DDaniel

15,841 Aufrufe • vor 6 Monaten

🎓Learn how to create a powerful Dynamic Embers smart material in a matter of seconds, in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. ___________________________________________________ In this video, the steps are as follows: 1. Create a fill layer to then apply the base maps for our asset into it. 2. Bake out the world space, AO, Curvature, and Position maps. These maps will be crucial for the smart material to function. Also, be sure to add an emissive channel to the project. 3. Next, create another fill layer labeled (Fire animation gradient) with a black mask and inside the mask apply a paint layer. Select the paint layer and paint a simple pill shape using a soft brush. Add an anchorpoint to the mask and disable all channels in this fill layer. 4. Create a folder labeled (embers smart material) and set it to pass through. Add a paint layer inside this folder and set it to pass through as well followed by an anchorpoint. 5. Create another fill layer and apply the paint layers anchorpoint information into its color channel. From here an HSL filter should be added to desaturate and darken the colors. 6. Next, create an additional fill layer with an orange-colored emissive channel. Add a black mask to this fill layer and inside its mask apply a dirt generator. This will give us the illusion of the embers glowing from inside the charred tree. Duplicate this fill layer and tweak its emissive color to a yellowish hue and reduce its mask amount. Do this a second time but with a white-colored emissive channel. This will now create an effect of the embers appearing brighter the deeper they are inside the tree. 7. Lastly, add these layers into a folder with a black mask and apply the (Fire Animation Gradient) anchorpoint into its mask via a fill layer. Now we have a charred embers effect wherever we paint using the paint layer created inside the gradient mask! This gradient mask can also be exported into Unreal engine to create some stunning real-time dynamic animations or the new material can simply be used for in-engine vertex painting. ____________________________________________________ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #3dmodeling #texturing #madewithsubstance #ue5 #unrealengine #unity #vfx

🎓Learn how to create a powerful Dynamic Embers smart material in a matter of seconds, in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. _ In this video, the steps are as follows: 1. Create a fill layer to then apply the base maps for our asset into it. 2. Bake out the world space, AO, Curvature, and Position maps. These maps will be crucial for the smart material to function. Also, be sure to add an emissive channel to the project. 3. Next, create another fill layer labeled (Fire animation gradient) with a black mask and inside the mask apply a paint layer. Select the paint layer and paint a simple pill shape using a soft brush. Add an anchorpoint to the mask and disable all channels in this fill layer. 4. Create a folder labeled (embers smart material) and set it to pass through. Add a paint layer inside this folder and set it to pass through as well followed by an anchorpoint. 5. Create another fill layer and apply the paint layers anchorpoint information into its color channel. From here an HSL filter should be added to desaturate and darken the colors. 6. Next, create an additional fill layer with an orange-colored emissive channel. Add a black mask to this fill layer and inside its mask apply a dirt generator. This will give us the illusion of the embers glowing from inside the charred tree. Duplicate this fill layer and tweak its emissive color to a yellowish hue and reduce its mask amount. Do this a second time but with a white-colored emissive channel. This will now create an effect of the embers appearing brighter the deeper they are inside the tree. 7. Lastly, add these layers into a folder with a black mask and apply the (Fire Animation Gradient) anchorpoint into its mask via a fill layer. Now we have a charred embers effect wherever we paint using the paint layer created inside the gradient mask! This gradient mask can also be exported into Unreal engine to create some stunning real-time dynamic animations or the new material can simply be used for in-engine vertex painting. __ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #3dmodeling #texturing #madewithsubstance #ue5 #unrealengine #unity #vfx

Cohen Brawley

46,070 Aufrufe • vor 2 Jahren

Apples, Donut and more apples. Sculpted in Dreams on my PS5 with a layer of AI on top, applied as I'm sculpting in close to real time.. this is the future of 3D sculpting. #madeindreams #ai

Apples, Donut and more apples. Sculpted in Dreams on my PS5 with a layer of AI on top, applied as I'm sculpting in close to real time.. this is the future of 3D sculpting. #madeindreams #ai

Martin Nebelong

218,794 Aufrufe • vor 2 Jahren

🎓Learn how to create a powerful Worn Leather smart material in a matter of seconds in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. ____________________________________________________ In this video, the steps are as follows: 1. Create a fill layer with a black mask applied. Inside its mask paint a simple pill shape and use a blur slope filter to introduce some random shapes. Apply a marble veins fill layer on top with its blending mode set to color burn. Apply a warp filter as well to introduce some randomness followed by an anchorpoint. 2. Create another fill layer using the same technique to apply some dirt in the crevices of the wear. 3. Next, Inside the main fill layer apply a tiling raw leather texture to its Color and roughness channel 4. Create an additional fill layer up top and apply a black mask to it.Inside this mask retrieve the anchorpoint information followed by a blur filter with a value of 6. Use a levels to increase the spread of the mask. Apply another marble veins matching the values of the marble veins fill layer that we previously added and set its blending mode to multiply. Lastly retrieve the anchorpoint information from the previous fill layer again but this time set its blending mode to subtract. This fill layers properties should have a dark diffuse color and a matte roughness. 5. Add another fill layer with a bright diffuse and height properties with a black mask applied to it. Inside its mask retrieve the anchorpoint information again followed by a blur slope. Apply the anchorpoint information again but this time set its blending mode to subtract. Now we have a worn leather effect wherever we paint using the paint layer created inside the callout mask! ____________________________________________________ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #3dmodeling #3dartist #texturing #UE5 #unity #artstation

🎓Learn how to create a powerful Worn Leather smart material in a matter of seconds in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. In this video, the steps are as follows: 1. Create a fill layer with a black mask applied. Inside its mask paint a simple pill shape and use a blur slope filter to introduce some random shapes. Apply a marble veins fill layer on top with its blending mode set to color burn. Apply a warp filter as well to introduce some randomness followed by an anchorpoint. 2. Create another fill layer using the same technique to apply some dirt in the crevices of the wear. 3. Next, Inside the main fill layer apply a tiling raw leather texture to its Color and roughness channel 4. Create an additional fill layer up top and apply a black mask to it.Inside this mask retrieve the anchorpoint information followed by a blur filter with a value of 6. Use a levels to increase the spread of the mask. Apply another marble veins matching the values of the marble veins fill layer that we previously added and set its blending mode to multiply. Lastly retrieve the anchorpoint information from the previous fill layer again but this time set its blending mode to subtract. This fill layers properties should have a dark diffuse color and a matte roughness. 5. Add another fill layer with a bright diffuse and height properties with a black mask applied to it. Inside its mask retrieve the anchorpoint information again followed by a blur slope. Apply the anchorpoint information again but this time set its blending mode to subtract. Now we have a worn leather effect wherever we paint using the paint layer created inside the callout mask! More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #3dmodeling #3dartist #texturing #UE5 #unity #artstation

Cohen Brawley

88,726 Aufrufe • vor 2 Jahren

What if #AI became as decentralized as #Bitcoin? We sat down with our new friend 3700 from Bitcoin Virtual Machine to hear what their incredible team of anons are working on - "Truly Open AI." Full interview here:👇 1: What positive impact will Layer 2s have on Bitcoin? Layer 2s on Bitcoin open up opportunities for innovation, allowing developers to build dApps and smart contracts on top of Bitcoin, expanding its utility and use cases. By submitting transactions for final settlement on the Bitcoin network, Bitcoin Layer 2 networks claim to achieve the same (or close to) level of security and decentralization as the Bitcoin blockchain. Building a separate execution layer allows them the freedom to employ several technologies (such as rollups). Layer 2 can significantly improve Bitcoin's scalability by processing transactions off-chain, reducing congestion on the main blockchain. Overall, Layer 2s on Bitcoin have the potential to address some of Bitcoin's key limitations, making it more efficient, accessible, and versatile in the long run. 2: What does the ETF approval mean for Layer 2 on Bitcoin? The approval of ETF could potentially have several implications for Layer 2 on Bitcoin: Innovation and Development: With a growing interest in Bitcoin spurred by ETF approval, there could be a surge in research and development efforts focused on enhancing Layer 2. Developers and projects may be incentivized to create new and improved Layer 2 protocols to meet the evolving needs of the expanding Bitcoin ecosystem. An ETF approval could boost mainstream Bitcoin adoption and liquidity. This influx of users may also drive interest in Layer 2 on Bitcoin as a means to enhance the scalability and functionality of Bitcoin. 3: What are the primary challenges facing L2s on Bitcoin? The interoperability of different Layer 2s and their compatibility with Bitcoin's main blockchain can be a challenge. Ensuring seamless interaction between various Layer 2 networks and the Bitcoin blockchain is essential for a cohesive and efficient ecosystem. Some Layer 2s may introduce centralization risks if they rely heavily on centralized entities or trusted intermediaries. Maintaining decentralization and censorship resistance, which are core tenets of Bitcoin, while scaling with Layer 2s is a challenge. 4: What aspects of Layer 2 solutions for Bitcoin are you most enthusiastic about? AI represents one of the cornerstones of our modern era. However, achieving a decentralized AI infrastructure, owned and managed by users, has posed significant challenges. The primary obstacle has been the limited capacity to store and execute AI models due to size and computational limitations. To address this challenge, we propose a new blockchain architecture enabling developers to deploy their own Bitcoin Layer 2 solutions tailored specifically for AI tasks, called Truly Open AI. These Layer 2 blockchains are optimized to handle computationally intensive tasks, such as matrix multiplication, directly on-chain. These Bitcoin Layer 2 solutions offer exceptional throughput, minimal latency, and cost-effectiveness. AI dApps are programmed as Solidity smart contracts, ensuring they operate precisely as intended, free from interference or manipulation. Our BVM AI Contracts Library simplifies the integration of neural networks into dApps, empowering developers to embed AI seamlessly. In summary, I'm particularly enthusiastic about the potential of Layer 2 solutions for Bitcoin to revolutionize decentralized AI by providing scalability, security, and accessibility. 5: How is your Layer 2 different from others being built? BVM distinguishes itself as a Modular infrastructure that empowers thousands of distinct Bitcoin Layer 2 networks, spanning Gaming, DeFi, Social, and AI applications. We're continuously enriching the BVM Module Store with new modules to enhance its capabilities. With each new module, builders gain access to a wider array of tools to explore different use cases on the Bitcoin network. Recent additions include the Filecoin module for affordable storage and the AI Contracts Library for constructing AI-powered Bitcoin Layer 2 chains. We're also gearing up to release a ZK roll-up module in the coming weeks to offer an alternative to the standard optimistic roll-up. We aim to simplify the process of launching a Bitcoin Layer 2 network customized to specific requirements. Think of it as a SaaS offering with predefined best practices. Whether it's a DeFi Bitcoin Layer 2 or a GameFi Bitcoin Layer 2, we provide default solutions tailored to each use case. We're dedicated to expanding the BVM ecosystem by incentivizing more builders to join the Bitcoin network. Through various programs and grants, we support builders in covering their operational costs for Bitcoin Layer 2. Additionally, we offer rewards akin to 'L2 mining' to those who contribute to expanding the user base and total value locked on the network. In summary, BVM stands out with its modular infrastructure, tailored solutions, and efforts to grow the Bitcoin ecosystem.

What if #AI became as decentralized as #Bitcoin? We sat down with our new friend 3700 from Bitcoin Virtual Machine to hear what their incredible team of anons are working on - "Truly Open AI." Full interview here:👇 1: What positive impact will Layer 2s have on Bitcoin? Layer 2s on Bitcoin open up opportunities for innovation, allowing developers to build dApps and smart contracts on top of Bitcoin, expanding its utility and use cases. By submitting transactions for final settlement on the Bitcoin network, Bitcoin Layer 2 networks claim to achieve the same (or close to) level of security and decentralization as the Bitcoin blockchain. Building a separate execution layer allows them the freedom to employ several technologies (such as rollups). Layer 2 can significantly improve Bitcoin's scalability by processing transactions off-chain, reducing congestion on the main blockchain. Overall, Layer 2s on Bitcoin have the potential to address some of Bitcoin's key limitations, making it more efficient, accessible, and versatile in the long run. 2: What does the ETF approval mean for Layer 2 on Bitcoin? The approval of ETF could potentially have several implications for Layer 2 on Bitcoin: Innovation and Development: With a growing interest in Bitcoin spurred by ETF approval, there could be a surge in research and development efforts focused on enhancing Layer 2. Developers and projects may be incentivized to create new and improved Layer 2 protocols to meet the evolving needs of the expanding Bitcoin ecosystem. An ETF approval could boost mainstream Bitcoin adoption and liquidity. This influx of users may also drive interest in Layer 2 on Bitcoin as a means to enhance the scalability and functionality of Bitcoin. 3: What are the primary challenges facing L2s on Bitcoin? The interoperability of different Layer 2s and their compatibility with Bitcoin's main blockchain can be a challenge. Ensuring seamless interaction between various Layer 2 networks and the Bitcoin blockchain is essential for a cohesive and efficient ecosystem. Some Layer 2s may introduce centralization risks if they rely heavily on centralized entities or trusted intermediaries. Maintaining decentralization and censorship resistance, which are core tenets of Bitcoin, while scaling with Layer 2s is a challenge. 4: What aspects of Layer 2 solutions for Bitcoin are you most enthusiastic about? AI represents one of the cornerstones of our modern era. However, achieving a decentralized AI infrastructure, owned and managed by users, has posed significant challenges. The primary obstacle has been the limited capacity to store and execute AI models due to size and computational limitations. To address this challenge, we propose a new blockchain architecture enabling developers to deploy their own Bitcoin Layer 2 solutions tailored specifically for AI tasks, called Truly Open AI. These Layer 2 blockchains are optimized to handle computationally intensive tasks, such as matrix multiplication, directly on-chain. These Bitcoin Layer 2 solutions offer exceptional throughput, minimal latency, and cost-effectiveness. AI dApps are programmed as Solidity smart contracts, ensuring they operate precisely as intended, free from interference or manipulation. Our BVM AI Contracts Library simplifies the integration of neural networks into dApps, empowering developers to embed AI seamlessly. In summary, I'm particularly enthusiastic about the potential of Layer 2 solutions for Bitcoin to revolutionize decentralized AI by providing scalability, security, and accessibility. 5: How is your Layer 2 different from others being built? BVM distinguishes itself as a Modular infrastructure that empowers thousands of distinct Bitcoin Layer 2 networks, spanning Gaming, DeFi, Social, and AI applications. We're continuously enriching the BVM Module Store with new modules to enhance its capabilities. With each new module, builders gain access to a wider array of tools to explore different use cases on the Bitcoin network. Recent additions include the Filecoin module for affordable storage and the AI Contracts Library for constructing AI-powered Bitcoin Layer 2 chains. We're also gearing up to release a ZK roll-up module in the coming weeks to offer an alternative to the standard optimistic roll-up. We aim to simplify the process of launching a Bitcoin Layer 2 network customized to specific requirements. Think of it as a SaaS offering with predefined best practices. Whether it's a DeFi Bitcoin Layer 2 or a GameFi Bitcoin Layer 2, we provide default solutions tailored to each use case. We're dedicated to expanding the BVM ecosystem by incentivizing more builders to join the Bitcoin network. Through various programs and grants, we support builders in covering their operational costs for Bitcoin Layer 2. Additionally, we offer rewards akin to 'L2 mining' to those who contribute to expanding the user base and total value locked on the network. In summary, BVM stands out with its modular infrastructure, tailored solutions, and efforts to grow the Bitcoin ecosystem.

Supra

83,548 Aufrufe • vor 2 Jahren

Here is a breakdown (kind of) how I did this effect for live2d Vtuber model art. I’ve drawn the lips, you would have to separate top and bottom though and added a cyan layer which will be my mask and the mask for the rigger to clip on. Then I added a shiny add layer on top and used the cyan layer as a mask, just to test the effect in procreate, you would have to delete the black/white procreate mask for the rigger because this can cause issues. If you have any questions feels free to ask. 💕

Here is a breakdown (kind of) how I did this effect for live2d Vtuber model art. I’ve drawn the lips, you would have to separate top and bottom though and added a cyan layer which will be my mask and the mask for the rigger to clip on. Then I added a shiny add layer on top and used the cyan layer as a mask, just to test the effect in procreate, you would have to delete the black/white procreate mask for the rigger because this can cause issues. If you have any questions feels free to ask. 💕

Sandrina 😈🎀 | VArtist | †øм

22,969 Aufrufe • vor 10 Monaten

As London Climate Action Week comes to a close, it's a chance to reflect on the bold actions we’ve taken and the success we've had in making London greener and more climate-resilient. But the extreme temperatures we’ve had are a stark reminder of why this work matters - and why we must keep going.

As London Climate Action Week comes to a close, it's a chance to reflect on the bold actions we’ve taken and the success we've had in making London greener and more climate-resilient. But the extreme temperatures we’ve had are a stark reminder of why this work matters - and why we must keep going.

Mayor of London, Sadiq Khan

17,827 Aufrufe • vor 2 Monaten

Wow. This is one of the best AI hybrid commercials I've ever seen. Rufus Blackwell shot this partially live-action (opening and closing shots) and did a ton of keyframe AI animation. They probably saved $100K and four weeks of VFX work by doing this as a hybrid commercial.

Wow. This is one of the best AI hybrid commercials I've ever seen. Rufus Blackwell shot this partially live-action (opening and closing shots) and did a ton of keyframe AI animation. They probably saved $100K and four weeks of VFX work by doing this as a hybrid commercial.

PJ Ace

517,045 Aufrufe • vor 1 Jahr

Hi everyone, I'm so excited to share the CGI breakdown of my animation, 「Aurora Project I」!!! This video showcases the details of my first 3D character, the custom shader I created, and the FX made in Houdini. Hope you'll enjoy it! #animation #b3d #blender #3DCG #breakdown

Hi everyone, I'm so excited to share the CGI breakdown of my animation, 「Aurora Project I」!!! This video showcases the details of my first 3D character, the custom shader I created, and the FX made in Houdini. Hope you'll enjoy it! #animation #b3d #blender #3DCG #breakdown

ArKus⚡@Art&3DCG

16,491 Aufrufe • vor 1 Jahr

Go beyond the bouncing ball and learn the fundamentals of animation with me! This is a super hands on, step by step way to learn animation. 🔗 below 👇

Go beyond the bouncing ball and learn the fundamentals of animation with me! This is a super hands on, step by step way to learn animation. 🔗 below 👇

Alex Grigg

28,998 Aufrufe • vor 1 Jahr

Concerned Citizen 10:28 “The aluminum layer reflects sunlight but is transparent to thermal infrared. The barium titanate layer has a higher density than the aluminum layer and interacts with the atmosphere's electric field to orient the disk with the reflective side up”

Concerned Citizen 10:28 “The aluminum layer reflects sunlight but is transparent to thermal infrared. The barium titanate layer has a higher density than the aluminum layer and interacts with the atmosphere's electric field to orient the disk with the reflective side up”

Tape

68,495 Aufrufe • vor 1 Jahr

#WATCH | Ayodhya, UP: Cold wave and a thick layer of fog engulfs the city of Ayodhya this morning.

#WATCH | Ayodhya, UP: Cold wave and a thick layer of fog engulfs the city of Ayodhya this morning.

ANI

20,670 Aufrufe • vor 8 Monaten

These are underfill layers! They are a solid color layer underneath another color layer, but they are slightly bigger, making it look like the outline of the layer above. This method will make it easier for riggers to give the model more range, as the underfill is easy to adjust

These are underfill layers! They are a solid color layer underneath another color layer, but they are slightly bigger, making it look like the outline of the layer above. This method will make it easier for riggers to give the model more range, as the underfill is easy to adjust

Suiika Customizable Model OUT NOW!

529,994 Aufrufe • vor 2 Jahren

"It's a race against time. ... People like Donald J. Trump, narcissistic sociopaths like the ones we've seen throughout history—the Hitlers and the Stalins—they blow themselves up in the end. And the question is the blast radius, and the longer we let this go on the bigger the blast radius is."

"It's a race against time. ... People like Donald J. Trump, narcissistic sociopaths like the ones we've seen throughout history—the Hitlers and the Stalins—they blow themselves up in the end. And the question is the blast radius, and the longer we let this go on the bigger the blast radius is."

George Conway ⚖️🇺🇸

119,731 Aufrufe • vor 2 Monaten

Needed to add this. the sister of silence part. Getting a animation how blanks work walking up to the psyker And 1v1 a leaper Chad energy

Needed to add this. the sister of silence part. Getting a animation how blanks work walking up to the psyker And 1v1 a leaper Chad energy

Eater Of Brushes

298,606 Aufrufe • vor 2 Jahren