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"What Difference Does It Make?" is from the debut album by The Smiths (1984). Written by Morrissey (lyrics) and Johnny Marr (music), the track was released as a single and reached #12 in the UK. Both the cover of the single and the original video of this song generated... show more

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A rare interview with The Smiths during their remarkable rise in the 1980s. Morrissey and Johnny Marr helped redefine British guitar music with a unique blend of sharp songwriting, unforgettable melodies and unmistakable style, making the band one of the most influential acts of their generation.

A rare interview with The Smiths during their remarkable rise in the 1980s. Morrissey and Johnny Marr helped redefine British guitar music with a unique blend of sharp songwriting, unforgettable melodies and unmistakable style, making the band one of the most influential acts of their generation.

Batfox Pictures

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"Just What I Needed" is from The Cars' 1978 self-titled debut album. It became one of the band's biggest hits, reaching #27 on the US Billboard Hot 100, #17 in Canada, and #17 in New Zealand. Although it wasn't released as a single in the UK at the time, the song received heavy radio airplay.

"Just What I Needed" is from The Cars' 1978 self-titled debut album. It became one of the band's biggest hits, reaching #27 on the US Billboard Hot 100, #17 in Canada, and #17 in New Zealand. Although it wasn't released as a single in the UK at the time, the song received heavy radio airplay.

Ladytron Fan Account

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“Gimme Shelter” is the opening track from The Rolling Stones’s 1969 album Let It Bleed. Written by Mick Jagger and Keith Richards during a period marked by the Vietnam War and widespread social unrest, the song is widely regarded as one of the greatest rock recordings of all time. Although never released as a single in the UK or US, it became one of the band's signature songs and has appeared on numerous "greatest songs" lists.

“Gimme Shelter” is the opening track from The Rolling Stones’s 1969 album Let It Bleed. Written by Mick Jagger and Keith Richards during a period marked by the Vietnam War and widespread social unrest, the song is widely regarded as one of the greatest rock recordings of all time. Although never released as a single in the UK or US, it became one of the band's signature songs and has appeared on numerous "greatest songs" lists.

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“Little Lies” is from Fleetwood Mac’s 1987 album Tango in the Night. Written by Christine McVie and Eddy Quintela, the track peaked at #4 on the Billboard Hot 100 and became one of the band’s biggest hits of the late 80s. It also reached #1 on the US Mainstream Rock and Adult Contemporary charts, as well as #1 in Canada and #5 in the UK. The song’s bright, radio-friendly sound helped Tango in the Night become one of Fleetwood Mac’s best-selling albums, even as the band was dealing with internal tensions.

“Little Lies” is from Fleetwood Mac’s 1987 album Tango in the Night. Written by Christine McVie and Eddy Quintela, the track peaked at #4 on the Billboard Hot 100 and became one of the band’s biggest hits of the late 80s. It also reached #1 on the US Mainstream Rock and Adult Contemporary charts, as well as #1 in Canada and #5 in the UK. The song’s bright, radio-friendly sound helped Tango in the Night become one of Fleetwood Mac’s best-selling albums, even as the band was dealing with internal tensions.

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💫🫶"Alive" is Pearl Jam's debut single, released in 1991 as part of the album Ten. Written by guitarist Stone Gossard and vocalist Eddie Vedder, the lyrics draw from Vedder's personal story and mark the beginning of the band's exploration of identity, grief, and existence.

💫🫶"Alive" is Pearl Jam's debut single, released in 1991 as part of the album Ten. Written by guitarist Stone Gossard and vocalist Eddie Vedder, the lyrics draw from Vedder's personal story and mark the beginning of the band's exploration of identity, grief, and existence.

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"No Ordinary Love" is an iconic song by the English band Sade, released in September 1992 as the first single from their fourth studio album, Love Deluxe. The song is known for its soul sound, downtempo, and distinctive guitar riff, and became one of the band's biggest hits, winning a Grammy in 1994. Meaning of the Song The lyrics address a deep and intense love that is not fully reciprocated, resulting in suffering and persistence on the part of the narrator. The phrase "This is no ordinary love" emphasizes the uniqueness and pain of this feeling.

"No Ordinary Love" is an iconic song by the English band Sade, released in September 1992 as the first single from their fourth studio album, Love Deluxe. The song is known for its soul sound, downtempo, and distinctive guitar riff, and became one of the band's biggest hits, winning a Grammy in 1994. Meaning of the Song The lyrics address a deep and intense love that is not fully reciprocated, resulting in suffering and persistence on the part of the narrator. The phrase "This is no ordinary love" emphasizes the uniqueness and pain of this feeling.

💜Music is Love💜

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In 1984, as The Smiths were still carving out their identity, a Rockpalast appearance captured “What Difference Does It Make?” at a raw and formative moment. Taken from their debut album The Smiths, the track introduced Morrissey’s cutting perspective and Johnny Marr’s urgent guitar style to a wider European audience. The performance shows the band before hype and legacy set in, defined by immediacy rather than myth.

In 1984, as The Smiths were still carving out their identity, a Rockpalast appearance captured “What Difference Does It Make?” at a raw and formative moment. Taken from their debut album The Smiths, the track introduced Morrissey’s cutting perspective and Johnny Marr’s urgent guitar style to a wider European audience. The performance shows the band before hype and legacy set in, defined by immediacy rather than myth.

Batfox Pictures

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“How Soon is Now?” by The Smiths: A Hauntingly Beautiful Classic “How Soon is Now?”, released in 1984, is one of The Smiths’ most beloved and enduring songs. This iconic track showcases the band’s unique blend of jangly guitars, poetic lyrics, and Morrissey’s unmistakable vocals. The song’s dreamy, swirling guitar intro, courtesy of Johnny Marr, sets the tone for Morrissey’s poignant and introspective lyrics. His soaring vocals convey the anguish and isolation of feeling like an outsider, desperately seeking connection. The lyrics are a masterclass in poetic storytelling, exploring themes of loneliness, rejection, and the crippling insecurity of youth. Morrissey’s words paint vivid pictures, making the listener feel the pain and longing. Musically, the song’s hypnotic groove and Marr’s innovative guitar work create a sense of tension and release. The track’s production, handled by John Porter, perfectly captures The Smiths’ signature sound. “How Soon is Now?” is a timeless masterpiece, resonating with anyone who’s ever felt like an outsider. It’s a testament to The Smiths’ profound influence on indie music and their enduring legacy. #thesmiths #morrissey #johnnymarr #alternative #PostPunk

“How Soon is Now?” by The Smiths: A Hauntingly Beautiful Classic “How Soon is Now?”, released in 1984, is one of The Smiths’ most beloved and enduring songs. This iconic track showcases the band’s unique blend of jangly guitars, poetic lyrics, and Morrissey’s unmistakable vocals. The song’s dreamy, swirling guitar intro, courtesy of Johnny Marr, sets the tone for Morrissey’s poignant and introspective lyrics. His soaring vocals convey the anguish and isolation of feeling like an outsider, desperately seeking connection. The lyrics are a masterclass in poetic storytelling, exploring themes of loneliness, rejection, and the crippling insecurity of youth. Morrissey’s words paint vivid pictures, making the listener feel the pain and longing. Musically, the song’s hypnotic groove and Marr’s innovative guitar work create a sense of tension and release. The track’s production, handled by John Porter, perfectly captures The Smiths’ signature sound. “How Soon is Now?” is a timeless masterpiece, resonating with anyone who’s ever felt like an outsider. It’s a testament to The Smiths’ profound influence on indie music and their enduring legacy. #thesmiths #morrissey #johnnymarr #alternative #PostPunk

Ministry of Cults

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Inspiral Carpets - This Is How It Feels (#TOTP 1990) This was the Oldham band's first single to hit the UK Top 40. From their debut album, Life, the song was written and produced by the group. Reaching #14 in the UK, the track went on to be certified Silver in British sales.

Inspiral Carpets - This Is How It Feels (#TOTP 1990) This was the Oldham band's first single to hit the UK Top 40. From their debut album, Life, the song was written and produced by the group. Reaching #14 in the UK, the track went on to be certified Silver in British sales.

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From their appearance on The Old Grey Whistle Test in 1986, Bigmouth Strikes Again captures The Smiths during the run of The Queen Is Dead. Released that year as a single, the song reached number 26 on the UK Singles Chart and became one of the band’s most recognisable tracks. Driven by Johnny Marr’s rapid, layered guitar work and Morrissey’s self-referential lyric, it reflected the sharper, more confrontational edge of the band’s mid-80s peak, with performances like this placing them firmly at the centre of British alternative music.

From their appearance on The Old Grey Whistle Test in 1986, Bigmouth Strikes Again captures The Smiths during the run of The Queen Is Dead. Released that year as a single, the song reached number 26 on the UK Singles Chart and became one of the band’s most recognisable tracks. Driven by Johnny Marr’s rapid, layered guitar work and Morrissey’s self-referential lyric, it reflected the sharper, more confrontational edge of the band’s mid-80s peak, with performances like this placing them firmly at the centre of British alternative music.

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By 1987, The Smiths were nearing the end of their remarkable run, yet singles such as "Shoplifters of the World Unite" and "Sheila Take a Bow" showed there was no drop in quality. Their appearance on The Tube in April 1987 captured Morrissey, Johnny Marr, Andy Rourke and Mike Joyce during the final months of the band's existence, still producing some of the most distinctive guitar pop of the decade.

By 1987, The Smiths were nearing the end of their remarkable run, yet singles such as "Shoplifters of the World Unite" and "Sheila Take a Bow" showed there was no drop in quality. Their appearance on The Tube in April 1987 captured Morrissey, Johnny Marr, Andy Rourke and Mike Joyce during the final months of the band's existence, still producing some of the most distinctive guitar pop of the decade.

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Released on this day in 1994, 'Revol', the second single from 'The Holy Bible'. A relentless blast of guitars and one of the defining tracks from the album, the single reached No.22 in the UK charts. Watch the official video, directed by Chris D'Adda, on the band's official YouTube channel:

Released on this day in 1994, 'Revol', the second single from 'The Holy Bible'. A relentless blast of guitars and one of the defining tracks from the album, the single reached No.22 in the UK charts. Watch the official video, directed by Chris D'Adda, on the band's official YouTube channel:

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Slade's Flame Soundtrack Ballad How Does It Feel released as the second single from the band's first soundtrack album and fifth studio album Slade in Flame on February 7, 1975 in promotion of the film of the same name. The song was written by lead vocalist Noddy Holder and bassist Jim Lea, and produced by Chas Chandler. It reached No. 15 in the UK, remaining in the charts for seven weeks. The melody for "How Does It Feel" was the first one Lea composed while still in school. He conceived the idea on an old piano, which he later described as missing half its keys. Although the tune didn't progress further at that time, Lea revisited it later for the theme of Flame. Holder wrote the lyrics, and it became "How Does It Feel". The song included a brass section performed by members of Gonzalez. In the band's 1984 biography, Feel the Noize!, Lea recalled, "It was an old song I'd written, and Nod added some great lyrics to it. Tommy Vance said it was good but warned we might face challenges. However, I didn't care whether it was number one or number 15... to me, it was a much better record than we'd made before, and that was all I cared about." Personally I love the track, and think it was deserving of much higher place than 15. How do you feel, about this release?

Slade's Flame Soundtrack Ballad How Does It Feel released as the second single from the band's first soundtrack album and fifth studio album Slade in Flame on February 7, 1975 in promotion of the film of the same name. The song was written by lead vocalist Noddy Holder and bassist Jim Lea, and produced by Chas Chandler. It reached No. 15 in the UK, remaining in the charts for seven weeks. The melody for "How Does It Feel" was the first one Lea composed while still in school. He conceived the idea on an old piano, which he later described as missing half its keys. Although the tune didn't progress further at that time, Lea revisited it later for the theme of Flame. Holder wrote the lyrics, and it became "How Does It Feel". The song included a brass section performed by members of Gonzalez. In the band's 1984 biography, Feel the Noize!, Lea recalled, "It was an old song I'd written, and Nod added some great lyrics to it. Tommy Vance said it was good but warned we might face challenges. However, I didn't care whether it was number one or number 15... to me, it was a much better record than we'd made before, and that was all I cared about." Personally I love the track, and think it was deserving of much higher place than 15. How do you feel, about this release?

Glam Slam: Chronicles

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🔥💫🔥"Eyes Without a Face" is a powerful ballad by British rock musician Billy Idol, from his second studio album, Rebel Yell (1983). It was released in April 1984 as the second single from the album in the US and in June 1984 in the UK. The song is softer and more ballad-like than most of the other singles from the album. The song reached number 4 on the Billboard Hot 100, becoming Idol's first top-10 hit in the US. The title is borrowed from the horror film known in English as Eyes Without a Face (1960).

🔥💫🔥"Eyes Without a Face" is a powerful ballad by British rock musician Billy Idol, from his second studio album, Rebel Yell (1983). It was released in April 1984 as the second single from the album in the US and in June 1984 in the UK. The song is softer and more ballad-like than most of the other singles from the album. The song reached number 4 on the Billboard Hot 100, becoming Idol's first top-10 hit in the US. The title is borrowed from the horror film known in English as Eyes Without a Face (1960).

💜Music is Love💜

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"Runaway" was released in 1961 and became the biggest hit of Del Shannon's career. Written by him and Max Crook, the track has a classic '60s rock and roll sound with an iconic Musitron organ riff (an instrument created by Crook, based on a modified organ). Released as a single, it reached #1 on the Billboard Hot 100 for four weeks. Del Shannon's signature falsetto and Musitron's innovative sound helped define early '60s rock. The song is a timeless classic, has been covered by various artists and to this day is considered one of the greatest songs of the pre-Beatles era.

"Runaway" was released in 1961 and became the biggest hit of Del Shannon's career. Written by him and Max Crook, the track has a classic '60s rock and roll sound with an iconic Musitron organ riff (an instrument created by Crook, based on a modified organ). Released as a single, it reached #1 on the Billboard Hot 100 for four weeks. Del Shannon's signature falsetto and Musitron's innovative sound helped define early '60s rock. The song is a timeless classic, has been covered by various artists and to this day is considered one of the greatest songs of the pre-Beatles era.

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Only a few years after the end of The Smiths, Morrissey performed “Suedehead” live in 1992 with the theatrical presence and sharp wit that defined his early solo career. Originally released in 1988 as his debut solo single, the song helped establish Morrissey beyond the shadow of his former band.

Only a few years after the end of The Smiths, Morrissey performed “Suedehead” live in 1992 with the theatrical presence and sharp wit that defined his early solo career. Originally released in 1988 as his debut solo single, the song helped establish Morrissey beyond the shadow of his former band.

Batfox Pictures

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"Head Over Heels" was the fourth single (in the UK, third in the US) from the album Songs from the Big Chair (1985). It reached #3 on the Billboard Hot 100 (one of Tears For Fears' biggest hits in the US), #12 in the UK and became a hit of the 80s. Years later, the track was used in the iconic scene of the school hallway in the film Donnie Darko (2001), which introduced Tears For Fears to a whole new generation of future fans.

"Head Over Heels" was the fourth single (in the UK, third in the US) from the album Songs from the Big Chair (1985). It reached #3 on the Billboard Hot 100 (one of Tears For Fears' biggest hits in the US), #12 in the UK and became a hit of the 80s. Years later, the track was used in the iconic scene of the school hallway in the film Donnie Darko (2001), which introduced Tears For Fears to a whole new generation of future fans.

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“Hold On” was the debut single from Wilson Phillips’ self-titled 1990 album and became one of the biggest hits of the year. Written by the trio Carnie Wilson and Wendy Wilson, daughters of Beach Boys founder Brian Wilson, and Chynna Phillips, daughter of John and Michelle Phillips of The Mamas & the Papas, the song topped the Billboard Hot 100 for one week and helped propel the album to multi-platinum success.

“Hold On” was the debut single from Wilson Phillips’ self-titled 1990 album and became one of the biggest hits of the year. Written by the trio Carnie Wilson and Wendy Wilson, daughters of Beach Boys founder Brian Wilson, and Chynna Phillips, daughter of John and Michelle Phillips of The Mamas & the Papas, the song topped the Billboard Hot 100 for one week and helped propel the album to multi-platinum success.

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🩵🩵"Hold Me Now" is a 1983 song by the British band Thompson Twins. Written by the band members, the song was produced by Alex Sadkin and features the group's lead vocals by Tom Bailey. The song is a mid-tempo new wave track using a variety of instruments, including keyboards, a xylophone, a piano, and Latin percussion. It was released in November 1983 as the first single from their fourth studio album.

🩵🩵"Hold Me Now" is a 1983 song by the British band Thompson Twins. Written by the band members, the song was produced by Alex Sadkin and features the group's lead vocals by Tom Bailey. The song is a mid-tempo new wave track using a variety of instruments, including keyboards, a xylophone, a piano, and Latin percussion. It was released in November 1983 as the first single from their fourth studio album.

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Girls & Boys is the first single from the album Parklife (1994), the album that put Blur at the center of the Britpop movement. Damon Albarn wrote the lyrics inspired by the hedonistic holiday culture of Britons in Spanish resorts such as Magaluf in the early 90s. Released in March 1994, it reached #5 on the UK Singles Chart and was the band's first major commercial hit. Parklife sold over 1.2 million copies in the UK alone (4x Platinum) and became one of the defining albums of the Britpop era.

Girls & Boys is the first single from the album Parklife (1994), the album that put Blur at the center of the Britpop movement. Damon Albarn wrote the lyrics inspired by the hedonistic holiday culture of Britons in Spanish resorts such as Magaluf in the early 90s. Released in March 1994, it reached #5 on the UK Singles Chart and was the band's first major commercial hit. Parklife sold over 1.2 million copies in the UK alone (4x Platinum) and became one of the defining albums of the Britpop era.

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