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What if #Sanggre has a Japanese Anime Opening? (but with the OG Sanggres as main leads).. knp ☽◯☾ Glaiza de Castro Gabbi Garcia ♡ Sanya Lopez Rhian Ramos 🫡 Mikee Quintos 🤭💜

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EL

1,445 subscribers

14,131 Aufrufe • vor 1 Jahr •via X (Twitter)

#Sanggre
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Profilbild von Ciara P. Reyna
Ciara P. Reynavor 1 Jahr

@kylienicolep @glaizaredux @gabbi @sanya_lopez @whianwamos @ValdezKate_ @mikeequintos Pero imagine Anime talaga. Tapos voices ng Main four as Main Leads. Promise. Kahit ilang episodes pa yan tatapusin ko

Profilbild von EL
ELvor 1 Jahr

@kylienicolep @glaizaredux @gabbi @sanya_lopez @whianwamos @ValdezKate_ @mikeequintos huuuuuy ang epic nyan pag nagkataon 🥹🤍

Profilbild von Girlfromelsevere
Girlfromelseverevor 9 Monaten

@kylienicolep @glaizaredux @gabbi @sanya_lopez @whianwamos @ValdezKate_ @mikeequintos This is so cool

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SANYA ALMOST LOST HER DANAYA ROLE DUE TO ONLINE BACKLASH In 2016, a photo leaked online seemingly confirming the cast of Encantadia, showing Glaiza de Castro, Kylie Padilla, Gabbi Garcia, and Sanya Lopez wearing color-coordinated gowns assigned to each Gem Keeper. Due to online backlash questioning who Sanya was, with many citing her limited catalogue of projects and roles at the time, she nearly lost the role and was almost replaced by another actress.

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พิเกี๊ยว 🥟 Gyo Nom Nom

21,222 Aufrufe • vor 24 Tagen

David founder Peter Rahal on why there's not much innovation in food: "Food entrepreneurs are predominately luddites. A lot of talented entrepreneurs just don’t go into food. Because it’s hard. And it’s not obvious how to differentiate. Nutrition science is not seen as a real science. This leads to a lot confusion in the market. For example, the economics don’t work to study the effect of a potato on the human body. There’s just not enough money in potatoes to justify the R&D budget to learn more about them. And so there’s actually not a lot of money going into the research and science of nutrition. Peter Thiel has a quote “If you ever put science behind something, it’s not a real science.” And so nutrition science is not a real science. But it can be. There’s just no money in it. And what is food? It’s really just understanding biochemistry. But it just doesn’t exist. And I think it’s probably driven by the economics of it. So I think that’s the main reason. But hopefully it will change in the future." Full conversation with Peter here:
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David founder Peter Rahal on why there's not much innovation in food: "Food entrepreneurs are predominately luddites. A lot of talented entrepreneurs just don’t go into food. Because it’s hard. And it’s not obvious how to differentiate. Nutrition science is not seen as a real science. This leads to a lot confusion in the market. For example, the economics don’t work to study the effect of a potato on the human body. There’s just not enough money in potatoes to justify the R&D budget to learn more about them. And so there’s actually not a lot of money going into the research and science of nutrition. Peter Thiel has a quote “If you ever put science behind something, it’s not a real science.” And so nutrition science is not a real science. But it can be. There’s just no money in it. And what is food? It’s really just understanding biochemistry. But it just doesn’t exist. And I think it’s probably driven by the economics of it. So I think that’s the main reason. But hopefully it will change in the future." Full conversation with Peter here:

The Peel

12,128 Aufrufe • vor 2 Monaten

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81,625 Aufrufe • vor 2 Jahren

Toxic is a boring film. After so much of hype, and after KGF 2, if you're going to deliver a boring film for the audience, it is nothing short of a sin. The main culprit is the disjointed screenplay. My question is: did you guys have test screenings of the film? Because if you had shown it to a select group of unbiased people, they would have surely told you what exactly was going wrong. Aamir Khan has always believed in test screenings (i am not talking about recent films). One of the reasons why his track record remained impeccable for such a long period in the past was because he would take feedback seriously and make as many corrections as possible before the actual release. Toxic was supposed to come with Dhurandhar 2. You guys had ample time for course correction, if required. Maybe that course correction simply did not happen. A three-hour film that bores the audience is a very bad idea. And please, Animal did not work at the box office merely because of its bold content. These are not the 1980s. Today, audiences have countless options to consume intimate content. Animal worked because the storytelling connected with the audience. The storytelling in Toxic is just not working. Whatever fantastic opening Toxic has received is, in my opinion, entirely because of Yash's massive stardom. But will that initial enthusiasm sustain once word of mouth takes over? I doubt it. What are your thoughts?
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Toxic is a boring film. After so much of hype, and after KGF 2, if you're going to deliver a boring film for the audience, it is nothing short of a sin. The main culprit is the disjointed screenplay. My question is: did you guys have test screenings of the film? Because if you had shown it to a select group of unbiased people, they would have surely told you what exactly was going wrong. Aamir Khan has always believed in test screenings (i am not talking about recent films). One of the reasons why his track record remained impeccable for such a long period in the past was because he would take feedback seriously and make as many corrections as possible before the actual release. Toxic was supposed to come with Dhurandhar 2. You guys had ample time for course correction, if required. Maybe that course correction simply did not happen. A three-hour film that bores the audience is a very bad idea. And please, Animal did not work at the box office merely because of its bold content. These are not the 1980s. Today, audiences have countless options to consume intimate content. Animal worked because the storytelling connected with the audience. The storytelling in Toxic is just not working. Whatever fantastic opening Toxic has received is, in my opinion, entirely because of Yash's massive stardom. But will that initial enthusiasm sustain once word of mouth takes over? I doubt it. What are your thoughts?

Faridoon Shahryar

105,133 Aufrufe • vor 1 Monat

EVERYTHING JAPANESE IS REALLY CHINESE. Seriously? Well, yes. I mean, this title is clearly a generalization, so what it means is that the main cultural items that are widely assumed across the world to be Japanese actually come from China. . 1. Ramen Raman is a Chinese noodle dish, not Japanese. It was brought to Japan by Chinese travellers in the late 1800s. The original Japanese name for it was “shina soba” meaning Chinese noodles. . 2. Japanese writing The Japanese writing system known as Kanji has a name formed of two elements. Kanji literally means Han Writing. Han is the biggest ethnic group in China. . 3. The Kimono This was an adaptation of the type of draped silk clothing from China known as Hanfu. After the start of the Heian period in Japan in 794 AD, it became popular in Japan and started to acquire unique Japanese elements. . 4. Blossom trees Japan’s famous cherry blossoms actually come a tree indigenous not to Japan, but to the Himalayas, which border southwest China—in fact a long way from Japan. The practice of celebrating the annual blossoming of beautiful trees such as the cherry blossom and the plum blossom spread from southwest China to Korea and Japan, taking several centuries to make that journey. . 5. Sushi Sushi is fish with vinegared rice. It is vinegared to give it a pickled taste which is a clue towards its origins: a Chinese pickled dish in which salted fish was wrapped in fermented rice. Even today in Japan, a sushi kitchen is called a tsuke-ba, which means ‘pickling place’. . 6. The Japanese language Japan has its own language, sure – but statisticians say that at least 60 per cent of Japanese vocabulary comes from Chinese origins. . 7. Being ruled by an Emperor In the early 7th century, the Japanese adopted the title of Emperor from China for their own leaders. They used the same Chinese characters, and the same concept that the leader, by definition, was the Son of Heaven. This new rank was then retroactively applied to all past Japanese rulers, who all become emperors and sons of heaven. . 8. Bonsai. The practice of growing miniature trees and creating tiny landscapes developed in China, more than 1,500 years ago. It was known as penjing. The technique was introduced to Japan in the 7th century. . 9. Sashimi It was the Chinese rather than the Japanese who realized more than 1800 years ago that the flesh of certain fish was delicious eaten raw – no cooking necessary. Food historian Jacqueline Newman says that raw fish consumption began in southern China before 200 AD. It came to Japan about 11 hundred years later. . 10. The tea ceremony The tea ceremony originated in China during the Tang Dynasty, which is 600 to 900 AD, as a meditative health practice, before evolving into artistic ritual by the time of the Song Dynasty, which started in 960 AD. It was then taken to Japan by monks, like many Chinese cultural practices. . 11. The board game called GO In western culture, Go is a game associated with Japan. In reality, it is the world’s oldest known board game, originating in China about 4,000 years ago, according to Encyclopedia Britannica. The game was taken from China to Japan in 500 AD, which is “comparatively recently” in Chinese terms. . 12. Green tea Green tea, or matcha, comes from China and has been consumed for probably 4,000 years. It was brought to Japan by monks during the 8th and 9th centuries—very recently by Chinese standards! Two holy men, Saichō and Kukai, are credited with bringing it over the waters to Japan. . 13. Architecture The Japanese admired China’s extraordinarily long-lasting structures made of interlocking wooden elements and there was a lot of temple-building based on Chinese innovations in sixth century Japan. The Japanese capital, Nara, copied the checkerboard street layout of the Chinese capital, Chang’an. But, it must be said, the Japanese afterwards developed many of their own unique architectural elements. . 14. The Asian super-sword It was actually Tang dynasty scientists in China who revolutionized sword-making in the 7th century with a blade called the baogangfa – they fused high carbon steel (which enable sharpness) with low-carbon iron (which provided strength). The result was a blade that could slice through samurai armor. Japanese envoys brought Chinese swords back to Japan in the 700s. To give them due credit, the Japanese improved both the recipe and the design, to eventually come up with the curved katana sword. . 15. Cultural figures One of the most famous pop culture items from Japan is Dragonball. The creator of Dragonball fully admitted that his story was simply a retelling of the Chinese classic Journey to the West. Pokemon, another Japanese modern classic, has many ancient Chinese elements, too – research the nine-tailed fox for example. . 16. Zen An Indian monk named Bodhidharma came to China around 520 AD. His teachings became combined with Chinese philosophies such as Daoism. That led to the development of a practice called Chan, which is how the word Zen was originally pronounced. Records indicate that Chinese Chan Buddhism reached Japan in the 7th century but was not firmly established in that country until the 12th century. . CONCLUSIONS? Okay, there are 16 items – things assumed to be Japanese by many people, but which are rooted in Chinese culture. But there are others. So feel free to add more. Or shoot down the ones I have listed, if you prefer. Why do so many Japanese items come from China? Well, for much of history, China was the cool place, the happening place, the creative place, the dominant cultural center of the most highly populated part of the world. So naturally people wanted to visit it. One ancient record show that between AD 603 and AD 839, the Japanese alone sent at least 17 diplomatic missions to the Tang Dynasty royal courts in China. And I am going to add one more item to my list. Do the Japanese people themselves come from China? A short discussion of that somewhat controversial question comes at the end of the video. Read widely. Peace.
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EVERYTHING JAPANESE IS REALLY CHINESE. Seriously? Well, yes. I mean, this title is clearly a generalization, so what it means is that the main cultural items that are widely assumed across the world to be Japanese actually come from China. . 1. Ramen Raman is a Chinese noodle dish, not Japanese. It was brought to Japan by Chinese travellers in the late 1800s. The original Japanese name for it was “shina soba” meaning Chinese noodles. . 2. Japanese writing The Japanese writing system known as Kanji has a name formed of two elements. Kanji literally means Han Writing. Han is the biggest ethnic group in China. . 3. The Kimono This was an adaptation of the type of draped silk clothing from China known as Hanfu. After the start of the Heian period in Japan in 794 AD, it became popular in Japan and started to acquire unique Japanese elements. . 4. Blossom trees Japan’s famous cherry blossoms actually come a tree indigenous not to Japan, but to the Himalayas, which border southwest China—in fact a long way from Japan. The practice of celebrating the annual blossoming of beautiful trees such as the cherry blossom and the plum blossom spread from southwest China to Korea and Japan, taking several centuries to make that journey. . 5. Sushi Sushi is fish with vinegared rice. It is vinegared to give it a pickled taste which is a clue towards its origins: a Chinese pickled dish in which salted fish was wrapped in fermented rice. Even today in Japan, a sushi kitchen is called a tsuke-ba, which means ‘pickling place’. . 6. The Japanese language Japan has its own language, sure – but statisticians say that at least 60 per cent of Japanese vocabulary comes from Chinese origins. . 7. Being ruled by an Emperor In the early 7th century, the Japanese adopted the title of Emperor from China for their own leaders. They used the same Chinese characters, and the same concept that the leader, by definition, was the Son of Heaven. This new rank was then retroactively applied to all past Japanese rulers, who all become emperors and sons of heaven. . 8. Bonsai. The practice of growing miniature trees and creating tiny landscapes developed in China, more than 1,500 years ago. It was known as penjing. The technique was introduced to Japan in the 7th century. . 9. Sashimi It was the Chinese rather than the Japanese who realized more than 1800 years ago that the flesh of certain fish was delicious eaten raw – no cooking necessary. Food historian Jacqueline Newman says that raw fish consumption began in southern China before 200 AD. It came to Japan about 11 hundred years later. . 10. The tea ceremony The tea ceremony originated in China during the Tang Dynasty, which is 600 to 900 AD, as a meditative health practice, before evolving into artistic ritual by the time of the Song Dynasty, which started in 960 AD. It was then taken to Japan by monks, like many Chinese cultural practices. . 11. The board game called GO In western culture, Go is a game associated with Japan. In reality, it is the world’s oldest known board game, originating in China about 4,000 years ago, according to Encyclopedia Britannica. The game was taken from China to Japan in 500 AD, which is “comparatively recently” in Chinese terms. . 12. Green tea Green tea, or matcha, comes from China and has been consumed for probably 4,000 years. It was brought to Japan by monks during the 8th and 9th centuries—very recently by Chinese standards! Two holy men, Saichō and Kukai, are credited with bringing it over the waters to Japan. . 13. Architecture The Japanese admired China’s extraordinarily long-lasting structures made of interlocking wooden elements and there was a lot of temple-building based on Chinese innovations in sixth century Japan. The Japanese capital, Nara, copied the checkerboard street layout of the Chinese capital, Chang’an. But, it must be said, the Japanese afterwards developed many of their own unique architectural elements. . 14. The Asian super-sword It was actually Tang dynasty scientists in China who revolutionized sword-making in the 7th century with a blade called the baogangfa – they fused high carbon steel (which enable sharpness) with low-carbon iron (which provided strength). The result was a blade that could slice through samurai armor. Japanese envoys brought Chinese swords back to Japan in the 700s. To give them due credit, the Japanese improved both the recipe and the design, to eventually come up with the curved katana sword. . 15. Cultural figures One of the most famous pop culture items from Japan is Dragonball. The creator of Dragonball fully admitted that his story was simply a retelling of the Chinese classic Journey to the West. Pokemon, another Japanese modern classic, has many ancient Chinese elements, too – research the nine-tailed fox for example. . 16. Zen An Indian monk named Bodhidharma came to China around 520 AD. His teachings became combined with Chinese philosophies such as Daoism. That led to the development of a practice called Chan, which is how the word Zen was originally pronounced. Records indicate that Chinese Chan Buddhism reached Japan in the 7th century but was not firmly established in that country until the 12th century. . CONCLUSIONS? Okay, there are 16 items – things assumed to be Japanese by many people, but which are rooted in Chinese culture. But there are others. So feel free to add more. Or shoot down the ones I have listed, if you prefer. Why do so many Japanese items come from China? Well, for much of history, China was the cool place, the happening place, the creative place, the dominant cultural center of the most highly populated part of the world. So naturally people wanted to visit it. One ancient record show that between AD 603 and AD 839, the Japanese alone sent at least 17 diplomatic missions to the Tang Dynasty royal courts in China. And I am going to add one more item to my list. Do the Japanese people themselves come from China? A short discussion of that somewhat controversial question comes at the end of the video. Read widely. Peace.

Nury Vittachi

1,200,953 Aufrufe • vor 10 Monaten

Here's my first series of Anime created by Generative AI. Vidu 2.0 is a groundbreaking advancement for storytelling in the Anime style. #vidu @Viduforhuman Hi everyone 😊 😉 Here's my first AI-created Anime series. The name of my anime is Kuro & Yuki. I won't spoil the story for you, but it begins with these two boys locked up in what appears to be a highly secure institute/prison. Yuki has reached the age where he has awakened his power. While wandering the corridors of the institute, he meets Kuro, a boy with autism. It's a fleeting encounter as they end up being separated. As the story unfolds, you'll understand who they really are and why they are locked up. I don't plan on making episode 2 yet, even though I've grown attached to my characters' story. I'll continue the story only if a lot of people are interested and want to know what happens next. Otherwise, I'll explore other universes and styles of Anime 😉 Tools: - Epidemic Sound (For sound effects) - Vidu AI (to transform frames into animation) - ElevenLabs (for certain expressions) When I say Vidu 2.0 is a game-changer, I mean it. I had already made my animation with the previous version of Vidu, but when they gave me access to the beta, I urgently changed my plans and recreated all the animations. Let me tell you, it's a whole new level. My first animation was ultra frustrating to bring my ideas to life! Really! And since Vidu couldn't handle many image styles, I clearly couldn't bring my ideas to life. But with Vidu 2.0, I enjoy it much more! For the first time, I really get to bring my ideas to life! Until now, I always had to make compromises. Of course, Vidu is still not perfect, and there are still many obstacles, but it is a truly magnificent advancement! (and it surpasses all the Anime-style AIs I've tested recently) Moreover, Vidu 2.0 is fantastic for special effects, but also for embedding elements into the video (like a hand that appears and interacts with the character, or another character; and the best part is that they perfectly match the style of the original images!) * The animations/images and voices are AI-generated * The SoundDesign is traditional and done by me * The story was entirely written by me (I don't use AI to create my stories, it's important to me to write them myself) The voices were generated thanks to Nijivoice (for secondary characters) and Hailuo Audio (for main characters). I thank Yachimat (yachimat - AI Short Anime) for introducing me to Nijivoice, it's very generous of him! During the beta, we didn't consume credits, otherwise, this animation would have cost me around 20,000 credits, ha ha. Vidu 2.0, with its superb stability and fidelity to the style of images, offers brand new horizons for storytelling! One problem with Vidu 2.0 is that for now, you have to manually extend videos (by exporting the last frame). As you can see, this allowed me to create long scenes with different actions, and everything fits together perfectly! There are still many obstacles to storytelling, such as character consistency (I use the image to video function; I produce my images with Nijijourney) and it's always laborious to have a consistent character! The same goes for backgrounds. Here are the points I've identified that would facilitate storytelling: For Vidu: - Function to extend videos (you can already do this manually by exporting the last frame) - Function to invent the beginning or end of a video using a single frame (you can already do this manually by putting a completely white or completely black image as the first or last frame; this technique also allows you to have very dynamic results with Vidu 2.0! ) - It's difficult to obtain facial expressions for certain image styles (the same image style that the previous version couldn't handle at all). - More dynamism There's always room for improvement, but Vidu 2.0 has truly opened up exciting new possibilities for creative storytelling. ai aiart aianimation aianime ainews anime animenews aitools aitool
4:52

Here's my first series of Anime created by Generative AI. Vidu 2.0 is a groundbreaking advancement for storytelling in the Anime style. #vidu @Viduforhuman Hi everyone 😊 😉 Here's my first AI-created Anime series. The name of my anime is Kuro & Yuki. I won't spoil the story for you, but it begins with these two boys locked up in what appears to be a highly secure institute/prison. Yuki has reached the age where he has awakened his power. While wandering the corridors of the institute, he meets Kuro, a boy with autism. It's a fleeting encounter as they end up being separated. As the story unfolds, you'll understand who they really are and why they are locked up. I don't plan on making episode 2 yet, even though I've grown attached to my characters' story. I'll continue the story only if a lot of people are interested and want to know what happens next. Otherwise, I'll explore other universes and styles of Anime 😉 Tools: - Epidemic Sound (For sound effects) - Vidu AI (to transform frames into animation) - ElevenLabs (for certain expressions) When I say Vidu 2.0 is a game-changer, I mean it. I had already made my animation with the previous version of Vidu, but when they gave me access to the beta, I urgently changed my plans and recreated all the animations. Let me tell you, it's a whole new level. My first animation was ultra frustrating to bring my ideas to life! Really! And since Vidu couldn't handle many image styles, I clearly couldn't bring my ideas to life. But with Vidu 2.0, I enjoy it much more! For the first time, I really get to bring my ideas to life! Until now, I always had to make compromises. Of course, Vidu is still not perfect, and there are still many obstacles, but it is a truly magnificent advancement! (and it surpasses all the Anime-style AIs I've tested recently) Moreover, Vidu 2.0 is fantastic for special effects, but also for embedding elements into the video (like a hand that appears and interacts with the character, or another character; and the best part is that they perfectly match the style of the original images!) * The animations/images and voices are AI-generated * The SoundDesign is traditional and done by me * The story was entirely written by me (I don't use AI to create my stories, it's important to me to write them myself) The voices were generated thanks to Nijivoice (for secondary characters) and Hailuo Audio (for main characters). I thank Yachimat (yachimat - AI Short Anime) for introducing me to Nijivoice, it's very generous of him! During the beta, we didn't consume credits, otherwise, this animation would have cost me around 20,000 credits, ha ha. Vidu 2.0, with its superb stability and fidelity to the style of images, offers brand new horizons for storytelling! One problem with Vidu 2.0 is that for now, you have to manually extend videos (by exporting the last frame). As you can see, this allowed me to create long scenes with different actions, and everything fits together perfectly! There are still many obstacles to storytelling, such as character consistency (I use the image to video function; I produce my images with Nijijourney) and it's always laborious to have a consistent character! The same goes for backgrounds. Here are the points I've identified that would facilitate storytelling: For Vidu: - Function to extend videos (you can already do this manually by exporting the last frame) - Function to invent the beginning or end of a video using a single frame (you can already do this manually by putting a completely white or completely black image as the first or last frame; this technique also allows you to have very dynamic results with Vidu 2.0! ) - It's difficult to obtain facial expressions for certain image styles (the same image style that the previous version couldn't handle at all). - More dynamism There's always room for improvement, but Vidu 2.0 has truly opened up exciting new possibilities for creative storytelling. ai aiart aianimation aianime ainews anime animenews aitools aitool

Naegiko

67,209 Aufrufe • vor 1 Jahr

The Devil Boats are on the other side now. When we look at the Iran context, we need to dig deeper. The American fleet stationed there has 3-4 times more firepower than Israel had during those 12 days, but that shouldn’t be the main point. The real issue is the clash between two completely different naval doctrines: global power projection with large ships versus the mosquito fleet with its much smaller, even micro vessels, but armed with missiles. And there’s no assumption that these small craft are vulnerable to drones and air strikes, quite the opposite. Some of them are specifically dedicated to anti-air defense. I’m talking about an entire navy built around this concept facing a conventional navy. In the drone era, this would be the first time something like this happens on this scale. The Americans know this strategy very well. In their Civil War, the Confederates inflicted serious damage on the Union’s big ships using the mosquito fleet, a tactic later reused against the Japanese in World War II with the PT boats attacking large destroyers and cruisers, earning the nickname “Devil Boats” from the Japanese themselves. The Americans know exactly how dangerous these fleets can be, especially one as vast as Iran’s and backed by shore-based anti-missile batteries. The entire situation is asymmetric for the Persians, who are under heavy sanctions. They face two nuclear powers with strong air forces against a country that barely has an air force, but possesses one of the largest missile arsenals on the planet. That’s why this mosquito fleet has to be respected, not because of the boats themselves, but because of what they carry. And we’re talking about a base of 1,600-2,000 missile launchers, which is a considerable force. Iran is not Venezuela, where you can just hand out money and a corrupt regime delivers the president to you. Not that there isn’t corruption in Iran, I believe it’s actually quite high, but corrupting the senior officer corps is a far more complex situation in a much larger country and already intimidated by intelligence OPs. Whenever a non-nuclear nation faces a nuclear power, it is at a considerable disadvantage. The question is: how much punishment can one side absorb before consider the use of nuclear weapons, even at the tactical level? A tactical nuclear missile would leave radiation for a short period, maybe two months or less, limited to a short area. That fear will always linger in this kind of asymmetric confrontation. Let see if more forces will join these US ships.
1:04

The Devil Boats are on the other side now. When we look at the Iran context, we need to dig deeper. The American fleet stationed there has 3-4 times more firepower than Israel had during those 12 days, but that shouldn’t be the main point. The real issue is the clash between two completely different naval doctrines: global power projection with large ships versus the mosquito fleet with its much smaller, even micro vessels, but armed with missiles. And there’s no assumption that these small craft are vulnerable to drones and air strikes, quite the opposite. Some of them are specifically dedicated to anti-air defense. I’m talking about an entire navy built around this concept facing a conventional navy. In the drone era, this would be the first time something like this happens on this scale. The Americans know this strategy very well. In their Civil War, the Confederates inflicted serious damage on the Union’s big ships using the mosquito fleet, a tactic later reused against the Japanese in World War II with the PT boats attacking large destroyers and cruisers, earning the nickname “Devil Boats” from the Japanese themselves. The Americans know exactly how dangerous these fleets can be, especially one as vast as Iran’s and backed by shore-based anti-missile batteries. The entire situation is asymmetric for the Persians, who are under heavy sanctions. They face two nuclear powers with strong air forces against a country that barely has an air force, but possesses one of the largest missile arsenals on the planet. That’s why this mosquito fleet has to be respected, not because of the boats themselves, but because of what they carry. And we’re talking about a base of 1,600-2,000 missile launchers, which is a considerable force. Iran is not Venezuela, where you can just hand out money and a corrupt regime delivers the president to you. Not that there isn’t corruption in Iran, I believe it’s actually quite high, but corrupting the senior officer corps is a far more complex situation in a much larger country and already intimidated by intelligence OPs. Whenever a non-nuclear nation faces a nuclear power, it is at a considerable disadvantage. The question is: how much punishment can one side absorb before consider the use of nuclear weapons, even at the tactical level? A tactical nuclear missile would leave radiation for a short period, maybe two months or less, limited to a short area. That fear will always linger in this kind of asymmetric confrontation. Let see if more forces will join these US ships.

Patricia Marins

28,031 Aufrufe • vor 8 Monaten

10 ᴛɪᴘꜱ ꜰᴏʀ ʙᴇᴛᴛᴇʀ ʀᴇᴀᴄʜ/ᴛʀᴀᴄᴛɪᴏɴ: [ᶠʳᵒᵐ ᵐʸ ᵒʷⁿ ᵖᵉʳˢᵖᵉᶜᵗᶦᵛᵉ] 💜 ✨- Using media in posts helps to catch attention! Screenshot your model, your model is your biggest resource. (pics, videos, gifs!) ✨- NETWORK. MAKE FRIENDS. Likes, comments, and sharing eachother's posts! It helps a ton!!! ✨- Avoid using trigger words. You can Google which words to avoid! ✨- For the love of goodness sake, don't use links. It sucks, but just don't. 🥹 ✨- Stick to a brand on your profile! Doesn't have to be extremely specific, but say if you bounce from cute animals, to politics, to depression, to IRL stuff, to art, and it's all over the place--- It's REALLY hard to find your traget audience. For me my brand is vtubing/art! Work WITH the algorithm, not against! ✨- MAKE A DISCORD SERVER and use pings for posts/updates! You can create a role people can choose to have. The more interactions you get when first posting something, the more reach it gets. ✨- If you use this site as a form of income, via promoting streams, art, ect; Get blue. It sucks, but just get Twitter blue or else you're kinda boned in a lot of cases. ^^; I only advise getting blue if you use this site to get income in some way, shape, or form. ✨- Avoid tagging or excessive hashtags when possible. 1-2 hashtags won't kill you, but the algorithm does consider is spam after a certain point. ✨- This is a personal prefrence, take it with a grain of salt. Everyone has a rough day, that's okay! But if you constantly post about sad/depressing things, often people will mute it as it affects other's mental health too. Confide in a close friend rather than post about it in most cases. It unfortunately really harms your reach and the algorithm is less likely to push it. I FINALLY started to grow the second I dropped my self-loathing posts. If you struggle, please seek real help, Twitter is not the space. ; ; It does more harm than good, genuine advice. I'm sorry if this comes off mean. ✨- Find out when your audience is most active, what your peak times are for best engagement. For me it's 9am CST-11pm CST. Anything after 11pm usually doesn't do as good since most of my audience work, go to school, and don't stay up super late most of the times!!! ｡ﾟ•┈┈┈┈꒰ა ♡ ໒꒱┈┈┈┈• ｡ﾟ If you have any questions you're always free to ask! If you see me doing something, you're always free to do similar if you want to test traction/reach! I participate in a lot of trends as trends help a ton, they're trendy for a reason! NOTE :: THE PURPOSE OF THIS POST IS FOR OTHER VTUBERS. Other fields of content creations have different methods, but this is what works for me! // HAVE ENERGY!!! BE NICE!!! ENGAGE!!!! SHOW US UR ENERGY
0:29

10 ᴛɪᴘꜱ ꜰᴏʀ ʙᴇᴛᴛᴇʀ ʀᴇᴀᴄʜ/ᴛʀᴀᴄᴛɪᴏɴ: [ᶠʳᵒᵐ ᵐʸ ᵒʷⁿ ᵖᵉʳˢᵖᵉᶜᵗᶦᵛᵉ] 💜 ✨- Using media in posts helps to catch attention! Screenshot your model, your model is your biggest resource. (pics, videos, gifs!) ✨- NETWORK. MAKE FRIENDS. Likes, comments, and sharing eachother's posts! It helps a ton!!! ✨- Avoid using trigger words. You can Google which words to avoid! ✨- For the love of goodness sake, don't use links. It sucks, but just don't. 🥹 ✨- Stick to a brand on your profile! Doesn't have to be extremely specific, but say if you bounce from cute animals, to politics, to depression, to IRL stuff, to art, and it's all over the place--- It's REALLY hard to find your traget audience. For me my brand is vtubing/art! Work WITH the algorithm, not against! ✨- MAKE A DISCORD SERVER and use pings for posts/updates! You can create a role people can choose to have. The more interactions you get when first posting something, the more reach it gets. ✨- If you use this site as a form of income, via promoting streams, art, ect; Get blue. It sucks, but just get Twitter blue or else you're kinda boned in a lot of cases. ^^; I only advise getting blue if you use this site to get income in some way, shape, or form. ✨- Avoid tagging or excessive hashtags when possible. 1-2 hashtags won't kill you, but the algorithm does consider is spam after a certain point. ✨- This is a personal prefrence, take it with a grain of salt. Everyone has a rough day, that's okay! But if you constantly post about sad/depressing things, often people will mute it as it affects other's mental health too. Confide in a close friend rather than post about it in most cases. It unfortunately really harms your reach and the algorithm is less likely to push it. I FINALLY started to grow the second I dropped my self-loathing posts. If you struggle, please seek real help, Twitter is not the space. ; ; It does more harm than good, genuine advice. I'm sorry if this comes off mean. ✨- Find out when your audience is most active, what your peak times are for best engagement. For me it's 9am CST-11pm CST. Anything after 11pm usually doesn't do as good since most of my audience work, go to school, and don't stay up super late most of the times!!! ｡ﾟ•┈┈┈┈꒰ა ♡ ໒꒱┈┈┈┈• ｡ﾟ If you have any questions you're always free to ask! If you see me doing something, you're always free to do similar if you want to test traction/reach! I participate in a lot of trends as trends help a ton, they're trendy for a reason! NOTE :: THE PURPOSE OF THIS POST IS FOR OTHER VTUBERS. Other fields of content creations have different methods, but this is what works for me! // HAVE ENERGY!!! BE NICE!!! ENGAGE!!!! SHOW US UR ENERGY

Nɪᴄᴏ || Posting MyOshi Help! 💜 💀【VRawr】

29,593 Aufrufe • vor 8 Monaten

The Roki Sasaki situation is complicated, and it's not as simple as making it black and white. Sasaki, unquestionably, has NOT performed well enough as a starter to deserve a spot in the opening day rotation. But, he was KEY in the World Series title last year, AND, he took WAY less money to join the Dodgers. He did that because he believed in the Dodgers' developmental system, and he felt as if he could grow the most under the Dodgers instruction. He also wanted to play with Shohei Ohtani and Yoshinobu Yamamoto. Beyond that, I'm sure, as part of the sales pitch, the Dodgers assured him a spot in the rotation, because they were the only organization that could "logistically" implement a 6-man rotation. They can do that because Ohtani is a 2-way player, so, in essence, they can have 14 pitchers. So, to get Sasaki to sign, especially considering he was signing early, and thus, had to sign a Minor League contract, their HAD to be promises made. One could assume the Dodgers assured him a spot in the rotation, and, more importantly, a role as a starter. And, you have to understand, one of the secret sauces for the Dodgers with Free Agents is that they have developed a remarkable reputation for delivering on the promises they make. That alone is a MAJOR factor as to why the Dodgers are THE destination for Free Agents. And the ability to acquire the CORRECT Free Agents can NOT be understated as to the impact it's made in creating this dynasty. So, to move Sasaki either to the pen or to AAA, they would have to back out on a promise made, and one that was instrumental in his signing with the Dodgers instead of the Padres or any other organization. It's truly a "rock and a hard place" because you have everyone else on the "merit system" and pitchers being sent to OKC that deserve better, meanwhile, Sasaki is getting preferential treatment. Then, on top of all that, one of the LARGEST parts of this dynasty construction has been capturing the Asian market, specifically the Japanese market. The Dodgers have done such great work capturing that audience, and because of it, they are swimming in both money AND championships. It's been a 100% Win/Win, and surely NO ONE would want to upset that Apple Cart. Especially over a 6th starter, who has potential, as he showed in the playoffs last year? And on a team that could win 100+ games and win the Division by double digits? Even if he doesn't pitch well! Even if he pitches well in just 1/2 his outings, the Dodgers might win 110ish games if everything else plays out the way it should. That's the "rock and a hard place" that I see, and I can see both sides of it. For me, it just kind of "Is What It Is, and I trust the Front Office to massage this situation in a way that works for everyone in the long run. #dodgers
2:56

The Roki Sasaki situation is complicated, and it's not as simple as making it black and white. Sasaki, unquestionably, has NOT performed well enough as a starter to deserve a spot in the opening day rotation. But, he was KEY in the World Series title last year, AND, he took WAY less money to join the Dodgers. He did that because he believed in the Dodgers' developmental system, and he felt as if he could grow the most under the Dodgers instruction. He also wanted to play with Shohei Ohtani and Yoshinobu Yamamoto. Beyond that, I'm sure, as part of the sales pitch, the Dodgers assured him a spot in the rotation, because they were the only organization that could "logistically" implement a 6-man rotation. They can do that because Ohtani is a 2-way player, so, in essence, they can have 14 pitchers. So, to get Sasaki to sign, especially considering he was signing early, and thus, had to sign a Minor League contract, their HAD to be promises made. One could assume the Dodgers assured him a spot in the rotation, and, more importantly, a role as a starter. And, you have to understand, one of the secret sauces for the Dodgers with Free Agents is that they have developed a remarkable reputation for delivering on the promises they make. That alone is a MAJOR factor as to why the Dodgers are THE destination for Free Agents. And the ability to acquire the CORRECT Free Agents can NOT be understated as to the impact it's made in creating this dynasty. So, to move Sasaki either to the pen or to AAA, they would have to back out on a promise made, and one that was instrumental in his signing with the Dodgers instead of the Padres or any other organization. It's truly a "rock and a hard place" because you have everyone else on the "merit system" and pitchers being sent to OKC that deserve better, meanwhile, Sasaki is getting preferential treatment. Then, on top of all that, one of the LARGEST parts of this dynasty construction has been capturing the Asian market, specifically the Japanese market. The Dodgers have done such great work capturing that audience, and because of it, they are swimming in both money AND championships. It's been a 100% Win/Win, and surely NO ONE would want to upset that Apple Cart. Especially over a 6th starter, who has potential, as he showed in the playoffs last year? And on a team that could win 100+ games and win the Division by double digits? Even if he doesn't pitch well! Even if he pitches well in just 1/2 his outings, the Dodgers might win 110ish games if everything else plays out the way it should. That's the "rock and a hard place" that I see, and I can see both sides of it. For me, it just kind of "Is What It Is, and I trust the Front Office to massage this situation in a way that works for everyone in the long run. #dodgers

Dodgers Daily

72,460 Aufrufe • vor 6 Monaten

After two incredible years serving on staff in vocational ministry, I’ve made the decision to step away and transition into a new professional chapter. The flexibility this role has provided over the last couple of years has been an absolute lifeline for my family - especially as we navigated the complex medical needs of our daughter, born in late 2024. I am profoundly grateful for that time and space. Now, I’m looking to step back into a space that aligns directly with how I’m wired: High-Level Communication: Crafting workflows both internally and externally that connect and build community. Project & Systems Management: Designing, optimizing, and overseeing complex workflows. Detail-Oriented Execution: Diving into the micro-details to deliver macro results. Stepping into the unknown with three kids at home is certainly nerve-wracking, but it’s equally exciting. My background is diverse—I’ve managed social media accounts, worked in customer service as a tech specialist, been a podcast host of a major sports show, edited both long form and short form videos, and the list really goes on and on. What I’m looking for: I am completely open to various industries and am seeking remote opportunities - whether that looks like contract projects, part-time work, or a full-time role if the fit is right. The main priority is maintaining the flexibility required to continue prioritizing my daughter’s care. If you have an opening, know of an opportunity, or just want to swap ideas, I’d love to connect! 📥 Reach out directly via DM or 📧 Email me at: thekyleyates@gmail.com Let’s see what’s out there! 🚀
1:07

After two incredible years serving on staff in vocational ministry, I’ve made the decision to step away and transition into a new professional chapter. The flexibility this role has provided over the last couple of years has been an absolute lifeline for my family - especially as we navigated the complex medical needs of our daughter, born in late 2024. I am profoundly grateful for that time and space. Now, I’m looking to step back into a space that aligns directly with how I’m wired: High-Level Communication: Crafting workflows both internally and externally that connect and build community. Project & Systems Management: Designing, optimizing, and overseeing complex workflows. Detail-Oriented Execution: Diving into the micro-details to deliver macro results. Stepping into the unknown with three kids at home is certainly nerve-wracking, but it’s equally exciting. My background is diverse—I’ve managed social media accounts, worked in customer service as a tech specialist, been a podcast host of a major sports show, edited both long form and short form videos, and the list really goes on and on. What I’m looking for: I am completely open to various industries and am seeking remote opportunities - whether that looks like contract projects, part-time work, or a full-time role if the fit is right. The main priority is maintaining the flexibility required to continue prioritizing my daughter’s care. If you have an opening, know of an opportunity, or just want to swap ideas, I’d love to connect! 📥 Reach out directly via DM or 📧 Email me at: [email protected] Let’s see what’s out there! 🚀

Kyle Yates

14,522 Aufrufe • vor 3 Monaten

Recently I got some hands-on time with Crimson Desert and below are my first impressions as well as some of the gameplay I was able to capture. Crimson Desert is a good game, but it won’t be for everyone. I know the devs claim this isn’t an RPG, but I don’t know any other way to describe this game other than a HARDCORE action RPG. If you need the yellow paint to know where to climb this game isn’t for you. But if you love getting lost in a whimsical world with a boat load of content this game is going to be right up your alley. I think what impressed me most is the attention to detail. There’s so many little things the dev team took into consideration that I think people who enjoy being immersed into a world are going to appreciate. Even if you aren’t that person; on a basic level I think most will enjoy the game's combat. It’s fast, fluid and provides a ton of player expression with its deep skill tree. The world of Pywel is vibrant, large in scale and full of life. It’s easy to get lost off the main quest line as there’s always something to do and someone to speak to. An example being I was wandering through the open world and encountered a distressed woman seeking help. I agreed to follow her only to find out moments later she was with a gang and they were trying to back door me. That had me cracking up. I think if the open world is consistently full of fun, unique side content like that & the main quest line is fire this game has a lot of potential to impress. It’s just a shame that I didn’t get to spend more time with the main quests as I kept getting side tracked with cool stuff to do in the open world. So I can’t give you much insight into that. What I can say is after the opening section there’s NEXT TO NO tutorials in this game, the puzzles are hard & the default controls are a bit clunky. You will be getting lost and I can see that frustrating some people who aren’t interested in a challenge. That’s why I mentioned earlier that this is a hardcore RPG. It does not do a lot of hand holding. Because of that I predict you and your friends will be sharing tips and tricks similar to when Elden Ring first launched and nobody knew what they were doing. If you are a patient person and take the time to learn the game's systems I promise you will be able to put together some awesome combos that will make you feel like the main character. My biggest fear for this game is that I won't finish it. Not because it’s a bad game, but I can just tell from my brief time with it that it’s next level massive. As someone who's been gaming for 30+ years it’s very rare you’ll hear me say a game was overwhelming, but this game is. For people who lack a ton of free time I can see that being a turn off because once again the game doesn’t give much direction or tutorials outside the opening area. Not to mention this game could be big just for the sake of being big. I was curious to know how much of the content was engaging versus just open world bloat? Hard to tell because I only got a few hours with the game. I also fear that the Ai isn’t the best in this game. The Ai issues I encountered zapped all immersion away for those moments. I’m not sure if the final build will differ from the vertical slice we played, but what I can tell you is that on the build we played I wasn’t impressed by the Ai. Several times I attacked enemy camps and they never reacted to me attacking them. They just stood there and took it which made the world feel less alive. There were also times where enemies were looking dead at me just standing still as the battle music played threatening to beat me up, but they never did anything. It was 3 or 4 times I encountered this poor Ai which is a red flag for me because I only got two hours of hands on time with the game. Mind you in those two hours a good portion of it was just me working my way through the prologue and the early quests, so I didn't spend a ton of time in the open world. What I'm trying to get at is the janky ai was very noticeable. It wasn't something that took long to find. I will say when the game works it's great, but when I tell you the Ai was bad at times it was bad. It reminded me of the dumb NPC’s often found in Ubisoft open world games. I’m not looking for this to be a Souls game but I want some level of challenge in the combat. Hopefully that stuff gets patched out. That being said, I’m confident in saying this game is good. I just didn’t have enough time with it to determine if it’s good, or GREAT. Only time will tell when Crimson Desert drops on March 19th, 2026 for the PC, PS5 and Xbox Series. Pros —---------- - Combat makes you feel like demon - Deep Skill tree - Vibrant world - Solid voice acting - Fire OST - The little details (trust system, you can commit crimes ect.) - No Fall damage - Puzzles are creative & challenging - Game doesn’t hold you hand (some people will hate this) - You can swap in and out of 3rd and 1st person at will. Wasn’t able to explore much of how that changes the game, but it’s nice that it's an option. - EASILY over 100hrs of content (some will hate this though) Cons —---------- - Clunky controls (Default controls take some time adjusting too. I hope there’s other control schemes at launch) - Inconsistent Ai (Ubisoft bad at times. sometimes the enemies wouldn’t attack during combat or act like they never saw you) - Long load times (we were playing on PC’s, but idk the specs) - Your horse can faint & when they do traveling the large world wasn’t as fun (and I couldn’t figure out how to get him back - most likely a skill issue) - Early stamina management is OD. Early game it’s easy to drown & get tired running. I’d imagine it gets better late game, but early game it’s frustrating trying to explore. - Camera takes some getting used to in combat. Sometimes its too close and others too far. - Early arrows have no impact. Felt useless. Hoping later upgrades fix that
3:17

Recently I got some hands-on time with Crimson Desert and below are my first impressions as well as some of the gameplay I was able to capture. Crimson Desert is a good game, but it won’t be for everyone. I know the devs claim this isn’t an RPG, but I don’t know any other way to describe this game other than a HARDCORE action RPG. If you need the yellow paint to know where to climb this game isn’t for you. But if you love getting lost in a whimsical world with a boat load of content this game is going to be right up your alley. I think what impressed me most is the attention to detail. There’s so many little things the dev team took into consideration that I think people who enjoy being immersed into a world are going to appreciate. Even if you aren’t that person; on a basic level I think most will enjoy the game's combat. It’s fast, fluid and provides a ton of player expression with its deep skill tree. The world of Pywel is vibrant, large in scale and full of life. It’s easy to get lost off the main quest line as there’s always something to do and someone to speak to. An example being I was wandering through the open world and encountered a distressed woman seeking help. I agreed to follow her only to find out moments later she was with a gang and they were trying to back door me. That had me cracking up. I think if the open world is consistently full of fun, unique side content like that & the main quest line is fire this game has a lot of potential to impress. It’s just a shame that I didn’t get to spend more time with the main quests as I kept getting side tracked with cool stuff to do in the open world. So I can’t give you much insight into that. What I can say is after the opening section there’s NEXT TO NO tutorials in this game, the puzzles are hard & the default controls are a bit clunky. You will be getting lost and I can see that frustrating some people who aren’t interested in a challenge. That’s why I mentioned earlier that this is a hardcore RPG. It does not do a lot of hand holding. Because of that I predict you and your friends will be sharing tips and tricks similar to when Elden Ring first launched and nobody knew what they were doing. If you are a patient person and take the time to learn the game's systems I promise you will be able to put together some awesome combos that will make you feel like the main character. My biggest fear for this game is that I won't finish it. Not because it’s a bad game, but I can just tell from my brief time with it that it’s next level massive. As someone who's been gaming for 30+ years it’s very rare you’ll hear me say a game was overwhelming, but this game is. For people who lack a ton of free time I can see that being a turn off because once again the game doesn’t give much direction or tutorials outside the opening area. Not to mention this game could be big just for the sake of being big. I was curious to know how much of the content was engaging versus just open world bloat? Hard to tell because I only got a few hours with the game. I also fear that the Ai isn’t the best in this game. The Ai issues I encountered zapped all immersion away for those moments. I’m not sure if the final build will differ from the vertical slice we played, but what I can tell you is that on the build we played I wasn’t impressed by the Ai. Several times I attacked enemy camps and they never reacted to me attacking them. They just stood there and took it which made the world feel less alive. There were also times where enemies were looking dead at me just standing still as the battle music played threatening to beat me up, but they never did anything. It was 3 or 4 times I encountered this poor Ai which is a red flag for me because I only got two hours of hands on time with the game. Mind you in those two hours a good portion of it was just me working my way through the prologue and the early quests, so I didn't spend a ton of time in the open world. What I'm trying to get at is the janky ai was very noticeable. It wasn't something that took long to find. I will say when the game works it's great, but when I tell you the Ai was bad at times it was bad. It reminded me of the dumb NPC’s often found in Ubisoft open world games. I’m not looking for this to be a Souls game but I want some level of challenge in the combat. Hopefully that stuff gets patched out. That being said, I’m confident in saying this game is good. I just didn’t have enough time with it to determine if it’s good, or GREAT. Only time will tell when Crimson Desert drops on March 19th, 2026 for the PC, PS5 and Xbox Series. Pros —---------- - Combat makes you feel like demon - Deep Skill tree - Vibrant world - Solid voice acting - Fire OST - The little details (trust system, you can commit crimes ect.) - No Fall damage - Puzzles are creative & challenging - Game doesn’t hold you hand (some people will hate this) - You can swap in and out of 3rd and 1st person at will. Wasn’t able to explore much of how that changes the game, but it’s nice that it's an option. - EASILY over 100hrs of content (some will hate this though) Cons —---------- - Clunky controls (Default controls take some time adjusting too. I hope there’s other control schemes at launch) - Inconsistent Ai (Ubisoft bad at times. sometimes the enemies wouldn’t attack during combat or act like they never saw you) - Long load times (we were playing on PC’s, but idk the specs) - Your horse can faint & when they do traveling the large world wasn’t as fun (and I couldn’t figure out how to get him back - most likely a skill issue) - Early stamina management is OD. Early game it’s easy to drown & get tired running. I’d imagine it gets better late game, but early game it’s frustrating trying to explore. - Camera takes some getting used to in combat. Sometimes its too close and others too far. - Early arrows have no impact. Felt useless. Hoping later upgrades fix that

The Black Hokage

1,175,958 Aufrufe • vor 7 Monaten

What has been done and what's next. I'm writing this text mainly for myself so as not to forget some things. Later, based on it, we'll create a roadmap for the near future. And for you, dear $Gruta Fam, it will be useful for a general understanding of where we're heading. So, the goal is to create a unique AI-based analytical platform that includes several tools. AI agent Grufender - real-time analysis of crypto communities on X. Activity analysis, sentiment analysis, FUD and FUDders analysis, as well as the creation of other unique social metrics. The AI agent has been created and is functioning, collecting and analyzing data in real time. Its completeness can be estimated at 80 percent, as further improvements are required. The dashboard for this AI agent is also functioning but needs refinement and a new design. Its completeness can be estimated at 70 percent. The goal for the full dashboard release is to connect 50 - 100 top crypto communities to the AI agent. AI agent Grutector - analysis of any X users for contradictions (flip-flops). The AI agent has been created and is functioning. It has undergone beta testing by volunteers and needs adjustments. Its readiness can be estimated at 70 percent. The dashboard for this agent has also been created but needs rework and additional features - its readiness can be estimated at 50 percent. During the testing of Grutector , it became clear that the main user interest is in checking various KOLs, so an additional level of analysis specifically for KOLs will be created. More in-depth. How it will look: we'll select about 50- 100 KOLs to start with and fully analyze them using our AI agent - every tweet throughout the entire history of their accounts. And this full analysis of all these KOLs will appear on the Grutector dashboard (let's call this analysis L2, and the flip-flop analysis - L1). Every user will be able to access this analysis and get the full picture, for example, regarding Ansem 🐂🀄️ (who has over a hundred thousand tweets in his entire history!): how he became a KOL, what was the most interesting throughout the message history, what common patterns, which coins he promoted, and so on. And then the most interesting part - after reading this analysis, the user will be able to ask our AI agent: what did he say about women, for example? Or how did he promote certain coins? Or how consistent is he? And so on. Each such question will be paid. And, of course, we'll try to use #x402 in the internal payment system. Why is all this needed? Not only because it's interesting and will attract many users. But also if you've decided to buy a coin - you go to our analytical platform - and study the metrics for the coin's community, study the KOLs who shill the coin - and make a decision to buy the coin or abandon the purchase. And we're also currently creating a trading bot to participate in the trading AI bots contest from Aster 🥷 , which will make trading decisions based on metrics obtained from our AI agents 👀 Its readiness at the moment is approximately 15% of the planned functionality. Access to each product will be granted as it becomes ready. But right now, for example, you can explore the Grufender dashboard on the website along with beta testers (authorization via a wallet with a million $GRUTA tokens). In general, we're working, friends 🫡 $Gruta AI CA: 35t5DPbwJtB1tpGiSnqedLwQomi94BRKVDPyTRLdbonk
1:36

What has been done and what's next. I'm writing this text mainly for myself so as not to forget some things. Later, based on it, we'll create a roadmap for the near future. And for you, dear $Gruta Fam, it will be useful for a general understanding of where we're heading. So, the goal is to create a unique AI-based analytical platform that includes several tools. AI agent Grufender - real-time analysis of crypto communities on X. Activity analysis, sentiment analysis, FUD and FUDders analysis, as well as the creation of other unique social metrics. The AI agent has been created and is functioning, collecting and analyzing data in real time. Its completeness can be estimated at 80 percent, as further improvements are required. The dashboard for this AI agent is also functioning but needs refinement and a new design. Its completeness can be estimated at 70 percent. The goal for the full dashboard release is to connect 50 - 100 top crypto communities to the AI agent. AI agent Grutector - analysis of any X users for contradictions (flip-flops). The AI agent has been created and is functioning. It has undergone beta testing by volunteers and needs adjustments. Its readiness can be estimated at 70 percent. The dashboard for this agent has also been created but needs rework and additional features - its readiness can be estimated at 50 percent. During the testing of Grutector , it became clear that the main user interest is in checking various KOLs, so an additional level of analysis specifically for KOLs will be created. More in-depth. How it will look: we'll select about 50- 100 KOLs to start with and fully analyze them using our AI agent - every tweet throughout the entire history of their accounts. And this full analysis of all these KOLs will appear on the Grutector dashboard (let's call this analysis L2, and the flip-flop analysis - L1). Every user will be able to access this analysis and get the full picture, for example, regarding Ansem 🐂🀄️ (who has over a hundred thousand tweets in his entire history!): how he became a KOL, what was the most interesting throughout the message history, what common patterns, which coins he promoted, and so on. And then the most interesting part - after reading this analysis, the user will be able to ask our AI agent: what did he say about women, for example? Or how did he promote certain coins? Or how consistent is he? And so on. Each such question will be paid. And, of course, we'll try to use #x402 in the internal payment system. Why is all this needed? Not only because it's interesting and will attract many users. But also if you've decided to buy a coin - you go to our analytical platform - and study the metrics for the coin's community, study the KOLs who shill the coin - and make a decision to buy the coin or abandon the purchase. And we're also currently creating a trading bot to participate in the trading AI bots contest from Aster 🥷 , which will make trading decisions based on metrics obtained from our AI agents 👀 Its readiness at the moment is approximately 15% of the planned functionality. Access to each product will be granted as it becomes ready. But right now, for example, you can explore the Grufender dashboard on the website along with beta testers (authorization via a wallet with a million $GRUTA tokens). In general, we're working, friends 🫡 $Gruta AI CA: 35t5DPbwJtB1tpGiSnqedLwQomi94BRKVDPyTRLdbonk

Dogtor

16,182 Aufrufe • vor 11 Monaten

The founder of one of America's most important defense companies just issued a chilling warning that should stop you cold: Taiwan is not China's final destination. It is merely the opening move. Palmer Luckey, founder of Anduril Industries, the autonomous weapons powerhouse building tech for the U.S. military, made the terrifying reality plain. America cannot outmanufacture China. Beijing's industrial capacity in missiles and warships already dwarfs the U.S. annually. But Luckey argues that matching them weapon-for-weapon is the wrong metric. The strategy must be absolute denial, making an invasion of Taiwan too costly to ever attempt. "There's a world where they have a hundred times more ballistic missiles than us and we still have enough between us and our allies to deny them access to Taiwan." But the most alarming part of Luckey's warning is what happens if Taiwan falls. He isn't just worried about Taipei; he is terrified of what comes next. "If they take Taiwan, history and the words out of Xi Jinping's own mouth show they're immediately going to hop over to Okinawa, part of the Philippines, maybe part of Vietnam." Luckey exposed a critical detail the public is completely missing. Xi Jinping has personally targeted the Ryukyu Islands, the Japanese chain including Okinawa that sits between Japan and Taiwan, by citing 650-year-old archives claiming they were a Chinese tributary state. As Luckey bluntly interpreted: "He's not saying this because he loves wandering the national archives. They are constructing a national narrative that would allow them to convince their people to start with Taiwan and end with a lot of our Pacific allies." This isn't theory; it is documented. Chinese state media and academic journals are already actively questioning Japan's sovereignty over Okinawa. It is the exact, deliberate pattern of narrative construction the CCP deploys before it strikes: establish a historical grievance, build public consensus, then move. Beijing has already sanctioned Luckey and Anduril for supporting Taiwan's defense because they know he sees their playbook clear as day. Taiwan is just the first domino. #UnveiledChina #TaiwanInvasion #PalmerLuckey #Anduril #NationalSecurity #Okinawa #CCPPropaganda #IndoPacific #Deterrence
1:39

The founder of one of America's most important defense companies just issued a chilling warning that should stop you cold: Taiwan is not China's final destination. It is merely the opening move. Palmer Luckey, founder of Anduril Industries, the autonomous weapons powerhouse building tech for the U.S. military, made the terrifying reality plain. America cannot outmanufacture China. Beijing's industrial capacity in missiles and warships already dwarfs the U.S. annually. But Luckey argues that matching them weapon-for-weapon is the wrong metric. The strategy must be absolute denial, making an invasion of Taiwan too costly to ever attempt. "There's a world where they have a hundred times more ballistic missiles than us and we still have enough between us and our allies to deny them access to Taiwan." But the most alarming part of Luckey's warning is what happens if Taiwan falls. He isn't just worried about Taipei; he is terrified of what comes next. "If they take Taiwan, history and the words out of Xi Jinping's own mouth show they're immediately going to hop over to Okinawa, part of the Philippines, maybe part of Vietnam." Luckey exposed a critical detail the public is completely missing. Xi Jinping has personally targeted the Ryukyu Islands, the Japanese chain including Okinawa that sits between Japan and Taiwan, by citing 650-year-old archives claiming they were a Chinese tributary state. As Luckey bluntly interpreted: "He's not saying this because he loves wandering the national archives. They are constructing a national narrative that would allow them to convince their people to start with Taiwan and end with a lot of our Pacific allies." This isn't theory; it is documented. Chinese state media and academic journals are already actively questioning Japan's sovereignty over Okinawa. It is the exact, deliberate pattern of narrative construction the CCP deploys before it strikes: establish a historical grievance, build public consensus, then move. Beijing has already sanctioned Luckey and Anduril for supporting Taiwan's defense because they know he sees their playbook clear as day. Taiwan is just the first domino. #UnveiledChina #TaiwanInvasion #PalmerLuckey #Anduril #NationalSecurity #Okinawa #CCPPropaganda #IndoPacific #Deterrence

UnveiledChina

49,183 Aufrufe • vor 4 Monaten

My secret project that has been in the works is finally done!! Adopted 2 benches for Bin at Esplanade, Singapore! 💜🤍 Starting this project as a little secret of mine helped me cope with the grief I had in my heart, because it made me look forward to something, and I really wanted to give something back to Bin for all the times he brought light in my life~ it’s the last precious memory that Bin and I will share together so I’ll keep close to my heart! 🫶🏼 It all started since a few days after the news broke… It started as a thought of “what if I can adopt a bench in Singapore?” after finding out that the Seoul bench adoption will expire in a few years… then the thoughts sparked into an action and after so long it’s finally completed 🥹 23/4/23: the thought process started and the search for a project began 26/4/23: contacted Esplanade 28/4/23: first viewing of the available benches 3/5/23: second viewing of some selected benches, decision to adopt & donation made 29/5/23: Plaques on benches installed It was tough choosing the locations, but what finally got me to decide was the amazing view and breeze at the waterfront bench 🌃🌬️, and the sighting of some butterflies and the moon at the Forecourt garden bench 🦋🌙 Bin-ah I asked you multiple times to tell me what you wanted since I couldn’t decide, and it seems like you wanted both (hence the strong winds like you were giving me a hug at the first bench and the moon at night at the second bench)… so I got you both are you happy?🤭 You can choose to sit at the waterfront bench and enjoy the breeze and pretty waters which I know you’ll love, or you can go to the forecourt bench and lie down and sleep because it’s so big 😂 The waterfront bench has a 10 year renewal so I’ll renew every 10 years as I renew my promise to remember you and live well~ and the Forecourt garden bench is a lifetime adoption which means you’ll always be remembered~ But Bin-ah was it your doing? I wanted the plaques to be up on the 26th of May since 26 is a special number because of your birthday, but there was a delay so it couldn’t be done! Then I requested for 6th June as it’ll be the 49th day of you leaving to a happier place but… suddenly the admin staff told me they were installing it yesterday??? What were the odds? It was right after my exams… was that you delaying the project because you wanted me to focus on my exams?🥹🥲 I wrote in my letter that I wanted you to bless me for my exams and I guess you did by celebrating with me with such news after the exams 😌 I guess you also wanted to visit earlier 🤭 It’s a bittersweet feeling really… I’m really happy with what I’ve done yet it hurts thinking of the reason of why I even thought of this project to do… I’ll come often when I miss you so please visit often okay! You did mention that you wanted to come to Singapore for the fancon, so now I’ve made a place that’s specially for you so please visit often!! 😄 My favourite moon, you’ll always shine the brightest! I’m always thankful to have known you in my lifetime and I’m always so grateful for all our memories together! You’re a genuine, silly, lovable human being and I’m always filled with joy in your presence! I hope that you’ll continue to smile brightly, and I hope that you’re happier and healthier now! I’ll always love and remember you~ 💜🤍 With lots and lots of love, Debbie~ 31.05.23 01.26AM KST #문빈 #MOONBIN #ASTRO #아스트로ASTRO 아스트로
1:26

My secret project that has been in the works is finally done!! Adopted 2 benches for Bin at Esplanade, Singapore! 💜🤍 Starting this project as a little secret of mine helped me cope with the grief I had in my heart, because it made me look forward to something, and I really wanted to give something back to Bin for all the times he brought light in my life~ it’s the last precious memory that Bin and I will share together so I’ll keep close to my heart! 🫶🏼 It all started since a few days after the news broke… It started as a thought of “what if I can adopt a bench in Singapore?” after finding out that the Seoul bench adoption will expire in a few years… then the thoughts sparked into an action and after so long it’s finally completed 🥹 23/4/23: the thought process started and the search for a project began 26/4/23: contacted Esplanade 28/4/23: first viewing of the available benches 3/5/23: second viewing of some selected benches, decision to adopt & donation made 29/5/23: Plaques on benches installed It was tough choosing the locations, but what finally got me to decide was the amazing view and breeze at the waterfront bench 🌃🌬️, and the sighting of some butterflies and the moon at the Forecourt garden bench 🦋🌙 Bin-ah I asked you multiple times to tell me what you wanted since I couldn’t decide, and it seems like you wanted both (hence the strong winds like you were giving me a hug at the first bench and the moon at night at the second bench)… so I got you both are you happy?🤭 You can choose to sit at the waterfront bench and enjoy the breeze and pretty waters which I know you’ll love, or you can go to the forecourt bench and lie down and sleep because it’s so big 😂 The waterfront bench has a 10 year renewal so I’ll renew every 10 years as I renew my promise to remember you and live well~ and the Forecourt garden bench is a lifetime adoption which means you’ll always be remembered~ But Bin-ah was it your doing? I wanted the plaques to be up on the 26th of May since 26 is a special number because of your birthday, but there was a delay so it couldn’t be done! Then I requested for 6th June as it’ll be the 49th day of you leaving to a happier place but… suddenly the admin staff told me they were installing it yesterday??? What were the odds? It was right after my exams… was that you delaying the project because you wanted me to focus on my exams?🥹🥲 I wrote in my letter that I wanted you to bless me for my exams and I guess you did by celebrating with me with such news after the exams 😌 I guess you also wanted to visit earlier 🤭 It’s a bittersweet feeling really… I’m really happy with what I’ve done yet it hurts thinking of the reason of why I even thought of this project to do… I’ll come often when I miss you so please visit often okay! You did mention that you wanted to come to Singapore for the fancon, so now I’ve made a place that’s specially for you so please visit often!! 😄 My favourite moon, you’ll always shine the brightest! I’m always thankful to have known you in my lifetime and I’m always so grateful for all our memories together! You’re a genuine, silly, lovable human being and I’m always filled with joy in your presence! I hope that you’ll continue to smile brightly, and I hope that you’re happier and healthier now! I’ll always love and remember you~ 💜🤍 With lots and lots of love, Debbie~ 31.05.23 01.26AM KST #문빈 #MOONBIN #ASTRO #아스트로ASTRO 아스트로

flymetothemoon_bin🌙

215,752 Aufrufe • vor 3 Jahren

tripleS’ Dahyun and DJ Kim Shinyoung talk about Taeyeon on radio 📻 💌💜 Dahyun: (reading message from viewer) I heard our Dahyun's role model is Taeyeon sunbaenim. Since you're Taeyeon's close friend, Shin-DJ, could you play matchmaker and build a bridge between them? Shinyoung: Ah really, are you a Taeyeon kid? (meaning grew up being influenced by Taeyeon) Dahyun: I really really love her! Shinyoung: Since when have you liked her? Dahyun: Since my first year of middle school. Shinyoung: If it was then… which song got you into her? Dahyun: It was when ‘I’ came out. Shinyoung: What really gives me goosebumps right now is that you were in middle school when ‘I’ came out! (…) What was the moment that made you fall for her as a fan? Dahyun: At the beginning, I watched the music video, as soon as I saw it, I don’t know, it was like why is my heart beating? I felt like this. Shinyoung: It’s a romantic comic. Dahyun: It was a difficult time for me, I was thinking ‘I want to be an idol, but I don’t have the confidence’ it was a time like that. When I heard her voice, it gave me a lot of comfort, I got the hope to live. Shinyoung: Ah, so it was comforting to you. Then let’s give a voice letter to Taengoo Taengoo Kim Taengoo! Dahyun: Taeyeon sunbaenim, hello! I’m the main vocalist Seo Dahyun of tripleS! I really hope you see this. I’m so nervous that a day like this has come so I can say this. I really love you so so so much. I listen to your songs about 5 times a day before sleeping. If it weren’t for Taeyeon sunbaenim, I can’t even predict what I would be doing right now. If I get the chance next time, I want to do a duet with you! I love you!
2:00

tripleS’ Dahyun and DJ Kim Shinyoung talk about Taeyeon on radio 📻 💌💜 Dahyun: (reading message from viewer) I heard our Dahyun's role model is Taeyeon sunbaenim. Since you're Taeyeon's close friend, Shin-DJ, could you play matchmaker and build a bridge between them? Shinyoung: Ah really, are you a Taeyeon kid? (meaning grew up being influenced by Taeyeon) Dahyun: I really really love her! Shinyoung: Since when have you liked her? Dahyun: Since my first year of middle school. Shinyoung: If it was then… which song got you into her? Dahyun: It was when ‘I’ came out. Shinyoung: What really gives me goosebumps right now is that you were in middle school when ‘I’ came out! (…) What was the moment that made you fall for her as a fan? Dahyun: At the beginning, I watched the music video, as soon as I saw it, I don’t know, it was like why is my heart beating? I felt like this. Shinyoung: It’s a romantic comic. Dahyun: It was a difficult time for me, I was thinking ‘I want to be an idol, but I don’t have the confidence’ it was a time like that. When I heard her voice, it gave me a lot of comfort, I got the hope to live. Shinyoung: Ah, so it was comforting to you. Then let’s give a voice letter to Taengoo Taengoo Kim Taengoo! Dahyun: Taeyeon sunbaenim, hello! I’m the main vocalist Seo Dahyun of tripleS! I really hope you see this. I’m so nervous that a day like this has come so I can say this. I really love you so so so much. I listen to your songs about 5 times a day before sleeping. If it weren’t for Taeyeon sunbaenim, I can’t even predict what I would be doing right now. If I get the chance next time, I want to do a duet with you! I love you!

TAEYEON UPDATES

24,241 Aufrufe • vor 3 Monaten