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What is half of a scene in general porn is just a single sequence for me. This was kind of a relaxing sequence between much harder ones. I just ride the wave and fully focus on the feeling of his ass, how it alternates between grabbing and pushing my...

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Madonna explains why she got mad & cried because of Al Pacino's method acting in "Dick Tracy" (1990): "Interviewer: Describe the relationship between the two characters, Breathless and Big Boy. Madonna: I had nothing but contempt for Big Boy. And he would treat me like a bad little girl. He was always slapping me and spanking me. And in terms of being on the set, whenever Al Pacino put his prosthetics on, his suit, he was a gross pig. And he’s not that way in real life—he’s very gracious, and well-mannered, and gentlemanly, and sweet... . As Big Boy, he would tell me the dirtiest jokes and suck on his cigar like it was some sort of weird phallic symbol, and just be a pig. He was always smacking my butt and my face. I hated him, I loathed him, I was disgusted with him. And so what happened off-camera was that I’d always try to be moving away from him, and he’d always grab me and go “Get over here!” which is exactly what happened in the movie. Every time I expressed my distaste for him, he would smack me, which is also what happened in the movie. I got mad. He made me cry sometimes. There was a scene where he kept smacking me in the stomach, and it would sting, and what made me cry was not so much the hit, but the fact that Warren Beatty wouldn't stop. He would just keep going, and I was humiliated. So it worked, because that’s what’s happening to Breathless—she’s totally humiliated by Big Boy. Interviewer: Did you always stay in character off-camera? Madonna: Yes. I always do, in all my movies." ("Dick Tracy: The Making of the Movie", Mike Bonifer, 1990)

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Tim Burton on the similarities between Abraham Lincoln & Batman: "I first heard the idea of even before Seth Grahame-Smith had written the book. It was just when he was thinking about writing the book, I heard the title "Abraham Lincoln vampire Hunter". It just all of a sudden took me [my mind] back to kind of the era of films that I grew up in; like the 60s & early 70s where it was like a weird mashup of movie. I remember things like "Dr. Jekyll and Sister Hyde" (1971) and you know you get these weird kind of mixups of horror films and it just sounded to me like the kind of a movie that I wanted to see. It just reminded me of movie of that era and it had that kind of crazy energy to it and weird juxtapositions of things. So I knew even before reading he book that it was a great idea. It basically takes the the story of Lincoln which Seth really kind of went through the history of the life of Lincoln and linked it up to sort of vampire mythology. The idea that his mother was ki!!ed by a vampire and how that shaped the rest of his life. And again the interesting thing about it is that it's not as farfetched as it sounds. I mean the events and the idea of him becoming a vampire hunter and like all the deaths that he had in his family and people close to him, it makes a lot of sense and it's actually more believable than the premise makes it. So that's what was interesting because we never wanted to make fun of anything. We wanted to treat it seriously like a human story and a real story. We talked about the idea and the fact is that it very much sort of Mirrors the kind of the classic comic book superhero mythology. In some cases he's not dissimilar from Batman in the sense that he's got a dual life; he's got a day job as President and a night job as a vampire Hunter; The kind of duality of those characters and that's is something that was important - to keep the human quality of him but then kind of explore the mythological or sort of superhero nature of how we perceive Lincoln and mix those two together and that's what we have in the movie." (Tim Burton's interview to Rotten Tomatoes, 2012) Clip From: Abraham Lincoln: Vampire Hunter (2012) Director: Timur Bekmambetov

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