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What made the squeeze machine so powerful wasn’t the machine itself, it was the fact that Temple discovered comfort in a world that constantly overwhelmed her.... While other people saw something strange or unnecessary, she understood that sometimes the human mind doesn’t need words first… it needs safety... This... show more

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384,409 views • 3 months ago •via X (Twitter)

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Still one of the best pitching performances I have ever seen And the fact that it was his first postseason game makes it more special

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It’s a strange and wonderful thing to see people connecting with this song. The world around me has changed so much since I wrote it. And now the words mean a lot more to me. The deep need for the world to stop neglecting the inner child, and confusing innocence with weakness. I hope the song gives people something good. It was always written in the hope that it would find people and treat them kindly. Though it’s strange to me, that it’s out there living its own life- I find it very beautiful ✨ Adolescence featuring Through The Eyes Of A Child is out on Netflix now.

It’s a strange and wonderful thing to see people connecting with this song. The world around me has changed so much since I wrote it. And now the words mean a lot more to me. The deep need for the world to stop neglecting the inner child, and confusing innocence with weakness. I hope the song gives people something good. It was always written in the hope that it would find people and treat them kindly. Though it’s strange to me, that it’s out there living its own life- I find it very beautiful ✨ Adolescence featuring Through The Eyes Of A Child is out on Netflix now.

AURORA

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i don’t know how to put this into words but i just love that shane doesn’t reassure yuna here or tell her it was okay. ‘i forgive you’ is so powerful on its own and it shows that this moment is truly for shane and no one else. one of the best coming out scenes i’ve ever seen.

i don’t know how to put this into words but i just love that shane doesn’t reassure yuna here or tell her it was okay. ‘i forgive you’ is so powerful on its own and it shows that this moment is truly for shane and no one else. one of the best coming out scenes i’ve ever seen.

belle 🌷

331,691 views • 8 months ago

NATO's Rutte: I always felt that it is strange that a very rich part of the world — Europe, maybe the richest part of the world — needs the support of another part of the world to defend itself against the Russians to the extent that it has now, where we are overly reliant on one ally: the United States.

NATO's Rutte: I always felt that it is strange that a very rich part of the world — Europe, maybe the richest part of the world — needs the support of another part of the world to defend itself against the Russians to the extent that it has now, where we are overly reliant on one ally: the United States.

Clash Report

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IN 1982 GRACE HOPPER WALKED INTO THE NSA AND EXPLAINED THE NEXT 40 YEARS OF COMPUTING 48 minutes from the woman who invented the compiler -- the first person who made a machine understand human words. -> The idea that lands: stop bending humans to the machine. Bend the machine to humans. She built the first compiler when the experts swore computers could only crunch numbers. She wanted you to write in plain words and let the machine handle the translation. Forty years later you barely write code at all -- you tell the model what you want in plain English and it writes it for you. The compiler was step one. The LLM is the same idea, finished. Memorizing syntax was never the skill -- saying clearly what you actually want is. This is where that idea was born. Most people think talking to your computer in plain English started in 2023. The ones who watch this know a Navy admiral called it in 1982. Bookmark & Watch it today ↓

IN 1982 GRACE HOPPER WALKED INTO THE NSA AND EXPLAINED THE NEXT 40 YEARS OF COMPUTING 48 minutes from the woman who invented the compiler -- the first person who made a machine understand human words. -> The idea that lands: stop bending humans to the machine. Bend the machine to humans. She built the first compiler when the experts swore computers could only crunch numbers. She wanted you to write in plain words and let the machine handle the translation. Forty years later you barely write code at all -- you tell the model what you want in plain English and it writes it for you. The compiler was step one. The LLM is the same idea, finished. Memorizing syntax was never the skill -- saying clearly what you actually want is. This is where that idea was born. Most people think talking to your computer in plain English started in 2023. The ones who watch this know a Navy admiral called it in 1982. Bookmark & Watch it today ↓

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This is a real clip. The fact that I have to say that is evidence of the fact that people on the left have lost touch with reality and every time I see things like this it blows my mind. Why do you need to make the maps more gay?

This is a real clip. The fact that I have to say that is evidence of the fact that people on the left have lost touch with reality and every time I see things like this it blows my mind. Why do you need to make the maps more gay?

Insurrection Barbie

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Elon Musk’s real claim about Optimus isn’t that it’s the biggest product ever made. It’s that the biggest product ever made is a tenth of it. Musk: “I think it will be 10 times bigger than the next biggest product ever made.” That isn’t a claim about robots. It’s a claim about every object humans have ever sold each other, and it only holds once you notice what they all had in common. Every product ever built shipped incomplete. The drill needs a hand. The car needs a driver. The phone needs someone awake and holding it. All of it was leverage, and leverage does nothing until something pushes on it. You were the missing part in every machine ever made. That was the design, not a flaw. Optimus is the first product that arrives with the operator already inside. Which is why the company that got there first was never going to be a robotics company. Musk: “Tesla is the only company with all the required ingredients.” The mind and the body were never built by the same people. Labs that can think can’t stamp metal. Companies that can stamp metal can’t think. Tesla spent a decade mass-producing a machine that already has to see, decide, and move through a world full of people. Then priced it for a driveway instead of a defense contract. The robot is that machine with the road taken away. Musk: “You should be able to ask them to do things naturally.” A machine that has to be programmed sells to the people who can program. A machine you can talk to sells to anyone with something they’d rather not be doing. Every product in history was priced against another product. A better phone. A faster car. A cheaper tool. This one is priced against a wage. Wages are the largest line item on earth and the only cost technology has never driven down. Labor is the only thing anyone has ever sold that the seller never gets back. Every wage ever paid was a life billed by the hour. Musk: “Nothing will even be close.” Nothing else is close because everything else was capped by buyers. Demand for a product ends when everyone who wanted one has it. Demand for work doesn’t end. The ceiling was never how many people would buy it. It was how much there is to do, and there has never been a shortage of that. Only of hands. The prediction isn’t that Optimus succeeds. It’s that if it does, it enters the oldest and largest market on earth, one that has never had a competitor. Every product ever made sold you a better way to spend your hours. This one sells the hours back.

Elon Musk’s real claim about Optimus isn’t that it’s the biggest product ever made. It’s that the biggest product ever made is a tenth of it. Musk: “I think it will be 10 times bigger than the next biggest product ever made.” That isn’t a claim about robots. It’s a claim about every object humans have ever sold each other, and it only holds once you notice what they all had in common. Every product ever built shipped incomplete. The drill needs a hand. The car needs a driver. The phone needs someone awake and holding it. All of it was leverage, and leverage does nothing until something pushes on it. You were the missing part in every machine ever made. That was the design, not a flaw. Optimus is the first product that arrives with the operator already inside. Which is why the company that got there first was never going to be a robotics company. Musk: “Tesla is the only company with all the required ingredients.” The mind and the body were never built by the same people. Labs that can think can’t stamp metal. Companies that can stamp metal can’t think. Tesla spent a decade mass-producing a machine that already has to see, decide, and move through a world full of people. Then priced it for a driveway instead of a defense contract. The robot is that machine with the road taken away. Musk: “You should be able to ask them to do things naturally.” A machine that has to be programmed sells to the people who can program. A machine you can talk to sells to anyone with something they’d rather not be doing. Every product in history was priced against another product. A better phone. A faster car. A cheaper tool. This one is priced against a wage. Wages are the largest line item on earth and the only cost technology has never driven down. Labor is the only thing anyone has ever sold that the seller never gets back. Every wage ever paid was a life billed by the hour. Musk: “Nothing will even be close.” Nothing else is close because everything else was capped by buyers. Demand for a product ends when everyone who wanted one has it. Demand for work doesn’t end. The ceiling was never how many people would buy it. It was how much there is to do, and there has never been a shortage of that. Only of hands. The prediction isn’t that Optimus succeeds. It’s that if it does, it enters the oldest and largest market on earth, one that has never had a competitor. Every product ever made sold you a better way to spend your hours. This one sells the hours back.

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Surprises in 2025 F: For me, it was my first time traveling to Europe. I never thought or dreamed that I'd have the chance to travel to the other side of the world from where I live. I discovered that there is another part of the world that is incredibly beautiful. [1/2]

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🤍❤️‍🩹 NF | Pluto 🩵💛

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Patrice Kelly kiIIed the man who took her daughter from her😳 And what made that episode so powerful is that nobody in that courtroom could honestly say they didn't understand why. The law said one thing. Every human instinct said something completely different. It wasn't about whether what she did was legal. It was about whether anyone in her position would have done the same 💔

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𝑸𝑼𝑬𝑬𝑵 𝑴𝑶𝑻𝑯𝑬𝑹 👑🌬️

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Russell Crowe slams ‘GLADIATOR 2’ “I think the sequel is a really unfortunate example of even the people in that engine room not understanding what made first one special.” “It wasn’t circumstance. It wasn’t the action. It was the moral core.”

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Every song release is a big deal. This song has waited a long time to have its moment. I remember when Sara, Sam and I wrote Fragile (the same day we wrote another song called Madness), it held a special place in my soul as a human. So much so, that it kept disappearing from different projects as if to wait for the right moment to be introduced to the world. Being on Evergreen, song release number 3… it’s crazy how things work themselves out for the best when you trust the process. I always wanted to change the lyrics of the first line because I was afraid it wouldn’t make sense. But the more I worked with it, the more personal it became, and the more truth it carried. I would tell you what it means to me, but I want to hear how all of you connect with it first, so I’ll just say this… This one is for anyone in a season of life where the structure of you that you’ve built for the world needs to take a break and make space to care for the human inside. Whether you have those people, or that person in your life that loves and supports that human, or you’re looking forward to meeting that person someday, this is for you. You deserve to be the human you are, and you deserve to be loved and seen for that human. And if you haven’t felt it yet, I can’t wait for you to feel what it’s like to find someone who makes you feel safe enough to be Fragile.

Every song release is a big deal. This song has waited a long time to have its moment. I remember when Sara, Sam and I wrote Fragile (the same day we wrote another song called Madness), it held a special place in my soul as a human. So much so, that it kept disappearing from different projects as if to wait for the right moment to be introduced to the world. Being on Evergreen, song release number 3… it’s crazy how things work themselves out for the best when you trust the process. I always wanted to change the lyrics of the first line because I was afraid it wouldn’t make sense. But the more I worked with it, the more personal it became, and the more truth it carried. I would tell you what it means to me, but I want to hear how all of you connect with it first, so I’ll just say this… This one is for anyone in a season of life where the structure of you that you’ve built for the world needs to take a break and make space to care for the human inside. Whether you have those people, or that person in your life that loves and supports that human, or you’re looking forward to meeting that person someday, this is for you. You deserve to be the human you are, and you deserve to be loved and seen for that human. And if you haven’t felt it yet, I can’t wait for you to feel what it’s like to find someone who makes you feel safe enough to be Fragile.

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John Carpenter on how Howard Hawks's "Rio Bravo" (1959) inspired him to become a filmmaker: "As I got older I began to see that certain directors did certain things. One of the earliest examples of this was Roger Corman. I started going to see these exciting, fast, kind of cheesy but really fun monster movies, and there was one name that kept coming up on the screen: Roger Corman. 'It Conquered the World' (1956), 'Not of This Earth' (1957), 'Attack of the Crab Monsters' (1957), 'The Undead' (1957)... But | really understood for the first time what a director did when I saw 'Rio Bravo' in 1959. There was something about that movie that was like home and I can't really explain it. It was held over in Bowling Green for three or four weeks in a row because people kept coming to see it. I abandoned to see what was new in the other movie house in town to see this movie every weekend again and again because there was something in it that was different from the other westerns I had seen. I had certainly seen John Wayne before. He had become a part of my growing-up experience. He was the action guy, the cowboy. He was the guy in 'Flying Tigers' (1942) who was flying the airplanes. So what was so different about that movie? Then I became aware of this credit: “Howard Hawks’ Rio Bravo.” I looked at the poster and I said to myself, “Who is this guy? He didn't write the movie and he wasn't starring in it so why is his name up here? And why is he last in the credits?” All these things started to occur to me, but it was the emotional impact of the film that got me to start using my brain. Some way I figure out that this director made that movie." ("The Prince of Darkness: The Prince of Darkness", Gilles Boulenger, 2001) P.S: Remembering the great American filmmaker Howard Hawks on his 130th birthday.

John Carpenter on how Howard Hawks's "Rio Bravo" (1959) inspired him to become a filmmaker: "As I got older I began to see that certain directors did certain things. One of the earliest examples of this was Roger Corman. I started going to see these exciting, fast, kind of cheesy but really fun monster movies, and there was one name that kept coming up on the screen: Roger Corman. 'It Conquered the World' (1956), 'Not of This Earth' (1957), 'Attack of the Crab Monsters' (1957), 'The Undead' (1957)... But | really understood for the first time what a director did when I saw 'Rio Bravo' in 1959. There was something about that movie that was like home and I can't really explain it. It was held over in Bowling Green for three or four weeks in a row because people kept coming to see it. I abandoned to see what was new in the other movie house in town to see this movie every weekend again and again because there was something in it that was different from the other westerns I had seen. I had certainly seen John Wayne before. He had become a part of my growing-up experience. He was the action guy, the cowboy. He was the guy in 'Flying Tigers' (1942) who was flying the airplanes. So what was so different about that movie? Then I became aware of this credit: “Howard Hawks’ Rio Bravo.” I looked at the poster and I said to myself, “Who is this guy? He didn't write the movie and he wasn't starring in it so why is his name up here? And why is he last in the credits?” All these things started to occur to me, but it was the emotional impact of the film that got me to start using my brain. Some way I figure out that this director made that movie." ("The Prince of Darkness: The Prince of Darkness", Gilles Boulenger, 2001) P.S: Remembering the great American filmmaker Howard Hawks on his 130th birthday.

DepressedBergman

55,688 views • 3 months ago

Eric Metaxas says the Founding Fathers viewed the American Revolution as inseparable from the God of the Bible. “All of the men of the Revolution understood that this sacred cause was inextricably intertwined with the God of the Bible.” “You really hardly ever hear it in our culture now.” “When I did the research, and I did a lot of research, it is absolutely undebatable that that’s how they saw it.” “Even if we don’t see it that way, you have to acknowledge that they saw it that way.” Eric Metaxas

Eric Metaxas says the Founding Fathers viewed the American Revolution as inseparable from the God of the Bible. “All of the men of the Revolution understood that this sacred cause was inextricably intertwined with the God of the Bible.” “You really hardly ever hear it in our culture now.” “When I did the research, and I did a lot of research, it is absolutely undebatable that that’s how they saw it.” “Even if we don’t see it that way, you have to acknowledge that they saw it that way.” Eric Metaxas

Jan Jekielek

15,214 views • 3 months ago

Candace admitted on her show that she “INSTANTLY KNEW Charlie was betrayed,” that this was “missional” for her, and that “the entire world would be against” her. This isn’t something you instantly know. It’s something you instantly decide. In other words, she admitted that the end of this “investigation” was decided from the beginning, that she’s spinning a narrative instead of pursuing truth wherever it leads, and that from the beginning, it was always about her and not about Charlie.

Candace admitted on her show that she “INSTANTLY KNEW Charlie was betrayed,” that this was “missional” for her, and that “the entire world would be against” her. This isn’t something you instantly know. It’s something you instantly decide. In other words, she admitted that the end of this “investigation” was decided from the beginning, that she’s spinning a narrative instead of pursuing truth wherever it leads, and that from the beginning, it was always about her and not about Charlie.

Natalie Jean Beisner

12,524 views • 9 months ago