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When archaeologists uncovered this life-sized boar at Göbekli Tepe, red ochre was still visible inside its carved, snarling mouth. Standard museum exhibits display bone-dry, bleached stone, masking how vivid these sanctuaries actually looked 11,000 years ago. It leaves you wondering how many other monolithic pillars were originally painted in... show more

Ancient Content

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Commodore Von Current Events IV profil fotoğrafı

Commodore Von Current Events IV5 gün önce

This skill doesnt appear overnight. There simply has to be older sites somewhere.

THE NEPHILIM HYPOTHESIS profil fotoğrafı

THE NEPHILIM HYPOTHESIS5 gün önce

This changes how Göbekli Tepe should be imagined. The red, black and white pigments surviving on this boar provided direct evidence that colour formed part of the site's visual world. What survives today in bare limestone may be only a fraction of what these spaces originally looked like.

Enoch’s Archives profil fotoğrafı

Enoch’s Archives4 gün önce

The dates are the part that stops me. Göbekli Tepe was already being buried before anyone invented writing. Every text we argue over, Enoch and Genesis included, is thousands of years younger than that boar. The carvers left no sentence to explain any of it.

Joseph Pickett 🇺🇸 profil fotoğrafı

Joseph Pickett 🇺🇸5 gün önce

We call it prehistoric because we can't picture it in color. The people who carved that boar's teeth and packed its mouth with ochre saw something closer to a temple statue than a museum relic.

Karahan Billy profil fotoğrafı

Karahan Billy5 gün önce

6 teeth with a tusk... Quetzalcoatl at Teotihuacan has 6 teeth with a fang and 7 humps on El Castillo at Chichen Itza. Kokopelli's back has a spine crossing 6 'ribs'.

The_Absolute profil fotoğrafı

The_Absolute5 gün önce

Seems like they could have got the nostrils straight.

A.B. NormL profil fotoğrafı

A.B. NormL5 gün önce

It's a life-sized statue of a boar, not a life-sized boar.

Rembrandt Blue profil fotoğrafı

Rembrandt Blue5 gün önce

What is that all about? Any info about it? Curious.

Mary O'Daly profil fotoğrafı

Mary O'Daly4 gün önce

Wonderful and provocative at the same time...thanks for sharing...you bring the most stimulating objects and historical back story to us.

Nicholas Braun profil fotoğrafı

Nicholas Braun4 gün önce

It’s a neat find

Ancient Content profil fotoğrafı

Ancient Content2 gün önce

💯

Pippa Cody profil fotoğrafı

Pippa Cody4 gün önce

Art History major here. Common practice in Egypt, Greece, throughout ancient Near East. Unpainted showed lack of respect.

VlPek profil fotoğrafı

VlPek5 gün önce

Göbekli Tepe Tur- Israel projekt

🍎 profil fotoğrafı

🍎5 gün önce

豐滿的肥豬

Air Guitarist profil fotoğrafı

Air Guitarist5 gün önce

the etymologies for ochre are pretty intriguing. it's connected to biblical terminology that describes the appearance of angels. goethite was one source of it!

Looking Back In Time profil fotoğrafı

Looking Back In Time4 gün önce

Even wilder — Göbekli Tepe predates pottery, writing, and agriculture itself. Hunter-gatherers built and carved this 6,000 years before Stonehenge, then deliberately buried the whole site around 8000 BCE. We still don’t fully know why.

Pitboxer Creations profil fotoğrafı

Pitboxer Creations4 gün önce

This site is amazing, for having been started 5000 years before some people say the universe was created.

💃 I D E A 🕺 profil fotoğrafı

💃 I D E A 🕺4 gün önce

maybe they take on more color in the rain

JulieAlgood profil fotoğrafı

JulieAlgood4 gün önce

This is so cool

Republicus profil fotoğrafı

Republicus5 gün önce

Well humans have always had color perception.. one must assume just like us they painted all kinds of stuff..

Kaido profil fotoğrafı

Kaido4 gün önce

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DepressedBergman

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Unearthed 🏺

11,672 görüntüleme • 4 ay önce

🇬🇧 Caesar called them barbarians. They had already made THIS. 🛡️ In 1857, dredgers clearing the Thames near Chelsea Bridge pulled something from the silt 🌊 They washed it clean. A bronze shield. 27 red glass studs. Worked by hand 🛡️ The dredger had never seen anything like it. This is the story of the Battersea Shield 🇬🇧 It was sent to the British Museum 🏛️ The curators dated it to the late Iron Age. 2,000 years old. Older than England. Older than Rome's arrival here. Who made it? Britons did. At a workbench in a roundhouse, by firelight 🔥 They beat the bronze. They set the red glass. It took months. But this shield was not for battle ⚔️ The bronze was too thin to stop a blade. It was made to be given. Their rivers were sacred. At dawn 🌅 they raised the shield. And gave it to the Thames 🌊 It sank. The Romans wrote them down ✍️ Julius Caesar 📜 wrote that the barbaric Britons painted themselves blue. But this shield was already centuries old when he wrote that. Its makers knew how to set red glass into bronze. 2,000 years passed. Rome came. And went. Saxons came. Normans came. England rose. Britain rose. The shield stayed where it was. Until 1857. Now it hangs in the British Museum 🏛️ It is one of many. Stone by stone. Shield by shield 🛡️ Made by Britons. Inherited by the British 🇬🇧 Will you help us spread our history to those who need to hear? 👇🙏 👉 👈 Be part of us. ☝️🇬🇧 Be Proud Of Us. 🙏🇬🇧

🇬🇧 Caesar called them barbarians. They had already made THIS. 🛡️ In 1857, dredgers clearing the Thames near Chelsea Bridge pulled something from the silt 🌊 They washed it clean. A bronze shield. 27 red glass studs. Worked by hand 🛡️ The dredger had never seen anything like it. This is the story of the Battersea Shield 🇬🇧 It was sent to the British Museum 🏛️ The curators dated it to the late Iron Age. 2,000 years old. Older than England. Older than Rome's arrival here. Who made it? Britons did. At a workbench in a roundhouse, by firelight 🔥 They beat the bronze. They set the red glass. It took months. But this shield was not for battle ⚔️ The bronze was too thin to stop a blade. It was made to be given. Their rivers were sacred. At dawn 🌅 they raised the shield. And gave it to the Thames 🌊 It sank. The Romans wrote them down ✍️ Julius Caesar 📜 wrote that the barbaric Britons painted themselves blue. But this shield was already centuries old when he wrote that. Its makers knew how to set red glass into bronze. 2,000 years passed. Rome came. And went. Saxons came. Normans came. England rose. Britain rose. The shield stayed where it was. Until 1857. Now it hangs in the British Museum 🏛️ It is one of many. Stone by stone. Shield by shield 🛡️ Made by Britons. Inherited by the British 🇬🇧 Will you help us spread our history to those who need to hear? 👇🙏 👉 👈 Be part of us. ☝️🇬🇧 Be Proud Of Us. 🙏🇬🇧

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250 years ago today, a new nation was born. This is how, a century and a half later, four hundred men carved its story into the side of a mountain... The monument is Mount Rushmore, in the Black Hills of South Dakota, and how it was made is even more astonishing than how it looks. The sculptor Gutzon Borglum began the work in 1927, choosing four presidents to represent the first 150 years of American history: Washington, Jefferson, Roosevelt, and Lincoln. The faces are each about 60 feet tall, roughly the height of a six-story building. I put together this video so you could see the men who actually built it. Look at them, dangling in leather harnesses over the edge of the cliff, hundreds of feet above the ground, drilling into solid granite. Around 90 percent of the mountain was carved away with dynamite, set by workers who learned to blast the rock to within inches of the finished surface. Then came the honeycombing: drilling dozens of small holes close together so the last layers of granite could be knocked away by hand and smoothed. In total, they removed some 450,000 tons of rock from the mountain. Many of these workers were miners who had come to the Black Hills chasing gold and found themselves carving a monument instead. The conditions were brutal, the heights were terrifying, and the work stopped again and again when the money ran out. It took fourteen years. And in all that time, blasting a mountainside with dynamite while hanging from ropes, not a single worker lost their life. On the country's 250th birthday, it is worth remembering that behind those four immortal faces are four hundred forgotten men who carved them out of a mountain...

250 years ago today, a new nation was born. This is how, a century and a half later, four hundred men carved its story into the side of a mountain... The monument is Mount Rushmore, in the Black Hills of South Dakota, and how it was made is even more astonishing than how it looks. The sculptor Gutzon Borglum began the work in 1927, choosing four presidents to represent the first 150 years of American history: Washington, Jefferson, Roosevelt, and Lincoln. The faces are each about 60 feet tall, roughly the height of a six-story building. I put together this video so you could see the men who actually built it. Look at them, dangling in leather harnesses over the edge of the cliff, hundreds of feet above the ground, drilling into solid granite. Around 90 percent of the mountain was carved away with dynamite, set by workers who learned to blast the rock to within inches of the finished surface. Then came the honeycombing: drilling dozens of small holes close together so the last layers of granite could be knocked away by hand and smoothed. In total, they removed some 450,000 tons of rock from the mountain. Many of these workers were miners who had come to the Black Hills chasing gold and found themselves carving a monument instead. The conditions were brutal, the heights were terrifying, and the work stopped again and again when the money ran out. It took fourteen years. And in all that time, blasting a mountainside with dynamite while hanging from ropes, not a single worker lost their life. On the country's 250th birthday, it is worth remembering that behind those four immortal faces are four hundred forgotten men who carved them out of a mountain...

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Bharat’s Oldest Neurosurgery—4,300 Years Ago In the heart of the Indus Valley Civilization, long before modern hospitals and medical tools, ancient Indian surgeons performed a procedure so advanced that even today it belongs to the realm of neurosurgery. At a Harappan excavation site, archaeologists uncovered a 4,300-year-old human skull with something extraordinary: a perfectly drilled circular hole. This wasn’t an accident. It wasn’t an injury. It was a precise medical operation known as trepanation a surgical procedure still performed today to relieve pressure on the brain, remove bone fragments, and save lives. But here’s the mind-blowing part.. Experts confirmed that… ✓ The surgery was done on a living patient ✓ The skull shows clear signs of healing ✓ The patient lived long after the operation This means that Indus Valley doctors possessed the knowledge, tools, and skill toperform a successful brain surgery over fourmillennia ago. At a time when most of the worldstruggled with basic survival, India’s ancient surgeons were already practicing advanced medical science. And this incredible piece of history isn’t lost you can see the skull yourself at the Anthropological Museum in Kolkata, still displaying that flawlessly drilled surgical hole. The Harappans weren’t just early city- builders. They were pioneers of medicine. This single skull is living proof that ancient India stood at the forefront of scientific innovation centuries before modern civilization caught up.

Bharat’s Oldest Neurosurgery—4,300 Years Ago In the heart of the Indus Valley Civilization, long before modern hospitals and medical tools, ancient Indian surgeons performed a procedure so advanced that even today it belongs to the realm of neurosurgery. At a Harappan excavation site, archaeologists uncovered a 4,300-year-old human skull with something extraordinary: a perfectly drilled circular hole. This wasn’t an accident. It wasn’t an injury. It was a precise medical operation known as trepanation a surgical procedure still performed today to relieve pressure on the brain, remove bone fragments, and save lives. But here’s the mind-blowing part.. Experts confirmed that… ✓ The surgery was done on a living patient ✓ The skull shows clear signs of healing ✓ The patient lived long after the operation This means that Indus Valley doctors possessed the knowledge, tools, and skill toperform a successful brain surgery over fourmillennia ago. At a time when most of the worldstruggled with basic survival, India’s ancient surgeons were already practicing advanced medical science. And this incredible piece of history isn’t lost you can see the skull yourself at the Anthropological Museum in Kolkata, still displaying that flawlessly drilled surgical hole. The Harappans weren’t just early city- builders. They were pioneers of medicine. This single skull is living proof that ancient India stood at the forefront of scientific innovation centuries before modern civilization caught up.

Comman Man

16,404 görüntüleme • 9 ay önce

Peter Thiel’s advice to his younger self: "Value substance over status.” One of the resolutions I came up with a number of years ago was to always value substance over status, substance over prestige. And if I was giving my younger self advice on what to do or how to think about one's life, I probably would still go to Stanford, might still go to law school. But I'd ask a lot more questions: why I was doing these things? Too much of it was driven by prestige and status, and not quite enough about really the substance of trying to learn things. I sort of think of it as this sort of crazy rolling quarter life crisis, and a sort of culmination in this big New York law firm where from the outside everybody wanted to get in, from the inside everybody wanted to get out. I lasted seven months and three days. And when I left, one of the people down the hall said, it's so reassuring to see you leave, Peter. I had no idea it was possible to escape from Alcatraz. And all you had to do was go through the front door. But people's identities get so wrapped up in the things they compete for that it was inconceivable for people to actually do that. And then the question was, how had I ended up there? Why had I not thought about that more? And I think it was that I had taken too many of these shortcuts of valuing what was prestigious, what was conventional, over what I really wanted to do. So I think always substance over status.

Peter Thiel’s advice to his younger self: "Value substance over status.” One of the resolutions I came up with a number of years ago was to always value substance over status, substance over prestige. And if I was giving my younger self advice on what to do or how to think about one's life, I probably would still go to Stanford, might still go to law school. But I'd ask a lot more questions: why I was doing these things? Too much of it was driven by prestige and status, and not quite enough about really the substance of trying to learn things. I sort of think of it as this sort of crazy rolling quarter life crisis, and a sort of culmination in this big New York law firm where from the outside everybody wanted to get in, from the inside everybody wanted to get out. I lasted seven months and three days. And when I left, one of the people down the hall said, it's so reassuring to see you leave, Peter. I had no idea it was possible to escape from Alcatraz. And all you had to do was go through the front door. But people's identities get so wrapped up in the things they compete for that it was inconceivable for people to actually do that. And then the question was, how had I ended up there? Why had I not thought about that more? And I think it was that I had taken too many of these shortcuts of valuing what was prestigious, what was conventional, over what I really wanted to do. So I think always substance over status.

Founder Mode

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Lady Gaga spoke about her grandmother, Angelina Calderone Germanotta, who passed away earlier this month, before dedicating “Joanne” to her during Night 3 of the MAYHEM Ball in Barcelona: “My grandmother passed away. But she actually passed about a week ago, and I didn’t say anything ’cause I just wanted to keep it private with my family. But it became more public today. It’s hard when these big changes happen in your life and they’re not private, when family is such a private thing. But I wrote an album many years ago for my family called Joanne. My grandmother that passed away — her daughter passed away when she was very young, and her daughter’s name was Joanne. That’s who the album was about, that’s who the song is about. Needless to say, that my grandmother’s passing, as well as my other grandmother’s passing too — this was very big for our family. But I was thinking about how strong she was, and what a hard, hard thing that she endured, and all the strength that she gave to our whole family, and the strength that she taught me. So last week I decided to play “Joanne” during the show, and I didn’t know that she was gonna pass away. It was just a coincidence. But when it happened, it felt like she was talking to me. So, I thought since some people now know that my grandma passed, I’d like to just share this moment with you, and I would like to sing “Joanne” for my grandma — my father’s mother.” 🎥: notolsennchris/TikTok

Gaga Daily

167,523 görüntüleme • 10 ay önce

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Bret Weinstein explains how the COVID conspiracy theorists were proven right about everything and it doesn't matter. WEINSTEIN: "We live in two worlds simultaneously at the moment. I remember conversations that I had with people I cared deeply about at the beginning of COVID right as the lab leak story was beginning to crack." "What I saw was, actually, I think we're going to win the lab leak story. We're not yet winning the vaccine story, and we're way behind on the repurposed drug story. "In 2026, here's what we see. We actually won. Completely. All of these things are now visible to anybody who wishes to see them. "And we've lost completely. Our capacity to do anything about this is now on full display. We have none." "Your ability to simply get the story clear enough and enough evidence on the table does not have an impact on what happens next. "We're still apparently dispensing these frickin shots. How crazy is that? Right after all that we have unearthed, after all the people who lost their careers to unearth this stuff, they're still dispensing the frickin shots." So what's left? WEINSTEIN: "We need to figure out now how to talk to the people who actually have goodness in their hearts, but are still so desperately confused. "You have to figure out how to approach them with enough generosity of spirit that you can get them over the line to just seeing. You can get them to take off the blindfold."

The Vigilant Fox 🦊

275,395 görüntüleme • 1 ay önce

The moment that drew my attention to Freen was when you went to Cannes and there was a photo of your in a red dress which got tenth of thousands of likes—I was like, who’s this? I want to ask how you view Cannes before and after you went there. When I found out that I will be there, I felt it was such a grand event. Never imagined… like me? ME? Who am I to get to go there? And when I was there… it was really grand. And the photo time was so long that I thought…. Are we done? Didn’t know what to pose already. Was very nervous inside but had to act confident. Come…. Take photos… but inside, scan around…. How many? How long is the camera wall😅 It’s a good moment in life. Saw Queen Chompoo went so many years and looked so grand every time. I was one who was excited to see what she will wear. So when it was me, I was excited. And when was there, was a bit pressured—what dress and accessories to wear. I had to do a lot of homework. I was a bit surprised with myself. They have dresses for me to choose from. Had to pick what fitted me. But when I liked the red design… but it was red, which I have to wear to a red carpet… I was like… what to do… and decided to go for it. I’ll go with it. Not sure how red on red will be but went with it. MC: for me it was a good choice. I felt. This kid is brave. You could handle it and made it seem effortless/ not stressed. Felt you weren’t stressed out by the red carpet. I thought you handled it well. Thank you so much. It was my first time. I was really scared. The necklace. I’ll tell you about was the first time in my life that I went to choose it all by myself. Had to pick accessories worth many tenth of millions alone. Had to go through 3-4 doors with massive guards and there was one guard with me. They went do you like this, no? Next. No? Next. Was not able to put on the dress and tried… had to imagined it. I think that room had accessories worth tenths of billions. All could do was put it against my neck and imagined it with the dress I picked. Was difficult but I think I got a perfect total look. MC: I’m also interested to know which part you like the most about Cannes aside from the red carpet. There were so many eventful stuff. First I missed my flight! Instead of two stops/transfer I had to take four or five. …. …. Anyway that’s fine. My team was good and professional—the manager, makeup, hair. We had to deal with the situation but got through it while still had good humor about it. MC: what thought about hotel Martinez iconic stairs. Met so many people/celebrities. It was like a check in spot for everyone. After you finished getting ready, had to take photos there. It was another memorable moment. Not everyone can be there. Overall, glad I experienced getting ready there and went to the red carpet.

The moment that drew my attention to Freen was when you went to Cannes and there was a photo of your in a red dress which got tenth of thousands of likes—I was like, who’s this? I want to ask how you view Cannes before and after you went there. When I found out that I will be there, I felt it was such a grand event. Never imagined… like me? ME? Who am I to get to go there? And when I was there… it was really grand. And the photo time was so long that I thought…. Are we done? Didn’t know what to pose already. Was very nervous inside but had to act confident. Come…. Take photos… but inside, scan around…. How many? How long is the camera wall😅 It’s a good moment in life. Saw Queen Chompoo went so many years and looked so grand every time. I was one who was excited to see what she will wear. So when it was me, I was excited. And when was there, was a bit pressured—what dress and accessories to wear. I had to do a lot of homework. I was a bit surprised with myself. They have dresses for me to choose from. Had to pick what fitted me. But when I liked the red design… but it was red, which I have to wear to a red carpet… I was like… what to do… and decided to go for it. I’ll go with it. Not sure how red on red will be but went with it. MC: for me it was a good choice. I felt. This kid is brave. You could handle it and made it seem effortless/ not stressed. Felt you weren’t stressed out by the red carpet. I thought you handled it well. Thank you so much. It was my first time. I was really scared. The necklace. I’ll tell you about was the first time in my life that I went to choose it all by myself. Had to pick accessories worth many tenth of millions alone. Had to go through 3-4 doors with massive guards and there was one guard with me. They went do you like this, no? Next. No? Next. Was not able to put on the dress and tried… had to imagined it. I think that room had accessories worth tenths of billions. All could do was put it against my neck and imagined it with the dress I picked. Was difficult but I think I got a perfect total look. MC: I’m also interested to know which part you like the most about Cannes aside from the red carpet. There were so many eventful stuff. First I missed my flight! Instead of two stops/transfer I had to take four or five. …. …. Anyway that’s fine. My team was good and professional—the manager, makeup, hair. We had to deal with the situation but got through it while still had good humor about it. MC: what thought about hotel Martinez iconic stairs. Met so many people/celebrities. It was like a check in spot for everyone. After you finished getting ready, had to take photos there. It was another memorable moment. Not everyone can be there. Overall, glad I experienced getting ready there and went to the red carpet.

panpan

25,405 görüntüleme • 5 ay önce

Thousands of documents were quietly collected as evidence in the criminal cases connected to Jeffrey Epstein and his powerful associates — yet most people have never seen what was inside them. These files reportedly include victim testimonies, flight logs, contact books, court exhibits, sealed affidavits, and financial records that investigators used to build cases against Epstein’s network. Some documents were released, others heavily redacted, and many remain sealed to this day. What makes these records disturbing isn’t just what they reveal — it’s who appears in them and how slowly justice moved. These documents continue to raise serious questions about influence, protection, and accountability at the highest levels. Follow - @CyberHuntss #EpsteinFiles #JeffreyEpstein #CourtDocuments #HiddenEvidence #viralvideos The Epstein Files reveal one of the most disturbing scandals involving wealth, power, and silence. From private islands to elite connections, this case raised global questions that still remain unanswered. What was hidden for years is now slowly coming to light. In this video, we break down verified information surrounding Jeffrey Epstein, the individuals linked to him, and the systems that allowed everything to continue unchecked. This documentary focuses on publicly available records, investigations, and confirmed reports. Follow for more real-life investigations, court documents, and hidden truths. Over the years, investigators and courts uncovered documents connected to Jeffrey Epstein that referenced numerous high-profile individuals — names that immediately drew global attention and controversy. These files reportedly included flight logs, contact lists, court exhibits, depositions, and sworn testimonies where powerful figures were mentioned in different contexts. Importantly, being named in documents does not automatically imply wrongdoing, but it does raise serious public interest and unanswered questions. What continues to fuel debate is the lack of clarity — which names were fully investigated, which were redacted, and which may never be publicly addressed. These files remain one of the most discussed and disputed records in modern

Cyber Huntss

356,502 görüntüleme • 7 ay önce

11,000-year-old sculpture unearthed at Karahantepe.... 🇹🇷 Culture and Tourism Minister Mehmet Nuri Ersoy said an 11,000-year-old composite sculpture depicting a human figure sitting on the back of a leopard has been discovered during excavations at Karahantepe, located in southeastern Türkiye's Şanlıurfa province. In a social media post, Ersoy said the sculpture was unearthed as part of the Heritage for the Future Project’s 2026 excavation season. He described it as having a style not previously seen in similar finds. The 70-centimeter-high (28-inch) sculpture depicts a human figure seated on a leopard and was found on a bench running along the wall of a 3-meter-diameter structure whose floor was paved with flat stones, according to Ersoy. "I believe this discovery, which opens the door to new questions about the earliest periods of human history, will have a wide impact in the scientific community,” Ersoy said, thanking the General Directorate for Cultural Heritage and Museums, the excavation team, scientists and other field workers. Another sculpture from Karahantepe makes the new discovery especially arresting. That earlier work shows a human supporting a leopard on their back. The animal’s open mouth and visible teeth make clear that it is not represented as harmless or passive. Its legs extend around the person carrying it, creating one of the site’s most difficult images to interpret. The newly announced statue turns that arrangement around. Instead of carrying the animal, the human now occupies the leopard’s back. It would be premature to treat the two sculptures as consecutive scenes or surviving parts of the same story. They were not found together, and no text survives to explain them. Yet their contrasting compositions show that Karahantepe’s sculptors repeatedly explored the physical relationship between people and one of the region’s most formidable predators. The difference is sharper than a simple change in posture. In one sculpture the animal bears down on a human body; in the other, the human has been placed above the animal. Whether this conveyed control, confrontation, transformation or something else cannot yet be established. Leopards were part of the landscape known to the communities living around Karahantepe and Göbekli Tepe. In the art of the region, however, they were rarely treated as background wildlife. Felines appear on stone pillars and in three-dimensional sculpture, sometimes with open jaws, raised tails and carefully marked teeth. Comparable images at Göbekli Tepe and Sayburç place dangerous animals close to human figures, often in scenes that appear deliberately composed. Such depictions have prompted interpretations involving power, danger, group identity and ritual performance. None can be applied automatically to the new statue. The people who made it left no written explanation, while similar animals could have carried different meanings depending on the building, audience or occasion. Its location may eventually provide firmer evidence. The statue stood on a bench inside a small paved structure, meaning that its placement was probably visible and intentional. Archaeologists will need to establish whether it remained there throughout the building’s use or was deposited as part of its closure. Excavations at Karahantepe began in 2019, but even the limited area opened so far has produced an unusual concentration of human faces, heads and full-body figures. In 2023, archaeologists discovered a 2.3-meter human statue fixed within a bench. Deeply carved ribs, shoulders and a pronounced spine gave the seated figure an emaciated or deathlike appearance. A stone vulture had been placed nearby, adding another dangerous animal to the room’s imagery. 🎥© tckulturturizm © Anatolian Archaeology #archaeohistories

11,000-year-old sculpture unearthed at Karahantepe.... 🇹🇷 Culture and Tourism Minister Mehmet Nuri Ersoy said an 11,000-year-old composite sculpture depicting a human figure sitting on the back of a leopard has been discovered during excavations at Karahantepe, located in southeastern Türkiye's Şanlıurfa province. In a social media post, Ersoy said the sculpture was unearthed as part of the Heritage for the Future Project’s 2026 excavation season. He described it as having a style not previously seen in similar finds. The 70-centimeter-high (28-inch) sculpture depicts a human figure seated on a leopard and was found on a bench running along the wall of a 3-meter-diameter structure whose floor was paved with flat stones, according to Ersoy. "I believe this discovery, which opens the door to new questions about the earliest periods of human history, will have a wide impact in the scientific community,” Ersoy said, thanking the General Directorate for Cultural Heritage and Museums, the excavation team, scientists and other field workers. Another sculpture from Karahantepe makes the new discovery especially arresting. That earlier work shows a human supporting a leopard on their back. The animal’s open mouth and visible teeth make clear that it is not represented as harmless or passive. Its legs extend around the person carrying it, creating one of the site’s most difficult images to interpret. The newly announced statue turns that arrangement around. Instead of carrying the animal, the human now occupies the leopard’s back. It would be premature to treat the two sculptures as consecutive scenes or surviving parts of the same story. They were not found together, and no text survives to explain them. Yet their contrasting compositions show that Karahantepe’s sculptors repeatedly explored the physical relationship between people and one of the region’s most formidable predators. The difference is sharper than a simple change in posture. In one sculpture the animal bears down on a human body; in the other, the human has been placed above the animal. Whether this conveyed control, confrontation, transformation or something else cannot yet be established. Leopards were part of the landscape known to the communities living around Karahantepe and Göbekli Tepe. In the art of the region, however, they were rarely treated as background wildlife. Felines appear on stone pillars and in three-dimensional sculpture, sometimes with open jaws, raised tails and carefully marked teeth. Comparable images at Göbekli Tepe and Sayburç place dangerous animals close to human figures, often in scenes that appear deliberately composed. Such depictions have prompted interpretations involving power, danger, group identity and ritual performance. None can be applied automatically to the new statue. The people who made it left no written explanation, while similar animals could have carried different meanings depending on the building, audience or occasion. Its location may eventually provide firmer evidence. The statue stood on a bench inside a small paved structure, meaning that its placement was probably visible and intentional. Archaeologists will need to establish whether it remained there throughout the building’s use or was deposited as part of its closure. Excavations at Karahantepe began in 2019, but even the limited area opened so far has produced an unusual concentration of human faces, heads and full-body figures. In 2023, archaeologists discovered a 2.3-meter human statue fixed within a bench. Deeply carved ribs, shoulders and a pronounced spine gave the seated figure an emaciated or deathlike appearance. A stone vulture had been placed nearby, adding another dangerous animal to the room’s imagery. 🎥© tckulturturizm © Anatolian Archaeology #archaeohistories

Archaeo - Histories

20,578 görüntüleme • 16 gün önce

On this day, 41 years ago, Peter Weir's "Witness" (1985) starring Harrison Ford & Kelly McGillis was released in the USA. Originally, there were 2 pages of dialogue for the final scene in 'Witness' (1985), but Peter Weir cut it, despite the insistence of the studio: "I got into a tricky spot with my first American film 'Witness' (1985). At the end of that movie, the police detective played by Harrison Ford is leaving the farm to go back to his life in Philadelphia and he goes to say goodbye to the Amish woman. Their romance is clearly not going to go anywhere. You see him driving away and passing the Amish man coming down the hill and you realize that she is going to have a life with him. Originally there were two pages of dialogue in which Harrison explained why he was leaving and she gave her feelings to him. It was very literal, and I cut it all because we didn’t need it. The producer told me that the studio would never accept it because we need to know what they are feeling. I knew that if I had done my job properly, you would know exactly how they were feeling by the time it was all cut together. They just look at each other. It’s hopeless, it’s beyond words. The executive from the studio, Jeffrey Katzenberg, who was at Paramount at the time, flew out to talk to me and suggested I shoot it both ways just in case. That seemed a waste of time to me so Jeff asked me to paint a picture in words for him and tell it like a story. So, over coffee in this restaurant in Lancaster Pennsylvania, I told him. He thought it sounded fine." ('Filmcraft - Directing', Mike Goodridge, 2012)

On this day, 41 years ago, Peter Weir's "Witness" (1985) starring Harrison Ford & Kelly McGillis was released in the USA. Originally, there were 2 pages of dialogue for the final scene in 'Witness' (1985), but Peter Weir cut it, despite the insistence of the studio: "I got into a tricky spot with my first American film 'Witness' (1985). At the end of that movie, the police detective played by Harrison Ford is leaving the farm to go back to his life in Philadelphia and he goes to say goodbye to the Amish woman. Their romance is clearly not going to go anywhere. You see him driving away and passing the Amish man coming down the hill and you realize that she is going to have a life with him. Originally there were two pages of dialogue in which Harrison explained why he was leaving and she gave her feelings to him. It was very literal, and I cut it all because we didn’t need it. The producer told me that the studio would never accept it because we need to know what they are feeling. I knew that if I had done my job properly, you would know exactly how they were feeling by the time it was all cut together. They just look at each other. It’s hopeless, it’s beyond words. The executive from the studio, Jeffrey Katzenberg, who was at Paramount at the time, flew out to talk to me and suggested I shoot it both ways just in case. That seemed a waste of time to me so Jeff asked me to paint a picture in words for him and tell it like a story. So, over coffee in this restaurant in Lancaster Pennsylvania, I told him. He thought it sounded fine." ('Filmcraft - Directing', Mike Goodridge, 2012)

DepressedBergman

292,059 görüntüleme • 7 ay önce

joshua talking abt his trainee and early debut days 🥺 🦌: i was almost done with high school when i got cast at a festival. 👤: did you dance there or something? 🦌: no no, i was just eating something tasty when i got cast then. it was kind of fascinating. i really had no money and it was really hard. 👤: then for food and stuff? 🦌: they provided one meal, a dinner. 👤: then the other two meals? 🦌: the two meals… my mom’s card. 👤: how much of your income is now compared to back then? 🦌: i can’t compare. back then, i would calculate everything. like if i spend about this much money, i should save some, i should cut back on food. i did a lot of that kind of calculating. but now, at least for food... 👤: right. since you’re earning now. 🦌: right. since my mom and my whole family were in the U.S., i got 500,000 won a month. it was a big amount even at that time. 👤: that’s a bit small. because you have to cover for your food expenses and also buy clothes. 🦌: back then, i was so happy when sunbaenims gave us clothes they had worn. 👤: which sunbaenim gave you clothes back then? 🦌: nu’est sunbaenims. when they gave us clothes, they had worn, we would choose from them among ourselves. 👤: you lived such a hard life... and then you realize, ‘ah this is what popularity really is,’ when money actually comes into your account. how much money did you first receive? 🦌: about *** won? 👤: (shocked) 🦌: i think it was something like that. it was really big. 👤: what did you do with that money? 🦌: with that money… you know that bag from earlier? that’s my first luxury bag. 👤: let me see it. how long ago did you buy this? 🦌: over 10 years ago. 👤: this is over 10 years old? you used it cleanly. why do you still carry this one? 🦌: ah, it’s my attachment bag. my first luxury bag. so i was so excited. i carried it around like this. i think i’ll have this for the rest of my life, really.

joshua talking abt his trainee and early debut days 🥺 🦌: i was almost done with high school when i got cast at a festival. 👤: did you dance there or something? 🦌: no no, i was just eating something tasty when i got cast then. it was kind of fascinating. i really had no money and it was really hard. 👤: then for food and stuff? 🦌: they provided one meal, a dinner. 👤: then the other two meals? 🦌: the two meals… my mom’s card. 👤: how much of your income is now compared to back then? 🦌: i can’t compare. back then, i would calculate everything. like if i spend about this much money, i should save some, i should cut back on food. i did a lot of that kind of calculating. but now, at least for food... 👤: right. since you’re earning now. 🦌: right. since my mom and my whole family were in the U.S., i got 500,000 won a month. it was a big amount even at that time. 👤: that’s a bit small. because you have to cover for your food expenses and also buy clothes. 🦌: back then, i was so happy when sunbaenims gave us clothes they had worn. 👤: which sunbaenim gave you clothes back then? 🦌: nu’est sunbaenims. when they gave us clothes, they had worn, we would choose from them among ourselves. 👤: you lived such a hard life... and then you realize, ‘ah this is what popularity really is,’ when money actually comes into your account. how much money did you first receive? 🦌: about *** won? 👤: (shocked) 🦌: i think it was something like that. it was really big. 👤: what did you do with that money? 🦌: with that money… you know that bag from earlier? that’s my first luxury bag. 👤: let me see it. how long ago did you buy this? 🦌: over 10 years ago. 👤: this is over 10 years old? you used it cleanly. why do you still carry this one? 🦌: ah, it’s my attachment bag. my first luxury bag. so i was so excited. i carried it around like this. i think i’ll have this for the rest of my life, really.

디 ૮₍ ˃⤙˂ ₎ა

269,830 görüntüleme • 9 ay önce

Many years ago after a Spurs shoot-a-round at the Alamodome, my photographer and I were walking across the empty dome, when Dikembe Mutombo walked up. He was going to the Hawks bus. He asked "how are you guys"? Fine thanks. I asked back "How are you Dikembe?" What followed was a 5 minute lesson in gratitude. "I am waaay more than fine. I have shoes on my feet. He was wearing basketball shoes and carrying another pair in his hand. "I have two pair of shoes right here, and many in my country have no shoes. They have to tie cardboard to their feet. I live in America and get paid a lot of money to play a game. It is a beautiful day, and I thank God for every one of them. I am doing way better than fine. Never go a day without thanking God for all of his blessings. God Bless you." We walked out of the loading dock and my photog and I just looked at each other amazed at the perspective that had just been dropped in our lap. I had more interactions with Dikembe and always came away inspired. He was one of a kind. Here's more of his amazing life story.

Many years ago after a Spurs shoot-a-round at the Alamodome, my photographer and I were walking across the empty dome, when Dikembe Mutombo walked up. He was going to the Hawks bus. He asked "how are you guys"? Fine thanks. I asked back "How are you Dikembe?" What followed was a 5 minute lesson in gratitude. "I am waaay more than fine. I have shoes on my feet. He was wearing basketball shoes and carrying another pair in his hand. "I have two pair of shoes right here, and many in my country have no shoes. They have to tie cardboard to their feet. I live in America and get paid a lot of money to play a game. It is a beautiful day, and I thank God for every one of them. I am doing way better than fine. Never go a day without thanking God for all of his blessings. God Bless you." We walked out of the loading dock and my photog and I just looked at each other amazed at the perspective that had just been dropped in our lap. I had more interactions with Dikembe and always came away inspired. He was one of a kind. Here's more of his amazing life story.

Don Harris

47,634 görüntüleme • 1 yıl önce

Peter Ssematimba was earning over 50 million UGX in his mid 30s as radio manager 30 years ago. And today, radio managers earn 1.5 million UGX. This just got me thinking. You don’t get paid for efforts. You get paid for how hard you are to replace. A guy that is working 80 hours a week in Owino market makes less than a guy that works on his laptop for 20 hours a week. It is because the guy who works in Owino market can be replaced by tomorrow afternoon. When his boss advertises the vacancy, over 200 applications will come in the next day. But the guy with specific skill sets, a specific network and specific knowledge that took years to build, can’t be replaced as easy. Such a guy sets his price and the market pays it. This is what no one teaches us in school. They only teach us to work hard, show up early, stay late, hustle, grind, but they never teach us the one thing that actually determines our income. How easy or how difficult it is to find another you is what determines your income. This is broken down further in these three levels; Commodity: When you do what everyone else can do, you compete on hours and effort. Your income typically has a ceiling. Specialists: Here you have a skill that takes sometime to develop. Your income goes up, but you are still trading time. Irreplaceable: You do what almost nobody can do in the combination that you offer. At this level, you stop chasing money. Money starts chasing you. Be honest, how many people do you think can replace you by Monday?

Peter Ssematimba was earning over 50 million UGX in his mid 30s as radio manager 30 years ago. And today, radio managers earn 1.5 million UGX. This just got me thinking. You don’t get paid for efforts. You get paid for how hard you are to replace. A guy that is working 80 hours a week in Owino market makes less than a guy that works on his laptop for 20 hours a week. It is because the guy who works in Owino market can be replaced by tomorrow afternoon. When his boss advertises the vacancy, over 200 applications will come in the next day. But the guy with specific skill sets, a specific network and specific knowledge that took years to build, can’t be replaced as easy. Such a guy sets his price and the market pays it. This is what no one teaches us in school. They only teach us to work hard, show up early, stay late, hustle, grind, but they never teach us the one thing that actually determines our income. How easy or how difficult it is to find another you is what determines your income. This is broken down further in these three levels; Commodity: When you do what everyone else can do, you compete on hours and effort. Your income typically has a ceiling. Specialists: Here you have a skill that takes sometime to develop. Your income goes up, but you are still trading time. Irreplaceable: You do what almost nobody can do in the combination that you offer. At this level, you stop chasing money. Money starts chasing you. Be honest, how many people do you think can replace you by Monday?

MrHashtag🇺🇬 𝕏

31,117 görüntüleme • 3 ay önce