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When George Michael Changed One Note… and It Hit Different🎵 In a room full of legends, George Michael made one of the most powerful changes in Do They Know It’s Christmas and he did it with just a single note. While the line “But say a prayer” was meant... show more

𝐌𝐮𝐬𝐢𝐜 - 𝐌𝐨𝐯𝐢𝐞 - 𝐀𝐧𝐝 𝐌𝐨𝐫𝐞⭐️❤️

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128,764 Aufrufe • vor 4 Monaten •via X (Twitter)

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🌟 Honoring George Harrison – “Something” George Harrison’s music changed the world, inspiring joy, love, and creativity for generations. In this tribute, we celebrate his timeless genius with the homage to “Something”, one of his most beautiful and heartfelt compositions. Through every note, we hope to capture the elegance, emotion, and spirit that made George Harrison not just a legendary musician, but a true source of inspiration for people everywhere. 🎶🎸

🌟 Honoring George Harrison – “Something” George Harrison’s music changed the world, inspiring joy, love, and creativity for generations. In this tribute, we celebrate his timeless genius with the homage to “Something”, one of his most beautiful and heartfelt compositions. Through every note, we hope to capture the elegance, emotion, and spirit that made George Harrison not just a legendary musician, but a true source of inspiration for people everywhere. 🎶🎸

🎶𝗖𝗹𝗮𝘀𝘀𝗶𝗰𝗮𝗹 𝗠𝗲𝗹𝗼𝗱𝗶𝗲𝘀 ✨

11,671 Aufrufe • vor 4 Monaten

Few singers in history would've had the courage to step into Freddie Mercury's shoes... George Michael did. In April 1992, just months after the world lost Freddie Mercury, Queen gathered at Wembley Stadium for a tribute concert unlike anything rock had ever seen. One song stood above the rest: "Somebody to Love." It wasn't just another hit. It was one of Freddie's most demanding performances, requiring incredible range, power, precision, and emotion. Many believed it simply couldn't be matched. Then George Michael walked onto the stage. Before the concert, he rehearsed with Queen, and it quickly became clear that something special was happening. Brian May, Roger Taylor, and John Deacon could be be seen smiling throughout the rehearsal as George delivered the song with astonishing confidence and vocal control. The very next day, he took that performance in front of a packed Wembley Stadium... and created a moment that still gives people chills more than three decades later. It wasn't an imitation of Freddie. It wasn't an attempt to replace him. It was a heartfelt tribute from one legendary vocalist to another, and many fans still consider it one of the greatest live tribute performances in rock history. Do you think George Michael delivered the greatest tribute performance of all time... or is there another one that deserves that title?

Few singers in history would've had the courage to step into Freddie Mercury's shoes... George Michael did. In April 1992, just months after the world lost Freddie Mercury, Queen gathered at Wembley Stadium for a tribute concert unlike anything rock had ever seen. One song stood above the rest: "Somebody to Love." It wasn't just another hit. It was one of Freddie's most demanding performances, requiring incredible range, power, precision, and emotion. Many believed it simply couldn't be matched. Then George Michael walked onto the stage. Before the concert, he rehearsed with Queen, and it quickly became clear that something special was happening. Brian May, Roger Taylor, and John Deacon could be be seen smiling throughout the rehearsal as George delivered the song with astonishing confidence and vocal control. The very next day, he took that performance in front of a packed Wembley Stadium... and created a moment that still gives people chills more than three decades later. It wasn't an imitation of Freddie. It wasn't an attempt to replace him. It was a heartfelt tribute from one legendary vocalist to another, and many fans still consider it one of the greatest live tribute performances in rock history. Do you think George Michael delivered the greatest tribute performance of all time... or is there another one that deserves that title?

fOx

14,071 Aufrufe • vor 23 Tagen

In 2007, during his “25 Live” tour, George Michael experienced one of the funniest and most surreal moments of his career. The singer was arriving by car at Wembley Stadium in London to perform one of his concerts (he was one of the first artists to perform at the newly renovated Wembley) As he tried to enter through the back gate with his crew, a very serious and confident security guard blocked his way. The guard, leaning into the car window, insisted: “I’m sorry, I’d recognize him a mile away, and that’s not George Michael.” George, sitting in the back seat, couldn’t stop laughing. The guard remained completely convinced that he was an imposter and even asked for identification before letting him through. A member of George’s team had to step in to pull the guard aside and explain the situation. In the video recorded for the documentary *George Michael: Road to Wembley*, George is seen cracking up and saying, “This is brilliant,” as he mimics the guard: “I’d recognize him a mile away, and that’s not George Michael.” He later said it was one of the best stories that had ever happened to him, comparable to when a doorman in Birmingham told him, “I don’t care if you’re Frank Sinatra, you’re not getting in.” It was a moment of pure comedy that shows just how ironic fame can be. One of the world’s most recognizable artists being treated like a fan trying to sneak in. The guard, of course, became an internet legend years later when the clip resurfaced. George, with his usual sense of humor, took it all in stride and even included it in the documentary.

In 2007, during his “25 Live” tour, George Michael experienced one of the funniest and most surreal moments of his career. The singer was arriving by car at Wembley Stadium in London to perform one of his concerts (he was one of the first artists to perform at the newly renovated Wembley) As he tried to enter through the back gate with his crew, a very serious and confident security guard blocked his way. The guard, leaning into the car window, insisted: “I’m sorry, I’d recognize him a mile away, and that’s not George Michael.” George, sitting in the back seat, couldn’t stop laughing. The guard remained completely convinced that he was an imposter and even asked for identification before letting him through. A member of George’s team had to step in to pull the guard aside and explain the situation. In the video recorded for the documentary George Michael: Road to Wembley, George is seen cracking up and saying, “This is brilliant,” as he mimics the guard: “I’d recognize him a mile away, and that’s not George Michael.” He later said it was one of the best stories that had ever happened to him, comparable to when a doorman in Birmingham told him, “I don’t care if you’re Frank Sinatra, you’re not getting in.” It was a moment of pure comedy that shows just how ironic fame can be. One of the world’s most recognizable artists being treated like a fan trying to sneak in. The guard, of course, became an internet legend years later when the clip resurfaced. George, with his usual sense of humor, took it all in stride and even included it in the documentary.

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54,863 Aufrufe • vor 4 Monaten

I’m pleased someone captured this, George Michael epically improving the whole of Do They Know It’s Christmas? just by going up an octave. Incredible. “But say a prayer..” #BandAid

I’m pleased someone captured this, George Michael epically improving the whole of Do They Know It’s Christmas? just by going up an octave. Incredible. “But say a prayer..” #BandAid

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665,481 Aufrufe • vor 1 Jahr

💝 George Michael and the Pursuit of Perfection: The Rehearsal Days Before the Freddie Mercury Tribute In a rehearsal room at Bray Studios in 1992, soft golden light fell across the floor. George Michael stood there in a simple black shirt, microphone in hand, his eyes fixed with a focus so intense it barely blinked. Beside him was Lisa Stansfield. Behind them, Brian May adjusted his guitar, Roger Taylor sat at the drums, and John Deacon held the bass. The atmosphere was not noisy. It was quiet, and tense in a very particular way. George was rehearsing “These Are the Days of Our Lives.” This was the preparation period for The Freddie Mercury Tribute Concert for AIDS Awareness — the historic night at Wembley Stadium on 20 April 1992. Dozens of the world’s biggest artists gathered to honour Freddie Mercury, who had died only months earlier from AIDS-related complications. Among them, George Michael stood out not only for his talent, but for the seriousness he brought to the performance. The surviving rehearsal footage shows just how thoroughly George prepared. He did not arrive for a single run-through and leave like many others. He spent significant time refining every line, every harmony with Lisa Stansfield and with Queen. His concentration is still visible today: this was no ordinary rehearsal. George Michael had spoken many times of his deep respect for Freddie Mercury. He regarded Freddie as one of the greatest singers in history, and he was fully aware that he was stepping onto a stage that carried Freddie’s name. Crucially, George never tried to imitate him. He kept his own style — softer, more soul and R&B in colour — while still conveying the emotional weight of Queen’s songs. Lisa Stansfield later recalled a very ordinary moment from those rehearsals. She was eating a bacon sandwich, wearing no makeup, hair slightly messy, standing among hundreds of famous people. George looked at her while he was practising. Later, when they sang together, he remarked that he was jealous she could eat like that and still sing so well. Lisa has told this story years afterwards as a warm, very “George” memory. The night at Wembley drew around 72,000 people. George Michael performed two key pieces: “These Are the Days of Our Lives” with Lisa Stansfield and Queen, followed by “Somebody to Love” with Queen. It was the latter that became the most remembered moment of the evening. Brian May has repeatedly praised that performance and described George Michael as one of the rare artists who could sing Queen’s music at the highest level while remaining completely himself. Looking back at the rehearsal video now, what impresses most is not technical perfection. It is the almost absolute seriousness. George does not smile much. He does not joke. He works to a standard he set for himself alone. That pursuit of excellence did not come from arrogance. It came from a sense of responsibility: standing on a stage dedicated to Freddie Mercury meant mediocrity was not an option. Perhaps that is why the short clip still makes so many people fall silent when they watch it. They do not simply see a star practising a song. They see an artist doing everything in his power to be worthy of the man who had gone, of the audience, and of his own uncompromising standards. George Michael is gone. But in those old frames, his dedication still lives. And every time someone presses play, they are reminded that the greatest art does not always come from ease. Sometimes it comes from long, quiet hours of work, from profound respect, and from a heart that refuses to accept the ordinary.

💝 George Michael and the Pursuit of Perfection: The Rehearsal Days Before the Freddie Mercury Tribute In a rehearsal room at Bray Studios in 1992, soft golden light fell across the floor. George Michael stood there in a simple black shirt, microphone in hand, his eyes fixed with a focus so intense it barely blinked. Beside him was Lisa Stansfield. Behind them, Brian May adjusted his guitar, Roger Taylor sat at the drums, and John Deacon held the bass. The atmosphere was not noisy. It was quiet, and tense in a very particular way. George was rehearsing “These Are the Days of Our Lives.” This was the preparation period for The Freddie Mercury Tribute Concert for AIDS Awareness — the historic night at Wembley Stadium on 20 April 1992. Dozens of the world’s biggest artists gathered to honour Freddie Mercury, who had died only months earlier from AIDS-related complications. Among them, George Michael stood out not only for his talent, but for the seriousness he brought to the performance. The surviving rehearsal footage shows just how thoroughly George prepared. He did not arrive for a single run-through and leave like many others. He spent significant time refining every line, every harmony with Lisa Stansfield and with Queen. His concentration is still visible today: this was no ordinary rehearsal. George Michael had spoken many times of his deep respect for Freddie Mercury. He regarded Freddie as one of the greatest singers in history, and he was fully aware that he was stepping onto a stage that carried Freddie’s name. Crucially, George never tried to imitate him. He kept his own style — softer, more soul and R&B in colour — while still conveying the emotional weight of Queen’s songs. Lisa Stansfield later recalled a very ordinary moment from those rehearsals. She was eating a bacon sandwich, wearing no makeup, hair slightly messy, standing among hundreds of famous people. George looked at her while he was practising. Later, when they sang together, he remarked that he was jealous she could eat like that and still sing so well. Lisa has told this story years afterwards as a warm, very “George” memory. The night at Wembley drew around 72,000 people. George Michael performed two key pieces: “These Are the Days of Our Lives” with Lisa Stansfield and Queen, followed by “Somebody to Love” with Queen. It was the latter that became the most remembered moment of the evening. Brian May has repeatedly praised that performance and described George Michael as one of the rare artists who could sing Queen’s music at the highest level while remaining completely himself. Looking back at the rehearsal video now, what impresses most is not technical perfection. It is the almost absolute seriousness. George does not smile much. He does not joke. He works to a standard he set for himself alone. That pursuit of excellence did not come from arrogance. It came from a sense of responsibility: standing on a stage dedicated to Freddie Mercury meant mediocrity was not an option. Perhaps that is why the short clip still makes so many people fall silent when they watch it. They do not simply see a star practising a song. They see an artist doing everything in his power to be worthy of the man who had gone, of the audience, and of his own uncompromising standards. George Michael is gone. But in those old frames, his dedication still lives. And every time someone presses play, they are reminded that the greatest art does not always come from ease. Sometimes it comes from long, quiet hours of work, from profound respect, and from a heart that refuses to accept the ordinary.

Music over time🎻

167,399 Aufrufe • vor 12 Tagen

. George Michael would have been 60 today, it was my absolute honour in celebration of his life and career to cover his hit, ‘One More Try’ on This Morning and hope with all my heart that he would have felt I did him justice. Happy Birthday George. X

. George Michael would have been 60 today, it was my absolute honour in celebration of his life and career to cover his hit, ‘One More Try’ on This Morning and hope with all my heart that he would have felt I did him justice. Happy Birthday George. X

Calum Scott

42,360 Aufrufe • vor 3 Jahren

I remember this show. It was the Fall of 2023 when I still worked at the new George Magazine. This is the CEO of George Magazine, folks. And if this is his public discourse, just imagine what his private discourse is. 👀 👉 Pimping JFK Jr’s magazine while disparaging JFK Jr and his legacy (and Princess Diana’s). 👉 No one in their right mind would say these things out loud unless they meant it. 👉 There is only one George Magazine and it is the original. This is an edited down video but here is the link to the full video:

I remember this show. It was the Fall of 2023 when I still worked at the new George Magazine. This is the CEO of George Magazine, folks. And if this is his public discourse, just imagine what his private discourse is. 👀 👉 Pimping JFK Jr’s magazine while disparaging JFK Jr and his legacy (and Princess Diana’s). 👉 No one in their right mind would say these things out loud unless they meant it. 👉 There is only one George Magazine and it is the original. This is an edited down video but here is the link to the full video:

Rachel - WRITESIDE BLONDE ®

29,700 Aufrufe • vor 1 Jahr

George Michael released “One More Try” as a single on this day in 1988. It was his favorite song from the Faith album. 🤍

George Michael released “One More Try” as a single on this day in 1988. It was his favorite song from the Faith album. 🤍

t ♡

59,777 Aufrufe • vor 4 Monaten

#OnThisDay in 1986 George released one of his most honest songs, ‘A Different Corner’ 🎶 "It was the farthest I’d ever fallen, and in a very short period of time. I had to get rid of it somehow, I had to write about it” - George talking about writing ‘A Different Corner’

#OnThisDay in 1986 George released one of his most honest songs, ‘A Different Corner’ 🎶 "It was the farthest I’d ever fallen, and in a very short period of time. I had to get rid of it somehow, I had to write about it” - George talking about writing ‘A Different Corner’

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41,896 Aufrufe • vor 2 Jahren

28 years ago George released one of the songs he was most proud of as a solo artist – ‘Jesus To A Child’ 🤍 “It’s a special song. It was one of those songs that just felt like it was handed to me. It was recorded over five days but written in just a couple of hours.”

28 years ago George released one of the songs he was most proud of as a solo artist – ‘Jesus To A Child’ 🤍 “It’s a special song. It was one of those songs that just felt like it was handed to me. It was recorded over five days but written in just a couple of hours.”

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44,598 Aufrufe • vor 2 Jahren

“Careless Whisper”was originally released as George Michael’s debut solo single in 1984, although in the US it was credited to Wham! featuring George Michael and included on the album Make It Big. Co-written by George Michael and Andrew Ridgeley while they were still teenagers, the smooth, saxophone-driven ballad became a global phenomenon, spending three weeks at #1 on the Billboard Hot 100, reaching #1 in the UK and topping the charts in 25 countries. It was also named Billboard's #2 song of 1985, finishing just behind Madonna's "Like a Virgin" on the magazine's year-end Hot 100 chart. Its themes of guilt and infidelity, combined with Michael’s soulful vocal delivery, cemented it as one of the most iconic pop songs of the 1980s. The legendary saxophone intro was crafted by Michael at age 17 on a school bus and eventually recorded by session musician Steve Gregory, who was the only one able to capture the slightly "imperfect" and melancholic timing Michael demanded. Despite its massive success, Michael later grew to dislike the song, criticizing his own teenage lyrics as presumptuous and even disliking its Miami-filmed music video.

“Careless Whisper”was originally released as George Michael’s debut solo single in 1984, although in the US it was credited to Wham! featuring George Michael and included on the album Make It Big. Co-written by George Michael and Andrew Ridgeley while they were still teenagers, the smooth, saxophone-driven ballad became a global phenomenon, spending three weeks at #1 on the Billboard Hot 100, reaching #1 in the UK and topping the charts in 25 countries. It was also named Billboard's #2 song of 1985, finishing just behind Madonna's "Like a Virgin" on the magazine's year-end Hot 100 chart. Its themes of guilt and infidelity, combined with Michael’s soulful vocal delivery, cemented it as one of the most iconic pop songs of the 1980s. The legendary saxophone intro was crafted by Michael at age 17 on a school bus and eventually recorded by session musician Steve Gregory, who was the only one able to capture the slightly "imperfect" and melancholic timing Michael demanded. Despite its massive success, Michael later grew to dislike the song, criticizing his own teenage lyrics as presumptuous and even disliking its Miami-filmed music video.

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Liberals will be upset about a statue of Trump but will praise a statue of a criminal 😭 “Pressed about a statue of Donald Trump but not George Floyd. Donald Trump is a two time president of the United States.” “Meanwhile, we have statues of George Floyd, we have memorial of George Floyd, we have parks and streets named after George Floyd, a career criminal and a career addict, spending his life in and out of jail.” “It’s amazing how you guys will get pressed over Donald Trump for something he had nothing to do with, but yet will celebrate a criminal within the U.S. and somehow make him a hero and a man of the people even though he was committing a crime and had narcotics in his system at the time.” Can’t make this stuff up!! If it has anything to do with Trump, they hate it.

Liberals will be upset about a statue of Trump but will praise a statue of a criminal 😭 “Pressed about a statue of Donald Trump but not George Floyd. Donald Trump is a two time president of the United States.” “Meanwhile, we have statues of George Floyd, we have memorial of George Floyd, we have parks and streets named after George Floyd, a career criminal and a career addict, spending his life in and out of jail.” “It’s amazing how you guys will get pressed over Donald Trump for something he had nothing to do with, but yet will celebrate a criminal within the U.S. and somehow make him a hero and a man of the people even though he was committing a crime and had narcotics in his system at the time.” Can’t make this stuff up!! If it has anything to do with Trump, they hate it.

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Mad Max was a solid start, but The Road Warrior (1981) turned it into legend. George Miller’s world-building, the practical stunts, and that final chase made it one of the defining action films of the 80s.

Mad Max was a solid start, but The Road Warrior (1981) turned it into legend. George Miller’s world-building, the practical stunts, and that final chase made it one of the defining action films of the 80s.

cinesthetic.

454,653 Aufrufe • vor 9 Monaten

One of the things that made George Michael unusual as a popstar was his activism. He was pathologically incapable of keeping his mouth shut, whether it was speaking out about apartheid, AIDS, Cool Britannia, or the Iraq War, even if it attracted mockery and abuse. He once said that his political views made him "look like somebody who’s been let out of an asylum. It’s true. Everyone around me thinks I’m my own worst enemy." But you know what, he was eerily right, a lot of the time. My new book, Tonight the Music Seems So Loud: the Meaning of George Michael is published in the summer and tickets are now available for launch events @intelligencesquared Union Chapel London and Hay Festival. #GeorgeMichael #Wham #TTMSSL

One of the things that made George Michael unusual as a popstar was his activism. He was pathologically incapable of keeping his mouth shut, whether it was speaking out about apartheid, AIDS, Cool Britannia, or the Iraq War, even if it attracted mockery and abuse. He once said that his political views made him "look like somebody who’s been let out of an asylum. It’s true. Everyone around me thinks I’m my own worst enemy." But you know what, he was eerily right, a lot of the time. My new book, Tonight the Music Seems So Loud: the Meaning of George Michael is published in the summer and tickets are now available for launch events @intelligencesquared Union Chapel London and Hay Festival. #GeorgeMichael #Wham #TTMSSL

Sathnam Sanghera

26,389 Aufrufe • vor 5 Monaten

🚨Matt Kennard on George Galloway being detained at Gatwick Airport, UK: “No one is safe in this country anymore when it comes to free speech, especially on the issue of Palestine… George Galloway is one of the most prominent politicians in the UK…when they feel that they have enough confidence to detain someone like that, and also the terms in which he was held, he says he was told ‘you aren’t under arrest, but you have no right to remain silent. And if you remain silent, that’s a crime in itself.’ This doesn’t sound like a democracy, it sounds like an authoritarian regime.” Matt Kennard on the detention of George Galloway and the crackdown on free speech in the UK FULL INTERVIEW BELOW IN THE REPLIES👇

🚨Matt Kennard on George Galloway being detained at Gatwick Airport, UK: “No one is safe in this country anymore when it comes to free speech, especially on the issue of Palestine… George Galloway is one of the most prominent politicians in the UK…when they feel that they have enough confidence to detain someone like that, and also the terms in which he was held, he says he was told ‘you aren’t under arrest, but you have no right to remain silent. And if you remain silent, that’s a crime in itself.’ This doesn’t sound like a democracy, it sounds like an authoritarian regime.” Matt Kennard on the detention of George Galloway and the crackdown on free speech in the UK FULL INTERVIEW BELOW IN THE REPLIES👇

Going Underground

59,883 Aufrufe • vor 10 Monaten

5 years ago the number one story in the world was the death of George Floyd. We now know that Floyd was a career criminal junkie who died of a fentanyl overdose while resisting arrest and committing crimes. But they told you at the time that George Floyd was killed by 'institutional racism' and 'police brutality.' It was a lie -- but the media amplified the lie infinitely and made Floyd a household name. Now we witness the death of Henry Nowak, who really did *actually* die because of institutional racism and police brutality. MEDIA: Silence. They don't care because the victim is white. The only real institutional racism that exists in the West is against white people. Henry was stabbed in the neck FIVE TIMES by an indian migrant, carrying a "religious blade," claiming that Henry was being 'mean' to him so he deserved to die. Then the police left Henry to bleed out in the streets while handcuffed and coddling the migrant killer and his family. This is worse than the George Floyd story, and its all true. Henry deserves the same justice and reverence that was incorrectly awarded to George Floyd. He may not get the headlines, but Henry will spark a Revolution all the same.

5 years ago the number one story in the world was the death of George Floyd. We now know that Floyd was a career criminal junkie who died of a fentanyl overdose while resisting arrest and committing crimes. But they told you at the time that George Floyd was killed by 'institutional racism' and 'police brutality.' It was a lie -- but the media amplified the lie infinitely and made Floyd a household name. Now we witness the death of Henry Nowak, who really did actually die because of institutional racism and police brutality. MEDIA: Silence. They don't care because the victim is white. The only real institutional racism that exists in the West is against white people. Henry was stabbed in the neck FIVE TIMES by an indian migrant, carrying a "religious blade," claiming that Henry was being 'mean' to him so he deserved to die. Then the police left Henry to bleed out in the streets while handcuffed and coddling the migrant killer and his family. This is worse than the George Floyd story, and its all true. Henry deserves the same justice and reverence that was incorrectly awarded to George Floyd. He may not get the headlines, but Henry will spark a Revolution all the same.

Benny Johnson

106,911 Aufrufe • vor 2 Monaten

This is one of my all time favourite social and political commentaries - by the late, great George Carlin. Every single word still holds true. Even more so today. “They own everything. It’s a big club. And you ain’t in it.”

This is one of my all time favourite social and political commentaries - by the late, great George Carlin. Every single word still holds true. Even more so today. “They own everything. It’s a big club. And you ain’t in it.”

James Melville 🚜

13,610 Aufrufe • vor 4 Monaten

George Michael could be slow, and a perfectionist, but he could also be explosively quick, producing classics in a matter of hours. Tonight The Music Seems So Loud: The Meaning of George Michael, is published around the world this summer. You can pre-order now and book spaces at live events I’m doing in London with Intelligence Squared and Hay Festival. #GeorgeMichael #Wham #TTMSSL

George Michael could be slow, and a perfectionist, but he could also be explosively quick, producing classics in a matter of hours. Tonight The Music Seems So Loud: The Meaning of George Michael, is published around the world this summer. You can pre-order now and book spaces at live events I’m doing in London with Intelligence Squared and Hay Festival. #GeorgeMichael #Wham #TTMSSL

Sathnam Sanghera

24,503 Aufrufe • vor 4 Monaten