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While filming this dangerous stunt sequence in "Desperado" (1995), Antonio Banderas & Salma Hayek were tied to a cable connected to a crane. They had a harness attached under their costume. The crane was not operated by a professional. A construction worker who was working in a nearby building...

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DepressedBergman

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75,976 views • 4 days ago •via X (Twitter)

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Salma Hayek took her parents & brother for the premiere of Robert Rodriguez's "Desperado" (1995), but when the sex scene played, she made them leave the theater with her as she didn't want her family to watch that scene. Here is Salma Hayek explaining how the scene was filmed: "Interviewer: Do you remember how Carolina was described in the script? Hayek: No. I mean, usually, [it’s] the age. They’re beautiful and sexy, probably. Mexican. It sounded like me. Interviewer: [Laughs] It is perfect casting. Today, there are often intimacy coordinators to help provide safe spaces for actors. How did you feel about doing a major sex scene in this movie at such a pivotal point in your career? Hayek: It was a very difficult thing for me. It was not in the original script, I have to say. I think it was one of the notes that came after they showed the screen test, which made it harder for me. I was already like, “No, that was not in there the first time.” Interviewer: But you went through with it. Hayek: They were amazing. What I can tell you is that I was very lucky because they set up the lights and the sound. [It was] Robert, Antonio, Elizabeth and I. Robert was operating the camera. I think there was no sound. Elizabeth was moving cable. [There] was not even a [monitor]. And I flipped out. I wouldn’t do it. They were very patient. It was two hours, and I was still not [working] up the courage. Then it was very, very nice. They closed the set. They did everything that could possibly be done. But it was one long scene with dialogue and… it was different. There were little moments before I would flip out again. I walked out of the premiere when they played it and I took my brother, father, and mother with me. I didn't want any of them to see it. They were happy to walk out right away and then we came back again. I don't think they noticed anything." (Salma Hayek's interview with Candice Frederick, Elle, 2020)
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Salma Hayek took her parents & brother for the premiere of Robert Rodriguez's "Desperado" (1995), but when the sex scene played, she made them leave the theater with her as she didn't want her family to watch that scene. Here is Salma Hayek explaining how the scene was filmed: "Interviewer: Do you remember how Carolina was described in the script? Hayek: No. I mean, usually, [it’s] the age. They’re beautiful and sexy, probably. Mexican. It sounded like me. Interviewer: [Laughs] It is perfect casting. Today, there are often intimacy coordinators to help provide safe spaces for actors. How did you feel about doing a major sex scene in this movie at such a pivotal point in your career? Hayek: It was a very difficult thing for me. It was not in the original script, I have to say. I think it was one of the notes that came after they showed the screen test, which made it harder for me. I was already like, “No, that was not in there the first time.” Interviewer: But you went through with it. Hayek: They were amazing. What I can tell you is that I was very lucky because they set up the lights and the sound. [It was] Robert, Antonio, Elizabeth and I. Robert was operating the camera. I think there was no sound. Elizabeth was moving cable. [There] was not even a [monitor]. And I flipped out. I wouldn’t do it. They were very patient. It was two hours, and I was still not [working] up the courage. Then it was very, very nice. They closed the set. They did everything that could possibly be done. But it was one long scene with dialogue and… it was different. There were little moments before I would flip out again. I walked out of the premiere when they played it and I took my brother, father, and mother with me. I didn't want any of them to see it. They were happy to walk out right away and then we came back again. I don't think they noticed anything." (Salma Hayek's interview with Candice Frederick, Elle, 2020)

DepressedBergman

31,706 views • 5 months ago

mc: during wlgyt, a poster with chungseob's back reveal and i ask staff who was that but they didn't answer me. they didn't tell us until the end even we ask who is the actor behind it but no answer, it is bcs it's was a spoiler that needs a tight security? seonho: the director talk to me during our last team dinner that they made something like an album or something "i didn't include chungseob because i was afraid it would be a spoiler," he said. mc: your first appearance was during the closet scene right? and i was like oh? i know that actor is let me find it later but still i didn't recognize you. seonho: back then, it took almost 4 hours each time just to get the makeup and styling done. they had to attach each strand of hair one by one. so we put an incredible amount of time and effort into it and in a way, i was actually happy that people didn't recognize me. mc: and during the time that you asked permission for marriage you made a cute scene like- jungie: abonim~ mc: i heard that there's a lot of adlibs. seonho: it was bcs the director instructed me where to where to walk as other actors need to be seen on camera angles, so ofc the actors need to be on angle and while having their scene i came in while thinking 'i need to be close to my father in law while smiling' and then i started to walk towards them so i did the slapstick to fill in the gaps.. just like we do during rehearsal and the good thing about this is we filmed when IU said the "omonim~" first and i remember it to clearly and do it the same.
1:37

mc: during wlgyt, a poster with chungseob's back reveal and i ask staff who was that but they didn't answer me. they didn't tell us until the end even we ask who is the actor behind it but no answer, it is bcs it's was a spoiler that needs a tight security? seonho: the director talk to me during our last team dinner that they made something like an album or something "i didn't include chungseob because i was afraid it would be a spoiler," he said. mc: your first appearance was during the closet scene right? and i was like oh? i know that actor is let me find it later but still i didn't recognize you. seonho: back then, it took almost 4 hours each time just to get the makeup and styling done. they had to attach each strand of hair one by one. so we put an incredible amount of time and effort into it and in a way, i was actually happy that people didn't recognize me. mc: and during the time that you asked permission for marriage you made a cute scene like- jungie: abonim~ mc: i heard that there's a lot of adlibs. seonho: it was bcs the director instructed me where to where to walk as other actors need to be seen on camera angles, so ofc the actors need to be on angle and while having their scene i came in while thinking 'i need to be close to my father in law while smiling' and then i started to walk towards them so i did the slapstick to fill in the gaps.. just like we do during rehearsal and the good thing about this is we filmed when IU said the "omonim~" first and i remember it to clearly and do it the same.

juyz 🥐

29,584 views • 7 months ago

“It was really hard.. I bleached my hair so i couldn't filmed on the same day. When the hair is black just filming of one side and then change the hair and clothes….. The scene that was filmed by giving a period of time according to the hair color…”
1:42

“It was really hard.. I bleached my hair so i couldn't filmed on the same day. When the hair is black just filming of one side and then change the hair and clothes….. The scene that was filmed by giving a period of time according to the hair color…”

Bovely.☁️

79,851 views • 1 year ago

Bradley Cooper says he was ready to quit acting before The Hangover changed his career “I was going to quit. I remember I was doing a play, and I was like, ‘It's just not happening.’ I really wanted to be an actor. I loved it so much. I was making a living, which was a miracle. For the first three years, I was like, ‘This is amazing.’ Then I was like I just want to be three days on a movie, then you’re not, and then you're gone” “I wasn't really getting any other roles that were substantial. I met with Todd Phillips six months before for The Hangover, and then it was gone. The truth is, I think they had a cast, but the budget was too high. They said if you make it with a smaller budget, we'll do the movie” “Then I was doing a play in Williamstown called The Understudy by Theresa Rebeck. I remember I got an email from Todd Phillips, and I was like, ‘Whoa, how'd he get my email?’ He was like, ‘Let's do this, bitches’” “Then we went from there and started shooting. We went to Vegas that fall. I never would have gotten Limitless if I wasn't part of The Hangover. That changed everything”
1:17

Bradley Cooper says he was ready to quit acting before The Hangover changed his career “I was going to quit. I remember I was doing a play, and I was like, ‘It's just not happening.’ I really wanted to be an actor. I loved it so much. I was making a living, which was a miracle. For the first three years, I was like, ‘This is amazing.’ Then I was like I just want to be three days on a movie, then you’re not, and then you're gone” “I wasn't really getting any other roles that were substantial. I met with Todd Phillips six months before for The Hangover, and then it was gone. The truth is, I think they had a cast, but the budget was too high. They said if you make it with a smaller budget, we'll do the movie” “Then I was doing a play in Williamstown called The Understudy by Theresa Rebeck. I remember I got an email from Todd Phillips, and I was like, ‘Whoa, how'd he get my email?’ He was like, ‘Let's do this, bitches’” “Then we went from there and started shooting. We went to Vegas that fall. I never would have gotten Limitless if I wasn't part of The Hangover. That changed everything”

dank

323,138 views • 1 month ago

A test audience, who saw "Top Gun" (1986) before it was released were annoyed that there was no love scene in the movie. Five months after the production had wrapped, the producers summoned Tom Cruise and Kelly McGillis to Chicago to film the infamous elevator scene and the s€x scene. During their time away from the set, McGillis had lost approximately sixteen pounds, and Cruise was filming "The Color of Money" (1986), so his hair was much longer in those two scenes. McGillis' hair was also much darker. That's why she hid it underneath a cap in the elevator scene & in the lovemaking scene, it was all silhouette because of the colour of her hair.
1:32

A test audience, who saw "Top Gun" (1986) before it was released were annoyed that there was no love scene in the movie. Five months after the production had wrapped, the producers summoned Tom Cruise and Kelly McGillis to Chicago to film the infamous elevator scene and the s€x scene. During their time away from the set, McGillis had lost approximately sixteen pounds, and Cruise was filming "The Color of Money" (1986), so his hair was much longer in those two scenes. McGillis' hair was also much darker. That's why she hid it underneath a cap in the elevator scene & in the lovemaking scene, it was all silhouette because of the colour of her hair.

DepressedBergman

3,122,858 views • 3 months ago

Antonio Banderas, representing the world of culture, was on cloud nine to chat with Pope Leo after his speech. To the applause of the packed giant sports and event arena in Madrid, Banderas affirmed: „The relationship between the Catholic Church and art has not only been fruitful: it has been decisive.” „We are not afraid to say that the Church has been the greatest producer of art in the history of humanity.” „At the heart of this creative impulse is the one who transcends centuries, styles, and cultures, and who has certainly been the most represented figure in the history of art: Jesus Christ,” Banderas said tonight. In a meeting that seeks to answer what does it mean to the world today to „Lift up your eyes” - the theme of the trip to Spain, Banderas said that „Art must be an alternative to all forms of violence.” „Just as Christ himself did, the artist must act with courage and not abandon being a critical voice to society, to art itself, and to religion itself.” Video: Vatican Media
0:35

Antonio Banderas, representing the world of culture, was on cloud nine to chat with Pope Leo after his speech. To the applause of the packed giant sports and event arena in Madrid, Banderas affirmed: „The relationship between the Catholic Church and art has not only been fruitful: it has been decisive.” „We are not afraid to say that the Church has been the greatest producer of art in the history of humanity.” „At the heart of this creative impulse is the one who transcends centuries, styles, and cultures, and who has certainly been the most represented figure in the history of art: Jesus Christ,” Banderas said tonight. In a meeting that seeks to answer what does it mean to the world today to „Lift up your eyes” - the theme of the trip to Spain, Banderas said that „Art must be an alternative to all forms of violence.” „Just as Christ himself did, the artist must act with courage and not abandon being a critical voice to society, to art itself, and to religion itself.” Video: Vatican Media

Paulina Guzik

57,645 views • 2 months ago

“They sent him a zoomed-in, scaled map of a facility that was in the middle of the desert. What the U.S. said was that there was some type of air purification system on the roof, a truck with a missile on it, and a sentry outside the building. What his team came up with was that the air purification system was an air conditioning unit, the truck was a water truck refueling the system, and the sentry was just a guy taking a piss on the side of the building. They got this information back, they totally discarded it, and presented the previous version. The point being, we went to war for weapons of mass destruction that were never there.” Michael T. Lester
8:50

“They sent him a zoomed-in, scaled map of a facility that was in the middle of the desert. What the U.S. said was that there was some type of air purification system on the roof, a truck with a missile on it, and a sentry outside the building. What his team came up with was that the air purification system was an air conditioning unit, the truck was a water truck refueling the system, and the sentry was just a guy taking a piss on the side of the building. They got this information back, they totally discarded it, and presented the previous version. The point being, we went to war for weapons of mass destruction that were never there.” Michael T. Lester

Shawn Ryan

360,941 views • 4 months ago

The girl’s mother told her that her mixed hair was a problem, and a stylist said he had no experience with that type of hair but would do his best to manage it. 👀
1:50

The girl’s mother told her that her mixed hair was a problem, and a stylist said he had no experience with that type of hair but would do his best to manage it. 👀

Rain Drops Media

4,532,933 views • 1 year ago

WATCH: Secretary of State Rubio smacks down reporter for LYING about his statements from yesterday, falsely claiming he said Israel dragged the U.S. into war with Iran.... Reporter: “Yesterday, you told us that Israel was going to strike Iran and that that's why we needed to get involved. Today, the President said that —” Rubio: “No.” Reporter: “— Iran was going to get strike [sic].” Rubio: “Yeah, your statement is false. So, that's not what — I was asked very specifically. Were you there yesterday?” Reporter: “Yes, I asked a question.” Rubio: “Okay. No. Were you the one that — because somebody asked me a question yesterday, did we go in because of Israel? And I said..., no, I told you this had to happen. Anyway, the President made a decision, and the decision he made was that Iran was not going to be allowed to hide behind its ballistic missile program, that Iran was not going to be allowed to hide behind its ability to conduct these attacks. That decision had been made. The President systematically made a decision to systematically destroy this terrorist capability that they had, and we carried that out. I was very clear on that answer. This was a question of timing, of why this had to happen as a joint operation, not the question of the intent. Once the President made a decision that negotiations were not going to work, that they were playing us on the negotiations, and that this was a threat that was untenable, the decision was made to strike them. That's what I said yesterday. And you guys need to play it. If you're going to play these statements, you need to play the whole statement, not clip it to reach a narrative that you want to do, all right?”
1:09

WATCH: Secretary of State Rubio smacks down reporter for LYING about his statements from yesterday, falsely claiming he said Israel dragged the U.S. into war with Iran.... Reporter: “Yesterday, you told us that Israel was going to strike Iran and that that's why we needed to get involved. Today, the President said that —” Rubio: “No.” Reporter: “— Iran was going to get strike [sic].” Rubio: “Yeah, your statement is false. So, that's not what — I was asked very specifically. Were you there yesterday?” Reporter: “Yes, I asked a question.” Rubio: “Okay. No. Were you the one that — because somebody asked me a question yesterday, did we go in because of Israel? And I said..., no, I told you this had to happen. Anyway, the President made a decision, and the decision he made was that Iran was not going to be allowed to hide behind its ballistic missile program, that Iran was not going to be allowed to hide behind its ability to conduct these attacks. That decision had been made. The President systematically made a decision to systematically destroy this terrorist capability that they had, and we carried that out. I was very clear on that answer. This was a question of timing, of why this had to happen as a joint operation, not the question of the intent. Once the President made a decision that negotiations were not going to work, that they were playing us on the negotiations, and that this was a threat that was untenable, the decision was made to strike them. That's what I said yesterday. And you guys need to play it. If you're going to play these statements, you need to play the whole statement, not clip it to reach a narrative that you want to do, all right?”

Curtis Houck

15,505 views • 5 months ago

"When we were living as refugees, we went to many places telling the international community that Rwanda was our home and that we wanted to return. Some people would come and raise the matter with the government that was in power here. The response they received was that Rwanda was too small and that there was no place for us to go. Imagine being told there is no place for you in the very country you came from. You cannot tell someone to remain where they are, to spend their entire life as a refugee, and for their children to grow up as refugees as well. I used to tell people, even at the beginning of our liberation struggle, that whatever treatment we received in the countries where we lived, they were not the people I had a grievance against. After all, it was my own country that had denied me the right to return because it claimed there was no room for me. The people I had a grievance against were those who had the responsibility to guarantee my rights in my own country, but instead denied them. Those were the people we had to confront. And that is exactly what happened." President Kagame | Indangamirwa 16th Cohort #MeetThePresident
3:10

"When we were living as refugees, we went to many places telling the international community that Rwanda was our home and that we wanted to return. Some people would come and raise the matter with the government that was in power here. The response they received was that Rwanda was too small and that there was no place for us to go. Imagine being told there is no place for you in the very country you came from. You cannot tell someone to remain where they are, to spend their entire life as a refugee, and for their children to grow up as refugees as well. I used to tell people, even at the beginning of our liberation struggle, that whatever treatment we received in the countries where we lived, they were not the people I had a grievance against. After all, it was my own country that had denied me the right to return because it claimed there was no room for me. The people I had a grievance against were those who had the responsibility to guarantee my rights in my own country, but instead denied them. Those were the people we had to confront. And that is exactly what happened." President Kagame | Indangamirwa 16th Cohort #MeetThePresident

Presidency | Rwanda

214,267 views • 17 days ago

"At school or university, the thing is to be brilliant and to get the answer right first time. And there are brilliant people who can do that, but for the rest of us, we're not brilliant. And to get there, we have to strive and we have to go through failure. And we realize that you don't get it right first time, you don't get it right second time. In my case, and I counted it, it's 5,127 times. One of the things I always want to say is that sounds like a struggle. It was a struggle, but actually it was a hugely enjoyable struggle. The debt was mounting and I had three children, a wife and a home, and then a mortgage to pay, like everybody else. But I had a real point in life, I had a real aim and I had to get there. And the failures were interesting because I'd learned from every single one of them."
0:51

"At school or university, the thing is to be brilliant and to get the answer right first time. And there are brilliant people who can do that, but for the rest of us, we're not brilliant. And to get there, we have to strive and we have to go through failure. And we realize that you don't get it right first time, you don't get it right second time. In my case, and I counted it, it's 5,127 times. One of the things I always want to say is that sounds like a struggle. It was a struggle, but actually it was a hugely enjoyable struggle. The debt was mounting and I had three children, a wife and a home, and then a mortgage to pay, like everybody else. But I had a real point in life, I had a real aim and I had to get there. And the failures were interesting because I'd learned from every single one of them."

David Senra

137,546 views • 8 months ago

ABC News photojournalist Chris Plater, a witness to the scene after two National Guardsmen were shot in D.C.: "One person said something like, you know, man, the guy went up there and started shooting at the National Guard. I didn't get to talk to him, but I didn't get to, you know, know who he was. But it seemed like he suggested that somebody went up and started shooting at the National Guard." "One National Guard was lying on his side. They were rendering aid to him. He wasn't moving, but he was on his side. And then I looked at the the other National Guard member that was down, and I saw compressions going on. I, you know, it was -- it was a lot of people around there. So I don't think it was the person that had done the shooting. And all I could tell you is that I identified two National Guard members that were being worked on. Eventually, the one National Guard that was on the side, he got to move a little bit while he was on his side. And they were still, you know, kind of, you know, working with him. But the other national Guard member, I just saw compression going on with him in the chest area, and that's that's all I can tell you."
1:25

ABC News photojournalist Chris Plater, a witness to the scene after two National Guardsmen were shot in D.C.: "One person said something like, you know, man, the guy went up there and started shooting at the National Guard. I didn't get to talk to him, but I didn't get to, you know, know who he was. But it seemed like he suggested that somebody went up and started shooting at the National Guard." "One National Guard was lying on his side. They were rendering aid to him. He wasn't moving, but he was on his side. And then I looked at the the other National Guard member that was down, and I saw compressions going on. I, you know, it was -- it was a lot of people around there. So I don't think it was the person that had done the shooting. And all I could tell you is that I identified two National Guard members that were being worked on. Eventually, the one National Guard that was on the side, he got to move a little bit while he was on his side. And they were still, you know, kind of, you know, working with him. But the other national Guard member, I just saw compression going on with him in the chest area, and that's that's all I can tell you."

Curtis Houck

697,899 views • 8 months ago

jihoon x yujin xoxz dance challenge behind 🥹 🐶 there probably isn’t any behind the scenes video bc the video team didn’t follow us around but since it had been a while, when we met again, we ended up filming the challenge. we both practiced a bit beforehand but while we were doing it i kind of got lost i was a bit sloppy with it. but still we just had fun with it. 🐶 at first, that move where you twist your hair, there’s that part in the choreo where you twist your hair. i didn’t do that the first time, because i don’t have hair to twist so i just did it without twisting. 🐶 but then yujin was watching and said, 🐶♥️: oppa, you have to twist your hair 🐶🩵: yujin-ah, i don’t have any hair to twist 🐶 then at the next shoot, i did it. twisting the hair i don’t even have, really trying hard and then at the very end, one of the starship video team staff asked me, ‘excuse me, i have a favor would it be okay?’ i said, ‘oh sure that’s fine’ then they showed me the Give Love ending fairy pose and asked, ‘could you do this one for us?’ so i said, ‘ah yes ofc’ they were like ‘this is legendary, legendary’ and so i really gave it my all 🐶 it was just like always.. like back when i was on inkigayo, just throwing around silly meaningless jokes and gags. the managers there were also people i always used to see when i was an inkigayo MC, so i greeted them again too… 🐶 ah… i should’ve called sungchan
2:31

jihoon x yujin xoxz dance challenge behind 🥹 🐶 there probably isn’t any behind the scenes video bc the video team didn’t follow us around but since it had been a while, when we met again, we ended up filming the challenge. we both practiced a bit beforehand but while we were doing it i kind of got lost i was a bit sloppy with it. but still we just had fun with it. 🐶 at first, that move where you twist your hair, there’s that part in the choreo where you twist your hair. i didn’t do that the first time, because i don’t have hair to twist so i just did it without twisting. 🐶 but then yujin was watching and said, 🐶♥️: oppa, you have to twist your hair 🐶🩵: yujin-ah, i don’t have any hair to twist 🐶 then at the next shoot, i did it. twisting the hair i don’t even have, really trying hard and then at the very end, one of the starship video team staff asked me, ‘excuse me, i have a favor would it be okay?’ i said, ‘oh sure that’s fine’ then they showed me the Give Love ending fairy pose and asked, ‘could you do this one for us?’ so i said, ‘ah yes ofc’ they were like ‘this is legendary, legendary’ and so i really gave it my all 🐶 it was just like always.. like back when i was on inkigayo, just throwing around silly meaningless jokes and gags. the managers there were also people i always used to see when i was an inkigayo MC, so i greeted them again too… 🐶 ah… i should’ve called sungchan

행복지수 314%

111,163 views • 11 months ago

🚨 BREAKING: Speaker Johnson fires back at former NCTC Director Joe Kent — who just resigned — saying Iran was not an "imminent threat" "I don't know where Joe Kent is getting this information, but he wasn't in those briefings, clearly!" "Had the president waited, we would have had mass casualties." "That proposition at the end is clearly wrong. I'm on the Gang of 8. I got all the briefings. We all understood there was clearly an imminent threat, that Iran was very close to the enrichment of nuclear capability and they were building missiles at a pace that no one in the region could keep up with." "They were far outpacing our allies and friends and us in our defense capability because we had personnel installations, members of the armed services, and civilians in the region." "Iran was building up ballistic missiles at such a rapid pace and we knew that their plan was to fire them upon Americans." "The Commander-in-Chief and his administration had a very difficult decision to make." "The Secretary of State, the Secretary of War, and everyone, the Joint Chiefs of Staff, General Kane, they had exquisite intelligence and we understood that this was a serious moment for us." "We had to, the President felt that he had to strike first to prevent those mass casualties."
1:44

🚨 BREAKING: Speaker Johnson fires back at former NCTC Director Joe Kent — who just resigned — saying Iran was not an "imminent threat" "I don't know where Joe Kent is getting this information, but he wasn't in those briefings, clearly!" "Had the president waited, we would have had mass casualties." "That proposition at the end is clearly wrong. I'm on the Gang of 8. I got all the briefings. We all understood there was clearly an imminent threat, that Iran was very close to the enrichment of nuclear capability and they were building missiles at a pace that no one in the region could keep up with." "They were far outpacing our allies and friends and us in our defense capability because we had personnel installations, members of the armed services, and civilians in the region." "Iran was building up ballistic missiles at such a rapid pace and we knew that their plan was to fire them upon Americans." "The Commander-in-Chief and his administration had a very difficult decision to make." "The Secretary of State, the Secretary of War, and everyone, the Joint Chiefs of Staff, General Kane, they had exquisite intelligence and we understood that this was a serious moment for us." "We had to, the President felt that he had to strike first to prevent those mass casualties."

Eric Daugherty

452,746 views • 5 months ago

VIDEO | Hyderabad, Telangana: Tanvi Kuncha, sister of 28-year-old Anshul Kuncha who was shot dead in US, requests the Ministry of External Affairs to expedite the repatriation of Anshul’s mortal remains. The bereaved sister says, "The only request that I have from the External Ministry of Affairs is to bring back my brother's body as soon as possible. Initially they told us that the body would be brought back by Monday or Tuesday, but now we are getting an estimate of Thursday or Friday and we do not want to keep his body back there for so long. My brother was a very happy, joyous person and the sweetest person that you would ever meet...." She added, "He went to do his masters in Business Analytics in Drexel University, and then he got a full-time job at an MNC. He used to work as a part-time in this pizza delivery shop while he was doing his masters, but only on the weekends. What we know is that he was called to a vacant house and once he delivered the pizzas and was heading back to his vehicle, he was shot in his head from behind."
1:47

VIDEO | Hyderabad, Telangana: Tanvi Kuncha, sister of 28-year-old Anshul Kuncha who was shot dead in US, requests the Ministry of External Affairs to expedite the repatriation of Anshul’s mortal remains. The bereaved sister says, "The only request that I have from the External Ministry of Affairs is to bring back my brother's body as soon as possible. Initially they told us that the body would be brought back by Monday or Tuesday, but now we are getting an estimate of Thursday or Friday and we do not want to keep his body back there for so long. My brother was a very happy, joyous person and the sweetest person that you would ever meet...." She added, "He went to do his masters in Business Analytics in Drexel University, and then he got a full-time job at an MNC. He used to work as a part-time in this pizza delivery shop while he was doing his masters, but only on the weekends. What we know is that he was called to a vacant house and once he delivered the pizzas and was heading back to his vehicle, he was shot in his head from behind."

Press Trust of India

104,210 views • 2 months ago

Debbie Harry on why she dyed her Blonde hair to auburn-brown colour for "Videodrome" (1983) & David Cronenberg's reaction to it: "Interviewer: You’d done a few movies at this point, but 'Videodrome' was very much your breakthrough movie moment. Had you been actively looking to start acting? Harry: Yes, I had. I had gone on a lot of meetings with casting directors, and I had read for things. I was dragging myself around Hollywood, going to studios and offices and meeting as many people as I could. I did have different personal agents at the time, but Cronenberg contacted me about this. I guess he had a visual idea, so that suited me fine. The only thing that happened was, for some bizarre thinking process, I thought that I should not have blonde hair, that I shouldn’t be Blondie in this picture. So I went to a more natural auburn-brown color, and I arrived in Canada and he said, “Well, your hair is not blonde,” because he had envisioned this character having blonde hair. Interviewer: I was going to ask whether it was your idea to dye your hair. I’d assumed it was coming more from Cronenberg saying, “I want a separation between your music persona and the character you’re playing here.” Harry: It was really just the opposite. I think he was really shocked and disappointed. I thought it was good for the character, and it helped me to be that character. I think had I faced every day with the same blonde hair it would have been a little bit different for me. Interviewer: Do you think Nicki would be different with blonde hair than she was with auburn hair? Harry: No, I don’t think so. For me, it really was just something to help me do the performance. I had been so firmly entrenched in the Blondie persona. In a way, I’d created the character of Blondie, so this was another person. It worked out in the long run, but there were a few sticky moments when I got there. But he didn’t ask you to dye it back. No, we talked about it and I just said exactly what I’m saying to you, that I wanted to separate it. He respected that, which I think is wonderful." ("Debbie Harry Answers Every Question We Have About Videodrome", Matthew Jacobs, Vulture, 2023) P.S: Happy 81st birthday, Debbie Harry!
1:23

Debbie Harry on why she dyed her Blonde hair to auburn-brown colour for "Videodrome" (1983) & David Cronenberg's reaction to it: "Interviewer: You’d done a few movies at this point, but 'Videodrome' was very much your breakthrough movie moment. Had you been actively looking to start acting? Harry: Yes, I had. I had gone on a lot of meetings with casting directors, and I had read for things. I was dragging myself around Hollywood, going to studios and offices and meeting as many people as I could. I did have different personal agents at the time, but Cronenberg contacted me about this. I guess he had a visual idea, so that suited me fine. The only thing that happened was, for some bizarre thinking process, I thought that I should not have blonde hair, that I shouldn’t be Blondie in this picture. So I went to a more natural auburn-brown color, and I arrived in Canada and he said, “Well, your hair is not blonde,” because he had envisioned this character having blonde hair. Interviewer: I was going to ask whether it was your idea to dye your hair. I’d assumed it was coming more from Cronenberg saying, “I want a separation between your music persona and the character you’re playing here.” Harry: It was really just the opposite. I think he was really shocked and disappointed. I thought it was good for the character, and it helped me to be that character. I think had I faced every day with the same blonde hair it would have been a little bit different for me. Interviewer: Do you think Nicki would be different with blonde hair than she was with auburn hair? Harry: No, I don’t think so. For me, it really was just something to help me do the performance. I had been so firmly entrenched in the Blondie persona. In a way, I’d created the character of Blondie, so this was another person. It worked out in the long run, but there were a few sticky moments when I got there. But he didn’t ask you to dye it back. No, we talked about it and I just said exactly what I’m saying to you, that I wanted to separate it. He respected that, which I think is wonderful." ("Debbie Harry Answers Every Question We Have About Videodrome", Matthew Jacobs, Vulture, 2023) P.S: Happy 81st birthday, Debbie Harry!

DepressedBergman

67,492 views • 1 month ago

“When I was backstage before the show, we had the Voices of Mayhem up on the screen. I was responding to some of you from backstage… That was me!”🥹😭 And then she dedicates “Hair” to the fan who wrote that they listened to her music when they were feeling bullied in school ♥️🤧
0:54

“When I was backstage before the show, we had the Voices of Mayhem up on the screen. I was responding to some of you from backstage… That was me!”🥹😭 And then she dedicates “Hair” to the fan who wrote that they listened to her music when they were feeling bullied in school ♥️🤧

“The SiMuLaTiOn” 🖤

65,335 views • 10 months ago

#emiamily 🧡: I just got back from Italy. I went to Rome for a fan meeting to meet the fans there, and they were so lovely. At first, the staff told me that fans here might be a bit quiet, but that wasn't true at all. The fans were so hyped! The staff might have been used to the fans of our male artists and expected them to be quiet. But since Bonnie and I are the first girls couple to go to Italy, the staff said they were shocked too by how incredibly hyped the fans were. They were so loud, singing along, and really enjoying. 🎤: So how was it? How overwhelming was the happiness to see the Italian fans giving you such a warm welcome? 🧡: They were so sweet and welcoming. Honestly, I didn't expect that going there, there would be this many fans waiting for us. I’m just so glad. 🎤: Did they have any surprises for you? Like a special project during the fan meeting? 🧡: A surprise? Well, they did have a project... and in that project, there was a clip that popped up from way back in the very beginning. Someone had interviewed me and asked where I wanted to go with Bonnie, and I said I wanted to go to Italy. When that clip came up again just now, after a little more than a year had passed, tears just started rolling down my face. I was like, "Wow, we wanted to come back then, and we actually made it here this fast?" I was just... 🎤: Was this a first time for EmiBonnie as well? 🧡: Yes, it was EmiBonnie's first time in Europe. Italy was our first destination.
1:33

#emiamily 🧡: I just got back from Italy. I went to Rome for a fan meeting to meet the fans there, and they were so lovely. At first, the staff told me that fans here might be a bit quiet, but that wasn't true at all. The fans were so hyped! The staff might have been used to the fans of our male artists and expected them to be quiet. But since Bonnie and I are the first girls couple to go to Italy, the staff said they were shocked too by how incredibly hyped the fans were. They were so loud, singing along, and really enjoying. 🎤: So how was it? How overwhelming was the happiness to see the Italian fans giving you such a warm welcome? 🧡: They were so sweet and welcoming. Honestly, I didn't expect that going there, there would be this many fans waiting for us. I’m just so glad. 🎤: Did they have any surprises for you? Like a special project during the fan meeting? 🧡: A surprise? Well, they did have a project... and in that project, there was a clip that popped up from way back in the very beginning. Someone had interviewed me and asked where I wanted to go with Bonnie, and I said I wanted to go to Italy. When that clip came up again just now, after a little more than a year had passed, tears just started rolling down my face. I was like, "Wow, we wanted to come back then, and we actually made it here this fast?" I was just... 🎤: Was this a first time for EmiBonnie as well? 🧡: Yes, it was EmiBonnie's first time in Europe. Italy was our first destination.

Lovely

44,797 views • 2 months ago