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While #GAPTheSeries is proving once again why its legacy still matters and you all can’t stop talking about it. #FreenBecky didn’t simply star in a GL series. They helped open a door that had barely existed in Thailand’s mainstream television landscape. Not a movie. Not a side couple. Two... women as the LEADS of a full-length GL series on open television. It began with a modest production, a talented crew, dedicated staff, a group of actors who believed in the project and a dream, somehow, that dream became GAP The Series. What followed was bigger than a successful show. GAP became a cultural and industry milestone, helping push GL from something that had largely appeared in secondary roles, short-form projects, or limited productions toward a much more visible place in Thai entertainment. That is what paving the way actually means. Today, we can look at the growing landscape of Thai GL and see how many stories, actresses, productions and opportunities came after that door was opened. GAP may have started with a dream, but its legacy became a path for an entire generation of stories to follow. And that is why, years later, GAP The Series is still a historical phenomenon. You like it or not 💅show more

W ༄ | นะคะ

12,723 subscribers

53,083 次观看 • 18 天前 •via X (Twitter)

艺术 #GAPTheSeries #FreenBecky

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Since you dumbasses don’t understand the difference. Englot started developing their relationship before they had a series and before the first big thai gl series (gap) even STARTED. Fanservice between two thai female celebrities was pretty much unheard of. AFTER admitting their feelings they got a series. So forgive me for saying Englot is different from your Thai gl pairs and sometimes not including them when I make a statement about Thai gl. THEY ARE NOT THE SAME.

Since you dumbasses don’t understand the difference. Englot started developing their relationship before they had a series and before the first big thai gl series (gap) even STARTED. Fanservice between two thai female celebrities was pretty much unheard of. AFTER admitting their feelings they got a series. So forgive me for saying Englot is different from your Thai gl pairs and sometimes not including them when I make a statement about Thai gl. THEY ARE NOT THE SAME.

lis

84,393 次观看 • 1 年前

🗣️: Did Gap The Series spark anything in your acting path? 🧚‍♀️: For acting in Gap at that time, I felt my acting wasn't good enough. It was like my Thai language skills were starting to improve. For every dialogue... Have you ever seen a lecture where the entire page is highlighted with a lot of writing? But it would be in karaoke-style Thai. Maybe my mom or someone else would read the script to me. And actually, Gap wasn't successful from the start. We had our fail points. The first pilot received a lot of negative feedback. Everyone was discouraged and asked, "What do we do next?" We talked about everything again and learn more. We educated ourselves. Sometimes we don't know something, but we can learn it. Everything and everyone is a learning process. So we re-educated ourselves and started over. And we went step by step with our fans as well. The fans gave us advice and we listened, which made Gap well-known and a comfort zone for many people. I still see them watching it out to this day. #ELLEThailand #ELLEBSideStoryxBECKY #Beckysangels

🗣️: Did Gap The Series spark anything in your acting path? 🧚‍♀️: For acting in Gap at that time, I felt my acting wasn't good enough. It was like my Thai language skills were starting to improve. For every dialogue... Have you ever seen a lecture where the entire page is highlighted with a lot of writing? But it would be in karaoke-style Thai. Maybe my mom or someone else would read the script to me. And actually, Gap wasn't successful from the start. We had our fail points. The first pilot received a lot of negative feedback. Everyone was discouraged and asked, "What do we do next?" We talked about everything again and learn more. We educated ourselves. Sometimes we don't know something, but we can learn it. Everything and everyone is a learning process. So we re-educated ourselves and started over. And we went step by step with our fans as well. The fans gave us advice and we listened, which made Gap well-known and a comfort zone for many people. I still see them watching it out to this day. #ELLEThailand #ELLEBSideStoryxBECKY #Beckysangels

JK 🌌

12,494 次观看 • 8 个月前

When Françoise Niyigena was awarded by Imbuto Foundation Foundation in 2012 after ranking second nationwide, it became a turning point for her entire family. Years later, she still speaks with gratitude about that moment and the opportunities it opened for her. Her story is one of many that show the impact of the work championed by First Lady, Mrs. Jeannette Kagame. Through Imbuto Foundation, countless young people, especially girls, have been encouraged to dream bigger, work harder, and believe in their potential. In a country that continues to invest in its youth, empowering girls is not simply about education or awards; it is about giving them the confidence to see themselves as leaders, innovators, and agents of change. Thank you, First Lady of Rwanda, for believing in Rwanda's young people and for creating opportunities that continue to transform lives. The success of many young women today is a reflection of seeds that were planted years ago through your vision and commitment.

When Françoise Niyigena was awarded by Imbuto Foundation Foundation in 2012 after ranking second nationwide, it became a turning point for her entire family. Years later, she still speaks with gratitude about that moment and the opportunities it opened for her. Her story is one of many that show the impact of the work championed by First Lady, Mrs. Jeannette Kagame. Through Imbuto Foundation, countless young people, especially girls, have been encouraged to dream bigger, work harder, and believe in their potential. In a country that continues to invest in its youth, empowering girls is not simply about education or awards; it is about giving them the confidence to see themselves as leaders, innovators, and agents of change. Thank you, First Lady of Rwanda, for believing in Rwanda's young people and for creating opportunities that continue to transform lives. The success of many young women today is a reflection of seeds that were planted years ago through your vision and commitment.

Ellen Kampire

14,445 次观看 • 2 个月前

To the creators and everyone involved in the Player GL Series I want to take a moment to express my heartfelt appreciation for everything you’ve created. The Player GL series deserves far more recognition than it currently receives, and I hope this message serves as a reminder of how impactful your work truly is. Your series stands out not just because it’s Girls’ Love, but because it treats its characters with genuine care, depth, and humanity. Every interaction feels meaningful, every storyline intentional, and every emotional moment resonates far beyond the screen. You’ve crafted relationships that feel real, tender, and beautifully complex—representation that many of us have been waiting to see handled with this level of respect. What makes Player GL shine is the passion behind it: the thoughtful writing, the expressive art, the chemistry that feels alive, the humor that hits just right, and the heartfelt moments that stay with us long after watching. You’ve built a world where queer love isn’t just a side plot, but a centerpiece treated with the dignity it deserves. Even if the series isn’t yet as widely known as it should be, please know that it has already made a meaningful difference to those who’ve discovered it. Your work represents people who rarely see themselves reflected honestly in media, and for that, we’re deeply grateful. Thank you for your creativity, your courage, and your commitment to telling stories that matter. The Player GL series deserves so much more recognition, and I truly believe its audience will continue to grow—because something made with this much heart always finds its way to more people. Thank you Heart Pop Studio💜

To the creators and everyone involved in the Player GL Series I want to take a moment to express my heartfelt appreciation for everything you’ve created. The Player GL series deserves far more recognition than it currently receives, and I hope this message serves as a reminder of how impactful your work truly is. Your series stands out not just because it’s Girls’ Love, but because it treats its characters with genuine care, depth, and humanity. Every interaction feels meaningful, every storyline intentional, and every emotional moment resonates far beyond the screen. You’ve crafted relationships that feel real, tender, and beautifully complex—representation that many of us have been waiting to see handled with this level of respect. What makes Player GL shine is the passion behind it: the thoughtful writing, the expressive art, the chemistry that feels alive, the humor that hits just right, and the heartfelt moments that stay with us long after watching. You’ve built a world where queer love isn’t just a side plot, but a centerpiece treated with the dignity it deserves. Even if the series isn’t yet as widely known as it should be, please know that it has already made a meaningful difference to those who’ve discovered it. Your work represents people who rarely see themselves reflected honestly in media, and for that, we’re deeply grateful. Thank you for your creativity, your courage, and your commitment to telling stories that matter. The Player GL series deserves so much more recognition, and I truly believe its audience will continue to grow—because something made with this much heart always finds its way to more people. Thank you Heart Pop Studio💜

shervie

20,511 次观看 • 9 个月前

🧚‍♀️: Actually, P’Freen and I share the same opinion… we don’t see it as a Girl Love category. We see it as just a series about two people who fall in love, who have their own journey and their own story. Our goal is to make the audience fall in love with the characters. And we know that in that aspect, we succeeded with "Gap The Series," because everyone enjoyed watching it. We didn’t feel like we had to learn something completely newjust that we had to do our homework in certain parts. #ฟรีนเบค #FreenBecky

🧚‍♀️: Actually, P’Freen and I share the same opinion… we don’t see it as a Girl Love category. We see it as just a series about two people who fall in love, who have their own journey and their own story. Our goal is to make the audience fall in love with the characters. And we know that in that aspect, we succeeded with "Gap The Series," because everyone enjoyed watching it. We didn’t feel like we had to learn something completely newjust that we had to do our homework in certain parts. #ฟรีนเบค #FreenBecky

Cham_Cham

99,641 次观看 • 8 个月前

OK SO FINALLY I have a means to show you what I have been saying for a while.......Watch this clip, share it, so people understand what we are saying here!!! In this Clip, JLR© is having a discussion with Watching the World , and we get to see that front door lock!! Here is what I have been saying.....The Front door is a material called EXPANDED METAL, YOU CAN SEE THROUGH IT. The Door IS a Security Door, that you would have to cut through with two locks. A Lock that can be unlocked via a key on the handle, and a DEADbolt lock that would be locked on the inside of the door. This PREVENTS someone from being able to attack you when you OPEN the HOUSE door that is inside it, and behind this screen door. That door only opens when that deadbolt is unlocked from inside! ALso notice we see NO damage to the door or frame in this video!!

OK SO FINALLY I have a means to show you what I have been saying for a while.......Watch this clip, share it, so people understand what we are saying here!!! In this Clip, JLR© is having a discussion with Watching the World , and we get to see that front door lock!! Here is what I have been saying.....The Front door is a material called EXPANDED METAL, YOU CAN SEE THROUGH IT. The Door IS a Security Door, that you would have to cut through with two locks. A Lock that can be unlocked via a key on the handle, and a DEADbolt lock that would be locked on the inside of the door. This PREVENTS someone from being able to attack you when you OPEN the HOUSE door that is inside it, and behind this screen door. That door only opens when that deadbolt is unlocked from inside! ALso notice we see NO damage to the door or frame in this video!!

Capt KEVman!!!

46,092 次观看 • 6 个月前

What a pleasure it was to sit down with famed songwriter Diane Warren : author of 9 #1 hits. But what you may not know about this uniquely talented artist is that she envisioned her success at a young age, and it’s the source of that dream and its wellspring that we explore in this lively and illuminating chat; for how often can you ask someone who is the best in the world at what they do what their secret is?

What a pleasure it was to sit down with famed songwriter Diane Warren : author of 9 #1 hits. But what you may not know about this uniquely talented artist is that she envisioned her success at a young age, and it’s the source of that dream and its wellspring that we explore in this lively and illuminating chat; for how often can you ask someone who is the best in the world at what they do what their secret is?

William Patrick Corgan

55,649 次观看 • 1 年前

Bill Maher and Molly Jong-Fast debate the “beauty gap” of aging Bill Maher: “Could we see a beauty gap in our society in the future between those who can afford it and those who can’t?” Molly Jong-Fast: “Or one that looks their age and one that looks ageless.” “And I think that it’s the forever 35 face, and in fact, it’s already here.” “Women who make over $400,000 a year or some number like that, you know, about half of them, maybe more, do some kind of plastic surgery.” Bill Maher: “Fran Lebowitz had the great line on this years ago when she said, ‘Who looks at someone in 70 who’s had plastic surgery and goes, ‘Who’s that 35-year-old person?’” “What we have, which is cool from a feminist point of view, is we have older women in movies, in television, in a way we didn’t 20 years ago.” “Now, the problem is they don’t really get to look like older women.” “They sort of have to look like older women who really look kind of like younger women.” Bill Maher: “They look like older women who had plastic surgery.”

Bill Maher and Molly Jong-Fast debate the “beauty gap” of aging Bill Maher: “Could we see a beauty gap in our society in the future between those who can afford it and those who can’t?” Molly Jong-Fast: “Or one that looks their age and one that looks ageless.” “And I think that it’s the forever 35 face, and in fact, it’s already here.” “Women who make over $400,000 a year or some number like that, you know, about half of them, maybe more, do some kind of plastic surgery.” Bill Maher: “Fran Lebowitz had the great line on this years ago when she said, ‘Who looks at someone in 70 who’s had plastic surgery and goes, ‘Who’s that 35-year-old person?’” “What we have, which is cool from a feminist point of view, is we have older women in movies, in television, in a way we didn’t 20 years ago.” “Now, the problem is they don’t really get to look like older women.” “They sort of have to look like older women who really look kind of like younger women.” Bill Maher: “They look like older women who had plastic surgery.”

‏ً

18,800 次观看 • 2 天前

I've become a missionary with one message. Every time I meet a young person, the same words: have children, get married, build a family. I did not decide on this calling. It overtook me. And it overtook me for a single reason. I had no idea. I genuinely did not understand how much joy, how much meaning, how much sheer beauty pours out of a child until I was holding one of my own and felt the floor of my life drop into something deeper than I knew was there. I grew up white, affluent, secular, comfortable, and insulated. That world does not put babies in front of you. None of my friends were starting families. Out of my whole circle, almost no one has a big one. We were not formed by the presence of children. We were formed by their absence, by the strange quiet of homes built for two careers and no cradle. And a person believes what his world shows him. So we believed. What we believed was a lie. It is a lie with an author, and that the author is the enemy of joy himself. It is the gospel of the world, and its commandment is wait. Wait until you are older. Wait until the career is built and the savings are stacked and the twenties are properly spent. Enjoy your freedom. You are not ready. It does not arrive sounding like temptation. It arrives sounding like wisdom, like prudence, like the responsible thing, and that is exactly why it works. The most effective lies are the ones that wear the face of virtue. And the maddening thing is that it collapses from every angle at once. It is not rooted in biology, because the body is made for this work precisely in the years we are told to postpone it. The flesh keeps a calendar the culture pretends not to see. And it is not rooted in theology either. You will not find this deferral anywhere in the Christian imagination, in any of the fathers, in any of the scriptures. So choose whatever lens you like. Take the cold secular measure or the ancient sacred one. By either light the counsel is rotten. It is bad for the body and bad for the soul and bad for the society downstream of both. This is why I have come to see it as one of the central tragedies of my generation. Every age carries its own wound. The Great Depression was a depression of bread, a scarcity in the world of matter, hunger you could measure. Ours is a depression of a different order. It is a famine of the spirit in the middle of abundance. We have more than any people who ever lived and we are starving in a way our ancestors would not recognize, because the thing we are refusing cannot be bought and cannot be banked. The ones most made to give and receive this love are quietly declining it. They are walking away from the one inheritance that actually compounds, and the cruelest part is that they do not feel the loss as loss. You cannot grieve what you were taught not to want. That is the deepest cut of it. The lie does not only steal the thing. It steals the capacity to know the thing was stolen. A man can spend his whole life on the far side of a door he never knew was a door, mistaking the wall for the edge of the world. Because this beauty is not ordinary beauty. It is not the pleasure of a good meal or a clear morning. It is participation in something that comes down from above, the same generative love that spoke everything out of nothing and called it good. To make a person, to be undone and remade by loving that person more than your own life, is to be drawn for a moment inside the very act that holds the cosmos together. A child does not merely add to your life. A child reorders the soul. It teaches you what you are by asking everything of you, and you discover, kneeling there exhausted at three in the morning, that you had a capacity for self gift you never suspected, a depth in yourself you had no other way to reach. In the Gospel of John, on the last night, Jesus prays, these things I have spoken to you that my joy may be in you, and that your joy may be complete. And I have come to understand why family is the road into that fullness, why it is not one path among many but the one most fitted to the shape of the promise. Consider who is praying. Christ does not come to us as a lone figure dropped out of the sky. He comes out of a family older than the world, the eternal communion of Father and Son, the love between them so total and so alive that theologians dared to call it a third person. Before there was anything, there was a family. The deepest fact about reality is not a force or a law or a void. It is a household. It is begetting and being begotten, giving and receiving, a Father who is only a Father because there is a Son. So when Jesus speaks of joy made complete, he is not pointing away from family toward something higher. He is pointing toward the very thing he came from, the life he has known from eternity and came to share. His joy is the joy of belonging utterly to a Father and pouring himself out for those he loves. When you marry, when you bring a child into the world, when you wear yourself down in the small unseen labors of a home, you are not stepping outside that divine life. You are stepping into a small image of it. Your family is a created echo of an uncreated one. The love you give your child rhymes with the love the Father has for the Son. The exhaustion, the tenderness, the way a parent would tear the sky open to protect a sleeping infant, all of it is the heavens pressed faintly into flesh, the eternal household leaving its fingerprint on yours. That is why the joy is not merely added to family but completed in it. We were made in the image of a God who is, at his very root, relation and gift and generation. To found a family is to do the most Godlike thing a creature can do, to participate from below in the begetting that God does from all eternity. Your home becomes a window. Through it, dimly and imperfectly, you glimpse the country you came from and are going to. And now a word for the young people reading this, the ones who do not yet have children. I want to tell you what it is like from where I stand. When I am out somewhere, a restaurant, anywhere, and a large family comes through the door, the noise and the chaos and the small bodies of them, something happens in me on two levels at once. The first is joy. A pure gladness at the sight, the way you feel watching something good and alive. But underneath it, almost in the same instant, a sadness reaches up and takes hold of my heart. Because I know now, at my age, after my own years of waiting, that I will never have that. I will never know the particular fruit of a family that large, the fullness of that table, the weight of all those lives gathered under one roof. The door to it has quietly closed, and I felt it close. And I am telling you plainly, because I love you and have no reason to lie to you: you will feel this too. You will. The day will come when you see what you passed up, and you will recognize the ache for what it is, and it will be too late to answer it. So please, learn from a man who got it wrong. Let my regret be worth something by becoming your wisdom. Do not wait yourself into a grief you cannot undo. Choose now, while the door is open, so that you may step into a joy that does not end.

I've become a missionary with one message. Every time I meet a young person, the same words: have children, get married, build a family. I did not decide on this calling. It overtook me. And it overtook me for a single reason. I had no idea. I genuinely did not understand how much joy, how much meaning, how much sheer beauty pours out of a child until I was holding one of my own and felt the floor of my life drop into something deeper than I knew was there. I grew up white, affluent, secular, comfortable, and insulated. That world does not put babies in front of you. None of my friends were starting families. Out of my whole circle, almost no one has a big one. We were not formed by the presence of children. We were formed by their absence, by the strange quiet of homes built for two careers and no cradle. And a person believes what his world shows him. So we believed. What we believed was a lie. It is a lie with an author, and that the author is the enemy of joy himself. It is the gospel of the world, and its commandment is wait. Wait until you are older. Wait until the career is built and the savings are stacked and the twenties are properly spent. Enjoy your freedom. You are not ready. It does not arrive sounding like temptation. It arrives sounding like wisdom, like prudence, like the responsible thing, and that is exactly why it works. The most effective lies are the ones that wear the face of virtue. And the maddening thing is that it collapses from every angle at once. It is not rooted in biology, because the body is made for this work precisely in the years we are told to postpone it. The flesh keeps a calendar the culture pretends not to see. And it is not rooted in theology either. You will not find this deferral anywhere in the Christian imagination, in any of the fathers, in any of the scriptures. So choose whatever lens you like. Take the cold secular measure or the ancient sacred one. By either light the counsel is rotten. It is bad for the body and bad for the soul and bad for the society downstream of both. This is why I have come to see it as one of the central tragedies of my generation. Every age carries its own wound. The Great Depression was a depression of bread, a scarcity in the world of matter, hunger you could measure. Ours is a depression of a different order. It is a famine of the spirit in the middle of abundance. We have more than any people who ever lived and we are starving in a way our ancestors would not recognize, because the thing we are refusing cannot be bought and cannot be banked. The ones most made to give and receive this love are quietly declining it. They are walking away from the one inheritance that actually compounds, and the cruelest part is that they do not feel the loss as loss. You cannot grieve what you were taught not to want. That is the deepest cut of it. The lie does not only steal the thing. It steals the capacity to know the thing was stolen. A man can spend his whole life on the far side of a door he never knew was a door, mistaking the wall for the edge of the world. Because this beauty is not ordinary beauty. It is not the pleasure of a good meal or a clear morning. It is participation in something that comes down from above, the same generative love that spoke everything out of nothing and called it good. To make a person, to be undone and remade by loving that person more than your own life, is to be drawn for a moment inside the very act that holds the cosmos together. A child does not merely add to your life. A child reorders the soul. It teaches you what you are by asking everything of you, and you discover, kneeling there exhausted at three in the morning, that you had a capacity for self gift you never suspected, a depth in yourself you had no other way to reach. In the Gospel of John, on the last night, Jesus prays, these things I have spoken to you that my joy may be in you, and that your joy may be complete. And I have come to understand why family is the road into that fullness, why it is not one path among many but the one most fitted to the shape of the promise. Consider who is praying. Christ does not come to us as a lone figure dropped out of the sky. He comes out of a family older than the world, the eternal communion of Father and Son, the love between them so total and so alive that theologians dared to call it a third person. Before there was anything, there was a family. The deepest fact about reality is not a force or a law or a void. It is a household. It is begetting and being begotten, giving and receiving, a Father who is only a Father because there is a Son. So when Jesus speaks of joy made complete, he is not pointing away from family toward something higher. He is pointing toward the very thing he came from, the life he has known from eternity and came to share. His joy is the joy of belonging utterly to a Father and pouring himself out for those he loves. When you marry, when you bring a child into the world, when you wear yourself down in the small unseen labors of a home, you are not stepping outside that divine life. You are stepping into a small image of it. Your family is a created echo of an uncreated one. The love you give your child rhymes with the love the Father has for the Son. The exhaustion, the tenderness, the way a parent would tear the sky open to protect a sleeping infant, all of it is the heavens pressed faintly into flesh, the eternal household leaving its fingerprint on yours. That is why the joy is not merely added to family but completed in it. We were made in the image of a God who is, at his very root, relation and gift and generation. To found a family is to do the most Godlike thing a creature can do, to participate from below in the begetting that God does from all eternity. Your home becomes a window. Through it, dimly and imperfectly, you glimpse the country you came from and are going to. And now a word for the young people reading this, the ones who do not yet have children. I want to tell you what it is like from where I stand. When I am out somewhere, a restaurant, anywhere, and a large family comes through the door, the noise and the chaos and the small bodies of them, something happens in me on two levels at once. The first is joy. A pure gladness at the sight, the way you feel watching something good and alive. But underneath it, almost in the same instant, a sadness reaches up and takes hold of my heart. Because I know now, at my age, after my own years of waiting, that I will never have that. I will never know the particular fruit of a family that large, the fullness of that table, the weight of all those lives gathered under one roof. The door to it has quietly closed, and I felt it close. And I am telling you plainly, because I love you and have no reason to lie to you: you will feel this too. You will. The day will come when you see what you passed up, and you will recognize the ache for what it is, and it will be too late to answer it. So please, learn from a man who got it wrong. Let my regret be worth something by becoming your wisdom. Do not wait yourself into a grief you cannot undo. Choose now, while the door is open, so that you may step into a joy that does not end.

Kirk Rollins

78,104 次观看 • 2 个月前

John Tortorella was not a fan of all the Cutter Gauthier stuff tonight: "I think it's a bunch of bullshit. All I told our team is let's worry about ourselves and play a hockey game. The bullshit is for you guys. All the drama, that's for you guys, whatever you need to do with it." "You know what I hope? I hope we can play in front of a crowd like that about something meaningful. Not the shit, whatever you guys are talking about, I hope it means something to the organization as far as winning and losing. That's when we wanna see a crowd like that, not all this stuff you guys are talking about. I want it to be that we're a team to be reckoned with in a playoff series or whatever it may be, not this shit." #Flyers

John Tortorella was not a fan of all the Cutter Gauthier stuff tonight: "I think it's a bunch of bullshit. All I told our team is let's worry about ourselves and play a hockey game. The bullshit is for you guys. All the drama, that's for you guys, whatever you need to do with it." "You know what I hope? I hope we can play in front of a crowd like that about something meaningful. Not the shit, whatever you guys are talking about, I hope it means something to the organization as far as winning and losing. That's when we wanna see a crowd like that, not all this stuff you guys are talking about. I want it to be that we're a team to be reckoned with in a playoff series or whatever it may be, not this shit." #Flyers

Flyers Nation

348,948 次观看 • 1 年前

Obama: America has always had competing stories about who we are and what the nation stands for. The first story says that even though we got rid of a king, there is still a caste system in America, a pecking order of who makes decisions That if somebody doesn't look like or think like you or practice religion the same way you do, they must be a threat to your way of life, and they need to be put in their place. That is how Donald Trump thinks about America. Make America great again by putting the people in charge even if they don't know what the hell they are doing. But here is the thing. That story is not new. It is the oldest story in the book. It is not even uniquely American. For most of human history, that is the way society has worked. For somebody on top and somebody on bottom. There were lords and peasants. For a long time, that story of caste and privilege and concentrated power was the law of the land here in America. If you look like me, you were likely treated as property. If you were a woman, or a white man who did not own property, you could not vote. But from the very start, there was another story, born of this nation's true revolutionary spirit, a story that says, we the people means what it says, that all of us are included, that we are not subjects, but citizens, defined not by race or religion or gender or sexual orientation, but by our commitment to a common creed and a willingness to accept not just privileges, but responsibilities that come with that citizenship.

Obama: America has always had competing stories about who we are and what the nation stands for. The first story says that even though we got rid of a king, there is still a caste system in America, a pecking order of who makes decisions That if somebody doesn't look like or think like you or practice religion the same way you do, they must be a threat to your way of life, and they need to be put in their place. That is how Donald Trump thinks about America. Make America great again by putting the people in charge even if they don't know what the hell they are doing. But here is the thing. That story is not new. It is the oldest story in the book. It is not even uniquely American. For most of human history, that is the way society has worked. For somebody on top and somebody on bottom. There were lords and peasants. For a long time, that story of caste and privilege and concentrated power was the law of the land here in America. If you look like me, you were likely treated as property. If you were a woman, or a white man who did not own property, you could not vote. But from the very start, there was another story, born of this nation's true revolutionary spirit, a story that says, we the people means what it says, that all of us are included, that we are not subjects, but citizens, defined not by race or religion or gender or sexual orientation, but by our commitment to a common creed and a willingness to accept not just privileges, but responsibilities that come with that citizenship.

Acyn

188,709 次观看 • 10 个月前

Just a short distance from Mecca, the #RedSeaIFF25 is held in #Jeddah, where actors and actresses showcase outfits and celebrations that do not reflect Saudi values or identity. It is a scene marketed as “progress,” yet in reality, it is a rapid cultural alienation that ignores the sanctity of the land and its closeness to the holiest place on earth. Has the identity of society become the last concern in the name of art and entertainment? #SaudiArabia

Just a short distance from Mecca, the #RedSeaIFF25 is held in #Jeddah, where actors and actresses showcase outfits and celebrations that do not reflect Saudi values or identity. It is a scene marketed as “progress,” yet in reality, it is a rapid cultural alienation that ignores the sanctity of the land and its closeness to the holiest place on earth. Has the identity of society become the last concern in the name of art and entertainment? #SaudiArabia

Saudi Arabia's Reality

116,269 次观看 • 8 个月前

Mad Men creator said the show was never about advertising. It was about the gap between what people want and what they can actually have. "Happiness is always in that gap in between," he said. Don is a man who has everything the era told him to want, and cannot feel any of it.

Mad Men creator said the show was never about advertising. It was about the gap between what people want and what they can actually have. "Happiness is always in that gap in between," he said. Don is a man who has everything the era told him to want, and cannot feel any of it.

Emir Han

681,572 次观看 • 2 个月前

Abandoned and Reduced to Skin and Bones, This Dog Still Looked at a Stranger with Trust ✨ The little dog lay curled up, its ribs clearly visible beneath its skin, its fur dirty and giving off a foul smell. It had been abandoned with almost nothing left. Yet when the rescuer approached and spoke to it, its first reaction was not fear or retreat. It moved closer, looking up with clear, innocent eyes and responding with an almost unconditional friendliness. It was a moment that made many viewers stop and take notice. The story began as a straightforward rescue case. The puppy was found severely malnourished, filthy, and alone. Despite being neglected to such an extent, it still approached a stranger gently, showing no signs of defensiveness. The rescuer offered it food and spoke to it in a soft voice, and the dog responded with trust almost immediately. The question is a simple but profound one: Why does a creature treated so cruelly still have the ability to love and open its heart to someone it has never met? The answer lies partly in the nature of dogs. Unlike humans, dogs do not tend to hold grudges in the same way or dwell on them over long periods. They live largely through their instincts for attachment and their search for safety. When a new person reaches out to them, many dogs can still respond with acceptance. This is not foolishness or a lack of memory. Rather, it is a trait shaped over thousands of years of living alongside humans. They often place trust ahead of suspicion. The contrast in this story makes that even more striking. The dog's body tells the story of neglect: exposed ribs, a foul smell, and hunger written across its fragile frame. But its eyes and the way it approached the rescuer tell a different story. It was still willing to offer affection. The distance between the former owner's actions and the dog's response creates the emotional weight of the story. From a human perspective, the story also offers a thought-provoking comparison. After being hurt, people often become guarded, defensive, and reluctant to open up again. Yet a dog abandoned to the point of near death can still look at a stranger with hope in its eyes. That innocence does not mean that dogs are incapable of feeling pain. It shows that they have not learned to close their hearts in quite the same way humans sometimes do. The story also reminds us of responsibility. When a vulnerable creature is abandoned, rescuing it is not simply an act of kindness. It is also an opportunity to reflect on how we treat those who are weak and easily overlooked. Have we become too willing to turn away from lives that are no longer “convenient”? And have we retained the ability to trust and love with fewer conditions? The rescuers in the video did more than provide food. They sent a simple message: there are still people willing to stay. The dog responded with perhaps the most precious thing it still had, its gentle, innocent friendliness. The moment was quiet, but deeply moving. It showed that love does not always need to be nurtured by perfect circumstances. Sometimes, all it needs is a small opportunity to be expressed. In a world where people increasingly encounter hurt and mistrust, the image of a skeletal dog still approaching a stranger becomes a simple reminder. Perhaps there is something we can learn from animals: trust does not always need to be justified by a good past. Sometimes, when a hand reaches out in the present, the heart can still choose to open. That dog was left with almost nothing. Yet it still chose to show love. And that choice makes the story more than just a rescue. It becomes a reminder that even amid suffering, innocence can still remain 💖

Abandoned and Reduced to Skin and Bones, This Dog Still Looked at a Stranger with Trust ✨ The little dog lay curled up, its ribs clearly visible beneath its skin, its fur dirty and giving off a foul smell. It had been abandoned with almost nothing left. Yet when the rescuer approached and spoke to it, its first reaction was not fear or retreat. It moved closer, looking up with clear, innocent eyes and responding with an almost unconditional friendliness. It was a moment that made many viewers stop and take notice. The story began as a straightforward rescue case. The puppy was found severely malnourished, filthy, and alone. Despite being neglected to such an extent, it still approached a stranger gently, showing no signs of defensiveness. The rescuer offered it food and spoke to it in a soft voice, and the dog responded with trust almost immediately. The question is a simple but profound one: Why does a creature treated so cruelly still have the ability to love and open its heart to someone it has never met? The answer lies partly in the nature of dogs. Unlike humans, dogs do not tend to hold grudges in the same way or dwell on them over long periods. They live largely through their instincts for attachment and their search for safety. When a new person reaches out to them, many dogs can still respond with acceptance. This is not foolishness or a lack of memory. Rather, it is a trait shaped over thousands of years of living alongside humans. They often place trust ahead of suspicion. The contrast in this story makes that even more striking. The dog's body tells the story of neglect: exposed ribs, a foul smell, and hunger written across its fragile frame. But its eyes and the way it approached the rescuer tell a different story. It was still willing to offer affection. The distance between the former owner's actions and the dog's response creates the emotional weight of the story. From a human perspective, the story also offers a thought-provoking comparison. After being hurt, people often become guarded, defensive, and reluctant to open up again. Yet a dog abandoned to the point of near death can still look at a stranger with hope in its eyes. That innocence does not mean that dogs are incapable of feeling pain. It shows that they have not learned to close their hearts in quite the same way humans sometimes do. The story also reminds us of responsibility. When a vulnerable creature is abandoned, rescuing it is not simply an act of kindness. It is also an opportunity to reflect on how we treat those who are weak and easily overlooked. Have we become too willing to turn away from lives that are no longer “convenient”? And have we retained the ability to trust and love with fewer conditions? The rescuers in the video did more than provide food. They sent a simple message: there are still people willing to stay. The dog responded with perhaps the most precious thing it still had, its gentle, innocent friendliness. The moment was quiet, but deeply moving. It showed that love does not always need to be nurtured by perfect circumstances. Sometimes, all it needs is a small opportunity to be expressed. In a world where people increasingly encounter hurt and mistrust, the image of a skeletal dog still approaching a stranger becomes a simple reminder. Perhaps there is something we can learn from animals: trust does not always need to be justified by a good past. Sometimes, when a hand reaches out in the present, the heart can still choose to open. That dog was left with almost nothing. Yet it still chose to show love. And that choice makes the story more than just a rescue. It becomes a reminder that even amid suffering, innocence can still remain 💖

Beauty of music and nature 🌺🌺

24,431 次观看 • 18 天前

In 1962, a helicopter flying over the vast forests of Guatemala and Honduras saw a series of temples in the middle of these forests. After that, research was done on it and it was found out that it is an ancient Hindu temple and the description of snake god or Hades in Hindu culture is the same. At a short distance from here in Honduras, a huge cave and many statues of Hanuman Ji and evidence of an entire city have been found and many Hindu temples have been found. Watch National Geographic report

In 1962, a helicopter flying over the vast forests of Guatemala and Honduras saw a series of temples in the middle of these forests. After that, research was done on it and it was found out that it is an ancient Hindu temple and the description of snake god or Hades in Hindu culture is the same. At a short distance from here in Honduras, a huge cave and many statues of Hanuman Ji and evidence of an entire city have been found and many Hindu temples have been found. Watch National Geographic report

Baba Banaras™

240,926 次观看 • 1 年前

Scenes from Palo Alto in 1989. This footage captures Palo Alto during a time of transition. The city was already starting to change, but not at the scale or pace seen today. Tech companies were present, and venture capital was part of the picture, but the footprint was smaller, and the transformation was not yet complete. Some of the places shown are still recognizable. A few streets, storefronts, and buildings remain much the same. Others have been replaced, rebuilt, or removed entirely. It’s a mix of the familiar and the forgotten. What comes through is a version of Palo Alto that feels more grounded in everyday life. Before it became a global center for innovation, it was still just a town, with all the ordinary details that come with that. The song is by a now-defunct Redwood City band called Nord Mariner. It felt like a fitting soundtrack. Its lyrics about change, memory, and the things we take for granted echo the feeling of watching a place change so much that it becomes something else entirely.

Scenes from Palo Alto in 1989. This footage captures Palo Alto during a time of transition. The city was already starting to change, but not at the scale or pace seen today. Tech companies were present, and venture capital was part of the picture, but the footprint was smaller, and the transformation was not yet complete. Some of the places shown are still recognizable. A few streets, storefronts, and buildings remain much the same. Others have been replaced, rebuilt, or removed entirely. It’s a mix of the familiar and the forgotten. What comes through is a version of Palo Alto that feels more grounded in everyday life. Before it became a global center for innovation, it was still just a town, with all the ordinary details that come with that. The song is by a now-defunct Redwood City band called Nord Mariner. It felt like a fitting soundtrack. Its lyrics about change, memory, and the things we take for granted echo the feeling of watching a place change so much that it becomes something else entirely.

RetroBayArea

98,189 次观看 • 4 个月前

Spike Lee has long been one of America’s most incisive visual historians, and with #Netflix ‘Katrina: Come Hell and High Water’ he returns to the documentary form that made his ‘When the Levees Broke’ an indelible chronicle of human loss and government failure joining directors Geeta Gandbhir and Samantha Knowles. This new series feels less like a retelling and more like a reckoning. Where many projects about Hurricane #Katrina fixate on the storm itself, this project insists on centering the people — their testimonies, their rage, their resilience. Terence Blanchard’s score works as a haunting second narrator. His compositions thread together moments of unbearable grief and fragile triumph, balancing aching melodies with silences that feel as heavy as floodwater. It’s music that mourns but also insists that memory has a pulse. The use of never-before-seen footage is startling, not for its spectacle but for its intimacy. Viewers see families trapped, neighborhoods drowned, and then — crucially — the aftermath: the slow abandonment of a culture that had once been one of the most vibrant in America. Every frame reminds us that this was not just a natural disaster but a moral one, where hours mattered and lives were left waiting. This series refuses sentimentality and instead creates space for raw first-person accounts — voices that still crack when recalling the smell, the waterline, the silence after help never came. The series becomes a canvas of grief and survival, painted by those who lived it. In their words, you hear not just memory but indictment: a country that allowed its own citizens to drown in neglect. Two decades on, the storm still rages in their voices. That’s the point. #katrinacomehellandhighwater is not simply about looking back; it’s about recognizing that the wounds remain open. One can say this is essential viewing, not because it is flawless, but because it is urgent. Lee, Gandbhir, Knowles, Blanchard + more, have created not just a docuseries, but an elegy for a culture nearly washed away — and a demand that we remember the cost of forgetting.

Spike Lee has long been one of America’s most incisive visual historians, and with #Netflix ‘Katrina: Come Hell and High Water’ he returns to the documentary form that made his ‘When the Levees Broke’ an indelible chronicle of human loss and government failure joining directors Geeta Gandbhir and Samantha Knowles. This new series feels less like a retelling and more like a reckoning. Where many projects about Hurricane #Katrina fixate on the storm itself, this project insists on centering the people — their testimonies, their rage, their resilience. Terence Blanchard’s score works as a haunting second narrator. His compositions thread together moments of unbearable grief and fragile triumph, balancing aching melodies with silences that feel as heavy as floodwater. It’s music that mourns but also insists that memory has a pulse. The use of never-before-seen footage is startling, not for its spectacle but for its intimacy. Viewers see families trapped, neighborhoods drowned, and then — crucially — the aftermath: the slow abandonment of a culture that had once been one of the most vibrant in America. Every frame reminds us that this was not just a natural disaster but a moral one, where hours mattered and lives were left waiting. This series refuses sentimentality and instead creates space for raw first-person accounts — voices that still crack when recalling the smell, the waterline, the silence after help never came. The series becomes a canvas of grief and survival, painted by those who lived it. In their words, you hear not just memory but indictment: a country that allowed its own citizens to drown in neglect. Two decades on, the storm still rages in their voices. That’s the point. #katrinacomehellandhighwater is not simply about looking back; it’s about recognizing that the wounds remain open. One can say this is essential viewing, not because it is flawless, but because it is urgent. Lee, Gandbhir, Knowles, Blanchard + more, have created not just a docuseries, but an elegy for a culture nearly washed away — and a demand that we remember the cost of forgetting.

Nikki Fowler

25,955 次观看 • 1 年前

"Men do not stay for platitudes. Platitudes do not carry a soul through the winter. When the child is in the ground, when the marriage is in ruins, when the diagnosis comes back and the floor drops out of the world, no one was ever held up by 'be kind and stay positive.' They are held, if they are held at all, by something with iron in it. By a witness that the heavens are real and open, that God still speaks, that the dead are not lost, that there is power on the earth greater than the darkness. The early Saints had that, and they knew they had it, because they had felt it in their own bodies. They were healed under hands. They spoke in tongues. They saw visions and buried their children in the certainty of resurrection and crossed a continent on the strength of a fire they could not have faked. That is what converts a man and that is what keeps him, not a well managed self-help program, but the living evidence that what we preach is true. So the cure is not complicated, and it is not new. It is to be again the Church of our fathers. Stop apologizing. Stop trimming the glorious truth into something the world will pat on the head. Speak with authority and with the hammer, the way Joseph spoke, the way Brigham spoke, the way men speak when they actually believe the heavens have opened over them. Reach again for the gifts of the Spirit, and stop pretending they were a founding era curiosity, because a testimony built on argument crumbles in the first storm and a testimony built on the manifest power of God does not. And above all, live as though the heavens are open, because they are, and they have only ever felt closed to a people who stopped expecting them to answer. The Saints are not leaving because the gospel is too much. They are leaving because we have made it too little. Make it glorious and demanding again, and watch who comes back through the door. The hungry have not gone anywhere. We simply stopped setting the table."

"Men do not stay for platitudes. Platitudes do not carry a soul through the winter. When the child is in the ground, when the marriage is in ruins, when the diagnosis comes back and the floor drops out of the world, no one was ever held up by 'be kind and stay positive.' They are held, if they are held at all, by something with iron in it. By a witness that the heavens are real and open, that God still speaks, that the dead are not lost, that there is power on the earth greater than the darkness. The early Saints had that, and they knew they had it, because they had felt it in their own bodies. They were healed under hands. They spoke in tongues. They saw visions and buried their children in the certainty of resurrection and crossed a continent on the strength of a fire they could not have faked. That is what converts a man and that is what keeps him, not a well managed self-help program, but the living evidence that what we preach is true. So the cure is not complicated, and it is not new. It is to be again the Church of our fathers. Stop apologizing. Stop trimming the glorious truth into something the world will pat on the head. Speak with authority and with the hammer, the way Joseph spoke, the way Brigham spoke, the way men speak when they actually believe the heavens have opened over them. Reach again for the gifts of the Spirit, and stop pretending they were a founding era curiosity, because a testimony built on argument crumbles in the first storm and a testimony built on the manifest power of God does not. And above all, live as though the heavens are open, because they are, and they have only ever felt closed to a people who stopped expecting them to answer. The Saints are not leaving because the gospel is too much. They are leaving because we have made it too little. Make it glorious and demanding again, and watch who comes back through the door. The hungry have not gone anywhere. We simply stopped setting the table."

Kirk Rollins

63,131 次观看 • 2 个月前

Abby Phillip: “Why can't [Trump] see this for what it is, which is a very real thing, not a hoax, with real victims, and with a lot of people potentially involved in something, none of whom have been held accountable?” Scott Jennings: “Well, the hoax is Democrats and others who have gone on television and either implied or worse that he had something to do with it. There's not a shred of evidence that he had anything to do with it, but that's what they want people to believe. That's the narrative that they are trying to get out there.” “That's the hoax. He's never said what happened to them as a hoax. In fact, there seems to be some shards of evidence in here that Trump may have been one of the people that turned in Jeffrey Epstein, which is why Epstein, according to some of the documents, apparently hated Donald Trump. And so the hoax is not that it happened. The hoax is what people are trying to imply or worse—”

Abby Phillip: “Why can't [Trump] see this for what it is, which is a very real thing, not a hoax, with real victims, and with a lot of people potentially involved in something, none of whom have been held accountable?” Scott Jennings: “Well, the hoax is Democrats and others who have gone on television and either implied or worse that he had something to do with it. There's not a shred of evidence that he had anything to do with it, but that's what they want people to believe. That's the narrative that they are trying to get out there.” “That's the hoax. He's never said what happened to them as a hoax. In fact, there seems to be some shards of evidence in here that Trump may have been one of the people that turned in Jeffrey Epstein, which is why Epstein, according to some of the documents, apparently hated Donald Trump. And so the hoax is not that it happened. The hoax is what people are trying to imply or worse—”

RedWave Press

53,415 次观看 • 9 个月前