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while we're thinking about positive examples of direction and blocking for film musicals, I give you Jacques Demy, who has a pretty incredible sense of how his frame impacts the rhythm and beauty of his dancers:

445,412 görüntüleme • 1 yıl önce •via X (Twitter)

9 Yorum

Brendan Hodges profil fotoğrafı
Brendan Hodges1 yıl önce

the thing about Demy is how he was a master at making sure we always saw the full bodies of his performers while still beautifully composing for a widescreen frame, like the iconic sequence with Gene Kelly:

Scotty Wright profil fotoğrafı
Scotty Wright1 yıl önce

Holding a wide master where you can see the choreography facing the camera unobstructed. What a crazy concept 😐

Eno Nico profil fotoğrafı
Eno Nico1 yıl önce

A good scene to remind everyone sets and costumes can look beautiful, realistic and enchanted all at the same time.

Zach Leslie profil fotoğrafı
Zach Leslie1 yıl önce

Young Girls of Rochefort is one of my favorite films ever. So good

K-Real profil fotoğrafı
K-Real1 yıl önce

learned with the best.

Zachary Flick profil fotoğrafı
Zachary Flick1 yıl önce

okay well now I wanna watch Young Girls of Rochefort

Merrill Pinkard profil fotoğrafı
Merrill Pinkard1 yıl önce

Glad Wicked has continued this tradition. Looking forward to see it winning many technical awards for it’s spectacular statecraft.

complete breakfast (derogatory) profil fotoğrafı
complete breakfast (derogatory)1 yıl önce

George Chakiris sighting??

Monte Driscoll profil fotoğrafı
Monte Driscoll1 yıl önce

I've now been cursed to try and recall the indie pop artist who used this scene (or something very similar) in her music video, circa 2009. I have limited information otherwise. Dang it. Great Tweet though!

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