Loading video...

Video Failed to Load

Go Home

while we're thinking about positive examples of direction and blocking for film musicals, I give you Jacques Demy, who has a pretty incredible sense of how his frame impacts the rhythm and beauty of his dancers:

445,859 views • 1 year ago •via X (Twitter)

9 Comments

Brendan Hodges's profile picture
Brendan Hodges1 year ago

the thing about Demy is how he was a master at making sure we always saw the full bodies of his performers while still beautifully composing for a widescreen frame, like the iconic sequence with Gene Kelly:

Scotty Wright's profile picture
Scotty Wright1 year ago

Holding a wide master where you can see the choreography facing the camera unobstructed. What a crazy concept 😐

Eno Nico's profile picture
Eno Nico1 year ago

A good scene to remind everyone sets and costumes can look beautiful, realistic and enchanted all at the same time.

Zach Leslie's profile picture
Zach Leslie1 year ago

Young Girls of Rochefort is one of my favorite films ever. So good

K-Real's profile picture
K-Real1 year ago

learned with the best.

Zachary Flick's profile picture
Zachary Flick1 year ago

okay well now I wanna watch Young Girls of Rochefort

Merrill Pinkard's profile picture
Merrill Pinkard1 year ago

Glad Wicked has continued this tradition. Looking forward to see it winning many technical awards for it’s spectacular statecraft.

complete breakfast (derogatory)'s profile picture
complete breakfast (derogatory)1 year ago

George Chakiris sighting??

Monte Driscoll's profile picture
Monte Driscoll1 year ago

I've now been cursed to try and recall the indie pop artist who used this scene (or something very similar) in her music video, circa 2009. I have limited information otherwise. Dang it. Great Tweet though!

Related Videos