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Whoever had (possible GOP front group) Progressive Champions PAC spending in #NY17 against Cait Conley, come up and collect your winnings. The PAC uses the same bank as Real Change PAC, another GOP-tied group meddling in Demoratic primaries.

39,076 görüntüleme • 2 ay önce •via X (Twitter)

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Snoop Dogg has repeatedly described the 1996 Tupac-Nas encounter (around the MTV VMAs in New York, in Central Park or Bryant Park) as a tense moment he witnessed firsthand that nearly went sideways‼️ In his accounts, Pac saw Nas and confronted him about a diss track targeting Nas, Jay-Z, and Biggie‼️. Nas replied that he had no beef, loved Pac, and they shook hands or hugged‼️. Snoop claimed Nas “didn’t want none” but was deep—about 100 guys with guns circling them‼️while Pac remained oblivious‼️. Snoop said he spotted the threat (hands in pockets) due to his “gang-bang mentality.”‼️ Pac walked off thinking he’d punked Nas; Snoop saw it as Nas letting them slide because of the numbers‼️. Both sides handled it respectfully‼️. Nas has countered that Snoop got key details wrong‼️. Nas said he (not Pac) engaged amid high tension after the awards show, partly tied to a run-in involving his brother Jungle‼️. Rumors of Makaveli disses were circulating, and Nas wanted to check the temperature‼️. Their conversation was substantive: Pac thought Nas had dissed him on “The Message”; Nas clarified he hadn’t targeted Pac and had heard Pac was dissing him in clubs‼️. Pac said they were brothers who shouldn’t clash‼️. They planned to continue talking in Las Vegas, but Pac was shot before that happened‼️. Nas described a dangerous situation where greater heads prevailed and mutual respect won out‼️not one side being punked or purely scared‼️. Napoleon of the Outlawz, who was present and close to the exchange, further undercuts Snoop’s version‼️. Nas walked up with a small group (around half a dozen) while the Outlawz/Death Row side was deep (dozens, including New Jersey affiliates; Napoleon carried a .357 and said many on their side were strapped)‼️. Both sides were prepared and violence was a real risk, but Nas approached boldly‼️. The talk was mature and respectful‼️Pac indicated he would remove the diss verses about Nas after returning from Vegas (which never happened)‼️. They shook hands and hugged‼️. Napoleon has stated Snoop was not close enough to hear the conversation or be in the immediate circle; in some accounts he does not recall Snoop being there at all (or places him off to the side at best)‼️. Young Noble (also Outlawz and present) has said the same‼️: Nas walked up, their side outnumbered Nas’s group roughly 30–40 to a handful, the exchange was direct but resolved maturely (Pac sweating, Nas cool)‼️, and Snoop’s retelling is the wildest and most inaccurate‼️. Snoop did not arrive with Pac’s group and may have misread the larger contingent‼️. Snoop was in New York with the Death Row contingent for the VMAs, so he was in the broader orbit, but the accounts from Nas and the Outlawz place him outside the actual circle‼️. This is a clear case where Snoop’s narration did not fully check out‼️. He has told the story multiple times, centering his close observation and the “Nas was deep/scared but restrained” angle‼️, which Nas and those standing right there dispute on initiation, numbers, proximity, and tone‼️. Other instances where Snoop’s recollections have been corrected⁉️: On Drink Champs, Snoop claimed Nas originally had a verse on Tupac’s “Got My Mind Made Up” (All Eyez On Me) that was later removed‼️. Daz Dillinger, who produced the track, corrected him‼️: Nas was never on that song‼️. The original lineup was Daz, Kurupt, Method Man, Redman, Inspectah Deck, and Lady of Rage‼️. Snoop appears to have mixed it up with a different Dogg Pound-related track involving Nas‼️. Outlawz members have more broadly called out Snoop for revisionist storytelling around Tupac-era events, but the park meeting and the All Eyez On Me claim are among the clearest public corrections‼️💯.

(st_ides)

25,490 görüntüleme • 14 saat önce

Makaveli once called "Reasonable Doubt" weak, and it was hilarious. All jokes aside, I do not share that same sentiment, but I do, however, think that album isn't nearly as great as y'all say it is. I also think it doesn't come close to the Killuminati album; it can't compare. I notice that "D'Evils" is the go-to track for Jay Z stans who feel a way about Makaveli calling the album weak, and they'll respond by saying things like Pac could never make anything close to the level of "D'Evils" because he wasn't lyrically skilled enough. They'll either say that type of blasphemous BS in response to that, or in defense of Jay Z allegedly telling Nas that Pac wasn't a lyricist, and publicly stating that Pac lacked technical skill, they tend to move the goalposts to who's the better lyricist or technician and claim that Pac wasn't technical or lyrical compared to Jay Z and never came close to making anything lyrically or technically better or on par with "D'Evils." They also say this type of shit in general conversations about who's better between Jay Z and 2Pac. It's a load of bullshit. Makaveli's "Blasphemy" clears "D'Evils" lyrically and technically, and using their logic, "Reasonable Doubt" is weak in comparison to the heat Makaveli was dropping and had on the way. 2Pac was easily the better lyricist, artist, and poet/rapper back then, and he still is. Objectively speaking, there are maybe one or two aspects that Jay Z technically did better on "D'Evils," but overall, "Blasphemy" clears it technically. Sidenote: Beanie Sigel doesn't belong in the same sentence with 2Pac. Beanie Sigel being a better lyricist than Jay Z is closer to being a good take than Beanie being a better lyricist than Pac.

9-FO Tha Negus

29,515 görüntüleme • 5 ay önce