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Why did I create the return? Daniel Blair said it best here⬇️ “You were (Ben Brewster) the only guy I think at the time I knew that had at that surgury” 🎥 Tread Athletics Feeling stuck? Having a hard time finding others that relate to your situation? End that... show more
41,241 просмотров • 3 лет назад •via X (Twitter)
Комментарии: 8
Check out the entire video from @TreadHQ Youtube
@TreadAthletics @TreadHQ Hi @TheIanMcMahon can I get added to the TJS group? Can’t DM you. Thanks.
@TreadAthletics @TreadHQ @ArmstrongJack13
@TreadAthletics @TreadHQ I can pretty much guarantee that none of the were told their pathomechanical approach was the blame and the only path towards mitigation is understanding why being late in outwards rotation of the Humerus to length causes over Valgus stress and micro tearing on every rep.
@TreadAthletics @TreadHQ How many athletes do you train that play at a high level?
@TreadAthletics @TreadHQ Can I please be added to TJS group
@TreadAthletics @TreadHQ Have you discovered mechanical mitigative techniques yet and given this info to your clients? Youth arms are worth it!
@TreadAthletics @TreadHQ shoot me a DM!
![Jennifer Lopez says that her divorce from Ben Affleck was ultimately the best thing that ever happened to her. Jennifer Lopez: When I got divorced this last time, it was the best thing that ever happened to me because it really made me journey into... I mean, I had a religious coach, I had a therapist, a couples therapist, an individual therapist. I had a, you know, a coach to understand addiction. Like, I had everything. I was like, "I'm going to fucking figure this shit out if it kills me." And it really got to the point where I go, "Oh, that... it's the core. It's the core of the thing is you. It's nobody else." And when I did that, now I'm able to sit here in such a more self-assured, kind of self-aware way... and know who I am and just really appreciate that person and feel really comfortable and good in being myself all the good parts and all of the kind of complicated things. Howard Stern: But you haven't had that with someone. Jennifer Lopez: [Sighs] Glimpses. Howard Stern: Glimpses. Yeah, yeah. I wish that for you.](https://image.24vids.com/tw-2079149497662202196/amplify_video_thumb/2079149388220293120/img/OTsk3msI93vZSuGm.jpg)
![Jony Ive tells Patrick Collison about the first time he saw a Mac (and why it convinced him he had to meet Steve Jobs and Apple team): “I remember discovering the Mac [in the late-1980s]…what I realized was that what we make stands testament to who we are and what we make describes our values. It describes our preoccupations. This struck me so powerfully when I saw the Mac. I got a very clear sense of a group of clearly original thinkers with clear values. You know, you can look at something and it can either tell you ‘I was designed to meet a price point at a certain time, so I hit the schedule’…or you can try and design something that genuinely attempts to move the species on. […] I really do believe — and I wish that I had empirical evidence — but I do believe that we have this ability to sense care. [It's easy to sense care in a service] because you confront the person. It's vicarious when it's via an object. When it's via hardware or a piece of software, it's more complex. But I think you might understand it more if I said you can sense carelessness. You know carelessness and so I think it's reasonable to believe that you also know care and you sense care.” *** The clips is cut from two parts of this 1-hour long chat (it’s fantastic):](https://image.24vids.com/tw-1920959257631224101/amplify_video_thumb/1920959026164363267/img/VolhCliSduSc9epI.jpg)
![Béla Tarr on how the concept of time works in "Sátántangó" (1994): "Interviewer: Did you have any problems when you first wanted to make the film in the ‘80s? How did you start work on the film? Tarr: It was mostly a political problem. We couldn't start in the ‘80s because of censorship from the communist government at the time, but by the early ‘90s it became possible to do it and it took four years to do, from 1990 to 1994. You have to understand. This man [Lázsló] was living in the Hungarian lowlands, and he saw a lot of things in the reality of how people were living, and of course he transformed it and created this beautiful novel. I understood when I started working on this project that I cannot do any kind of adaptation. I had to go back to the Hungarian lowlands, like him. I had to see how life is going on out there, and I had to find the film language, I had to figure out how I can get the same stuff that he did in the novel. By the end, I spent two years in the Hungarian lowlands filming, I can tell you I know all the houses, I know all f***ing roads, I know everything in this part of the country. By the end of my time there I could find the way to film and afterwards we could use the dramaturgical structure of the novel, and of course we did not have a script, we had only the novel and my vision. That's all we had. Interviewer: What about the sense of time that you found in that place? Tarr: Hey man, if you are sitting in the Hungarian lowlands, I'm sure it's the same in the desert in, let's say, Arizona, when you are out there: there is no time, no distance anymore, you can go hours, weeks, and you don't see anything. You are out of time; you have a different sense of time then when you are living in a town. And so, the slowness of the drama came from this. You know, you have to understand that first you have to know the life of the places and then afterwards you have a feeling for how you have to film it." ("I Am Interested in the World, Not Just in Filming It": Béla Tarr on "Sátántangó", David Perrin, MUBI, 2019) P.S: Remembering the great Hungarian filmmaker, Béla Tarr, on his 71st birthday!](https://image.24vids.com/tw-2079603226740240527/amplify_video_thumb/2079603023488393216/img/IEj2Kv_pmR80s54i.jpg)
