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Why does a basic broom suddenly have more cinematic aura than most TV commercials? The newly updated Dreamina AI Web experience just dropped, and its also upgraded Canvas. They also added workflows and skills of many scenes, like film,brand ad, social media hit content and so on. I picked... the most unglamorous, everyday object I could find—a humble broom—and built an artisanal, high-concept commercial around it. The AI orchestrated the entire shot sequence like a Hollywood director: sweeping wide shots, volumetric studio lighting, rich depth of field, and a dramatic slow push-in for the hero shot. The fact that a literal household broom now looks like an $8,000 architectural design piece is equal parts hilarious and breathtaking!show more

KICHOCHEZI

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72,013 Aufrufe • vor 5 Tagen •via X (Twitter)

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25 Kommentare

Profilbild von CHELSEA 🌺💙

CHELSEA 🌺💙vor 5 Tagen

The Dreamina Web experience looks seriously capable.

Profilbild von ZACK™️💎

ZACK™️💎vor 5 Tagen

Dreamina Skills are an interesting way to build reusable creative systems.

Profilbild von SARAH

SARAHvor 5 Tagen

This is a great example of making an ordinary product feel extraordinary.

Profilbild von KICHOCHEZI

KICHOCHEZIvor 5 Tagen

Making everyday items look like a million bucks used to take an entire production crew and an eternity of lighting adjustments. Dreamina AI just killed that friction overnight. You don't need to be a prompt wizard or a camera operator anymore. Simply jump into Create → Generate → Skills, upload a quick picture of whatever you're shooting, and select your preferred cinematic style. The built-in AI Agent automatically coordinates the studio lighting, focal lengths, and camera motion for you—yielding a crystal-clear, luxury-grade ad instantly. And for creators taking on commercial projects, you can save your best setups as custom Skills to blitz through client work later!

Profilbild von KICHOCHEZI

KICHOCHEZIvor 5 Tagen

Apart from Skills, you definitely need to try Dreamina AI’s pre-built in-house Workflows. Forget about rebuilding your production pipeline from scratch every time you start a new project. These ready-to-use Workflows come loaded with insane, studio-level detail—all you need to do is drop in your own reference assets and make a quick prompt tweak. That’s literally all it takes to recreate viral, top-tier videos in minutes. For social media creators who need to pump out high-volume, cinema-grade content, this completely wipes out the technical bottleneck.

Profilbild von KICHOCHEZI

KICHOCHEZIvor 5 Tagen

The real magic isn't just in the tool—it's the sheer narrative freedom you unlock when technical barriers vanish. By merging Canvas, Workflows, and Skills into a single, cohesive command centre, Dreamina AI bridges the gap between vision and reality. Solo storytellers and growing brands can now command high-end cinematic aesthetics that used to require a full-scale studio crew. Ready to turn your most ambitious concepts into reality? Step into the new Dreamina AI Web workspace and see what you can build. @dreamina_ai Get 90% OFF your first month of Dreamina Basic. Limited offer available till October 9th! Comment ‘Broom’ and I'll send you the free user guide + direct link! Try it here: #DreaminaCaughtTheVibe #DreaminaAI #DreaminaAIweb #CinematicAI

Profilbild von Azhaar Al Soor

Azhaar Al Soorvor 5 Tagen

I was expecting to see hte broom, all I got is a foggy grey picture with a logo. Funny how hte $8,000 design piece is missing from hte ad

Profilbild von ThreadVaultKe

ThreadVaultKevor 5 Tagen

Dreamina Skills could be a big help when keeping brand content consistent.

Profilbild von Future

Futurevor 5 Tagen

The transformation from a basic reference to a finished-looking commercial is wild.

Profilbild von Ja telo ™

Ja telo ™vor 5 Tagen

The lighting gives this such a polished commercial aesthetic.

Profilbild von JA KISII™ 🇰🇪

JA KISII™ 🇰🇪vor 5 Tagen

Dreamina Workflows could make producing variations of the same campaign much faster.

Profilbild von Amazing

Amazingvor 5 Tagen

The whole concept is simple but executed at a very high level.

Profilbild von Ochora🇰🇪☆, KC

Ochora🇰🇪☆, KCvor 5 Tagen

This could make high-quality product videos much easier to produce.

Profilbild von Cudii🥭

Cudii🥭vor 5 Tagen

Dreamina AI makes experimenting with different commercial concepts look much easier.

Profilbild von Weigo

Weigovor 5 Tagen

The cinematic treatment works surprisingly well for ice cream

Profilbild von 𝖭𝗂𝖼𝖼𝗈™

𝖭𝗂𝖼𝖼𝗈™vor 5 Tagen

The Dreamina AI Web update seems particularly useful for creators making content regularly.

Profilbild von PakaMeow🐈

PakaMeow🐈vor 5 Tagen

The Ice Cream Pro Max concept is honestly memorable.

Profilbild von 𝐈𝐫𝐢𝐬𝐡𝐦𝐚𝐧 

𝐈𝐫𝐢𝐬𝐡𝐦𝐚𝐧 vor 5 Tagen

Dreamina Workflows sound perfect for creators who need repeatable production pipelines.

Profilbild von Bonita🤎

Bonita🤎vor 5 Tagen

The Dreamina AI Agent handling perspective and motion is a really interesting feature.

Profilbild von Evelyn

Evelynvor 5 Tagen

This is exactly the kind of product ad that grabs attention immediately.

Profilbild von E

Evor 5 Tagen

I can see Dreamina AI being useful for testing multiple ad concepts quickly.

Profilbild von Brian K

Brian Kvor 5 Tagen

The overall production value is impressive.

Profilbild von SHERIFF™🤠

SHERIFF™🤠vor 5 Tagen

This feels much closer to a finished campaign than a simple AI experiment.

Profilbild von Kiage Clinton, KC

Kiage Clinton, KCvor 5 Tagen

The texture work in these shots is incredibly convincing.

Profilbild von iano

ianovor 5 Tagen

Dreamina Skills could be especially useful when working across multiple client campaigns.

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I used to think pulling off a cinematic, handheld tracking shot required a full camera crew and expensive stabilizing rigs. Turns out, I built this entire vibe scene entirely in Dreamina AI! With its Web Experience and Canvas update, Dreamina AI now integrates a lot of hit video Workflows and Skills, across from real-life successes in film, brand ads, social media content scenes and so many others. Here’s the video I made with the updated Dreamina AI:

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Golden hour sunsets, palm tree shadows, and riding bikes along the coast with friends. I turned a simple summer afternoon into a full, cinematic Outer Banks vibe film using Dreamina AI! No camera crew, no expensive lenses. The all-new Dreamina AI Web experience made it feel like I was actually directing on set. Dreamina AI updated its web experience and canvas, and added lots of viral video Workflows and Skills—built from real use cases across film, brand ads, social media, and other scenes.

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Most AI videos still look like a collection of random clips. So I challenged Seedance 2.5 on Pollo AI with something much harder—a 30-second Hollywood action trailer. Instead of disconnected scenes, it delivered a cinematic sequence with smooth shot transitions, realistic character performances, dynamic camera work, synchronized dialogue, immersive sound design, and blockbuster-style action. The biggest takeaway? When the model understands the story, the final video feels far more like a film than an AI generation.

Most AI videos still look like a collection of random clips. So I challenged Seedance 2.5 on Pollo AI with something much harder—a 30-second Hollywood action trailer. Instead of disconnected scenes, it delivered a cinematic sequence with smooth shot transitions, realistic character performances, dynamic camera work, synchronized dialogue, immersive sound design, and blockbuster-style action. The biggest takeaway? When the model understands the story, the final video feels far more like a film than an AI generation.

Shabnam Parveen

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First frame + Last frame = Fashion ads in minutes. Here’s how I generated this U.S. Polo sequence using Kling 3.0 + Calico AI: → The Input: A start frame and an end frame to lock in the subject and composition. → The Prompt: Don't just ask for a "cool video." Specifically prompted for "slow cinematic push-in," "shallow depth of field," and "micro-parallax" to get that premium brand-film look. → The Output: Motion that looks like a high-budget fashion shoot. Studio shoots are expensive, but AI is leveling the playing field. Comment 'PROMPT' if you want me to send you all of the prompts and the system I used to build this. (must be following so I can dm you!)

David Roberts

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Here’s a better way to think about AI commercial creation: Don’t generate the final ad first. Generate the decisions that make the ad possible. GPT Image 2.5 is coming to CapCut through existing tools like Design Studio and AI Image. For an iPhone Duo concept, I used it to work through the shots, compositions and visual sequence. Then CapCut PC + Seedance 2.5 turned those decisions into a commercial. The rest is refinement. It’s less “AI made an ad for me” and more “AI helped me build the ad." #GPTImage25 #CapCutPC #AIVideo #Seedance25

Here’s a better way to think about AI commercial creation: Don’t generate the final ad first. Generate the decisions that make the ad possible. GPT Image 2.5 is coming to CapCut through existing tools like Design Studio and AI Image. For an iPhone Duo concept, I used it to work through the shots, compositions and visual sequence. Then CapCut PC + Seedance 2.5 turned those decisions into a commercial. The rest is refinement. It’s less “AI made an ad for me” and more “AI helped me build the ad." #GPTImage25 #CapCutPC #AIVideo #Seedance25

Mushfiq Sajib

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Dreamina AI just dropped Dreamina Seedance 2.5 It might completely change how filmmakers create visual stories. Less like an AI video generator More like having a virtual production studio. This is a 50-second video I created using only one prompt and one reference image.

Dreamina AI just dropped Dreamina Seedance 2.5 It might completely change how filmmakers create visual stories. Less like an AI video generator More like having a virtual production studio. This is a 50-second video I created using only one prompt and one reference image.

KICHOCHEZI

390,577 Aufrufe • vor 1 Monat

Sam Altman says he was wrong about AI replacing human jobs “Anytime you’re that wrong and that confident, which I think we were as a field, you have to update. And there’s a bunch of takeaways.” “I definitely would much rather engage with a person than engage with an AI for almost everything. I also think that human values have value because they’re human.” “I think the world wants to know about the person that’s gonna be responsible for the decisions of a company and who they’re gonna hold accountable if they make bad ones. And they don’t really want an AI CEO.” “AI is just very jagged. It’s like superhuman genius in some ways, like dumb toddler in others. And people have so far extremely complementary skills to AI.” “People have a great degree of trust and enjoyment in working with other people. You can go hire an AI consultant right now or talk to an AI sales rep right now or hire an AI engineer or whatever. Somehow most people seem to still really prefer interacting with a human.”

Sam Altman says he was wrong about AI replacing human jobs “Anytime you’re that wrong and that confident, which I think we were as a field, you have to update. And there’s a bunch of takeaways.” “I definitely would much rather engage with a person than engage with an AI for almost everything. I also think that human values have value because they’re human.” “I think the world wants to know about the person that’s gonna be responsible for the decisions of a company and who they’re gonna hold accountable if they make bad ones. And they don’t really want an AI CEO.” “AI is just very jagged. It’s like superhuman genius in some ways, like dumb toddler in others. And people have so far extremely complementary skills to AI.” “People have a great degree of trust and enjoyment in working with other people. You can go hire an AI consultant right now or talk to an AI sales rep right now or hire an AI engineer or whatever. Somehow most people seem to still really prefer interacting with a human.”

dnap

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I wanted to see how far AI video could actually go when you give it a real cinematic story. So I started with one simple idea: a lone astronaut standing on an unknown planet, watching a massive spacecraft emerge from behind the mountains. Then I built the scene with **Seedance 2.5 on Morphic**. The goal wasn’t just to generate a pretty shot. I wanted the whole sequence to feel like one continuous scene — the same character, the same environment, consistent lighting, realistic ocean reflections, atmospheric movement, and a spacecraft that actually feels massive. What surprised me most was how much control you can get over the storytelling. I could take the scene from a wide cinematic establishing shot → to the astronaut’s reaction → to the spacecraft reveal → and finally into a massive energy portal over the ocean. And the best part? I didn’t need a camera, actors, a film crew, or a huge VFX setup. Just the idea, the prompt, and **Morphic**. This is the kind of AI video workflow that makes you rethink what a solo creator can actually produce. Seedance 2.5 is now available on Morphic What would you create with it? 👀

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Scarlett

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HustleBitch

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Elon Musk on Grok: “I think an AI that is sort of SpaceX’s baby will be a very good AI. I think SpaceX is a collection of some of the very best humans on Earth, both in capability and morality and goodness, and I think we want to have an AI that is born of that capability and that morality and that goodness. I think that’s very, very important. So I’d like to encourage people to help out, actually, with the AI hardware on the ground and the AI software and, of course, with the AI satellites. Solar is going to be a very important part of that. The TerraFab will be a very important part of that, but we must also succeed on the software front, and we’re going to be training Grok on the sum total of all SpaceX information. So in a way, it will be trained on you. You will effectively be the parents of the AI. It will inherit your thoughts and ideas and beliefs, and I think that’s a good thing. So, yeah, we’ve got to win here on the AI hardware and the AI software. That maybe is the most important message. I think that is actually the most important message I wanted to convey today is that we must win on AI because the future is overwhelmingly AI and robots. So we won’t ultimately be able to control the AI. It’ll be too smart for that. But just like if you have a child that is a super genius child, you can still instill in that child the values and beliefs that you think are good and right. And so that’s why it’s incredibly important that we succeed with Grok. So, yeah, well, Grok 4.5 you’ve tried probably. We’ve got 4.6 coming out in about a week. And then 4.7 should be really pretty special. So I’d like to encourage everyone at SpaceX to use AI and to make it better.”

Elon Musk on Grok: “I think an AI that is sort of SpaceX’s baby will be a very good AI. I think SpaceX is a collection of some of the very best humans on Earth, both in capability and morality and goodness, and I think we want to have an AI that is born of that capability and that morality and that goodness. I think that’s very, very important. So I’d like to encourage people to help out, actually, with the AI hardware on the ground and the AI software and, of course, with the AI satellites. Solar is going to be a very important part of that. The TerraFab will be a very important part of that, but we must also succeed on the software front, and we’re going to be training Grok on the sum total of all SpaceX information. So in a way, it will be trained on you. You will effectively be the parents of the AI. It will inherit your thoughts and ideas and beliefs, and I think that’s a good thing. So, yeah, we’ve got to win here on the AI hardware and the AI software. That maybe is the most important message. I think that is actually the most important message I wanted to convey today is that we must win on AI because the future is overwhelmingly AI and robots. So we won’t ultimately be able to control the AI. It’ll be too smart for that. But just like if you have a child that is a super genius child, you can still instill in that child the values and beliefs that you think are good and right. And so that’s why it’s incredibly important that we succeed with Grok. So, yeah, well, Grok 4.5 you’ve tried probably. We’ve got 4.6 coming out in about a week. And then 4.7 should be really pretty special. So I’d like to encourage everyone at SpaceX to use AI and to make it better.”

DogeDesigner

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Watters on floods: There's a school of thought in the left that says the more people you have, the better results you get.. Look at the golden age of Hollywood. Back in the day they had one studio head. He was the risk taker and made all the decisions and had an army of writers and producers. He would approve a script and get it up. Then a box office hit. Today, I don't know, there's an army of executives that they have so many people making decisions that no decision ever gets done. So they just have to reboot old hits like that's why you have jurassic park 17.

Watters on floods: There's a school of thought in the left that says the more people you have, the better results you get.. Look at the golden age of Hollywood. Back in the day they had one studio head. He was the risk taker and made all the decisions and had an army of writers and producers. He would approve a script and get it up. Then a box office hit. Today, I don't know, there's an army of executives that they have so many people making decisions that no decision ever gets done. So they just have to reboot old hits like that's why you have jurassic park 17.

Acyn

52,448 Aufrufe • vor 1 Jahr

THIS AI CLIP MAKES A 40-PERSON VFX SET LOOK LIKE A 30-SECOND PROMPT what sells it is the sequence, not the monster. you get practical-looking water, blue-screen props, miniatures and crew-style framing before anything impossible happens. 3 different “production” worlds show up in under 40 seconds, but they all feel like they belong to the same fake movie shoot instead of random AI shots stitched together. that opens a much better format than another cinematic clip: build fake BTS around scenes that would normally need stunt teams, creature rigs, miniature sets and days of post-production. with Picsart, i can push the same concept through image, motion and edit while keeping the visual language consistent enough to feel like one production. 1 idea can become 4-6 impossible set pieces, one fake behind-the-scenes reel and multiple cuts for x, reels and tiktok. that is a much stronger use of AI video than just generating one pretty shot.

THIS AI CLIP MAKES A 40-PERSON VFX SET LOOK LIKE A 30-SECOND PROMPT what sells it is the sequence, not the monster. you get practical-looking water, blue-screen props, miniatures and crew-style framing before anything impossible happens. 3 different “production” worlds show up in under 40 seconds, but they all feel like they belong to the same fake movie shoot instead of random AI shots stitched together. that opens a much better format than another cinematic clip: build fake BTS around scenes that would normally need stunt teams, creature rigs, miniature sets and days of post-production. with Picsart, i can push the same concept through image, motion and edit while keeping the visual language consistent enough to feel like one production. 1 idea can become 4-6 impossible set pieces, one fake behind-the-scenes reel and multiple cuts for x, reels and tiktok. that is a much stronger use of AI video than just generating one pretty shot.

fleyta

4,795,140 Aufrufe • vor 2 Tagen

Zara Larsson accepts the Breakthrough award at the ‘Billboard Women In Music 2026’. #BBWomenInMusic “[…] I’m not new and there are so many years of hard work behind an overnight success or a breakthrough. I’ve been an artist for over a decade now but lately things have really changed for me in my life and my career. So I’ve been trying to figure out what was it that happened? What was it that made the change happen? And when I was younger I wanted to be the best so bad and the annoying part of being the best in any art is that it’s subjective and you just have to, what I learned is that you have to be the most you because only you could be the best of that. And I feel like I become the most me around amazing women. So I didn’t suddenly become a better performer. I just changed who I was around and that was my breakthrough…”

Zara Larsson accepts the Breakthrough award at the ‘Billboard Women In Music 2026’. #BBWomenInMusic “[…] I’m not new and there are so many years of hard work behind an overnight success or a breakthrough. I’ve been an artist for over a decade now but lately things have really changed for me in my life and my career. So I’ve been trying to figure out what was it that happened? What was it that made the change happen? And when I was younger I wanted to be the best so bad and the annoying part of being the best in any art is that it’s subjective and you just have to, what I learned is that you have to be the most you because only you could be the best of that. And I feel like I become the most me around amazing women. So I didn’t suddenly become a better performer. I just changed who I was around and that was my breakthrough…”

Updates Zara Larsson

210,289 Aufrufe • vor 5 Monaten

AI can give actors jobs, not replace them. Many years ago, I was lucky to work on the LucasArts game "Full Throttle" by TimOfLegend. I worked on the opening cinematic (back then called cutscenes!), and it was always one of my favorite games of that era, and the one I felt had the most potential to be a film. It felt like a movie. A few weeks ago, I had an idea for a new FilmSpark.ai demo: a biker bar scene. Then I said, "Hey, let's make it the bar from Full Throttle!" Just for fun. That's when I was pointed to the Peter screenplay for Full Throttle. It was cool to see someone else thought this had film potential too. After reading the screenplay, and seeing how he kept the opening cinematic mainly intact, we decided to make a proof-of-concept AI teaser, recreating the opening cinematic as accurately as we could. We used the original audio for authenticity. Hamilton Camp's Corley felt a little cartoonish on the AI character, which was weird but cool. Mark Hamill's Ripburger worked even better. Our goal is something becoming very common in Hollywood right now: using AI to create a sizzle trailer to get a film funded. Think of it as the new graphic novel. We want to use AI to get a film greenlit with real actors, shot on location, and use AI for VFX as needed. To be clear, we are not advocating for an "AI Full Throttle film." This is one way Hollywood is using AI, behind the scenes.

AI can give actors jobs, not replace them. Many years ago, I was lucky to work on the LucasArts game "Full Throttle" by TimOfLegend. I worked on the opening cinematic (back then called cutscenes!), and it was always one of my favorite games of that era, and the one I felt had the most potential to be a film. It felt like a movie. A few weeks ago, I had an idea for a new FilmSpark.ai demo: a biker bar scene. Then I said, "Hey, let's make it the bar from Full Throttle!" Just for fun. That's when I was pointed to the Peter screenplay for Full Throttle. It was cool to see someone else thought this had film potential too. After reading the screenplay, and seeing how he kept the opening cinematic mainly intact, we decided to make a proof-of-concept AI teaser, recreating the opening cinematic as accurately as we could. We used the original audio for authenticity. Hamilton Camp's Corley felt a little cartoonish on the AI character, which was weird but cool. Mark Hamill's Ripburger worked even better. Our goal is something becoming very common in Hollywood right now: using AI to create a sizzle trailer to get a film funded. Think of it as the new graphic novel. We want to use AI to get a film greenlit with real actors, shot on location, and use AI for VFX as needed. To be clear, we are not advocating for an "AI Full Throttle film." This is one way Hollywood is using AI, behind the scenes.

MikeL_FilmSpark

19,106 Aufrufe • vor 3 Monaten

A cinematic artist in the gaming industry gave harsh critiques of this Halo Campaign Evolved cinematic on LinkedIn: “It's hard to believe that this Cinematic for one of gaming's most iconic levels is what Halo Studios is shipping, but it appears to be. From the original 18-second cinematic, which had: -A great establishing shot, showing the scale of the area, reinforcing the rings grand architecture -Sleeping grunts, foreshadowing upcoming ambush gameplay (you're making a game, remember?) -A quick gag of the grunts running scared We now have a bloated 30-second cinematic of: -A more constrained establishing shot. -Doorway framing, a cinematic language of its own not appropriate for a scene like this -Grunts awkwardly... arguing? Standing around? Flailing their arms? What are they even doing? Why are we watching them do this for so long? -A stupid compression-effect shot on the grunt, so clearly made by someone just ITCHING to make a shot like this -Inappropriate for Halo, an enemy, and for a character who you cant even see the face of. -The cherry on top is the fully disconnected lighting between the cinematic and the gameplay space as the cinematic ends Stuff like this needs to be rightly criticized, and all the more for remakes, which should have none of the confusion and cross-department bickering as new games might. You're remaking a game. You know the space. You know the story. You should know the intent.”

A cinematic artist in the gaming industry gave harsh critiques of this Halo Campaign Evolved cinematic on LinkedIn: “It's hard to believe that this Cinematic for one of gaming's most iconic levels is what Halo Studios is shipping, but it appears to be. From the original 18-second cinematic, which had: -A great establishing shot, showing the scale of the area, reinforcing the rings grand architecture -Sleeping grunts, foreshadowing upcoming ambush gameplay (you're making a game, remember?) -A quick gag of the grunts running scared We now have a bloated 30-second cinematic of: -A more constrained establishing shot. -Doorway framing, a cinematic language of its own not appropriate for a scene like this -Grunts awkwardly... arguing? Standing around? Flailing their arms? What are they even doing? Why are we watching them do this for so long? -A stupid compression-effect shot on the grunt, so clearly made by someone just ITCHING to make a shot like this -Inappropriate for Halo, an enemy, and for a character who you cant even see the face of. -The cherry on top is the fully disconnected lighting between the cinematic and the gameplay space as the cinematic ends Stuff like this needs to be rightly criticized, and all the more for remakes, which should have none of the confusion and cross-department bickering as new games might. You're remaking a game. You know the space. You know the story. You should know the intent.”

Rebs Gaming

309,191 Aufrufe • vor 3 Monaten

phuncal [phuncal] I live and work in Beijing as an animation director and screenwriter, and also a trainee techno music producer and a fan of old movies. I initially loved painting, but when I was introduced to film I realized that this is what I would like to pursue for the rest of my life. After graduating from the Beijing Film Academy, I worked on many animated films, commercials and series, experimenting with a variety of artistic styles, and in 2008, I founded Shockunit Studio, which is dedicated to the development and production of original projects. Animation is the language I use to communicate with reality.

phuncal [phuncal] I live and work in Beijing as an animation director and screenwriter, and also a trainee techno music producer and a fan of old movies. I initially loved painting, but when I was introduced to film I realized that this is what I would like to pursue for the rest of my life. After graduating from the Beijing Film Academy, I worked on many animated films, commercials and series, experimenting with a variety of artistic styles, and in 2008, I founded Shockunit Studio, which is dedicated to the development and production of original projects. Animation is the language I use to communicate with reality.

Crypto Moments

23,159 Aufrufe • vor 2 Jahren

Nobody's talking about the Claude trick that fixes every Seedance 2.0 video mistake. A cinematic action scene, an animated sequence, a product ad, and a dialogue scene are completely different types of content. Different camera language, different pacing, different reference logic. Most people try to force all of it through one universal prompt. The fix turns out to be simpler than expected: Claude Skills. It's not some secret hack. It's a file of instructions you load into Claude for one specific type of task. Once it's loaded, Claude stops acting like a general assistant and starts thinking like an expert in that one niche — with its own set of rules for that scene type. Here's what that looks like in practice: ▪ Cinematic skill — generates real camera language: dolly moves, crane shots, rack focus, shot discipline across multiple cuts. Test: a medieval battle between two armies, 15 seconds, dark fantasy. Result — three shots with the shot logic of an actual film, not just "epic battle" typed as text. ▪ Animation skill — locks in style and physics before a single shot is built. One test: a rain-soaked shonen fight in the style of Tokyo Revengers. Another: a quiet Ghibli-style farm scene. Same skill, completely different visual output — because the style gets fixed at the very top of the prompt. ▪ Product ad skill — keeps the product front and center in every shot: clean hero framing, commercial lighting, a full product description built from the reference image before any shots are generated. ▪ Dialogue skill — this is where most people fall apart. Lip sync, emotional direction, shot structure, and audio cues all have to work together. Test: an interrogation scene with a fourth-wall break — and the moment landed exactly as written, down to the pause and tone. The core idea is simple: instead of writing a prompt from scratch every time and hoping for the best, you build one skill per content type — and Claude asks the right setup questions (genre, tone, shot count, camera energy) before generating a fully structured Seedance 2.0 prompt. One prompt template for everything is exactly why 90% of AI videos look the same. This 13-minute video is free, and it's more useful than a $500 course. YouTube: "Skai Generated" - Thank you for sharing this invaluable material with us.

Nobody's talking about the Claude trick that fixes every Seedance 2.0 video mistake. A cinematic action scene, an animated sequence, a product ad, and a dialogue scene are completely different types of content. Different camera language, different pacing, different reference logic. Most people try to force all of it through one universal prompt. The fix turns out to be simpler than expected: Claude Skills. It's not some secret hack. It's a file of instructions you load into Claude for one specific type of task. Once it's loaded, Claude stops acting like a general assistant and starts thinking like an expert in that one niche — with its own set of rules for that scene type. Here's what that looks like in practice: ▪ Cinematic skill — generates real camera language: dolly moves, crane shots, rack focus, shot discipline across multiple cuts. Test: a medieval battle between two armies, 15 seconds, dark fantasy. Result — three shots with the shot logic of an actual film, not just "epic battle" typed as text. ▪ Animation skill — locks in style and physics before a single shot is built. One test: a rain-soaked shonen fight in the style of Tokyo Revengers. Another: a quiet Ghibli-style farm scene. Same skill, completely different visual output — because the style gets fixed at the very top of the prompt. ▪ Product ad skill — keeps the product front and center in every shot: clean hero framing, commercial lighting, a full product description built from the reference image before any shots are generated. ▪ Dialogue skill — this is where most people fall apart. Lip sync, emotional direction, shot structure, and audio cues all have to work together. Test: an interrogation scene with a fourth-wall break — and the moment landed exactly as written, down to the pause and tone. The core idea is simple: instead of writing a prompt from scratch every time and hoping for the best, you build one skill per content type — and Claude asks the right setup questions (genre, tone, shot count, camera energy) before generating a fully structured Seedance 2.0 prompt. One prompt template for everything is exactly why 90% of AI videos look the same. This 13-minute video is free, and it's more useful than a $500 course. YouTube: "Skai Generated" - Thank you for sharing this invaluable material with us.

Zentrix⌚️

45,874 Aufrufe • vor 2 Monaten

Netflix just made the most DANGEROUS move in Hollywood. They didn't buy Warner Bros but instead bought something far more threatening. An AI company, built in secret and founded by one of Hollywood's own. Ben Affleck. The company is called InterPositive and you've never heard of it. And that was the point. Affleck quietly registered it under a shell company called Fin Bone LLC. He filed patents under his legal name. He built a proprietary AI dataset on a closed soundstage, all while making movies. Here's what InterPositive does. It takes the raw footage from a film shoot, the dailies and trains a custom AI model on it. That model can then relight scenes, reframe shots, remove stunt wires, fix missing angles, color correct entire films and add visual effects. Work that currently employs thousands of people in post production. Netflix now owns all of it, exclusively and no other studio gets access. Think about the timing. One week ago, Netflix walked away from an $83 billion bid to buy Warner Bros. Wall Street cheered and the stock jumped 14%. Days later, they quietly acquired the technology that could make traditional studios obsolete. They just bought Hollywood's replacement. And they made Ben Affleck an Oscar winner, a director, a guy people trust, the face of it. SAG-AFTRA's contract expires in June. AI is the single biggest issue on the table and the last fight over AI shut Hollywood down for months in 2023. And Netflix just acquired an AI production company, right before negotiations. They're calling it tools for filmmakers and they say it empowers storytellers. That's what they always say. The real question, how many jobs disappear when a machine can do in seconds what a VFX team does in weeks? Netflix won't answer that but the technology already did.

Netflix just made the most DANGEROUS move in Hollywood. They didn't buy Warner Bros but instead bought something far more threatening. An AI company, built in secret and founded by one of Hollywood's own. Ben Affleck. The company is called InterPositive and you've never heard of it. And that was the point. Affleck quietly registered it under a shell company called Fin Bone LLC. He filed patents under his legal name. He built a proprietary AI dataset on a closed soundstage, all while making movies. Here's what InterPositive does. It takes the raw footage from a film shoot, the dailies and trains a custom AI model on it. That model can then relight scenes, reframe shots, remove stunt wires, fix missing angles, color correct entire films and add visual effects. Work that currently employs thousands of people in post production. Netflix now owns all of it, exclusively and no other studio gets access. Think about the timing. One week ago, Netflix walked away from an $83 billion bid to buy Warner Bros. Wall Street cheered and the stock jumped 14%. Days later, they quietly acquired the technology that could make traditional studios obsolete. They just bought Hollywood's replacement. And they made Ben Affleck an Oscar winner, a director, a guy people trust, the face of it. SAG-AFTRA's contract expires in June. AI is the single biggest issue on the table and the last fight over AI shut Hollywood down for months in 2023. And Netflix just acquired an AI production company, right before negotiations. They're calling it tools for filmmakers and they say it empowers storytellers. That's what they always say. The real question, how many jobs disappear when a machine can do in seconds what a VFX team does in weeks? Netflix won't answer that but the technology already did.

StockMarket.News

3,739,324 Aufrufe • vor 6 Monaten

Elon Musk explains the deeper reason why SpaceX succeeding in AI matters for humanity’s future "It's important that we have an AI that cares about humanity, that fosters humanity and helps take us to other planets and other star systems This is why I think it's essential that SpaceX succeed not just with AI hardware, but also with AI software. I think an AI that is SpaceX's baby will be a very good AI SpaceX is a collection some of the very best humans on Earth, both in capability and in morality and goodness. We want to have an AI that is born of that capability, that morality and that goodness. I think that's very, very important So I'd like to encourage people to help out with the AI hardware on the ground, the AI software, and of course with the AI satellites Solar is going to be a very important part of that. The Terafab will be a very important part of that”

Elon Musk explains the deeper reason why SpaceX succeeding in AI matters for humanity’s future "It's important that we have an AI that cares about humanity, that fosters humanity and helps take us to other planets and other star systems This is why I think it's essential that SpaceX succeed not just with AI hardware, but also with AI software. I think an AI that is SpaceX's baby will be a very good AI SpaceX is a collection some of the very best humans on Earth, both in capability and in morality and goodness. We want to have an AI that is born of that capability, that morality and that goodness. I think that's very, very important So I'd like to encourage people to help out with the AI hardware on the ground, the AI software, and of course with the AI satellites Solar is going to be a very important part of that. The Terafab will be a very important part of that”

X Freeze

29,787 Aufrufe • vor 1 Monat