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Widowmaker & Tracers one night stand! widowmaker Missus🎙️🔞💋 | COMMS OPEN Tracer ⭐Gemini Starsign⭐🔞🎙 SFX PACK:HentAudio 🇺🇦 🟢COMMS OPEN🟢 OpenNSFW 🟣 Available Now Audio work LewdSound V2🔞🔊(COMMISSIONS OPEN) for early animations and more, see the link in bio

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smeshher (commissions open)

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m0h

12,061 Aufrufe • vor 3 Monaten

Suno's mission is to make it possible for everyone to make music. We imagine a future where music is a bigger, more valuable, and more meaningful part of people's lives than it even is today. Technology enables a future where the whole world can explore, create, and be active participants in an art form most have only ever consumed. From professional musicians seeking inspiration to friends and family writing songs for each other, we are exploring new ways to create, listen to, and experience music. So far, more than 12 million people are engaging with music in new ways that wouldn't be possible without Suno. We see this as early but promising progress. Major record labels see this vision as a threat to their business. Each and every time there's been innovation in music — from the earliest forms of recorded music, to sampling, to drum machines, to remixing, MP3s, and streaming music — the record labels have attempted to limit progress. They have spent decades attempting to control the terms of how we create and enjoy music, and this time is no different. So, it is perhaps not a surprise that on June 24th, members of the Recording Industry Association of America, which represents the major record labels, filed a lawsuit against Suno, alleging that the data used in training our music generation technologies infringed on the copyrights of the major record labels that they represent. This lawsuit is fundamentally flawed on both the facts and the law, and is nothing more than yet another instance where they chose litigation over innovation. For starters, the major record labels clearly hold misconceptions about how our technology works. Suno helps people create music through a similar process to one humans have used forever: by learning styles, patterns, and forms (in essence, the "grammar" or music), and then inventing new music around them. The major record labels are trying to argue that neural networks are mere parrots — copying and repeating — when in reality model training looks a lot more like a kid learning to write new rock songs by listening religiously to rock music. Like that kid, Suno gets better the more our AI learns. We train our models on medium- and high-quality music we can find on the open internet — just as Google's Gemini, Microsoft's Copilot, Anthropic's Claude, OpenAI's ChatGPT, and even Apple's new Apple Intelligence train their models on the open internet. Much of the open internet indeed contains copyrighted materials, and some of it is owned by major record labels. But, just like the kid writing their own rock songs after listening to the genre — or a teacher or a journalist reviewing existing materials to draw new insights — learning is not infringing. It never has been, and it is not now. The timing of this lawsuit was somewhat surprising. When this lawsuit landed, Suno was, in fact, having productive discussions with a number of the RIAA's major record label members to find ways of expanding the pie for music together. We did so not because we had to, but because we believe that the music industry could help us lead this expansion of opportunity for everyone, rather than resisting it. Whether this lawsuit is the result of over-eager lawyers throwing their weight around, or a conscious strategy to gain leverage in our commercial discussions, we believe that this lawsuit is an unnecessary impediment to a larger and more valuable future for music. This is particularly the case because Suno is a new kind of musical instrument, one that enables a new kind of creative process for everyone and opens new business opportunities for the industry. Suno is designed for original music, and we prize originality, both in how we build our product and in how people use it. 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AI allows anyone to realize the songs in their head, regardless of the money, equipment, or connections that they have. The future is an explosion of new artists that are creating music in new ways, building fan bases, finding new reasons to smile, and getting famous. We hope that the major record labels realize that we can build a stronger foundation for the music industry of tomorrow, together. With or without them, we will continue pursuing our mission on behalf of the many millions of music fans already creating with Suno, and all those who will in the coming months. We are excited and humbled to support this next generation of musicians and the music they create. --- 🎥: shing86 jams with Suno
0:28

Suno's mission is to make it possible for everyone to make music. We imagine a future where music is a bigger, more valuable, and more meaningful part of people's lives than it even is today. Technology enables a future where the whole world can explore, create, and be active participants in an art form most have only ever consumed. From professional musicians seeking inspiration to friends and family writing songs for each other, we are exploring new ways to create, listen to, and experience music. So far, more than 12 million people are engaging with music in new ways that wouldn't be possible without Suno. We see this as early but promising progress. Major record labels see this vision as a threat to their business. Each and every time there's been innovation in music — from the earliest forms of recorded music, to sampling, to drum machines, to remixing, MP3s, and streaming music — the record labels have attempted to limit progress. They have spent decades attempting to control the terms of how we create and enjoy music, and this time is no different. So, it is perhaps not a surprise that on June 24th, members of the Recording Industry Association of America, which represents the major record labels, filed a lawsuit against Suno, alleging that the data used in training our music generation technologies infringed on the copyrights of the major record labels that they represent. This lawsuit is fundamentally flawed on both the facts and the law, and is nothing more than yet another instance where they chose litigation over innovation. For starters, the major record labels clearly hold misconceptions about how our technology works. Suno helps people create music through a similar process to one humans have used forever: by learning styles, patterns, and forms (in essence, the "grammar" or music), and then inventing new music around them. The major record labels are trying to argue that neural networks are mere parrots — copying and repeating — when in reality model training looks a lot more like a kid learning to write new rock songs by listening religiously to rock music. Like that kid, Suno gets better the more our AI learns. We train our models on medium- and high-quality music we can find on the open internet — just as Google's Gemini, Microsoft's Copilot, Anthropic's Claude, OpenAI's ChatGPT, and even Apple's new Apple Intelligence train their models on the open internet. Much of the open internet indeed contains copyrighted materials, and some of it is owned by major record labels. But, just like the kid writing their own rock songs after listening to the genre — or a teacher or a journalist reviewing existing materials to draw new insights — learning is not infringing. It never has been, and it is not now. The timing of this lawsuit was somewhat surprising. When this lawsuit landed, Suno was, in fact, having productive discussions with a number of the RIAA's major record label members to find ways of expanding the pie for music together. We did so not because we had to, but because we believe that the music industry could help us lead this expansion of opportunity for everyone, rather than resisting it. Whether this lawsuit is the result of over-eager lawyers throwing their weight around, or a conscious strategy to gain leverage in our commercial discussions, we believe that this lawsuit is an unnecessary impediment to a larger and more valuable future for music. This is particularly the case because Suno is a new kind of musical instrument, one that enables a new kind of creative process for everyone and opens new business opportunities for the industry. Suno is designed for original music, and we prize originality, both in how we build our product and in how people use it. People who use Suno are using the product to create their own, original music. They are not trying to recreate an existing song that can be heard somewhere else on the internet for free. But, even if they were trying to copy existing music, we have myriad controls in place to encourage originality and prevent duplicative use cases. We do so more aggressively than any other company in the industry, including other startups. Some of our originality-guarding features include checking for and preventing copyrighted content in audio uploads, and disallowing artist-based descriptions in requests to generate music. Why do we work to encourage originality? We do this because it makes for a more fun and engaging experience to create entirely original compositions on Suno. We do it because we think it makes Suno incredibly valuable to be a place where new musical talent can shine. AI allows anyone to realize the songs in their head, regardless of the money, equipment, or connections that they have. The future is an explosion of new artists that are creating music in new ways, building fan bases, finding new reasons to smile, and getting famous. We hope that the major record labels realize that we can build a stronger foundation for the music industry of tomorrow, together. With or without them, we will continue pursuing our mission on behalf of the many millions of music fans already creating with Suno, and all those who will in the coming months. We are excited and humbled to support this next generation of musicians and the music they create. --- 🎥: shing86 jams with Suno

Suno

46,955 Aufrufe • vor 2 Jahren

Introducing Open Source AI CRM, that runs on your OpenClaw. A few weeks ago, we launched Ironclaw (An Open Source OpenClaw CRM Framework) which now has around 1.4k stars. A lot of people confused us with NearAI’s Ironclaw, so we changed our name to DenchClaw. OpenClaw today feels a lot like early React: the primitive is incredibly powerful, but the patterns are still forming, and everyone is piecing together their own way to actually use it. What made React explode wasn’t just React itself, but the emergence of frameworks like Gatsby and Next.js that turned raw capability into something opinionated, repeatable, and easy to adopt. That is how I think about DenchClaw. We are not just building on top of OpenClaw; we are trying to make it one of the clearest, most practical, and most complete ways to use OpenClaw in the real world. We are an OpenClaw Framework, we are aiming to be the most correct way to use OpenClaw. We entered Y Combinator with Merse (AI Audio Comic), it was an app that I personally never used. Michael Seibel confronted us on it, and said, “if you aren’t the best user of your consumer app, then who is?”. I now use DenchClaw daily for everything I do, it also works as a coding agent like Cursor, DenchClaw built DenchClaw. I am addicted to DenchClaw now that I can ask it, “hey in the companies table only show me the ones who have more than 5 employees” and it updates it live than me having to manually add a filter. On Dench, everything sits in a file system, the table filters, views, column toggles, calendar/gantt views, etc, so OpenClaw can directly work with it using Dench’s CRM skill. The CRM is built on top of DuckDB, the smallest, most performant and at the same time also feature rich database we could find. It creates a new OpenClaw🦞 profile called “dench”, and opens a new OpenClaw Gateway… that means you can run all your usual openclaw commands by just prefixing every command with `openclaw --profile dench` . It will start your gateway on port 19001 range. You will be able to access the DenchClaw frontend at localhost:3100. Once you open it on Safari, just add it to your Dock to use it as a PWA. Think of it as Cursor for your Mac which is based on OpenClaw. DenchClaw has a file tree view for you to use it as an elevated finder tool to do anything on your mac. I use it to create slides, do LinkedIn outreach using MY browser. DenchClaw sees what you see, does what you do. It’s the everything app, that sits locally on your mac. All yours. Just ask it “hey import my notion”, “hey import everything from my hubspot”, and it will literally go into your browser, export all objects and documents and put it in its own workspace that you can use. P.S. It comes with Garry Tan's GStack built in.
2:39

Introducing Open Source AI CRM, that runs on your OpenClaw. A few weeks ago, we launched Ironclaw (An Open Source OpenClaw CRM Framework) which now has around 1.4k stars. A lot of people confused us with NearAI’s Ironclaw, so we changed our name to DenchClaw. OpenClaw today feels a lot like early React: the primitive is incredibly powerful, but the patterns are still forming, and everyone is piecing together their own way to actually use it. What made React explode wasn’t just React itself, but the emergence of frameworks like Gatsby and Next.js that turned raw capability into something opinionated, repeatable, and easy to adopt. That is how I think about DenchClaw. We are not just building on top of OpenClaw; we are trying to make it one of the clearest, most practical, and most complete ways to use OpenClaw in the real world. We are an OpenClaw Framework, we are aiming to be the most correct way to use OpenClaw. We entered Y Combinator with Merse (AI Audio Comic), it was an app that I personally never used. Michael Seibel confronted us on it, and said, “if you aren’t the best user of your consumer app, then who is?”. I now use DenchClaw daily for everything I do, it also works as a coding agent like Cursor, DenchClaw built DenchClaw. I am addicted to DenchClaw now that I can ask it, “hey in the companies table only show me the ones who have more than 5 employees” and it updates it live than me having to manually add a filter. On Dench, everything sits in a file system, the table filters, views, column toggles, calendar/gantt views, etc, so OpenClaw can directly work with it using Dench’s CRM skill. The CRM is built on top of DuckDB, the smallest, most performant and at the same time also feature rich database we could find. It creates a new OpenClaw🦞 profile called “dench”, and opens a new OpenClaw Gateway… that means you can run all your usual openclaw commands by just prefixing every command with `openclaw --profile dench` . It will start your gateway on port 19001 range. You will be able to access the DenchClaw frontend at localhost:3100. Once you open it on Safari, just add it to your Dock to use it as a PWA. Think of it as Cursor for your Mac which is based on OpenClaw. DenchClaw has a file tree view for you to use it as an elevated finder tool to do anything on your mac. I use it to create slides, do LinkedIn outreach using MY browser. DenchClaw sees what you see, does what you do. It’s the everything app, that sits locally on your mac. All yours. Just ask it “hey import my notion”, “hey import everything from my hubspot”, and it will literally go into your browser, export all objects and documents and put it in its own workspace that you can use. P.S. It comes with Garry Tan's GStack built in.

Mark Rachapoom

19,411 Aufrufe • vor 5 Monaten

Woot woot! THE BIG DAY IS HERE. Eddie AI v2! Download it: It’s been a sprint pace to cover a marathon distance. We launched Eddie AI v1 in October last year. Thousands of new users. Lots of feature requests. Learned a ton. (Yes, Paul Graham is right: ship early and often!) Eddie AI v2 releases three big advancements. And underpinning those decisions are the learnings baked in. 1. Eddie now runs locally on Macs and Windows. Our native apps are out of beta and available to everyone. Video is large. The video files used by video professionals are even larger. No one wants to wait around uploading. Native applications make it MUCH MUCH faster to import and thus much faster to get on with editing. One of the challenges with Eddie is how do we *quickly* get the user to aha – that moment where they can see the magic of this assistant AI video editor – if it takes awhile to upload files. These native applications are a big step towards getting to aha, swiftly, and help deliver on our promise to save customers time. 2. Analyze raw footage, aka logging interviews and B-rolls. Eddie v1 only created edits. But users were asking for a step before the edit too. They want their footage logged – what happened in this shot, who said what, etc – and grouped logically with this metadata back in their video editing application. We released a test of this a month ago. Users were blown away by the accuracy of the AI, the rich descriptions, and how the metadata seamlessly is sent to their video editing application where they can find the right shot when they need. We were blown away by the usage of this feature. Logging is now updated and released to all in v2. 3. Rough cut mode. This is the big dream: Eddie is the AI assistant video editor. There’s a lot of tedious work in video editing. Eddie takes it on. And helps you get to a great story faster. Sorting through hours of interviews and finding great soundbites that can be cut together to form a coherent story is a big step toward this dream. We attempted to do this in v1. But the prompt box was too open ended. People were typing in things like “Cut me a great story” and the subjectivity of the statement led to variable results. So we re-thought the story crafting process. We added friction. YES you read that correctly. We added friction into the product that slows the customer down. BUT they get much better results, reliably. And that trade-off is well worth it. Eddie now takes a step-by-step approach with you on crafting your story. It aligns with you on the story framework and then cuts chapter by chapter with your feedback. What used to take days, now takes minutes. We spent months hacking at LLMs to make them able to provide coherent edits over a longer duration and handle a large amount of source material (aka context-window problem). It’s ready for release. Version 2.0 is here. Download Eddie at
3:48

Woot woot! THE BIG DAY IS HERE. Eddie AI v2! Download it: It’s been a sprint pace to cover a marathon distance. We launched Eddie AI v1 in October last year. Thousands of new users. Lots of feature requests. Learned a ton. (Yes, Paul Graham is right: ship early and often!) Eddie AI v2 releases three big advancements. And underpinning those decisions are the learnings baked in. 1. Eddie now runs locally on Macs and Windows. Our native apps are out of beta and available to everyone. Video is large. The video files used by video professionals are even larger. No one wants to wait around uploading. Native applications make it MUCH MUCH faster to import and thus much faster to get on with editing. One of the challenges with Eddie is how do we *quickly* get the user to aha – that moment where they can see the magic of this assistant AI video editor – if it takes awhile to upload files. These native applications are a big step towards getting to aha, swiftly, and help deliver on our promise to save customers time. 2. Analyze raw footage, aka logging interviews and B-rolls. Eddie v1 only created edits. But users were asking for a step before the edit too. They want their footage logged – what happened in this shot, who said what, etc – and grouped logically with this metadata back in their video editing application. We released a test of this a month ago. Users were blown away by the accuracy of the AI, the rich descriptions, and how the metadata seamlessly is sent to their video editing application where they can find the right shot when they need. We were blown away by the usage of this feature. Logging is now updated and released to all in v2. 3. Rough cut mode. This is the big dream: Eddie is the AI assistant video editor. There’s a lot of tedious work in video editing. Eddie takes it on. And helps you get to a great story faster. Sorting through hours of interviews and finding great soundbites that can be cut together to form a coherent story is a big step toward this dream. We attempted to do this in v1. But the prompt box was too open ended. People were typing in things like “Cut me a great story” and the subjectivity of the statement led to variable results. So we re-thought the story crafting process. We added friction. YES you read that correctly. We added friction into the product that slows the customer down. BUT they get much better results, reliably. And that trade-off is well worth it. Eddie now takes a step-by-step approach with you on crafting your story. It aligns with you on the story framework and then cuts chapter by chapter with your feedback. What used to take days, now takes minutes. We spent months hacking at LLMs to make them able to provide coherent edits over a longer duration and handle a large amount of source material (aka context-window problem). It’s ready for release. Version 2.0 is here. Download Eddie at

Shamir Allibhai

57,672 Aufrufe • vor 1 Jahr

Monthly WINR Protocol Development Update: To begin with, the WINR Protocol has distributed $900,000 to token holders, generated more than $500,000 in pure profit for liquidity providers on WLP, acquired more than 5,000 users, and has almost 9% of the supply burned. In the upcoming months, the WINR Protocol, which has been in production for years, will introduce a range of new products and deployments. These developments will represent the practical and technical evolution to V2 of the protocol. Here are the latest updates and further details as they progress: Progress on WINR Bonanza, Casino Hold'em, and Blackjack is nearing completion. These games are in the final stages of testing. Additional games, including a new type of crash game, have been finalized and are set to debut with the JustBet v2 launch. Take a look at the gameplay videos for a preview. These games achieve the long-term goal of providing a full-suite WINR Game Engine SDK, which can be used to build games with complex logic on-chain with modular smart contract infrastructure. For example, any grid slot game that dominates the iGaming industry could easily be developed on-chain using the WINR Bonanza SDK. - Permissionless Frontend Operator SDK Dashboard Release: March is poised to be a milestone month with the launch of the Frontend Operator SDK dashboards. These dashboards will enable any WINR Labs game to be seamlessly deployed on frontends, marking a significant advancement in protocol accessibility and integration for future games developed by independent iGaming developers. The frontend operator can deploy any game they choose through a few simple steps while utilizing 10,000 WINR per game via the WINR Game Factory smart contract. Each operator is assigned a unique smart contract address(es) for every game they deploy, allowing their revenue to be tracked independently. The deployment process includes instructions on integrating the game as a package into the operator's frontend. In subsequent phases, the games will transition through WINR Chain, streamlining user onboarding steps like wallet connection and token bridging to Arbitrum. This abstraction will make it easy for any web2/web3 platform on any chain to seamlessly integrate WINR-based games with just a few clicks. The new budget system changes how the revenue is calculated on the protocol and will see daylight with frontend operator, Solana, and Fantom deployments. This model was first tested with a lightweight version on and gave a lot of actionable feedback. Shifting from the existing bribe model, which in practice distributes almost half of the edge of the games in volume to WINR holders, the brand-new budget system checks the profitability of WLP. It distributes a larger part of the profit to game providers, frontend operators, and, most importantly, WINR holders. Any time a game's budget is in profit, a part of every loss is distributed to stakeholders. Here is an example: 1. The WINR Bonanza Game has a 10,000 budget for a frontend operator. 2. Let's assume the bet amount was $50, and Bonanza paid back $10 on that spin. That leaves $40 of pure profit. 3. This is distributed amongst 50% to WLP, 20% to frontend operators, 20% to WINR holders, and 10% to game providers. 4. To achieve this, V2 of WINR Liquidity Engine (WLP) will have a buffer for purchasing and selling, working in epochs to determine the above distribution and math. - Solana Deployment and Expansions: Solana audits are in their final phase, and frontend tests are ongoing. Solana launch will be alongside the V2 launch of @JustBetOfficial, with a chain switch available on the top bar. The VRF system WINR developed already is seeing requests from builders around the Solana ecosystem, and this will over time add an extra layer of income to the protocol. Solana's bankroll, at first, will be a lighter version of WLP but will inherit the above-mentioned budgeting system to generate income immediately upon launch. - Fantom Deployment and Expansions: Fantom's upcoming Sonic upgrade, with its 200ms finality and fast block production is a perfect chain for WINR Protocol to expand. Through the partnership with WINR Protocol will tap into a brand new user base on Fantom. The bankroll on Fantom will consist of FTM and stables. The launch is planned for late March or early April. This expansion aims to open up new markets and collaborations with fresh teams. which operates independently, will integrate a broad spectrum of WINR technologies, including WINR Account Abstraction, WINR VRF, and WINR games, marking a pivotal step in WINR Protocol’s journey of horizontal expansion. - XAI VRF Deployment Progress Update: The WINR Account Abstraction Wallet and WINR Verifiable Random Function (VRF) deployment on the XAI 🎮⛓️ is well underway, with the majority of the work completed. This step forward showcases WINR's expansion beyond gambling and trading, highlighting the protocol's adaptability and commitment to broadening decentralized services. The process to automize and permissionlessly let game developers start using WINR VRF by paying (and burning) fees in WINR will launch alongside WINR VRF deployment on XAI and expand to further chains to help DApp builders with the tooling they need. This process will work very similarly to frontend operators, where DApp builders will be able to easily deploy their VRF contract, pay the WINR fees, and enjoy the fastest random number generation transaction, as showcased on @JustBetOfficial for some time. - JustBet v2 Development Update: Set to launch in March, the last testing phase with long-time community members of JustBet V2 is underway. Boasting a completely refreshed look, JustBet v2 aims to captivate more users with its modern features, a significant upgrade from the classic JustBet designed in 2019. Expect dynamic animations and a user experience that rivals traditional web2 casinos, setting a new standard for online gambling platforms and serving once again as proof of concept for all the new WINR features and infrastructure set to launch over the coming months. As always, WINR Labs simultaneously develops protocol infrastructure and platform to best address the needs of one and only goal: horizontal expansion. Easter eggs: Upcoming Gitbook update with all the technical information of WINR V2. CEX listing. Detailed product pages on WINR web. Pyth competitions. WIP-4 and WIP-5 are ready to deploy. And an 🪂
0:18

Monthly WINR Protocol Development Update: To begin with, the WINR Protocol has distributed $900,000 to token holders, generated more than $500,000 in pure profit for liquidity providers on WLP, acquired more than 5,000 users, and has almost 9% of the supply burned. In the upcoming months, the WINR Protocol, which has been in production for years, will introduce a range of new products and deployments. These developments will represent the practical and technical evolution to V2 of the protocol. Here are the latest updates and further details as they progress: Progress on WINR Bonanza, Casino Hold'em, and Blackjack is nearing completion. These games are in the final stages of testing. Additional games, including a new type of crash game, have been finalized and are set to debut with the JustBet v2 launch. Take a look at the gameplay videos for a preview. These games achieve the long-term goal of providing a full-suite WINR Game Engine SDK, which can be used to build games with complex logic on-chain with modular smart contract infrastructure. For example, any grid slot game that dominates the iGaming industry could easily be developed on-chain using the WINR Bonanza SDK. - Permissionless Frontend Operator SDK Dashboard Release: March is poised to be a milestone month with the launch of the Frontend Operator SDK dashboards. These dashboards will enable any WINR Labs game to be seamlessly deployed on frontends, marking a significant advancement in protocol accessibility and integration for future games developed by independent iGaming developers. The frontend operator can deploy any game they choose through a few simple steps while utilizing 10,000 WINR per game via the WINR Game Factory smart contract. Each operator is assigned a unique smart contract address(es) for every game they deploy, allowing their revenue to be tracked independently. The deployment process includes instructions on integrating the game as a package into the operator's frontend. In subsequent phases, the games will transition through WINR Chain, streamlining user onboarding steps like wallet connection and token bridging to Arbitrum. This abstraction will make it easy for any web2/web3 platform on any chain to seamlessly integrate WINR-based games with just a few clicks. The new budget system changes how the revenue is calculated on the protocol and will see daylight with frontend operator, Solana, and Fantom deployments. This model was first tested with a lightweight version on and gave a lot of actionable feedback. Shifting from the existing bribe model, which in practice distributes almost half of the edge of the games in volume to WINR holders, the brand-new budget system checks the profitability of WLP. It distributes a larger part of the profit to game providers, frontend operators, and, most importantly, WINR holders. Any time a game's budget is in profit, a part of every loss is distributed to stakeholders. Here is an example: 1. The WINR Bonanza Game has a 10,000 budget for a frontend operator. 2. Let's assume the bet amount was $50, and Bonanza paid back $10 on that spin. That leaves $40 of pure profit. 3. This is distributed amongst 50% to WLP, 20% to frontend operators, 20% to WINR holders, and 10% to game providers. 4. To achieve this, V2 of WINR Liquidity Engine (WLP) will have a buffer for purchasing and selling, working in epochs to determine the above distribution and math. - Solana Deployment and Expansions: Solana audits are in their final phase, and frontend tests are ongoing. Solana launch will be alongside the V2 launch of @JustBetOfficial, with a chain switch available on the top bar. The VRF system WINR developed already is seeing requests from builders around the Solana ecosystem, and this will over time add an extra layer of income to the protocol. Solana's bankroll, at first, will be a lighter version of WLP but will inherit the above-mentioned budgeting system to generate income immediately upon launch. - Fantom Deployment and Expansions: Fantom's upcoming Sonic upgrade, with its 200ms finality and fast block production is a perfect chain for WINR Protocol to expand. Through the partnership with WINR Protocol will tap into a brand new user base on Fantom. The bankroll on Fantom will consist of FTM and stables. The launch is planned for late March or early April. This expansion aims to open up new markets and collaborations with fresh teams. which operates independently, will integrate a broad spectrum of WINR technologies, including WINR Account Abstraction, WINR VRF, and WINR games, marking a pivotal step in WINR Protocol’s journey of horizontal expansion. - XAI VRF Deployment Progress Update: The WINR Account Abstraction Wallet and WINR Verifiable Random Function (VRF) deployment on the XAI 🎮⛓️ is well underway, with the majority of the work completed. This step forward showcases WINR's expansion beyond gambling and trading, highlighting the protocol's adaptability and commitment to broadening decentralized services. The process to automize and permissionlessly let game developers start using WINR VRF by paying (and burning) fees in WINR will launch alongside WINR VRF deployment on XAI and expand to further chains to help DApp builders with the tooling they need. This process will work very similarly to frontend operators, where DApp builders will be able to easily deploy their VRF contract, pay the WINR fees, and enjoy the fastest random number generation transaction, as showcased on @JustBetOfficial for some time. - JustBet v2 Development Update: Set to launch in March, the last testing phase with long-time community members of JustBet V2 is underway. Boasting a completely refreshed look, JustBet v2 aims to captivate more users with its modern features, a significant upgrade from the classic JustBet designed in 2019. Expect dynamic animations and a user experience that rivals traditional web2 casinos, setting a new standard for online gambling platforms and serving once again as proof of concept for all the new WINR features and infrastructure set to launch over the coming months. As always, WINR Labs simultaneously develops protocol infrastructure and platform to best address the needs of one and only goal: horizontal expansion. Easter eggs: Upcoming Gitbook update with all the technical information of WINR V2. CEX listing. Detailed product pages on WINR web. Pyth competitions. WIP-4 and WIP-5 are ready to deploy. And an 🪂

WINR

37,919 Aufrufe • vor 2 Jahren

Gm! Our recent acquisition of 6529 Gradient #96 meant to orient our mission going forward, after 5 years of grassroots building. Today, we announce our biggest Common Good project yet, Formosa 6529, a permanent IRL exhibition of The Memes and 6529 network NFTs: Catch our founder HugoFaz.6529 on justinaversano's Moments of the Unknown to hear all about it, visit the website above or read more below. Common Goods are meant to reach and benefit the masses. The 6529 network has been funding and buidling over the years a massive public cultural archive of CC0 Art — intellectual property that belongs to all — in a revolutionary change of paradigm. However, the scale and cultural significance of The Memes as an art collection/movement has so far remained largely untapped. Beyond our core web3 communities, few ever get see, interact, much less use this vast archive to... spread the memes of decentralization, foster local creative economies, educate about crypto, monetize with branding, repurpose content, teach and learn creative techniques, or even just to enjoy amazing, groundbreaking art. There is no other CC0 contemporary art project of this scale and importance and the world needs to use it. It's time then we give 6529 its first permanent IRL home so it can be truly appreciated. Enter Formosa, a prime public gallery space built during Brazil's golden modernist years in the first half of the 20th century to host art events that aimed to deconstruct and repurpose the imported, colonialist artistic trends coming from Europe and devise an original brazilian art movement. From fusion restaurants to art schools to performative theater installations, Formosa Gallery thrived through successive occupations until finally enduring decades of abandon and misuse around the turn of the century. Recently, it was set to be restored and given purpose beyond its former glory, and we were there to propose the best possible turnaround for the space... Over years of negotiation with private and governmental parties, we managed to approve with public authorities a double use for the space: a private high-fidelity vinyl listening bar and restaurant — which is already operating — and a 100% public domain digital art gallery. Featuring up to 25 state-of-the-art digital screens ranging from 85 to 50 inches, Formosa 6529 will be the best and largest dedicated permanent exhibition of any web3 project. With rotating exhibitions of The Memes, NextGen and all future 6529 projects, Brain will have direct input on exhibitions via decentralized voting on curatorial proposals made by the community. To give us institutional freedom and censorship resistance, we decided to fully decentralize the funding for Formosa Gallery's installation and operation. Let's find out together what happens when we unleash CC0 art to the public! Daytime, Formosa 6529 will be fully open for free visitation. Occupying a busy public passageway under the historic Tea Bridge linking the Municipal Theatre to the City Hall, intentional visitors and hundreds of passerbys alike will be impacted by the exhibits. We will host many activities to showcase the power of The Memes and CC0 art: royalty-free merch sales by local craftspeople, artist rememe competitions, school guided tours, meme fashion shows, art and tech workshops, and many other activations the network can help us come up with. And every night, the Hi-Fi audience of 300-400 affluent Paulistas and tourists occupy Formosa Gallery sipping drinks and (now) discussing the latest Memes exhibit while waiting for their place in the listening bar. The Fundraiser for Formosa 6529 is open now and runs until November 15th. At a glance : The initial funding will require a minimum of 24 Ξ, which will cover: - All necessary infrastructure and interior adaptations - Equipment purchase and installation - Overhead costs for the grand opening event and for the entire 1st year of operation, opening day and night (mostly human resources – guides, security, tech, comms – and taxes) Funding will happen in 2 stages, the first of which is now open: 30 Meme Card Artists have generously committed to create and donate a new piece for this fundraiser; their names will be announced over the course of these 2 weeks. The unrevealed 1-of-1s are available here: Contributions are fully refundable if the fundraiser does not reach minimum threshold. If we succeed, the works will be revealed live in a randomized draw during the Grand Opening in January. The second stage will consist of a Meme Card, to allow for wider network participation, and only happens after the first stage is successful. Please visit for more information on funding rewards and goals, the FAQ, or reach out here or dm us at 6529 with any questions! This project is only possible due to the power of web3 and the network of believers in a decentralized future powered by NFTs. We can't wait to bring Formosa to life, and to have you here IRL with us for the exhibitions and to have a great time.
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Gm! Our recent acquisition of 6529 Gradient #96 meant to orient our mission going forward, after 5 years of grassroots building. Today, we announce our biggest Common Good project yet, Formosa 6529, a permanent IRL exhibition of The Memes and 6529 network NFTs: Catch our founder HugoFaz.6529 on justinaversano's Moments of the Unknown to hear all about it, visit the website above or read more below. Common Goods are meant to reach and benefit the masses. The 6529 network has been funding and buidling over the years a massive public cultural archive of CC0 Art — intellectual property that belongs to all — in a revolutionary change of paradigm. However, the scale and cultural significance of The Memes as an art collection/movement has so far remained largely untapped. Beyond our core web3 communities, few ever get see, interact, much less use this vast archive to... spread the memes of decentralization, foster local creative economies, educate about crypto, monetize with branding, repurpose content, teach and learn creative techniques, or even just to enjoy amazing, groundbreaking art. There is no other CC0 contemporary art project of this scale and importance and the world needs to use it. It's time then we give 6529 its first permanent IRL home so it can be truly appreciated. Enter Formosa, a prime public gallery space built during Brazil's golden modernist years in the first half of the 20th century to host art events that aimed to deconstruct and repurpose the imported, colonialist artistic trends coming from Europe and devise an original brazilian art movement. From fusion restaurants to art schools to performative theater installations, Formosa Gallery thrived through successive occupations until finally enduring decades of abandon and misuse around the turn of the century. Recently, it was set to be restored and given purpose beyond its former glory, and we were there to propose the best possible turnaround for the space... Over years of negotiation with private and governmental parties, we managed to approve with public authorities a double use for the space: a private high-fidelity vinyl listening bar and restaurant — which is already operating — and a 100% public domain digital art gallery. Featuring up to 25 state-of-the-art digital screens ranging from 85 to 50 inches, Formosa 6529 will be the best and largest dedicated permanent exhibition of any web3 project. With rotating exhibitions of The Memes, NextGen and all future 6529 projects, Brain will have direct input on exhibitions via decentralized voting on curatorial proposals made by the community. To give us institutional freedom and censorship resistance, we decided to fully decentralize the funding for Formosa Gallery's installation and operation. Let's find out together what happens when we unleash CC0 art to the public! Daytime, Formosa 6529 will be fully open for free visitation. Occupying a busy public passageway under the historic Tea Bridge linking the Municipal Theatre to the City Hall, intentional visitors and hundreds of passerbys alike will be impacted by the exhibits. We will host many activities to showcase the power of The Memes and CC0 art: royalty-free merch sales by local craftspeople, artist rememe competitions, school guided tours, meme fashion shows, art and tech workshops, and many other activations the network can help us come up with. And every night, the Hi-Fi audience of 300-400 affluent Paulistas and tourists occupy Formosa Gallery sipping drinks and (now) discussing the latest Memes exhibit while waiting for their place in the listening bar. The Fundraiser for Formosa 6529 is open now and runs until November 15th. At a glance : The initial funding will require a minimum of 24 Ξ, which will cover: - All necessary infrastructure and interior adaptations - Equipment purchase and installation - Overhead costs for the grand opening event and for the entire 1st year of operation, opening day and night (mostly human resources – guides, security, tech, comms – and taxes) Funding will happen in 2 stages, the first of which is now open: 30 Meme Card Artists have generously committed to create and donate a new piece for this fundraiser; their names will be announced over the course of these 2 weeks. The unrevealed 1-of-1s are available here: Contributions are fully refundable if the fundraiser does not reach minimum threshold. If we succeed, the works will be revealed live in a randomized draw during the Grand Opening in January. The second stage will consist of a Meme Card, to allow for wider network participation, and only happens after the first stage is successful. Please visit for more information on funding rewards and goals, the FAQ, or reach out here or dm us at 6529 with any questions! This project is only possible due to the power of web3 and the network of believers in a decentralized future powered by NFTs. We can't wait to bring Formosa to life, and to have you here IRL with us for the exhibitions and to have a great time.

CasaNUA.6529

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