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Wisper controlled Topson's emotion #Dota2 #TI2026 #TI15

GosuGamers Dota 2

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46,718 Aufrufe • vor 2 Tagen •via X (Twitter)

Gaming #Dota2 #TI2026 #TI15

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Gary Moore’s rendition of “The Sky Is crying” performed in London, 1993. If you want to hear a guitar sing or cry, listen to this man. With controlled aggression and soft touches, his ability to convey emotion through his guitar is unparalleled. He is missed. RIP.

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What if voice AI could understand context, intent, and emotion — not just words? 🎙️ Meet Seed Speech 2.0. A new speech AI stack designed for natural, expressive conversations — with major upgrades in both text-to-speech (TTS) and speech recognition (ASR). Built for developers and creators who want natural conversational speech. What’s inside: - Natural and expressive speech generation - Prompt-controlled emotion and tone - High-accuracy multilingual recognition - Strong contextual reasoning Built for: 🎧 Voice content creation 🤖 AI assistants ☎️ Customer service 🎬 Dubbing & subtitling 📊 Audio-video analysis Voice AI built for expression, accuracy, and understanding. Try it now → Read more about Seed Speech here → #SeedSpeech #VoiceAI #SpeechAI #AI

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BytePlus

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"Weeping may be the closest experience human beings have to actual enlightenment. Because in weeping, you have given up. You've broken down. Whatever control you wanted over the world has slipped out of your hands. Whatever way you wanted to keep heartbreak at bay, whatever way you wanted to keep grief at bay, they've all been broken down by the grief, the loss, the person leaving you, by the diagnosis you've just been given in the hospital. You've actually dropped down below this perimeter, and it breaks apart through that overflow of emotions. The reason you're weeping is you haven't built a body that can hold that revelation. But now you're just about to do it. You're breaking open this controlled edge that you've had, and it's breaking out of there. You're becoming larger through the weeping. It's worth trying to have a practice of weeping, even if you can't go into full weeping, to feel the emotion as much as you can, because emotion is a doorway to something much deeper. Camus, the great French philosopher, said: 'live to the point of tears.'" — David Whyte

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Here’s my prayer for all those working for the #IHSA under assistant executive director Beth Sauser’s leadership this weekend in Hoffman Estates: Use common sense. This is not about you, it’s about the kids. What do I mean: Everyone wants to stay on time with the schedule, and yes, we all know the schedule is tight. But remember come Championship Saturday: Take a breath and let the kids enjoy the moment with their family and fans. This video is from Nov. 2022, a prime example of just giving a minute of authentic interaction between players and fans. Since I can remember - and every media person throughout Illinois will agree - the IHSA always acts like they’re always on a quick time schedule. They “must” get the official team photo “right after the game.” Actually, you don’t have to. There are multiple different ways to get it and do things. Nearly every winning state title team has a story about the IHSA interrupting the celebration, and what does that cause: Emotion. When you connect emotion to memories, you receive one of two things for the IHSA brand: Positive or negative lifelong memories. A little common sense would allow for a nicer and more memorable moment for student athletes, their families and fans. Lord knows the IHSA brand needs all the help it can get these days. It has banned enough kids, families, schools and communities this fall, let’s try not to ban controlled celebrations next.

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THIS IS THE DIFFERENCE BETWEEN ROME AND THEE. #PeachAndMeSeriesEP3 #williamjkp #ppnaravit People think Thee is the emotional brother because he wears everything on his face, while Rome is colder and more controlled. 🎸: I’m sorry, Peach, if I scared you. You guys weren’t their target. I was. 🎸: Once I officially take over from Dad, I’ll have more control. 🎸: What happened at the cemetery… 🐻: Why did you have to kill them? The ARSENI under my watch, no one has to die. 🎸: The one lying dead… could’ve been you… …or Mok. 🐻: There had to be another way. 🎸: There wasn’t. I won’t stand by and watch Mok get hurt like that again. Do you understand? 🐻: Don’t ever do this again in my territory. 🎸: Fine. I’ll leave as soon as I can. But Rome is just as driven by emotion. The difference is that Thee’s fear makes him search for another way. Rome’s fear makes the decision final.

Sensitive content

THIS IS THE DIFFERENCE BETWEEN ROME AND THEE. #PeachAndMeSeriesEP3 #williamjkp #ppnaravit People think Thee is the emotional brother because he wears everything on his face, while Rome is colder and more controlled. 🎸: I’m sorry, Peach, if I scared you. You guys weren’t their target. I was. 🎸: Once I officially take over from Dad, I’ll have more control. 🎸: What happened at the cemetery… 🐻: Why did you have to kill them? The ARSENI under my watch, no one has to die. 🎸: The one lying dead… could’ve been you… …or Mok. 🐻: There had to be another way. 🎸: There wasn’t. I won’t stand by and watch Mok get hurt like that again. Do you understand? 🐻: Don’t ever do this again in my territory. 🎸: Fine. I’ll leave as soon as I can. But Rome is just as driven by emotion. The difference is that Thee’s fear makes him search for another way. Rome’s fear makes the decision final.

samie ★

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The solo is built on gradual escalation rather than flash. Collins drives the lead with long, sustained bends, repeated motifs, and controlled vibrato, whilst Rossington anchors the harmony and rhythm, reinforcing the chord movement and locking the progression in place. The tempo remains steady, allowing intensity to come from layering and note density rather than speed alone. As the solo unfolds, the phrasing becomes more aggressive, the bends widen, the runs tighten, and the dynamic range expands without losing melodic clarity. What makes the solo historic is how discipline and emotion coexist. The guitars never break the structure of the song, yet they continuously push against it. Each pass through the progression adds weight, volume, and urgency, turning repetition into propulsion. By the final moments, the solo has transformed from melody into momentum. That design influenced generations of guitarists and redefined what a rock solo could represent. Not excess. Not ego. Freedom expressed through control, tension, and release. God bless Lynyrd Skynyrd

The solo is built on gradual escalation rather than flash. Collins drives the lead with long, sustained bends, repeated motifs, and controlled vibrato, whilst Rossington anchors the harmony and rhythm, reinforcing the chord movement and locking the progression in place. The tempo remains steady, allowing intensity to come from layering and note density rather than speed alone. As the solo unfolds, the phrasing becomes more aggressive, the bends widen, the runs tighten, and the dynamic range expands without losing melodic clarity. What makes the solo historic is how discipline and emotion coexist. The guitars never break the structure of the song, yet they continuously push against it. Each pass through the progression adds weight, volume, and urgency, turning repetition into propulsion. By the final moments, the solo has transformed from melody into momentum. That design influenced generations of guitarists and redefined what a rock solo could represent. Not excess. Not ego. Freedom expressed through control, tension, and release. God bless Lynyrd Skynyrd

🎵💖Loves classical music🎻🎹

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People care deeply about social status—specifically, the esteem in which they’re held by those whose opinions they value. That’s often the real reason people pursue wealth. It’s not just about having money for its own sake, but about converting it into status. In fact, many people care more about how they’re perceived than about the actual number in their bank account. One study found that sociometric status—being respected and admired by your peers—is a stronger predictor of well-being than socioeconomic status. Put simply, people who are well-liked and valued by their social circle tend to be happier than people who merely earn a high income. People with higher sociometric status—being respected, liked, and influential in their immediate groups—tend to be happier on average than people whose advantage is mainly socioeconomic status (income, education, occupation). In multi-site studies, sociometric status more strongly predicts both life satisfaction and day-to-day positive emotion than does socioeconomic status, even when income and education are controlled.

People care deeply about social status—specifically, the esteem in which they’re held by those whose opinions they value. That’s often the real reason people pursue wealth. It’s not just about having money for its own sake, but about converting it into status. In fact, many people care more about how they’re perceived than about the actual number in their bank account. One study found that sociometric status—being respected and admired by your peers—is a stronger predictor of well-being than socioeconomic status. Put simply, people who are well-liked and valued by their social circle tend to be happier than people who merely earn a high income. People with higher sociometric status—being respected, liked, and influential in their immediate groups—tend to be happier on average than people whose advantage is mainly socioeconomic status (income, education, occupation). In multi-site studies, sociometric status more strongly predicts both life satisfaction and day-to-day positive emotion than does socioeconomic status, even when income and education are controlled.

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12,663 Aufrufe • vor 1 Jahr

Please watch and share this 🇬🇧🇪🇺🇨🇦🇺🇸 President Macron, "Naively, we have entrusted our democratic space to social media controlled by American entrepreneurs or Chinese corporations whose interests do not align with the survival of democracy" "Children are exposed to harmful content, fueling mental health and behavioral crises among youth" "Public spaces encourage emotion over reason, negativity over positivity—driving extremes" "Algorithms amplify this for profit. Our democracies were not designed for this" "If we Europeans do not reclaim control of our democracy, in ten years, those exploiting this infrastructure will have won" "We will become a continent of conspiracy theorists, extremists, and noise" "If we believe in democratic order, we must put science, knowledge, culture, education, and learning at the center" "We must protect our youth and regulate social media with the same standards as democratic spaces: no hidden or fake accounts, equal responsibility for published content" "Otherwise, racism, anti-Semitism, and hate will triumph. Europe can rebuild a 21st-century democracy—but it requires action"

Please watch and share this 🇬🇧🇪🇺🇨🇦🇺🇸 President Macron, "Naively, we have entrusted our democratic space to social media controlled by American entrepreneurs or Chinese corporations whose interests do not align with the survival of democracy" "Children are exposed to harmful content, fueling mental health and behavioral crises among youth" "Public spaces encourage emotion over reason, negativity over positivity—driving extremes" "Algorithms amplify this for profit. Our democracies were not designed for this" "If we Europeans do not reclaim control of our democracy, in ten years, those exploiting this infrastructure will have won" "We will become a continent of conspiracy theorists, extremists, and noise" "If we believe in democratic order, we must put science, knowledge, culture, education, and learning at the center" "We must protect our youth and regulate social media with the same standards as democratic spaces: no hidden or fake accounts, equal responsibility for published content" "Otherwise, racism, anti-Semitism, and hate will triumph. Europe can rebuild a 21st-century democracy—but it requires action"

Farrukh

163,350 Aufrufe • vor 10 Monaten

This is a PERFECT explanation of Leftists “The reason so many idiotic ideas now run society, where everyone listens to their feelings and stops needing facts or reality, might be because even major publications switched completely from reasoning to emotion Researchers analyzed language across millions of publications going back to 1850. Until around 1980, language rooted in evidence and logic kept rising. Then the curve flipped. Starting almost exactly in 1980, fact-based language began declining while emotionally loaded language climbed instead, and that shift accelerated hard after 2007. Rational language is what real science runs on. Emotional language is what activism runs on because an activist is producing a version of reality that confirms what they already believe. You see the result everywhere. Entire groups get mobilized and controlled through exactly this, emotionally charged language, because emotions are how you actually control people, not statistics. Use the right trigger words, the right examples, hit the specific feeling you're after, and people will do what you want without ever checking if the underlying claim was even true” Examples of the emotionally charged trigger words are things like: Fascist, racist, misogynist and more We all see this EXACT thing happen almost daily in America to manipulate and control the Left mob I fact check this research and it’s true Researchers analyzed language in millions of books covering roughly 1850–2019. They tracked frequencies of words tied to fact-based rational argumentation (examples: “determine,” “conclusion”) versus words tied to sentiment, intuition, or human experience (examples: “feel,” “believe”). - From the mid-19th century until around 1980, rational evidence oriented language rose steadily while sentiment language declined - Around 1980 the trend reversed: fact-related words began declining and emotion-related words rose - The shift accelerated sharply around 2007 What’s even more crazy is there is proof this exact same thing happened not just in books but in the mainstream media The same broad reversal shows up in New York Times articles

This is a PERFECT explanation of Leftists “The reason so many idiotic ideas now run society, where everyone listens to their feelings and stops needing facts or reality, might be because even major publications switched completely from reasoning to emotion Researchers analyzed language across millions of publications going back to 1850. Until around 1980, language rooted in evidence and logic kept rising. Then the curve flipped. Starting almost exactly in 1980, fact-based language began declining while emotionally loaded language climbed instead, and that shift accelerated hard after 2007. Rational language is what real science runs on. Emotional language is what activism runs on because an activist is producing a version of reality that confirms what they already believe. You see the result everywhere. Entire groups get mobilized and controlled through exactly this, emotionally charged language, because emotions are how you actually control people, not statistics. Use the right trigger words, the right examples, hit the specific feeling you're after, and people will do what you want without ever checking if the underlying claim was even true” Examples of the emotionally charged trigger words are things like: Fascist, racist, misogynist and more We all see this EXACT thing happen almost daily in America to manipulate and control the Left mob I fact check this research and it’s true Researchers analyzed language in millions of books covering roughly 1850–2019. They tracked frequencies of words tied to fact-based rational argumentation (examples: “determine,” “conclusion”) versus words tied to sentiment, intuition, or human experience (examples: “feel,” “believe”). - From the mid-19th century until around 1980, rational evidence oriented language rose steadily while sentiment language declined - Around 1980 the trend reversed: fact-related words began declining and emotion-related words rose - The shift accelerated sharply around 2007 What’s even more crazy is there is proof this exact same thing happened not just in books but in the mainstream media The same broad reversal shows up in New York Times articles

Wall Street Apes

40,977 Aufrufe • vor 1 Tag

I gave this some time to soak in... it seemed too cut and dry... too, OVER THE TOP... it makes sense now... Cuomo steps aside, its choreography... His fall was timed, it cleared the stage... Enter Zohran Mamdani, not elected… positioned... He says it out loud... “Stop ICE agents from deporting our neighbors.” That’s not a campaign promise, that’s a signal... A directive wrapped in virtue... obstruct federal law enforcement and cloak it as compassion... It’s all too obvious, that’s the tell... This isn’t organic momentum, it’s exposure... Too loud, too clean... the kind of move designed not just to shift policy, but to jolt perception... This is how it moves... erode law, elevate emotion... Collapse borders by moral inversion... Replace protection with projection... And now they float him for mayor... Not to lead, but to impede... To be the face of the inversion... The mouthpiece for borderless governance... But it’s so on-the-nose, it almost breaks the spell... Like the mask is dropping on purpose... Like we’re supposed to see it now... This doesn’t feel like a grassroots surge... It feels like a controlled burn... Let the extreme surface... Let the crowd watch the fire spread, and realize who lit the match... "Get the cuffs"... the real kind... The kind that click shut when the final act ends...🎬 Holman in 3...2...1... "Wait 'til you see what's coming"...

I gave this some time to soak in... it seemed too cut and dry... too, OVER THE TOP... it makes sense now... Cuomo steps aside, its choreography... His fall was timed, it cleared the stage... Enter Zohran Mamdani, not elected… positioned... He says it out loud... “Stop ICE agents from deporting our neighbors.” That’s not a campaign promise, that’s a signal... A directive wrapped in virtue... obstruct federal law enforcement and cloak it as compassion... It’s all too obvious, that’s the tell... This isn’t organic momentum, it’s exposure... Too loud, too clean... the kind of move designed not just to shift policy, but to jolt perception... This is how it moves... erode law, elevate emotion... Collapse borders by moral inversion... Replace protection with projection... And now they float him for mayor... Not to lead, but to impede... To be the face of the inversion... The mouthpiece for borderless governance... But it’s so on-the-nose, it almost breaks the spell... Like the mask is dropping on purpose... Like we’re supposed to see it now... This doesn’t feel like a grassroots surge... It feels like a controlled burn... Let the extreme surface... Let the crowd watch the fire spread, and realize who lit the match... "Get the cuffs"... the real kind... The kind that click shut when the final act ends...🎬 Holman in 3...2...1... "Wait 'til you see what's coming"...

Observing Consciousness

49,717 Aufrufe • vor 1 Jahr

Not every memorable moment in cinema wins over audiences through cinematography, choreography, or music alone. Some moments endure because they touch something deeply rooted in human nature. Gene Kelly singing and dancing in the rain in Singin’ in the Rain (1952) is one such moment. At first glance, it is simply the image of a joyful man walking through the rain. He sings, spins his umbrella, steps through puddles, swings around a lamppost, and smiles in the middle of an empty street. But what allows this scene to remain in the memory of audiences is not only its visual beauty. Beneath the surface, it reflects a very special state of human existence: the moment when inner joy and outward expression become one unified whole. Perhaps this is the deepest source of beauty within this scene. From a Dance Scene to the Unity Between Inner Emotion and Outer Form What the audience first feels is a very simple sense of joy. Don Lockwood has just experienced a moment of happiness with Kathy. The emotion is so powerful that when he steps outside into the rain, he no longer sees the weather as an obstacle. He sings. He dances. He plays with the falling drops of water. The rain, which could normally be uncomfortable, becomes part of his happiness. But if we stop here, we are only seeing the surface of the scene. The deeper meaning lies in the way all elements come together in harmony. The music does not exist separately from the movement. The rhythm of the song becomes the rhythm of the body. Every step, every turn, every movement of the umbrella seems to come directly from the emotion within. The rain is no longer merely a background. The street is no longer just a setting. The entire world around him becomes part of his inner state. This reflects an idea often emphasized in Western aesthetics: beauty emerges when different elements achieve an organic unity. The outer form is no longer separated from the inner meaning. The Smallest Moment Can Contain the Greatest Spirit The entire scene can be condensed into one very small action: Gene Kelly steps into a puddle. This is not simply a humorous gesture. It is a symbol of the way human beings perceive the world. An ordinary person might avoid a puddle out of concern for dirty shoes, wet clothes, or losing a sense of neatness and control. But Don Lockwood deliberately steps into it. He transforms something that would normally be avoided into a source of happiness. In that moment, he is no longer controlled by hesitation or excessive awareness of himself. He is not trying to create the image of a happy person. He is simply living within that happiness. This is what makes the scene so special. The audience feels that they are not watching a performance about joy, but witnessing joy itself finding its own natural form of expression. Why Does This Touch the Human Heart? The deeper question is: Why does the unity between inner feeling and outer expression move us? Perhaps because, in everyday life, human beings often experience separation. We may think one thing but say another. We may feel something but have to hide it. We may want to act naturally but become limited by layers of worry and calculation. Yet sometimes, we encounter a moment when all those distances disappear. A child’s natural laughter is an example that closely reflects the spirit of Gene Kelly’s performance. When a child is truly happy, that happiness does not remain only within the mind. It appears through the whole person: The eyes brighten. The expression changes. The voice becomes clear and pure. The body moves together with the emotion. A child does not need to learn how to express happiness. Happiness naturally finds its way outward. This is exactly what Gene Kelly evokes in the rain. Although Don Lockwood is an adult, in that moment he returns to a very fundamental human state: when the soul and the body are no longer separated, when genuine emotion can freely express itself through every movement. This Principle Exists in Nature What is interesting is that this principle does not exist only in art. A similar pattern can be found in the natural world. A seed grows into a tree. The shape of the tree is not something added from the outside, but the expression of an inner process of life. A flower blooms not because it tries to become beautiful, but because the life within it has reached a form that naturally expresses itself. A river does not create beauty by resisting the landscape. It flows around rocks, adapts to the shape of the earth, and through this harmony creates its own unique form. The same is true within the human body. A genuine smile is not only found in the movement of the lips. It is the coordination of the eyes, facial expression, voice, and inner emotional state. A highly skilled athlete or artist often creates a similar impression: technique is no longer separated from emotion. The body becomes a natural instrument for expressing an idea from within. The Scene and the Beauty of Wholeness From an aesthetic perspective, what makes Singin’ in the Rain special is not simply that Gene Kelly dances beautifully. More importantly, the scene reveals a profound image of humanity: A person who is no longer divided between emotion and action. A person whose inner world and outer expression move toward the same direction. A person who encounters the world not as an obstacle, but as a part of life unfolding naturally. This is also why the scene continues to connect with generations of viewers. Regardless of the era, people can still recognize the beauty of a familiar state of being: the moment when a living being is able to exist in harmony with its own nature.

Not every memorable moment in cinema wins over audiences through cinematography, choreography, or music alone. Some moments endure because they touch something deeply rooted in human nature. Gene Kelly singing and dancing in the rain in Singin’ in the Rain (1952) is one such moment. At first glance, it is simply the image of a joyful man walking through the rain. He sings, spins his umbrella, steps through puddles, swings around a lamppost, and smiles in the middle of an empty street. But what allows this scene to remain in the memory of audiences is not only its visual beauty. Beneath the surface, it reflects a very special state of human existence: the moment when inner joy and outward expression become one unified whole. Perhaps this is the deepest source of beauty within this scene. From a Dance Scene to the Unity Between Inner Emotion and Outer Form What the audience first feels is a very simple sense of joy. Don Lockwood has just experienced a moment of happiness with Kathy. The emotion is so powerful that when he steps outside into the rain, he no longer sees the weather as an obstacle. He sings. He dances. He plays with the falling drops of water. The rain, which could normally be uncomfortable, becomes part of his happiness. But if we stop here, we are only seeing the surface of the scene. The deeper meaning lies in the way all elements come together in harmony. The music does not exist separately from the movement. The rhythm of the song becomes the rhythm of the body. Every step, every turn, every movement of the umbrella seems to come directly from the emotion within. The rain is no longer merely a background. The street is no longer just a setting. The entire world around him becomes part of his inner state. This reflects an idea often emphasized in Western aesthetics: beauty emerges when different elements achieve an organic unity. The outer form is no longer separated from the inner meaning. The Smallest Moment Can Contain the Greatest Spirit The entire scene can be condensed into one very small action: Gene Kelly steps into a puddle. This is not simply a humorous gesture. It is a symbol of the way human beings perceive the world. An ordinary person might avoid a puddle out of concern for dirty shoes, wet clothes, or losing a sense of neatness and control. But Don Lockwood deliberately steps into it. He transforms something that would normally be avoided into a source of happiness. In that moment, he is no longer controlled by hesitation or excessive awareness of himself. He is not trying to create the image of a happy person. He is simply living within that happiness. This is what makes the scene so special. The audience feels that they are not watching a performance about joy, but witnessing joy itself finding its own natural form of expression. Why Does This Touch the Human Heart? The deeper question is: Why does the unity between inner feeling and outer expression move us? Perhaps because, in everyday life, human beings often experience separation. We may think one thing but say another. We may feel something but have to hide it. We may want to act naturally but become limited by layers of worry and calculation. Yet sometimes, we encounter a moment when all those distances disappear. A child’s natural laughter is an example that closely reflects the spirit of Gene Kelly’s performance. When a child is truly happy, that happiness does not remain only within the mind. It appears through the whole person: The eyes brighten. The expression changes. The voice becomes clear and pure. The body moves together with the emotion. A child does not need to learn how to express happiness. Happiness naturally finds its way outward. This is exactly what Gene Kelly evokes in the rain. Although Don Lockwood is an adult, in that moment he returns to a very fundamental human state: when the soul and the body are no longer separated, when genuine emotion can freely express itself through every movement. This Principle Exists in Nature What is interesting is that this principle does not exist only in art. A similar pattern can be found in the natural world. A seed grows into a tree. The shape of the tree is not something added from the outside, but the expression of an inner process of life. A flower blooms not because it tries to become beautiful, but because the life within it has reached a form that naturally expresses itself. A river does not create beauty by resisting the landscape. It flows around rocks, adapts to the shape of the earth, and through this harmony creates its own unique form. The same is true within the human body. A genuine smile is not only found in the movement of the lips. It is the coordination of the eyes, facial expression, voice, and inner emotional state. A highly skilled athlete or artist often creates a similar impression: technique is no longer separated from emotion. The body becomes a natural instrument for expressing an idea from within. The Scene and the Beauty of Wholeness From an aesthetic perspective, what makes Singin’ in the Rain special is not simply that Gene Kelly dances beautifully. More importantly, the scene reveals a profound image of humanity: A person who is no longer divided between emotion and action. A person whose inner world and outer expression move toward the same direction. A person who encounters the world not as an obstacle, but as a part of life unfolding naturally. This is also why the scene continues to connect with generations of viewers. Regardless of the era, people can still recognize the beauty of a familiar state of being: the moment when a living being is able to exist in harmony with its own nature.

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17,372 Aufrufe • vor 1 Monat

Last night on Beyond Mystic, a panel discussed David Wilcock’s death, and clif is antiselenite 🏴‍☠️ really captured the bigger picture. I’ve researched and observed many subjects on the fringe, whether UFOs, Q, quantum, or other charged topics. And at times, I’ve been drawn in myself, which is why I recognize the pattern. Many of these subjects have a valid, factual core. But manipulation enters, blending disinformation with fact and pushing them further to the fringe. Sometimes even the influencers themselves are preyed upon from the very beginning, unknowingly becoming victims of that same dynamic. People can argue endlessly over whether someone was murdered, mind controlled, driven to suicide, or something else entirely. He may have been. He may not have been. We may never truly know. What does seem clear is that people can be preyed upon over long periods of time, psychologically worn down, isolated, and pushed into extreme paranoia. Unfortunately, sometimes that ends in tragedy. I’ve seen it happen firsthand. With announcements of UFO disclosure expected in the coming months, this kind of explosion of theories around the subject is only going to deepen division, fuel misunderstanding, and heighten emotion at a time when level heads, observation, and discernment are paramount. Thank you to Jean-Claude @BeyondMystic for sharing my post about Corey Goode’s reaction to David Wilcock’s death during the panel discussion. The Clif High clip is directly below. Corey Goode’s original video is in the quote tweet underneath it. To watch the full panel from last night, see link below:

Last night on Beyond Mystic, a panel discussed David Wilcock’s death, and clif is antiselenite 🏴‍☠️ really captured the bigger picture. I’ve researched and observed many subjects on the fringe, whether UFOs, Q, quantum, or other charged topics. And at times, I’ve been drawn in myself, which is why I recognize the pattern. Many of these subjects have a valid, factual core. But manipulation enters, blending disinformation with fact and pushing them further to the fringe. Sometimes even the influencers themselves are preyed upon from the very beginning, unknowingly becoming victims of that same dynamic. People can argue endlessly over whether someone was murdered, mind controlled, driven to suicide, or something else entirely. He may have been. He may not have been. We may never truly know. What does seem clear is that people can be preyed upon over long periods of time, psychologically worn down, isolated, and pushed into extreme paranoia. Unfortunately, sometimes that ends in tragedy. I’ve seen it happen firsthand. With announcements of UFO disclosure expected in the coming months, this kind of explosion of theories around the subject is only going to deepen division, fuel misunderstanding, and heighten emotion at a time when level heads, observation, and discernment are paramount. Thank you to Jean-Claude @BeyondMystic for sharing my post about Corey Goode’s reaction to David Wilcock’s death during the panel discussion. The Clif High clip is directly below. Corey Goode’s original video is in the quote tweet underneath it. To watch the full panel from last night, see link below:

Miss Qniverse✨

31,891 Aufrufe • vor 3 Monaten