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With perfect feet like these, my subs always come back!🫵🏻👅👉🏻🦶🏻 Com pés perfeitos como esses, meus subs sempre voltam! 😏 Trampling boy #feet #sub #master #bigfeet
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![minghao v8 hong kong d2 ment 🎱 hi i'm xu minghao the8! why does it feel so hot today! [carats asking him to take it off] 🎱 i shouldn't have mentioned this word, i shouldn't have said i am hot, right. i won't take it off today. a different feeling today. is it really that much of a pity? sigh... really. friends in the back, friends over here, friends in the front. oh the friends in the front are very loud, friends on the right! friends on the left! friends in the middle! very good, very good. how is your condition today? not bad? are you tired? not tired? then in a little while there is still a segment where we will jump together. is there anyone whose legs and feet are not feeling very comfortable? there are a few people raising their hands here. then what should we do? next time when you come to this kind of live house performance, make sure you wear something comfortable. and as always, you must pay attention to safety. okay? the front is still okay, but these two sides feel a bit crowded. be a little careful, and if you feel uncomfortable, let the staff at the front know. you must take good care of yourselves, okay? how was the stage just now? i feel like you guys would just say 'good' hehe. feels like everyone's state today is a little... [carats asking him to take it off] 🎱 i say one more word and suddenly it becomes two words 'take it off'. tell me, what are you all thinking about in your heads? but as long as you're happy. are you happy now? since you're happy, then i won't take it off. then let's continue chatting about the stage just now. the first song, my solo song 'awake', was specially for this show. it was written earlier, around february this year? around february. because of the arrangement of this song, i think it is especially suitable for a live performance, including all the lights and lasers. i don't know if everyone felt it. did you? maybe the friends in the back could see it more clearly, right? then '8dm'. the mv for '8dm' also came out a few days ago. have you all watched it? almost everyone has watched it. if you haven't watched it yet, you can go back and enjoy it. this album has a lot of chinese lyrics. if there are songs like that later, please sing along together, okay? because every time i'm on stage and i see you singing along and jumping together, i really feel very, very happy and very blessed. do you feel the same? it just feels like you all look like children. although there may be gege and jiejie who are older than me, i really feel that when i am on stage and you are in the audience, enjoying that moment, you all are just like children. so i really feel this kind of energy is especially pure. so for me, i think this kind of performance is the purest way for us to interact with each other. and i'm human too, right? it's impossible.. keep listening. my energy can't always be very high, but sometimes on stage, although you usually can't tell when my energy is a little low, some people can. but as long as i see you enjoying our time together so much, my energy is immediately recharged. so actually, when i am on stage, i rely on you all a lot. so to me, this kind of pure interaction is really about relying on each other, encouraging each other, and accompanying each other. i think it is really a very lucky thing. just now.. not just now. there's a lyric in 'girlsnboys': "time has taken the boy/youth away." actually, these past two years i suddenly feel like i've had to handle many things like an adult, even though i already am an adult. adults are talking about serious matters, don't call 'baobao' (baby). i just feel that at some point, suddenly, oh.. how have i really become like an adult, handling so many things i had never dealt with before. before, maybe just being an artiste was enough. but maybe because there are many things i want to do, and many things go beyond the scope of being an artiste, i need to handle a lot of things. so actually, that lyric expresses a kind of feeling.](https://image.24vids.com/tw-2078580005291131342/amplify_video_thumb/2078579444378456064/img/gxEknF9z0i_B9fZQ.jpg)
!["Expecting rebuttals to remain confined to journals, while misinformation spreads freely online, is neither realism nor appropriate. If something is promoted in public, it must be corrected in public." ~Proctor's Response to Coulthart (Why am I spending more time on this? American Alchemy's video on the mummies has 904,000 views. @incredhistory's video has 5,500 views. The original, sensationalistic claims always do MUCH better than any evidence that is presented later that throws cold water on said claims. That's always been an issue. That could change if Jesse makes a short video on his YT channel right now, linked to the @incredhistory video, and implores his viewers to watch it with an open mind. And/or if he pins a tweet linking his X followers to the "Incredible History" analysis.) "At one point in time, I was truly wondering if these [mummies] were a new species." ~Accused Debunker, Will Brown 🙂 "It's just too early, yet, for me to make any kind of definitive statement about what I think about these objects." ~Ross Coulthart (After watching the new video by "Incredible History" and the interview done on "Weaponized," it's not too early for me (and MANY other people) to say I believe they're fake. Others felt they were fake right from the start but I wanted to wait for more evidence. We have that now. From yesterday's "Reality Check" with Coulthart and Meagan Medick.) Coulthart: "I think (the new @incredhistory video) is important. It raises... I've actually been in touch with the gentleman who made it, Will (Brown), and I'm hoping to some stage, talk to him. And I'd like to include what he says in any analysis that we do on NewsNation about the tridactals." (Who are the experts featured in the new "Incredible History" video segments that I clipped below? Dr. Daniel Proctor (Galaxopithecus), "has a PhD in bio-anthropology. Specifically, his area of focus is the hands and the feet. He has published papers on the evolution of the hands and the feet, including focusing of the ability to grasp." Dr. Joseph A.P. Wilson (Joseph A P Wilson), "earned his doctorate in anthropology from the University of Florida. he's current lecturer in archeology at the University of Massachusetts Amherst, and part time lecturer in anthropology at Fairfield University. And more importantly., before academia, he worked as a molecular genetic technologist at Greenwood Genetic Center in South Carolina." Michele - Mrs Anthrope (Radiographer) - Mrs. Anthrope The descriptions of their credentials is from the "Incredible History" video which I clipped a few segments from and included below.) ~More from Reality Check~ Coulthart: "We've filmed in Peru, and we've spoken directly with the doctors there. As I said in social media commentary that was posted before I left Peru, it's just too early, yet, for me to make any kind of definitive statement about what I think about these objects. I'm very careful not to even say, beings." (Again, after the seeing the "Incredible History" video, it shouldn't be too early to offer up a new opinion.) Coulthart: "I certainly got the impression from the CT tomography scans that they seemed like intact beings of some kind. But frankly, I'm not an anatomist. I'm not an anthropologist or anyone with any kind of experience in a scientific analysis of these beings. And I think we'll have to go with what good science says. And all the way through in this, what the scientists in Peru have told me, and what the scientists in America and indeed in Mexico have told me, is they want independent review. They want independent assessment. "And I guess what I'm a little worried about is the partisan way, the way that on UFO, UAP, Twitter, social media, people take their positions and adopt in a definitive position once and for all. This is a hoax, or this is real. Frankly, I just don't think we know enough right now. I don't think you can base a final conclusion on an analysis of a couple of bones in one alleged being's scans. I've heard arguments two and for." (With the new information, it's NOT "partisan" and I am NOT saying "once and for all." But I think the arguments for fraud put forth by "Incredible History" are pretty damning and are enough to show anybody with an open mind that there are massive problems with the hypothesis that these are non-human beings or...hybrids of humans and non-humans. It appears to be a done deal: aka Fake.) Coulthart: "What I think will be definitive, and I'm aware that there is a DNA analysis underway at the moment. I don't know the name of the institution in the United States that's doing it, but there is some kind of DNA analysis underway, which will hopefully provide us with more answers as to the genetic origins of whatever these objects are. And that should be coming out sometime this year, hopefully fairly early up. "Until then, yes, I do think that we should acknowledge that there's been some great work done to raise, I think, serious questions about the legitimacy or the authenticity of the beings or the objects, but let's keep an open mind and let's reward and applaud good science where it's done. "This isn't like some kind of wrestling bout. You know, there's not a winner or a loser." (The credibility of the non-human subject is in danger of being set back because so many people in this community want to believe so hard and will ignore anything that goes against those beliefs. If these, apparent, hoaxes are not called out and done so, forcefully, we're all going to lose.) Coulthart: "Science is an iterative process where people basically do an analysis and make an assessment. Let's make those assessments, do the independent work, make sure that independent scientists with rigor get peer reviewed and checked and assessed, and then we can come up with a judgment. "I think the real tragedy would be if these are, potentially, if they are significantly important objects that have, basically, been procured as part of Peru's natural, cultural, significant history, it would be really tragic if, because of a sweeping assertion that these are a hoax, that the entire thing is not taken seriously. I'm not so sure I can dismiss it out of hand just because of this latest debunk, but I'm very, very happy to let independent, rigorous science do the do the guesswork and do the analysis." ~ (Will Brown (@incredhistory) responded to Coulthart's take via a reply to Meagan Medick's post.) Will Brown: "Curious why you all didn’t give the same reaction to Jesse Michel's (Jesse Michels) bold proclamations in a video that received 200x the views mine did on YouTube? "Similar question for Jay Anderson’s (Jay Anderson) 'scientific proof' video which has 10X the views? "Perhaps it’s because those videos don’t throw a wrench in whatever it is you are working on? "…any and all documentaries and books moving forward should include Steve Mera's testimony about what’s actually going on in Palpa." ~ Will Brown: "Hey Ross Coulthart, I’m hoping you’ll correct yourself here. In this video you stated we only looked at scans for one of the 'beings.' That is false. The video covers Maria and Monseratt. The Podcast with Jeremy Kenyon Lockyer Corbell and George Knapp adds Paloma in addition to Maria and Monseratt... All of which have multiple signs of manipulation on hands and feet. "You told me you watched my video…you even said you thought it was excellent and that it brought up legitimate concerns. "Did you actually watch the video? "Your statements today make me believe that you didn’t watch at all." ~ (And here's Dr. Daniel Proctor's (Galaxopithecus) response to Coulthart, and others, who are holding out hope for new DNA analysis.) Proctor: "I want to respond to Ross Coulthart’s recent caution that we should be careful calling the Nazca mummies a 'hoax' because they might represent cultural heritage, and to his claim that DNA should be more definitive than anatomy. "Respectfully, this framing gets the issue backwards. "First, there is nothing new here. 'Maria' was introduced nearly a decade ago. She did not appear last year, or this year, or as some sudden scientific revelation. She has been circulating since roughly 2015–2016, and in that entire span she has never been properly documented in reputable osteological, archaeological, or forensic journals. There is no provenience, as they allegedly come from a cave from an undisclosed location. No controlled excavation, no chain of custody, no standard reports of any nature, and anonymous discoverer. "What we are actually seeing is a slow drip of bodies, which are always sensational, always just beyond proper access, always promoted as revolutionary, and always somehow unable to withstand normal scientific scrutiny. That pattern is not accidental. "Second, anatomy is not secondary evidence. "The idea that DNA should be privileged over gross anatomy in evaluating human remains is baffling. Anatomy is primary data. Bones do not lie about how they articulate. Hand bones do not mysteriously relocate into feet. Developmental biology places hard constraints on what a viable organism can look like. "DNA can tell you what tissue something came from, within the strict parameters for which the tests have been designed. No mainstream lab has tests for some hypothetical 'alien' DNA. "Anatomy tells you whether the body ever existed as a coherent organism. In this case, the anatomy alone demonstrates fabrication. That is not speculative. It is observable. "Third, the cultural-heritage argument is deeply ironic. "The Nazca mummy trade, because that is what this is, destroys real cultural heritage. Looting graves, ghoulishly disarticulating bodies, recombining bones, and fabricating specimens for sale and spectacle is the opposite of preservation. Calling attention to that destruction is not disrespectful, on the contrary, it is necessary. "We have seen this playbook before. The commercialization of mummies, the alienization of cranial modification, and the recycling of colonial myths about 'non-human' ancient peoples. 'None of this is new. 'What is new is the social-media amplification. "Which brings me to Ross’s discomfort with debunking (or defending) these claims on social media rather than in scientific venues. "Here’s the problem: this hoax does not live in scientific venues. "It never has. "It lives on YouTube, on X, on press conferences, in podcasts, and in staged congressional spectacles. It is an argument of persuasion, not evidence. Expecting rebuttals to remain confined to journals, while misinformation spreads freely online, is neither realism nor appropriate. If something is promoted in public, it must be corrected in public. "Finally, caution cuts both ways. Being 'diplomatic' toward a hoax that incentivizes grave robbery, fuels pseudoscience, and misrepresents Indigenous pasts does not protect heritage. It only enables its continued destruction."](https://image.24vids.com/tw-2010860470128062975/amplify_video_thumb/2010860334178058242/img/qeRHqrotcykdoz6v.jpg)
