Loading video...

Video Failed to Load

Go Home

Yash slams #ShahRukhKhan with a bombshell reply ๐Ÿ”ฅ After Toxic became a blockbuster, #Yash gave SRK a hard-hitting reply! On Sajid Khanโ€™s show, Shah Rukh Khan said โ€” I am the last superstar. Sajid โ€” Aapka competitor kaun hai? #SRK โ€” ne file phenkte hue kaha โ€œMera competitor koi...

28,502 views โ€ข 1 day ago โ€ขvia X (Twitter)

0 Comments

No comments available

Comments from the original post will appear here

Related Videos

Kuch kahaniyan sirf banayi nahi jaati, unke liye apni poori zindagi laga deni padti hai. โค๏ธ๐Ÿ™ #HanumanAnsh ke director Dr. Vishal Chaturvedi #เคตเคฟเคท ki kahani bhi kuch aisi hi hai. Neem Karoli Baba ke prati unki aastha aaj ki nahi, saalon purani hai. Baba ke woh sirf bhakt nahi hain, unhone apni zindagi ka ek bada hissa Baba ko samarpit kar diya hai. 2009 mein unhone Baba ke jeevan par research shuru ki. Books padhi, Vrindavan, Akbarpur, Lucknow aur Neem Karoli ki journeys ki, logon se mile, unki yaadein aur experiences sune aur saal-dar-saal is kahani ko samajhte chale gaye. 2017 tak story ne ek shape lena shuru kiya aur 2023 mein unhone apni research ka scope aur bhi bada kar diya. 17 years of research was not just about making a filmโ€ฆ it was his journey of faith and devotion towards Baba. Vishal khud Neem Karoli Baba ke devotional songs gaate rahe hain. Unke liye Baba sirf ek film ka subject nahi hain.. Baba is a part of his faith, his belief & his life. Jab script ready hui, toh unhone ise OTT platforms tak le jaane ki koshish ki. But the answer was a BIG NO. OTT santon ki stories mein invest karne ke liye interested nahi tha. Lekin Vishal ne haar nahi maani. Financial problems aayi. Kai saal investors ki talaash mein nikal gaye. Film mein koi big star nahi tha, isliye koi easily paisa lagane ko ready nahi tha. But his faith never broke. Aakhirkaar kuch log mile, jinhone unki story, unke vision aur unke passion par trust kiya. Aur shayad wahi moment tha jab yeh journey sirf ek film ki nahi rahiโ€ฆ Yeh aastha ki journey ban gayi. โค๏ธ Vishal chahte the ki Neem Karoli Baba ka role koi aisa face play kare, jiske upar pehle se kisi established star ki image haavi na ho. Casting mein sirf acting nahi dekhi gayi. Artist ka behaviour dekha gaya, lifestyle dekha gaya aur sabse important kya woh is character ki dignity ko carry kar sakta hai? Poora set vegetarian rakha gaya. Roz Aarti hoti thi aur Hanuman Chalisa ka paath kiya jaata tha. And then came a twist that nobody had planned. Jis actor ko Baba ke main role ke liye select kiya gaya tha, woh beemar pad gaye. Tab film ke 2nd Assistant Director Shobhinaw Satyaa jo set par props aur doosri responsibilities handle kar rahe the, ko main role de diya gaya. Kabhi-kabhi lagta haiโ€ฆ casting insaan nahi, uparwala karta hai. Maybe Baba chose #Shobhinaw himself. Sabse beautiful baat yeh hai ki Vishal ne Baba ko sirf ek miraculous saint ke roop mein dikhane ki koshish nahi ki. He wanted to bring out Baba's compassion, humanity, seva, leelas and the transformation he brought into people's lives. Aur shayad isi wajah se #HanumanAnsh dheere dheere logon ke dil tak pahunch rahi hai. Ek waqt tha jab film ke paas sirf 25โ€“30 shows reh gaye the. Today, the same film is running with 3500+ SHOWS AND COUNTING.๐Ÿ’ฅ Sochoโ€ฆ 25โ€“30 shows se 3500+ shows tak. This is not an ordinary turnaround. Sach kahun toh #HanumanAnsh ki poori journey dekhkar ek baat baar-baar mind mein aati hai- Shayad Dr. Vishal Chaturvedi #เคตเคฟเคท ne Baba ki story banane ki koshish nahi kiโ€ฆ SHAYAD BABA NE VISHAL KO YEH STORY SUNANE KE LIYE KHUD CHOOSE KIYA THA.โค๏ธ๐Ÿ™ Aur abhi yeh journey khatam nahi hui hai. HanumanAnsh ko Trilogy ke roop mein aage le jaane ki planning h. Matlab is kahani ke 2 chapters abhi or baaki hain. Indian Cinema mein Sanatan parampara ke saints aur spiritual personalities ki stories par bahut kam focus kiya gya h. Hopefully, #HanumanAnsh ki yeh journey un filmmakers ko bhi courage degi jo saalon se aisi kahaniyan apne dil mein lekar baithe hain. When faith meets hard work, miracles can happen. #HanumanAnsh ke saath toh sach mein kuch extraordinary hota hua nazar aa raha hai. Ek waqt 25โ€“30 showsโ€ฆpehle din bas 10 lakh ki kamai..Aur aaj 3500+ shows aur 10 CR in single day krne wala hai. AISA LAGTA HAI JAISE BABA KA KHUD KA HAATH IS FIL PAR HAI. #HanumanAnsh ab sirf ek film nhi lag rahi..It feels like a Divine Journey. Thanks to Cinรฉpolis India 4 distributing this and congratulations to Dr. Vishal Chaturvedi #เคตเคฟเคท and whole team.

Gaurav Mishrra๐Ÿ‡ฎ๐Ÿ‡ณ

27,463 views โ€ข 6 days ago

Long Post Alert on #Kesari2 Iโ€™m Not Offended. Iโ€™m VERY, VERY ANGRY. The date was December 19, 2020โ€”the very day Suvendu Adhikari joined the #BJP. Earlier that day, Union Home Minister #AmitShah had visited the ancestral home of Sahid Khudiram Bose at Keshpur in West Midnapore. This was just months before the high-stakes West #Bengal election. As expected, the visit drew a flood of #Delhi-based journalistsโ€”most from national channels, many Hindi-speaking, largely from the North. They had parachuted in to cover Shahโ€™s tour. The buzz was strong: โ€œBJP is winning Bengal.โ€ Amit Shahโ€™s visit to Sahid Khudiram Boseโ€™s home was not the main event. It was second or third on his itineraryโ€”the focus was squarely on Adhikariโ€™s joining. So, while Shah was inside Khudiramโ€™s house, many Delhi journalists loitered outside, casually chewing Rajnigandha, gossiping, and confidently delivering their political predictions. Then came a moment that seared itself into my memory. Two more reporters arrived, looking flustered, as if worried theyโ€™d missed something important. One was from a national agency that usually doubles up or covers up for govt prasar bharati. Shah was still inside the house. The conversation that then followed- Reporter A asked another delhi colleague: โ€œKaha kaha hai; Amit Shah ji kaha hai?โ€ (โ€œWhere, where is Amit Shah ji?โ€) Reporter B replied: โ€œShah ji ander hai, Khudiram ke ghar ke ander hai.โ€ (โ€œShah ji is inside, in Khudiramโ€™s house.โ€) Then, with shocking ignorance, Reporter A responded: โ€œKaun Khudiram? Kaun hai yeh bai*ch?โ€** (โ€œWho is Khudiram? Who the f** is that?โ€) Reporter B smirked: โ€œAre yaar malum nahi. Hoga koi bai*ch.โ€** (โ€œDonโ€™t know, man. Must be some f**er.โ€)* Then came Reporter C to complete this trio of disgrace: โ€œAre yeh woh bai*ch hai joh mar gaya tha.โ€** (โ€œHeโ€™s that f**er who died.โ€)* I stood right there, hearing every word. My blood boiled. As a Bengali, as an Indian, I was furious. I wanted to speak up, to call them out. But I hesitated. I was working for another channel then, and one of them was affiliated with the same organization. I clenched my fists and held my tongue. I walked away with my head hanging in shame. Shame at their ignorance, shame at their arrogance, and shame at the casual entitlement with which they dismissed a martyr of our freedom struggle. They think their shallowness is somehow... default wisdom. If Sahid Khudiram Bose isnโ€™t part of their curriculum, then India should be ashamed. Obsessed with Godse, some of these people have grown so indifferent to the history and struggles of the East and South that they treat the rest of us as collateral damageโ€”irrelevant footnotes in the nationalist script written solely from the North. And now, years later, comes another insultโ€”Keshri 2. This film commits the unforgivable by mocking or distorting Khudiramโ€™s legacy. But whatโ€™s worse? The CBFC let it pass. That tells you everything. Either the Central Board of Film Certification doesn't know who Khudiram Bose wasโ€”or they simply donโ€™t care. And that is unacceptable. More than the filmmaker, more than the producer or director; more than #AkshayKumar๐“ƒต , it is CBFC that should be held accountable FOR ALLOWING THIS INSULT . This isnโ€™t just about a bad joke or a misstepโ€”this is about systemic disregard for the heroes of Bengal and the East. So no, Iโ€™m not just offended. Iโ€™m angry. And as a #Bengali, as an #Indian I will not watch this bulls**t. Because if you can insult our freedom fighters and get away with it, Then whatโ€™s left to fight for? And plz I am not passing this off something as innocent โ€œAam kaise khate haiโ€ sin

Tamal Saha

90,596 views โ€ข 1 year ago

His name is Amitabh Bachchan. In 1999, he faced severe financial crisis and near-bankruptcy at the age of 57. > His savings were completely depleted, his film career was declining, and he was burdened with immense personal debt. > The downfall began when his entertainment company, Amitabh Bachchan Corporation Limited (ABCL), collapsed after failing at film production and event management. > Because he had signed personal guarantees for the loans, he became personally liable for a debt of nearly Rs. 90 crore (~ 400 Crores today, adjusted for inflation) > His bank accounts were frozen by the authorities, legal notices piled up daily, and the Bombay High Court legally restrained him from selling his houses. > To survive the immense mental strain, he relied heavily on the practical philosophy of his father, Harivansh Rai Bachchan, who taught him that struggle is a constant part of life and that when personal plans fail, a higher force is at work. > Motivated to take action, Amitabh walked to director Yash Chopraโ€™s house, admitted his financial situation, and requested work, which led to a supporting role in the blockbuster film- Mohabbatein. > Simultaneously, he ignored industry warnings that television would ruin his movie star status and signed on to host the game show Kaun Banega Crorepati (KBC) in 2000. > The show became a massive commercial success, allowing him to secure lucrative brand endorsements, pay back all his creditors over the next few years, and fully clear his debt. > Today, his net worth is estimated at around Rs. 1,600 crore ($180 Million). ๐Ÿ”ฅ In his own words : โ€œNothing in this world is achieved without pain, hard work, sweat, blood and tears.โ€ Video src: Star World. vir sanghvi

Ronit Pereira

382,009 views โ€ข 6 days ago

Happy 86th birthday, Julie Christie! John Schlesinger on the mysterious power of actors like Julie Christie: "Interviewer: Julie Christie has a small part, and yet it leaves much more of an impact than the space it occupies in the film. What gives some actors such screen presence? Schlesinger: I think there is a mysterious process that goes on between a person and that piece of glass which is the lens. And I understand why a camera is considered an evil eye by orthodox Jews. I think it does take something from the person. Quite often after six takes or so, when you've said, "Right, let's move on," an actor will say, "Well, that was the one, wasn't it?" I'd say, "Well, I don't know until I see the dailies. Until I see it up on the screen. I don't know.'' And that's true. There is something mysterious about the whole process and how a personality is seen on film. There are actors who work because of their personality and who aren't that versatile as performers. The reason they're popular and famous is that there is something about them as people that makes them stars. And they aren't that different in different parts. Alec Guinness was a prime example of the opposite, of somebody who didn't exploit his own personality, whatever that was, and gave some wonderful screen performances. Interviewer: Where would you put Julie Christie in that respect? Schlesinger: I think Julie became a very much better actress with experience. I don't think she ever particularly wanted to be come a star. Interviewer: She's uncomfortable with it? Schlesinger: I adore her, and she's wonderful and original, and there are many kindnesses that I remember her doing. But I think Julie was uncomfortable having to live up to being a star. She got better at it the more big films she did, but I don't know that she really was ever very comfortable being a star." ("Conversations with John Schlesinger", Ian Buruma, 2006) Clip from: Billy Liar (1963) Director: John Schlesinger

DepressedBergman

17,434 views โ€ข 4 months ago

Watch This Video to Know Why #AkshayKumar is the biggest flop actor of Bollywood right now.. Akshay Kumar could never become a super star, the reason behind this is releasing 4 films in a year and making all of them flop.. Even today he remakes 9 out of 10 films and does the same 1-2 films with worn out knowledge, when he saw that every one of his films started to flop, he clashed with #Gadar2 and made it overflow in Pankaj Tripathi's film in which he was doing a cameo, after that he named a big Bakwas film as Kesari 2 and kept giving Bogo offers every day, consider that the film is based on Bogo offer only..the biggest one It was surprising when they showed a film like Sky Force to everyone for free and the ticket offer was such that the public was watching it for Rs 20. The budget of a film like Welcome to the Jungle was 300 crores but its budget was reduced to 150 crores. A film like Selfie was taking an opening of 2 crores and a film like Bade Miya Chote Miya earned 50 crores instead of 350 crores. They wasted all the producer's money and now they are not even getting films. A film like Bhoot Bangla had full corporate booking. A film like Housefull 5 flopped even after taking corporate booking. Akshay Kumar could never give a 250 crore Hindi net in his life. An all time blockbuster in his life. He could not give it. He has given only solo blockbuster in his entire career, apart from this, the biggest record in his career is that 18-20 films flopped continuously after which he had to take Canadian citizenship. The film left by Sunny Deol saved his career and that film was also average. Today if we compare Akshay Kumar then it happens with actors like #ArjunKapoor , Tushar Kapoor, Vivek Oberoi...

Rahul Gupta

50,266 views โ€ข 1 month ago

Star Wars - The Ghost's Apprentice (Fan Film) I'm so beyond excited to finally share this with you all. I've spent the last two weeks working non-stop, everyday to make this film. I truly hope you enjoy it. ๐Ÿ˜Š Star Wars was one of the biggest inspirations for me as a kid growing up to become a filmmaker. I watched the original trilogy so much the VHS tape was worn thin. A dream of mine to this day, is to bring a Star Wars story to the big screen, but this project is the first step to that hopeful future. I set out to do this project entirely in Veo 2, but I genned so much that I actually genned out my early access Veo 2 subscription (thank you lightsaber fight ๐Ÿ˜‚). A massive thank you to S.A.V for doing the saber VFX and helping me complete the ending sequence in the final twilight hours. Would not have hit the deadline without you. Another massive thank you to @artisdead_ai for listening to my ideas on this project and providing feedback and to push me to keep moving and genning as I went crazy at times with gens not working the way I wanted too. Without these two guys, this project wouldn't exist. I'm so happy with how this one turned out and I'm so thankful to each and every one of you who continues to support me on this wild journey. It means more to me then I could ever describe. Lastly, may the force be with you. ๐Ÿ’ซ ps - Disney can you please not take this down. It's a fan film, made from the heart of a passionate, lifelong Star Wars fan. ๐Ÿ’™ #starwars #aifilm #filmmaking

Kavan

261,059 views โ€ข 1 year ago

STAR WARS hit screens on this day in 1977. It was one of the first films I saw in the theater. Because it was in theaters for over a year (like RAIDERS OF THE LOST ARK would be four years later), I canโ€™t be sure if I saw it in 1977 or 1978, but I do know that I was very young. I remember going with my mom, that it was a matinee, and that we sat in the middle. The seats stand out to me because I remember I had to use the restroom in the middle of the climactic battle scene :) Iโ€™d see it multiple times in the theater over its run and would see THE EMPIRE STRIKES BACK and RETURN OF THE JEDI on their opening weekends. And yes, I remember the marketing for the third film when it was called REVENGE OF THE JEDI. If you did not live through it, it is hard to describe the STAR WARS mania that gripped the country in 1977 and lasted through RETURN OF THE JEDI in 1983. From lines at the theaters to toys to costumes to books to the infamous 1978 STAR WARS HOLIDAY SPECIAL, it was an amazing time to be a kid and witness the magic of the movies firsthand through a phenomenon you knew was something extremely special. I canโ€™t be 100% sure that STAR WARS was my first movie in the theater, as during that timeframe I also saw WATERSHIP DOWN (traumatic) and THE RESCUERS (dark) as a double feature with my dad (we had to travel to a city and I found a 9mm bullet in the street โ€“ a bullet I still have today), CLOSE ENCOUNTERS OF THE THIRD KIND with my grandmother (where I tripped running to the theater with a bowl of popcorn that was almost bigger than I was and spilling it all over the hallway - and I remember how nice the guy was behind the counter who gave us another one for free), and a double feature of ESCAPE TO WITCH MOUNTAIN and THE BLACK HOLE, but in looking at the dates of those two films I think it was after STAR WARS and that the theater paired an older film (ESCAPE TO WITCH MOUNTAIN โ€“ 1975) with a new film (THE BLACK HOLE โ€“ 1979). I just watched the original three films with my youngest son, and it brings me right backโ€ฆprobably the closest I can get to a time machine.

Jack Carr

27,086 views โ€ข 1 year ago

I had no idea about the existence of Lahori Zeera, but after watching the terrific new ad by the agency Enormous, not only do I know it exists, but I also have a tremendous urge to try it out ๐Ÿ˜€ The ad's narrative is an old trope of showing a lot of people being the product's users/customers. But it is the creative device that truly stands out by stretching advertising exaggeration to its limits and beyond, enough to make it truly preposterous and memorable! Even within the exaggeration, some of the creative choices are wonderfully whimsical. Like that guy trying to wear the t-shirt. Also, the guy being recognized in his photograph only after he starts drinking. And the last shot of a class photo where everyone is drinking ๐Ÿ˜‚ On that note, I did expect the patient drinking Lahori Zeera too, at 0:51 ๐Ÿ˜ The dry tone in which the final announcement occurs, and that truly catchy line, 'Har Koi Peera, Lahori Zeera' (that cleverly bends 'Pee Raha Hai' to its catchy shorter version - 'Peera') both significantly accentuate the ad's overall appeal! In context, when Tata Namak was trying to show that everyone and their uncle and aunty were singing the Tata Namak jingle, it felt out of place. Why? Because, every single person is not a decision-maker or buyer of salt, a mere ingredient. It is chosen and bought by a select few, while consumed by all in indirect form. So, to see everyone celebrating a jingle for salt seemed like stretching advertising exaggeration in the opposite direction of the product truth. But with Lahori Zeera, the exaggeration is stretched in the right direction because anyone and everyone can be a decision-maker and user of this product, a ready-to-consume product with the product clearly being picked up by choice. #advertising #marketing #creative #creativity

Karthik ๐Ÿ‡ฎ๐Ÿ‡ณ

293,311 views โ€ข 2 years ago