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Years ago, Atul Gawande wrote a book called "Being Mortal" that grappled with death as beautifully as anything I've ever read. A few weeks ago, I finally got the chance to interview him. When I think about doctors who write well, he's the first person who comes to mind....

135,405 görüntüleme • 10 ay önce •via X (Twitter)

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Fareed Zakaria is one of the world's leading journalists. Maybe you've seen him on CNN. Maybe you've read his books. Or maybe you've read his articles in the Washington Post. This conversation is a university-level seminar in the craft of writing, which builds upon the thousands of articles Fareed's written over his career. It's a guidepost for anybody who wants to write non-fiction. How do you develop expertise? How should you structure your days? What kinds of deadlines should you set? We also talked about how The Great Gatsby shaped his perspective on America, when to rely on anecdotes vs. data, and the skills that'll remain scarce as AI breaks through the Turing Test and becomes a hyper-competent writer. The through-line of Fareed's work is a philosophy of purposeful practice: watching all his TV performances to see how he can improve, reading great writing to absorb what excellence looks like, and using the deadlines of TV and newspaper columns to write consistently. Timestamps: 2:50 Building a writing routine 6:57 Does Fareed use AI? 11:07 The skill AI can't replicate 12:23 What makes for a good take? 14:10 Writing for TV vs. newspapers 22:18 Fareed's writing routine 31:34 Lessons from reading fiction 39:30 Building a unique point of view 59:33 Rapid fire: books, articles + TV 1:05:26 Fareed's best writing lessons I've shared the full conversation with Fareed Zakaria below. If you'd rather watch the full episode on YouTube or listen to the episode on Apple / Spotify, check out the reply tweets. Enjoy!

David Perell

191,503 görüntüleme • 8 ay önce

Anne Lamott is the queen of writing teachers. Ask 100 writers for their favorite book about the craft, and her book, Bird by Bird, will top the list. Everybody who's tried to make a work of art knows how loud the inner critic can be. When struggle comes, most people try harder. But Anne says: "The point is not to try harder; it's to resist life less." Improving as a writer is about becoming more aware and paying closer attention to what's already around you, and this conversation is about how to do that. It centers around her famous writing advice: “Bird by bird, buddy. Just take it bird by bird.” Timestamps: 0:39 Bird by Bird 2:17 Why writer's block isn't real 3:36 The problem with trying harder 9:06 Every book has three drafts 14:24 Learning to observe the world 15:58 Facing your inner critic 27:59 "Help, thanks, wow" 31:16 You get three pages 35:51 Revenge = fuel 38:26 Anne's #1 writing prompt 48:53 Finding writing ideas 54:57 Writing lessons from movies 1:02:08 The ABDCE storytelling formula 1:05:37 What makes for a good ending? 1:10:57 Dealing with criticism 1:16:28 Writing to be fully alive I've shared the full conversation with Anne Lamott below. If you'd prefer to watch it, I've published it on YouTube, and you also can listen to it on Apple / Spotify. I've shared those links in the reply tweets. This is one of those bucket list interviews I've wanted to do ever since I started How I Write, and I hope you enjoy our conversation.

David Perell

160,964 görüntüleme • 4 ay önce

Watch this game-changing dissertation on "expert writing." Expert writers write to "think" about the world. 99% of experts write and think at the same time. They use the writing process to help themselves think. This is how they do their best thinking. Write to think about the world. Do this because you care, because you want to be part of progress, because you want to make a dent in the universe. Write to inspire and influence. And when you are finished writing, and you click publish, think about your work this way... the intent of your text is to cause readers to change the way they think about the world. Engagement metrics don't really matter in comparison. Whether or not your text is valuable, depends on whether or not your readers perceive that you have valuably changed what they think, or what they do, or how they decide. One of the reasons it's so hard for smart people to write well is because they don't write to change the way people think about the world. They write to complete a project, to earn a grade, to be assessed. Or they write to publish *their* thoughts without going through a mental and soulful exercise of writing to think about the world, without writing to change how people think about the world. Write to think about the world. Change how people think about the world. In an era of #GenerativeAI, content isn't the end game. Your goal isn't just to get someone's attention, generate reactions, or show up in search. Your mission is to change how people think about the world. Change How People Think About the World. Thank you, Larry McEnerney (now-retired former Director of the University of Chicago's Writing Program).

Brian Solis

113,721 görüntüleme • 3 yıl önce

"One great detail will do the work of 50 crappy sentences." Wright Thompson is one of the last great magazine writers in America. He's long been a writer at ESPN, and if you love sports, you've almost definitely read his work. Maybe his profile of Tiger Woods. Or maybe the one about Michael Jordan. Some highlights: - "When somebody says something is overwritten, it really just means that the story is underreported." - Profiles are about figuring out what is a central complication of somebody's life and how, on a daily basis, they go about solving it. - "All of these stories, the few good ones I've written... I think these stories are like a prayer for empathy, to try to understand each other, to understand another human being a little bit at a time. Then slowly, thread by thread, you understand yourself." - On writing well: "One of the things that's missing is that nobody wants to hear what I have to say, which is just reps. Zen is a butt in a seat. There's no mystery. It's just reps." - "I wish someone had told me years ago that if you're going to be a professional writer for decades, writing is not going to be about words, but it's going to be about architecture. Only when you really understand how things fit together and move can you then actually be thinking about the words." - "All writing is trying to say something new that is true and is both specific and universal and that helps the reader understand something they didn't understand before, preferably about themselves." And here are the timestamps: 1:50 Writer's vomit vs. writer's block 8:33 The architecture of writing 11:30 What makes for a good story? 15:57 Bringing characters to life 21:11 "The hammer" 26:26 Writing a vivid scene 33:41 How to bring places to life 39:57 Dialogue vs. quotes 45:49 The role of secondary characters 51:44 The problem with "brainstorming" 1:02:13 What makes for a great ending? I've shared the full conversation with Wright Thompson below. If you'd rather watch on YouTube, or listen to the full thing on Apple / Spotify, check out the reply tweets.

David Perell

553,019 görüntüleme • 5 ay önce