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Yonkler sanding cosplay armor core ft no face plushie 🧘‍♀️

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27,197 просмотров • 1 год назад •via X (Twitter)

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new pinned!! -20!! bisexual (no pref) she/they -$3 dm fee non moots -no menu only customs (no ft) -anime, cosplay, praises, voice notes, gaming, cartoons >>> -terribly shy n awkward sub 🩷+🔄 💬/dm for moots #nsfwtwt #nsfw #moots #nsfwacc

Sensitive content

new pinned!! -20!! bisexual (no pref) she/they -$3 dm fee non moots -no menu only customs (no ft) -anime, cosplay, praises, voice notes, gaming, cartoons >>> -terribly shy n awkward sub 🩷+🔄 💬/dm for moots #nsfwtwt #nsfw #moots #nsfwacc

vampꨄ

16,129 просмотров • 1 год назад

With how AC turning is no longer linked to your camera in Armored Core 6, it's way harder to do mecha Akira Slides so it's pretty fun when it actually happens. I hope the next AC game goes back to having your AC always face where you're looking.

With how AC turning is no longer linked to your camera in Armored Core 6, it's way harder to do mecha Akira Slides so it's pretty fun when it actually happens. I hope the next AC game goes back to having your AC always face where you're looking.

Etheox

113,311 просмотров • 1 год назад

From an ordinary man to a celestial warrior, this cinematic transformation. Created with Seedance 2.0 on Lart AI . Unreal visuals, smooth motion, and movie-quality storytelling. Try yours here 👇 Prompt: Duration: 10 seconds Style: Ultra-cinematic, photorealistic IMAX realism, continuous single shot, no cuts. --- Character & Setup Use Image as the identity reference. Preserve the exact facial identity, facial structure, hairstyle, skin tone, and proportions throughout the entire sequence. His face is bruised with a small streak of blood at the corner of his mouth. He looks exhausted after battle. During the transformation, he shows restrained pain with only a slight frown—no exaggerated screaming. Armor design is inspired by image2. His clothing is battle-damaged, torn, dusty, and partially burned. In his right hand he tightly grips a glowing Holy Ring Crystal Core radiating intense white-blue divine energy. Environment Apocalyptic Jakarta under a dark overcast sky. Ruined skyscrapers, burning buildings, drifting ash, smoke, flying debris, distant fires, and flaming meteors crossing the sky. Cold grey-blue cinematic color palette with dramatic atmosphere. Visual Style Photorealistic cinematic realism, IMAX-quality visuals, 35mm Panavision lens, handheld camera with subtle breathing movement, compressed shadows, highly detailed textures, slight edge softness, natural film grain, grounded realism. Thousands of glowing feathers physically assemble the armor with a powerful divine aura, combining biological pain with advanced alien technology. --- 0–2.5s — Fall The hero crashes violently into broken concrete and rubble, creating a powerful dust explosion. The handheld camera shakes from the impact. He slowly rises to one knee, breathing heavily while staring at the glowing Holy Ring Crystal Core in his right hand. 2.5–5s — Awakening He quietly whispers, "Berubah!", then crushes the crystal. A blinding white-blue beam erupts into the sky. Thousands of glowing feathers materialize and spiral around him. They wrap around his arm, chest, and entire body. His eyes become pure white as a faint golden halo symbol briefly appears behind him. 5–7.5s — Transformation Sacred energy explodes outward. White smoke, golden sparks, and streams of blue energy surround him. Feather light solidifies into mechanical armor components that rapidly lock onto his torso, arms, legs, and shoulders with satisfying metallic clicks. The camera circles smoothly around him during the transformation. 7.5–10s — Completion The transformation completes into magnificent white-platinum armor with pearl-like metallic surfaces, elegant golden engravings, and glowing blue energy flowing through every armor seam. Massive mechanical angel wings unfold dramatically, scattering thousands of glowing feathers. A radiant halo appears behind him while a transparent energy helmet forms over his face. Two blazing holy energy blades materialize in his hands. The camera pulls back to a low-angle full-body shot as divine energy lifts rocks and debris into the air. In the final second, the armored angel launches straight upward at incredible speed, blasting out of frame as the camera violently shakes from the shockwave.

From an ordinary man to a celestial warrior, this cinematic transformation. Created with Seedance 2.0 on Lart AI . Unreal visuals, smooth motion, and movie-quality storytelling. Try yours here 👇 Prompt: Duration: 10 seconds Style: Ultra-cinematic, photorealistic IMAX realism, continuous single shot, no cuts. --- Character & Setup Use Image as the identity reference. Preserve the exact facial identity, facial structure, hairstyle, skin tone, and proportions throughout the entire sequence. His face is bruised with a small streak of blood at the corner of his mouth. He looks exhausted after battle. During the transformation, he shows restrained pain with only a slight frown—no exaggerated screaming. Armor design is inspired by image2. His clothing is battle-damaged, torn, dusty, and partially burned. In his right hand he tightly grips a glowing Holy Ring Crystal Core radiating intense white-blue divine energy. Environment Apocalyptic Jakarta under a dark overcast sky. Ruined skyscrapers, burning buildings, drifting ash, smoke, flying debris, distant fires, and flaming meteors crossing the sky. Cold grey-blue cinematic color palette with dramatic atmosphere. Visual Style Photorealistic cinematic realism, IMAX-quality visuals, 35mm Panavision lens, handheld camera with subtle breathing movement, compressed shadows, highly detailed textures, slight edge softness, natural film grain, grounded realism. Thousands of glowing feathers physically assemble the armor with a powerful divine aura, combining biological pain with advanced alien technology. --- 0–2.5s — Fall The hero crashes violently into broken concrete and rubble, creating a powerful dust explosion. The handheld camera shakes from the impact. He slowly rises to one knee, breathing heavily while staring at the glowing Holy Ring Crystal Core in his right hand. 2.5–5s — Awakening He quietly whispers, "Berubah!", then crushes the crystal. A blinding white-blue beam erupts into the sky. Thousands of glowing feathers materialize and spiral around him. They wrap around his arm, chest, and entire body. His eyes become pure white as a faint golden halo symbol briefly appears behind him. 5–7.5s — Transformation Sacred energy explodes outward. White smoke, golden sparks, and streams of blue energy surround him. Feather light solidifies into mechanical armor components that rapidly lock onto his torso, arms, legs, and shoulders with satisfying metallic clicks. The camera circles smoothly around him during the transformation. 7.5–10s — Completion The transformation completes into magnificent white-platinum armor with pearl-like metallic surfaces, elegant golden engravings, and glowing blue energy flowing through every armor seam. Massive mechanical angel wings unfold dramatically, scattering thousands of glowing feathers. A radiant halo appears behind him while a transparent energy helmet forms over his face. Two blazing holy energy blades materialize in his hands. The camera pulls back to a low-angle full-body shot as divine energy lifts rocks and debris into the air. In the final second, the armored angel launches straight upward at incredible speed, blasting out of frame as the camera violently shakes from the shockwave.

Zar⭕on

23,890 просмотров • 20 дней назад

Someone ordered more than 200 people executed and buried in the foundations of this temple. We have no idea who. That is the strangest fact about Teotihuacan. A city of perhaps 200,000, one of the largest on Earth in its day, with pyramids, avenues, and this serpent-covered temple built around 200 AD on a bed of sacrificed warriors, their hands bound, buried with obsidian points and shell armor at the cardinal points of the structure. Every comparable Mesoamerican power left us its rulers. Maya kings carved their faces on their monuments and lay in treasure-filled tombs with their names. Teotihuacan left none. No royal portraits. No king lists. No confirmed royal tomb. Even the city's real name is lost, since Teotihuacan is what the Aztecs called the ruins centuries after everyone had gone. The most terrifying display of power in ancient America was staged by someone who left no face.

Someone ordered more than 200 people executed and buried in the foundations of this temple. We have no idea who. That is the strangest fact about Teotihuacan. A city of perhaps 200,000, one of the largest on Earth in its day, with pyramids, avenues, and this serpent-covered temple built around 200 AD on a bed of sacrificed warriors, their hands bound, buried with obsidian points and shell armor at the cardinal points of the structure. Every comparable Mesoamerican power left us its rulers. Maya kings carved their faces on their monuments and lay in treasure-filled tombs with their names. Teotihuacan left none. No royal portraits. No king lists. No confirmed royal tomb. Even the city's real name is lost, since Teotihuacan is what the Aztecs called the ruins centuries after everyone had gone. The most terrifying display of power in ancient America was staged by someone who left no face.

Ancient Content

61,538 просмотров • 1 день назад

Sneak peek from the lab. Work in progress of the real-time face tracking, via iPhone, Clone v2 cinematic rig. Simple viewport capture, no lighting or shading. Effective expression capture is key for conveying emotions accurately with your Clones. Our new cinematic rig has been constructed with flexibility in mind. We've carefully refined the 52 blend shapes that drive the facial expressions, and the face controls themselves, to achieve a more natural look. We have more iteration cycles to go through before we hit our target but you can already see a great difference from v1. This upgrade opens up a world of possibilities, from high-fidelity dynamic VRMs adaptable to various platforms to virtual production capabilities and V-Tubing with improved face filters. Our goal is simple: To help eliminate technical barriers and provide a more seamless and inclusive utility for all of our community, all while ensuring quality remains at the core of everything we do.

Sneak peek from the lab. Work in progress of the real-time face tracking, via iPhone, Clone v2 cinematic rig. Simple viewport capture, no lighting or shading. Effective expression capture is key for conveying emotions accurately with your Clones. Our new cinematic rig has been constructed with flexibility in mind. We've carefully refined the 52 blend shapes that drive the facial expressions, and the face controls themselves, to achieve a more natural look. We have more iteration cycles to go through before we hit our target but you can already see a great difference from v1. This upgrade opens up a world of possibilities, from high-fidelity dynamic VRMs adaptable to various platforms to virtual production capabilities and V-Tubing with improved face filters. Our goal is simple: To help eliminate technical barriers and provide a more seamless and inclusive utility for all of our community, all while ensuring quality remains at the core of everything we do.

Jarlan Perez

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Made with Seedance 2.0 by Yapper Prompt: MASTER CINEMATIC PROMPT — ROOFTOP CHASE (INTENSE VERSION) SUBJECT: image1 Use the first image as the main subject. Maintain consistent face, body shape, hairstyle, clothing, and proportions throughout the entire video. Use the image2 as the primary storyboard reference. The second image strictly defines scene order, framing, and timing. Prioritize matching the second image over any creative interpretation. ⸻ FACE LOCK The face must remain sharp at all times. No blur, no distortion, no flickering. Expression progression: focused → tense → survival instinct → aggressive. ⸻ OUTFIT LOCK (STRICT) White undershirt (lightweight, slightly sweat-soaked, visible fabric texture, natural wrinkles) Red shorts (knee-length, soft fabric, natural folds, slightly loose fit) Barefoot (no footwear, visible natural foot movement and contact with surfaces) Rules: * Outfit must remain identical in all frames * No color change, no design change, no wardrobe switching * Clothing must stay consistent even when wet * Fabric reacts naturally to wind, movement, and water * Feet must remain barefoot at all times (no shoes appearing) ⸻ ENVIRONMENT Jakarta dense urban rooftop (corrugated metal roofs, rough concrete, tightly packed buildings) Golden hour lighting with strong backlight Hazy atmosphere with airborne dust particles Environment feels hot, dense, and visually chaotic ⸻ STYLE CORE Live-action, ultra-realistic, AAA cinematic quality High contrast, gritty, intense tone Natural motion blur (strong during fast movement) Heavy debris interaction and environmental destruction emphasis ⸻ CAMERA SYSTEM Handheld tracking, very close to the subject Micro-shake increases slightly on impact (controlled, not chaotic) Dynamic continuous movement following subject momentum Rule: Camera must feel physically present in the action No teleporting, no glitching Subject remains dominant in frame ⸻ TIMELINE (STRICT — HARD ACTION) 0.0 – 1.2s Wide rooftop view of Jakarta. Subject sprinting. A loud CRACK — bullet hits metal very close. Large sparks burst, slight camera shock reaction. ⸻ 1.2 – 2.5s Tight rear tracking shot. Heavy barefoot footsteps on metal roof (visible contact and impact). Bullet nearly hits the foot — debris flies toward camera. Clothesline hits his face; he forcefully pushes through without slowing. ⸻ 2.5 – 4.0s Fast slide under water tank. Bullet pierces the tank — heavy water burst crashes down. Clothing becomes wetter, sticks slightly to body. Camera partially passes through the water splash. He rolls hard and drops to a lower rooftop with impact weight. ⸻ 4.0 – 5.5s Running along a narrow ledge. Two rapid shots — concrete explodes beside his shoulder. Debris flies past camera. He nearly loses balance but recovers instantly. ⸻ 5.5 – 7.0s Full sprint into a large building gap jump. Slow motion mid-air. Bullet hits the edge behind him — fragments scatter in the air. Landing is unstable but controlled (barefoot impact visible). ⸻ 7.0 – 8.5s Grabs fire escape railing aggressively. Bullet slams into metal right beside his face — intense sparks. Camera swings with the momentum. He pulls himself up with force. ⸻ 8.5 – 9.5s Fast aggressive climb using windows and AC units. Bullet shatters glass right beside his head. Glass shards fall downward. Movement is fast, urgent, controlled panic. ⸻ 9.5 – 10.0s Reaches rooftop. Bullet hits near his feet. He pauses briefly, spots a hidden sniper suitcase under a water tank. Immediately sprints toward it. ⸻ PHYSICS & EFFECTS Bullet impacts create strong sparks, debris bursts, and visible force Water hits with weight and affects clothing behavior Barefoot contact interacts realistically with surfaces Camera reacts subtly to shock impacts Environment responds dynamically ⸻ CONSTRAINT No cuts No gore No additional scenes No timeline changes No mirrored movement No face distortion

Made with Seedance 2.0 by Yapper Prompt: MASTER CINEMATIC PROMPT — ROOFTOP CHASE (INTENSE VERSION) SUBJECT: image1 Use the first image as the main subject. Maintain consistent face, body shape, hairstyle, clothing, and proportions throughout the entire video. Use the image2 as the primary storyboard reference. The second image strictly defines scene order, framing, and timing. Prioritize matching the second image over any creative interpretation. ⸻ FACE LOCK The face must remain sharp at all times. No blur, no distortion, no flickering. Expression progression: focused → tense → survival instinct → aggressive. ⸻ OUTFIT LOCK (STRICT) White undershirt (lightweight, slightly sweat-soaked, visible fabric texture, natural wrinkles) Red shorts (knee-length, soft fabric, natural folds, slightly loose fit) Barefoot (no footwear, visible natural foot movement and contact with surfaces) Rules: * Outfit must remain identical in all frames * No color change, no design change, no wardrobe switching * Clothing must stay consistent even when wet * Fabric reacts naturally to wind, movement, and water * Feet must remain barefoot at all times (no shoes appearing) ⸻ ENVIRONMENT Jakarta dense urban rooftop (corrugated metal roofs, rough concrete, tightly packed buildings) Golden hour lighting with strong backlight Hazy atmosphere with airborne dust particles Environment feels hot, dense, and visually chaotic ⸻ STYLE CORE Live-action, ultra-realistic, AAA cinematic quality High contrast, gritty, intense tone Natural motion blur (strong during fast movement) Heavy debris interaction and environmental destruction emphasis ⸻ CAMERA SYSTEM Handheld tracking, very close to the subject Micro-shake increases slightly on impact (controlled, not chaotic) Dynamic continuous movement following subject momentum Rule: Camera must feel physically present in the action No teleporting, no glitching Subject remains dominant in frame ⸻ TIMELINE (STRICT — HARD ACTION) 0.0 – 1.2s Wide rooftop view of Jakarta. Subject sprinting. A loud CRACK — bullet hits metal very close. Large sparks burst, slight camera shock reaction. ⸻ 1.2 – 2.5s Tight rear tracking shot. Heavy barefoot footsteps on metal roof (visible contact and impact). Bullet nearly hits the foot — debris flies toward camera. Clothesline hits his face; he forcefully pushes through without slowing. ⸻ 2.5 – 4.0s Fast slide under water tank. Bullet pierces the tank — heavy water burst crashes down. Clothing becomes wetter, sticks slightly to body. Camera partially passes through the water splash. He rolls hard and drops to a lower rooftop with impact weight. ⸻ 4.0 – 5.5s Running along a narrow ledge. Two rapid shots — concrete explodes beside his shoulder. Debris flies past camera. He nearly loses balance but recovers instantly. ⸻ 5.5 – 7.0s Full sprint into a large building gap jump. Slow motion mid-air. Bullet hits the edge behind him — fragments scatter in the air. Landing is unstable but controlled (barefoot impact visible). ⸻ 7.0 – 8.5s Grabs fire escape railing aggressively. Bullet slams into metal right beside his face — intense sparks. Camera swings with the momentum. He pulls himself up with force. ⸻ 8.5 – 9.5s Fast aggressive climb using windows and AC units. Bullet shatters glass right beside his head. Glass shards fall downward. Movement is fast, urgent, controlled panic. ⸻ 9.5 – 10.0s Reaches rooftop. Bullet hits near his feet. He pauses briefly, spots a hidden sniper suitcase under a water tank. Immediately sprints toward it. ⸻ PHYSICS & EFFECTS Bullet impacts create strong sparks, debris bursts, and visible force Water hits with weight and affects clothing behavior Barefoot contact interacts realistically with surfaces Camera reacts subtly to shock impacts Environment responds dynamically ⸻ CONSTRAINT No cuts No gore No additional scenes No timeline changes No mirrored movement No face distortion

Zar⭕on

11,116 просмотров • 2 месяцев назад

One warrior. One impossible battle. Only one survives. Created with Seadance 2.0 on Lart AI Here is the link to try: Prompt: A cinematic, hyper-realistic 12-second action sequence in a ruined modern city at sunset. A fearless female warrior in realistic tactical combat armor faces a towering 40-foot monster with rough stone-like skin and glowing eyes. The monster charges with immense weight, causing the ground to crack, dust to erupt, and nearby vehicles to shake realistically. The woman sprints, slides under a massive punch, and uses momentum to leap from a collapsed concrete slab, delivering a powerful strike with an energy-infused sword. The monster staggers backward with believable body mechanics, destroying a building facade as debris falls naturally under gravity. She performs one final spinning aerial attack, slicing through the monster's glowing core. The giant collapses with realistic physics, creating a massive dust cloud, flying rubble, shockwave, and ground vibration. The woman lands in a controlled three-point stance, breathing heavily as the dust settles and sunlight shines through the smoke. Ultra-photorealistic, Hollywood blockbuster quality, handheld cinematic camera, dynamic tracking shots, physically accurate motion, realistic muscle movement, cloth simulation, debris, lighting, shadows, HDR, volumetric smoke, motion blur, 4K, 60fps, dramatic sound design, seamless action, no cartoon style, no exaggerated superhero physics, every movement follows real-world momentum and gravity.

One warrior. One impossible battle. Only one survives. Created with Seadance 2.0 on Lart AI Here is the link to try: Prompt: A cinematic, hyper-realistic 12-second action sequence in a ruined modern city at sunset. A fearless female warrior in realistic tactical combat armor faces a towering 40-foot monster with rough stone-like skin and glowing eyes. The monster charges with immense weight, causing the ground to crack, dust to erupt, and nearby vehicles to shake realistically. The woman sprints, slides under a massive punch, and uses momentum to leap from a collapsed concrete slab, delivering a powerful strike with an energy-infused sword. The monster staggers backward with believable body mechanics, destroying a building facade as debris falls naturally under gravity. She performs one final spinning aerial attack, slicing through the monster's glowing core. The giant collapses with realistic physics, creating a massive dust cloud, flying rubble, shockwave, and ground vibration. The woman lands in a controlled three-point stance, breathing heavily as the dust settles and sunlight shines through the smoke. Ultra-photorealistic, Hollywood blockbuster quality, handheld cinematic camera, dynamic tracking shots, physically accurate motion, realistic muscle movement, cloth simulation, debris, lighting, shadows, HDR, volumetric smoke, motion blur, 4K, 60fps, dramatic sound design, seamless action, no cartoon style, no exaggerated superhero physics, every movement follows real-world momentum and gravity.

Sarah

14,243 просмотров • 4 дней назад

A donkey has been found tied to a tree… his leg brutally bound around it… and now it is broken 💔 This is not an accident… this is human cruelty. His only “fault” was that he entered someone’s field in search of food… and for that, he was punished in a way that shakes humanity to its core. Our volunteers are bringing him from a neighbouring city… but we urgently need help to cover the transportation cost. There is no time… he has already lost so much blood… every moment matters. We are already struggling… but we cannot leave him there to suffer. Please come forward… help us bring him to safety and start his treatment. Even a small amount can save his life 🤍 💳 PayPal: ❤️ Construction GoFundMe: 🔗 Linktree: (If you face any issue donating, please use our Linktree for multiple options.)

A donkey has been found tied to a tree… his leg brutally bound around it… and now it is broken 💔 This is not an accident… this is human cruelty. His only “fault” was that he entered someone’s field in search of food… and for that, he was punished in a way that shakes humanity to its core. Our volunteers are bringing him from a neighbouring city… but we urgently need help to cover the transportation cost. There is no time… he has already lost so much blood… every moment matters. We are already struggling… but we cannot leave him there to suffer. Please come forward… help us bring him to safety and start his treatment. Even a small amount can save his life 🤍 💳 PayPal: ❤️ Construction GoFundMe: 🔗 Linktree: (If you face any issue donating, please use our Linktree for multiple options.)

Tahira Animal Welfare Foundation - TAWF

79,705 просмотров • 3 месяцев назад

A 40-YEAR-OLD CHINESE MAN TURNED HIMSELF INTO AN AI GIRL AND BUILT A $4.7K/MONTH FANVUE FUNNEL he started with one face-swap clip. same room, same body, same camera, but the output looked like a completely different creator. not a filter, not cosplay, an ai identity built on top of his own footage the workflow is stupidly simple: claude picks the character, niche and visual style. comfyui generates the face, flux makes the content bank, kling turns still images into reels and capcut pushes out dozens of short clips the article breaks the system down: first month barely cleared $420, second month jumped to $4,700 after one reel crossed 600,000 views. the account reached 800 followers and 50 fanvue subscribers before the real automation even started the fanvue mcp is the part most people miss. claude can analyze messages, pricing, content performance and draft replies in the same style. instead of guessing what to post or say, the system turns the audience into data he only needed around 40 minutes a day. schedule reels, check what worked, generate new prompts, reply with claude, repeat. the business is not the ai girl, the business is the machine around her this is no longer content creation. it is identity arbitrage

A 40-YEAR-OLD CHINESE MAN TURNED HIMSELF INTO AN AI GIRL AND BUILT A $4.7K/MONTH FANVUE FUNNEL he started with one face-swap clip. same room, same body, same camera, but the output looked like a completely different creator. not a filter, not cosplay, an ai identity built on top of his own footage the workflow is stupidly simple: claude picks the character, niche and visual style. comfyui generates the face, flux makes the content bank, kling turns still images into reels and capcut pushes out dozens of short clips the article breaks the system down: first month barely cleared $420, second month jumped to $4,700 after one reel crossed 600,000 views. the account reached 800 followers and 50 fanvue subscribers before the real automation even started the fanvue mcp is the part most people miss. claude can analyze messages, pricing, content performance and draft replies in the same style. instead of guessing what to post or say, the system turns the audience into data he only needed around 40 minutes a day. schedule reels, check what worked, generate new prompts, reply with claude, repeat. the business is not the ai girl, the business is the machine around her this is no longer content creation. it is identity arbitrage

Gipp 🦅

194,595 просмотров • 1 месяц назад

A 30-year-old Chinese man turned himself into an AI girl, and the result will shock you He built a $3,700/month Fanvue business in his bedroom He didn't use wigs or cosplay. He used AI to build a completely new identity on top of his own footage Same room, same camera, but a totally different creator on screen His workflow is stupidly simple: Claude designs the character, ComfyUI generates the face, and Kling turns stills into viral reels In his first month, he barely cleared $320. But in the second month, one video hit 500,000 views Money started rolling in: he gained 50 paid Fanvue subscribers before any real automation even started The secret weapon? A custom Claude system that analyzes chat data, optimizes pricing, and drafts replies to fans in the girl's voice He only spends 30 minutes a day scheduling reels and running the machine This is no longer content creation. It is identity arbitrage The full workflow and tools he used are available in the article

A 30-year-old Chinese man turned himself into an AI girl, and the result will shock you He built a $3,700/month Fanvue business in his bedroom He didn't use wigs or cosplay. He used AI to build a completely new identity on top of his own footage Same room, same camera, but a totally different creator on screen His workflow is stupidly simple: Claude designs the character, ComfyUI generates the face, and Kling turns stills into viral reels In his first month, he barely cleared $320. But in the second month, one video hit 500,000 views Money started rolling in: he gained 50 paid Fanvue subscribers before any real automation even started The secret weapon? A custom Claude system that analyzes chat data, optimizes pricing, and drafts replies to fans in the girl's voice He only spends 30 minutes a day scheduling reels and running the machine This is no longer content creation. It is identity arbitrage The full workflow and tools he used are available in the article

shmidt

104,865 просмотров • 27 дней назад

Oh look, the DEI Queen of Lies in my comments. I have a banger video for you tomorrow proving once again that you lied all while crying... "WOE IS ME", like the victim method actor that you are. You didn't text Harpole until December 17, a full 8 days AFTER you defamed him with your Ft. Huachuca premiere on December 9. You also proved you had his contact info but showed such disregard for the truth that you didn't text him before airing that episode. You first reached out on December 17, only after hearing he planned to sue you. You further proved malice by airing the Mitch Snow interview on December 18 without hearing from him and with no proof he was there. You met with Erika on December 15—six days after airing the Ft. Huachuca story—while in contact with Mitch Snow, the son of the Zodiac Killer, yet never asked her if she was at Ft. Huachuca during that 4-hour meeting. Three days later, you aired the Mitch Snow interview implicating Erika Kirk in Charlie's assassination. You then claimed "Vet bros" were threatening you not to interview him, which is laughable since everything you cited as proof came after your episode aired. Those texts reference "Mitch." No one knew who Mitch was before December 18. They also reference the GiveSendGo account and specifically $130K, which was after the interview. Your own allies—Ian Carroll, Evan Kilgore, and VFT—warned you Mitch lied to you, but now you call that a threat. 😂 You want to use all those facts and cry victim that you were entrapped into a defamation lawsuit. Your own stupidity and ignorance did that. I hope Harmeet K. Dhillon and Dhillon Law Group watched your Wednesday show. I think it turns a good lawsuit into a slam dunk. Keep lying that I was paid by TPUSA or directed by Andrew Kolvet and you'll face another lawsuit. It's a lie and you know it. Watching you crash and burn after grifting off Charlie's corpse, trying to destroy his legacy and family, is glorious. I'm here for it. 🍿 Here's a video clip to remind the world how sure you were of the "evidence" you were providing and stating they were "facts" while defaming Brian Harpole.

Sensitive content

Oh look, the DEI Queen of Lies in my comments. I have a banger video for you tomorrow proving once again that you lied all while crying... "WOE IS ME", like the victim method actor that you are. You didn't text Harpole until December 17, a full 8 days AFTER you defamed him with your Ft. Huachuca premiere on December 9. You also proved you had his contact info but showed such disregard for the truth that you didn't text him before airing that episode. You first reached out on December 17, only after hearing he planned to sue you. You further proved malice by airing the Mitch Snow interview on December 18 without hearing from him and with no proof he was there. You met with Erika on December 15—six days after airing the Ft. Huachuca story—while in contact with Mitch Snow, the son of the Zodiac Killer, yet never asked her if she was at Ft. Huachuca during that 4-hour meeting. Three days later, you aired the Mitch Snow interview implicating Erika Kirk in Charlie's assassination. You then claimed "Vet bros" were threatening you not to interview him, which is laughable since everything you cited as proof came after your episode aired. Those texts reference "Mitch." No one knew who Mitch was before December 18. They also reference the GiveSendGo account and specifically $130K, which was after the interview. Your own allies—Ian Carroll, Evan Kilgore, and VFT—warned you Mitch lied to you, but now you call that a threat. 😂 You want to use all those facts and cry victim that you were entrapped into a defamation lawsuit. Your own stupidity and ignorance did that. I hope Harmeet K. Dhillon and Dhillon Law Group watched your Wednesday show. I think it turns a good lawsuit into a slam dunk. Keep lying that I was paid by TPUSA or directed by Andrew Kolvet and you'll face another lawsuit. It's a lie and you know it. Watching you crash and burn after grifting off Charlie's corpse, trying to destroy his legacy and family, is glorious. I'm here for it. 🍿 Here's a video clip to remind the world how sure you were of the "evidence" you were providing and stating they were "facts" while defaming Brian Harpole.

Paramount Tactical - Gary Melton

55,791 просмотров • 2 месяцев назад

Made this cinematic AI video in minutes using Getvivix Prompt used below 👇 STORYBOARD 1 "THE KNIGHT" PROJECT TYPE: 10-second cinematic fantasy storyboard CHARACTER LOCK: single consistent knight — original fictional STYLIZED fantasy warrior (not a real person). Full ornate plate armor, VISOR DOWN the entire sequence (face never visible — safe by design), tattered surcoat + banner, mounted on an armored warhorse. Identical armor/horse across all frames. STYLE: epic dark-fantasy, cinematic, painterly film stills PACING & FLOW: slow, weighty, EPIC — no rush. One continuous charge → clash → melee → hero arc. Gradual camera moves; the action carries unbroken from frame to frame (each beat is the next instant of the last). Transitions are match-on-motion — the horse's stride and the sword's arc bridge every cut, never a hard jump. FRAMES (8 shots, 0–10s) — angle | lens | motion | lighting | environment | → into next: 1 (0–1.5s): wide establishing | 24mm | knight reined at a hill crest, banner snapping, slow push-in | cold dawn backlight, mist | battlefield below → camera drifts down as the horse shifts weight 2 (1.5–3s): 3/4-rear tracking | 35mm | horse breaks into a canter down the slope | low sun raking | churned mud, distant ranks → match-on-stride into the gallop 3 (3–4.5s): side tracking | 50mm | full gallop toward the enemy line, dust plume | side rim light, haze | spears + banners ahead → he lowers the lance, carrying the motion 4 (4.5–6s): low-angle hero | 35mm | lance leveled mid-gallop, visor catching light | backlit dust glow | closing on the line → impact begins 5 (6–7s): impact wide | 50mm | lance strikes, enemy hurled back, splinters | harsh flash + sparks | clash of the lines → horse rears from the hit 6 (7–8s): low 3/4 | 35mm | warhorse rears amid the melee, sword drawn | embers, torchlight | swirling battle → the blade sweeps down 7 (8–9s): tracking the blade | 50mm | sweeping arc through foes, motion-blur trail | sparks on steel | bodies + banners → camera settles, pulls back 8 (9–10s): hero hold | 24mm | horse reared, sword raised, banner behind, silhouette | dramatic backlight, battle haze | the field beyond → freeze LAYOUT: film sheet — left: 3 dynamic mounted poses (charging 3/4, rearing, mid-swing — in-scene, visor down); center: 8-frame grid; right: director notes; bottom: 0–10s. VISUAL STYLE: cinematic dark-fantasy, painterly, volumetric dawn light, dust + embers + mist, shallow DOF, motion blur, anamorphic; stylized — NOT photorealistic, not real human skin; FACE NEVER SHOWN (visor down). Seedance on Getvivix lets you generate high-end cinematic visuals for around 1000 credits (~$1), making pro-level video creation cheap and scalable. Try it here:

Made this cinematic AI video in minutes using Getvivix Prompt used below 👇 STORYBOARD 1 "THE KNIGHT" PROJECT TYPE: 10-second cinematic fantasy storyboard CHARACTER LOCK: single consistent knight — original fictional STYLIZED fantasy warrior (not a real person). Full ornate plate armor, VISOR DOWN the entire sequence (face never visible — safe by design), tattered surcoat + banner, mounted on an armored warhorse. Identical armor/horse across all frames. STYLE: epic dark-fantasy, cinematic, painterly film stills PACING & FLOW: slow, weighty, EPIC — no rush. One continuous charge → clash → melee → hero arc. Gradual camera moves; the action carries unbroken from frame to frame (each beat is the next instant of the last). Transitions are match-on-motion — the horse's stride and the sword's arc bridge every cut, never a hard jump. FRAMES (8 shots, 0–10s) — angle | lens | motion | lighting | environment | → into next: 1 (0–1.5s): wide establishing | 24mm | knight reined at a hill crest, banner snapping, slow push-in | cold dawn backlight, mist | battlefield below → camera drifts down as the horse shifts weight 2 (1.5–3s): 3/4-rear tracking | 35mm | horse breaks into a canter down the slope | low sun raking | churned mud, distant ranks → match-on-stride into the gallop 3 (3–4.5s): side tracking | 50mm | full gallop toward the enemy line, dust plume | side rim light, haze | spears + banners ahead → he lowers the lance, carrying the motion 4 (4.5–6s): low-angle hero | 35mm | lance leveled mid-gallop, visor catching light | backlit dust glow | closing on the line → impact begins 5 (6–7s): impact wide | 50mm | lance strikes, enemy hurled back, splinters | harsh flash + sparks | clash of the lines → horse rears from the hit 6 (7–8s): low 3/4 | 35mm | warhorse rears amid the melee, sword drawn | embers, torchlight | swirling battle → the blade sweeps down 7 (8–9s): tracking the blade | 50mm | sweeping arc through foes, motion-blur trail | sparks on steel | bodies + banners → camera settles, pulls back 8 (9–10s): hero hold | 24mm | horse reared, sword raised, banner behind, silhouette | dramatic backlight, battle haze | the field beyond → freeze LAYOUT: film sheet — left: 3 dynamic mounted poses (charging 3/4, rearing, mid-swing — in-scene, visor down); center: 8-frame grid; right: director notes; bottom: 0–10s. VISUAL STYLE: cinematic dark-fantasy, painterly, volumetric dawn light, dust + embers + mist, shallow DOF, motion blur, anamorphic; stylized — NOT photorealistic, not real human skin; FACE NEVER SHOWN (visor down). Seedance on Getvivix lets you generate high-end cinematic visuals for around 1000 credits (~$1), making pro-level video creation cheap and scalable. Try it here:

Zoraiz Ai

10,748 просмотров • 1 месяц назад

Contact sheet prompting is the hottest AI video technique right now 🤯 One image in → 6 consistent frames out → cinematic video ads in minutes. But everyone's doing it manually. I automated the entire workflow in n8n + Airtable. Here's why contact sheet prompting is blowing up: You give AI one reference image, and it generates a grid of consistent shots — same face, same outfit, different angles. Instant storyboarding, full creative control, no photoshoots. The problem? It's super tedious: → Write the prompt manually → Generate the contact sheet → Crop each frame by hand → Feed frames into a video model one by one → Repeat for every product This n8n automation handles all of it: → Upload character image + product image → AI analyzes both and writes the contact sheet prompt → Nano Banana Pro generates a 6-frame grid → System extracts each frame automatically → Kling 2.5 generates smooth transitions between frames → You get 5 video clips ready to stitch Approval checkpoints at every stage, no surprises. What lands in your Airtable: → AI-generated creative prompt → Core hero image (model + product) → 6-frame contact sheet → 5 cinematic video clips → Full control before each generation step Contact sheet prompting on autopilot. I filmed a 20 minute Loom video showing you exactly how I set it up. Want the Loom + the complete n8n workflow + Airtable base? > Comment "SHEET" > Like this post And I'll send it over (must be following so I can DM)

Contact sheet prompting is the hottest AI video technique right now 🤯 One image in → 6 consistent frames out → cinematic video ads in minutes. But everyone's doing it manually. I automated the entire workflow in n8n + Airtable. Here's why contact sheet prompting is blowing up: You give AI one reference image, and it generates a grid of consistent shots — same face, same outfit, different angles. Instant storyboarding, full creative control, no photoshoots. The problem? It's super tedious: → Write the prompt manually → Generate the contact sheet → Crop each frame by hand → Feed frames into a video model one by one → Repeat for every product This n8n automation handles all of it: → Upload character image + product image → AI analyzes both and writes the contact sheet prompt → Nano Banana Pro generates a 6-frame grid → System extracts each frame automatically → Kling 2.5 generates smooth transitions between frames → You get 5 video clips ready to stitch Approval checkpoints at every stage, no surprises. What lands in your Airtable: → AI-generated creative prompt → Core hero image (model + product) → 6-frame contact sheet → 5 cinematic video clips → Full control before each generation step Contact sheet prompting on autopilot. I filmed a 20 minute Loom video showing you exactly how I set it up. Want the Loom + the complete n8n workflow + Airtable base? > Comment "SHEET" > Like this post And I'll send it over (must be following so I can DM)

Mike Futia

53,622 просмотров • 7 месяцев назад

$BOOM! Humanoid Robots Just Performed Surgery for the First Time! REAL VIDEO! In a groundbreaking preclinical breakthrough, researchers at UC San Diego have achieved what many thought was years away: teleoperated humanoid robots successfully completing live surgeries. Published in Nature, the study marks the world’s first use of humanoid robots for in-vivo laparoscopic procedures on large animals (pigs). Two separate surgeries were completed: Key Details •. Procedure: Laparoscopic gallbladder removal (cholecystectomy) •. Team 1: Human surgeon + one humanoid robot (the robot performed core tasks while the human assisted) •. Team 2: Two humanoid robots working together with no human at the operating table •. Robots: Custom “Surgie” humanoids (~5 ft tall, ~60 lbs) using standard surgical tools •. Control: Fully teleoperated by surgeons (remote human control, not autonomous) •. Significance: First demonstration of humanoid robots handling real surgical workflows in a live setting, proving compatibility with existing OR tools and spaces This proof shows humanoid robots could one day help address surgeon shortages, enable remote procedures in rural areas, battlefields, or even space all at a fraction of the cost and space of traditional surgical robots like da Vinci. Read the full publication here: Project page with video: The future of surgery just got a whole lot more interesting. And medical cost for the first time in decades will be scheduled to go down, much further down.$

BOOM! Humanoid Robots Just Performed Surgery for the First Time! REAL VIDEO! In a groundbreaking preclinical breakthrough, researchers at UC San Diego have achieved what many thought was years away: teleoperated humanoid robots successfully completing live surgeries. Published in Nature, the study marks the world’s first use of humanoid robots for in-vivo laparoscopic procedures on large animals (pigs). Two separate surgeries were completed: Key Details •. Procedure: Laparoscopic gallbladder removal (cholecystectomy) •. Team 1: Human surgeon + one humanoid robot (the robot performed core tasks while the human assisted) •. Team 2: Two humanoid robots working together with no human at the operating table •. Robots: Custom “Surgie” humanoids (~5 ft tall, ~60 lbs) using standard surgical tools •. Control: Fully teleoperated by surgeons (remote human control, not autonomous) •. Significance: First demonstration of humanoid robots handling real surgical workflows in a live setting, proving compatibility with existing OR tools and spaces This proof shows humanoid robots could one day help address surgeon shortages, enable remote procedures in rural areas, battlefields, or even space all at a fraction of the cost and space of traditional surgical robots like da Vinci. Read the full publication here: Project page with video: The future of surgery just got a whole lot more interesting. And medical cost for the first time in decades will be scheduled to go down, much further down.

Brian Roemmele

107,357 просмотров • 15 дней назад

$We have released Seedance 2.0. Due to the 2500-character limit, please translate the following prompts into Chinese before use. [Technical Specs] Generate a 10-second, 16:9, 720p cinematic video. Smooth continuous camera motion with no cuts. The overall pacing is fast and tightly compressed, with rapid escalation from start to finish. Audio evolves quickly from a high-performance engine idle into intricate mechanical shifting and clicks, culminating in a soft electronic chime and the distinct sound of a "mwah" blowing kiss. [Global Constraints] Only the evolving mechanical character appears; no other humans or characters. All transformations must follow physical logic and maintain structural continuity. No object should pass through or intersect with other solid objects. Every robotic component must originate from visible parts of the Porsche 911 (doors, hood, wheels, chassis) through unfolding, splitting, or reconfiguration. [Scene Setup — 0:00–0:01] A sleek, metallic silver Porsche 911 sits on a rain-slicked futuristic city street at night, neon lights reflecting off its polished surface. The camera starts at a low-angle front-quarter view and begins a fast, smooth tracking-arc towards the side. [Rapid Transformation Initiation — 0:01–0:03] Transformation triggers instantly. The car’s suspension drops, and the frame begins to fracture into a complex grid of panels. The doors swing open and begin to segment into articulated arm structures. The front hood splits down the center, folding inward to reveal a glowing internal core. The headlights flicker and start to reorient as the "eyes." [Accelerated Feminine Reconfiguration — 0:03–0:07] The mechanical action is dense, overlapping, and fluid, emphasizing graceful but powerful motion. Lower Body: The rear wheels and wheel arches split and rotate downward, reassembling into slender, high-heeled mechanical legs. Torso: The roof and rear engine cover slide and compress, forming a sleek, curvaceous hourglass torso that retains the car’s aerodynamic lines. Arms & Hands: The side mirrors and door panels unfold into delicate but strong hands and fingers. Head: The front bumper and emblem area segment and rise, folding into a feminine-shaped head with a sleek metallic "helmet" visor. [Logical Transformation Constraints — No Spontaneous Appearance] The robot’s "skin" is composed of the car's outer silver panels. The internal frame and wiring emerge from the engine and undercarriage. No parts appear out of thin air; every joint is a reconfigured automotive component. [Transformation Completion — 0:07–0:08.5] The robot stands tall and elegant. The silver panels lock into place with a satisfying "click," revealing glowing blue LED accents in the seams. The silhouette is clearly feminine, humanoid, and sophisticated, reflecting the premium design of the original vehicle. [Final Hero Ending — 0:08.5–0:10] As the robot stabilizes, the camera performs a rapid, smooth zoom-in (Dolly-In) directly to her face. The robot tilts its head slightly, and the optic sensors (eyes) brighten. It brings its mechanical hand to its metallic lips and performs a graceful blowing kiss (fly-kiss) gesture toward the camera. The video ends with a close-up of the face, capturing the reflection of neon lights in its visor just as the kiss is released. [Cinematography Notes] Continuous Motion: No cuts or fades; the camera must transition from the car-tracking shot to the face-zoom seamlessly. Material Consistency: The robot must maintain the exact metallic silver paint, texture, and reflections of the Porsche. Energy: The transformation should feel high-energy and "force-driven," while the final gesture is soft and charismatic.$

We have released Seedance 2.0. Due to the 2500-character limit, please translate the following prompts into Chinese before use. [Technical Specs] Generate a 10-second, 16:9, 720p cinematic video. Smooth continuous camera motion with no cuts. The overall pacing is fast and tightly compressed, with rapid escalation from start to finish. Audio evolves quickly from a high-performance engine idle into intricate mechanical shifting and clicks, culminating in a soft electronic chime and the distinct sound of a "mwah" blowing kiss. [Global Constraints] Only the evolving mechanical character appears; no other humans or characters. All transformations must follow physical logic and maintain structural continuity. No object should pass through or intersect with other solid objects. Every robotic component must originate from visible parts of the Porsche 911 (doors, hood, wheels, chassis) through unfolding, splitting, or reconfiguration. [Scene Setup — 0:00–0:01] A sleek, metallic silver Porsche 911 sits on a rain-slicked futuristic city street at night, neon lights reflecting off its polished surface. The camera starts at a low-angle front-quarter view and begins a fast, smooth tracking-arc towards the side. [Rapid Transformation Initiation — 0:01–0:03] Transformation triggers instantly. The car’s suspension drops, and the frame begins to fracture into a complex grid of panels. The doors swing open and begin to segment into articulated arm structures. The front hood splits down the center, folding inward to reveal a glowing internal core. The headlights flicker and start to reorient as the "eyes." [Accelerated Feminine Reconfiguration — 0:03–0:07] The mechanical action is dense, overlapping, and fluid, emphasizing graceful but powerful motion. Lower Body: The rear wheels and wheel arches split and rotate downward, reassembling into slender, high-heeled mechanical legs. Torso: The roof and rear engine cover slide and compress, forming a sleek, curvaceous hourglass torso that retains the car’s aerodynamic lines. Arms & Hands: The side mirrors and door panels unfold into delicate but strong hands and fingers. Head: The front bumper and emblem area segment and rise, folding into a feminine-shaped head with a sleek metallic "helmet" visor. [Logical Transformation Constraints — No Spontaneous Appearance] The robot’s "skin" is composed of the car's outer silver panels. The internal frame and wiring emerge from the engine and undercarriage. No parts appear out of thin air; every joint is a reconfigured automotive component. [Transformation Completion — 0:07–0:08.5] The robot stands tall and elegant. The silver panels lock into place with a satisfying "click," revealing glowing blue LED accents in the seams. The silhouette is clearly feminine, humanoid, and sophisticated, reflecting the premium design of the original vehicle. [Final Hero Ending — 0:08.5–0:10] As the robot stabilizes, the camera performs a rapid, smooth zoom-in (Dolly-In) directly to her face. The robot tilts its head slightly, and the optic sensors (eyes) brighten. It brings its mechanical hand to its metallic lips and performs a graceful blowing kiss (fly-kiss) gesture toward the camera. The video ends with a close-up of the face, capturing the reflection of neon lights in its visor just as the kiss is released. [Cinematography Notes] Continuous Motion: No cuts or fades; the camera must transition from the car-tracking shot to the face-zoom seamlessly. Material Consistency: The robot must maintain the exact metallic silver paint, texture, and reflections of the Porsche. Energy: The transformation should feel high-energy and "force-driven," while the final gesture is soft and charismatic.

underwood

19,462 просмотров • 3 месяцев назад

Try this Grok Imagine prompt. >>> prompt A colossal biomechanical oni-dragon looms over a defiant silver-haired girl. The dragon is covered in matte-black plating layered with frost and battle scars. It has three glowing crimson optic clusters and jagged ivory fangs dripping with icicles. Neon-pink "GROK" lettering and red kanji decals mark its armor. The girl wears a cropped black tech-hoodie and cargo pants. Her pale skin is dusted with snow and she has no smile. The style is an ultra-realistic cyberpunk kaiju portrait with weathered PBR metal, micro-scratches, ice crystals, macro hydraulic detail, and a cinematic 32-bit render look. The environment is an arctic tundra blizzard under a pale cyan sky with swirling snow particles and a faint red glow from the dragon's vents cutting through the whiteout. The lighting uses cold overcast skylight paired with hot crimson optic bloom. There are razor chrome rim highlights on the fangs, long blue shadows on the snow, and subtle subsurface red glowing under cracked plates. The composition is a heroic low-angle wide shot. The dragon's head dominates the left two-thirds of the frame while the girl is anchored in the bottom-right. The jaws hover inches from her face with a diagonal cable sweep and rule-of-thirds optic alignment. The color palette centers on gunmetal black and frost white for the dragon, neon crimson and magenta for its markings, icy cyan for the snow, monochrome black for the girl's outfit, and pale tones for her skin. The camera is a 24 mm at f/1.8 with medium depth of field, tack-sharp focus on the nearest fang and the girl's eyes, and a creamy bokeh blizzard in the background. The mood conveys an ancient guardian awakened, a quiet symbiosis, and a frozen apocalypse. Details include icicles hanging from the lower jaw, micro-hydraulic pistons frozen mid-flex, snowflakes melting on hot optic glass, the girl's breath visible in the cold air, faint red vein pulses under the armor, dangling torn power cables, a single magenta lens flare behind the left horn, and a tiny "xAI" etched on the girl's belt buckle. Output quality is 8K with ray-traced frost, volumetric snow, subsurface optic glow, zero noise, and cinematic grade rendering.

Try this Grok Imagine prompt. >>> prompt A colossal biomechanical oni-dragon looms over a defiant silver-haired girl. The dragon is covered in matte-black plating layered with frost and battle scars. It has three glowing crimson optic clusters and jagged ivory fangs dripping with icicles. Neon-pink "GROK" lettering and red kanji decals mark its armor. The girl wears a cropped black tech-hoodie and cargo pants. Her pale skin is dusted with snow and she has no smile. The style is an ultra-realistic cyberpunk kaiju portrait with weathered PBR metal, micro-scratches, ice crystals, macro hydraulic detail, and a cinematic 32-bit render look. The environment is an arctic tundra blizzard under a pale cyan sky with swirling snow particles and a faint red glow from the dragon's vents cutting through the whiteout. The lighting uses cold overcast skylight paired with hot crimson optic bloom. There are razor chrome rim highlights on the fangs, long blue shadows on the snow, and subtle subsurface red glowing under cracked plates. The composition is a heroic low-angle wide shot. The dragon's head dominates the left two-thirds of the frame while the girl is anchored in the bottom-right. The jaws hover inches from her face with a diagonal cable sweep and rule-of-thirds optic alignment. The color palette centers on gunmetal black and frost white for the dragon, neon crimson and magenta for its markings, icy cyan for the snow, monochrome black for the girl's outfit, and pale tones for her skin. The camera is a 24 mm at f/1.8 with medium depth of field, tack-sharp focus on the nearest fang and the girl's eyes, and a creamy bokeh blizzard in the background. The mood conveys an ancient guardian awakened, a quiet symbiosis, and a frozen apocalypse. Details include icicles hanging from the lower jaw, micro-hydraulic pistons frozen mid-flex, snowflakes melting on hot optic glass, the girl's breath visible in the cold air, faint red vein pulses under the armor, dangling torn power cables, a single magenta lens flare behind the left horn, and a tiny "xAI" etched on the girl's belt buckle. Output quality is 8K with ray-traced frost, volumetric snow, subsurface optic glow, zero noise, and cinematic grade rendering.

tetsuo

12,932 просмотров • 5 месяцев назад

🔥 Grab your popcorn—the political clown car just blew a tire. 🍿💅 Zohran Mamdani—the human equivalent of a performative TikTok rant in a poorly fitted cardigan—has officially outdone himself. He’s out here grandstanding like a budget Broadway villain, screaming "WAR CRIMINAL!" at Netanyahu while his legal team quietly whispers: "Yeah... we can’t actually do anything." Classic Mamdani: All mouth, no handcuffs. The Flop 🤡 Sheepishly begs the feds for help because "following the law" suddenly matters when your stunt flops harder than a DSA budget proposal. 🚲 Then Backpedals faster than a Midtown hipster on a Citi Bike with a flat tire. While Jewish New Yorkers face record antisemitism and the city drowns in real problems—sky-high rent, crime, and trash piles taller than his principles—Zohran is busy running a high-stakes game of Model UN cosplay. Netanyahu is literally taunting back like "I'll come to NY, wait and see," while Mamdani’s entire response collapsed into: "I'll... write a strongly worded letter!" ✉️😭 Mamdani isn't running for City Hall; he’s a grievance goblin LARPing as an international prosecutor while the five boroughs rot. At this rate, Bibi could open a falafel truck in Midtown and Zohran would still just tweet about The Hague. New York deserves a leader, not a performative circus. 🎪✨ #NYC #NYCPolitics #NewYorkCity #SpillTheTea #PoliticalClapback

🔥 Grab your popcorn—the political clown car just blew a tire. 🍿💅 Zohran Mamdani—the human equivalent of a performative TikTok rant in a poorly fitted cardigan—has officially outdone himself. He’s out here grandstanding like a budget Broadway villain, screaming "WAR CRIMINAL!" at Netanyahu while his legal team quietly whispers: "Yeah... we can’t actually do anything." Classic Mamdani: All mouth, no handcuffs. The Flop 🤡 Sheepishly begs the feds for help because "following the law" suddenly matters when your stunt flops harder than a DSA budget proposal. 🚲 Then Backpedals faster than a Midtown hipster on a Citi Bike with a flat tire. While Jewish New Yorkers face record antisemitism and the city drowns in real problems—sky-high rent, crime, and trash piles taller than his principles—Zohran is busy running a high-stakes game of Model UN cosplay. Netanyahu is literally taunting back like "I'll come to NY, wait and see," while Mamdani’s entire response collapsed into: "I'll... write a strongly worded letter!" ✉️😭 Mamdani isn't running for City Hall; he’s a grievance goblin LARPing as an international prosecutor while the five boroughs rot. At this rate, Bibi could open a falafel truck in Midtown and Zohran would still just tweet about The Hague. New York deserves a leader, not a performative circus. 🎪✨ #NYC #NYCPolitics #NewYorkCity #SpillTheTea #PoliticalClapback

Afshine Emrani MD FACC

71,823 просмотров • 2 дней назад

7 Ancient Indian Habits that can reverse you age. 1️⃣ Brahma Muhurta Alignment Waking before sunrise isn’t discipline, it’s hormonal alignment. Ancient texts knew cortisol, melatonin, and circadian rhythm long before science named them. This single ritual resets digestion, skin repair and cellular repair. 🧠 Modern science now confirms early light exposure regulates longevity genes. 2️⃣ Oil Abhyanga (Daily Self-Massage) Warm oil massage isn’t luxury, it’s nervous system therapy. It reduces oxidative stress, nourishes skin barriers, lubricates joints, and calms Vata (the main aging dosha). ✨ Skin ages slower when the nervous system feels safe. 3️⃣ Eating With the Sun, Not the Clock Ancient Indians ate when Agni (digestive fire) was strongest. mid-day. Late dinners age you faster. 🔥 Better digestion = better nutrient absorption = slower aging. 4️⃣ Seasonal Living (Ritucharya) Your body is not designed to eat mangoes in winter or salads in monsoon. Ancient India followed seasonal detox, foods, and routines, keeping inflammation low year round. 5️⃣ Nasya (Nasal Oil Therapy) A few drops of oil in the nose daily protects the brain, sinuses, hormones, and skin glow. This ritual keeps memory sharp, hair thick, and face youthful. 6️⃣ Silence & Maun (Intentional Quiet Time) Aging accelerates when the mind never rests. Ancient sages practiced silence to reduce mental toxins (Ama). 🧘‍♀️ Less mental noise = lower cortisol = slower cellular aging. 7️⃣ Squatting, Sitting on the Floor & Natural Movement Gyms came later. Indian bodies stayed young through functional movement, squatting, cross-leg sitting, barefoot walking. No methods or therapy can stop your aging but it can be made slower without chemicals. I help many peoples with their lifestyle diseases. If you want full reset of body Follow & Comment "Reset" i will share .

7 Ancient Indian Habits that can reverse you age. 1️⃣ Brahma Muhurta Alignment Waking before sunrise isn’t discipline, it’s hormonal alignment. Ancient texts knew cortisol, melatonin, and circadian rhythm long before science named them. This single ritual resets digestion, skin repair and cellular repair. 🧠 Modern science now confirms early light exposure regulates longevity genes. 2️⃣ Oil Abhyanga (Daily Self-Massage) Warm oil massage isn’t luxury, it’s nervous system therapy. It reduces oxidative stress, nourishes skin barriers, lubricates joints, and calms Vata (the main aging dosha). ✨ Skin ages slower when the nervous system feels safe. 3️⃣ Eating With the Sun, Not the Clock Ancient Indians ate when Agni (digestive fire) was strongest. mid-day. Late dinners age you faster. 🔥 Better digestion = better nutrient absorption = slower aging. 4️⃣ Seasonal Living (Ritucharya) Your body is not designed to eat mangoes in winter or salads in monsoon. Ancient India followed seasonal detox, foods, and routines, keeping inflammation low year round. 5️⃣ Nasya (Nasal Oil Therapy) A few drops of oil in the nose daily protects the brain, sinuses, hormones, and skin glow. This ritual keeps memory sharp, hair thick, and face youthful. 6️⃣ Silence & Maun (Intentional Quiet Time) Aging accelerates when the mind never rests. Ancient sages practiced silence to reduce mental toxins (Ama). 🧘‍♀️ Less mental noise = lower cortisol = slower cellular aging. 7️⃣ Squatting, Sitting on the Floor & Natural Movement Gyms came later. Indian bodies stayed young through functional movement, squatting, cross-leg sitting, barefoot walking. No methods or therapy can stop your aging but it can be made slower without chemicals. I help many peoples with their lifestyle diseases. If you want full reset of body Follow & Comment "Reset" i will share .

श्री

51,756 просмотров • 5 месяцев назад

lol, Harry’s LA dodgers and Bluejays fiasco is a perfect example of what happens when you are an attention seeker who fakes interest in things, just to get attention😏 Harry, just like Meghan, are quite simply bandwagon hoppers. Everything they do or say, is for pure publicity and attention. They fake interest in whatever topic or issue of the moment, that can get them the attention they need 🤷🏽‍♀️ Once you understand that, you cannot help but laugh at the tit Harry made of himself and how he is groveling to fix the fiasco he created for himself🤭 This couple was NEVER known to be sports enthusiasts; they were never known to be sporty or have a remote passion for any particular sport. The only royal couple known to be avid sports enthusiasts who are also known to be very outdoorsy and Athletic are Prince William and Catherine🔥 The fact is that neither Meg nor Harry cares about either the Blue Jays or the LA Dodgers. What they cared about was doing a PR stunt to cosplay W&C and rebrand as a “Relatable sporty couple” who attends games to support their team. The issue is they have no team they truly support and zero interest in sports and it shows😂 Thus, when the dodgers offered them good seats at the Game 4 of the World Series with other celebrities, H&M hopped on the bandwagon and wore their LA dodgers hats🤭 Harry never thought for a minute of the fact that as a British prince, whose father is King of Canada, and as the patron of Invictus who loves to use Canada as his playground to promote himself over veterans; he should NEVER have accepted to go support the dodgers against the Bluejays nor to wear their hat🤷🏽‍♀️ But Harry is as dumb as a rock. Harry never THINKS nor lead, Harry always FOLLOWS. So he followed his attention-seeking wife in this PR stunt that ended up backfiring in his face. Now that he is in Canada, to save face he claims it was under “duress” that he wore the dodgers hat🤡 No there was no “duress”, Harry and Meg are a couple of “Press-titutes” who are for sale to the best offer. Yes for the right amount, they will sing whatever you want them to. That is why they were never fit to be working royals👌🏽 If Harry is in the US, he says one thing; if he lands in the UK, he says another; if he arrives in Canada, he says something else. They have no loyalties to anything but money and attention. You cannot even get William to wear a Chelsea skit. He is Aston Villa and will die Aston villa. But then again, William is genuinely true to himself. He has no need to cosplay anyone😏 Harry spend his life saying things he does not mean and doing things he cannot care less about, simply because his life is spent cosplaying his brother’s interests and life🔥 Harry wants to live William’s life. Everything William has and does, Harry wants to have and do it too. It has been over 12 years that Harry stopped being the Spare to William with Prince George’s birth. But in Harry’s mind, he will always be William’s spare; this is the only role he has cast himself in🤷🏽‍♀️ It is very clear that Harry’s true focus in life is NOT on Meghan or their family; It is NOT on his charity work that is filled with sinister scandals of bullying, murder and torture of communities; It is NOT even about serving Veterans as he loves to pretend. No, the sad truth with Harry is that he married Meghan to compete with William and Catherine; Both H&M use their “children” to compete with W&C; Harry uses every project and charity he has left to compete with William; He schedules all his PR stunts around William’s schedule to compete with William. Yes, the centre of Harry’s life, his only driving passion in life is his eternal obsession with William👌🏽 Outside of chasing William’s shadow, Harry is a man without any proper identity or true passion in life to focus on and that is how he ended up in this Dodgers and Blue Jays backlash☕️

lol, Harry’s LA dodgers and Bluejays fiasco is a perfect example of what happens when you are an attention seeker who fakes interest in things, just to get attention😏 Harry, just like Meghan, are quite simply bandwagon hoppers. Everything they do or say, is for pure publicity and attention. They fake interest in whatever topic or issue of the moment, that can get them the attention they need 🤷🏽‍♀️ Once you understand that, you cannot help but laugh at the tit Harry made of himself and how he is groveling to fix the fiasco he created for himself🤭 This couple was NEVER known to be sports enthusiasts; they were never known to be sporty or have a remote passion for any particular sport. The only royal couple known to be avid sports enthusiasts who are also known to be very outdoorsy and Athletic are Prince William and Catherine🔥 The fact is that neither Meg nor Harry cares about either the Blue Jays or the LA Dodgers. What they cared about was doing a PR stunt to cosplay W&C and rebrand as a “Relatable sporty couple” who attends games to support their team. The issue is they have no team they truly support and zero interest in sports and it shows😂 Thus, when the dodgers offered them good seats at the Game 4 of the World Series with other celebrities, H&M hopped on the bandwagon and wore their LA dodgers hats🤭 Harry never thought for a minute of the fact that as a British prince, whose father is King of Canada, and as the patron of Invictus who loves to use Canada as his playground to promote himself over veterans; he should NEVER have accepted to go support the dodgers against the Bluejays nor to wear their hat🤷🏽‍♀️ But Harry is as dumb as a rock. Harry never THINKS nor lead, Harry always FOLLOWS. So he followed his attention-seeking wife in this PR stunt that ended up backfiring in his face. Now that he is in Canada, to save face he claims it was under “duress” that he wore the dodgers hat🤡 No there was no “duress”, Harry and Meg are a couple of “Press-titutes” who are for sale to the best offer. Yes for the right amount, they will sing whatever you want them to. That is why they were never fit to be working royals👌🏽 If Harry is in the US, he says one thing; if he lands in the UK, he says another; if he arrives in Canada, he says something else. They have no loyalties to anything but money and attention. You cannot even get William to wear a Chelsea skit. He is Aston Villa and will die Aston villa. But then again, William is genuinely true to himself. He has no need to cosplay anyone😏 Harry spend his life saying things he does not mean and doing things he cannot care less about, simply because his life is spent cosplaying his brother’s interests and life🔥 Harry wants to live William’s life. Everything William has and does, Harry wants to have and do it too. It has been over 12 years that Harry stopped being the Spare to William with Prince George’s birth. But in Harry’s mind, he will always be William’s spare; this is the only role he has cast himself in🤷🏽‍♀️ It is very clear that Harry’s true focus in life is NOT on Meghan or their family; It is NOT on his charity work that is filled with sinister scandals of bullying, murder and torture of communities; It is NOT even about serving Veterans as he loves to pretend. No, the sad truth with Harry is that he married Meghan to compete with William and Catherine; Both H&M use their “children” to compete with W&C; Harry uses every project and charity he has left to compete with William; He schedules all his PR stunts around William’s schedule to compete with William. Yes, the centre of Harry’s life, his only driving passion in life is his eternal obsession with William👌🏽 Outside of chasing William’s shadow, Harry is a man without any proper identity or true passion in life to focus on and that is how he ended up in this Dodgers and Blue Jays backlash☕️

Canellecitadelle

119,747 просмотров • 8 месяцев назад

Birmingham, Saturday. Another snapshot from the slow-motion Armageddon unfolding in the heart of England. Heaving mob of young imported boys and girls, teens, not a single native British face in sight, turning the city centre into a theatre of disorder. This isn’t some one-off “youth gathering.” This is the new normal in a city that has been comprehensively transformed. Birmingham’s demographics haven’t “evolved” they’ve been replaced at speed. White British residents are now a minority in the city proper, hovering around 40% or less in many wards, with the change accelerating in the last two decades. The high streets that once served Brummies now reflect parallel societies. Somali, Pakistani, Afro-Caribbean enclaves dominate the footfall. The shops, the languages, the attitudes, the flashpoints: all shifted. Four key high streets and shopping drags have flipped fastest: Ladypool Road, Alum Rock, Sparkbrook, and parts of the inner city core. Walk them at dusk and you understand why the old England feels like a memory. Mosques outnumber churches in swathes of the borough. Grooming gang scandals, knife crime spikes, grooming gang convictions, no-go tensions, the data is relentless if you bother to look beyond the BBC script. This is the visible result: hordes that treat public space as their own, police reduced to crowd management rather than keepers of the Queen’s Peace. Native Brits watch from the sidelines or stay away entirely. Integration was always a polite fiction; what we have is demographic conquest by numbers, chain migration, higher birth rates, and an elite that cheers it as “diversity” while living nowhere near the consequences. “The Strange Death of Europe.” In Birmingham it’s not strange, it’s obvious, daily, and accelerating, although we’re no longer part of the European Union. The common denominator the reply guy can’t quite name? Mass low-skilled, culturally incompatible immigration from incompatible regions, especially Muslim and African sources, combined with native flight. England for the English is slipping away in real time, street by street, Saturday by Saturday. Time to stop importing the problem and start prioritising the people whose ancestors built this country.

Birmingham, Saturday. Another snapshot from the slow-motion Armageddon unfolding in the heart of England. Heaving mob of young imported boys and girls, teens, not a single native British face in sight, turning the city centre into a theatre of disorder. This isn’t some one-off “youth gathering.” This is the new normal in a city that has been comprehensively transformed. Birmingham’s demographics haven’t “evolved” they’ve been replaced at speed. White British residents are now a minority in the city proper, hovering around 40% or less in many wards, with the change accelerating in the last two decades. The high streets that once served Brummies now reflect parallel societies. Somali, Pakistani, Afro-Caribbean enclaves dominate the footfall. The shops, the languages, the attitudes, the flashpoints: all shifted. Four key high streets and shopping drags have flipped fastest: Ladypool Road, Alum Rock, Sparkbrook, and parts of the inner city core. Walk them at dusk and you understand why the old England feels like a memory. Mosques outnumber churches in swathes of the borough. Grooming gang scandals, knife crime spikes, grooming gang convictions, no-go tensions, the data is relentless if you bother to look beyond the BBC script. This is the visible result: hordes that treat public space as their own, police reduced to crowd management rather than keepers of the Queen’s Peace. Native Brits watch from the sidelines or stay away entirely. Integration was always a polite fiction; what we have is demographic conquest by numbers, chain migration, higher birth rates, and an elite that cheers it as “diversity” while living nowhere near the consequences. “The Strange Death of Europe.” In Birmingham it’s not strange, it’s obvious, daily, and accelerating, although we’re no longer part of the European Union. The common denominator the reply guy can’t quite name? Mass low-skilled, culturally incompatible immigration from incompatible regions, especially Muslim and African sources, combined with native flight. England for the English is slipping away in real time, street by street, Saturday by Saturday. Time to stop importing the problem and start prioritising the people whose ancestors built this country.

Lewis.B.Rendell Official

22,921 просмотров • 2 месяцев назад