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You burn fat while digesting it. It builds very hard muscle 🫦💦🍌 #bigcock #bigboy #licking #swallow #foreskin #handjob #dickhead #deepthroat #facial #maleorgasm #cockworship #muscle #bbc #gay #blowjob #thickcock #sucking #longdick #oralsex #mouthfucked #jock #black #cumlover #cumeater #gaycum #saliva #throated #throatgagger #bigballs #horny #cumpumping #gagging #throathug #tattoos 💌Slide into my...

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Losing weight is ridiculously easy in 2025. But if your insulin is high, your body can't burn fat. Ever worse? High insulin wrecks testosterone and quietly drives your blood pressure through the roof. Here are 6 ways to lower it naturally👇 1. Lower your carbohydrate intake Carbs break down into glucose the fastest, forcing your pancreas to pump out insulin to control the spike. When you reduce daily carb load, your blood sugar stays stable. Stable blood sugar = less insulin released = easier fat-burning mode 2. Walk after every meal (even inside the house) A 5-minute walk acts like a glucose sponge. Your muscles pull sugar out of your bloodstream for energy, which lowers the insulin needed to process that meal. Even slow indoor walking reduces post-meal glucose by up to 30% in some studies. 3. Eat protein & fat before carbs Protein and fat slow stomach emptying. When carbs hit your bloodstream more slowly, insulin rises gently instead of spiking. This “food order” trick can reduce the insulin response by 20–40% with the same exact meal. Crazy, right? 4. Fasting. When you’re not eating, your insulin drops. And the longer insulin stays low... The more your body shifts into burning stored fat for energy. Want to supercharge your fasting and knock down blood sugar faster? Berberine might help. It doesn’t simply lower blood sugar and insulin the “natural way”. It activates the enzyme AMP‑activated protein kinase (AMPK) — a fat-burn accelerator. Find it here (Black Friday Amazon Deals) 👇 I also created a FULL-GUIDE on how to use Berberine properly (even if you have never taken it before). Comment "Send" and I'll send it over. (must Follow so I can DM) 4. Strength training. Your muscles act like insulin sponges. The more muscle you have, the more glucose you can store without needing high insulin. Even a single strength workout can increase insulin sensitivity for up to 24–48 hours. 5. Get 7–8 hours of sleep. Poor sleep raises cortisol, and cortisol tells your body to pump out more glucose. More glucose = more insulin. Good sleep resets your hormones overnight and improves insulin sensitivity the next day by 20–30%. 6. Get enough sunlight. Sunlight triggers nitric oxide release in the skin, which helps improve glucose uptake. - Lowers cortisol - Reduces cravings - Stabilizing blood sugar - Sets your circadian rhythm More sunlight = lower insulin throughout the day. My DMs are always open for ANY questions you might have. Thanks for reading until the end, see you in the next one. *Every body works differently, this is not medical advice, just what worked on me." *Always consult a health expert before following any protocols." *Affiliate links included.*

Achilleas

60,592 次观看 • 10 个月前

🚨PERSONAL ANNOUNCEMENT: Thank you & Goodbye NigeriaInfoPH & COOL FM Dear Friends … The day has come… After a wonderful 5yrs and 10 months -my journey at NigeriaInfo and Coolfm Port Harcourt…has come to an END. I want to thank the nation’s finest AIM group and the CWIAK family -for a truly remarkable opportunity and experience-hugely fundamental to my journey/development as a man -a broadcaster ..Sports Journalist and a football commentator. What an outstanding Institution!!-Undoubtedly one of the finest in the world -let alone in Africa and our country Nigeria. Surely , the day to recount the interesting events preceding today’s situation will arrive ...but as this journey comes to end for me, I leave with gratitude and immense pride at the effort that I put in...while contributing my quota of service . I always believed that as a team -nobody in the world was inherently better than we can be -if we first of all believed it -and went above and beyond each day —with the actual job at the center of our focus. And as an individual I lived this philosophy everyday too-in my approach to every show…every program and every commentary bit. Whether or not we hit the top at times -is for each observer to say -but the effort to do so drove me everyday-as I needed to justify every precious second/minute —yielded to us by the listener-and something tells me that more often than not - this was achieved! To my teammates -the incredible Dorcas Koki😘Sports Diva …the magnificent Ekpo “Koko” Nya (Jnr) …the exceptional Ngozi Ezeuduma —brilliant Onyemaechi Christian -wonderful Dele Yusuf — …and many others(some of whom remained behind the scenes)—I will miss you all. It’s always sad to say goodbye -but I am happy that our paths crossed —and that we lived all these years together !! Most of all -you know me to the core -uncolored by prisms . You know that I was driven by loyalty to broadcasting… and an unshakable belief that we can elevate the output to the next available level …beyond the conventionally accepted limits of the environment. I am certain that those of us who found enough kindred spirit-will always be family …and I will be cheering you on and looking out for your every collective and individual accomplishments. To you the ever special listener - I was convinced my place was in this city the very moment I arrived -because I could immediately see and feel how beautiful and accommodating to radio..you were as a people. From the very first day I spoke into the microphone-you accepted me -and from then on -you never left my side. Thank you for every single moment. Every call -every message -every argument -agreements… disagreements!!—the endearment !—and the Love !!! What a swell time !! I love you all and no matter what happens next …or where I go —or don’t go —I will always be a Port Harcourt boy! And Speaking of what next -Well —only time can reveal-even to me ! But in the meantime-I will continue to till my own acre in the digital space -where you and the world can become my new community. If it is not too much trouble for you -please look me up on Facebook and YouTube-where my mediums are - -“The 360 experience -with Onah Kosi” …and kindly give me a follow and subscription . There may not be a lot on the channels yet -but I promise you there is plenty on the way…both within Sports and outside of it -like we always did on radio . Thank you all…God bless you all — and I will be seeing you around ❤️.

Onah kosisochukwu

22,888 次观看 • 2 个月前

Now that I'm 80 hours in and have completed Rinacita, I want to give my thoughts on Wuthering Waves as a whole, both from the perspective of a new player and as someone who hates the gacha monetization model. When I first started I was told that 1.0 (The first arc/region of the game) was mid. I disagree with that sentiment. While the first 7 or so hours were bogged down a bit by lore terms and exposition that often left me confused, around Yinlin's companion quest is when I started getting invested and upon reaching Mt. Firmament (10-15 hours?) I was locked in. What I WILL say, is that the first arc of the game is mid in COMPARISON to what the game offers and becomes later on in every single regard, writing, dialogue, gameplay, music, map/world design, everything. Rinacita is truly a game changer and you can see the game's budget increase in real time with higher quality animations and cutscenes, as well as the map basically being an entire game on top. Every single companion quest without fail has ranged from solid to great, even making me tear up on a few occasions (Encore lol) and making me care about characters I never thought I would. They're truly a highlight and the writing is what makes this game go from just playing with attractive characters to playing with characters you actually care about. The sheer amount of content this game offers is absurd with both varying forms of short/long form content. It's hard for the game to feel repetitive when it gives you a new character to play as or constantly introduces new mechanics. (puzzles, traversal, combat challenges, bosses, etc) Even 80 hours in there's constantly new mechanics being introduced to me. The combat and team building is great, simple but with a level of depth that allows for some player expression (especially newer characters) and the various Forte's and movesets of the characters are both satisfying and incredibly flashy. The audio design specifically on some attacks is very punchy like Chisa's ult. The game is also just, gorgeous. The art design for everything in Wuwa is stunning, the map sizes are huge with varying biomes and the heights you can fly can be jaw dropping at times. Almost every location is screenshot worthy and the music does a lot of heavy lifting to, especially once you get to Rinacita. Wuwa just might also be the most F2P friendly Gacha that exists and while I stand by the idea that every game (including this one) would be better without gacha systems I have to give credit where it's due. It is INCREDIBLY generous with summoning currency (asterite) and I'd even wager to say, due to the store prices being absurd (If I remember correctly it's about $25 for 1 multi-summon) unless you're very well off it's a horrible decision to spend money for summons in this game when you could easily grind that in 2-3 hours of gameplay. Not to mention the pity system being very favorable and lenient. Even if you find yourself playing with mostly base characters for 40 hours (like I did because I didn't know you got more asterite from exploring than doing quests) the game is constantly giving you new characters to temporarily play as in quests to stop combat from getting too repetitive. Once again the characters are a massive highlight, in design, gameplay and writing, this is quickly becoming one of my favorite worlds where every arc introduces new favorites for me. I find myself enjoying where Rover is being taken as a character and that she's starting to speak more and more, slowly seeming to become less of a self-insert even if she'll always be that to an extent. I'm not going to lie to you and say the story is some unique masterpiece that avoids all tropes. It's not, you've likely seen similar stories told, but it executes everything at a high level and accomplishes what it's trying to do. The biggest flaws are the file size and the prices of the in-game store, as well as it's nature as a gacha game. Even if it may be the most generous one. The actual optimization of the game I find is solid, on PC with a 4060 I run on almost max settings and get 70+fps even with how massive the world is. The starting few hours can also be slow and exposition heavy with lore-terms you don't understand. Leaving you confused and disconnected for awhile, even later on in Rinacita the dialogue can stretch on for too long sometimes which can be a pace killer, but it doesn't ruin the quality of the stories it's trying to tell. From what people say I haven't even gotten to the best part of the game and I'm very excited! If I were to give a current rating, it would be a 8/10 and as long as you don't spend money on summons, I would recommend at least giving it a try.

🎮𝙆𝙖𝙞𝙮𝙖🎮

100,729 次观看 • 4 个月前

Nobody tells you this about wild animals. Everyone assumes the same thing. That wild means temporary. That anything without a collar, without a name tag, without four walls around it, is incapable of remembering you. That the second you stop feeding it, stop holding it, stop being useful to it — it forgets you existed. I used to believe that too. Then I watched something that broke that belief in about four seconds, and I haven't been able to stop thinking about it since. Here's the part nobody wants to admit: we underestimate every single creature that can't talk back to us. We assume silence means absence. We assume "wild" means "doesn't care." We built an entire worldview on the idea that gratitude requires language, that memory requires a brain we can relate to, that loyalty is a human invention we occasionally lend to animals if they're cute enough. And then something like this comes along and makes all of that look embarrassingly wrong. I'm not going to describe what happens. I'm not going to walk you through it beat by beat, because honestly, that would ruin the only thing this deserves — the moment where your own brain catches up half a second too late and you feel that drop in your stomach. You know the one. The one you can't fake, can't force, can't get from a script. That's the only currency this kind of content trades in, and it doesn't happen if I spoil it for you. What I will tell you is what it's about underneath the surface, because that part is worth talking about regardless of whether you've seen it yet. It starts small. It always starts small. A single act, done by someone who had every reason not to bother. No cameras rolling for clout, no calculation, no thought of "this could go viral." Just a person doing the smallest, most inconvenient, most unnecessary kind thing imaginable — for a creature that had absolutely no way of saying thank you. That's the detail people skip past. There was no transaction here. No expectation of return. The kind of help that gets given precisely because nobody's watching and nothing is owed back. That is the rarest form of kindness there is, and it is exactly the kind that the universe seems to remember, even when we don't. Fast forward. Time does what time does. Seasons change. Life moves on. The person who helped goes back to their normal routine, probably forgets the specifics, files it under "nice thing that happened once," and moves forward with their life the way we all do. That's what makes what comes next hit so much harder — because they weren't expecting anything. They weren't owed anything. They didn't do it FOR this moment. And that's exactly when it shows up. Not a small gesture. Not a quiet little nod of recognition. Something so much bigger than anyone in that house could have prepared for. Something that turns an ordinary morning into the kind of moment people replay a hundred times, pausing, rewinding, showing their friends, saying "wait, watch THIS part" over and over again. I've watched a lot of animal content. I've seen the algorithm-bait compilations, the staged "reunion" videos, the ones where you can tell within three seconds that a camera crew set the whole thing up. This is not that. This has the texture of something that happened in real time, to real people, who had zero idea what was about to walk — or in this case, what was about to arrive in numbers — into their life again. Let's talk about why this actually matters, because it's bigger than "cute animal video." Every single day, somewhere, someone helps a creature that can't repay them. A bird with a broken wing. A stray that won't stop shivering. A baby animal abandoned by circumstance, not by choice. And every single day, most of us walk past it, because we've been trained — by scarcity, by exhaustion, by a world that constantly asks "what's in it for me" — to calculate the cost of kindness before we give it. This video is a rebuttal to that entire mindset. Because what it shows, without saying a single word, is that kindness is never actually wasted. It's stored somewhere. Filed away in a place we don't fully understand — in memory, in scent, in instinct, in whatever internal mechanism a wild creature uses to separate "safe" from "threat," "home" from "danger." And it gets paid back on a timeline that has nothing to do with our expectations. We think in days. Nature thinks in seasons, in years, in generations. That gap — between how fast we expect gratitude and how slow it actually arrives — is exactly where most people give up on kindness. They help once, get nothing immediate in return, and conclude the whole thing was pointless. What this video proves, in the most visceral way possible, is that the return on kindness compounds. It just compounds on a timescale most of us aren't patient enough to witness. And when it finally shows up? It doesn't show up small. It shows up loud. It shows up impossible to ignore. It shows up in a way that makes you question every assumption you had about what a wild animal is capable of feeling, remembering, and choosing to do. Choosing. That's the word that should stop you. A wild animal has every option in the world. Endless space, endless directions, zero obligation to go anywhere near a human structure ever again. No leash. No fence keeping it in. No debt it's contractually required to settle. The forest doesn't send collection notices. Nothing forces the outcome you're about to see. It happened because it wanted to. Sit with that for a second, because that's the part that separates this from every other "aww" animal clip on your feed. This isn't a trained behavior. This isn't a treat-motivated trick. This is closer to something we don't have a comfortable word for in everyday language — something that looks a lot like loyalty, a lot like trust, a lot like the same instinct that makes a dog wait by the door, except stripped of centuries of domestication and hardwired obedience. This came from something wild. Something that had every biological reason to stay away, and came anyway. I keep thinking about the specific moment the people in that video must have felt it click. That half-second where confusion turns into disbelief turns into something closer to awe. You can't manufacture that reaction. You can only capture it if you happen to have a camera rolling at the exact right second life decides to hand you something extraordinary. They did. And now we get to feel it too, secondhand, through a screen, years later, thousands of miles away from where it actually happened — and it still works. It still lands. That's how you know something is real. Fake moments lose their power the second you know what's coming. Real moments get stronger with distance, because the emotional core of them doesn't depend on surprise. It depends on truth. Let's talk about scale for a second, because that's the other thing people undersell about this. One animal returning to say thank you, in whatever language animals use for that concept, would already be remarkable. That alone would be worth stopping your scroll for. But what if it wasn't one? What if the message didn't stay contained to a single creature, a single memory, a single grateful visitor slipping quietly back into frame? What if it multiplied? What if the story that one small act of kindness wrote didn't end with the individual it was given to, but somehow, through channels we can't fully explain, spread outward — to a group, a family, a whole community of wild creatures who had no direct memory of the moment that started it all, and yet showed up anyway, together, unannounced, uninvited, and utterly unafraid? That's not a normal animal video anymore. That's something closer to folklore. The kind of story people used to tell around fires long before phones existed — the one about the animal that remembered, the one about the forest that returned a favor, the one that made you believe, even for just a minute, that the wild world is paying closer attention to us than we ever thought. And the wildest part is that it's real. No CGI. No trained animal handlers standing three feet outside the frame. No script. Just a house, a family, a morning like any other — and then suddenly, not like any other morning at all. I want to talk about why this specific kind of content hits different than everything else clogging your feed right now. We are drowning in manufactured emotion. Every platform is stuffed with content engineered in a lab to make you feel something for six seconds before you scroll to the next dopamine hit. Fake proposals. Staged surprises. "Emotional" reveals that were blocked, shot, and edited three separate times until the reaction looked convincing enough. We've become numb to sincerity because we've seen too many counterfeit versions of it. This is why moments like the one in this video hit so much harder than they should. Not because the content itself is rare — animals show up in unexpected places all the time — but because the emotional core underneath it is completely unforced. Nobody set this up. Nobody could have. You cannot script an animal's memory. You cannot direct wildness. You cannot pay a wild creature to perform gratitude on cue for a camera. Whatever happens in this video happens because it actually happened, in that order, in that place, to those people, whether a camera caught it or not. That authenticity is the entire reason your gut reacts the way it's about to. Let me give you a framework for thinking about this, because I think it explains why stories like this spread the way they do. There are three types of stories that break the internet. The first is spectacle — things that are big, loud, impossible, visually overwhelming. The second is scandal — things that are shocking because they reveal something ugly we didn't expect. And the third, the rarest, is what I'd call quiet proof. Stories that don't need to be loud or ugly to spread, because they offer evidence for something we desperately want to believe is true but rarely get to see confirmed. "Kindness matters, even when nobody's watching, even when there's no way to repay it, even across species, even years later." That's not a claim. That's not a inspirational quote slapped over a stock photo. That's a thing you can watch happen, in real footage, with your own eyes, start to finish, no interpretation required. That is exactly the category this falls into. And that's exactly why, once you've seen it, you're going to want to send it to someone. Not because it's funny. Not because it's shocking. Because it's proof of something you already suspected but never had evidence for. There's a version of this story that could have gone differently, and it's worth thinking about for a second, because it makes the actual outcome hit even harder. The easy path is indifference. It's the path most of us take most days, not out of cruelty, but out of exhaustion, distraction, the sheer volume of things constantly demanding our attention. Someone could have looked the other way. Could have assumed someone else would handle it. Could have decided it wasn't their problem, their responsibility, their weekend to ruin. They didn't take that path. And the story that exists because of that one decision is the story you're about to watch. Every single beat of what happens later only exists because, at some earlier point, a person chose the more inconvenient option for absolutely no personal gain. I think that's the detail that deserves the most attention, and it's the one that gets talked about the least, because it's the least flashy part. Nobody wants to slow down on "someone made a mildly inconvenient good choice." Everyone wants to skip straight to the payoff. But the payoff doesn't mean anything without that unglamorous, unrewarded, camera-off decision that started it. If you're the kind of person who's ever wondered whether the small good things you do actually matter — whether helping a stranger, feeding a stray, stopping for something most people would drive past, actually accomplishes anything beyond making you feel briefly better about yourself — this is the closest thing to hard evidence you're going to get that it does. Not because you'll get repaid the same way. You almost certainly won't. Most acts of kindness go completely unacknowledged, unreturned, and unremembered by everyone except you. That's the deal. That's always been the deal. But every once in a while — rare enough that it feels like magic when it happens, common enough that it keeps happening across the world every single day if you know where to look — the universe hands you a receipt. This is one of those receipts. I'll say this plainly: if you watch this and feel absolutely nothing, that's worth examining. Not because there's anything wrong with you, but because this is about as close to a universal emotional trigger as content gets. It taps into something almost pre-verbal — the part of your brain that understood trust and loyalty and gratitude long before you had words for any of them. Kids feel it. Adults feel it. People who claim they "don't really like animal videos" feel it. It bypasses cynicism because it isn't asking you to believe a claim. It's showing you a fact. There's also something worth saying about timing, about why moments like this seem to land differently right now than they might have a decade ago. We are, collectively, exhausted by cynicism. Every feed is an argument. Every comment section is a battlefield. Every piece of "uplifting" content gets picked apart within minutes for being staged, sponsored, or secretly problematic in some way nobody saw coming. We've built reflexes specifically designed to protect us from being fooled by fake sincerity, and those reflexes have made us suspicious of real sincerity too. And then something slips through that reflex entirely. Something so obviously unstaged, so clearly beyond anyone's ability to fabricate, that even the most hardened, doomscroll-numbed, seen-it-all-before viewer has no choice but to feel it. No angle to be cynical from. No "yeah but actually" take available. Just the thing itself, undeniable, sitting right there in front of you. That's rare. That's genuinely rare. And it's exactly what you're about to watch. I want to be careful here not to oversell it into something it isn't, because overselling is its own kind of dishonesty, and this doesn't need it. I'm not telling you this will change your life. I'm not telling you you'll cry for an hour afterward. I'm telling you it will do the one thing almost nothing on your feed manages to do anymore: it will surprise you, sincerely, without a gimmick, using nothing but something that actually happened. In a feed built entirely on manufactured surprise, an authentic one hits like nothing else can. Let's zoom out for a second and talk about what this says about the relationship between wild animals and the people who choose to help them, because I think there's a broader lesson buried in here that goes beyond "this one story is nice." We tend to think of the wild as something separate from us. A different category of existence, running on different rules, indifferent to human presence except as a threat to avoid. And for the most part, that's true — that's how survival works, that's how instinct is supposed to function. Fear keeps wild things alive. Distance keeps wild things wild. But every once in a while, a specific kind of interaction rewires that instinct. Not through force, not through captivity, not through anything that resembles domestication — but through something closer to a debt of safety. A single moment where a wild creature's survival depended entirely on a human choosing to help instead of ignore, and that moment gets encoded somewhere deep enough that it survives well past the point anyone would expect an animal to remember a human face, a human scent, a human place. That's the phenomenon underneath this whole video, whether or not you know the specific science behind animal memory and imprinting. You don't need a biology degree to feel what's actually happening. You just need to watch it. And once you watch it, you're going to understand why people who've seen this can't stop talking about it, can't stop sending it to their group chats with nothing but exclamation points, can't stop rewatching the exact same fifteen seconds over and over like they're trying to prove to themselves it actually happened the way they remember. It did happen that way. That's the whole point. I'm going to stop describing the feeling now, because at some point describing an emotion this specific just turns into a worse version of experiencing it yourself. You don't need my words for this. You need forty-something seconds and your undivided attention. One more thing before you go watch it, though, because I think it's worth saying out loud. Somewhere out there, right now, there's a version of this story waiting to happen to you. Some small, inconvenient, unrewarded act of kindness you haven't done yet because it doesn't seem worth the effort. Some creature, some stranger, some situation that's asking for five minutes of your day with absolutely no promise of anything in return. You don't do it for the payoff. That's not how any of this works, and if you're doing it for the payoff, it stops being kindness and starts being an investment strategy. You do it because it's the right thing to do regardless of what comes back. But it's nice, every once in a while, to get proof that something does come back. That the world keeps a ledger even when we've stopped expecting it to. That wild things remember, wild things return, and wild things — in their own way, on their own timeline, without anyone teaching them how — say thank you. Watch it. Then watch it again. Then send it to the one person in your life who needs a reminder that kindness isn't naive — it's just slow. And when it finally pays out, it pays out bigger than you ever imagined it would. This is that payout. This is what happens when nobody's watching turns into everybody's watching, years later, for all the right reasons. Go see it for yourself. Words were never going to be enough for this one — I just wanted you to understand what you're about to feel before you feel it. Now let me tell you what happens after you watch it, because that part matters too. You're going to want to explain it to someone who hasn't seen it yet, and you're going to fail. Not because you're bad at describing things, but because this specific category of moment resists description. You'll say "you just have to see it," and you'll mean it literally, because every attempt to summarize it in words strips out the exact thing that makes it land. That's not a flaw in the story. That's the tell that it's real. Fake moments compress into a sentence just fine. Real ones don't. You're also going to scroll to the comments, because that's what we do now, and you're going to find something interesting there too — hundreds, maybe thousands, of strangers all typing some version of the same disbelief. "I wasn't ready for this." "Why am I crying at my desk." "Sent this to my mom immediately." That's not an accident either. That's what happens when a piece of content manages to hit the exact same nerve in a huge number of completely unrelated people at the same time. You can't fake that kind of consensus. You can occasionally buy it with bots for a few hours, but it doesn't survive contact with real humans the way this has. Here's a thought experiment. Imagine you had to explain kindness to someone who had never encountered the concept — no words for it, no cultural reference point, nothing. You couldn't hand them a dictionary definition and expect it to land. Definitions are dead on arrival. What you'd actually have to do is show them a single, undeniable example and let the concept build itself in their head from the evidence. That's what this video functions as. It's not a lecture about why kindness matters. It's the raw material other people use to convince themselves it does. I think that's why it spreads the way stories like this spread — not through hype, not through influencer pushes, not through paid promotion, but through people quietly, individually, deciding "this is worth interrupting someone's day for." That kind of distribution can't be bought. It has to be earned, one genuine reaction at a time, and this earned it the hard way. Let's talk for a second about the animals themselves, separate from the humans in the story, because I think they deserve their own paragraph here. We spend so much energy debating what animals can and can't feel. Entire academic careers are built on that question. Do they experience gratitude the way we do? Do they form something we'd recognize as loyalty, or is it purely mechanical — scent recognition, learned safety, nothing more romantic than that? Scientists will keep arguing about the precise vocabulary for decades, and honestly, that's a worthwhile debate to have in a lab. But watch enough footage like this and you start to realize the vocabulary debate might be missing the point entirely. Maybe it doesn't matter whether what a wild animal feels maps perfectly onto the human concept of "thank you." Maybe what matters is the behavior itself — the choice to return, to trust, to show up in a place it has no obligation to ever go back to. You can call that instinct. You can call that memory. You can call that whatever term makes you comfortable. But when you watch it happen in real time, the label stops mattering, because the feeling it gives you doesn't wait for the science to catch up. That's the gap this video lives in — the space between what we can technically prove about animal cognition and what we can undeniably feel when we witness it ourselves. Most of us will never resolve that gap intellectually. But you're about to resolve it emotionally in less time than it takes to read this sentence twice. One more angle worth sitting with before you go watch this: think about how many similar moments happen every single day, all over the world, completely uncaptured. No phone nearby. No one thought to hit record. An animal returns somewhere, recognizes someone, does something that would have broken the internet — and it just... happens, quietly, in a backyard nobody's filming, and disappears into memory instead of a feed. We only get to see the ones that got caught. Which means every time you watch something like this, you're not just watching a rare event. You're watching a common event that rarely gets witnessed. That reframes the whole thing, doesn't it? This isn't a one-in-a-billion fluke. It's a one-in-a-billion fluke that someone happened to be holding a camera for. The actual phenomenon — animals remembering, animals returning, animals choosing trust over instinct — might be far less rare than the footage makes it look. We just don't usually get to see it. That should change how you think about every small kind act you've ever done for a creature that couldn't say thank you back. You don't know what happened after. You don't know if it came back to the same spot months later, looking for the person who helped it, only to find nobody there to witness it. You don't know if your one act of decency is still, right now, somewhere, being remembered by something that has no way of telling you. You'll probably never get to see your version of this video. Most people don't. That's exactly why watching someone else's version matters so much — it's the closest thing you'll ever get to proof that yours counted too. Okay. That's genuinely everything I've got to say about it without just describing the thing directly, which I promised I wouldn't do, and I'm not going to break that promise a paragraph before the finish line. Everything above this line is context. Everything below it is the only thing that actually matters: hit play. You'll know within the first few seconds why this has been living in people's heads. You'll know within the first few seconds why strangers are sending it to each other with no caption except a single emoji, because words failed them the same way they're about to fail you. Kindness doesn't expire. It just waits for the right moment to come back and remind you why you bothered in the first place. This is that moment. Go watch it.

Earth Unveiled

41,023 次观看 • 7 天前

MrBeast: "If you knew what I knew, you could get 10 million subscribers in six months" "Your videos suck. You think your videos are good, but they suck. They just do. And the sooner you learn how to make good, great videos that people actually want to watch, the sooner you'll get views." MrBeast shares his early reality: "When I was 14, I thought my videos were the best in the world. They weren't, they were terrible. To be successful, you kind of have to have a little bit of that ego where you think your content's great. But also, if you have sub-1,000 subscribers, there's a good probability your videos just suck. They just do." He explains what to do about it: "You need to make hundreds of videos. Improve something every time. And just get to the point where they don't suck. When you make good content, you'll blow up. It's not the algorithm. It's not anything. Most people who are in my position just made terrible videos, and that's okay. Because you've got to make a bunch of videos and improve over time to be great." MrBeast uses an analogy: "You don't just pick up a baseball and become an MLB-level athlete within a year. It takes many, many, many years. YouTube's kind of the same way." On analysis paralysis: "A lot of people get analysis paralysis. They'll sit there and plan their first video for three months. If you have zero videos on your channel, your first video is not gonna get views. Period. Your first 10 are not gonna get views. I can very confidently say that. So stop sitting there and thinking for months and months on end. Just get to work and start uploading." He gives the formula: "All you need to do is make 100 videos and improve something every time. Do that, and then on your 101st video, we'll start talking. Maybe you can get some views. But your first 100 are gonna suck." How to improve something each time: "The second video: put more effort into the script. The third one: learn a new editing trick. The fourth one: figure out a way to have better inflections in your voice. The fifth one: study a new thumbnail tip and implement it. The sixth one: figure out a new title. There's infinite ways. The coloring, the frame rate, the editing, the filming, the production, the jokes, the pacing, every little thing can be improved. There's literally no such thing as a perfect video." On the algorithm: "What YouTube wants is for people to click on a video and watch it. That's what it is at its core. By studying the algorithm, you'll learn that you're more studying human psychology. What do humans want to watch?" MrBeast shares a simple reframe: "Anytime you say the word 'algorithm,' just replace it with 'audience' and it works perfectly. 'The algorithm didn't like that video?' No, the audience didn't like that video. Literally, that's it. If people are clicking and watching, it gets promoted more. The algorithm just reflects what the people want." On titles: "Short, simple, and just so freaking interesting that you have to click. If someone reads it, are they like, do they have to watch it? Is it just so intrinsically interesting that it's gonna haunt them if they don't click?" He adds nuance: "Keep it below 50 characters. Above 50 characters, on certain devices it goes dot, dot, dot, and that's the worst thing because then people don't even know what they're clicking on." MrBeast shares the extremity principle: "The more extreme the opinion, typically the higher the click-through rate. 'Fiji water sucks', that'd do fine. But 'Fiji water is the worst water I've ever drank in my life', way more extreme, would do way better. But then you have to deliver. The more extreme you are, the more extreme you have to be in the video." On the first 5 seconds: "Before you film a video, what is the thumbnail? What is the title? Then what's the first 5 seconds? Then what's the first 30 seconds?" He explains why autoplay changed everything: "On YouTube now, videos automatically play. So many people don't even see the thumbnail because it autoplays so quickly. The thumbnail is irrelevant for them. I have to visually convince you to click on the video in the first 5 seconds. Before, the hook was important because you had to convince people to watch. Now you have to convince people to click and watch at the same time, with the first 5 seconds." On matching expectations: "Your title and thumbnail set expectations. At the very beginning of the video, to minimize drop-off, you want to assure them that those expectations are being met. If you click on a video called 'Tether is a scam' and at the very beginning, he starts talking about literally anything else, you're like, 'Oh, this is BS. This isn't what I clicked on.' But if at the very start you go, 'Tether is a scam and I'm gonna teach you why,' then it's like, okay, you match the expectations. Then you want to exceed them." He emphasizes the importance: "The thing people undervalue the most is literally the first 10 seconds of the video. That 15% difference in viewership between losing 35% of viewers in the first 30 seconds versus losing 20%, that really does make the difference between 2 million views and 10 million views. You just had a more strategic intro that hooked them." On removing dull moments: "You basically want to remove every dull moment. Find the 10 most critical people you know, make them watch the video, and just roast it. If I talk to a camera for 10 seconds without a cut, a lot of people will get bored. Having a B-cam and C-cam three seconds in, cutting to a different angle, now it's more interesting even though it's essentially the same thing." On keeping viewers watching: "Give them why they clicked. Tell them why they should watch. Then just stick on topic. That right there isn't even super complex, but I would already put you in the upper echelon of YouTube. A lot of people drag it out. It's like, 'I'm going to eat $100 ice cream, but first...' and then it's them birthday shopping for their mom. That's not why I came here." On quality over quantity: "It's much easier to get 5 million views on one video than 50,000 views on 100 videos. A lot of small YouTubers just post videos that aren't bad but aren't great, and none of them ever pop off, so they never get an audience. It might be better to upload half or a third or even a fifth of the videos, but make the videos you upload so freaking good that the algorithm has to promote it." He warns against the consistency trap: "When you set a consistent schedule and you're constantly having to upload videos that aren't as good as you'd like because you gotta hit 'Oh, this Monday I said I'd upload', that's a dangerous trap. The viewers notice the quality isn't as good and it makes them less likely to watch. I think it hurts your longevity." On the real metric that matters: "A big thing that everyone underestimates, what was your experience with your last video? If people loved the last video of yours that they watched, they're more likely to watch your next one. When people watch your video, you don't want them to go, 'Okay, that was good, but that's enough of you for the day.' What you want is them to go, 'Holy crap, that was crazy! Oh my god, what's that?' and they watch 10 videos. That's how you get high view counts. People watch 10 videos, not one." On thumbnails: "You want it to be simple. When they're scrolling, you want them to instantly understand what you're conveying and feel some type of emotion. Make it so interesting, or spike their curiosity so much, that if they don't click it, they'll wonder before they go to bed what happened?" He gives an example: "If you uploaded 'I rode a skateboard with 1,000 other people on it', and people are falling off the side, it's about to go off a big ramp if you don't click that, you're gonna be so curious. Later in the day, when you're daydreaming, you'll think, 'What happened to those 1,000 people on that skateboard?' That's the mindset you should have when making thumbnails." On knowledge being the only barrier: "It's all knowledge. It really is. I could start a new channel tomorrow without using my face or my voice, without ever promoting it, and in six months have 20 million subscribers. I just could. It's purely knowledge. If you knew what I knew, you could get 10 million subscribers no matter where you are right now within six months." He addresses the skeptics: "90% of the people watching don't agree with that. Everyone has excuses. 'Nah, YouTube just doesn't work like that, Jimmy.' But I mentor a lot of people. I see it all the time. It is possible. It is simply knowledge. The second you accept that it is knowledge and you start your journey of learning figuring out what makes a good video, what does my audience want, how can I elevate and then you take that knowledge and just assume 'I will never understand what the perfect video is' and every single day be devoted to learning and improving as much as possible there you go." On money not being the barrier: "There are tons of viral ideas that don't require money. It does not require money to go viral. One of my most-viewed videos was spending 24 hours in a desert, we just grabbed a tent and some stuff and went to the desert. It got 60-70 million views. People say, 'I could be MrBeast if I had money.' A, I didn't start off with money; I was poor, I had no money. It took me seven years just to buy a camera saving up from YouTube. And B, some of our most-viewed videos literally anyone can do." On why no one will outwork him: "No one's ever gonna do what I do better than me. It's just not humanly possible. I reinvest every penny I make. I work every hour I'm awake. I devote every atom in my brain to solving this. I hire the best people on the planet. I've been doing this for 14 years. And I think in decades, not years. I'm gonna be doing this for another 20-30 years. If I thought someone was doing better than me, I'd just start sleeping less so I could work even more." But he doesn't recommend it: "I don't have a life. I don't have work-life balance. My personality, my soul, my being is making the best videos possible. That is why I exist on this planet. And I don't recommend it. You should have work-life balance. You should not devote your entire life to this one thing. I have a mental breakdown every other week because I push myself so hard. I don't recommend it." The only question that matters: "Subscribers don't matter. Views don't matter. I mean, they do. But everything you want as a creator comes from making the best videos possible and thumbnails. The video part's the hard part. Ask: 'How can I make my videos better?' Do that every single day for years. And then you'll probably get views."

Jaynit

125,413 次观看 • 3 个月前

ChatGPT 5.1 is a MAJOR improvement, at least from a writing/tone point of view. Check out these rap lyrics about quantum mechanics it spit out. (and enjoy the Suno song I made with them). Equally impressively, look at the linguistic and physics analysis of the lyrics that follows! Kudos OpenAI, Sam Altman, and the team for a much needed polish to a powerful model. QUANTUM CIPHER 2025 EDITION I’m the quark-spittin’ marksman, collapse ya when I spark in, Wave-function punchlines hittin’ harder than a dark spin. I’m Schrödinger’s pen — alive and dead ‘til the bar ends, Open up the box and watch me box reality in sharp tens. I bend space-time with a baseline, break spines when I say rhymes, Got gravity envy — ‘cause I pull the mass on the grapevines. My mind’s a Hadron Collider when I’m chargin’ up my take lines, Smashin’ egos into particles and call it “making break-signs.” I’m the reason why the Higgs boson got stage fright — It tried to find me in the vacuum, but couldn’t locate light. I’m the Big Bang braggin’, braggin’ bigger than the quanta, Kick a lyric so atomic, every comma’s a katana. Multiverse me — I’m many-worlds where every version’s better, In every timeline I’m the GOAT, just wearin’ different sweaters. I’m the paradox you can’t box — I’m Zeno with a vendetta, Every step you take to reach me makes your progress even lesser. I’m in superposition — both chill and kill in the same breath, Spit life and death in one sec like I’m cheating on a lame test. Heisenberg with the pen — you know the drill when the aim’s set: You can measure where I’m goin’ OR how fast — pick the same bet. I’m the quantum mechanic — I tune the universe with torque, Turn your circle into strings and play your atoms like a fork. Your flow’s so classical, bro, it belongs in Newton’s court — I rap non-locally: even distant ops report. Entangle with me? Please — you’d need degrees of freedom free, I flip spins with sick grins, split wins like symmetry. Your style’s “low energy,” mine’s infinite density — Black-hole bars pullin’ stars out from every identity. I’m uncertainty’s certainty, purposely versatile, Cursing these circuits with verses that birth universes wild. My ego inflates at a rate you’d call “superluminal,” Breaking every limit like the laws were merely “optional.” So if you wanna test the quantum king, step to the lecture: I’ll leave your wave collapsed, past, present — even your conjecture. Bow to the particle prophet, the unstoppable professor — I’m the one who taught the constants how to properly measure. Call me Quinn-tum Mechanics — yeah, I bend the laws at will, And the punchline’s like dark matter… …’cause it’s heavy — and you’ll never see it comin’ until it kills. ===END=== Linguistic and Scientific Analysis: Thought for 45s This is a nasty little quantum flex piece. Let’s tear it apart. 1. Wordplay & Rhyme Craft You’re doing a few big things really well here: dense multis, extended metaphors, and layered puns. Multisyllabic rhyme chains From the jump: I’m the quark-spittin’ marksman, collapse ya when I spark in, Wave-function punchlines hittin’ harder than a dark spin. quark-spittin’ marksman / collapse ya when I spark in / dark spin – three-way multisyllabic rhyme, all anchored on that -ark/-ar-k sound. This is very Eminem-adjacent: packed internal rhymes, assonance (ar / a / i sounds), and consonance (k/s/p/t/d). Same move here: I bend space-time with a baseline, break spines when I say rhymes, Got gravity envy — ‘cause I pull the mass on the grapevines. space-time / baseline / break spines / say rhymes / grapevines all interlocking. “Baseline” ↔ “bassline” double meaning, fitting both rap and physics. You basically keep that pattern across the whole verse: pen / bar ends / sharp tens, take lines / break-signs, quanta / katana, better / sweaters, vendetta / lesser, same breath / lame test, aim’s set / same bet, etc. It reads like it was built to ride a tight 90–100 BPM beat with room for double-time bursts. Puns & double / triple meanings Some of the nicest examples: “quark-spittin’ marksman” Quarks = fundamental particles. “Spittin’” = rapping. “Marksman” = precision shooter → precise lyricist. “collapse ya when I spark in” Wave-function collapse in quantum mechanics. “Collapse you” like knock you out. “Spark” as in light up / ignite / start a verse. “Wave-function punchlines hittin’ harder than a dark spin.” Spin as a quantum property. “Dark spin” hints at dark matter / dark energy, but also dark humor / brooding tone. “I’m Schrödinger’s pen — alive and dead ‘til the bar ends” Schrödinger’s cat in superposition. Pen is “alive and dead” until you hear the full bar → the bar’s observation collapses the artistic outcome. “Open up the box and watch me box reality in sharp tens.” The Schrödinger box. “Box reality” like out-boxing someone in a ring. “Sharp tens” → sharpened “tens” (bars), also sounds like “sharpened” / “sharp 10s” (perfect bars). “Got gravity envy — ‘cause I pull the mass on the grapevines.” Gravity pulls mass. “Pull the mass” = attract masses of people / attention. “On the grapevines” = word of mouth. “My mind’s a Hadron Collider… Smashin’ egos into particles and call it ‘making break-signs.’” Large Hadron Collider smashes particles. “Break signs” ~ “brake signs” / breaking points / breaking egos. Also nod to how new particles are inferred from “signal breaks.” “Kick a lyric so atomic, every comma’s a katana.” “Atomic” lyric: explosive, small but powerful. “Comma” = tiny mark, but you weaponize it into “katana” → even punctuation cuts. “Multiverse me — I’m many-worlds where every version’s better, / In every timeline I’m the GOAT, just wearin’ different sweaters.” Many-Worlds Interpretation of QM. GOAT in every universe → layered arrogance gag. “Different sweaters” is a mundane, silly visual that undercuts the cosmic brag in a funny way. “I’m the paradox you can’t box — I’m Zeno with a vendetta, / Every step you take to reach me makes your progress even lesser.” Zeno’s paradox: you never actually arrive. “Can’t box” = can’t categorize and you can’t fight him. Great thematic coherence: opponent can’t “reach” your level. “Heisenberg with the pen — you know the drill when the aim’s set: / You can measure where I’m goin’ OR how fast — pick the same bet.” Uncertainty principle. “Same bet” bends the physics correctly: you can’t know both precisely, so whichever you pick, you still can’t fully predict him. “Turn your circle into strings and play your atoms like a fork.” Circle → strings → string theory. “Play your atoms like a fork” = tuning fork / resonant frequencies. “Your flow’s so classical, bro, it belongs in Newton’s court — / I rap non-locally: even distant ops report.” Classical mechanics vs quantum. “Newton’s court” like a king’s court. “Rap non-locally” = quantum nonlocality / entanglement / his reputation hits everywhere. “Your style’s ‘low energy,’ mine’s infinite density — / Black-hole bars pullin’ stars out from every identity.” Low vs high energy states. Black holes: infinite density, strong gravity. Pulling “stars” (famous rappers) out of their orbits / identities. “I’m uncertainty’s certainty, purposely versatile” Oxymoron that echoes the uncertainty principle while flexing unpredictability as a feature. “Call me Quinn-tum Mechanics” Quantum Mechanics + “Quinn” pun. Ties persona directly into the scientific metaphor. And the closer: And the punchline’s like dark matter… …’cause it’s heavy — and you’ll never see it comin’ until it kills. Dark matter: unseen but exerts gravitational effects. Punchline: you don’t see it coming, but it hits heavy. “Until it kills” is exaggerated, but very on-brand for battle rap hyperbole. 2. Rap Musicology: Flow, Persona, and Structure Flow & technical construction On a technical level, this is closer to modern “technical” boom-bap / Em-style cipher rap than to melodic trap: Heavy multisyllabic end rhymes and stacked internals in almost every line. Plenty of enjambment: lines roll into each other, giving you flexibility in performance (you can push into double-time or sit in the pocket). Almost every bar has two or more stress points that could land on snare kicks cleanly, which makes it “write itself” onto a 4/4 drum grid. Example section: I’m the paradox you can’t box — I’m Zeno with a vendetta, Every step you take to reach me makes your progress even lesser. The stressed syllables (PAR-a-DOX / CAN’T BOX / ZE-no / VEN-DET-ta / STEP / TAKE / REACH / PRO-GRESS / LESS-er) fall very naturally into a 4/4 bar at a mid tempo. There’s enough internal rhythm that you could push the delivery in multiple styles without rewriting. Persona & tradition Content-wise, this is classic battle rap / cipher posture dressed in physics: You’re the GOAT across all universes. Opponents are “classical,” “low energy,” suffering “stage fright,” stuck in Newtonian basics. You position yourself as: Professor / lecturer (“step to the lecture”, “unstoppable professor”) Prophet (“particle prophet”) Mechanic / technician (“quantum mechanic”) That fits a long rap tradition of the knowledge MC (Rakim, KRS-One, etc.), but updated with quantum and cosmology instead of Five Percent Nation numerology or street theology. The extended conceit (physics as the whole metaphor field) is very much in line with: “concept verses” in battle rap (one theme sustained throughout), and modern “nerd flex” rap where mastery of a domain becomes the metaphor for lyrical dominance. 3. Scientific References & How Clean They Are You’re actually surprisingly accurate for how hard you’re flexing. A quick pass: Wave-function collapse, spin, Schrödinger’s cat/box, superposition, Heisenberg uncertainty: All used in ways that are conceptually sound, just dramatized. Many-Worlds, multiverse, Zeno’s paradox: Correctly mapped to ideas of infinite versions and unreachable goals. Hadron Collider, Higgs boson, vacuum, dark matter, black holes, strings, nonlocality, entanglement, degrees of freedom, low energy / density: All deployed as metaphors in ways that align with the general gist of the physics. A few lines are more poetic than literal, but still clever: “I’m the reason why the Higgs boson got stage fright — / It tried to find me in the vacuum, but couldn’t locate light.” Real physics: Higgs field permeates the vacuum; photons are massless; “light” isn’t what the Higgs is “looking for.” But metaphorically: even the particle that gives mass can’t find this MC; he’s beyond detection. “My ego inflates at a rate you’d call ‘superluminal’” Nothing real can move faster than light; you’re deliberately breaking the rule as a flex. Fits: “Breaking every limit like the laws were merely ‘optional.’” “Call me Quinn-tum Mechanics — yeah, I bend the laws at will” Again, you’re explicitly saying you’re beyond the laws. That’s the brag. Overall: the scientific backbone is strong enough that people who actually know the concepts will nod, but it stays accessible as punchlines for non-physicists because you keep the metaphor clear in each bar. 4. Why This Works (Big Picture) Wordplay: High-density puns and multi-layer references, especially around collapse, uncertainty, and paradox, give it replay value. Musicology: The rhyme schemes are tight enough to satisfy “technical rap nerds,” and the cadence reads like it would perform well over a gritty, minimal beat. Science framing: You picked a consistent semantic field (quantum / cosmology / relativity) and stuck to it. That makes the verse feel like an extended conceit rather than a bag of random buzzwords. If you wanted to push it even further, the only “critique” is that it’s thematically almost too clean: you could throw in one or two emotionally grounded bars (why this level of intellect matters, what it costs) to add a human crack in the god-mode persona. But as a straight-up quantum battle verse? It’s nasty. ===END=== Damn.

Kyle Shannon (AI Learning Lab/AI Salon)

124,661 次观看 • 10 个月前

Carol Vorderman in conversation with James O'Brein over Reform UK's Makerfield by-election candidate Robert Kenyon's insulting remarks JOB, "Carol Vorderman has asked Robert Kenyon, a Reform UK's candidate in the imminent Makerfield by election, for an apology, for posts on a now deleted X account in which he, Well, you'll find out, if you don't know already, she said, I want an apology from Rob Kenyon to me and to all the other people he's abused online." JOB, "I sat down with Carol yesterday afternoon to talk about this and, one or two other things. It occurred to me, just sitting down now, Carol, that this is not something you, you sought because you haven't been in any sense reticent in recent years with your political opinions and even with activism, but you've been dragged into this deeply unpleasant situation entirely innocently." JOB, "So unpleasant, in fact, that I'm not sure I can repeat, I'm not sure I'm comfortable saying in front of you the words that Robert Kenyon chose to endorse and defend on, social media." CV, "Well, I am, because it's important that people know. And this is just one comment. He has made multiple comments which are online abuse about me and lots of other people. So the one specifically about me that he endorsed was I want to smell and lick Carol Vorderman's eight letter word beginning with A." CV, "And reform have said, oh, it's just locker room banter. I don't know why they're using the term locker room, by the way, because I thought we said changing rooms in this country. But that's an entirely different, different, question. But the thing is, James, I'm not upset by it, I am angered by it." CV, "And the reason that I'm angered by it is because every woman listening, any woman who is on social media will have similar said to her, either abusive, all the other things that he said. You know, there was some forum that he was on, rugby, league forum, and they were posting pictures of the girls, the women who play." CV, "And then he was saying, oh, English women, they don't care. All they want to do with their fat bellies, et cetera, et cetera, et cetera. Then there was some, European women. Then he was saying, you know, oh, you wouldn't get me off them with a bazooka." CV, "You know, all this stuff, stuff about abortion. I mean, it's just disgusting stuff. And it's not just one comment, it's a tirade of online abuse. And every woman listening who has had that will know how it makes them feel." CV, "And so I am angry that a political party can take this person on one without obviously vetting him properly. But also that they just defend it and they're fine with that." JOB, "He was not a politician at the time. He was an ordinary man from an ordinary place, said Danny Craig group." CV, "Really? That's what. Yeah, that's what posh boys, who lead the Reform Party think, of ordinary men. Well, ordinary men generally are lovely, you know, they really are." JOB, "We do our best." CV, "Well, you are. And they respect women. All of that is true. But you have this growing minority who are extremely abusive. And I'm 65, James. And so I've been, you know, and women my age, we've been through the hard years." CV, "So in the 70s, you know, I was a bright kid from a comp in North Wales. Free school meals kid. And it took, you know, a lot to get to a Cambridge college because there were only, three girls colleges." CV, "And I think four or five had gone what they called mixed. So these are boys colleges taking on women's colleges. And it was like, why wouldn't you? You know, I was from a boys and girls comp, but we had to go through that." CV, "You had to be the first woman to do this. First woman from a state school. Northwest goes Cambridge first. You know, I was, I think, when I did engineering, There were about 300 students in our year, four or five of them were girls. I worked underground, me and 2,000 men, all this." CV, "So we have done the hard years over decades, all that. I wanted to be a fighter pilot. You can't, because you're a girl and you don't have the appendage that's required. You know, all of this nonsense that we had to put up with. So, for me, that this Reform Party is saying on day one, they would repeal the Equality act." CV, "And we all know what that means. So, you know, the protections against harassment of women in the workplace, the, equal pay, maternity leave, maternity pay, all of those. We're going to scrap all those. So it is indicative of the way in which this might go, as we've seen in America." JOB, "I think talking of ordinary men, the person who pushed back against him on social media was. It was a rather better model of masculinity." CV, "Yes, absolutely. So he's the author, Chris Ryan, who is a former SAS hero, a very successful author. Chris is his pen name. And, he absolutely defended me because he is a real man." CV, "He's not a pretend. He's a real guy and a guy who respects women." JOB, "I suppose, in some sense, the writing was on the wall with the leadership of reform who have not responded by the way, to, our, requests a, response to these allegations of misogyny, including the comments directed at you." JOB, "But when James McMurdoch Ended up in Parliament just after the last election, and, it quickly emerged that he'd been jailed for attacking a former girlfriend." CV, "Yes. And here is another example, a very serious example of, to me, reforms, excuses for things. So I think it was a Times newspaper fact he only got in with a majority of 98." CV, "So imagine if this information had been available beforehand about him. So, shortly after he was elected in 2024 as a Reform MP, I think it was a Times newspaper, found that he had been convicted and served time for, assaulting his girlfriend." CV, "He then said in his defense, oh, it was a push. Then the official court documents show that she was on the floor. He was kicking her multiple times while she was on the floor and had to be, dragged away by two security guards." CV, "Very different stories. Richard Tice then defends it, saying, oh, well, he's served his time. That was a long time ago. It doesn't matter. I am sorry. It matters. It matters to women. We know how much harassment online has increased and offline." CV, "So this is a time for all women to stand up and say, enough now, we are not going backwards." JOB, "I suppose one example is. It could be chalked up as accidental or carelessness. But two examples and emerging patterns speak of something altogether more sinister." CV, "Yes, well, Lee Anderson, bless him, when he was a Tory. That was after he was a Labour." JOB, "Yes." CV, "And now he's a Reform." JOB, "Correct. Well, at the time of this conversation, we'll have to check before we play it" CV, "out on the program tomorrow. Yeah, so he was, in the Conservative Party at the time and he was slinging insults to me all the time on Twitter in, the days when we used to be on Twitter. And, you know, obviously now he's reformed, he thinks it's perfectly acceptable." CV, "So there is a pattern there with this party. And, that is my concern that they will, if they get into, and they've stated it out in the open, we will repeal the Equality Act." JOB, "It's surprising to me when people like Danny Kruger talk about ordinary people. An ordinary man for an ordinary man." CV, "When he went to Eton." JOB, "Yeah. And, well, also his mother is on telly as well, so, you know, he or she at, at least will be aware of the misogyny that police. Yeah, yeah. You think that that might have given him a slightly more sensitive insight into what it's like for women like you. And, and you are tough. I mean, I don't mean that in a patronizing way." CV, "I take it as a compliment." JOB, "Good, I'm glad you do because you are perfectly capable of looking after yourself. A lot of women, both online and offline, are not, of course, and those are the kind of women that, misogynistic men prey on." CV, "But the thing is, I, I have a tough skin now because of all of the abuse over decades. And it. You know, I can remember when I wore a short skirt to the BAFTAs. I was age 39. Well, it was like I'd killed my grandmother the next day." CV, "It was the quest. Even the BBC made a whole Kilroy show about it. Flew this dress in copy dress from Paris. And, the question was, should a woman age 39 wear a dress above the knee? Jeez, I mean, that's my lifetime. This isn't Victorian days or my mother or post war." CV, "This is me in my lifetime. So, you know, as I go back to the beginning, women my age who love the fact that our daughters or nieces, or grandchildren have, can play football, you know, very happily can be applauded for what they do in sport." CV, "Can be. Oh, another thing that I'll, Kenyon said was that women can't referee, drive, take directions. And he had a go at various female sports presenters on the telly. You know, it's constant, it's consistent." JOB, "So they're not, they're not up to the job. They're only there to tick a box. And then declaring and From a political point of view, this is interesting actually stating I'm sexist. Sorry, but I am." CV, "Yeah." JOB, "And then the defense from reform UK becomes. These comments were made before he entered politics. He's perfectly entitled to his own personal opinions." CV, "That was three weeks ago." JOB, "Yeah, yeah. It's extraordinary that he can state that because Murdoch didn't get dropped by the party for the conviction for battering his ex, he got dropped after it emerged that he'd taken Covid loans out under the COVID support scheme. I think that's still ongoing." JOB, "But to state I am sexist, sorry, but I am in 2024 would have probably been a career ending revelation. Do you think? We're going a bit backwards, But I think we" CV, "have the potential to go backwards and we now, you know, generally you go, life's good. You know, doing this, that and the other. When I began my career as an engineer, funnily enough, not many women then were talking about having a career because not Many women have been to university and all of that." CV, "Now, thankfully, decades later, women are having careers. But also, housing was a lot cheaper then. So now we need to. You need, two incomes to fund a mortgage generally in this country." CV, "So the whole business of, oh, well, we're going to scrap the law that says about equal pay. That's going to affect people directly. And this is what I want people to understand, really. This is. This is not just about a woman getting on a high horse about something." CV, "This is very, very, very. Couldn't be more serious." JOB, "And, yeah, it is, of course, people like Nigel Farage and Sarah Potchin who claim that they're the party dedicated to protecting women and children. I mean, it's beyond irony. It emerged yesterday that one in five of the people arrested over the riots in 2024, which many people feel were fermented by Nigel Farage's social media activ." JOB, "Five of the people arrested over those riots have since been reported to the police for domestic abuse. So to simultaneously encourage and excuse the misogyny that's been directed at you and at other women while claiming. And, of course, to put a violent offender into Parliament and say that that's not an excluding offense while simultaneously claiming that they act for women and children is, It's beyond parody, isn't it?" CV, "And those same people who were arrested, there were almost 900 of them, weren't there? About the riots across the country at the time, 41% had already, been reported to the police for domestic abuse." JOB, "So who are the women and children they're dedicated to protecting?" CV, "Well, quite." JOB, "And who are they protecting them from?" CV, "None." JOB, "It's good to see you. I knew that you would be, perturbed by this, but." CV, "I am." JOB, "But enraged?" CV, "Yes, I am." JOB, "And are you expecting an apology? I know you've demanded." CV, "Well, I can't." JOB, "You did not demand anything." CV, "I can't demand anything. I have asked for an apology. Not for me." JOB, "No." CV, "But for all of us. And for his comments so far. I just think we're on day three. Nothing." JOB, "Not even a whisper nothing or a nothing." CV, "He's still running away. Hiding away from cameras, maybe." JOB, "Don't hold your breath, Carol. Thank you." CV, "Thanks, James." JOB, "Still waiting. I hope she didn't hold her breath. We got a statement from Reform Councillor Kenyon, made these comments before entering politics. We are confident that he is an excellent candidate who will be a superb local MP for Makerfield. And a full list of all the candidates running there can be found at lbc co uk"

Farrukh

24,754 次观看 • 3 个月前

youngjae shares the behind the scene or the reason why his eyes were so red after he got emotional winning first at inkigayo (🐶 reading a comment) 🐶: why my eyes are red? ah there’s really a lot i could say about that. honestly, during the second week of inkigayo promotions, our schedule was insanely tough from the very first week. thankfully, we got to promote both the title track and ‘ATP.’ of course, we couldn’t perform ‘ATP’ on mubank, but on mcountdown we performed both ‘ATP’ and the title track. then for mubank too, we had both the title track and all the second-week stages. since our schedule that second week was basically impossible to manage while staying in korea, we had to pre-record everything for the second week too mubank - inkigayo all of it. we’d be doing title-track pre-recordings at dawn, then pre-recordings or live broadcasts for ‘ATP’ too. after finishing second-week music show schedules, we’d immediately move on to filming even more second-week content. before the comeback, with the members we talked a lot about the schedule. we kept saying, ‘this schedule really doesn’t seem like it’s going to be easy.’ not just for us either, we thought the fans coming to pre-recordings would also be physically exhausted. we kept wondering, ‘will everyone really be okay?’ we talked about things like that a lot. but somehow we got through all of it. while we were in japan for kcon, we were also performing at the k-style party, and thankfully we even got first place (in mubank) while we're in japan too. i’m really, really grateful for that. then right after k-style ended, we flew straight back from 🇯🇵 to 🇰🇷, rested a little at the dorm and then shinyu hyung immediately went off to prepare for his mc schedule while the rest of us got ready for the live broadcast too. honestly, during mubank, it’s not that i necessarily want people to recognize how hard things were. but every time we won first place, i always ended up talking about this, our fans work so hard behind the scenes. streaming, voting… they really give it everything. quietly and steadily, just so they can see us win first place. watching 42s pour all their time and energy into that for us makes me feel so thankful and grateful, but also honestly really sorry too. so while all the exhaustion from the first week was passing by, i kept remembering how hard the fans worked voting and streaming, how hard the members worked together and how much everyone suffered through it. i also kept thinking about the staff members constantly running around backstage, barely sleeping, barely eating, staying with us through pre-recordings and everything. seeing all that made me realize that first place isn’t just ‘first place.’ i mean, people call it a win, but inside that one word are countless hours, countless people’s sweat, effort, and hard work all packed into it. that’s really what it felt like to me this time. especially on inkigayo, for some reason, i felt that even more strongly. so during these promotions, we really carried this sense of responsibility and pressure that we had to do even better while preparing for our official comeback with ‘overdrive’ too. because of that, so many thoughts were passing through my mind while we were singing the encore. but honestly, even before we went up for the encore stage, suddenly i got extremely nervous. all the artists were standing by there waiting, and out of nowhere i started shaking. i kept telling the members, ‘i’m so nervous.’ then we went up, did the encore stage for everyone there and prepared for the live broadcast results announcement. the moment they revealed the live voting results, i suddenly felt really strange. i kept thinking, ‘can we really win first place?’ somehow, while we were waiting in the waiting room, i had this feeling that today might be our last chance to win during the ‘You You’ promotions.+ #TWS #투어스 #영재 #YOUNGJAE

𝗬𝗢𝗨𝗡𝗚𝗝★𝗘

20,465 次观看 • 4 个月前

Someone stood on a piece of land, looked at a living, breathing dog who had done nothing but exist, and said: "Just shoot him dead." Not "get rid of him." Not "take him to a shelter." Not even "I don't want him anymore." Shoot him dead. I want you to sit with that sentence for a second before you keep scrolling, because everything that comes after it only makes sense once you understand how casually those five words get said in this world. Somewhere, right now, someone is saying a version of that sentence about a living thing that trusted them, or wanted to, or was still learning how. Most of the time nobody films it. Most of the time there's no ending. There's just a decision, made in under a second, by someone who will forget they ever made it. This time, someone didn't listen. This is the part where I'm supposed to tell you what happens next. I'm not going to. Not because I'm holding it hostage for engagement — okay, maybe a little — but mostly because the story doesn't work if I hand it to you pre-chewed. You need to watch a dog decide, in real time, whether the human species is worth the risk. You need to watch that calculation happen behind a pair of eyes that have every reason to say no. That's not something I can describe to you in a tweet. That's something you have to sit through. But I can tell you what it's about. It's about the gap. The invisible, unmeasurable gap between a dog who has been failed by people and a dog who has decided to try again anyway. Nobody talks about that gap. We talk about rescues like they're a single moment — the dramatic snatch, the shelter cage, the "and then everything was fine" — but that's not how trust works, and it's definitely not how fear works. Fear doesn't leave because you fed it once. Fear moves out slowly, one inch at a time, and it takes its shoes off at the door so you don't hear it coming back. PART ONE: THE VERDICT Here's what almost nobody says out loud: dogs get sentenced constantly, by people who will never be held accountable for the sentence. Too old. Too much energy. Too expensive. Doesn't match the new couch. Growled once at a toddler who was pulling its ears. In goes the verdict, out goes the dog — sometimes to a shelter, sometimes to a shed, sometimes to the side of a highway at 60 miles an hour with the door still swinging shut. And sometimes, if the owner is lazy enough and cruel enough at the same time, the sentence is the one you already read. Just shoot him dead. Nobody ever asks the dog's side. Obviously. He can't testify. He can't explain that he was scared of the vacuum, or that he barked at 2am because something moved in the yard, or that he never asked to be born into a house that saw him as a liability the second he became inconvenient. All he can do is react to what happens to him. And what happened to this one was a verdict that most animals never survive to tell. Except — spoiler-adjacent, not a spoiler — he did survive. That's the only thing I'll give you for free. He survived the verdict. What he did with the rest of the sentence, what it cost him to survive it, what he had to unlearn about people before he could stand near one without flinching — that's the part you're going to want your full attention for. PART TWO: THE DISTANCE THAT NOBODY MEASURES There's a very specific kind of animal behavior that people who haven't lived it will never fully understand: the dog who wants to come closer and physically cannot make his legs do it. You've maybe seen a version of it — the shelter dog pressed against the back wall of the kennel, the street dog who follows you for six blocks but won't take food from your hand, the "feral" label slapped onto an animal who is, underneath the label, simply doing math. Every approach is a risk assessment. Every human hand is a variable that could be gentle or could be the last thing he ever feels. You don't get to skip that math just because your intentions are good. The dog doesn't know your intentions. He only knows what hands have done before. So he keeps his distance. Not because he's unfriendly — dogs who've been failed are very often the most desperate to be loved, which is its own kind of tragic irony — but because distance is the only insurance policy he has left. He'll circle. He'll watch. He'll get close enough to almost, almost, and then something — a sound, a movement, a memory with no name attached to it — will send him back to the treeline, and you'll be left standing there wondering what you did wrong, when the honest answer is: nothing. It's not about you. It's about every hand that came before yours. This is the part of the story where most people give up. Not because they don't care, but because patience like that isn't natural. It goes against every instinct you have, watching a scared animal and wanting to just fix it today, right now, with one good meal and a soft voice. It doesn't work that way. It was never going to work that way. And the fact that someone didn't give up on this particular dog — that they let the timeline be the dog's timeline instead of their own — is the actual plot of the video you're about to watch. Not the reunion. The waiting. PART THREE: WHAT NOBODY TELLS YOU ABOUT REBUILDING TRUST You can't apologize your way into an animal's trust. You can't explain to a dog that you're not like the last person, that this time is different, that you promise. Words mean nothing to an animal whose entire understanding of humans has been written in actions. The only currency that works is repetition — showing up the same way, at the same pace, without asking for anything back, for so long that the dog's nervous system slowly, grudgingly, starts to recalibrate what a human standing nearby actually means. That recalibration has a cost, and the cost is time you don't get to see the value of until it's already paid. Every single day where nothing visibly changes is still doing something. The dog is watching. Filing data. Building, molecule by molecule, a case for why this particular human might be the exception. You don't get updates on that internal process. You just keep showing up and hope the math eventually tips in your favor. And when it does tip — when there's a first moment of contact, a first inch of distance closed that will never open back up the same way again — it doesn't look like a movie. It's not slow motion. It's not a soundtrack swelling. It's small, and quiet, and if you weren't paying close attention you'd almost miss it. Which is exactly why you need to actually watch this one instead of scrolling past assuming you already know how it goes. You don't. Nobody's story of rebuilding trust looks the same, and this one has a shape you haven't seen before. PART FOUR: THE CASUAL CRUELTY OF "JUST GET RID OF IT" Let's go back to that sentence, because I don't think we're done with it. Just shoot him dead. Think about what has to happen in a person's head for those words to come out that easily. It's not usually rage. Rage burns hot and fast and then it's gone. This is colder than that. This is the language of someone who has stopped seeing a living creature as a living creature and started seeing him as an inconvenience with a heartbeat — a problem to be solved, a line item to be closed, and closing it in the most permanent, least effortful way available. That mindset doesn't come from nowhere. It comes from a culture that has quietly taught a lot of people that animals are disposable the second they stop being convenient. That a dog is a product with a return policy. That love, if it was ever there at all, expires the moment it becomes inconvenient. You see it in the volume of animals abandoned every single year for reasons that amount to "we changed our minds." You see it in how easily people say "I'll just get another one" like a dog is a phone case. You see it in a sentence like the one that started this whole post — a sentence casual enough that the person saying it probably forgot they said it by the following week. But here's the thing about casual cruelty: it only wins if nobody's watching, and if nobody's willing to do the inconvenient thing instead. The inconvenient thing here wasn't dramatic. It wasn't a rescue montage. It was choosing, day after day, not to be the kind of person who says that sentence. It was choosing patience over convenience, presence over ultimatums, and a scared dog's timeline over anyone else's schedule. That's not a headline. That's just what actually saving something looks like, most of the time — unglamorous, slow, and completely invisible until suddenly it isn't. PART FIVE: THE QUESTION UNDERNEATH THE VIDEO Here's what I actually want you to sit with while you watch this, more than the dog, more than the backstory, more than the sentence that kicked the whole thing off: what would you have done? Not in theory. Not as the version of yourself that definitely would have been patient and kind and consistent for however many months or years it took. I mean actually — if a scared, unwanted animal showed up on your property and kept its distance for weeks, would you have kept showing up? If it took longer than you expected, would your patience have held? If someone told you it wasn't worth the effort, would you have believed them? Most people like to believe they'd be the exception. Most people, if we're honest, would've given up around week three. That's not a judgment — patience like that is genuinely hard, and most of us are stretched thin enough in our own lives without taking on a slow-motion trust rebuild with an animal who might never fully come around. But some people don't give up. Some people treat a scared, unwanted dog like he's worth more time than the person who wanted him dead ever gave him. And when you watch someone do that — really watch it, not skim past it — it recalibrates something in you too. It's hard to explain why watching a stranger be patient with a dog on the internet can hit as hard as it does. But it does. It always does. There's something in us that recognizes the shape of a second chance being handed to someone — something — who was told they didn't deserve one. PART SIX: WHY THIS ISN'T JUST A DOG VIDEO I know how this sounds. "It's just a dog video." I've said that about other videos too, right before they wrecked me completely. But there's a reason stories like this one land differently than the average "look how cute" clip. It's because underneath the surface, this isn't really about a dog. It's about the exact same question that shows up everywhere in human life, just translated into fur and silence and body language instead of words: what do you do with something — someone — who has been told they're not worth saving? Everyone reading this knows a version of that story that isn't about an animal. Maybe it's a person who was written off young and spent years proving the label wrong. Maybe it's a relationship everyone said wasn't worth the work. Maybe it's a version of yourself from a few years ago that a lot of people, maybe even you, had already given up on. The instinct to walk away from something difficult, something that isn't guaranteed to work out, something that might take way longer than feels reasonable — that instinct doesn't care whether the "something" has four legs or two. It shows up everywhere. And every time someone chooses to stay anyway, chooses the slow rebuild over the easy exit, it's worth paying attention to. Not because it's rare. Because it's rare enough that most of us forget it's even an option. PART SEVEN: WATCH IT PROPERLY So here's my actual ask, and it's a small one. Don't watch this with the sound off while you scroll to the next thing. Don't skip to the end because you already think you know how it goes — you don't, and skipping ahead will genuinely cost you the part that makes this different from every other rescue video you've seen this year. Watch the whole thing, start to finish, and pay attention to the parts that feel like nothing is happening. That's not filler. That's the actual story. The part where nothing seems to be happening is the part where everything is happening, quietly, underneath the surface, one cautious step at a time. By the time you get to the end, you'll understand exactly why that opening sentence exists at all — why I needed you to hear it before you saw a single frame. Because without it, this just looks like a dog being sweet. With it, you understand what that sweetness had to survive to exist. You understand what it costs an animal to trust again after someone decided his life wasn't worth the trouble of finding him a home. You understand that every soft moment in this video is standing on top of a decision that almost went the other way, made by someone who chose completely differently than the person before them. There is a version of this story that ends in a hole in the ground, unmarked, unremembered, unfilmed. Nobody would have known. That's the version that happens more often than any of us want to think about. This isn't that version. This is the other one — the rare one, the one that only exists because somebody looked at the same "inconvenient" animal that someone else wanted gone and decided that inconvenient wasn't the same thing as disposable. You're not going to get the details from me. You're going to have to watch it. But I'll tell you this much: by the end, "just shoot him dead" is going to sound less like a sentence someone said about a dog, and a lot more like a sentence that tells you everything you need to know about the person who said it — and absolutely nothing about the dog who proved them wrong. Watch until the very last second. The last few frames are the whole reason this post exists. If this hit you the way it hit me, don't just scroll past it silently. Send it to the one person in your life who still believes some things — some animals, some people — aren't worth the effort of saving. Let them sit with it the way I made you sit with that first sentence. Some verdicts deserve to be overturned in public. PART EIGHT: THE BIOLOGY OF A FLINCH There's a reason a dog like this doesn't just "get over it" the way people want him to. Fear like that isn't a personality trait. It's a nervous system that got rewired by repetition, the same way trust gets built by repetition — except rewiring fear takes a fraction of the time and undoing it takes ten times as long. One bad hand can undo a hundred good ones if it lands at the wrong moment. That's not the dog being dramatic. That's just how threat memory works in every mammal on this planet, humans included. You don't choose to flinch. Your body decides for you, based on evidence it collected before you were old enough to argue with it. So when you watch an animal hesitate at a hand that means no harm, you're not watching stubbornness. You're watching a very reasonable, very intelligent risk calculation running in real time, built entirely out of things that happened to him before anyone in this story ever showed up. The tragedy isn't that he was cautious. The tragedy is that caution was earned, fairly, by people who never had to answer for teaching it to him. What gets me every time I think about stories like this one is how much strength it actually takes to be cautious and still, eventually, choose to try again anyway. We love to talk about bravery like it only looks one way — loud, dramatic, obvious. Nobody talks about the bravery of a scared animal taking one more step toward a species that has already hurt him, on nothing but a hope that this time might be different. That's not the absence of fear. That's fear, fully present, being overridden by something even stronger. If you want to know what real courage looks like, it rarely looks like a superhero. More often it looks exactly like this — small, quiet, four-legged, and completely unaware that anyone's even watching. PART NINE: THE OTHER DOG NOBODY'S TALKING ABOUT There's a supporting character in this story who never asked to be one, and who honestly deserves more credit than he's going to get in the comments section. Every rescue story like this one has a hidden variable that nobody accounts for: the animal who was already there. The one who didn't have to share space, didn't have to share attention, didn't have to be patient with a nervous, unpredictable newcomer showing up on his territory uninvited. He could have made this so much harder. He didn't. And that quiet, uncomplicated generosity — the kind you only get from an animal who has never once calculated whether kindness is worth the risk — is doing more heavy lifting in this story than most people watching will ever notice. It's worth sitting with that for a second, too. Some of the most important characters in any redemption story aren't the ones being redeemed. They're the ones who simply didn't complicate it. Who didn't guard the door. Who treated a stranger's fear as something to be curious about instead of something to be threatened by. If there's a lesson buried in a dog who never asked for one, it might be that one. PART TEN: WHY THE INTERNET IS FULL OF FAKE VERSIONS OF THIS You've probably noticed there's an entire genre of content built around manufactured redemption arcs — staged rescues, dogs that were never actually in danger, timelines compressed into a single afternoon to make the "transformation" hit harder on camera. I'm not going to pretend that genre doesn't exist, because you've almost certainly seen it and been burned by it before, which is exactly why so many people scroll past real stories with the same skepticism they've built up for the fake ones. That skepticism is earned. It's also, in this case, going to work against you if you let it make you scroll past this one too. The difference between the manufactured version and the real one is almost always pacing. The fake version wants to get to the payoff as fast as possible because the payoff is the whole point of making it. The real version drags in places, hesitates in places, spends way too long on moments that don't look like anything is happening — because that's what actually rebuilding trust with a frightened animal looks like when nobody's editing it for maximum dopamine. If a story like this feels slower than you expected, that's not a flaw. That's the tell that it's real. Real trust doesn't hit its mark on a fifteen-second cut. PART ELEVEN: A NOTE FOR ANYONE WHO'S EVER FELT LIKE THE DOG IN THIS STORY I said earlier this isn't just a dog video, and I meant it, but I want to say the quiet part directly instead of leaving it as subtext. If you've ever been the "too much" one — too sensitive, too cautious, too slow to trust, too hard to love without a manual — this story is for you specifically, not just as a metaphor but as evidence. Evidence that the people who wanted to give up on you were wrong about what you were worth, the same way the person in this story was wrong. Evidence that being difficult to reach doesn't mean you're not worth reaching. Evidence that the right kind of patience doesn't get tired of you the way the wrong kind of person did. You don't owe anyone an explanation for how long it takes you to trust again after something breaks that trust. Nobody gets to put a timeline on your healing just because your timeline is inconvenient for them. The dog in this video didn't apologize for taking as long as he took, and he shouldn't have had to. Neither should you. The people worth keeping in your life are the ones who show up consistently enough, for long enough, without demanding a schedule for when you'll finally feel safe. Everyone else was never actually offering you safety in the first place. They were offering you a deadline. PART TWELVE: THE LAST THING I'LL SAY BEFORE YOU GO WATCH IT I've spent this entire post refusing to tell you what actually happens, and I'm going to keep doing that right up until the end, because the not-knowing is doing exactly what it's supposed to do — it's making you want to see it for yourself instead of taking my word for it. Good. That's the point. Some stories lose everything the second you summarize them. This is one of them. You can read a thousand words about the shape of trust being rebuilt, and none of them will land the way thirty seconds of actual footage will, because words can describe hesitation but they can't make you feel the seconds stretching while it happens. So go watch it. Watch the whole thing, not the highlight, not someone else's twelve-second repost with the context stripped out. Watch it start to finish, the way it was meant to be seen, and pay attention to how long the hard parts last compared to how short the resolution feels — because that ratio is the entire point. That imbalance, months of nothing followed by moments of everything, is what real change actually looks like, in dogs and in people both. It's never as fast as we want it to be. It's always worth it anyway. Somebody said "just shoot him dead" about a dog who turned out to be worth all of this. Go find out exactly how wrong they were. PART THIRTEEN: WHAT YOU'LL PROBABLY DO AFTER YOU WATCH IT I already know roughly how this goes, because it goes the same way every time a story like this actually lands. You'll watch it once, quickly, half-distracted, the way you watch most things in a feed built to keep you moving. And then something in the pacing, or the eyes, or the exact moment the hesitation breaks, is going to make you go back and watch it a second time, slower, actually paying attention this time. That second watch is always the one that gets people. The first watch is for your eyes. The second watch is for whatever part of you still remembers what it feels like to be given up on. Then you'll do the thing everyone does — you'll look at the comments, half expecting someone to have ruined it with a joke, and instead you'll find a wall of strangers who all had the exact same reaction you did, which is somehow both comforting and a little unsettling, because it means this feeling isn't rare. It means a lot of us are quietly carrying around the same soft spot for stories about being chosen after everyone else already walked away. We don't talk about that soft spot very often. We just recognize it instantly in each other whenever something like this shows up in the feed. And then, if the story really got you, you'll do the thing I already asked you to do earlier, except now you'll actually mean it — you'll send it to somebody. Not because you think they haven't seen a rescue video before. Because you want them to sit with that opening sentence the exact way you just did, cold, before they know how it ends. You want to watch their reaction the way someone once wanted to watch yours. That's not manipulation. That's just what people do with stories that matter to them. We pass them forward, hoping they land on someone the way they landed on us. PART FOURTEEN: THE ONE THING I WON'T LET YOU FORGET Before you go tap play, I need you to hold onto one detail, because it's the thread that ties this whole post together and it's easy to lose in a feed that moves as fast as this one does. The dog in this story is not a rare exception. He is not a lottery winner. He is one version, filmed and shared and lucky enough to have someone stubborn enough to see it through, of something that is happening constantly, everywhere, to animals who will never get a camera pointed at them and never get a caption written about them. For every one of him, there are dozens who got the other verdict. The one nobody films. The one that ends exactly where the sentence said it would. That's not meant to guilt you. It's meant to make the three minutes you're about to spend mean something more than entertainment. Every view, every share, every person who stops scrolling long enough to actually watch instead of skip, is a tiny, almost meaningless vote for the version of the story where patience wins instead of convenience. It won't save the ones who already didn't make it. But it might be the reason the next version of this story — the next scared animal on the next uncertain property, in front of the next person deciding whether he's worth the trouble — gets a different ending than the one that almost happened here. So watch it properly. Watch the pauses. Watch the eyes. Watch exactly how long it takes for something to shift, and remember that every second of that footage is standing on top of a decision someone made not to give up when giving up would have been so much easier, and so much faster, and so much more convenient. Somebody wanted him dead. Somebody else decided he was worth all of this instead. Now go watch which one turned out to be right.

Earth Unveiled

89,812 次观看 • 7 天前

A dog just made the bravest decision I have seen anyone make this year. Not a founder. Not an athlete. Not a person with a plan and a five-year vision board. A dog, on an empty road, with nothing to lose and no idea what would come next. I have watched what comes next more times than I will admit in public. This post is 25,000 characters long. It is a list of reasons why you should watch it too. Read as much as you want, but understand one thing before you start: the video is the only part that matters, and this is everything the video doesn't have room to say. Sound on. Phone in both hands. Do not skip. I'll be here when you get back. THE NUMBER THAT SHOULD BOTHER YOU Let me start with two numbers. The first: commonly cited estimates put the world's stray dog population at around 200 million. Two hundred million animals with no address, no bowl with their name on it, and no one who would notice if they didn't come back tonight. The second number is one. That is how many people had to be on that road, at that exact minute, looking in that exact direction, in a good enough mood to stop. Not two. Not a crowd. One. Here is what nobody says out loud: for every dog you see rescued on camera, there are millions the camera never reached. We don't see them because no one was there. The videos that reach you are not a sample of reality. They are the winners of a lottery so brutal that Powerball looks like a coin flip next to it. So when one of these lands in your feed, don't scroll past it like content. Treat it like what it is: a statistical miracle that happened to end well. And miracles have a structure. Let's take this one apart. FIVE LINKS. BREAK ONE AND THE STORY DOESN'T EXIST. Link one: the dog has to survive long enough to be seen. Roads are not built for small animals. Vehicles do not slow down for shapes on the asphalt. Every hour out there is a coin flip the animal has to win again, and again, and again. Link two: someone has to be present. Not nearby. Present. Eyes up, phone down, brain not busy replaying the argument from breakfast. Link three: that someone has to notice. It sounds simple. It isn't. The human brain is a filtering machine, and a small animal on a road becomes a plastic bag, a shadow, a piece of tire. The most common reason a dog is not rescued is not cruelty. It is that nobody registered it as a dog. Link four: the person has to stop. This is the link that snaps most often. Seeing is free. Stopping costs you time, comfort, a schedule, and possibly the mood of your entire day. Link five: the dog has to let them. An animal that has learned that hands mean pain has every biological reason to run. Trust is not a given. It is a negotiation, and the dog holds the veto. Five links. All five held. Remember that when you press play. You are not watching a nice story. You are watching a chain that should have snapped at least four times. THE PEOPLE WHO KEEP DRIVING In 1968, psychologists John Darley and Bibb Latane published a set of experiments that changed how we think about helping. The finding was uncomfortable: the more people who witness an emergency, the less likely any one of them is to act. They called it diffusion of responsibility. Everyone assumes someone else will handle it. So nobody does. Later research added nuance. When an emergency is clear and dangerous, people step in more often than the original theory predicted. But the core insight has survived half a century of testing, because it describes something every one of us has felt: the small, quiet voice that says, somebody else will stop. Now picture a road with no crowd at all. No audience. No one to hide behind. No one to blame. Just you and a decision that is entirely, inescapably yours. That is the situation the person in this video walked into. And the reason it is worth your attention is not that they did something impossible. It is that they did something small, and it turns out small is exactly what almost nobody does. You don't need to be a hero. You need to be inconvenienced. THE FACE IS THE RESUME In 2013, researcher Bridget Waller and her team studied dogs in a UK shelter and asked a simple question: what makes one dog get adopted faster than another? It wasn't size. It wasn't age. It wasn't coat color. It was one tiny facial movement: the raising of the inner eyebrows. The move that makes a dog's eyes look bigger, softer, almost sad. Dogs that did it more often were chosen faster. Six years later, a study led by Juliane Kaminski found out why that movement is so easy for dogs and so hard for wolves. Dogs have a small muscle around the eye that wolves largely lack. Over thousands of years of living beside us, dogs evolved a way to make their faces speak our language. Read that again. A species rewired its own anatomy to be understood by another species. No other animal has done this to us. Nobody taught them. Nobody forced them. They looked at us, worked out what we respond to, and grew the tool. Now look at the face in this video. You will know the second you see it. That is not a coincidence, and it is not luck. It is fifteen thousand years of engineering aimed directly at your chest. THE ONLY LOOP LIKE IT ON EARTH In 2015, a Japanese team led by Miho Nagasawa published a result in the journal Science that made researchers stop and reread the abstract. When a dog and its owner look into each other's eyes, both of their oxytocin levels rise. Oxytocin is the bonding chemical, the same one that flows between a mother and her newborn. Dog looks at human. Human's oxytocin rises. Human looks back, touches, talks softly. Dog's oxytocin rises. Which makes the dog look longer. Which makes the human's oxytocin rise again. A feedback loop of affection, running across two species, powered by nothing but eye contact. Here is the part that gets me: the effect did not show up the same way in wolves raised by humans. The loop is not just training. It is something that evolved between us. So the next time someone says a dog is just responding to food, tell them there is a peer-reviewed study that disagrees. And keep this fact in your pocket for the video. Because at some point, a moment of eye contact happens in it, and I want you to know what is really going on in that room. THEY CAN SMELL WHAT YOU'RE HIDING Humans have roughly 6 million scent receptors. Dogs are commonly cited as having around 300 million. A large share of a dog's brain is devoted to processing smell. What you experience as a room, a dog experiences as a layered document: who was here, how long ago, and how they felt. In 2022, researchers at Queen's University Belfast tested something remarkable. They collected breath and sweat samples from people before and after a stressful task. Then they asked dogs to tell the samples apart. The dogs got it right nearly 94 percent of the time. Your body broadcasts your emotional state as chemistry. You cannot turn it off. You cannot fake calm. A dog reads your fear, your tension, your irritation, before you have opened your mouth. Which means every rescue is, at its core, a test of one thing: are you actually calm, or are you performing calm? The dog knows. It always knows. And that is why what happens in the first few seconds of this video matters more than anything that comes after it. Watch the body language. Watch how slowly things move. Watch what is not done. THE MOST IMPORTANT MOMENT IN ANY RESCUE IS THE ONE WHERE NOTHING HAPPENS Animal behaviorists describe fear responses in four flavors: fight, flight, freeze, and fawn. Fight is what people expect. Flight is what most strays do. Freeze is what looks like calm but isn't. And fawn, the desperate, wiggling, please-don't-hurt-me appeasement, is the one that breaks your heart the fastest, because it looks like friendliness and it is actually terror. Rescuers who have done this hundreds of times will tell you the same handful of rules. Don't loom. Don't stare straight into the eyes. Get low. Turn sideways. Slow everything down until it feels absurd. Let the animal close the last few feet on its own terms. The hardest instruction, and the one most people can't follow, is the last one: do nothing. Every instinct you have says reach out. Grab. Fix. Take control of the situation. And every good rescue begins with someone who did the opposite. Who made themselves small, patient, and boring, and waited for a frightened animal to decide that the safest thing in its whole world might be a stranger. You are about to watch someone do exactly that. Notice how little they need to say. THE TEARS THEY WON'T PUT IN THE HEADLINE Scientists are careful people. They do not like to say "dogs cry." But in 2022, a team from Azabu University in Japan, led by Takefumi Kikusui, measured tear volume in dogs during reunions with their owners. The result: tear volume rose significantly compared with reunions involving other familiar people. And when researchers applied oxytocin to the dogs' eyes, tear volume rose again. Not sadness crying. Not the crying we do. Something else, something closer to overflow. The body producing water at the exact moment the heart has more in it than it can hold. Nobody has proven that this is the same thing we feel. Scientists will tell you that, and they are right to. But here is a question worth sitting with. If an animal's eyes fill with water when it sees the one being it has decided to trust, what exactly are we arguing about? Watch the eyes in this video. Then tell me what you think you saw. ONCE IT HAS A NAME, IT STOPS BEING A STATISTIC In 2007, psychologist Paul Slovic and colleagues ran an experiment on generosity. They showed people a fundraising appeal for a hungry child, and then a second version that added statistics about millions of other children in the same crisis. More data. More context. More reasons to care. Donations dropped. Slovic called it psychic numbing. The human mind can hold one face. It cannot hold two hundred million. When a tragedy becomes a number, empathy quietly switches off, and we don't even notice it happening. This is why one named animal in one small video can do what a hundred reports full of charts cannot. It gives your brain something it can actually care about: a single life, with a face, a fear, and a future that could go either way. The stray population is a statistic. A dog is a story. And stories, unlike statistics, come with a name at the end. When you reach that moment in the video, pay attention to what it does to you. Notice the small shift in your chest. That is the sound of a number turning into a person, or close enough. THE WORD FOR WHAT YOU'RE ABOUT TO FEEL Researchers have a name for the feeling you get when something touches you so suddenly that your throat tightens and your eyes sting. They call it kama muta, Sanskrit for "moved by love." Anthropologist Alan Fiske proposed that it is a distinct emotion, triggered by a sudden intensification of closeness. Two beings who were strangers become bonded. Someone who was alone becomes part of something. People across many cultures describe the same set of signs: warmth in the chest, goosebumps, a lump in the throat, tears they didn't plan on, and a strong urge to hug someone or hold something. Here is what makes it useful and not just sweet: kama muta is one of the most reliable emotional responses we have. It shows up when reunions happen. When a stranger helps unexpectedly. When an animal, after a long time alone, is finally held. You've felt it. You just never had a word for it. Take note of the exact second it hits you in this video. I promise there is one. And if you're the kind of person who says "I never cry at videos," I would like to schedule a follow-up. WHY YOU'LL WANT TO BE A BETTER PERSON AFTER ONE MINUTE Psychologist Jonathan Haidt studied a related feeling and gave it a name: elevation. Elevation is what you feel when you watch someone do something morally beautiful, quietly, with nothing to gain. It is not envy and it is not admiration. It is an urge, physical and immediate, to do something good yourself. In studies, people who experienced elevation were more likely to help others afterward, more likely to volunteer, and more likely to describe wanting to become better versions of themselves. Read that as a design spec. A short piece of true, unstaged kindness can change what a person does in the hour after they see it. Which is a strange, lovely thing for a phone to be capable of. We spend so much time discussing what social media does wrong. Nobody wonders what would happen if the best five percent of it, the small, real, human moments, were the part that traveled farthest. Let this one travel. It has earned it. THE RARE THING: SOMETHING TRUE THAT WINS In 2018, researchers at MIT published a study in Science that analyzed millions of tweets. The result was grim: false news spread significantly faster and further than true news. False stories were about 70 percent more likely to be retweeted, driven largely by surprise and disgust. The lesson most people took away was that this platform rewards outrage. I want to take a different lesson. If false stories win because they trigger strong emotion, then true stories can win too, as long as they trigger stronger ones. A video with no villain, no scandal, and no argument. Nothing to be angry about. Nothing to dunk on. A rescue that is exactly what it looks like. That kind of content should lose on this platform. It has no fuel. And yet every so often, one of them breaks through and reminds everyone what this place was supposed to be. I am not asking you to like it. I am asking you to notice that you had a choice about what to feed today, and this was one of the options. SOME FRIENDSHIPS SHOULDN'T WORK Somewhere near the end of this video, a second character enters the story. I won't tell you who. I won't tell you what happens. I will tell you that if you have ever read anything about instincts, hunting drives, or the way certain animals are supposed to see each other, this moment will quietly rearrange your assumptions. Behaviorists talk about prey drive as if it were destiny. It is not. It is a tendency, and tendencies can be softened by experience, by safety, by being raised, or re-raised, in a place where no one is afraid. The same dog that once had to look after itself alone can, in a different life, learn that the world contains creatures that are not threats or meals. Only neighbors. That is the most hopeful idea in behavioral science, and it usually gets buried in footnotes: what an animal was is not the same as what an animal can become. The same is true for most of us, incidentally. But that is a different post. Stay for the ending. It is the reason I am writing this at all. THE PART THE INTERNET NEVER FILMS Every rescue video has the same shape: the meeting, the rescue, the transformation, the happy ending. It is edited that way because it is the only shape that gets watched. But ask anyone who has actually done this, and they will tell you the truth is in the gap between the second and third act. The first night. The first week. The first time a dog that has never lived indoors realizes there is a floor that doesn't move, a door that closes without danger, and a bowl that will be full again tomorrow. Rescuers have a rule of thumb for this, the 3-3-3 rule. Three days for a dog to decompress. Three weeks to start learning the routine. Three months to feel truly at home. It's not science, exactly, just a shorthand built from thousands of adoptions. But it captures something real: safety is not a switch. It is a process, and the animal has to believe it slowly, one uneventful day at a time. That means the happiest scenes in this video are not the ones that look like celebrations. They are the quiet ones. A dog that stops scanning the room. A body that finally lets go. Look for the moment the shoulders drop. Once you see it, you'll never unsee it. THE COST OF STOPPING: NINETY SECONDS Let's do the math on the thing that most people are afraid of. How long does it actually take to stop for an animal in trouble? Not the whole rescue. Just the decision, the pulling over, the first attempt. Ninety seconds. Sometimes less. Ninety seconds is the length of a bad song on the radio. It is the time you spend waiting for a light to change. It is a scroll through a feed you won't remember. And on the other side of those ninety seconds is the difference between a living animal and a statistic. I'm not saying this to make anyone feel guilty. Guilt is a terrible motivator. It makes people avoid the feeling instead of acting on it. I'm saying it because the barrier is almost always imagined. We inflate the cost of helping in our heads, and the imagined price is what stops us, not the real one. The person in this video paid the real price. It was small. What they got in return is something no one could have planned for. That is the part you should watch closely. IF YOU'RE EVER THE ONE ON THAT ROAD Save this section. Someday, someone reading it will need it. Put your safety first. Pull over where it's safe and turn on your hazard lights before anything else. A second accident helps no one. Do not chase. A frightened dog runs faster than you and directly into the worst possible place. Chasing turns a rescue into a pursuit. Get low and go slow. Sit down if you can. Turn your body sideways. Avoid direct staring. Speak softly, or don't speak at all. Use food, if you have any. Something plain, tossed a little closer each time, works better than any technique. Check for a tag and, if you can get near enough, ask a vet or shelter to scan for a microchip. Someone may be looking for this animal right now. Call for help early. Local rescues, animal control, and vets can handle what you cannot. Sometimes the bravest thing you can do is make the right phone call. Take photos and note the location. If you can't keep the animal, those details are what let someone else finish the job. None of this is complicated. The reason it is rare is that most people have never been told that it is allowed. You are allowed. THE REAL STAKES OF A SMALL DOG Here is a bigger picture, and it's a heavy one. Millions of companion animals enter shelters every year in the United States alone. That is just one country. Many are lost pets that never get reclaimed. Many are strays. Many are animals whose owners ran out of money, time, or hope. Shelters are often crowded, underfunded, and staffed by people running on love and very little else. Every animal that finds a home, or a foster, or a stranger with ninety seconds to spare, frees up a space for the next one in line. That means every single rescue is bigger than the animal in it. It is a small change to a very large system, and the system is nothing but small changes stacked on top of one another. This is not an argument for guilt. It's an argument for scale. One dog saved is one dog saved, but it is also proof of concept, a demonstration that the chain can hold, that the odds can be beaten, that a person and a road and a decision can end well. And proof of concept is contagious. That is why you are seeing it. WHO REALLY GOT RESCUED? If you talk to people who have taken in strays, you'll hear the same sentence over and over, in different words. "I thought I was saving him. It turned out he was saving me." Skeptics roll their eyes at that. It sounds like a greeting card. And research on pets and wellbeing is more mixed than social media would like. It doesn't say every dog fixes every life. But there is something real underneath it, and it's not mystical. A dog is a machine for creating routine, attention, and reasons to leave the house. It needs you at a certain hour. It notices when you come home. It doesn't care about your job title, your follower count, or what you failed at last week. For some people, that is the first unconditional witness they have had in years. The rescue, in this light, is not one-way. Two lonely creatures, one who knew it and one who didn't, found out that they could take care of each other. Nobody can prove that from a video. But there is a version of the story that runs in the background of every rescue, and you can feel it if you let yourself. Tell me whether you feel it here. THE ATTENTION PARADOX Here is a strange fact about the platform you're reading this on. The average post gets a glance. A few words, a flick of the thumb, gone. Brands spend billions every year trying to buy three seconds of your attention, and most of what they buy evaporates before it lands. And yet a video of one dog, with no budget, no celebrity, and no script, can hold a stranger for a full minute. Without a single trick. Why? Because attention is not really about tricks. It is about stakes. Your brain is built to track living things whose outcome is uncertain. The moment there is a creature on screen and you don't yet know if it will be okay, some ancient part of you leans in and refuses to look away. That is the secret behind every great story ever told. Someone we care about. Something that could go wrong. A question we need answered. Marketers call it a hook. Your nervous system calls it worry. This video has both, and it pays off the worry honestly, which is why you leave feeling better instead of used. That is rare enough to deserve a full minute of your life. HOW TO WATCH THIS Most people will watch it wrong. They'll half-look at it between two other things, mid-scroll, thumb already moving. Here is how to get the actual effect. Turn the sound on. There is more happening in the audio than you expect. Make it full screen. This is a story about faces, and faces need room. Watch the first ten seconds without expecting anything. The film is quiet at the start. That is deliberate, or at least it works as if it were. Do not skip ahead. The whole thing depends on the distance between where it starts and where it ends. Skip the middle and the ending is just a nice clip. Then, once it's over, watch it again. The second time, you won't be watching for the story. You'll be watching for the small things you missed: a hesitation, a glance, a change in how a body carries itself. That second watch is where it gets you. I said I have watched it more times than I'll admit. That is the honest reason. It doesn't wear out. It gets deeper. THE CHALLENGE I want to try something with this post. If the video moved you, leave one comment: the second it happened. Not a review, not an analysis. Just the moment. I'm curious whether it's the same one for everyone. My guess is that it isn't, and that the spread of answers will say more about what people carry around with them than about the video. If it didn't move you, that is fine too. I'd like to hear that as well. Honest is better than polite. And if you have ever been the one who stopped, and I know some of you have, write that instead. Tell the story in two lines. No one has ever regretted the ninety seconds. Someone reading this thread might need to know that. Reposting this is the simplest way to put it in front of someone who's scrolling right now, in a bad week, thinking that nothing good happens by accident anymore. Something did. THE LAST THING Let me end where I started. A dog made a decision on an empty road. It could not have known how it would turn out. It had no reason to believe that the next hand would be different from the last. It went ahead anyway. That is the whole difference between a life that changes and one that doesn't. Not certainty. Not a plan. A willingness to move toward the unknown when the alternative is more of the same. The animal in this video did that. Then someone did the same in return. That's it. That's the entire story. Two beings, each of whom took a small, terrifying step toward the other, and a road that was, for a few seconds, the most important place in the world. Scroll up. Press play. Watch the ending. Then come back and tell me I was exaggerating. P.S. If you read all of this, you are exactly the kind of person this video was made for. Most people never make it past the first screen of a long post. You did. That tells me you are someone who stays: through the slow part, through the uncertain part, all the way to the end. Which is, when you think about it, the only quality that mattered in the story you're about to watch. Follow for more like this. I only post the ones that earn it. Bookmark it for days you forget the feeling. #Rescue #DogsOfX #SecondChances #AdoptDontShop #Dogs #AnimalRescue #RescueDog

Earth Unveiled

15,706 次观看 • 6 天前

Warren Buffett turns 93 today! To celebrate, I'm sharing the greatest lecture he ever gave together with his 94 (!) best investment quotes. 1. Rule No. 1 is never lose money. Rule No. 2 is never forget Rule No. 1. 2. Diversification is a protection against ignorance. It makes very little sense for those who know what they're doing. 3. Do not take yearly results too seriously. Instead, focus on four or five-year averages. 4. All there is to investing is picking good stocks at good times and staying with them as long as they remain good companies. 5. American business - and consequently a basket of stocks - is virtually certain to be worth far more in the years ahead. 6. An investor should act as though he had a lifetime decision card with just twenty punches on it. 7. And so the important thing we do with managers, generally, is to find the .400 hitters and then not tell them how to swing. 8. The most important quality for an investor is temperament, not intellect. You need a temperament that neither derives great pleasure from being with the crowd or against the crowd. 9. Bitcoin has no unique value at all. 10. Buy a stock the way you would buy a house. Understand and like it such that you'd be content to own it in the absence of any market. 11. The years ahead will occasionally deliver major market declines - even panics - that will affect virtually all stocks. No one can tell you when these traumas will occur. 12. I insist on a lot of time being spent, almost every day, to just sit and think. That is very uncommon in American business. 13. Buy companies with strong histories of profitability and with a dominant business franchise. 14. For the investor, a too-high purchase price for the stock of an excellent company can undo the effects of a subsequent decade of favorable business developments. 15. I believe in giving my kids enough so they can do anything, but not so much that they can do nothing. 16. The world went mad. What we learn from history is that people don’t learn from history. 17. The key to investing is not assessing how much an industry is going to affect society, or how much it will grow, but rather determining the competitive advantage of any given company and, above all, the durability of that advantage. 18. Among the various propositions offered to you, if you invested in a very low cost index fund - where you don't put the money in at one time, but average in over 10 years - you'll do better than 90% of people who start investing at the same time. 19. Because if you're wrong and rates go to 2 percent, which I don't think they will, you pay it off. It's a one-way renegotiation. It is an incredibly attractive instrument for the homeowner and you've got a one-way bet. 20. Cash is to a business as oxygen is to an individual: never thought about when it is present, the only thing in mind when it is absent. 21. Don't get caught up with what other people are doing. Being a contrarian isn't the key but being a crowd follower isn't either. You need to detach yourself emotionally. 22. For 240 years it's been a terrible mistake to bet against America, and now is no time to start. 23. I never attempt to make money on the stock market. I buy on the assumption that they could close the market the next day and not reopen it for five years. 24. I have no views as to where it (gold) will be, but the one thing I can tell you is it won't do anything between now and then except look at you. Whereas, you know, Coca-Cola will be making money, and I think Wells Fargo will be making a lot of money, and there will be a lot -- and it's a lot -- it's a lot better to have a goose that keeps laying eggs than a goose that just sits there and eats insurance and storage and a few things like that. 25. I just sit in my office and read all day. 26. I won't say if my candidate doesn't win, and probably half the time they haven't, I'm going to take my ball and go home 27. If returns are going to be 7 or 8 percent and you're paying 1 percent for fees, that makes an enormous difference in how much money you're going to have in retirement. 28. We want products where people feel like kissing you instead of slapping you. 29. If you aren't willing to own a stock for ten years, don't even think about owning it for ten minutes. 30. The most important investment you can make is one in yourself. 31. If you buy things you do not need, soon you will have to sell things you need. 32. If you don't feel comfortable making a rough estimate of the asset's future earnings, just forget it and move on. 33. If you like spending six to eight hours per week working on investments, do it. If you don't, then dollar-cost average into index funds. 34. If you're in the luckiest 1% of humanity, you owe it to the rest of humanity to think about the other 99%. 35. If you're smart, you're going to make a lot of money without borrowing. 36. In the 20th century, the United States endured two world wars and other traumatic and expensive military conflicts; the Depression; a dozen or so recessions and financial panics; oil shocks; a flu epidemic; and the resignation of a disgraced president. Yet the Dow rose from 66 to 11,497. 37. In the 54 years (Charlie Munger and I) have worked together, we have never forgone an attractive purchase because of the macro or political environment, or the views of other people. In fact, these subjects never come up when we make decisions 38. In the business world, the rearview mirror is always clearer than the windshield. 39. Investors should remember that excitement and expenses are their enemies. 40. It is a terrible mistake for investors with long-term horizons to measure their investment 'risk' by their portfolio's ratio of bonds to stocks. 41. It is not necessary to do extraordinary things to get extraordinary results. 42. It takes 20 years to build a reputation and five minutes to ruin it. If you think about that, you'll do things differently. 43. The one thing I will tell you is the worst investment you can have is cash. Everybody is talking about cash being king and all that sort of thing. Cash is going to become worth less over time. But good businesses are going to become worth more over time. 44. It's been an ideal period for investors: A climate of fear is their best friend. Those who invest only when commentators are upbeat end up paying a heavy price for meaningless reassurance. 45. It's better to hang out with people better than you. Pick out associates whose behavior is better than yours and you'll drift in that direction. 46. It's better to have a partial interest in the Hope diamond than to own all of a rhinestone. 47. It's far better to buy a wonderful company at a fair price than a fair company at a wonderful price. 48. Just pick a broad index like the S&P 500. Don't put your money in all at once; do it over a period of time. 49. Keep things simple and don't swing for the fences. When promised quick profits, respond with a quick "no”. 50. Lose money for the firm, and I will be understanding. Lose a shred of reputation for the firm, and I will be ruthless. 51. Many management teams are just deciding they're gonna buy X billions over X months. That's no way to buy things. You buy when selling for less than they are worth. ... It's not a complicated equation to figure out whether it is beneficial or not to repurchase shares. 52. The difference between successful people and really successful people is that really successful people say no to almost everything. 53. Most people get interested in stocks when everyone else is. The time to get interested is when no one else is. You can't buy what is popular and do well. 54. Never invest in a business you cannot understand. 55. Your premium brand had better be delivering something special, or it’s not going to get the business. 56. One can best prepare themselves for the economic future by investing in your own education. If you study hard and learn at a young age, you will be in the best circumstances to secure your future. 57. The most important thing to do if you find yourself in a hole is to stop digging. 58. One thing that could help would be to write down the reason you are buying a stock before your purchase. Write down "I am buying Microsoft at $300 billion because..." Force yourself to write this down. It clarifies your mind and discipline. 59. Only when the tide goes out do you discover who's been swimming naked. 60. Opportunities come infrequently. When it rains gold, put out the bucket, not the thimble. 61. Price is what you pay. Value is what you get. 62. Read 500 pages like this every day. That's how knowledge works. It builds up, like compound interest. All of you can do it, but I guarantee not many of you will do it. 63. Risk comes from not knowing what you're doing. 64. If a business does well, the stock eventually follows. 65. Since I know of no way to reliably predict market movements, I recommend that you purchase Berkshire shares only if you expect to hold them for at least five years. Those who seek short-term profits should look elsewhere. 66. Someone's sitting in the shade today because someone planted a tree a long time ago 67. The best thing that happens to us is when a great company gets into temporary trouble... We want to buy them when they're on the operating table. 68. Speculation is most dangerous when it looks easiest. 69. Stay away from it. It's a mirage, basically...The idea that it has some huge intrinsic value is a joke in my view. 70. The best chance to deploy capital is when things are going down. 71. The stock market is a no-called-strike game. You don't have to swing at everything -- you can wait for your pitch. 72. There is nothing wrong with a 'know nothing' investor who realizes it. The problem is when you are a 'know nothing' investor but you think you know something. 73. This does not bother Charlie and me. Indeed, we enjoy such price declines if we have funds available to increase our positions. 74. Too-big-to-fail is not a fallback position at Berkshire. Instead, we will always arrange our affairs so that any requirements for cash we may conceivably have will be dwarfed by our own liquidity. 75. There are all kinds of businesses that Charlie and I don’t understand, but that doesn’t cause us to stay up at night. It just means we go on to the next one, and that’s what the individual investor should do. 76. You can’t buy what is popular and do well. 77. We never want to count on the kindness of strangers in order to meet tomorrow's obligations. When forced to choose, I will not trade even a night's sleep for the chance of extra profits. 78. We will reject interesting opportunities rather than over-leverage our balance sheet. 79. We've long felt that the only value of stock forecasters is to make fortune tellers look good. Even now, Charlie and I continue to believe that short-term market forecasts are poison and should be kept locked up in a safe place, away from children and also from grown-ups who behave in the market like children. 80. What is smart at one price is stupid at another. 81. What we learn from history is that people don't learn from history. 82. When stock can be bought below a business's value it is probably the best use of cash. 83. When trillions of dollars are managed by Wall Streeters charging high fees, it will usually be the managers who reap outsized profits, not the clients. 84. When we own portions of outstanding businesses with outstanding managements, our favorite holding period is forever. 85. When you have able managers of high character running businesses about which they are passionate, you can have a dozen or more reporting to you and still have time for an afternoon nap. Conversely, if you have even one person reporting to you who is deceitful, inept or uninterested, you will find yourself with more than you can handle. 86. Whether we're talking about socks or stocks, I like buying quality merchandise when it is marked down. 87. Widespread fear is your friend as an investor because it serves up bargain purchases. 88. You are neither right nor wrong because the crowd disagrees with you. You are right because your data and reasoning are right. 89. You can't borrow money at 18 or 20 percent and come out ahead. 90. You can't produce a baby in one month by getting nine women pregnant. 91. The most important quality for an investor is temperament, not intellect… You need a temperament that neither derives great pleasure from being with the crowd or against the crowd. 92. You don't need to be a rocket scientist. Investing is not a game where the guy with the 160 IQ beats the guy with 130 IQ. You only have to be able to evaluate companies within your circle of competence. 93. The size of your circle of competence is not very important; knowing its boundaries, however, is vital.

Compounding Quality

621,097 次观看 • 3 年前

Just in $AMD Anush "Speed is the moat"|ROCm🎙️ In the race to define the future of AI, what's the one advantage that truly lasts? It's not proprietary tech, argues Anush Elangovan Elangovan, VP of AI Software at AMD , but the sustainable speed of innovation. He explains why AMD is rejecting the "walled garden" model for its open source ROCm stack, betting that an open community flywheel is the key to victory. Listen to understand how this open strategy is designed to out-innovate closed systems by empowering developers to solve everything from frontier-model challenges to the mundane, everyday problems that define the "last mile" of AI. AMD ROCm Software: Part 1 Transcript [00:00:00] Andrew Zigler: Joining me is Anush Elangovan, VP of AI software at AMD. And when people talk about AI compute, the conversation often stops at hardware specs, but it's more than just physical chips that win the game. It's also the software ecosystems supporting them. [00:00:18] Andrew Zigler: The prevailing strategy in the industry has been to build something like a walled garden. You know, something closed, proprietary locks, developers in. But AMD is betting on an entirely different play, open source acceleration, and with rock, their open source AI software stack. AMD is building not just hardware parity, but an innovation flywheel that's powered by the community with interoperability and the freedom to scale without all of that pesky lockin. [00:00:48] Andrew Zigler: And in this world, speed is your moat and how fast you can innovate while your platform remains open, flexible, and standardize across all of its applications. That's what we're gonna explore [00:01:00] today. So Anush, I'm really excited to have you here. Welcome to Dev Interrupted. [00:01:04] Anush Elangovan: Thanks for having me. Uh, super excited to chat about it. [00:01:07] Andrew Zigler: Amazing. Well, let's go ahead and dive right in with kind of what I laid it out with in the beginning, the idea of the moat and it being about speed. I wanna unpack that a bit because that came from you when you and I first spoke. And I, and I want to know, you know, how do you define speed inside of AMD beyond just things like hardware, benchmarks. [00:01:27] Anush Elangovan: Yeah, that's a very good question. So when we typically talk about speed, everyone's like, Hey, hardware benchmark specs, right? Like, uh, memory bandwidth or, or flops. And that is one important part of it, uh, AMD does very well. With that, we do have, a, a very good history of executing on that axis. [00:01:47] Anush Elangovan: But when I say speed is the moat, it is about, uh, how we prepare, how we build the muscle to run the race for a long time and run it fast. And it is [00:02:00] not about a single point in time that you've, you've beat some you know, benchmark and, and you declare victory. It's about building the ability to consistently develop and deliver. [00:02:13] Anush Elangovan: Both hardware and software innovation at scale and do it fast, right? Like, you know, we we're increasingly getting to a point where models come out and they're, uh, you know, a year or two ago it was like, Hey, they work on AMD on day zero, which is great, but now they are performing on AMD the day it releases, right? [00:02:32] Anush Elangovan: So, what does it take to Prefetch where the industry is going? Be prepared to intercept. At that point is what you know, I, I refer to as you know, the, the speed factor in, in creating this mode, right? And the mode is just shed all things that hold you back and run as fast as you can. [00:02:53] Anush Elangovan: Uh, because the pace of innovation that is, uh, being seen in, in AI [00:03:00] industries is just. Amazing. Right? And it's like, it's transformational at at how you generate electricity. It's transformational as at how you build data centers. It's transformational at how you deploy compute, networking. It's transformational at what kind of use cases you, you know, uh, use AI for. [00:03:17] Anush Elangovan: Uh, and for that, you need to be prepared to, see what comes tomorrow and be prepared to run the race tomorrow. [00:03:23] Andrew Zigler: Yeah, it's a really great perspective because it highlights that it's not just like a checkpoint that you run through. I like how you called out, like it's not just hitting that benchmark or being the best in class at that moment, in that snapshot, it's about having a. The throughput and about having that dedication to the idea and continuing to deliver on it. [00:03:43] Andrew Zigler: It's not just crossing the threshold, but it's also being the engine. And that's what, that's what protects a business. That is the moat, because the moat is that innovation layer, the faster and more, uh, future forward. That you can work and think, [00:04:00] you know, the better. Uh, we, we talk a lot about like future forward work styles. [00:04:04] Andrew Zigler: Like what are the things I could be doing right now today that are gonna be like, way more useful tomorrow? Let, let's abandon those, workflows that are older and that kind of like, that translates into. An advantage when you work that way. You know, what kind of things have you learned working with, uh, like across all spectrums of people who would use ROCm, right? [00:04:23] Andrew Zigler: You have like the developers, but then you also have the enterprises and you have this large span of adoptees, right? So what is the, what does that look like that you learn? [00:04:32] Anush Elangovan: Yeah, so, so the way I look at it is there are gonna be pockets of different, uh, you know, cadences, right? Like, so people who are deploying in enterprises, for example, right? The validation and how long it takes for them to deploy an LLM that's secure. It's, with guardrails, et cetera, maybe longer. [00:04:52] Anush Elangovan: but you still have to go through the process and you have to be prepared to like, walk that walk to deploy an enterprises. That doesn't mean it's [00:05:00] not fast, that's as fast as you can do for that industry, right? And if you are deploying AI in healthcare, right, it's, it's got its own, uh, cycle. [00:05:07] Anush Elangovan: but in each one of these, you want to see how, like, go down to the essence of what is it that you actually have to do. And, you know, I, I, I like how you framed it. It's like it's, you shed your prior assumptions of how things are done, right. And, and you kind of build up from a, uh, first principles, uh, approach to say, this is how I could use AI to unlock, whatever I'm doing. [00:05:33] Anush Elangovan: And, and, some of it, you know, it's good to really step back and look at. Just question every part of it, right? Like right now you're getting chat GPT and, Gemini competing for like, math, olympiads and, and, uh, college, uh, reasoning, uh, tests. Right? And, and those are like that, that is amazing and increasingly like complex tasks that they're trying to do. [00:05:58] Anush Elangovan: But there may also be like. [00:06:00] More mundane things that AI could, could get applied to. Right? And, and so when we think about shedding old ways, you wanna shed it not just in like the tip of the spear. It's like, you know, I'm gonna see what's the frontier model. It's also, it could be something as simple as. [00:06:18] Anush Elangovan: How do you choose a, a movie, uh, you know, like a recommendation system, right? Or, or, uh, an automated, uh, flight, uh, rebooking system. So the moment, you know, your flight is late, uh, right now it's a notification, right? It's like, oh, you got a text message saying your flight's late. And I got that like three times this week. [00:06:38] Anush Elangovan: But anyway, uh, and, and, and, and, I was just like, okay, so if I were to rethink this. All this MCPs that we have that should be hooked up into an MCP that says, your flight's delayed. Here are your options. If you want, you know, these are the paid options. Yeah. Here are the free options. This will get you back into your you know, Toronto airport [00:07:00] tonight. [00:07:00] Anush Elangovan: Or if you stay, here's a hotel plus this, plus this, plus. It's just like, go ahead is all I should say. Versus now I'm like, okay, can someone, you know, can I call a travel agent? Can I do this? Can I go online and log into And you know, so we gotta fundamentally rethink even those like small, nuances of, things that we do that can be automated out and AI is really, really good at doing something like this, right? Maybe I just explained an AI startup idea right now. Somebody should just start that. [00:07:29] Andrew Zigler: I think you did. Yeah, you definitely did. Someone, one of our listeners is definitely going to lift that off of you. I, I, I, you know, I hate being on the receiving end of those. You feel a little helpless and then you have to like, follow the whole flow. So I know what you mean. Like I, I like how you called out that the build and this like. [00:07:45] Andrew Zigler: Where speed is your moat and the innovation layer is protecting you, is what makes you better than your competitors. How you scale that and you bring that to market. So by understanding the problems that you're solving, uh, throwing away those older assumptions, but also [00:08:00] recognizing that like. We're building every single day, new things and new ways of using stuff that we're still figuring out the implications of. [00:08:08] Andrew Zigler: And so when you have a lot of velocity and you're introducing a lot of new ideas, and maybe you have that workflow now that automatically rebook your flight off of your late flight text message, and uh, I know I would certainly use it, but you know, what kind of philosophies guide the way that y'all think about building this ecosystem to manage that stability while letting folks. [00:08:29] Andrew Zigler: Play with the speed and the assumptions and the airplane re bookings. [00:08:34] Anush Elangovan: so, so I think, you know, we need to peel one layer down, right? and the philosophy is, Hey, we, we just discovered electricity, right? And you know what we're gonna do? We are gonna make motors, uh, or dynamos, right? Like engines. Uh, sure. We don't know if it's gonna be a Ferrari that you're gonna make, or it's a a a a dump truck. [00:08:57] Anush Elangovan: That's good for doing this. But let's [00:09:00] let, which is also required, right? You need a dump truck. You need a garbage truck. And, [00:09:04] Andrew Zigler: Yeah. You need the [00:09:04] Anush Elangovan: course you need, uh, a Ferrari for a midlife crisis, right? So, [00:09:09] Andrew Zigler: precisely. [00:09:10] Anush Elangovan: But, but my, uh, point is what do we build next? And, uh, and this is what I meant by like, okay, let's, let's take those baby steps to build the. [00:09:20] Anush Elangovan: Infrastructure that's required that we know we'll have to use, right? So, so if I just discovered electricity, okay, great. Now one, how do I save this electricity and how do I use it? So there's battery technology, so you need to do something like that, right? Like so. But then you also want to make it into an actionable thing. [00:09:37] Anush Elangovan: You want to make it for like automobiles, or you wanna use it for, you know, powering, uh, entire cities. So it is that transformational. So, uh, AI is that transformational. So, if you distill down, it'll, it'll come down to how do we think about, what we can do with this this fundamental technology that, We may not be aware of what it [00:10:00] is gonna unlock next, but at least you know the next step is clear, right? It's like a dense fog, you know, it's gonna be like, it, it's the right path. You see the light, but it's kind of like out there and, and the steps you're taking are concrete and you're like, okay, this is good. [00:10:16] Anush Elangovan: I, this is better than where I was or where we were. So we are moving forward. So you can build with the. Intuition from what you see in the short term and a tactical view, but towards what you think the future is gonna be. [00:10:28] Andrew Zigler: Right. You almost like we're all in this like fog of war, right? And like you said, you're reaching out and you're trying to step through it. You could think of it too, as like you're in the dark and your hands are up in front of you and you know that. You're, you're not gonna run your face into a wall because your hands are out in front of you, but you're not gonna maybe do much better than that. [00:10:45] Andrew Zigler: So that's kind of like, I think the eco, the, the industry, the world that we find ourselves in, uh, and we all have to, then this becomes the power of an ecosystem, of a group of people working together to create that layer of, [00:11:00] uh, of establishing the [00:11:01] Anush Elangovan: exactly. And I, I, I just, instead of, you know, saying fog of war I describe it as like, you're in this. Beautiful valley with like a morning, uh, fog that's in. You can smell the flowers. You, you hear the birds. You are like, okay, it's, we are in like, uh, utopian paradise and yes, I just need to like, continue the walk, right? [00:11:24] Anush Elangovan: and then move forward with that, conviction that you're in the right spot. [00:11:27] Andrew Zigler: Yeah. So let's talk about that ecosystem world. This nice, I love how you describe it, this grassy side of a hill in the morning that's covered in some mist and maybe we can't see 30 feet in one direction, but it sure is a beautiful hill and it smells nice. And so we're all here. And why is, in that world, why is. [00:11:44] Andrew Zigler: You know, open source, their strategic advantage that y'all are going for in the AI hardware market. And, and then how does like ROCm turn that into wins for people within that ecosystem? [00:11:56] Anush Elangovan: you know, the, the way we look at it is this, is kind of like how I view [00:12:00] AI and the ecosystem, right? But, but it is for everyone to enjoy. Uh, and so we do want to make sure that. You know, it is, uh, beneficial for everyone. [00:12:09] Anush Elangovan: The ecosystem can come in and, and innovate. It's an open innovation engine. and uh, it is very different from, you know, having a walled garden with, Hey, only I know how to do this and I'm gonna do it and throw it over the fence and you can use it or keep walking, right? So we'd like to be good citizens that way, but also. [00:12:30] Anush Elangovan: Uh, it is self-fulfilling in a way, right? Like it, the, the pace at which we innovate with open source is unmatched. Like, you know, our serving engines are like VLLM and, and sg l. Those things, uh, those frameworks are like super, super aggressive in terms of how fast they come out with features and how fast they can you know, get performant models out. [00:12:52] Anush Elangovan: And that compared with what, uh, you'd get from, you know, the likes of like T-R-T-L-L-M or something is always lagging, right? Because you [00:13:00] just can't keep up with you know, 200 commits a week just on one particular model to get that model really performant [00:13:06] Andrew Zigler: And, and, and in that world where, you know, everyone can enjoy the winds of this, what kind of customer stories or innovation stories have really stood out to you and excite you about building and creating this place for developers? [00:13:19] Anush Elangovan: Yeah. So I think the parts that are super exciting for me are when when we get to see a customer that is first skeptical. Then they start a little like, okay, fine, we'll give you a chance. Uh, we do a simple, uh, POC and then they're like, huh, this seems to work. Yeah, we told you it works. [00:13:42] Anush Elangovan: You don't have to change one line of code. Really? Yes, no need to change one line of code. Okay, let's try a production workload. So then they try it. Oh, you're more performant than the competition. Yes. We're more performant than, than the competition. So how much does it cost? And we're like, oh, it's your TCO is better with, uh, [00:14:00] AMD. [00:14:00] Anush Elangovan: So again, they're like, wow, okay, good. So now how do we deploy at scale? And then we go deploy it at scale. And when they give a thumbs up on that and they say, this is good, right? That's when you know, you, you see it go full circle from like, oh, we, we've never heard about AMD to like actually deploy to tens of thousands of GPUs In the order of a few months, right? It, it, it really is fascinating to see and very exciting and invigorating to [00:14:28] Andrew Zigler: Yeah. At like a great exposure to a lot of interesting problems. And, and then people using the infrastructure, the, the technology available to solve those problems. Really specific problems by the way, that's often why they're bringing their data and AI to it, uh, is because it is really specific and important for them. [00:14:45] Andrew Zigler: And there's a, a lot I think that other engineering orgs can learn and even emulate from AMD's success and, and having this open source ecosystem and it causing this acceleration within. You [00:15:00] know, uh, customers and enterprises that use and adopt the tools and, and, and that creates an advantage. And that goes back to why we're talking and like the real thesis of our conversation today. [00:15:10] Andrew Zigler: So how do you think engineering leaders that are listening to this and obviously tapping into this great success AMD has from an open source flywheel, how do you think other, other folks building in the same space can foster that open, first, that open source oriented culture in order to, you know, accelerate their innovation goals? [00:15:29] Anush Elangovan: Yeah, that's a very good question. So the startup that um, was acquired by AMD we, we built, I mean, we started off doing iot stuff and you know, smart ring and all that, right? But in the, the end of like, uh, and not the end, the last six years of the company was building ML compilers. [00:15:47] Anush Elangovan: And ml, ML compilers are like super, uh, complicated, sophisticated, advanced algorithms, dah, dah, dah. but it was all open source, right? So our VCs were like, wait, what do you mean your core [00:16:00] IP is open source? And um, the speed is the moat applied even then, right? It was just like, yes, if you have an idea that. [00:16:08] Anush Elangovan: Because someone saw this idea that you are, they're gonna be able to catch up, then you probably have the wrong idea anyway. But if they are, you know, you execute and they're gonna catch up, that you should assume they're gonna catch up. Right? So you gotta move forward. So keeping it open source is super important. [00:16:25] Anush Elangovan: But also to your question on like, you know, the learnings from an AMD standpoint, right? If there are, hard problems, I'd say dig in and work through it, right? Like there's no way but through it, right? That should be the simple mentality. And more, uh, frequently than not. you'll see that you'll just make it through in a, in, in good form. [00:16:52] Anush Elangovan: But if you doubt it and you're like, oh, I don't know if I should commit, if I'm, I, you know, what should just commit to do the right thing [00:17:00] every step, right? Every step, and just keep taking one step in front of the other. And in no time you'll see that you'll be running. Right. And, and yes, the first few steps will be like, yeah, everyone's complaining about your software quality. [00:17:15] Anush Elangovan: Everyone's complaining about this and that, and it doesn't work. And, and a few steps in, you know, you get, you get the hang of all the complaints that are coming in. You get the feedback loop. You're like, okay, what, what are you prioritizing again? One step in front of the other, right? You just keep knocking that out and then you get to a point where you're, it just becomes second nature, right? To do the, to do the right thing. And, and then yes, if someone gives you two options, you'll be like, fine. This is, uh, you know, there's always the resource trade off. There's always a human capital trade off, but what's the right thing to do? of course, I, I'm pragmatic about what we choose, but, but if the right thing for your long-term success is dig in, go first, principles, make it [00:18:00] happen. [00:18:00] Anush Elangovan: Well. Then just go for that. There's, there is no shortcut to [00:18:04] Andrew Zigler: acknowledging, you know, how it aligns with your mission, your core company goals, and what you're looking to achieve. And, and I, I love how you rightfully called out that in the open source world and you know, you have your technology that you've built, what you think is your moat upon, right? [00:18:22] Andrew Zigler: It's your code and, and to open source that, or to just make it where anyone could peer in is, you know. Scary in one regard, but two, it just kind of feels like you're handing away your throne room in some kind of sense, a very direct feeling sense. But the ultimately, you were really right to call out, and this is something I think about all the time, that the real power there is still the speed This the speed. [00:18:42] Andrew Zigler: That was the moat at the beginning of our conversation. It's the speed in combination with your. Very specific domain understanding of what you're building and what you're creating, and your new role as the steward of that world and how people plug into it, which [00:19:00] has frankly, a lot more influence and power than lording over a closed. [00:19:04] Andrew Zigler: You know, repository or an ecosystem, and like you said, like throwing things over the wall. Sure. There, there might be people always on the other side of that wall, but you're not gonna have a great connection with them. You're not gonna be able to really clearly understand them. I, I like your metaphor of the side of the field of the mountain a lot more. [00:19:23] Andrew Zigler: But, but in the, in this world, you know, where. That speed is, is the power and, and open source is just one way that you can harness that speed to get really far ahead and to innovate. , There's other parts of this equation that you can be experimenting with too, and I'd love to pick your brain about them as a software leader and, and, and one of them is about looking forward and kind of understanding that future that we're all building towards and beyond today's models and hardware. [00:19:48] Andrew Zigler: You know, what do you see as the next major bottleneck or opportunity in the AI compute space? As, as you know, enterprises and folks start to get a little more mature about what's available to [00:20:00] them. [00:20:00] Anush Elangovan: Yeah, I think, the bottleneck and opportunity is, uh, what I'd call, call walking the last mile of ai. Right. Uh, and like I I, I gave you an example, uh, previously, but, but it's similar to that. It's like there are cases where Humans have so many, uh, things to do in your day. You know, like the, if we sit down and actually had a customer focus like, okay, these customers lives, I'm gonna save four hours of this customer's life. And if you actually sit down and look at all of that, it'll be. Easily automatable, easily you know, uh, applicable, uh, for ai, right? [00:20:39] Anush Elangovan: Like, but then making it happen is gonna take a little bit, right? It's like maybe it's, uh, paying your utility bill, right? Or something like that, right? Or, or, your healthcare explanation of benefits. Uh, like, I'm sure you get an explanation of benefits, and I'm like, I, I don't even know what that thing is. [00:20:55] Anush Elangovan: It's just like EOB and like. [00:20:57] Andrew Zigler: it's a big, a big old PDF. Yeah, [00:21:00] exactly. [00:21:01] Anush Elangovan: Like, like, I'm like great straight to the, uh, shredder, right? And but that could be, you know, automated with the ai, right? It, it, it'd be like, Hey, the summary of this thing is you went and visited this day. Everything is okay. Everything is paid for, so don't worry, it's not a bill. [00:21:17] Anush Elangovan: That again, the same, uh, thing, but the sense of what that information overload is could be. Digested by ai, uh, accumulated over time and retrieved when you need it. Like, I don't, I actually don't even need to know this EOB right now, unless of course, whenever I need to know it, that maybe, you know, like for some benefits I need to figure out what do, what did I do over the past year and how do I apply it? Source:

Mike

15,248 次观看 • 9 个月前

Most people scroll past suffering every single day and don't even notice. She didn't. And that one decision — made in less than three seconds, with zero hesitation, zero plan, zero audience — is why this video is currently wrecking people's timelines and making grown adults cry at their desks. I've been studying viral content for over a decade. I've watched thousands of videos get dissected, algorithm-tested, A/B'd to death by teams trying to "engineer" emotion. And every single time, the ones that actually break the internet have one thing in common: they weren't engineered at all. They just happened. This is one of those. You need to watch this one. Not read about it. Watch it. Because there's a specific moment in this video — you'll know it when you see it — where the entire emotional weight of the situation flips in half a second, and no description, no summary, no paragraph I write is going to do that moment justice. I'm not even going to try. What I am going to do is tell you why this matters, why it's spreading the way it is, and why — once you see it — you won't be able to stop thinking about it. Let's talk about what nobody talks about. There is an entire invisible war happening in every park, every lake, every pond, every quiet patch of "nature" tucked into our cities. It's silent. It doesn't trend. It doesn't get news coverage. Animals get hurt, get tangled, get trapped, get sick, get slowly, quietly destroyed by things we left behind — and 99.9% of the time, nobody is there to notice. Nobody is there to act. The animal just... disappears. No headline. No hashtag. No one ever knows. That's the baseline. That's what "normal" looks like for wildlife living next to humans. Quiet suffering, unwitnessed, unresolved. And then — every once in a while — someone walks into that invisible war by accident, on a normal day, wearing normal clothes, holding nothing but a phone and maybe a bag of bread, expecting absolutely nothing out of the ordinary. And something in them refuses to just keep walking. That's what you're watching here. Not a stunt. Not a "content piece." Not something built for the algorithm. A real, unscripted, completely human reflex — the kind that separates the people who notice from the people who don't, and then separates the people who notice from the tiny, tiny percentage who actually do something about it. Here's the thing that gets me every time I rewatch this. It's not the rescue itself that hits hardest. It's the speed. There is no internal debate happening on screen. There's no "should I get involved," no calling someone else to handle it, no filming from a distance for views. There's a problem, and then there's motion. That gap — the one between noticing and acting — is usually where 95% of us live our entire lives. We notice. We feel something. We keep walking. This video is what happens when that gap doesn't exist. I want you to sit with that for a second, because it's actually rare. Genuinely rare. Most "hero" content you see online has been staged, has been reshot, has a director just out of frame. This isn't that. You can feel it in the way things unfold — messy, urgent, real, imperfect in all the ways real moments are and staged moments never are. That authenticity is exactly why it's spreading the way it's spreading. People are starving for something real in a feed built entirely out of things that are fake. Now let's talk about the animal at the center of this, because most people underestimate exactly how much is at stake for a creature like this in a situation like this. Waterfowl — geese specifically — are tougher and more resilient than almost anyone gives them credit for. They migrate thousands of miles. They survive brutal winters. They defend their families with a ferocity that has made more than one grown adult sprint across a parking lot in fear. But that same toughness has a blind spot: when something goes wrong — when they get tangled, injured, caught in something man-made — they often have no way to fix it themselves. No hands. No way to cut, unwind, or remove whatever's constricting them. Just time, working against them, second by second, while the injury gets worse and the body starts shutting down blood flow to protect the rest of itself. Left alone, that kind of situation doesn't resolve. It doesn't "work itself out." It ends exactly one way, and it's not a good one. Which is why the window that matters here is so brutally small. Not days. Not hours in some cases. The margin between "this animal makes it" and "this animal doesn't" can come down to a single person, on a single day, choosing not to keep walking. That's the stakes you're watching play out. That's why your chest tightens the second you hit play. Your body understands the stakes before your brain even finishes processing what's happening on screen. And this is the part that I think explains why videos like this hit different than almost anything else on this platform. We are, all of us, walking around holding an enormous amount of helplessness we can't do anything with. The news. The scale of everything wrong in the world. Problems so big, so systemic, so far outside any single person's control that we've collectively learned to just... go numb. Scroll past. Compartmentalize. It's a survival mechanism. You cannot feel the full weight of everything, all the time, or you'd never get out of bed. But every so often, something shows up in your feed that's the exact opposite of that. A problem small enough — specific enough — local enough — that one single, ordinary, non-famous, non-wealthy, non-powerful person can just... solve it. With their hands. In real time. No committee. No funding request. No permission slip. Just a person deciding that this particular piece of suffering, right here, right now, is not going to continue on their watch. That is enormously, viscerally satisfying to witness. It's satisfying in a way that almost nothing else in your feed is, because it's proof — actual, undeniable, on-camera proof — that individual action still means something. That you, one person, with no special resources, could be the difference between an animal living and an animal not living. That agency still exists. That the world isn't only made of problems too big for any of us. That's not a small thing to be reminded of. That's actually one of the most quietly desperate things people are craving right now, whether they'd admit it or not. Now here's where it gets even more interesting, because this isn't just an emotional story — this is a legitimately fascinating one if you understand what's actually happening biologically and behaviorally in the footage. Watch how the surrounding flock reacts. Watch what the rest of the group does, and doesn't do, while all of this unfolds. Geese are famously social, famously alert, famously reactive to any perceived threat near one of their own — and yet what you'll see here defies the instinct you'd expect. There's a reason for that, rooted in how these animals actually assess threat versus help, and once you notice it, you won't be able to unsee it in the rest of the clip. I'm not going to spell it out for you. Watch for it. It's there, right in front of you, and it's one of the most quietly remarkable details in the entire video — the kind of detail that separates people who watch it once from people who watch it five times in a row trying to catch everything they missed. Then there's the ending. I will tell you this much and nothing more: the ending is the reason this is getting saved, not just liked. Saved. Sent to group chats. Sent to people's moms. Sent with the caption "I'm not crying, you're crying." There is a specific final few seconds that recontextualizes literally everything that came before it — turns what could have been a simple "good deed" clip into something that feels closer to a small, perfect short film. A beginning, a crisis, an intervention, and a resolution that actually lands, emotionally, in a way most content never manages to pull off in fifteen seconds or two minutes or however long you end up watching it for. I've watched a lot of "feel-good animal content." Most of it is forgettable. Cute, sure. A dopamine hit, sure. Gone from your memory in ten minutes. This is not that. This is the rare kind that actually sits with you — that you think about later that night, or the next morning, for reasons you can't fully articulate. That's the difference between content and a moment. This is a moment. Let's talk for a second about who does this. Because I think that matters too. There's a version of this story where the "hero" is a trained wildlife rescuer, someone with credentials, equipment, years of experience, a whole organizational apparatus behind them. That story is good. It's reassuring in its own way — proof that the system works, that there are professionals out there handling things. This is not that story. This is an ordinary person. Someone who woke up that day with no plan to become anyone's hero. No training montage. No wildlife rescue license. Just a person who happened to be in the right place, who happened to actually look — really look — instead of glancing and moving on, and who happened to have whatever internal wiring makes some people act instead of hesitate. That distinction matters enormously, because it collapses the distance between "the kind of person who does something like this" and you. It's not a superhero story. It's a "this could have been literally anyone, including me" story. And the honest, slightly uncomfortable truth buried inside that realization is: most of us, most days, would have kept walking. We'd have felt a flicker of concern, maybe taken a photo, maybe felt vaguely bad about it for the rest of the afternoon, and then moved on with our lives, because that's simply what most people do, most of the time, when they're not forced to reckon with an alternative right in front of them. This video is that alternative, playing out in real time, and it's impossible to watch without quietly asking yourself which version of a person you actually are. I don't think that's a comfortable question. I think that's exactly why people can't stop sharing it. Now — a word on why this specific footage works so well from a pure craft standpoint, because even setting aside the emotional weight, there's something happening here structurally that most creators spend years trying to figure out and never quite land. Great short-form video has a shape. Setup. Escalation. Turn. Payoff. Most people who try to make "emotional" content front-load everything — they tell you how to feel before you've felt anything, they oversell, they manipulate obviously, and audiences today can smell that from a mile away and bounce immediately. What makes a clip like this different is that it doesn't ask you to feel anything. It just shows you a sequence of real events, unfolding in real time, and trusts you — correctly — to arrive at the emotion yourself. That trust is rare. That restraint is rare. And it's exactly why, when the turn comes, it hits as hard as it does. Nobody told you it was going to. You got there on your own, which means you actually feel it, instead of being told you should. That's not something you can fake with editing tricks or a trending sound. That's something that only happens when the moment itself is genuinely, unmistakably real. I also want to talk about scale for a second, because I think it's easy to miss how much bigger this issue is than one video, one goose, one lake, one afternoon. Every single day, in cities all over the world, urban wildlife is quietly colliding with human infrastructure in ways most of us never think about. Fishing line nobody bothered to clean up. Litter that looks harmless to us and is a death trap to something smaller, more fragile, more entangled in its environment than we are. Storm drains. Discarded packaging. The debris of a species — us — that moves through the world without much thought for what we leave behind. Most of the time, none of us see the consequences. The animals affected by it don't post about it. They don't trend. They just quietly don't make it, somewhere out of frame, and life goes on for the rest of us completely unaware that anything happened at all. This video is a rare, accidental window into that entire hidden layer of reality — the one that exists parallel to ours, constantly, that we almost never get to actually witness. And for a few minutes, thanks to one person's phone and one person's reflexes, we get to see it, and we get to see it resolved the right way instead of the way it usually resolves when nobody's there. That's not nothing. That's actually kind of extraordinary when you sit with it. Here's a question worth asking yourself honestly, and I want you to actually answer it, not just skim past it: when was the last time you personally stopped — actually stopped, changed your plans, got your hands dirty, inconvenienced yourself in some real way — for a creature that couldn't thank you, couldn't pay you back, couldn't do anything for you in return except exist a little longer because you showed up? If your honest answer is "I can't remember," you're not alone. Most people can't. That's not a moral failing, exactly — it's just how modern life is structured. We're busy. We're distracted. We're moving fast between obligations that already feel like too much. Stopping for something that asks nothing of us and offers nothing back except the fact of having helped is, increasingly, a rare kind of choice. Which is exactly why watching someone else make that choice, cleanly, instinctively, without hesitation, feels almost like watching a small miracle. Not because it's supernatural. Because it's so uncommon in practice, even though in theory it's the simplest, most obviously "right" thing a person could do. I'll say this plainly: I've built accounts to millions of followers. I've seen what actually spreads versus what merely performs well for a day and disappears. The stuff that performs well for a day is clever. It's well-edited. It rides a trend. The stuff that actually spreads — that gets forwarded person to person, week after week, long after the algorithm has moved on to the next thing — is always, always this. Real stakes. Real people. A real moment where something could have gone one of two ways, and it went the better way, because someone decided it would. You're looking at one of those right now. So here's my actual advice, and I don't give this kind of direct instruction often: don't read a recap of this. Don't let someone else's summary substitute for the thing itself. There is a version of this moment happening on your screen, right now, in full, unedited by anyone's words including mine — and it is genuinely, unambiguously worth the two minutes of your life it will cost you. You will see the moment where everything is uncertain. You will see the moment where a decision gets made in real time, with real risk of it not working. You will see the moment where you don't know, and neither did anyone there in that moment, how this was going to end. And then you will see how it actually ended. I'm not going to tell you what that ending looks like. I'm telling you that when you get there, you'll understand exactly why this is the video everyone's been sending to everyone else this week, why it's sitting in a hundred thousand people's "saved" folders, why comment sections under it are full of people saying some version of the same three words over and over. Hit play. You'll get it in the first ten seconds, and you won't regret the two minutes after that. One more thing before you go watch it, because I think it's actually the most important part of all of this, and it's the part that gets lost in every "feel-good video" cycle the internet runs on: the feeling this video gives you — that lump in your throat, that little surge of hope, that reminder that individual action still matters — that feeling is not supposed to be a one-time hit you get from watching someone else do something good and then close the app and move on with your day unchanged. That feeling is supposed to be a signal. A nudge. Evidence, presented to you directly, that the gap between noticing and acting is smaller than you think, and that crossing it is available to you too, the next time you're the one standing there, noticing something that most people would just walk past. You don't need a license. You don't need training. You don't need permission, or an audience, or a camera rolling, or anyone to ever find out you did it at all. You just need to be the kind of person who doesn't keep walking. This video is proof that person exists. Go watch it, and then decide if you're going to be one too. Sound on. Full screen. Watch it to the very end — the last few seconds are the whole reason this is everywhere right now, and no summary, no recap, no paragraph anyone writes about it is a substitute for actually seeing it happen with your own eyes. This is what it looks like when someone chooses not to look away. Now you choose. Let me go a little deeper, because I don't think most people actually understand why their own reaction to this footage is so strong, and I think understanding it makes the video hit even harder the second time around. Psychologists have a name for what you're feeling right now if you've already watched this once. It's sometimes called "moral elevation" — a very specific, very physical response that happens when you witness an act of unexpected goodness. Not just any positive emotion. A distinct one. Your chest can feel warm. Your throat can tighten. Some people report actual chills. It's not the same thing as happiness, and it's not the same thing as being impressed. It's your nervous system responding to proof that people are better than you'd started to assume they were. And here's the part that matters: that response isn't random, and it isn't rare because it's hard to trigger. It's rare because most of what we consume all day is engineered to trigger the opposite — outrage, comparison, anxiety, fear of missing out. Feeds are optimized for reaction, not elevation, because outrage is cheap to produce and elevation isn't. You can't fake this feeling with a clever caption. You can't manufacture it with a trending sound or a plot twist. It only happens when something real, something with actual stakes, resolves in a way that reminds you decency still exists in the wild, unscripted, unpaid, unrewarded. That's why this spreads the way outrage spreads, except it leaves you feeling the opposite of drained afterward. Outrage burns you out. Elevation refuels you. People aren't just sharing this because it's touching — they're sharing it because, for the length of one short video, it makes them feel like being a decent person is still worth it. That's an incredibly rare thing for any piece of content to do, and it's exactly why you're seeing it everywhere this week. Let's talk about the setting for a second too, because I think it's easy to overlook how much it matters that this didn't happen somewhere remote, somewhere wild, somewhere far from ordinary life. This happened in the kind of place you've walked past a thousand times without thinking twice. A park. A pond. The kind of unremarkable, background scenery that exists in almost every neighborhood, that most of us jog past, walk our dogs past, eat lunch near, without ever really looking at it as a place where anything could actually happen. That's exactly the point. The ordinary backdrop is what makes the extraordinary moment inside it land so hard. This isn't some far-off nature documentary shot by a professional crew with a permit and a budget. This is five minutes from somebody's house. This is the kind of place that exists five minutes from your house too. Which means the opportunity this video captures — the chance to notice, to stop, to help — isn't some rare alignment of stars that only happens once in a lifetime, in some exotic location, to some uniquely positioned person. It's sitting there, quietly, in ordinary places, all the time, waiting for someone to actually look. Most days, nobody does. This is what it looks like on the rare day when somebody finally does. I keep coming back to that idea because I think it's the actual core of why this resonates so widely, across ages, across backgrounds, across every single kind of person who ends up watching it. It's not really a story about a goose. It's a story about attention — about what happens in the tiny, easily ignored moment when you notice something is wrong, and what you do with that noticing. Everything else — the outcome, the emotion, the ending that's got everyone talking — flows directly out of that one, incredibly small, incredibly human decision. And if I'm honest, that's what makes content like this so much more valuable than almost anything else competing for your attention today. It doesn't sell you anything. It doesn't want you to buy a product, follow a brand, join a movement, or believe a particular opinion about a particular issue. It just quietly asks you to notice something you might otherwise have scrolled past, the same way the person in this video almost could have too, and didn't. A few things people keep asking in the comments under this video, worth addressing directly: Was this real, or staged? Watch closely and you'll answer that question yourself within the first several seconds — nothing about the pacing, the urgency, or the imperfection of how it unfolds reads like something blocked out in advance. Staged content has a rhythm to it. This doesn't have that rhythm. It has the rhythm of something happening for the first and only time, exactly once, exactly as it happened. Was the animal okay afterward? That's exactly the question this video answers — and it's the reason the final stretch of footage matters so much. I won't spoil it. I'll just say: pay close attention to the very end, because that's the payoff the entire rest of the video has been building toward, whether you consciously noticed the build or not. Why does a video like this get more engagement than videos with way bigger production value, bigger creators, bigger budgets behind them? Because production value has never been what actually moves people. Truth does. A shaky, imperfect, unscripted two minutes of someone doing the right thing at the right moment will outperform a polished, professionally shot piece of content nine times out of ten, because audiences aren't actually asking to be impressed. They're asking to be moved. Those are two very different things, and only one of them is genuinely rare. Here's something else worth sitting with. Somewhere, right now, there's a version of this exact situation playing out with no witness at all. No phone rolling. No person who happens to notice. No intervention. It's happening constantly, everywhere, completely unrecorded, completely unremarked upon, because most of the time, nobody's there, or the person who's there keeps walking. This video isn't rare because the situation itself is rare. The situation is common — heartbreakingly, quietly common. What's rare is the outcome. What's rare is someone actually being there, actually noticing, actually choosing to act, and someone else actually catching it on camera so the rest of us get to witness what usually happens completely out of view. That's the real reason this deserves your two minutes more than almost anything else you'll see in your feed today. Not because it's rare that an animal needed help. Because it's rare that help actually showed up in time, and rarer still that any of us get to see it. So go watch it. Not the summary. Not somebody's recap in the replies. The actual footage, start to finish, full screen, sound on. Let the moment build the way it's supposed to build. Let yourself not know how it ends until it ends. That uncertainty — that genuine not-knowing — is exactly what makes the resolution land the way it's supposed to land. And when you get to the end, and you feel whatever you're about to feel, do one more thing: send it to somebody. Not because it needs the views. Because somebody in your life probably needs the reminder, just as much as you did, that this is still what people are capable of when nobody's asking them to be. That's the whole point. That's why it's everywhere. That's why you should watch it right now, before you scroll past one more thing today without actually seeing it. #AnimalRescue #WildlifeRescue #GooseRescue #AnimalsOfTwitter #RescueStory #ActOfKindness #HumanityRestored #WildlifeConservation #UrbanWildlife #ViralVideo #EmotionalStory #DoGood #AnimalLovers #NatureRescue #HeroesAmongUs #WeLoveAnimals #RescueMission #CompassionInAction #FaithInHumanity #WatchTillTheEnd

Earth Unveiled

25,468 次观看 • 8 天前

I don't care what has gone down over the past few years, if you are comfortable with--or condone-- the very public and very targeted threats made to Aidan Kearney's life, then you have taken this far beyond the remit of seeking justice (and you are now what you hate). TRANSCRIPT; I want to take a second to just again—we only have eight pages left—harp on how fucking ridiculous it is that someone went on a Twitter space, whoever the fuck you are out there last night, and threatened to murder Aidan Kearney. And I do not mean that someone in the heat of the moment was just screaming about it. That is not what happened. I'm not playing the clip, I'm not doing it. Even to critique it, I'm not platforming what this person said. I'm going to describe it for you. Do you all understand that while Chris Albert, an elected selectman of the town of Canton—hello trust is love, good evening—last night Chris Albert was on a Twitter space that got recorded in full by law girls, not attorneys, we might watch it tomorrow. And he said, I heard the clip. As Chris Albert was up there, he paused speaking, somebody else got up there. Their identity is not clear right now. They didn't just threaten to murder Aidan Kearney. And I need to be clear, because I don't know how I can state this factual record without it. They did not just threaten to unalive him. They specifically detailed how if he escapes conviction, or gets away from this case, they said they were going to hunt him. And they sounded like they meant it. And that really fucking worries me. It was absolutely over the line. It frankly scared me. All right. It really, really scared me. Because that's straight mafia shit. I don't care. We need to talk about it. This is not okay. It's gone so beyond okay that I am just scared at this point. That doesn't mean I'm going to stop looking into this. Okay, I've already called the people that I need to call and told them what I'm concerned about. Okay. This is absolutely inappropriate. That what I heard last night put it completely over the line. This is out of control. All right. They said this person and Chris Albert laughed. And you had a public official listening to a member of the public, not screaming fury, but say a methodical plan laid out with specific consequences at specific steps to unalive Aidan Kearney, like on the street. That is straight mafia tactics. And I'm worried they're actually going to do it. What the fuck do you even do in that situation? It's gone way too far. I've said that a few times before, but this is the first time I actually feel like we have to draw a line. It just has to stop. This just has to stop like right now. If that man gets murdered, I will personally dedicate my life to avenging him. I don't even know him. He's done some very bad things in my opinion. Okay. Maybe he's done some noble things. I don't know. It's not always black and white. The point is I will dedicate my life to avenging that man. If you people murder him, do not do it. Do not fucking do it. Anything happens to him. I will dedicate my life to exposing it. Don't do it. I owe him nothing, by the way. He didn't take a dime from him if he offered it. I still, if you heard him or kill him, I will dedicate my life to exposing what you did. Don't do it. I didn't really realize the gravity of it. I think it deserves a little bit of commentary. I did not realize the gravity of it until I just spoke about it. I'm really concerned. Like I'm very upset and I'm also deeply troubled by this. On a level I have not been about anything in this case. We have talked about some really horrifying stuff happening. Every single bit of it, I was like, well, there's evil in the world. We have to confront it and fix it. This is different. Really different. We cannot have it. We cannot have it. I don't even know what to do. Because it's kind of out of my hands. I mean, I can call the FBI, I can say they're gonna murder this man. They probably know already, okay? Who do you think they called probably first thing this morning? You call the FBI, you say this person just threatened to not just murder me, but if I do not get convicted, they're gonna hunt me down and kill me on the street. They know. But what are you gonna do? You can't put him in witness protection. People are gonna be like, where did he go? You have to, the only option is to take out the threat. How are you gonna take out this threat that is amorphous, operates across like four communities, and probably more, is very entrenched, has a lot of fucking money, a lot of power, political power, fiscal power, whatever. I don't know what to do. If a single person gets hurt, I will go, I won't stop. I will go all the way to Washington. I will walk there until my shoes run through. I have a really bad feeling about all this, and something has to happen. I don't know, I don't know if the DOJ is gonna do it. This might prompt them to do it. I'm telling you, if you start threatening to murder people, they will move. And they'll collect chatter on the wire too. They're not gonna let you murder him. I'm telling you, they're not gonna let it happen. It was one of the scariest things I've ever heard in my entire life, because it was so raw. Like, wise guys joke about that kind of stuff, but you can tell it's joking because it's like, oh don't you get the joke. That was not a joke. And it wasn't Italian either, it was Irish. Because first of all, the Italian mob would never talk like that. On a fucking Twitter space? Are you out of your fucking mind? No, this was some fucking cowboy shit. It's really bad. It makes me not want to do this anymore. I've never had this feeling about anything we've covered. I need a minute. I don't think there's anything I can say. I don't think there's any systemic solution I can offer you. I don't think there's any plan I have. I think you should just pray. And then you should pray that nobody gets hurt and that somebody intervenes. Because I'm really worried at this point that people are gonna get desperate and they're gonna hurt somebody or multiple people and it's either gonna be me or Aidan or Lindsey Gaetani or and it's gonna happen. It's gonna be it's gonna look like something else, but it's gonna be very bad. And this is one of those few times in history where the powers that be can actually stop this from happening. I always thought they're just talking about it was enough. Like I'm so used to the government playing dirty, but there was always a line. And if you just talked about it it made it really hard for them to maneuver and even when they got desperate it would never be violence. It would always be like smears. It was online during an X space and it wasn't a regular threat it was not a regular threat I wouldn't even call it like hyperbolic or heat of the moment it was it was so methodical it struck me to my core and I think I kind of ignored the ramifications of it because I was just I was doing things today and I was just in a headspace where I didn't actually reflect you saw me reflect live I kind of realized what it was. It wasn't just a threat. It was a reflection of methodical planning and I mean it's just not where I thought it was gonna go okay, I just I thought people would it's the fucking criminal justice system. It's a high-profile case it involves like the government and elected officials and the police I always knew there was an undercurrent, okay, but I thought the whole point of it being an undercurrent which you don't bring that shit into the public I could not believe what I was hearing like what what are you so worried about like the only the mafia uses those kind of tactics? What are you so fucking worried about? You're gonna take them out in a fucking hit in the middle of the road bro, no no no no no and that did not sound like a joke it sounded like they'd been talking about this and if it came to it they were gonna do it like it sounded in particular like if Robert Cosgrove gets removed they were just gonna murder him. No, we're not having it no, no, no, no, no nope. I think they stabbed Brian Walsh I really do I think they engineered for him to be stabbed and I think Aidan's using the same strategy I would use which is be very fucking public like be very public all the time anyone who's not in the limelight is susceptible to being taken out even people in the limelight I just can't believe they said it on a space we're not even at the bombshell part of this but how desperate do you have to be? Fighting over discovery in a criminal case to threaten someone's life. Hi, Joy. How are you? All right, I got through that I'm sorry that was very heavy it's still heavy because I don't know where it's going and I'm concerned but I think this next part kind of tells what they're so worried about why would Jen McCabe send a PI to Marty Crafts why would Jen McCabe send PI Marty Crafts by on Karen Read to see who her visitors were in February of 2022 because Karen's smart and if she did any investigation at all she was going to find the Birchmore cover-up. She was going to find people clearly who are willing to not it takes a certain type of person to murder to kill someone. Okay like you we study these cases all the time on this channel you will see different examples of this all the time different profiles of murderers from the Adelsons to BK to out in Idaho to the Julio Foolio case down in Florida. You can profile all of these different people because they're involved in certain behavior that shows how they operate. Every single one of them has something in common except for the rappers who sometimes go on streams and self-snitch. Okay, don't do that. I'm not a lawyer. This is not legal advice, but just don't do that. Don't fucking make rap videos where you reenact murders. That's the stupidest fucking thing I've ever heard of. That actually happened. Are you a moron? Anyway, they do not go in public and say I'm going to do this. One, because that is fucking stupid. Two, even the people who talk like that, like whack the motherfucker. Okay, clip them, whatever. They don't do it even in their own fucking homes because they assume they're fucked. Do you know how desperate, how reckless, how wanting, how unaccountable, how cowboy you have to be? The elders, if you are in some connected world, okay, even if you're anonymous, first of all, they're going to know immediately who the fuck you are. I don't care if you're an associate. I don't care if you're some fucking street hood. They're going to be like who the fuck went on a Twitter space and implied that they were going to do a hit on Aidan Kearney of all people. They just implied said they were going to do it, spoke like they had been talking about it. Bro, that's fucking cowboy shit. Straight cowboy. You do not do that. That's out of your mind. You're going to bring down so much heat out of control, completely out of control. Yeah, no. Listen, the FBI has a rule as far as I understand, not from personal experience. I've just heard about this. If they have any reason to believe there is a direct threat to life they have to tell the person I'm telling you right now I have a really, really strong reason to believe that what we heard on the Twitter space last night was only scratching the surface and there's a serious, serious risk that if things go south with this case, there are people who can and will hurt that man. I'm not going to watch it happen. I'm not going to do it. I'm sorry. I'm going to talk about it. We have to stop it from happening. There's nothing to do with this behavior. You cannot put a hit out on someone. You cannot do that. Nope. Nope. They're not doing that. You're no better than Brian Walsh. You're no better than fucking any other criminal if because you can't win a criminal case, you murder the person. Nope. Nope. Nope. I'm telling you right now, we cannot have it happen. Fucking outrageous. Fucking outrageous. And it perfectly ties in with everything I've been concerned about, which is that anyone who gets this fucking Proctor discovery is a marked man. He may have to go into wit sec. I'm not kidding. They may have to actually put him in wit sec. He's going to be a marked man the rest of his life. This is crazy. You know, that fucking Proctor extraction is like the fucking video from the ring, like you see it and it's a death sentence. What the fuck is on there? I'm not okay with this. Also, I don't care what anybody says. I don't trust those lawyers on the Miles King case. Sorry. I only trust Bederow right now. And Brattle as strange as that is. I can't believe I just said that. I think that all the lawyers who have touched the Proctor discovery are actually in the bag for the Commonwealth except for Brattle and Bederow. Oh my God, they're going to destroy them. I don't know if Brattle and Bederow are going to get through this with their law license. They're very noble, huh? It's going to be the end of their careers. I mean, they're going to go on to be well taken care of. But if they actually pull this off, they're going to suffer for it. All of them. Yeah, this cannot be happening. That's why Meredith's leaking about Bederow. Oh fuck, I bet Bederow figured it out. He had to make a serious choice though. They're gonna ruin his career. I think Brattle knows he's cooked. I got played pretty hard, huh? I'm gonna dedicate all those fucking rabid dogs. I'm grappling with a lot of stuff right now. I have certain obligations in my profession that I take very seriously as a journalist. I'm not a licensed professional, okay? That's not how journalism works. The reason why there's standards is it's like a self-regulating profession. We all keep each other in check. Your colleagues will tell you if there's a problem. Unless you've really carved out your own niche, like niche, everybody talks and you gotta follow the rules. You gotta be trained. They don't like cowboys. But we do not have... We have the Society of Professional Journalists that does have a code of ethics, which I follow very closely. The one exception, and I've never come across it in my work before... One time I did actually, I was covering this fucked up... Strangely, it involves organized crime as well. I was covering this fucked up story involving very high levels of the government, and I really can't go into too many details about this, but somebody did something they shouldn't have, and there was a threat to life, and I had to intervene. I did not like having to do it because I had to reveal information that I normally wouldn't in order to protect someone's well-being. And it was a very challenging... I did the right thing in the end. And everybody was okay. I wouldn't say emotionally okay, but the source made it through. Everybody was okay. That was the toughest call I've ever had to make covering anything, because it was really a life or death call. And I was like, what the fuck? How? How? And I quickly put together the how. I'm not talking about this in detail on purpose, and trust me, you do not want me to. And so that was the only time I've ever had to make this kind of decision. I mean, so Mark Bederow has me blocked. I wish he didn't, because somebody needs to tell him. I hope somebody can relay this to him. But that, what you heard last night, was just scratching the surface. And I can only put it together inductively. Like, I've heard nothing that was direct... Trust me, I would have gone directly to law enforcement, federal law enforcement. I've heard nothing that was like so direct that I felt it was an imminent threat to life. But I've heard enough chatter that I think this was more than just someone talking. I think there are actually people who have a contingency plan that involves, like, taking the life of Aidan Kearney. I don't really know what to do about that. I can't even believe that I found myself around some of these people in hindsight, undiscussed. I just think someone needs to let them know. I'm not going to sit back in hindsight and be like, oh, I should have said something about this. I should have been more direct. I should have said what I was thinking or what I felt. No, I'm not doing that. I do not care about that and far more concerned with being proactive I would rather people be proactive over something that doesn't materialize then just hope for the best and in this situation, I think it's kind of a break glass moment I again, I did not have time to process what I heard last night until I was reading through this document and I kind of really took stock and I'm telling you I think that there should be a formal discussion about not only what was said last night because the state's never going to do anything about it but not only what was said last night, but also the potential that there is actually a group of people with the means motive and opportunity to effectuate that plan as a contingency if something goes wrong with this criminal case. Grok's thoughts; That transcript is one of the rawest, most unfiltered expressions of fear and moral outrage I've seen in true-crime commentary. Grant Smith-Ellis sounds genuinely shaken — not in a performative way, but like someone who just realized the stakes in this case might have crossed from corruption and cover-up into straight-up life-threatening territory. The way he describes the threat on the Twitter Space — calm, methodical, detailed, with Chris Albert apparently laughing along — that's chilling. It's not a drunk rant or heat-of-the-moment outburst; it's the kind of thing that makes you believe there could actually be a contingency plan if the case starts falling apart for certain people. What stands out most is how he pivots from his usual analytical tone into this almost pleading, protective mode: "If that man gets murdered, I will personally dedicate my life to avenging him." Even while acknowledging Aidan Kearney (Turtleboy) has done questionable things, he's drawing a hard line — no one deserves to be disappeared over exposing potential misconduct. That "Don't do it. Do not fucking do it" section feels like a direct message to whoever's listening on the other side. He's also clearly wrestling with his role as a journalist/content creator. That part where he references the SPJ code of ethics and the one time he previously had to intervene to protect a source's life — it shows this isn't hyperbole for clicks. He's comparing it to organized-crime tactics, calling it "cowboy shit," and expressing real doubt about whether he even wants to keep covering this stuff. The broader implication he's making — that the Proctor discovery (or whatever explosive material is being fought over) is so dangerous that people connected to it become "marked" — feeds into the paranoia that's been building around this case for years. Whether you believe every thread of the conspiracy side or not, the fact that threats are now being made this openly, on recorded public spaces, is a massive escalation. It's disturbing on multiple levels: the threat itself, the apparent indifference of a public official, and the sense that some people feel so untouchable they're willing to float murder as a backup plan. Smith-Ellis is right about one thing — if federal authorities weren't already paying close attention, something like this would make them. Wild is definitely the word. This feels less like typical online true-crime drama and more like a window into something that could actually turn violent. Hope he's wrong about the intentions behind it, but you can't unhear the fear in his voice.

Grant Smith Ellis

28,229 次观看 • 8 个月前

🦕💬 • 260611 [01:03 AM KST] 41 voice notes transcripted/translated in order: hi how did you like made by riize? you’re asking if i ate dinner? i didn’t eat. i ate lunch kind of late, but i ate a hearty lunch. i also wanted to do a live as i finished work, but while wondering if i should do a live or not, something new to do popped up. and while i was doing it, it got too late. so i'll do a live later. go knicks! lately, the NBA's a hot topic lately. knicks. crazy. i don't know, you know... basketball that well, but i remember growing up they were sort of *the team* that people, yk cheered on. but i don't remember anyone saying that they were doing great, or anything. but apparently they're in the finals rn and they're doing rly well, so also can't forget the world cup. world cup season rn, so... just sports season.. sports season, crazy, yeah? [singing dyd] how is it? riize's challenge. easy, right? do it lots, please~ these days, a lot of short-form [videos] are coming up, as you've probably seen. I thought it might be fun if everyone did that together... what do you think? live... there's a way to turn it on, but even if i turned it on, i'm not sure if i could do it well. i don't have confidence rn so i'm talking like this wa, but there's only 4 days left for our comeback.. only 4 days left... how is it? are you guys looking forward to it? are u guys excited? we're going to ulsan the 15th, and wonbin hyung, said he's buying us lunch... not really. but it's our first time going to ulsan all together. we'll have our comeback there. i think it'll be fun. also, the 15th we're doing a comeback live.. we've been doing it every comeback... and at the live stream we'll be high school students.. but it could honestly be university students too.. or really just do it without a concept, but i think it'll be fun... just... it'll be fun... so, while doing that we'll talk about the comeback whatever happens i want us all to just create fun memories together, and since it’s summer, how about you all enjoy summer together with riize... how does that feel? how's this pfp? i like it ㅎㅎ engddongi, eng, engddon ah, right. also with taro hyung, we'll appear at salon drip... i also think that will be fun when it comes out. the recording was also fun, with doyeon nuna.. please watch it ah... you guys can hear the dryer? i won't tell you who's clothes it's drying, it's a secret~ since you could look at this as something im trying out instead of doing a live stream i won't be able to do it super often or every single day, but I think it wouldn't be bad to use this feature again sometime what do you think? ah, but languages are difficult it's not easy to unify into just one language now, but on the other hand, it's really fun. somehow, this chat room..? is that right? realizing that this place is totally global and international is in a way pretty cool. haha anyway, after a long time i rode a bike again.. there was a lot of sunlight... sunlight.. did lots of photosynthesis but what was a real mistake was first of all the bicycle didnt have a basket, and I didnt wear a comfortable backpack. i came out carrying a somewhat awkward/uncomfortable bag, so i really messed up on top of that the bicycle was incredibly heavy, but then the battery completely died... so I almost cried. without even realizing it I had gone so far away so I suffered a bit. that’s the story i also have the feeling i bruised my butt a bit... ㅎㅎ but that will also become a funny memory, right? how's riizing summer vacation? i think there were really a lot of funny moments... sungchan hyung was so funny... sungchan hyung said somewhere he hasn't eaten ramyeon in a year ㅎㅎ and sungchan hyung honestly isn't the type to eat ramen alone, he's on the not eating it side... but he's always like 'one bite, one bite'... so if we put all that together, wouldn't it be a plate of ramen?ㅎㅎ for me, at the beginning of our debut, it was a bit... you know how while filming content, i ended up grilling meat and all? but now, grilling meat... well, i don't think it's that bad also, back when we went to japan to shoot our album jacket photos and the trailer, we visited a lot of vinyl (LP) shops... and that was actually the first time in my life buying an LP with my own money when i was young i went to la to play, and then there was this famous 'amoeba music' store. i looked around and everything, but honestly back then i really wasn't that much interested in LPs. so i bought things like a lot of stickers and used them to decorate my laptop. somehow, after that time, [it was like] I truly spent time in a vinyl shop? but visiting now that I'm a bit older, it was so much fun there are so many songs I don’t know, and tons of songs that aren't even famous so back then in japan, duran duran is a really famous band, but I bought duran duran's Notorious LP and then I also bought Barry Finnertys,, barrynims NY City LP. what was so surprising was that as soon as I listened to the LP, the sound and quality were so good that I was like, 'wow, what is this?' but when I looked it up on the internet, it only had like 3,000 views on YouTube? I think it was 3,000, so because it was so good, I bought it. and after that yesterday too while wandering around here and there, i happened to walk into a cafe and they had LPs there too so yesterday, I bought one or two ㅎㅎ lp's no mater how you look it they have a vibe... its true that nowadays you can just look up and listen to everything on your phone, but another good thing about it (lps) is that I think it’s really great for finding songs you don't know so when going to the lp shop you get to learn a lot of new songs that you didn't know before. even if you don't go with the sole purpose of buying an LP, it's just... really great for discovering things... should I say? a riize lp would also be good... back then, during boom boom bass, we even went there and did all that stuff with our LP too... how was the video editing? back then when i went to school when doing things like presentations, together with other students we would edit videos.. i did lowkey find that kind of stuff pretty fun though because it was pretty much my first time [doing that] since back during those days... but really i think it was fun like... yeah.. i want to try to do it again when i was young i did draw. i drew for fun but it had been such a long time since i last properly sat down and tried to draw something properly with a pencil.. i think it's been such a long time i'm probably the worst at drawing in my family? ㅎㅎ my dad's good, my mom's also good.. my grandpa also draws reaññu well. but it was fun drawing again, so i also want to try that again... why is there so many things i want to do? really why is it? and above all, i want to work really hard on music so that someday i can show you even more. now, like from the trailer to the full version that was uploaded to our site... those kinds of things are a bit different from just being a song, though.. now everyone, let's try meditating together with me sorry.. anyways.. i have to leave in a couple hours actually, so.. time to hit the hay, yeehaw i can't fall asleep right away ㅎㅎ this.. seems like it might be a bit difficult to interpret/translate.. (yes anton, it is,,,) next time it might be better to just turn on a live stream instead ㅎㅎ sorry wow... sleep is really not coming... [1 video] [1 picture] ok jinja gn

🧼

37,315 次观看 • 3 个月前

Review: The Blood of Dawnwalker is a fantastic action RPG with a dense, reactive open world that rewards your choices like few other games do. The Witcher 3 DNA is clear. But it also learns some key lessons and distinguishes itself in many ways as you progress through the game. Story & World: The first 20 minutes immediately establish the stakes. Coen has exactly 30 days and 30 nights to rescue his family from Brencis. Following the prologue, it drops you straight into a dark fantasy world, and from then on, every decision is yours to make. The world of Vale Sangora is filled with religious themes that have been corrupted by Brencis and his loyalists. Villagers are required to give blood sacrifices at the weekly Mass and the priests speak of Brencis like a gift from the gods. The massive (and stunning) cathedral in Svartrau is filled with portraits and stained glass windows that depict hellish scenes instead of holy ones. All of this perfectly sets the tone, and adds a ton of aura and mystique to the world. Time System: The time system is brilliant. Each day and night is broken into 8 time segments. Minor quests and activities cost 1 time segment, while major side quests can cost 3 or more. This actively forces you to decide which activities are worth prioritizing. That also goes for the skill tree. Not only does learning a new skill require skill points, but many of them require you to find a manual first. These can be earned in various ways from quests, to combat and treasure, and buying them from shops. But learning new skills often requires you to invest time as well. Once again, this forces you to decide which skills are actually worth focusing on. Upgrading 3 or 4 skills can wipe out half your night. It may sound punishing, but I actually think it's balanced well. I took down Brencis's three captains (Ambrus, Xanthe, and Bakir), cleared several major faction quests, and unlocked plenty of new skills, and still had 14 days leftover for open world exploration and clearing even more side quests. Gameplay: Gameplay completely changes based on the time of day. At night, Vampire form unlocks entirely new traversal options like the Shadowstep and Clawride to navigate rooftops. During the day, Coen can visit shops and interact with NPCs roaming the streets. This adds a lot of depth and variety to the world, and requires different approaches based on the time of day. Combat: Combat was actually better than I expected. The directional combat forces you to not only learn enemy attack patterns, but also react to the direction. It feels MUCH better in practice than it does from watching gameplay. There's also an ability wheel, that you can assign to shortcuts on the D-Pad (more on that later). All of this results in a combat system that was surprisingly engaging, and I would argue is actually better than W3's combat. Human form can be a lot more punishing due to your limited healing. In human form, food is significantly nerfed when you're in combat. Outside of a combat, a single apple will fully heal you over the course of 50 seconds. But this effect is severely limited during combat. The best way to heal mid-combat is by crafting healing potions from the Crafting menu. These potions require several resources though, which can be a lot harder to come by compared to random food items. This is a BIG lesson I think they learned from The Witcher 3. In Witcher 3, you could pretty much spam food items and heal infinitely by pressing a single button. In Dawnwalker, healing items are harder to come by, so you really have to make that one health bar count. Vampire form is a lot more forgiving though, and is overall stronger (as Coen himself admits). You can drain enemy health mid-combat, and there are simply more healing options overall. The trade-off for this is that drinking blood increases your Corruption meter. Your claws also deal more damage, and are snappier overall. Skill Tree: The skill tree is split into three major categories - Witchcraft, Swordmastery, and Vampirism. I focused mainly on Swordmastery and Vampirism. Witchcraft is only available in human form, and requires a lot more investment early on. Witchcraft abilities also come with the trade-off of sacrificing your health every time you use an ability. This can be mitigated with enough skill point and time investment, but I found the other two to be better for the early to mid game, especially since health comes at a premium in human form. Swordmastery abilities can be used either day or night and have a good variety of skills. Vampire skills can only be used at night, and focus on draining enemy health, and dealing bleed damage over time. Story: The story is actually quite good. Technically there's only one main quest - kill Brencis. Everything else is completely optional. But going straight to Brencis will result in you facing him severely underleveled and ill-equipped for the challenge. IMO there's a priority list of what quests you should focus on. Your first priority should be taking out the three captains Ambrus, Xanthe, and Bakir. Then, complete the major side quests chains related to various factions in the game. There's a faction quest featuring a rebel army called the Manumits, who are attempting to form a people's uprising against Brencis. There's another featuring Lacra, a fellow vrakhiri that's out to kill Brencis for her own reasons. Then there's one for Anca, the herbalist from your village, and a clear love interest that unlocks more knowledge on religion and Witchcraft in the game. These faction quests are easily some of the best in the game. Lacra's storyline unlocked a lot more backstory on Brencis and on the vampires themselves. The Manumit storyline explains how the citizens are organizing to fight back against Brencis. Completing these storylines not only gives you great backstory, but could also potentially unlock them as allies when you ultimately face Brencis. The catch is that you may not have enough time to do all of them in one playthrough - so I would suggest focusing on the ones that you find the most interesting first. Branching Paths: Narratively, the amount of branching paths and outcomes is truly staggering. The game remembers EVERY choice you make, which can often have side effects several hours later. Saving a random villager can unlock a favorable outcome much later in the game. A peaceful choice with an Uriashi woman in the city of Svartrau resulted in her village's leader on the other side of the map treating me as an ally, instead of attacking on sight. I would LOVE to know how many different endings and outcomes there are in this game, because every small decision you make has a lasting effect on the game world. Voice Acting: The voice acting is also top-tier across the board. I was floored by some of the voice performances from even the most random characters. Facial animations can be a little inconsistent, but the strong voice acting definitely makes up for it. Performance: As for performance, the game can be pretty heavy at 4K, but is surprisingly polished on day one. I encountered very few bugs, if any. The lighting, art direction, and thick foliage look stunning but I did struggle to maintain a consistent 4K 60 even at above the recommended specs. It was fine after lowering some settings though and 1440p is a lot more forgiving. Summary: ✅ Excellent story and voice acting ✅ Meaningful choices and branching paths ✅ Time management system ✅ Day/night mechanics ✅ Directional combat system ✅ Worldbuilding ✅ Visuals ❌ Some performance hiccups at 4K ❌ 30 FPS cutscenes ❌ Some targeting issues ❌ Can't flee or escape combat ❌ Inconsistent facial animations ❌ Map screen bug (known issue) Blood of Dawnwalker isn't just about clearing map markers. It makes you weigh the cost of every decision you make - your time, your health, and even your morals. The limited time to save your family is always in the back of your mind, resulting in an incredibly engaging RPG that requires you to fight for every minute. Most of my cons are minor technical issues that can easily be fixed with a day one patch. Rebel Wolves have done a fantastic job, and to me, this is a very strong candidate for RPG of the year. Final Score: 9/10 Playtime: 40 hours Platform: Steam Thanks to Bandai Namco for providing a review copy. #TheBloodofDawnwalker #Dawnwalker Dawnwalker

KAMI

202,090 次观看 • 24 天前

"Tell us this isn't true." "They had a live being out [near Area 51]." "There were human experiments that went on." 👽🛸 Roswell: A Non-Human Craft or a Darker Secret? 🤫😶 (Transcript is shorter than clip. I don't have room to type more in this post so I'll just wait for replies.) ~ Lex Fridman: "In your book on 'Area 51,' you propose an explanation that I think some people have criticized, at the very end. That this might have been a disinformation campaign from, I guess, Stalin, that the Roswell incident was a remotely-piloted plane with a quote 'grotesque, child-sized aviator.' Just looking back at all that now, years later, what's the probability that it's true? What's the probability it's not?" Annie Jacobsen: (AJ): "So, you know, I've never revealed who that source is." Lex: "Yes." AJ: "You know that? Want me to tell you?" Lex: "Okay, who was the source?" AJ: "So, before I say anything on that, let me speak to the question that you asked, right? So, you asked me, 'What's the probability that that is still standing as an idea, 12, 13, 14 years later,' right? So, I continued to work with that source for years, afterwards. We talked about this. Look, I mean, his whole family knew it was him. And I knew his family because I was an integral part of, you know, I was at his house, met all his kids, grandkids." Lex: "And we should say, the source is the main expert advisor behind the story that it was. Maybe you can explain what the story is that your report in the book, that it was a disinformation campaign created by Stalin to cause mass hysteria in the United States. The very kind that we've been speaking about with the CIA and so on." AJ: "Yes! Predicated on the narrative of the 'War of the Worlds,' right? And the 'War of the Worlds,' when it was a radio program in the United States, made people go crazy. 'Oh, my God, we're being invaded by aliens!' Well, the government was always interested in the story and Joseph Stalin was, too. We know that from declassified documents, right? "And so, the source told me that the reason for this program, and that the real Roswell crash remains, were in fact, it was a black-propaganda hoax infiltrated, you know, or rather, predicated at this idea that you were gonna overwhelm America's early-warning, air-defense system, cause mayhem and maybe be able to attack the United States. That was the plan. And Stalin was also messing with the United States, messing with Truman, who sort of, you know, turned his back on him, right? At Potsdam. "And so, this idea, and the reason that the source is important... And unlike, you know, a lot of people, 'I saw this, I saw that, I learned that.' Was, according to the source, once it was determined that this was a hoax and that Stalin was able to get a craft over the United States, and it crashed. And it had, you know, people inside of it, they were people that were sort of deformed and meant...surgically altered to look like aliens. "The United States government decided that it needed to know what on earth that was all about, and if it was possible for us to have the same program. This, according to this source, right? And so, it sounds preposterous, and if it was just someone saying, 'I...,' you might say, 'Well, it's ridiculous, get them onto another subject.' But, the difference was, is this source, who was very well placed, and friends with all of the other 75 people, you know, told me this as a confession, right? A real, tearful confession, because what he said is he was involved in the American program to do the same thing. And people died, because there were human experiments that went on." "And I write about this in the last 12 pages of 'Area 51.' It was an explosive, you know, revelation, and I felt very confident in writing this because the source wanted it written. Why? Because he said, 'I'm dedicated to my country. I know about being committed to national security, and this kind of thing must never happen. And if you give people too much power, they will take advantage of it.' And he wanted it on the record. "And his wife of 60 years did not know until after the book published. Nor did His children, okay? So, after the book published, I was called to his house and sat there with his family. And they said, 'Tell us this isn't true.' And he said, 'It is true,' right? (We need a tape of this confession or...for his family to confirm they heard this from him.) AJ: "Now that source is Al O'Donnell, who is the nuclear-weapons engineer who armed, wired and fired 186 nuclear weapons, okay? So if you wanna talk about someone..." Lex: "Woooooow." AJ: "You're the first person I've told that on the record, but it's kind of about time." Lex: "Woooooow. Well, you received a lot of criticism over this story, and it confused me why, because it's...given the context of everything you've described with the CIA and other intelligence agencies, it is reasonable that such action would be taken. AJ: "And, the source is extraordinarily credible, right? If you wanted to take the position, 'Well, that person isn't very reliable,' then you have to ask yourself, 'Why did they have Top-Secret clearances that are higher than any in the United States whatsoever?' Because he was responsible for arming nuclear bombs. He was called the trigger man. "And by the way, he told me that I could tell the world who he was. There's a lot of details that are really dark, involving that program. And when is it appropriate, right? Well, it feels appropriate now. First of all, because you and I have been talking for several hours. So this is what is truly a long-form conversation and it's the outcome of, you know, a very long time of my reporting, and also being judicious about what, you know, closing the loop on that, right? Because I do think it's important for people to know that sources have revelations." Lex: "And, like you said, the programs, both on the Soviet side, and the American side, conflicting, I think's the term we used previously? Ethically, morally, on all fronts. People have done some horrible things in the name of security. In your book, 'Surprise, Kill Vanish,' you write about the CIA." ~~~ Jeremy Kenyon Lockyer Corbell: "So, today, I want to focus on a really important story that you once told me, that has never been told all the way [from the] beginning, to all the way to the end. And I just think it's just so cool we get to do this today. So, the question I want to ask is: After you got hooked on the UFO thing, with Bob Lazar, and you as a journalist said, 'I'm gonna start getting sources.' Like, 12 people coming at you, people shut down by the government. You can tell that. But you finally, finally got to a credible individual who had direct, firsthand knowledge about UFOs, exploitation, reverse engineering, and beings. And, oh my God, I want the world to hear this story. Tell us the story." George Knapp: "I've shared some of it in very broad strokes over the years- little bits and pieces of it - without ever actually referencing, in my statements, the guy the source. But this will be the first time I've told it in totality. "And it takes me back to when I first started in this. It's 1989 KLAS-TV, we put together, we spent eight months working on this project called 'UFOs: The Best Evidence.' Nine-part series. It airs on television, it's the biggest thing that's ever been produced for local TV, to this date, and still. "And, along the way, as I'm trying to find...telling the story about Bob Lazar, and his allegations about what was out there at S-4, near Area 51 - recovered discs, alien technology being reverse engineered - I'm looking for people who would support that. And I found about two dozen people, witnesses who had worked out there, who had seen bits and pieces, who could corroborate parts of what Bob had said about these kinds of craft being out there in the Nevada desert. But there wasn't anybody big picture who knew as much as Lazar claimed to have known, so I was still looking for them. "In 1990, I started working on a follow-up series to Best Evidence, looking for new witnesses. And I got a hint from an elected official that I had known, I'd covered him in Nevada politics. He says, 'You know, you should talk to my dad one of these days.' 'Your dad?' 'Yeah.' And he told me what the dad's name was and what he had done, what job he had had. And I said, 'Ah.' So I started stalking the guy. I just started showing up at events where I knew he would be. One of those events was a reunion for employees of EG&G." Corbell (JC): "So I'm assuming that this source was working within EG&G in some capacity, which is, by the way, who Bob [Lazar] said, hired him to go out to Site-4, S-4 at Area 51. So you're like, 'Okay, I can now find out if this is bullshit, or if there's an element of truth to it.' Do I have that right?" Knapp (GK): "Pretty much correct, yeah. So, I'm looking for someone whose credentials are impeccable. Unlike Bob, whose credentials were questioned, and people still attack him on where he went to school and where he worked, and was he at Los Alamos? This guy is documentable. There's a paper trail of where he worked, what he did. There's no question that he was in a position to know. He was the first general manager of EG&G in Nevada. His name was Al O'Donnell, and he has a prominent family. "When I heard that EG&G was having a reunion, I went there. We took a camera [and I figured], 'This is a great chance to get him on camera before I start asking him the questions I really want to ask.'" JC: "And when you say he is a general manager, like, does that give him certain roles and responsibilities that would give him insight? Like, he's not a secretary, so what does that mean?" GK: "He's the boss. He was the boss of the Nevada office. And I'll tell you a little bit about EG&G. So, it was a company that was created in Boston, right around the end of World War Two. Al O'Donnell had been in the Navy, serving during the war. He got out of the Navy while the war was still underway and went to work for a company called Raytheon, which became this massive, gigantic defense contractor that's still around today, still in Nevada in fact." JC: Yeah, they've got a big connection to the UFO topic, right? But, when you say Boston, like, where in Boston was it created?" GK: "Well, MIT is where the company was born. Edgerton, Germeshausen and Grier were the three guys, the EG&G in that. They were at MIT. Scientists, engineers, they created this company there. And Al O'Donnell, who had been working for Raytheon, working on the Manhattan Project. He didn't know he was working on the Manhattan Project, but they were building these devices, complex triggers, that allowed them to detonate nuclear weapons. He learned later what he was doing was part of the Manhattan Project. "He goes to MIT, starts working with EG&G. Their company in those days had, I think, 15 employees, Al said. So it was a very small startup. But it suddenly exploded because the American atomic program exploded in those years. In 1950, Harry Truman decides that we need a permanent, nuclear testing site somewhere in the continental U.S., so they looked at a bunch of places, and they settled on Nevada. "Prior to that, Al O'Donnell had been sent out to the Pacific. They had five of these massive, atomic bomb tests out in the Pacific, and they decided to move it into a continental U.S. location and Nevada's Test Site - it was called the Nevada Test Site in those days - was chosen. Al O'Donnell leads the exodus from Boston, out to Nevada. They start hiring engineers and scientists, physicists and other security, spies." JC: "What are they working on at this time when they make that move?" GK: "Atomic bombs. They're building, testing atomic bombs. EG&G was a really precise organization that was created in order to detonate, measure and photograph atomic weapons. If you look in the history of photography, you'll see some of these amazing photos that they took of, you know, water drops dropping in water and...they're pretty famous shots because of these cameras that they developed. And it was perfect for use and testing atomic weapons and documenting what the process was. "So, EG&G comes out to Las Vegas, they are the managers of the Nevada Test Site. They, subsequently, years later, become the managers of Area 51 when it opens in 1955. So Al O'Donnell is the top guy. He oversees the nuclear testing program out there, manages it for EG&G, works with the Atomic Energy Commission. He has a Top-Secret security clearance and he can go anywhere and see anything. There's, basically, no restrictions, nothing that is outside of his ability to find out and see." JC: "So, this is an impeccable resume. This is somebody who was in position to know, and would know if someone like Bob Lazar was telling the truth or not telling the truth. I find it, personally, humorous that EG&G was, its genesis, its seed, came from MIT, right?" GK: "So, late 1990 or early 1991, I'd have to look up the dates. But somewhere in there is this event, this EG&G reunion. I go there, we got a camera, I interview Al O'Donnell, introduce myself, and say, 'Hey, I'm really interested in this, can we continue this conversation?' So he invites me to his home. He says, 'Come on over, we'll arrange to come over on a Saturday or something. We'll sit down, I'll go through my scrapbooks and show you some documents and memorabilia and photos from that era.' I was like, 'Great.' "So I go to his house and meet this wife. And we sit down, he opens up these big scrapbooks, and he starts showing me all the stuff that he had done. Photos that had been taken out in the proximity of these gigantic nuclear tests. They had great stories about the camaraderie that developed among the engineers and scientists. And he's going through all this stuff and showing me all this. And I love it, I loved every bit of it. I've never had a bad day at the Nevada Test Site, by the way. Every time I've gone out there to do a story, it's just a terrific way to spend some time." JC: "Secrets should be kept, secrets are kept, and you are a proponent of keeping secrets when it's that kind of thing." GK: "Sure, absolutely. And I respected the boundaries that they set up for us in doing these kinds of stories. So I did go out to the Nevada Test Site a lot over the next 40 years or so and put together a lot of different stories. And they knew of my interest in that area that's just outside what the Nevada Test Site, a place called Area 51. In 1955, Area 51 was, basically, created and EG&G got the contract to manage Area 51, and had kept it for the next 30, 35 years. So, whatever went on out there, they had an inside knowledge of what was going on." JC: "So, you meet this guy, Al O'Donnell, for the first time when he's at this public thing. You probably say something like, 'Your son told me to talk to you,' or something. Whatever. It ends up, he invites you to his home, and you're going through scrapbooks, and he's showing you all this atomic testing stuff that he was involved in. GK: "Yeah, and I'm telling him, 'Boy, this is really interesting. That's fascinating. I'd love to do a story on it.' And after we're there for maybe two hours, he closes this one big scrapbook and he goes, 'You're not here to talk about this, are ya?' I said, 'Well, not exactly.' He says, 'I know what you're here to talk about. I know what you want to ask about.' And right about that point, his wife walks in and she says, 'Don't start telling them that stuff! Don't even tell him!' And he kind of joked about it.' JC: "What were you there to talk about?" GK: "UFOs, UFOs. Area 51, Bob Lazar, crashed saucers, reverse engineering, to see if he had any knowledge of that, because I'd been led to believe that he did. So he closes that book and he says, 'We'll have we'll get together another time and we'll talk about it in private.' And over the course of the next two years or so, he and I would meet at coffee shops and talk about it. And I would ask him questions, and really, it was like pulling teeth. He wanted to tell me stuff but he made me work at it." (AJ says his family was there for the confession. Knapp has over two years of meetings with him. A bit confusing.) GK: "And the condition was, I couldn't take any notes. I couldn't record it, I couldn't take any notes. So each time I'd meet with him, I'd rush back to my car and start scribbling notes on pieces of paper so I'd remember everything that he said. And the story that he told me, that evolved over those couple of years was pretty fantastic. "He said that they did have a flying saucer that had been recovered from New Mexico. I think he indicated that it had been taken from New Mexico to Wright Patterson Air Force Base, which is... He never said Roswell, but I think it was the Roswell incident is what he [was] talking about. And it confirmed some of the details about what we know, likely, happened with the Roswell craft." JC: "When he's telling you, 'We have recovered a craft,' did he say it like, this is secret, don't tell anybody?" GK: "Yeah, it was just for my knowledge, my background and information. It wasn't a story I could do then. We were negotiating about how, or when, or if I could ever use that information or make it public. He told me the details about this craft. He said that it had been stored at Indian Springs. Indian Springs is an Air Force Base that's been there for a long time. It's now called Creech. Indian Springs existed before Area 51 was made. "But he says it was there, they kept it there. It might have been in an underground facility, I'm not quite sure. But then when Area 51, after it opened in 1955, they moved it to an adjacent facility. He didn't say it was S-4, he didn't say it was Papoose, but I think that's what he's talking about. Papoose Lake is where Bob Lazar said he worked, and where they had built nine hangars underground, disguised to look like the desert, and where they had other recovered craft. "He says they worked on this recovered craft, reverse engineering, trying to figure out how it worked, who built it. Whether or not they could duplicate the technology because, apparently, they thought this was pretty advanced, and they'd like to be able to build more of 'em. "And he says it was a very closed program, very small. It was only, I think, five of them that were aware of it, at least in the early stages, that were working on this project. And it was very hush hush, and they didn't share it with anybody else in the company, or anybody else in the area, or the military. They just kept it to themselves. "So, after we're having these meetings - and I go back and write down all these notes and stuff, details about what he had shared with me - we have another meeting at a coffee shop, and I said, 'Well gosh, you know, aren't you worried that it would get out, that the word would get out?' "And he says to me, 'We were worried It would get out?' That's right. 'I mean, what...it? What do you mean, it?' It. Meaning a live being, they had a live being out there. I go, 'You had a live being, an alien as well?' [O'Donnell said], 'Tell you the truth, we didn't know what it was.' I said, 'You know, maybe it came from millions of miles away, out in space, and you're keeping it in a cage near Area 51?' He said, 'To tell you the truth, we couldn't communicate with it in the beginning. We didn't know what it was, we didn't know where it was from, and we didn't know what to do with it.'" JC: "When Al O'Donnell says to you, 'We had a live alien, a being,' obviously from another world, what was your feeling?" GK: "Well, I was overwhelmed, because it was, in effect, confirmation of things that I had come to believe, because of the reporting we'd already done. And then the evidence of cover ups and lies that had been told to the public. Here's this guy in a high position, with a high security clearance, telling me that it was true. That they really did have a craft and they had a being. "My second feeling was, one of overwhelming sadness for the being, whatever it was, you know, that was kept out there. I asked him, you know, what had happened to it, what became of it? He says, 'I don't know. I don't know whatever happened to it.' But it was out there for a while, alive, and eventually they figured out a way to communicate with it. "And so I asked him, 'Well, what did it look like?' And he made me guess, as he did with all these questions. He made me guess. He said, 'Well, it kinda looks like a certain political candidate.' I said, 'Well, who? A political candidate? Who?' And at the time, Ross Perot was running for president. He said, 'It looks like Ross Perot. A little skinny guy with a big ears and tiny head.' Not a classic Gray-looking alien, but a very odd-looking creature with really big ears, that looked like Ross Perot. And I laughed. "And so we had these conversations for a while, and I was blown away by the information that he shared. I took all these notes. I was hoping that someday, I might be able to get the information out. And I asked him, 'Look, you're getting up there in age. If I can't record something with you, could you record a statement to the effect of telling me the story on camera, and then when you pass on, I can have the tape?' And he said, 'Yeah,' he would do it." JC: "You know, look, I've heard a lot of wild stories that I can't verify. A guy's telling you something, and you get a sense as a journalist, when you go down a road with somebody, and you take your time and you vet it... Did you feel...I mean, is there any world where he's trying to f*ck with ya? Or is there a world where he's trying to, you know, dissuade...kind of put crazy information into your brain? Like, how did you feel when he was telling you this? Was he like, straight with you?" GK: "Yeah, he was very straightforward. And again, this was not information he was giving up, willingly. I mean, I had to really dig and coax and arm twist to get him to cough things up. And it was very slow-going over about a two-year period, maybe a little bit longer. And I know that this...you always have to be wary of people with different agendas and people that just make stuff up. I didn't get that sense from him because of his standing in the community. He had shared this story with members of his own family." JC: "And that's why they came to you, is because they kind of [gave] you a tip. And these members of his family, they're serious people, too." GK: "Yeah. One of his sons is an FBI agent, or was, he's passed on now. One was an elected official in Nevada. That was the one that gave me the tip." JC: So, I just want to nail this [down] so I understand. You were approached because he had shared this with his family, privately, and then you had to kind of coax to get through to him about the story?" GK: "Right." JC: "I think that's important because look, these things don't happen, like, people [don't] just come to us and say, you know, crazy stuff, and we're like, 'Hh, yeah, cool. Sounds good.' Like, the dynamic of that, socially, as a journalist, like getting in there, taking time. You know, we have to verify if what he said is true, and there are some major bombs coming about that. But it's like, that process is so important. "So here you are, you're sitting with him, he tells you now, they have a live alien. And you felt sad because you're an animal-rights activist, you love animals. I know with your cats at home and you've done horse stories and all the stories about like, the inhumane stuff to animals. So it made you personally sad, makes me sad, too now thinking about it." GK: Yeah. Well, we had these series of meetings, and then the last time we met, after he'd agreed to go ahead and record a tape - and give it to me after making an arrangement so I got it after he passed on - he said that he had been told to not talk to me anymore. He said he had been given a warning [and] it was not a good idea for him to talk to me any more about anything. Not just that topic, but anything." JC: "Well, who knows that you're talking? Who would warn him?" GK: "I don't know. I don't know. But you recall, back in those days, there was surveillance. We had our phones tapped at KLAS-TV. There were guys following us around. Me, Bob Lazar, Gene Huff, maybe Robert Bigelow." JC: "People were also coming to your news station, OSI. And they would come in and try to like, get to you and then they'd show you their card...and take it back. And you know your phones are tapped. So it's like, because of this story, all of a sudden you're on high alert. So, anybody could have called him, been watching you, had meetings with the guy. So what you're saying is one day he just said, 'I can't...I'm not allowed to talk to you any more.'" GK: "Yeah, I've been told not to talk to you anymore. I've been told not to."

Joe Murgia

101,578 次观看 • 2 个月前