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"You don't start working until 5-10 minutes after shift, depending on how horny #Scarlet is." Watch it here: Animation: #LazyProcrastinator Sound: Volkor 🧙‍♂️✨ Voiceacting: Bordeaux Black - Voice Actress & Sound Design #vrporn #darkdreams #FinalFantasy

Dark Dreams VR

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157,699 views • 6 months ago •via X (Twitter)

NSFW #Scarlet #LazyProcrastinator #vrporn #darkdreams #FinalFantasy

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I went straight home in my ‘little’ Sprinter last night and left my (very dirty 🧽) M760Li all tucked up in my unit. Got a proper cold start on it this morning, I’ll never get bored of the V12 starter motor sound but it’s a bit disappointing you can’t open the exhaust valves until the car has ‘warmed up’. Doesn’t sound as beasty cold, also an exhilarating POV driving video of me moving it out of the unit so I can get my Sprinter back in, you forget just how deadly quiet this car is until you watch something back like this 🤫😉🤣 This is all on private property I must add.

I went straight home in my ‘little’ Sprinter last night and left my (very dirty 🧽) M760Li all tucked up in my unit. Got a proper cold start on it this morning, I’ll never get bored of the V12 starter motor sound but it’s a bit disappointing you can’t open the exhaust valves until the car has ‘warmed up’. Doesn’t sound as beasty cold, also an exhilarating POV driving video of me moving it out of the unit so I can get my Sprinter back in, you forget just how deadly quiet this car is until you watch something back like this 🤫😉🤣 This is all on private property I must add.

Sam Hosier

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Have you ever imagined how the evergreen song "Lag Ja Gale" would sound on multiple instruments? Well, here it is—played on 10 different instruments in under a minute! It was an incredible experience preparing it and I had so much fun experimenting with different sounds. Don’t forget to share it with your friends and family! 1. ALTO SAXOPHONE 2. GEO SHRED 3. SOPRANO SAXOPHONE 4. RECORDER 5. GLOCKINSPEL 6. FLUTE 7. SANTOOR 8. CLARINET 9. HARMONICA 10. HANDPAN I am styled by - Amita Pathak Sachar

Have you ever imagined how the evergreen song "Lag Ja Gale" would sound on multiple instruments? Well, here it is—played on 10 different instruments in under a minute! It was an incredible experience preparing it and I had so much fun experimenting with different sounds. Don’t forget to share it with your friends and family! 1. ALTO SAXOPHONE 2. GEO SHRED 3. SOPRANO SAXOPHONE 4. RECORDER 5. GLOCKINSPEL 6. FLUTE 7. SANTOOR 8. CLARINET 9. HARMONICA 10. HANDPAN I am styled by - Amita Pathak Sachar

Raghav Sachar

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Veo 3 now on Leo. Sound on. 🔊 You heard right. Veo 3 – the most advanced video model available – is right here on Leo. Why is this big? ✨ Generate cinematic video with audio using just a prompt 🌍 Global access (no geo blocks) 🚀 Start from only $10/month and gen pricing as low as we can possibly make it – because everyone should get to play with this 💵 We've kept token rates as low as possible (effectively under $3 per video, depending on your plan) 🧰 Includes full access to creative suite This changes the game for creators, filmmakers, and anyone with a vision. Try it now 👉 #Veo3

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Leonardo.Ai

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In my AI filming career, there is a niche I really enjoy working with and where AI Video brings lots of value. That niche is Real Estate. AI is perfect to animate 3D renders and to create b-role for mood. Here I will try to answer two questions: 1 - How to make a real estate video? 2- How to sell a house? This was a work done based on 3D Renders (provided by The Creative Farm, more on them below). Sound design made by noon (feel free to DM her for great sound design) Below I will break down a bit of the process, the prompts, timespans, the tools I used as well as some secrets this time around (feeling pretty today) It will be a bit long, so bookmark it or save it for later if you have the interest but lack the time.

In my AI filming career, there is a niche I really enjoy working with and where AI Video brings lots of value. That niche is Real Estate. AI is perfect to animate 3D renders and to create b-role for mood. Here I will try to answer two questions: 1 - How to make a real estate video? 2- How to sell a house? This was a work done based on 3D Renders (provided by The Creative Farm, more on them below). Sound design made by noon (feel free to DM her for great sound design) Below I will break down a bit of the process, the prompts, timespans, the tools I used as well as some secrets this time around (feeling pretty today) It will be a bit long, so bookmark it or save it for later if you have the interest but lack the time.

FERA

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beomgyu’s guasha routine 💆 🧸 when you roll it here 💆 there’ll be a grinding and releasing from your fascia…you have to keep doing it (on both sides) until you don’t hear a sound 🧸 and then i pinch my skin here 🧸 that’s all i do! 🧸 but after you’ve released it once, you start feeling when it’s stuck together 🧸 in the past, i used to be like “how can my scalp be stuck together?”, i didn’t even know what it meant for it to be stuck together but after i started releasing it, i started feeling a tight feeling here…like something was really stuck together so i do it whenever i feel like that 🧸 i’m not super sensitive so i do it pretty hard

beomgyu’s guasha routine 💆 🧸 when you roll it here 💆 there’ll be a grinding and releasing from your fascia…you have to keep doing it (on both sides) until you don’t hear a sound 🧸 and then i pinch my skin here 🧸 that’s all i do! 🧸 but after you’ve released it once, you start feeling when it’s stuck together 🧸 in the past, i used to be like “how can my scalp be stuck together?”, i didn’t even know what it meant for it to be stuck together but after i started releasing it, i started feeling a tight feeling here…like something was really stuck together so i do it whenever i feel like that 🧸 i’m not super sensitive so i do it pretty hard

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🥲Alright, it's there now. You can watch it in its HD glory here : This short was made in Blender 🔶 obviously, and rendered using EEVEE NEXT in 4.2 Alpha. All VFX are hand drawn and composited in after effects. Special thanks to : Antony Pico for the Kibali's model (the gorilla) Luciano for his help on one of the shot and the directing Bernardet Thomas for his help on VFX Florent Mounier for the robot concept art. and Gabriel Dalmasso for the amazing sound design and music. #b3D #animation #rigging #art #ZDVFX #Blender

🥲Alright, it's there now. You can watch it in its HD glory here : This short was made in Blender 🔶 obviously, and rendered using EEVEE NEXT in 4.2 Alpha. All VFX are hand drawn and composited in after effects. Special thanks to : Antony Pico for the Kibali's model (the gorilla) Luciano for his help on one of the shot and the directing Bernardet Thomas for his help on VFX Florent Mounier for the robot concept art. and Gabriel Dalmasso for the amazing sound design and music. #b3D #animation #rigging #art #ZDVFX #Blender

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People don't start from zero, invest, then become wealthy. Reality: The biggest source of wealth comes from your income first (from job or business), which you then invest. It makes more sense to focus on increasing that first not obsessing over returns 10% return on $10,000 is less than even a 2% return on $100,000. Nick & I talked about this, how to grow income & more. Watch here:

People don't start from zero, invest, then become wealthy. Reality: The biggest source of wealth comes from your income first (from job or business), which you then invest. It makes more sense to focus on increasing that first not obsessing over returns 10% return on $10,000 is less than even a 2% return on $100,000. Nick & I talked about this, how to grow income & more. Watch here:

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How To Start A Cleaning Business While Working Full-Time: 1: Go to Chat GPT (free version works fine) 2: Find 3-5 cities with 250k+ people and $60k+ household income 3: Call 10 local cleaners asking for a quote and steal their exact pricing in 20 minutes 4: Post on Facebook Jobs: 'Hiring cleaner' (but ALWAYS do a test clean at your own place first) 5: DM 50 people you know: "Starting a cleaning service—would you be interested?" You'll get 3 clients (I promise) 6: Send your cleaner to the job (you don't even need to be there, this is the best part) 7: Make cleaners send before/after photos 8: Ask every client for a Google review 9: Once you hit $5k/month profit, invest in Facebook ads 10: Hire 2 more cleaners (this is how you scale past $10k+) The best part? You don't need to be at the jobs. Your cleaner shows up while you're stuck in back-to-back meetings. They send you before/after photos. The client leaves a review. Money hits your account. I scaled to $40k/month working just 5 hours a week because I built it remotely from day 1. If you dedicate enough time and research to this, there's a massive payoff. The question is, will you give it a go? If you want to learn the exact blueprint anyone can use to build your way out of the 9 to 5… DM me “Blueprint” and I’ll show you how.

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When I was 8 years old, my favorite thing in the world was making mixtapes for my Walkman from my big sister’s CDs. That evolved into Lego stop-motion videos, and later, I fell down the rabbit hole of editing Naruto anime clips to Evanescence & Linkin Park beats. Looking back, it’s obvious: Sound and Video were always the main drivers in my life. I think that obsession also led me to my true love: Motion Design. A huge shoutout to Kevin who showed me +10 years ago the world of Motion Design. And honestly, look at where we are now. Who would have thought that there would be such a massive hype around Motion Design and UI promo videos? From giants like Airbnb to the new generation of creators like sutoxoriginals. The visual standard in 2026 is insane. But there was always one part of the process that felt like a grind to me: Sound Design. I love the result, but I hated the process. I was spending 4-5 hours per project just searching for the right sound effects. "Key typing effect" "Mouse click" "Subtle Whoosh" and so on.. So, I decided to fix it. I sat down with a Dev friend and we spent the last few weekends building a native AI tool right inside After Effects. The concept is simple: SoundDesigner AI watches your video. It understands the vibe and exactly what’s happening and when its happening. It sees a clock ticking or a text appearing, and it generates the perfect sound for it in seconds, synced to the action in your timeline. I’ve been using it on my own projects for a few days now, and it’s wild. My sound design workflow went actually from 5 hours to 20 minutes. We are launching this in February (fingers crossed for the approval at aescripts+aeplugins) If you want to see where this goes and try it out yourself, drop me a DM

When I was 8 years old, my favorite thing in the world was making mixtapes for my Walkman from my big sister’s CDs. That evolved into Lego stop-motion videos, and later, I fell down the rabbit hole of editing Naruto anime clips to Evanescence & Linkin Park beats. Looking back, it’s obvious: Sound and Video were always the main drivers in my life. I think that obsession also led me to my true love: Motion Design. A huge shoutout to Kevin who showed me +10 years ago the world of Motion Design. And honestly, look at where we are now. Who would have thought that there would be such a massive hype around Motion Design and UI promo videos? From giants like Airbnb to the new generation of creators like sutoxoriginals. The visual standard in 2026 is insane. But there was always one part of the process that felt like a grind to me: Sound Design. I love the result, but I hated the process. I was spending 4-5 hours per project just searching for the right sound effects. "Key typing effect" "Mouse click" "Subtle Whoosh" and so on.. So, I decided to fix it. I sat down with a Dev friend and we spent the last few weekends building a native AI tool right inside After Effects. The concept is simple: SoundDesigner AI watches your video. It understands the vibe and exactly what’s happening and when its happening. It sees a clock ticking or a text appearing, and it generates the perfect sound for it in seconds, synced to the action in your timeline. I’ve been using it on my own projects for a few days now, and it’s wild. My sound design workflow went actually from 5 hours to 20 minutes. We are launching this in February (fingers crossed for the approval at aescripts+aeplugins) If you want to see where this goes and try it out yourself, drop me a DM

Markus Gavrilov

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CSS Tip! 🐳 You can add little details like this scale down on scroll effect with scroll-driven animations and some sticky positioning 🤙 section { animation: scale-down; animation-timeline: view(); animation-range: exit; } @keyframes scale-down { to { scale 0.8; } ] In this smaller example, you can lean into using the position to drive an animation that scales itself down as it leaves the viewport (Seen on the Apple Vision Pro site 🍏) The nice thing here is that if you don't have scroll-driven animations, the user still gets a good experience ✨ So how do you do it? There isn't much to it header { transform-origin: 50% 0%; animation: scale-down both ease-in; animation-timeline: view(); animation-range: exit; view-timeline: --header; } @keyframes scale-down { to { scale: 0.8 0.8; } } That's it. The layout makes use of position: sticky so that the element stays in the shot whilst you scroll the page. As it leaves the page, it scales down inside the 🫶 The other smol animation here is fading the overlay on the video out 😎 Real easy. You may notice the view-timeline you defined above for the 👀 header { view-timeline: --header; } You have a pseudoelement on the text content of the header that lives inside a header > section::before { background: hsl(0 0% 0% / 0.75); opacity: 1; animation: fade both linear; animation-timeline: --header; animation-range: exit-crossing 0% exit 0%; } @keyframes fade { to { opacity: 0; } } You use a slightly smaller range on this with exit-crossing to fade it out before you start the scale down animation 🤏 That's it! Thought this smaller example would be easier to grok for people 🙏 It's also covered with JavaScript if you really want it for your sites 🤙 CodePen.IO link below 👇

CSS Tip! 🐳 You can add little details like this scale down on scroll effect with scroll-driven animations and some sticky positioning 🤙 section { animation: scale-down; animation-timeline: view(); animation-range: exit; } @keyframes scale-down { to { scale 0.8; } ] In this smaller example, you can lean into using the position to drive an animation that scales itself down as it leaves the viewport (Seen on the Apple Vision Pro site 🍏) The nice thing here is that if you don't have scroll-driven animations, the user still gets a good experience ✨ So how do you do it? There isn't much to it header { transform-origin: 50% 0%; animation: scale-down both ease-in; animation-timeline: view(); animation-range: exit; view-timeline: --header; } @keyframes scale-down { to { scale: 0.8 0.8; } } That's it. The layout makes use of position: sticky so that the element stays in the shot whilst you scroll the page. As it leaves the page, it scales down inside the 🫶 The other smol animation here is fading the overlay on the video out 😎 Real easy. You may notice the view-timeline you defined above for the 👀 header { view-timeline: --header; } You have a pseudoelement on the text content of the header that lives inside a header > section::before { background: hsl(0 0% 0% / 0.75); opacity: 1; animation: fade both linear; animation-timeline: --header; animation-range: exit-crossing 0% exit 0%; } @keyframes fade { to { opacity: 0; } } You use a slightly smaller range on this with exit-crossing to fade it out before you start the scale down animation 🤏 That's it! Thought this smaller example would be easier to grok for people 🙏 It's also covered with JavaScript if you really want it for your sites 🤙 CodePen.IO link below 👇

jhey ʕ•ᴥ•ʔ

146,270 views • 2 years ago

Here's one signature of "AI voice" that's easy to fix: every sentence is the same length. Short sentences. Like this one. Or this one. They sound monotone. Life of Pi author Yann Martel explains how he avoid this: "One of the very few rules of writing that I sort of try to stick to is, don't have sentences that are the same length one after the other. You don't want to have seventeen 10-word sentences in a row, that gets boring. You want to have one that's longer, one shorter, one longer. You want to gently vary them. You think the reader whose eyes are just gliding over the page wouldn't notice, they actually do. It does rhythm their reading."

Here's one signature of "AI voice" that's easy to fix: every sentence is the same length. Short sentences. Like this one. Or this one. They sound monotone. Life of Pi author Yann Martel explains how he avoid this: "One of the very few rules of writing that I sort of try to stick to is, don't have sentences that are the same length one after the other. You don't want to have seventeen 10-word sentences in a row, that gets boring. You want to have one that's longer, one shorter, one longer. You want to gently vary them. You think the reader whose eyes are just gliding over the page wouldn't notice, they actually do. It does rhythm their reading."

David Perell Clips

27,122 views • 3 months ago

This is called Padding. And it’s one of the fastest ways to expand your defensive awareness. I recently used it with a player who was struggling to see the floor defensively. The shift was immediate. I also used it early in my coaching career too — and it completely fast-tracked my coaching eye. Here’s how it works: You watch the same possession five times. Each time, you trace the exact path of one player. Go slow. Pause it. Rewind it. Get it precise. Down to the angle, the placement, be exact. Then rewind it and do the next player. After you’ve padded all five players, something strange happens. When you watch it the sixth time… you suddenly see everything. The shot at the end isn’t surprising anymore. It’s inevitable. You see the spacing. You see the screens. You see the timing. All the small details that go unnoticed on a single watch become obvious. This is how you train awareness. By forcing the brain to process more. Players start seeing the game differently. Coaches start seeing all five players at once. And that’s one of the hardest skills in basketball — especially on defense: awareness. If you want the full breakdown of defensive awareness, check it out here:

This is called Padding. And it’s one of the fastest ways to expand your defensive awareness. I recently used it with a player who was struggling to see the floor defensively. The shift was immediate. I also used it early in my coaching career too — and it completely fast-tracked my coaching eye. Here’s how it works: You watch the same possession five times. Each time, you trace the exact path of one player. Go slow. Pause it. Rewind it. Get it precise. Down to the angle, the placement, be exact. Then rewind it and do the next player. After you’ve padded all five players, something strange happens. When you watch it the sixth time… you suddenly see everything. The shot at the end isn’t surprising anymore. It’s inevitable. You see the spacing. You see the screens. You see the timing. All the small details that go unnoticed on a single watch become obvious. This is how you train awareness. By forcing the brain to process more. Players start seeing the game differently. Coaches start seeing all five players at once. And that’s one of the hardest skills in basketball — especially on defense: awareness. If you want the full breakdown of defensive awareness, check it out here:

Mike Jagacki

24,923 views • 5 months ago

We have introduced a new way to communicate with the blockchain using voice commands. Now, you can talk to your wallet! Dapp: How It Works: After signing in, click on the microphone icon and then select Start Talking. Wait until the loading is completed. When the button status changes to Listening, you can speak your commands. Once you're done, press Stop Talking, and the wallet will process your request. The system will respond within 1 second. If you get stuck during processing, click Tap to Retry. Voice Commands You Can Use: "What are the top 5 DexScreener tokens?" "What are the top 5 tokens on CoinMarketCap?" "Stake 1 SOL." NOTE: Capturing wallet addresses with voice can be complicated, as the wallet needs to capture the exact and correct information. Please double-check the addresses for accuracy.

We have introduced a new way to communicate with the blockchain using voice commands. Now, you can talk to your wallet! Dapp: How It Works: After signing in, click on the microphone icon and then select Start Talking. Wait until the loading is completed. When the button status changes to Listening, you can speak your commands. Once you're done, press Stop Talking, and the wallet will process your request. The system will respond within 1 second. If you get stuck during processing, click Tap to Retry. Voice Commands You Can Use: "What are the top 5 DexScreener tokens?" "What are the top 5 tokens on CoinMarketCap?" "Stake 1 SOL." NOTE: Capturing wallet addresses with voice can be complicated, as the wallet needs to capture the exact and correct information. Please double-check the addresses for accuracy.

OctonetAI

28,209 views • 1 year ago