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At first, I didn’t understand the character because she’s very dynamic and has so many different sides. You can play her in a way that makes people see her as a bad person, but you can also explain her to the audience and make them sympathize with her. So I kept going back and forth. I thought, “I probably won’t be able to do this.” Then I said, “No, it’s impossible.” After that, Ms. Gül told me, “Read it again and come back.” So I worked on the character a little more, started enjoying it, and thought, “This could be something crazy too.” I felt an inner challenge like motivation. Then I kept working on her and trying to understand the character. Eventually, I said, “Okay, she’s a perfect fit for me. This is crazy.” What I loved most was that she’s crazy, because whenever I choose a role, I always look for something different. I like choosing different colors, so to speak. I’m also a very energetic person, and this role matches my energy perfectly. It keeps everything fresh, and you never get bored. In fact, with this character, I never feel bored at all. On the contrary, I enjoy acting as her so much. And I think you can see that too (Mert and İlhan). So, when they describe Yıldız, honestly, I never saw the story as simply “the first woman” or “the second woman.” Here, these are genuinely people fighting for a seat. Host: It’s like a Game of Thrones. Damla: Yes, it really is a Game of Thrones. Every single character here even (Mert and İlhan’s) characters has a life they want to achieve, and they’re all fighting for it. What made me love this girl was the way she fought. And when I say “the way she fought,” I mean that she never gave up. Her ambition. And at the same time, she never lost her joy. There’s a saying in Urfa that people always use: “Lose everything, but never lose your joy.” I saw that in her, and it gave me such a warm feeling. That’s why, out of all the characters I’ve played, she’s probably the one I’ve enjoyed portraying the most. And I think that feeling reached the audience too, and they embraced me because of it. #BiranDamlaYılmaz Biran Damla Yılmaz felixmanagement Fatih Altayli 🔴🇹🇷
1:43

At first, I didn’t understand the character because she’s very dynamic and has so many different sides. You can play her in a way that makes people see her as a bad person, but you can also explain her to the audience and make them sympathize with her. So I kept going back and forth. I thought, “I probably won’t be able to do this.” Then I said, “No, it’s impossible.” After that, Ms. Gül told me, “Read it again and come back.” So I worked on the character a little more, started enjoying it, and thought, “This could be something crazy too.” I felt an inner challenge like motivation. Then I kept working on her and trying to understand the character. Eventually, I said, “Okay, she’s a perfect fit for me. This is crazy.” What I loved most was that she’s crazy, because whenever I choose a role, I always look for something different. I like choosing different colors, so to speak. I’m also a very energetic person, and this role matches my energy perfectly. It keeps everything fresh, and you never get bored. In fact, with this character, I never feel bored at all. On the contrary, I enjoy acting as her so much. And I think you can see that too (Mert and İlhan). So, when they describe Yıldız, honestly, I never saw the story as simply “the first woman” or “the second woman.” Here, these are genuinely people fighting for a seat. Host: It’s like a Game of Thrones. Damla: Yes, it really is a Game of Thrones. Every single character here even (Mert and İlhan’s) characters has a life they want to achieve, and they’re all fighting for it. What made me love this girl was the way she fought. And when I say “the way she fought,” I mean that she never gave up. Her ambition. And at the same time, she never lost her joy. There’s a saying in Urfa that people always use: “Lose everything, but never lose your joy.” I saw that in her, and it gave me such a warm feeling. That’s why, out of all the characters I’ve played, she’s probably the one I’ve enjoyed portraying the most. And I think that feeling reached the audience too, and they embraced me because of it. #BiranDamlaYılmaz Biran Damla Yılmaz felixmanagement Fatih Altayli 🔴🇹🇷

𓇢𓆸

14,038 görüntüleme • 6 gün önce

Another new book from New Zealand ex Prime Minister Jacinda Ardern. Following on from "A Different Kind of Power" Ms Ardern has written a children's version called "What If You Could". A question implying that if only kids model themselves on Jacinda, they can be as successful as she was. In the comments, I'll post a video showing how Ms Ardern made it to the top of the political tree in New Zealand. From being a member of young Labour at 17, spending eight years being trained as a Trotsky style Marxist at the International Union of Socialist Youth, taking over as Labour leader and then becoming PM in an election where she only attracted 36% of the vote. (as opposed to the National party's 44%) This first video though explains how she failed in practically every social/ political objective she said was important to her. After quitting midway through her second term, Ardern left her home country a smoking ruin of debt, disunity and economic disaster. That she now chooses to live in Australia tells you all you need to know about Jacinda Ardern's success as PM of New Zealand. Which drives the question- What really is Ms Ardern doing writing motivational books for children or anyone?
3:17

Another new book from New Zealand ex Prime Minister Jacinda Ardern. Following on from "A Different Kind of Power" Ms Ardern has written a children's version called "What If You Could". A question implying that if only kids model themselves on Jacinda, they can be as successful as she was. In the comments, I'll post a video showing how Ms Ardern made it to the top of the political tree in New Zealand. From being a member of young Labour at 17, spending eight years being trained as a Trotsky style Marxist at the International Union of Socialist Youth, taking over as Labour leader and then becoming PM in an election where she only attracted 36% of the vote. (as opposed to the National party's 44%) This first video though explains how she failed in practically every social/ political objective she said was important to her. After quitting midway through her second term, Ardern left her home country a smoking ruin of debt, disunity and economic disaster. That she now chooses to live in Australia tells you all you need to know about Jacinda Ardern's success as PM of New Zealand. Which drives the question- What really is Ms Ardern doing writing motivational books for children or anyone?

The Redbaiter

26,252 görüntüleme • 4 ay önce

POST OFFICE PUT A CHILD IN PRISON In 2002 Tracy Felstead Tracy Felstead was a 19 year old counter clerk. She worked at the Camberwell Green Post Office branch in south London. She had left school and was proud to have a job with a company everyone trusted. Then the Post Office's Horizon computer system showed a shortfall of £11,503 at her till. Nobody checked if the machine was wrong. Post Office investigators decided Tracy was a thief. She was interviewed under caution at Peckham police station. Investigators asked her to prove she did not steal money that a computer had simply invented. They even asked if her own family had pressured her to steal. Her family scraped together the £11,500 and paid it back. They were told this could help her avoid prison. It did not work. Tracy was convicted of theft and false accounting at trial. The judge sent her to a young offender institution for 6 months. She was still a teenager. Inside, she saw things no 19 year old should see. She has said the memory of prison still comes back to her now, decades later. She has spoken about trying to take her own life twice because of what happened to her. Years later the stress caught up with her body too. She suffered a neurological breakdown that left her temporarily paralysed on one side. Tracy was not alone. Horizon was built and run by Fujitsu Fujitsu UK. Between 2000 and 2014 the Post Office prosecuted more than 700 sub-postmasters and counter staff using data from that same system. It is now officially called the biggest miscarriage of justice in British legal history. Paula Vennells Paula Vennells ran the Post Office as chief executive from 2012 to 2019. Under her watch the organisation spent millions fighting the very people it had wrongly accused, rather than admitting the software was broken. Over 1 million people later signed a petition demanding she hand back her CBE. The Court of Appeal finally quashed Tracy's conviction in 2021. 19 years after she went to prison. Nobody at the Post Office or Fujitsu spent a single night in a cell for it. In 2023 Tracy sat down with Post Office bosses in Parliament, with the support of her then MP Lucy Allan Lucy Allan. She told the chief executive to his face how to fix the compensation process. She later gave evidence to the Post Office Horizon IT Inquiry Post Office Horizon IT Inquiry, chaired by Sir Wyn Williams, about what six months in a cell at 19 actually cost her. A faulty computer got 16 years of trust from an entire national institution. A teenage counter clerk got a criminal record, a prison sentence, and a mental health battle that has lasted her whole adult life. Same script every time. Protect the system first. Apologise decades later, if at all.. SOURCES: Post Office Horizon IT Inquiry BBC News (UK) The Guardian and many others.
2:25

POST OFFICE PUT A CHILD IN PRISON In 2002 Tracy Felstead Tracy Felstead was a 19 year old counter clerk. She worked at the Camberwell Green Post Office branch in south London. She had left school and was proud to have a job with a company everyone trusted. Then the Post Office's Horizon computer system showed a shortfall of £11,503 at her till. Nobody checked if the machine was wrong. Post Office investigators decided Tracy was a thief. She was interviewed under caution at Peckham police station. Investigators asked her to prove she did not steal money that a computer had simply invented. They even asked if her own family had pressured her to steal. Her family scraped together the £11,500 and paid it back. They were told this could help her avoid prison. It did not work. Tracy was convicted of theft and false accounting at trial. The judge sent her to a young offender institution for 6 months. She was still a teenager. Inside, she saw things no 19 year old should see. She has said the memory of prison still comes back to her now, decades later. She has spoken about trying to take her own life twice because of what happened to her. Years later the stress caught up with her body too. She suffered a neurological breakdown that left her temporarily paralysed on one side. Tracy was not alone. Horizon was built and run by Fujitsu Fujitsu UK. Between 2000 and 2014 the Post Office prosecuted more than 700 sub-postmasters and counter staff using data from that same system. It is now officially called the biggest miscarriage of justice in British legal history. Paula Vennells Paula Vennells ran the Post Office as chief executive from 2012 to 2019. Under her watch the organisation spent millions fighting the very people it had wrongly accused, rather than admitting the software was broken. Over 1 million people later signed a petition demanding she hand back her CBE. The Court of Appeal finally quashed Tracy's conviction in 2021. 19 years after she went to prison. Nobody at the Post Office or Fujitsu spent a single night in a cell for it. In 2023 Tracy sat down with Post Office bosses in Parliament, with the support of her then MP Lucy Allan Lucy Allan. She told the chief executive to his face how to fix the compensation process. She later gave evidence to the Post Office Horizon IT Inquiry Post Office Horizon IT Inquiry, chaired by Sir Wyn Williams, about what six months in a cell at 19 actually cost her. A faulty computer got 16 years of trust from an entire national institution. A teenage counter clerk got a criminal record, a prison sentence, and a mental health battle that has lasted her whole adult life. Same script every time. Protect the system first. Apologise decades later, if at all.. SOURCES: Post Office Horizon IT Inquiry BBC News (UK) The Guardian and many others.

Artur Nadolny

13,554 görüntüleme • 4 gün önce

The Prince of Wales is continuing his awareness campaign about male suicide prevention. Joining host Greg James on a special episode of Radio 1's Life Hacks, the Heir to the throne sat on a diverse panel alongside Allan Brownrigg, director of clinical services at James' Place charity; Rapper Professor Green and musician Guvna B, as well as Nathan, a young man who shared his personal experiences on the subject👌🏽 Speaking candidly about Male mental health, Prince William reflected on his own feelings, saying: “I take a long time trying to understand my emotions and why I feel like I do, and I feel like that's a really important process to do every now and again, to check in with yourself and work out why you're feeling like you do.”👌🏽 "Sometimes there's an obvious explanation, sometimes there isn't. I think that idea that mental health crisis is temporary - you can have a strong mental health crisis moment but it will pass."❤️ The Prince of Wales further encouraged young people to "learn to love yourself and understand yourself" while explaining that: “Part of feeling comfortable talking about mental health is understanding it." He added about male suicide prevention: “if we talk about that more, and educate people more, then hopefully the idea of suicide keeps being pushed further and further away. "Because you know that tomorrow, you might wake up and you might feel very different."”❤️ William concluded: “We need more male role models out there, talking about it and normalising it, so that it becomes second nature to all of us.“ An excellent point being brought up by William. Challenges are part of Life but the better way to get through them is by working on ourselves. Instead of focusing on the problem, focus on understanding why we feel the way we do and know that it is not the end of the road, “this too shall pass”❤️‍🩹 I always appreciate the way Prince William present mental health: it is a something that is importantly to take care of and yet it is not all about crisis,and mellowing in mental issues, William focuses on the ways to overcome it and live a better tomorrow. There is hope in his message as well as accountability and self work to be done to get there. Mental Health has been a cause close to Prince William and Catherine for decades and Male suicide prevention is William’s area of choice. The Royal foundation has contributed £1m to develop a National Suicide Prevention Network in the UK and help keep the conversation going❤️‍🩹 #PrinceofWales 📹 BBC radio1
1:02

The Prince of Wales is continuing his awareness campaign about male suicide prevention. Joining host Greg James on a special episode of Radio 1's Life Hacks, the Heir to the throne sat on a diverse panel alongside Allan Brownrigg, director of clinical services at James' Place charity; Rapper Professor Green and musician Guvna B, as well as Nathan, a young man who shared his personal experiences on the subject👌🏽 Speaking candidly about Male mental health, Prince William reflected on his own feelings, saying: “I take a long time trying to understand my emotions and why I feel like I do, and I feel like that's a really important process to do every now and again, to check in with yourself and work out why you're feeling like you do.”👌🏽 "Sometimes there's an obvious explanation, sometimes there isn't. I think that idea that mental health crisis is temporary - you can have a strong mental health crisis moment but it will pass."❤️ The Prince of Wales further encouraged young people to "learn to love yourself and understand yourself" while explaining that: “Part of feeling comfortable talking about mental health is understanding it." He added about male suicide prevention: “if we talk about that more, and educate people more, then hopefully the idea of suicide keeps being pushed further and further away. "Because you know that tomorrow, you might wake up and you might feel very different."”❤️ William concluded: “We need more male role models out there, talking about it and normalising it, so that it becomes second nature to all of us.“ An excellent point being brought up by William. Challenges are part of Life but the better way to get through them is by working on ourselves. Instead of focusing on the problem, focus on understanding why we feel the way we do and know that it is not the end of the road, “this too shall pass”❤️‍🩹 I always appreciate the way Prince William present mental health: it is a something that is importantly to take care of and yet it is not all about crisis,and mellowing in mental issues, William focuses on the ways to overcome it and live a better tomorrow. There is hope in his message as well as accountability and self work to be done to get there. Mental Health has been a cause close to Prince William and Catherine for decades and Male suicide prevention is William’s area of choice. The Royal foundation has contributed £1m to develop a National Suicide Prevention Network in the UK and help keep the conversation going❤️‍🩹 #PrinceofWales 📹 BBC radio1

Canellecitadelle

24,292 görüntüleme • 5 ay önce

Following our previous post about Chris Buckler's BBC interview with Tristan Morrow - who spoke about leaving the Orange Order and identifying as a trans woman - we listened to another segment from the same edition of The Stephen Nolan Show. The discussion was about Féile an Phobail's decision to cancel a Women's Rights Network panel event on women's sex-based rights. Overall, it was a much more balanced discussion. Buckler challenged both guests, questioned claims from both sides and pushed back at various points. But several moments stood out. One was a claim by People Before Profit's Fiona Ferguson that organisations like the Women's Rights Network wanted "people's genitals to be checked before they're allowed to go into toilets." Buckler then asked WRN NI's Nora Calder: "Do you want people's genitals checked before they go to the toilet?" When a guest makes a highly contentious factual claim, shouldn't the first question be whether there's evidence to support it? Otherwise, an unsubstantiated allegation risks becoming the premise of the discussion - rather than something to be tested. Ferguson also invoked contested suicide statistics relating to transgender people, which also went unchallenged. But there are broader editorial questions too. Tristan Morrow - a young man who identifies as a woman - was given 21 minutes of airtime, during which his perspective was explored with relatively little challenge. Where is the equivalent long-form interview with a woman explaining why single-sex spaces matter to her? Or with someone who says they have suffered discrimination because of their lawful gender-critical beliefs? The BBC also chose to publish Morrow's interview separately on BBC Sounds as a standalone programme, giving further prominence to one side's personal testimony. And prior to introducing this segment Buckler reflected on the response to the interview with Tristan Morrow saying he'd received "lovely messages" from listeners. There is, of course, nothing wrong with telling his story. And due impartiality doesn't require every viewpoint to receive equal airtime. But it does require careful editorial judgement about which voices are amplified, how contested claims are handled, and whose experiences audiences are invited to understand. Taken together, this coverage raises legitimate questions about whether that standard was met. 🎧 We've shared a short clip here. You can listen to the full discussion from on The Stephen Nolan Show (22 July). Tristan Morrow's interview is also available separately on BBC Sounds as a standalone programme.
1:12

Following our previous post about Chris Buckler's BBC interview with Tristan Morrow - who spoke about leaving the Orange Order and identifying as a trans woman - we listened to another segment from the same edition of The Stephen Nolan Show. The discussion was about Féile an Phobail's decision to cancel a Women's Rights Network panel event on women's sex-based rights. Overall, it was a much more balanced discussion. Buckler challenged both guests, questioned claims from both sides and pushed back at various points. But several moments stood out. One was a claim by People Before Profit's Fiona Ferguson that organisations like the Women's Rights Network wanted "people's genitals to be checked before they're allowed to go into toilets." Buckler then asked WRN NI's Nora Calder: "Do you want people's genitals checked before they go to the toilet?" When a guest makes a highly contentious factual claim, shouldn't the first question be whether there's evidence to support it? Otherwise, an unsubstantiated allegation risks becoming the premise of the discussion - rather than something to be tested. Ferguson also invoked contested suicide statistics relating to transgender people, which also went unchallenged. But there are broader editorial questions too. Tristan Morrow - a young man who identifies as a woman - was given 21 minutes of airtime, during which his perspective was explored with relatively little challenge. Where is the equivalent long-form interview with a woman explaining why single-sex spaces matter to her? Or with someone who says they have suffered discrimination because of their lawful gender-critical beliefs? The BBC also chose to publish Morrow's interview separately on BBC Sounds as a standalone programme, giving further prominence to one side's personal testimony. And prior to introducing this segment Buckler reflected on the response to the interview with Tristan Morrow saying he'd received "lovely messages" from listeners. There is, of course, nothing wrong with telling his story. And due impartiality doesn't require every viewpoint to receive equal airtime. But it does require careful editorial judgement about which voices are amplified, how contested claims are handled, and whose experiences audiences are invited to understand. Taken together, this coverage raises legitimate questions about whether that standard was met. 🎧 We've shared a short clip here. You can listen to the full discussion from on The Stephen Nolan Show (22 July). Tristan Morrow's interview is also available separately on BBC Sounds as a standalone programme.

SEEN in Journalism

13,982 görüntüleme • 15 gün önce

On September 28, Moldova will hold parliamentary elections that could be decisive for the country's future. For President Maia Sandu and her Party of Action and Solidarity (PAS), this is a chance to consolidate their pro-European course and continue negotiations on EU accession. A year ago, Moldova elected Maia Sandu to a second term by a narrow margin and chose a course of European integration. At that time, according to a joint investigation by Balkan Insight and CU SENS, Russia was training mercenaries in Serbia and Bosnia and Herzegovina to prepare for a coup in Moldova. ❗️President Sandu estimates that Russia spent around €150 million ($176,6 million) on interfering in the presidential election, equivalent to 1% of Moldova's GDP. Now,Moldova is about to elect a parliament. And for the Kremlin, this is the last chance to bring the republic back into its sphere of influence. According to Bloomberg, Moscow has developed a multi-pronged strategy aimed at undermining Chișinău's course towards integration into the European Union. 🔹 First, the recruitment of Moldovan citizens living abroad, including in Russia, to vote at polling stations in EU countries and other regions. Last year, President Sandu was elected thanks to the support of the diaspora. Therefore, Russia is now betting on it and is ready to finance trips for Moldovans abroad to ensure turnout at the polling stations. 🔹 Second, there are plans to organize provocative protests involving young people from sports clubs and criminal networks. They are intended to destabilize the situation during and after the elections, including possible demonstrations demanding Sandu's resignation or challenging the vote results. 🔹Third, a large-scale disinformation campaign on social media. To spread its propaganda, Russia is even using priests from the Russian Orthodox Church and the Matryoshka bot network, which creates fake content under the guise of legitimate foreign media outlets. A BBC investigation has revealed that Russia has created a network that pays people for posting pro-Russian propaganda and fake news. Members of the network are trained to publish propaganda "organically" on TikTok and Facebook, using ChatGPT to create posts. For $170 a month, network participants are encouraged to spread accusations against the government and President Sandu, as well as intimidate voters with topics such as LGBTQ+ issues and "child trafficking." Since January, the network has posted thousands of videos on TikTok, garnering over 23 million views and 860,000 likes. In addition to online propaganda, coordinators instruct recruits to conduct 'surveys' of Chișinău residents, secretly recording the voices of supporters of pro-Russian opposition. These recordings can be used as evidence of election "fraud" in the event of a PAS victory. The investigation revealed that the funding comes directly from Russia, specifically through Russia's Promsvyazbank, which is considered the official bank of the Russian defense ministry and is a shareholder in one of the companies owned by fugitive Moldovan oligarch Ilan Shor. During her address in the EP Plenary session, President Sandu emphasized that protecting elections is not only a matter of domestic policy but also of regional security. "The Kremlin's goal is clear: to capture Moldova through the ballot box, to use us against Ukraine and to turn us into a launchpad for hybrid attacks on the European Union," she said. 📹: BBC
1:50

On September 28, Moldova will hold parliamentary elections that could be decisive for the country's future. For President Maia Sandu and her Party of Action and Solidarity (PAS), this is a chance to consolidate their pro-European course and continue negotiations on EU accession. A year ago, Moldova elected Maia Sandu to a second term by a narrow margin and chose a course of European integration. At that time, according to a joint investigation by Balkan Insight and CU SENS, Russia was training mercenaries in Serbia and Bosnia and Herzegovina to prepare for a coup in Moldova. ❗️President Sandu estimates that Russia spent around €150 million ($176,6 million) on interfering in the presidential election, equivalent to 1% of Moldova's GDP. Now,Moldova is about to elect a parliament. And for the Kremlin, this is the last chance to bring the republic back into its sphere of influence. According to Bloomberg, Moscow has developed a multi-pronged strategy aimed at undermining Chișinău's course towards integration into the European Union. 🔹 First, the recruitment of Moldovan citizens living abroad, including in Russia, to vote at polling stations in EU countries and other regions. Last year, President Sandu was elected thanks to the support of the diaspora. Therefore, Russia is now betting on it and is ready to finance trips for Moldovans abroad to ensure turnout at the polling stations. 🔹 Second, there are plans to organize provocative protests involving young people from sports clubs and criminal networks. They are intended to destabilize the situation during and after the elections, including possible demonstrations demanding Sandu's resignation or challenging the vote results. 🔹Third, a large-scale disinformation campaign on social media. To spread its propaganda, Russia is even using priests from the Russian Orthodox Church and the Matryoshka bot network, which creates fake content under the guise of legitimate foreign media outlets. A BBC investigation has revealed that Russia has created a network that pays people for posting pro-Russian propaganda and fake news. Members of the network are trained to publish propaganda "organically" on TikTok and Facebook, using ChatGPT to create posts. For $170 a month, network participants are encouraged to spread accusations against the government and President Sandu, as well as intimidate voters with topics such as LGBTQ+ issues and "child trafficking." Since January, the network has posted thousands of videos on TikTok, garnering over 23 million views and 860,000 likes. In addition to online propaganda, coordinators instruct recruits to conduct 'surveys' of Chișinău residents, secretly recording the voices of supporters of pro-Russian opposition. These recordings can be used as evidence of election "fraud" in the event of a PAS victory. The investigation revealed that the funding comes directly from Russia, specifically through Russia's Promsvyazbank, which is considered the official bank of the Russian defense ministry and is a shareholder in one of the companies owned by fugitive Moldovan oligarch Ilan Shor. During her address in the EP Plenary session, President Sandu emphasized that protecting elections is not only a matter of domestic policy but also of regional security. "The Kremlin's goal is clear: to capture Moldova through the ballot box, to use us against Ukraine and to turn us into a launchpad for hybrid attacks on the European Union," she said. 📹: BBC

Anton Gerashchenko

192,841 görüntüleme • 10 ay önce

"We loved our daughter and we wanted to help her." ~Tim Gallaudet This is way too long but I hope you enjoy it. As far as Steven Greenstreet 🐷's posts about the Gallaudets, hauntings and psychics? First off, Tim Gallaudet's wife, "was also a Naval Academy graduate and a master’s recipient from Scripps, having earned her degree in 2001." Source: We know the resume of retired Rear Admiral and oceanographer, Tim Gallaudet, but what about his wife, Caren? She's a big part of this story, so any journalist covering it would want you to know a little something about her. But not Greenstreet, who is, as I said, not a journalist. He leaves out any detail that doesn't fit his debunker, mocking narrative. And he just blocked me. Good. Trash. More... “(My wife Caren) is an inspiration to me, first because she was a Navy diver, and you don’t need to say more. And second, she was a Navy diver as a female during a time when it was not easy. In the late 1980s/early 1990s there was a lot of sexual harassment in the Navy.” ~RDML Tim Gallaudet ~~~ This episode of "The Dead Files," S6E8 ("You Will Be Mine") aired May 20th, 2016. Caren: "People think I'm crazy but it's hard to do battle with an enemy you don't understand. There are things moving around the house. We're hearing voices. We've all had nightmares. We've seen full apparitions. Now things are getting physical." (I would liked to have heard more about full apparitions and exactly who saw them. Having multiple witnesses to alleged phenomena is important. And yes, people will think you're crazy but screw 'em. People have been experiencing this type of phenomena all over the world. At the time this was shot (2015 or 2016), their oldest of three daughters, Laurel, was 14, Aspen was 8, and the youngest, Cedar, was 6.) Caren: "My husband works for the Department of Defense and he travels a lot, so he's rarely here." (They bought the property in 2007 but the odd activity in the house didn't start until Cedar turned 3.) Caren: "Cedar has drawn pictures. This is the man with the brown arms. He lives in her room in her closet. This one she saw in my bathroom, it was a man covered with blood. And I have a book with over 40 drawings. She has become anxious and depressed." (Why didn't the family bring her to a psychiatrist or psychologist first before immediately seeking out a medium? What? They did? Why didn't hack Greenstreet tell us that? Because his goal is to make anybody connected to UFO disclosure look bad.) Caren: "We've seen psychiatrists, psychologists. They all say she's a normal little girl. But she says things that 5 and 6 year old children should not be saying. I love her with all my heart but, at times, I don't know who she is." How is Caren handling it? Caren: "Not very well. When I'm alone, I do a lot of crying. I feel isolated, I feel exhausted." (The kids fight and the older sisters blame Cedar for what's going on. That fighting may be related to the phenomena. Watch the video clip I included below for context. ~~~ Caren: "We're wiling to do whatever it takes. We're ready." (My take: It's obvious they were desperate for help in a situation where nobody else was offering up anything to fix the problem. So they turned to an alleged medium, Amy Allan, and former NYPD homicide investigator, Steve DiSchiavi, who were part of a TV show, "The Dead Files." I am NOT a fan of those types of shows and I would tell people to avoid them if they had a problem like what the Gallaudet's described. But I wasn't in their shoes so who knows what I might have done to get help for the people I love? Luckily, I've never had to deal with a situation like that.) Caren: "I was in the kitchen, and I opened the cupboard. And before doing anything, all the dishes and the bowls fell on top of me." (Sounds like poltergeist activity. And when I say poltergeist, I don't necessarily mean a ghost, spirit, etc. If you read Dr. Barry Taff's book, "Aliens Above, Ghosts Below," he talks about something called Recurrent Spontaneous Psychokinesis, or RSPK. The term was coined by parapsychologist, the late Dr. William Roll. The theory is that the paranormal activity taking place is originating from one of the people in the house. Usually, a young, adolescent boy or girl. "After receiving a report of poltergeist-like activities, two investigators from the Rhine visited a site and observed disturbances that were classified as Recurrent Spontaneous Psychokinesis or RSPK. RSPK is the modern interpretation of what was previously called poltergeist activity. It occurs when an individual – in this case an adolescent boy – is present in every case where a poltergeist-like effect is observed. The activity is interpreted as the result of unconscious psychokinesis activities coming from the individual who is called the PK-Agent." Source: ~ Here's a transcription of the video clip I included below: Parapsychologist Dr. Barry Taff: "The original belief, regarding poltergeist, was that they were, basically, mischievous, prank-playing ghosts. That's what the German word means. The modern theorist in parapsychology consider a quite different type of belief system is operating here, or phenomena is operating. They believe that there are young children present, pubescent, adolescent children, and the research tends to support this belief. These young children are present with a lot of emotional animosities, belligerence, a lot of very intense interactions. And this emotional interaction will produce an emission of unconscious energy from these children, which will affect matter, objects around them. Make them move, affect electrical appliances, make them turn on and off. Make things speed up and slow down, affect televisions, affect radios. Dishes may explode, furniture may move across the room, cameras may go off by themselves, light bulbs may explode suddenly." ~ "A person-focused poltergeist tends to (but not always) involve a female adolescent who is suffering from emotional turmoil when the activity begins. That said however, not all so called 'focal agents' are teenagers. Indeed, William G. Roll, a pioneer in poltergeist research, found the age of people reporting experiences of poltergeist activity ranged from eight to 78 years." Source: ~~~ (That may explain what went on in the Gallaudet home but it's still not accepted by mainstream science as a valid theory. Unfortunately, Allan (the alleged medium) didn't offer up any alternative explanations for the paranormal activity in the home and focused solely on the alleged spirts of dead people as the answer. She thought Cedar was a physical medium who could cause that type of activity to occur, but again, 100% related it to the spirits of dead people, without offering any other explanation. IMO, it's possible one of the girls (or Caren) is a PK-Agent and this had nothing to do with spirits. Then again, maybe it IS connected to non-physical entities? Spirits of the dead? Keel's ultraterrestrials, who he believed impersonated the dead? A mix? Something different? Impossible to prove, either way. So, I don't know. But I DO believe SOMETHING anomalous was going on. If you want an example of how an alleged haunting, ghost or poltergeist case should be investigated, watch this. The clip I attached at the end is from this video. If these folks were still doing investigations, I'd refer anybody who was dealing with this type of situation to them.) "We don't consider our pictures proof of anything, we consider them part of the struggle to gather evidence to try to understand this phenomena." ~Kerry Gaynor Watch it... 👆🏼👆🏼👆🏼 ~~~ Caren: Also, "my daughter, Laurel, and I were right here having a conversation. And all of a sudden she screamed. She said, 'Someone just touched me on my back.' And there was no one else in the room." The bedroom... Caren: "I was woken by a noise. Immediately, I looked to the door and saw a giant, black shadow coming at me from the door. It came over the bed and came straight over top of me. I was scared to death. I've never been that scared in my life." (This is very similar to what happened to people who visited Skinwalker Ranch (and other locations) and reported taking "something" home with them. Also known as the hitchhiker effect. ) Caren: "I was asleep and I felt a hand grab my hair and yank me up. It was a very aggressive pull. I screamed, and I did not go back to sleep after that. There was no one around. Tim wasn't here. It was not a nightmare. I don't sleep most nights, but I'm glad that I had the experience because I understand what Cedar's going through. If I saw that every night, I think I'd act like her, too." Caren's mother, Jan: "Something's going on with Cedar. She's changed dramatically in the last year, year and a half. To do this to my grandchildren makes me angry. My husband and I were babysitting here and we heard Cedar cry out, yelling and screaming, 'Stop it, stop it. Leave me alone!' So I rubbed her back and she went back into her sleep. And then I heard a low voice (that sounded male) say, 'It's gonna be alright. It's alright.'" (From the investigation, Jan wants, "peace among the girls. They don't tend to get along. It's more than just sibling rivalry. It's something else." She thinks the girls are in physical danger. As Taff noted, intense interactions among people in the house could be the cause of all of this. Why did it take a few years for the activity in the house to start? Did anything change in the family dynamic? Cedar is interviewed and she tells the investigator what she's experienced, which includes a scary dream with blood on the floor and dead people. She says she sees the man with brown arms and brown skin who yells at her, "Get out of here, this is not your room. This is my room." Later on, the medium says that this man was there to protect Cedar. Based on what he allegedly said, that makes zero sense. I'm not a fan of this medium (Allan), to put it mildly. Aspen, eight years old, says she sees a shadow man in her room who sits near her dresser. She also saw a little girl who was wet. "I felt a thumb press on my neck really hard." During the nighttime walkthrough of the house, the medium says that one of the spirits looks wet. Is this confirmation or was the medium fed information about what the children experienced? Impossible to know as it's an edited TV show.) Caren says Cedar has seen over a hundred spirits. "It's every night." Medium Allan says this one spirit is tormenting the kids because she's jealous of them and wants Caren to be her mother.) Amy Allan: "The only way (this spirit) could be with you is if you were to kill yourself, then you guys would spend entirety together, and you would forever be her mother, alone." (I'm sorry but without any evidence to back that up, it's an irresponsible thing to say and, IMO, a bunch of sensational bs.) You can watch the entire episode if you log in with your cable subscription. Or watch it at Greensteet's post... ~~~ Tim Gallaudet was on with “Jay Anderson” a few years ago and spoke about the phenomenon and what his family has experienced. Tim Gallaudet (TG): "You see a sort of grouping of UAP and paranormal and how does it intersect. And the answer is: I don't know." TG: "We were all grown up in traditional, kind of, religion. But at some point in our lives, my youngest daughter had real serious behavior issues. And to sum it all up, she is like many of these mediums that you see. She could see spirits, she saw them all the time. A lot of listeners might just think this is just a joke or made up." (I definitely don't think it's a joke, but if she still has these abilities when she gets older, try to take her to get tested at Windbridge Research. Some people (who call themselves mediums) claim they can acquire information via something other than their five senses and have shown the ability to do so under controlled conditions. Are they speaking to the dead or is it something else? I don't know. And FYI, a medium claims they can speak to the dead and also provides alleged psychic readings to people about their lives and sometimes the future. Nine times out of ten, a psychic does not claim to speak with the dead.) TG: "There are people that have this ability to tap into whatever we wanna call it. The Other Side, where people go when they die, whatever that is. The energy that people leave behind. There's a lot of ways to explain it. It was real and...real to us." (They're allegedly able to see the spirits of the dead and can acquire information they have no way of knowing via their five senses. To me, the part about them acquiring information they have no way of knowing through means other than their five senses has been proven. Maybe there's some storehouse of information that they're accessing, like an Akashic Records type of thing? Or, maybe they're really communicating with the dead or some other entities? Again, I don't know where the information is coming from. As TG said, there are lots of ways to explain it.) TG: "She had real experiences, it was affecting her. And through a lot of therapy, we were able to basically have her - now she's thirteen - she became adjusted and has kind of dealt with that. She's sort of suppressed it, actually, which is okay. I mean, she's only thirteen. We can take a pause and help her develop as a person and human before coming to groups with that incredible ability." (TG and his wife did everything they could to help their daughter. When traditional methods failed, they sought help in other ways. Why anybody would have a problem with that is beyond me.) TG: "My wife and I, through this experience, to just be able to help her, we came to meet several mediums who are incredibly gifted." One of them was the Long Island medium, Theresa Caputo. (I like to see Caputo tested in a lab. If you'd like to see what that looks like, watch this HBO documentary on Life After Death and mediums. You'll have to search for the other parts. Part 1 of Life Afterlife ) ~~~ TG said he and his wife had a camera in Cedar's room when this activity was taking place and, "there was orbs flying all around this video. It was so active." (I'd like to see this video and see if those were orbs or particles of dust.) TG: "We loved our daughter and we wanted to help her. And so, through just meeting people, doing a lot of reading about people, these experiences, it became real to us and it opened our minds. I don't have all the answers but I know what we experienced, I know what she saw. We contacted [the show] because we thought she could help her and she ultimately did help my daughter." (That's really all that matters! TG says he has some family history with this type of thing but doesn't have any details as people were less willing to talk about it back then.) TG "She was not the Devil, she was seeing real things (laughs), and that's it. We were not gonna brand her or blame her. And I ultimately know, it was that love that we shared - my wife and I - for her, that opened our minds and create the right outcome. For being well-adjusted, having that in our history, and not being afraid of it or ashamed of it. And being aware and open now to a lot of other things that happen in life and maybe seeing their meaning." (Well said. After learning about this, my respect for Tim and his family has only increased.) ~~~ Last and definitely least...Greenstreet's comments. SG: "In an interview with TheProjectUnity, former Navy Admiral Tim Gallaudet claims his young daughter is a 'medium' who sees spirits and can communicate with them." (He said that but also added this...) TG: "There are people that have this ability to tap into whatever we wanna call it. The Other Side, where people go when they die, whatever that is. The energy that people leave behind. There's a lot of ways to explain it." SG: "Gallaudet's wife claims their house is haunted by violent poltergeists." (His wife explained what the family was experiencing. I don't recall anyone involved mentioning poltergeists or that the house was haunted. This are buzzwords SG uses to disparage people. Just like his "monsters" garbage. ) SG: "Their youngest daughter, 6, thinks ghost monsters are hiding in her room and both the TV show stars and her parents validate her fantasies as real." (His wife and daughters were having experiences they couldn't explain. They took the youngest to a psychiatrist and psychologist and they couldn't help. So they sought out the show. You left out the part about them seeking professional help first. Why? Because you're a piece of trash who will do anything to disparage anybody involved in this. I think YOU should seek help.) SG: "Gallaudet says he's taken his young daughter to multiple psychics to try to 'help her.'" (Nope. Mediums. For a so-called journalist, you should know the difference. And again, this was AFTER they sought out traditional help.) SG: "It should be noted that Gallaudet is "close friends" with Jay Stratton, another retired Navy official who claims his house was/is also haunted by violent poltergeists who attacked his children." (Talk to Stratton and you'll see he doesn't define what happened to his family. Oh, that's right, he won't talk to you because you're an azzhole. And it makes sense that those two would bond since their families experienced similar things. I hope Tim shares more details about what's currently going on with his family and what he experienced himself.)
0:53

"We loved our daughter and we wanted to help her." ~Tim Gallaudet This is way too long but I hope you enjoy it. As far as Steven Greenstreet 🐷's posts about the Gallaudets, hauntings and psychics? First off, Tim Gallaudet's wife, "was also a Naval Academy graduate and a master’s recipient from Scripps, having earned her degree in 2001." Source: We know the resume of retired Rear Admiral and oceanographer, Tim Gallaudet, but what about his wife, Caren? She's a big part of this story, so any journalist covering it would want you to know a little something about her. But not Greenstreet, who is, as I said, not a journalist. He leaves out any detail that doesn't fit his debunker, mocking narrative. And he just blocked me. Good. Trash. More... “(My wife Caren) is an inspiration to me, first because she was a Navy diver, and you don’t need to say more. And second, she was a Navy diver as a female during a time when it was not easy. In the late 1980s/early 1990s there was a lot of sexual harassment in the Navy.” ~RDML Tim Gallaudet ~~~ This episode of "The Dead Files," S6E8 ("You Will Be Mine") aired May 20th, 2016. Caren: "People think I'm crazy but it's hard to do battle with an enemy you don't understand. There are things moving around the house. We're hearing voices. We've all had nightmares. We've seen full apparitions. Now things are getting physical." (I would liked to have heard more about full apparitions and exactly who saw them. Having multiple witnesses to alleged phenomena is important. And yes, people will think you're crazy but screw 'em. People have been experiencing this type of phenomena all over the world. At the time this was shot (2015 or 2016), their oldest of three daughters, Laurel, was 14, Aspen was 8, and the youngest, Cedar, was 6.) Caren: "My husband works for the Department of Defense and he travels a lot, so he's rarely here." (They bought the property in 2007 but the odd activity in the house didn't start until Cedar turned 3.) Caren: "Cedar has drawn pictures. This is the man with the brown arms. He lives in her room in her closet. This one she saw in my bathroom, it was a man covered with blood. And I have a book with over 40 drawings. She has become anxious and depressed." (Why didn't the family bring her to a psychiatrist or psychologist first before immediately seeking out a medium? What? They did? Why didn't hack Greenstreet tell us that? Because his goal is to make anybody connected to UFO disclosure look bad.) Caren: "We've seen psychiatrists, psychologists. They all say she's a normal little girl. But she says things that 5 and 6 year old children should not be saying. I love her with all my heart but, at times, I don't know who she is." How is Caren handling it? Caren: "Not very well. When I'm alone, I do a lot of crying. I feel isolated, I feel exhausted." (The kids fight and the older sisters blame Cedar for what's going on. That fighting may be related to the phenomena. Watch the video clip I included below for context. ~~~ Caren: "We're wiling to do whatever it takes. We're ready." (My take: It's obvious they were desperate for help in a situation where nobody else was offering up anything to fix the problem. So they turned to an alleged medium, Amy Allan, and former NYPD homicide investigator, Steve DiSchiavi, who were part of a TV show, "The Dead Files." I am NOT a fan of those types of shows and I would tell people to avoid them if they had a problem like what the Gallaudet's described. But I wasn't in their shoes so who knows what I might have done to get help for the people I love? Luckily, I've never had to deal with a situation like that.) Caren: "I was in the kitchen, and I opened the cupboard. And before doing anything, all the dishes and the bowls fell on top of me." (Sounds like poltergeist activity. And when I say poltergeist, I don't necessarily mean a ghost, spirit, etc. If you read Dr. Barry Taff's book, "Aliens Above, Ghosts Below," he talks about something called Recurrent Spontaneous Psychokinesis, or RSPK. The term was coined by parapsychologist, the late Dr. William Roll. The theory is that the paranormal activity taking place is originating from one of the people in the house. Usually, a young, adolescent boy or girl. "After receiving a report of poltergeist-like activities, two investigators from the Rhine visited a site and observed disturbances that were classified as Recurrent Spontaneous Psychokinesis or RSPK. RSPK is the modern interpretation of what was previously called poltergeist activity. It occurs when an individual – in this case an adolescent boy – is present in every case where a poltergeist-like effect is observed. The activity is interpreted as the result of unconscious psychokinesis activities coming from the individual who is called the PK-Agent." Source: ~ Here's a transcription of the video clip I included below: Parapsychologist Dr. Barry Taff: "The original belief, regarding poltergeist, was that they were, basically, mischievous, prank-playing ghosts. That's what the German word means. The modern theorist in parapsychology consider a quite different type of belief system is operating here, or phenomena is operating. They believe that there are young children present, pubescent, adolescent children, and the research tends to support this belief. These young children are present with a lot of emotional animosities, belligerence, a lot of very intense interactions. And this emotional interaction will produce an emission of unconscious energy from these children, which will affect matter, objects around them. Make them move, affect electrical appliances, make them turn on and off. Make things speed up and slow down, affect televisions, affect radios. Dishes may explode, furniture may move across the room, cameras may go off by themselves, light bulbs may explode suddenly." ~ "A person-focused poltergeist tends to (but not always) involve a female adolescent who is suffering from emotional turmoil when the activity begins. That said however, not all so called 'focal agents' are teenagers. Indeed, William G. Roll, a pioneer in poltergeist research, found the age of people reporting experiences of poltergeist activity ranged from eight to 78 years." Source: ~~~ (That may explain what went on in the Gallaudet home but it's still not accepted by mainstream science as a valid theory. Unfortunately, Allan (the alleged medium) didn't offer up any alternative explanations for the paranormal activity in the home and focused solely on the alleged spirts of dead people as the answer. She thought Cedar was a physical medium who could cause that type of activity to occur, but again, 100% related it to the spirits of dead people, without offering any other explanation. IMO, it's possible one of the girls (or Caren) is a PK-Agent and this had nothing to do with spirits. Then again, maybe it IS connected to non-physical entities? Spirits of the dead? Keel's ultraterrestrials, who he believed impersonated the dead? A mix? Something different? Impossible to prove, either way. So, I don't know. But I DO believe SOMETHING anomalous was going on. If you want an example of how an alleged haunting, ghost or poltergeist case should be investigated, watch this. The clip I attached at the end is from this video. If these folks were still doing investigations, I'd refer anybody who was dealing with this type of situation to them.) "We don't consider our pictures proof of anything, we consider them part of the struggle to gather evidence to try to understand this phenomena." ~Kerry Gaynor Watch it... 👆🏼👆🏼👆🏼 ~~~ Caren: Also, "my daughter, Laurel, and I were right here having a conversation. And all of a sudden she screamed. She said, 'Someone just touched me on my back.' And there was no one else in the room." The bedroom... Caren: "I was woken by a noise. Immediately, I looked to the door and saw a giant, black shadow coming at me from the door. It came over the bed and came straight over top of me. I was scared to death. I've never been that scared in my life." (This is very similar to what happened to people who visited Skinwalker Ranch (and other locations) and reported taking "something" home with them. Also known as the hitchhiker effect. ) Caren: "I was asleep and I felt a hand grab my hair and yank me up. It was a very aggressive pull. I screamed, and I did not go back to sleep after that. There was no one around. Tim wasn't here. It was not a nightmare. I don't sleep most nights, but I'm glad that I had the experience because I understand what Cedar's going through. If I saw that every night, I think I'd act like her, too." Caren's mother, Jan: "Something's going on with Cedar. She's changed dramatically in the last year, year and a half. To do this to my grandchildren makes me angry. My husband and I were babysitting here and we heard Cedar cry out, yelling and screaming, 'Stop it, stop it. Leave me alone!' So I rubbed her back and she went back into her sleep. And then I heard a low voice (that sounded male) say, 'It's gonna be alright. It's alright.'" (From the investigation, Jan wants, "peace among the girls. They don't tend to get along. It's more than just sibling rivalry. It's something else." She thinks the girls are in physical danger. As Taff noted, intense interactions among people in the house could be the cause of all of this. Why did it take a few years for the activity in the house to start? Did anything change in the family dynamic? Cedar is interviewed and she tells the investigator what she's experienced, which includes a scary dream with blood on the floor and dead people. She says she sees the man with brown arms and brown skin who yells at her, "Get out of here, this is not your room. This is my room." Later on, the medium says that this man was there to protect Cedar. Based on what he allegedly said, that makes zero sense. I'm not a fan of this medium (Allan), to put it mildly. Aspen, eight years old, says she sees a shadow man in her room who sits near her dresser. She also saw a little girl who was wet. "I felt a thumb press on my neck really hard." During the nighttime walkthrough of the house, the medium says that one of the spirits looks wet. Is this confirmation or was the medium fed information about what the children experienced? Impossible to know as it's an edited TV show.) Caren says Cedar has seen over a hundred spirits. "It's every night." Medium Allan says this one spirit is tormenting the kids because she's jealous of them and wants Caren to be her mother.) Amy Allan: "The only way (this spirit) could be with you is if you were to kill yourself, then you guys would spend entirety together, and you would forever be her mother, alone." (I'm sorry but without any evidence to back that up, it's an irresponsible thing to say and, IMO, a bunch of sensational bs.) You can watch the entire episode if you log in with your cable subscription. Or watch it at Greensteet's post... ~~~ Tim Gallaudet was on with “Jay Anderson” a few years ago and spoke about the phenomenon and what his family has experienced. Tim Gallaudet (TG): "You see a sort of grouping of UAP and paranormal and how does it intersect. And the answer is: I don't know." TG: "We were all grown up in traditional, kind of, religion. But at some point in our lives, my youngest daughter had real serious behavior issues. And to sum it all up, she is like many of these mediums that you see. She could see spirits, she saw them all the time. A lot of listeners might just think this is just a joke or made up." (I definitely don't think it's a joke, but if she still has these abilities when she gets older, try to take her to get tested at Windbridge Research. Some people (who call themselves mediums) claim they can acquire information via something other than their five senses and have shown the ability to do so under controlled conditions. Are they speaking to the dead or is it something else? I don't know. And FYI, a medium claims they can speak to the dead and also provides alleged psychic readings to people about their lives and sometimes the future. Nine times out of ten, a psychic does not claim to speak with the dead.) TG: "There are people that have this ability to tap into whatever we wanna call it. The Other Side, where people go when they die, whatever that is. The energy that people leave behind. There's a lot of ways to explain it. It was real and...real to us." (They're allegedly able to see the spirits of the dead and can acquire information they have no way of knowing via their five senses. To me, the part about them acquiring information they have no way of knowing through means other than their five senses has been proven. Maybe there's some storehouse of information that they're accessing, like an Akashic Records type of thing? Or, maybe they're really communicating with the dead or some other entities? Again, I don't know where the information is coming from. As TG said, there are lots of ways to explain it.) TG: "She had real experiences, it was affecting her. And through a lot of therapy, we were able to basically have her - now she's thirteen - she became adjusted and has kind of dealt with that. She's sort of suppressed it, actually, which is okay. I mean, she's only thirteen. We can take a pause and help her develop as a person and human before coming to groups with that incredible ability." (TG and his wife did everything they could to help their daughter. When traditional methods failed, they sought help in other ways. Why anybody would have a problem with that is beyond me.) TG: "My wife and I, through this experience, to just be able to help her, we came to meet several mediums who are incredibly gifted." One of them was the Long Island medium, Theresa Caputo. (I like to see Caputo tested in a lab. If you'd like to see what that looks like, watch this HBO documentary on Life After Death and mediums. You'll have to search for the other parts. Part 1 of Life Afterlife ) ~~~ TG said he and his wife had a camera in Cedar's room when this activity was taking place and, "there was orbs flying all around this video. It was so active." (I'd like to see this video and see if those were orbs or particles of dust.) TG: "We loved our daughter and we wanted to help her. And so, through just meeting people, doing a lot of reading about people, these experiences, it became real to us and it opened our minds. I don't have all the answers but I know what we experienced, I know what she saw. We contacted [the show] because we thought she could help her and she ultimately did help my daughter." (That's really all that matters! TG says he has some family history with this type of thing but doesn't have any details as people were less willing to talk about it back then.) TG "She was not the Devil, she was seeing real things (laughs), and that's it. We were not gonna brand her or blame her. And I ultimately know, it was that love that we shared - my wife and I - for her, that opened our minds and create the right outcome. For being well-adjusted, having that in our history, and not being afraid of it or ashamed of it. And being aware and open now to a lot of other things that happen in life and maybe seeing their meaning." (Well said. After learning about this, my respect for Tim and his family has only increased.) ~~~ Last and definitely least...Greenstreet's comments. SG: "In an interview with TheProjectUnity, former Navy Admiral Tim Gallaudet claims his young daughter is a 'medium' who sees spirits and can communicate with them." (He said that but also added this...) TG: "There are people that have this ability to tap into whatever we wanna call it. The Other Side, where people go when they die, whatever that is. The energy that people leave behind. There's a lot of ways to explain it." SG: "Gallaudet's wife claims their house is haunted by violent poltergeists." (His wife explained what the family was experiencing. I don't recall anyone involved mentioning poltergeists or that the house was haunted. This are buzzwords SG uses to disparage people. Just like his "monsters" garbage. ) SG: "Their youngest daughter, 6, thinks ghost monsters are hiding in her room and both the TV show stars and her parents validate her fantasies as real." (His wife and daughters were having experiences they couldn't explain. They took the youngest to a psychiatrist and psychologist and they couldn't help. So they sought out the show. You left out the part about them seeking professional help first. Why? Because you're a piece of trash who will do anything to disparage anybody involved in this. I think YOU should seek help.) SG: "Gallaudet says he's taken his young daughter to multiple psychics to try to 'help her.'" (Nope. Mediums. For a so-called journalist, you should know the difference. And again, this was AFTER they sought out traditional help.) SG: "It should be noted that Gallaudet is "close friends" with Jay Stratton, another retired Navy official who claims his house was/is also haunted by violent poltergeists who attacked his children." (Talk to Stratton and you'll see he doesn't define what happened to his family. Oh, that's right, he won't talk to you because you're an azzhole. And it makes sense that those two would bond since their families experienced similar things. I hope Tim shares more details about what's currently going on with his family and what he experienced himself.)

Joe Murgia

88,583 görüntüleme • 2 yıl önce

Min Hee-jin (NewJeans Producer) NHK Music Interview 🔗 “Meticulously planned debut ‘Attention’” 🧢: When I was preparing to launch NewJeans, I really struggled with deciding what our first piece of content should be. I thought about it for a long time and considered many possibilities. It was a project that came with high expectations, and for me personally, it was also my first opportunity to prove myself. So how I presented it mattered enormously. Even down to the smallest details… like the impression the very first released photo might give, or what kind of impact we could make at launch. I thought hard about what kind of content would be the most effective… should it be a video or a photo? What time of day would be most effective to release it? I consider things like that very carefully. For example, the way a person experiences content at night versus during the day can feel quite different emotionally. So I even thought about those subtle aspects. Eventually, the conclusion I reached was: “Let’s make the most of our situation.” At the time, the members hadn’t been revealed, and no one knew how many of them there were or what kind of group this would be. So I wanted to maximize that curiosity. You know how the more something is concealed, the more curious people become? I wanted to build that curiosity to a peak and then release everything all at once. That’s why we decided not to release a teaser and instead go straight into a full music video. (This was actually inspired by Hyein suggesting we skip teasers.) I didn’t think still images or photos would be enough to fully convey the feeling I wanted to express. I felt that video and music together would evoke the emotional response I was looking for because people experience things synesthetically. When sound, image, and feeling come together, the emotional impact is stronger. I believed the best way to present the members’ images was through music and a moving picture… that’s why we led with a music video. In the debut music video, “Attention,” there’s a scene where the members act out a little drama. I paid very close attention to that moment and created music that would fit it precisely. For me, I don’t just make content… I design the entire process of how it should be shown for the greatest effect. And I believe that’s incredibly important. That first feeling someone gets when they encounter something… that emotion, that spark… is so important to me. I’m very detail-oriented, but I also value fun deeply. So rather than just releasing content, I want to enjoy the process leading up to it. Even when we released our second album, since we shot the entire music video across the country, the sequence of how we released the videos was critical for me. It’s hard to explain all this simply in an interview, but maybe some people noticed: the first content we released that time was actually a teaser for the last track, “ASAP,” and then we followed that with the full music video for “New Jeans,” which was the first track. That order was a carefully calculated strategy. It was designed to guide the audience’s emotional journey. Seeing the audience react just as I had hoped—that whole process was honestly so fun and thrilling for me. I think I really enjoy that kind of thing. ——— “How 'Ditto' was born” 🧢: People often praise the music of NewJeans, and I hear a lot of talk about genres. But actually, I don’t feel bound by genre at all. I love a wide variety of music. I’m not the type to insist on only one particular genre. What I love are songs that blend genres cleverly… those are my personal favorites. So going forward, my focus is not on genre but on whether something feels fresh and whether it can create an emotional moment. I don’t want to define what kind of music we make. And I think you have to experience the flow of the times to really understand what’s meaningful in a given moment. For instance, the song “Ditto” was chosen because it delivered emotion. It matched perfectly with the winter album concept I had envisioned, both in terms of timing and mood. When I hear a song, I tend to trust my gut. I have a pretty strong intuition for which songs will resonate. It’s not about objectively predicting what will be a “hit,” but about whether a song moves your heart… you can just feel it. Of course, my own taste plays a big role. But I think that’s actually my strength as a producer, not as a composer. When I hear a song, I can immediately picture the visual… what kind of story, what kind of vibe it could carry. That allows me to work faster. For example, when expressing something like school uniforms, there are so many possible variations. But I always like to start from the basics… what’s the original idea of a school uniform? I try to return to that. So with “Ditto,” I wanted to tap into something primal… the pure, basic feeling of liking someone. That kind of emotion is universal. Everyone has it; it’s wired into us. When I saw Director Shin Woo-seok’s interpretation of it, I thought, “Yes, that’s it.” That’s the kind of complete interpretation I look for. I believe the completion of a project comes from every person involved thinking about their part down to the final detail… the maximum quality they can bring out. My role is to unify and refine all of that. I draw out the essence of each person’s creativity, trimming away anything unnecessary. So the final product is something that’s polished and high-quality, just the way I envisioned it. That’s my working style. So it’s not like I’m fixated on retro or stuck in a particular style. I don’t think human taste has changed all that much. Things people liked in the past are the same things we like now. It’s just the form of expression that changes with time. I don’t feel bound by “past” or “present.” I don’t even think in those boundaries. To me, it’s all just good taste. You know how kids sometimes have their own little treasure boxes when they’re young? I think my work is kind of like that. I want to make things that never feel dated—that are timelessly enjoyable. ——— “Dance Expression and 'Hype Boy'” 🧢: I had a vision of what kind of girl group I wanted to create. That’s why I chose a song like “Hype Boy.” And to bring out that feeling, we created four different versions of the music video. Every choice had a purpose, everything was designed to maximize the experience of the song. “Hype Boy” is such a unique song. It has this strange, piercing melody that gives people chills in a good way. To emphasize that tingling feeling, I had to break away from the standard K-pop choreography format… you know, the kind where everyone is in perfect formation, doing synchronized moves. But our songs don’t suit that kind of choreography. Our dances are much harder. They require the body to move very naturally with the groove of the melody and beat. So I think our members are incredible. It’s not easy to express naturalness with your body, and you have to really enjoy it to make it look effortless. But they pulled it off so well. They’re still young, but they’re so talented. And through it all, I wanted to avoid making them look like they were performing just for business. I wanted them to show the pure joy and bright spirit that’s natural for people their age… genuine, carefree, radiant. ——— “The difference between NewJeans and conventional K-POP” 🧢: Ah, for me, it’s all about naturalness. And honestly, naturalness isn’t something you can produce or direct into existence. It comes from how I interact with the NewJeans members on a daily basis… what kind of environment they practice in, how they live and work. There are so many things that don’t appear on camera, but those unseen aspects have to be in place in order for true naturalness to come through. That’s why I wanted to create that kind of environment for the girls. And also, I wanted to shape my own working environment in that way too. Only then can something truly natural, something unforced and not overly stimulating, really come out. To begin with, I don’t believe anyone can be completely natural in front of a camera or under the gaze of others. It’s human nature to become self-conscious. That’s why I think naturalness is our strength, but it can’t be our concept. If you try to turn “naturalness” into a concept, it actually becomes incredibly artificial. So why do I place so much importance on naturalness? It’s because the girls are still so young. While other kids their age are going through school and having a wide range of life experiences, these members are living very different lives. Before they officially debuted, I told them, “This is like studying together with me.” Our standard contract is seven years, which is about the same length as going through high school and college in Korea: three years of high school and four years of university. So I told them, “We’re going to school together. We’re learning together.” And in that sense, I want to be a good teacher to them. They’re also surrounded by an incredibly professional team, people they’d never meet even in a traditional school setting. I’ve never really liked the word idol. These days, that word is used more like a job title, something manufactured by the industry, and it’s far from its original meaning. To me, the term idol feels misplaced. It doesn’t really reflect who these artists are or what they represent. And I’m not the kind of person who clings to labels or terminology. In fact, what I really want is to break the stereotypes and preconceptions that come with the idol industry. I want us to show people something different… to challenge those assumptions and redefine what this can look like. That’s the kind of mindset I have. ——— “Isn't it difficult for the members to express "naturalness"?” 🧢: There were a lot of things I considered when forming the group. First and foremost, I think it was important that the members shared a similar vibe… like how I prefer working with staff who align with my taste. It’s important for the crew to be on the same wavelength. And by that, I mean more than just getting along… it also extends to shared values. Of course, people won’t all share identical values, but when we’re facing in a similar direction, everything becomes easier. It’s also just more efficient to work with people who have overlapping tastes. Now, when it comes to our members, they each have their own individual tastes, but those preferences are still in development. Just like we all went through as kids, they’re still growing, still discovering themselves. They’re not in a finished state. So we didn’t cast them based on some complete or polished version of themselves. It wasn’t like, “This person is fully formed, let’s pick her.” It was more like, “Ah, she has potential, there’s something there.” That sense of a spark… those were the kinds of subtleties I paid attention to. I didn’t cast anyone just because they were pretty or could sing well. I don’t work like that. I really value those finer, more delicate aspects. Even the design of the light stick wasn’t something that came from a long strategic planning session… it was actually a spontaneous idea. I didn’t sit down and think, “Let’s make a light stick like this.” NewJeans didn’t have a fixed logo, but I felt we still needed a unifying symbol. So one night, just before going to sleep, I kept thinking about it. Right before dozing off, I started sketching and it turned into a rabbit’s face. When I drew it out, the shape just continued and turned into a bunny. To me, the NewJeans members are like little bunnies… playful, innocent. Their visuals also resemble rabbits in a way. And rabbits symbolize abundance. That made me think: “Ah, maybe our fans will multiply like rabbits. That would be great.” So that bunny face became both a symbol for the members and the fans. The image came to me all at once, and I imagined a venue completely filled with bunny light sticks. That vision led to the creation of the light stick itself. Since I always prioritize fun in everything I do, the next idea that came to mind was making the light stick customizable. I thought, “Wouldn’t it be great if fans could personalize their bunny?” That way, each rabbit would represent a different person’s character. So we included accessories, allowing everyone to customize their own bunny. It’s symbolic of all these different bunnies coming together and enjoying a good time as one. Our light stick has a big head, so when it’s used in a concert hall, it lights up in heart shapes that are very visible. That was the image I really wanted. And that bunny face… it’s also a heart. It represents both the face of NewJeans and our hearts. It’s the love we’re showing to our fans, and the love we want to receive in return. Every time I see it, I feel deeply moved. It’s very emotional for me because it’s a perfect realization of what I envisioned. As someone with a background in creative direction, there’s nothing more satisfying than seeing an idea materialize exactly the way you imagined it. That kind of work holds deep meaning for me. ⸻ 🧢: Looking back, I think in 2023 we were able to achieve almost everything we had hoped for. I’m so incredibly grateful for that. Of course, this is an ongoing challenge… and the better things go, the more pressure there is. That’s why I always try to return to my original mindset. Just like I tell the members, I try to remind myself of the beginning and keep things fun. Back then, when we were first putting out content, planning the music, and working on visuals, I felt this thrill… this rush of excitement. I don’t want to forget that feeling. So I try hard to engrave that emotion into every album we release. I’m constantly working to rediscover the joy in all of it. So for 2024, I hope everyone can look forward to us with fresh anticipation. And even if we come out with something completely new, I hope people will receive it warmly and with excitement. That’s really my deepest wish. 🙏
21:30

Min Hee-jin (NewJeans Producer) NHK Music Interview 🔗 “Meticulously planned debut ‘Attention’” 🧢: When I was preparing to launch NewJeans, I really struggled with deciding what our first piece of content should be. I thought about it for a long time and considered many possibilities. It was a project that came with high expectations, and for me personally, it was also my first opportunity to prove myself. So how I presented it mattered enormously. Even down to the smallest details… like the impression the very first released photo might give, or what kind of impact we could make at launch. I thought hard about what kind of content would be the most effective… should it be a video or a photo? What time of day would be most effective to release it? I consider things like that very carefully. For example, the way a person experiences content at night versus during the day can feel quite different emotionally. So I even thought about those subtle aspects. Eventually, the conclusion I reached was: “Let’s make the most of our situation.” At the time, the members hadn’t been revealed, and no one knew how many of them there were or what kind of group this would be. So I wanted to maximize that curiosity. You know how the more something is concealed, the more curious people become? I wanted to build that curiosity to a peak and then release everything all at once. That’s why we decided not to release a teaser and instead go straight into a full music video. (This was actually inspired by Hyein suggesting we skip teasers.) I didn’t think still images or photos would be enough to fully convey the feeling I wanted to express. I felt that video and music together would evoke the emotional response I was looking for because people experience things synesthetically. When sound, image, and feeling come together, the emotional impact is stronger. I believed the best way to present the members’ images was through music and a moving picture… that’s why we led with a music video. In the debut music video, “Attention,” there’s a scene where the members act out a little drama. I paid very close attention to that moment and created music that would fit it precisely. For me, I don’t just make content… I design the entire process of how it should be shown for the greatest effect. And I believe that’s incredibly important. That first feeling someone gets when they encounter something… that emotion, that spark… is so important to me. I’m very detail-oriented, but I also value fun deeply. So rather than just releasing content, I want to enjoy the process leading up to it. Even when we released our second album, since we shot the entire music video across the country, the sequence of how we released the videos was critical for me. It’s hard to explain all this simply in an interview, but maybe some people noticed: the first content we released that time was actually a teaser for the last track, “ASAP,” and then we followed that with the full music video for “New Jeans,” which was the first track. That order was a carefully calculated strategy. It was designed to guide the audience’s emotional journey. Seeing the audience react just as I had hoped—that whole process was honestly so fun and thrilling for me. I think I really enjoy that kind of thing. ——— “How 'Ditto' was born” 🧢: People often praise the music of NewJeans, and I hear a lot of talk about genres. But actually, I don’t feel bound by genre at all. I love a wide variety of music. I’m not the type to insist on only one particular genre. What I love are songs that blend genres cleverly… those are my personal favorites. So going forward, my focus is not on genre but on whether something feels fresh and whether it can create an emotional moment. I don’t want to define what kind of music we make. And I think you have to experience the flow of the times to really understand what’s meaningful in a given moment. For instance, the song “Ditto” was chosen because it delivered emotion. It matched perfectly with the winter album concept I had envisioned, both in terms of timing and mood. When I hear a song, I tend to trust my gut. I have a pretty strong intuition for which songs will resonate. It’s not about objectively predicting what will be a “hit,” but about whether a song moves your heart… you can just feel it. Of course, my own taste plays a big role. But I think that’s actually my strength as a producer, not as a composer. When I hear a song, I can immediately picture the visual… what kind of story, what kind of vibe it could carry. That allows me to work faster. For example, when expressing something like school uniforms, there are so many possible variations. But I always like to start from the basics… what’s the original idea of a school uniform? I try to return to that. So with “Ditto,” I wanted to tap into something primal… the pure, basic feeling of liking someone. That kind of emotion is universal. Everyone has it; it’s wired into us. When I saw Director Shin Woo-seok’s interpretation of it, I thought, “Yes, that’s it.” That’s the kind of complete interpretation I look for. I believe the completion of a project comes from every person involved thinking about their part down to the final detail… the maximum quality they can bring out. My role is to unify and refine all of that. I draw out the essence of each person’s creativity, trimming away anything unnecessary. So the final product is something that’s polished and high-quality, just the way I envisioned it. That’s my working style. So it’s not like I’m fixated on retro or stuck in a particular style. I don’t think human taste has changed all that much. Things people liked in the past are the same things we like now. It’s just the form of expression that changes with time. I don’t feel bound by “past” or “present.” I don’t even think in those boundaries. To me, it’s all just good taste. You know how kids sometimes have their own little treasure boxes when they’re young? I think my work is kind of like that. I want to make things that never feel dated—that are timelessly enjoyable. ——— “Dance Expression and 'Hype Boy'” 🧢: I had a vision of what kind of girl group I wanted to create. That’s why I chose a song like “Hype Boy.” And to bring out that feeling, we created four different versions of the music video. Every choice had a purpose, everything was designed to maximize the experience of the song. “Hype Boy” is such a unique song. It has this strange, piercing melody that gives people chills in a good way. To emphasize that tingling feeling, I had to break away from the standard K-pop choreography format… you know, the kind where everyone is in perfect formation, doing synchronized moves. But our songs don’t suit that kind of choreography. Our dances are much harder. They require the body to move very naturally with the groove of the melody and beat. So I think our members are incredible. It’s not easy to express naturalness with your body, and you have to really enjoy it to make it look effortless. But they pulled it off so well. They’re still young, but they’re so talented. And through it all, I wanted to avoid making them look like they were performing just for business. I wanted them to show the pure joy and bright spirit that’s natural for people their age… genuine, carefree, radiant. ——— “The difference between NewJeans and conventional K-POP” 🧢: Ah, for me, it’s all about naturalness. And honestly, naturalness isn’t something you can produce or direct into existence. It comes from how I interact with the NewJeans members on a daily basis… what kind of environment they practice in, how they live and work. There are so many things that don’t appear on camera, but those unseen aspects have to be in place in order for true naturalness to come through. That’s why I wanted to create that kind of environment for the girls. And also, I wanted to shape my own working environment in that way too. Only then can something truly natural, something unforced and not overly stimulating, really come out. To begin with, I don’t believe anyone can be completely natural in front of a camera or under the gaze of others. It’s human nature to become self-conscious. That’s why I think naturalness is our strength, but it can’t be our concept. If you try to turn “naturalness” into a concept, it actually becomes incredibly artificial. So why do I place so much importance on naturalness? It’s because the girls are still so young. While other kids their age are going through school and having a wide range of life experiences, these members are living very different lives. Before they officially debuted, I told them, “This is like studying together with me.” Our standard contract is seven years, which is about the same length as going through high school and college in Korea: three years of high school and four years of university. So I told them, “We’re going to school together. We’re learning together.” And in that sense, I want to be a good teacher to them. They’re also surrounded by an incredibly professional team, people they’d never meet even in a traditional school setting. I’ve never really liked the word idol. These days, that word is used more like a job title, something manufactured by the industry, and it’s far from its original meaning. To me, the term idol feels misplaced. It doesn’t really reflect who these artists are or what they represent. And I’m not the kind of person who clings to labels or terminology. In fact, what I really want is to break the stereotypes and preconceptions that come with the idol industry. I want us to show people something different… to challenge those assumptions and redefine what this can look like. That’s the kind of mindset I have. ——— “Isn't it difficult for the members to express "naturalness"?” 🧢: There were a lot of things I considered when forming the group. First and foremost, I think it was important that the members shared a similar vibe… like how I prefer working with staff who align with my taste. It’s important for the crew to be on the same wavelength. And by that, I mean more than just getting along… it also extends to shared values. Of course, people won’t all share identical values, but when we’re facing in a similar direction, everything becomes easier. It’s also just more efficient to work with people who have overlapping tastes. Now, when it comes to our members, they each have their own individual tastes, but those preferences are still in development. Just like we all went through as kids, they’re still growing, still discovering themselves. They’re not in a finished state. So we didn’t cast them based on some complete or polished version of themselves. It wasn’t like, “This person is fully formed, let’s pick her.” It was more like, “Ah, she has potential, there’s something there.” That sense of a spark… those were the kinds of subtleties I paid attention to. I didn’t cast anyone just because they were pretty or could sing well. I don’t work like that. I really value those finer, more delicate aspects. Even the design of the light stick wasn’t something that came from a long strategic planning session… it was actually a spontaneous idea. I didn’t sit down and think, “Let’s make a light stick like this.” NewJeans didn’t have a fixed logo, but I felt we still needed a unifying symbol. So one night, just before going to sleep, I kept thinking about it. Right before dozing off, I started sketching and it turned into a rabbit’s face. When I drew it out, the shape just continued and turned into a bunny. To me, the NewJeans members are like little bunnies… playful, innocent. Their visuals also resemble rabbits in a way. And rabbits symbolize abundance. That made me think: “Ah, maybe our fans will multiply like rabbits. That would be great.” So that bunny face became both a symbol for the members and the fans. The image came to me all at once, and I imagined a venue completely filled with bunny light sticks. That vision led to the creation of the light stick itself. Since I always prioritize fun in everything I do, the next idea that came to mind was making the light stick customizable. I thought, “Wouldn’t it be great if fans could personalize their bunny?” That way, each rabbit would represent a different person’s character. So we included accessories, allowing everyone to customize their own bunny. It’s symbolic of all these different bunnies coming together and enjoying a good time as one. Our light stick has a big head, so when it’s used in a concert hall, it lights up in heart shapes that are very visible. That was the image I really wanted. And that bunny face… it’s also a heart. It represents both the face of NewJeans and our hearts. It’s the love we’re showing to our fans, and the love we want to receive in return. Every time I see it, I feel deeply moved. It’s very emotional for me because it’s a perfect realization of what I envisioned. As someone with a background in creative direction, there’s nothing more satisfying than seeing an idea materialize exactly the way you imagined it. That kind of work holds deep meaning for me. ⸻ 🧢: Looking back, I think in 2023 we were able to achieve almost everything we had hoped for. I’m so incredibly grateful for that. Of course, this is an ongoing challenge… and the better things go, the more pressure there is. That’s why I always try to return to my original mindset. Just like I tell the members, I try to remind myself of the beginning and keep things fun. Back then, when we were first putting out content, planning the music, and working on visuals, I felt this thrill… this rush of excitement. I don’t want to forget that feeling. So I try hard to engrave that emotion into every album we release. I’m constantly working to rediscover the joy in all of it. So for 2024, I hope everyone can look forward to us with fresh anticipation. And even if we come out with something completely new, I hope people will receive it warmly and with excitement. That’s really my deepest wish. 🙏

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RUSSELL T. DAVIES IS HOIST BY HIS OWN PERTARDIS IN CASUAL COMMENT ON KIDS “As if people care remotely for the lives of children, in any shape or form…” Davies believes false concern for child safety is being used to beat LGBTQ+ around the ideological grooming and transing of children. Leading to “Hate”, Davies predicts, “that will lead to a hanging” — as he depicts in Tip Toe. Davies’ conceit with Tip Toe is to persuade the audience to sympathise with Leo, who is drawn into conflict with his straight neighbour and family, including the teenage son. His immaturity attracts him to 16-year-old George, and to lust after men decades younger than himself throughout the series. (Davies, incidentally, is 63 and dating a 27-year-old who’s a dead ringer for 15-year-old schoolboy Nathan in Queer as Folk…) In this excerpt from a video posted to YouTube on 4 June, Davies is bemused that anyone could be remotely concerned for children’s lives. To him, anyone who suggests puberty blockers are dangerous, that kids are too young to consent to medical procedures, or are being ideologically groomed by LGBTQ+ activists at school and on TV must, therefore, be politically motivated. Not unlike the contemptuous response of politicians towards those who speak up for rape gang victims, or the attempted beheading of a man in Belfast, reported as a “minor incident” by the BBC. Their response is always to blame Nigel Farage, or to attack Elon Musk and anyone who wants to talk about it. Similarly, Davies’ response to those who call out the ideological grooming and transing of children is to… attack Elon Musk and call for X to be shut down. Davies runs an account on Instagram which he is able to control, word for word, yet rages against the one platform he can’t: “X is a hate platform owned by a megalomaniac who is pushing ill on many of us!” he fumed recently. Yet it was X that exposed the UK rape gangs scandal globally and the horrific murder of Harry Nowak, and pushed for the bodycam footage to be released — without which Harry would likely have been forever remembered as a racist rather than a victim of the worst example of DEI; the new religion of the left which Davies, the BBC and the left bow down to. Davies’ visceral hatred of X was no doubt amplified when the US ‘WPATH – The World Professional Association for Transgender Health – Files’ and UK’s own Cass Report into NHS England gender identity services for children and young people were published in March and April 2024 respectively — a month before the global premiere of Ncuti Gatwa’s first globally streamed season of Doctor Who on Disney+. It was revealed in November 2025 that LGBTQ+ activists within the BBC and other international news organisations like CNN censored coverage of the WPATH Files entirely, despite its information being used by institutions globally, including the NHS. So for millions, X was the only platform they could turn to for truth when the story broke; namely, that the WPATH’s internal messaging boards leaked by a whistleblower exposed its members doubting their own guidance that was demonstrably ruining many lives, not least children fast-tracked at a furious pace for puberty blockers and surgery. Davies is himself an outspoken advocate for dispensing puberty blockers for children. Having been a champion for LGB rights for many years, he became one of the trans movement’s most outspoken activists some 15 years ago when he aligned to the LGBTQ+ acronym. “To cut out the T is to kill!” he said in 2021. The backlash against the damning disclosures — proving conclusively that gender-confused children were being medically, emotionally and physically harmed by the zeal of the trans lobby to place them on a pathway of irreversible medical procedures — came at a critical juncture for Davies; a point when the LGBTQ+ movement appeared to be nearing an irreversible level of dominance throughout western society. They helped to derail the LGBTQ+ globalist utopia Davies was actively participating in working toward and his rainbow makeover of Doctor Who was a monumental flop globally, spectacularly failing to entice the new child audience Davies so craved through his “open door” of diversity replete with trans teens, drag queens — even the Doctor himself cruising for gay sex. During promotion for the 60th anniversary specials and Gatwa’s first season Davies is on record saying: “This is my world… Why wouldn’t I want to write about it?” “What you call diversity I call an open door.” “The messaging’s for the kids… We’ve got to get them while they’re young!” Only someone lacking the ability to marvel at a child’s innocence — who casually states they can’t comprehend how anyone could “care remotely for the lives of children in any way, shape or form” — would ask for sympathy for a character like Leo, who lived life on the edge, fucked around with abandon, and whose immature lust for youth clearly, like Stuart in Queer as Folk, had no fixed demarcation point. “16 is the legal age of consent," Davies makes a point of slipping into his Tip Toe script. Off camera: Yes, but if he looks 16 and is really 15, 14…” My Tip Toe review below ⬇️
0:50

RUSSELL T. DAVIES IS HOIST BY HIS OWN PERTARDIS IN CASUAL COMMENT ON KIDS “As if people care remotely for the lives of children, in any shape or form…” Davies believes false concern for child safety is being used to beat LGBTQ+ around the ideological grooming and transing of children. Leading to “Hate”, Davies predicts, “that will lead to a hanging” — as he depicts in Tip Toe. Davies’ conceit with Tip Toe is to persuade the audience to sympathise with Leo, who is drawn into conflict with his straight neighbour and family, including the teenage son. His immaturity attracts him to 16-year-old George, and to lust after men decades younger than himself throughout the series. (Davies, incidentally, is 63 and dating a 27-year-old who’s a dead ringer for 15-year-old schoolboy Nathan in Queer as Folk…) In this excerpt from a video posted to YouTube on 4 June, Davies is bemused that anyone could be remotely concerned for children’s lives. To him, anyone who suggests puberty blockers are dangerous, that kids are too young to consent to medical procedures, or are being ideologically groomed by LGBTQ+ activists at school and on TV must, therefore, be politically motivated. Not unlike the contemptuous response of politicians towards those who speak up for rape gang victims, or the attempted beheading of a man in Belfast, reported as a “minor incident” by the BBC. Their response is always to blame Nigel Farage, or to attack Elon Musk and anyone who wants to talk about it. Similarly, Davies’ response to those who call out the ideological grooming and transing of children is to… attack Elon Musk and call for X to be shut down. Davies runs an account on Instagram which he is able to control, word for word, yet rages against the one platform he can’t: “X is a hate platform owned by a megalomaniac who is pushing ill on many of us!” he fumed recently. Yet it was X that exposed the UK rape gangs scandal globally and the horrific murder of Harry Nowak, and pushed for the bodycam footage to be released — without which Harry would likely have been forever remembered as a racist rather than a victim of the worst example of DEI; the new religion of the left which Davies, the BBC and the left bow down to. Davies’ visceral hatred of X was no doubt amplified when the US ‘WPATH – The World Professional Association for Transgender Health – Files’ and UK’s own Cass Report into NHS England gender identity services for children and young people were published in March and April 2024 respectively — a month before the global premiere of Ncuti Gatwa’s first globally streamed season of Doctor Who on Disney+. It was revealed in November 2025 that LGBTQ+ activists within the BBC and other international news organisations like CNN censored coverage of the WPATH Files entirely, despite its information being used by institutions globally, including the NHS. So for millions, X was the only platform they could turn to for truth when the story broke; namely, that the WPATH’s internal messaging boards leaked by a whistleblower exposed its members doubting their own guidance that was demonstrably ruining many lives, not least children fast-tracked at a furious pace for puberty blockers and surgery. Davies is himself an outspoken advocate for dispensing puberty blockers for children. Having been a champion for LGB rights for many years, he became one of the trans movement’s most outspoken activists some 15 years ago when he aligned to the LGBTQ+ acronym. “To cut out the T is to kill!” he said in 2021. The backlash against the damning disclosures — proving conclusively that gender-confused children were being medically, emotionally and physically harmed by the zeal of the trans lobby to place them on a pathway of irreversible medical procedures — came at a critical juncture for Davies; a point when the LGBTQ+ movement appeared to be nearing an irreversible level of dominance throughout western society. They helped to derail the LGBTQ+ globalist utopia Davies was actively participating in working toward and his rainbow makeover of Doctor Who was a monumental flop globally, spectacularly failing to entice the new child audience Davies so craved through his “open door” of diversity replete with trans teens, drag queens — even the Doctor himself cruising for gay sex. During promotion for the 60th anniversary specials and Gatwa’s first season Davies is on record saying: “This is my world… Why wouldn’t I want to write about it?” “What you call diversity I call an open door.” “The messaging’s for the kids… We’ve got to get them while they’re young!” Only someone lacking the ability to marvel at a child’s innocence — who casually states they can’t comprehend how anyone could “care remotely for the lives of children in any way, shape or form” — would ask for sympathy for a character like Leo, who lived life on the edge, fucked around with abandon, and whose immature lust for youth clearly, like Stuart in Queer as Folk, had no fixed demarcation point. “16 is the legal age of consent," Davies makes a point of slipping into his Tip Toe script. Off camera: Yes, but if he looks 16 and is really 15, 14…” My Tip Toe review below ⬇️

Paul Clifton

60,733 görüntüleme • 1 ay önce

Stargate Trivia: Casting Stargate: Atlantis While SG-1 was my first love (We were together for seven years!), my time on Atlantis proved equally memorable. The show was possessed of a similar tone in its mix of high adventure and humor, yet proved distinct in its exploration of Ancient mythology and an unfamiliar galaxy as seen through the eyes of a new set of heroes. Atlantis offered a sense of wonder and camaraderie born of isolation and constant danger. Whereas team SG-1 could always go home at the conclusion of their adventures, the members of the Atlantis expedition (at least for those first few seasons) could only draw comfort from the city of Atlantis itself – and, of course, each other. It was unique and compelling yet, at the same time, comfortingly familiar. Nowhere is this more evident than in its opening theme, composed by the late Joel Goldsmith, which is, at turns fresh, haunting, stirring and, throughout, discernibly Stargate. Stargate: Atlantis wasn’t envisioned as a companion to Stargate: SG-1. It was intended to replace the long-running series. The only problem was, with eight seasons under its belt, SG-1 wasn’t quite done yet. And fans (and the network) weren’t done with it either. And so, instead of passing the torch and segueing to a new Stargate series, we ended up producing both. In retrospect, it was quite an achievement: 40 hours of television! Today's productions can barely manage a third that output, but Stargates SG-1 and Atlantis delivered two fantastic 40 episode seasons before SG-1 took it’s final bow. It wasn’t easy, but it was certainly made easier by all of the enormously talented individuals who made it happen, from the office staff and crew to the cast and my fellow writer/producers. Still, it was not without its challenges. Take casting, for instance. It may surprise you to know that, when it comes to producing a show, not everybody cares about costumes or set design or whether the script’s fifth act denouement is emotionally satisfying - but everybody, and I do mean EVERYBODY, has an opinion on casting. Studio and network execs, producers, hell, even your significant other peering over your shoulder as you screen the auditions on your home computer, will want to weigh in. Of course, the more voices in the mix the more likely there are to be disagreements. So it is with every production and Atlantis was no different. Different individuals envisioned these characters in very different ways and, as a result, consensus was only achieved after many auditions, calls-backs, heated discussions, and not-so-gentle reminders that our start date was fast-approaching and we really needed someone to say the lines on camera. The part of Carson Beckett was one of the first we cast. The other producers were in Rob’s office, screening the first batch of local auditions when Brad called me in and told me to check out the guy onscreen. I hadn’t imagined Beckett with a Scottish accent but, after watching Paul McGillion in the role, I couldn’t imagine him without one. He’d brought something unexpected to the part, something we all responded to. Elizabeth Weir was not an easy character to pull off. She had to be smart, confident and strong yet needed to exude a certain warmth and empathy we were looking for in the civilian leader of the expedition. When it came time to (re)casting the role, several established names were considered (One had her own hit genre show back in the day while another went on to break out on a hit show soon after), but it was Torri Higginson who managed to strike just the right balance and vault her name to the top of the list. The role of Teyla Emmagan was a tough one to cast. Like Weir, she needed to be a strong, empathetic leader. But she also required something even more important – quite literally, an other-worldly quality that made her unique. Some equally talented actresses auditioned for the role but, as good as they were, they were never quite able to achieve that gravitas Rachel pulled off with such grace and seeming ease. Former VJ Rainbow Sun Francks won the role of Lieutenant Ford on the strength of a great audition, preceded by an equally great audition with a funny hat. I recall Brad Wright on the phone with our casting agent, advising him to ensure there would be no hat worn in the callback for fear the network would fixate on it. There wasn't, they didn't, and Rainbow delivered. The role of John Sheppard was the second to last one cast. It came right down to the wire and there were several candidates in play. The character was originally envisioned as a good ole southern boy, so it only made sense that Ben Browder’s name was bandied about early. However, he was too busy shooting Peacekeeper Wars to warrant consideration. A number of other actors were considered (one went on to play the lead in a hugely popular show the following year while another made his mark as a handsome heart throb on another hugely popular medical series) but it was Joe Flanigan who won the part based on his ability to pull off the devil-may-care attitude Brad and Robert were looking for. We come to the final role cast, a character who, in many ways, embodied everything Atlantis was about: exploration, discovery, fun, humor, and seat-of-your-pants-Holy-Sh&%-how-the-hell-am-I-going-to-get-out-of-this-adventure. And, as I mentioned in a previous post, he almost didn’t make the trip to Pegasus. Originally, the casting call went out for a completely different character, an earnest young doctor who would lend the team much-needed medical support on their off-world ventures. Unfortunately, no one could agree on who that actor should be. If the casting of Sheppard went down to the wire, then the casting of this final role went a step past it. Finally, days away from production, Robert Cooper had an idea: Forget the doctor character. Why not use an established character from SG-1? How about Rodney McKay? The writers were on board, but some executives weren't weren’t sold on the idea. They found him annoying! Hell yeah, but he’d be sooo much fun to write for! Rob got on the phone and went to bat for Rodney, pointing out that the character had come a long way since first being introduced way back in SG-1’s 48 Hours. He’d evolved, going from annoying jerk to endearingly irritating. To this day, I’m convinced that they weren’t totally convinced but, with production poised to commence, they relented, I suppose figuring they could just replace the character somewhere down the line. No one, even those who loved the idea of having the endearingly irritating Rodney McKay on board could have predicted how hugely popular the character would become.
0:57

Stargate Trivia: Casting Stargate: Atlantis While SG-1 was my first love (We were together for seven years!), my time on Atlantis proved equally memorable. The show was possessed of a similar tone in its mix of high adventure and humor, yet proved distinct in its exploration of Ancient mythology and an unfamiliar galaxy as seen through the eyes of a new set of heroes. Atlantis offered a sense of wonder and camaraderie born of isolation and constant danger. Whereas team SG-1 could always go home at the conclusion of their adventures, the members of the Atlantis expedition (at least for those first few seasons) could only draw comfort from the city of Atlantis itself – and, of course, each other. It was unique and compelling yet, at the same time, comfortingly familiar. Nowhere is this more evident than in its opening theme, composed by the late Joel Goldsmith, which is, at turns fresh, haunting, stirring and, throughout, discernibly Stargate. Stargate: Atlantis wasn’t envisioned as a companion to Stargate: SG-1. It was intended to replace the long-running series. The only problem was, with eight seasons under its belt, SG-1 wasn’t quite done yet. And fans (and the network) weren’t done with it either. And so, instead of passing the torch and segueing to a new Stargate series, we ended up producing both. In retrospect, it was quite an achievement: 40 hours of television! Today's productions can barely manage a third that output, but Stargates SG-1 and Atlantis delivered two fantastic 40 episode seasons before SG-1 took it’s final bow. It wasn’t easy, but it was certainly made easier by all of the enormously talented individuals who made it happen, from the office staff and crew to the cast and my fellow writer/producers. Still, it was not without its challenges. Take casting, for instance. It may surprise you to know that, when it comes to producing a show, not everybody cares about costumes or set design or whether the script’s fifth act denouement is emotionally satisfying - but everybody, and I do mean EVERYBODY, has an opinion on casting. Studio and network execs, producers, hell, even your significant other peering over your shoulder as you screen the auditions on your home computer, will want to weigh in. Of course, the more voices in the mix the more likely there are to be disagreements. So it is with every production and Atlantis was no different. Different individuals envisioned these characters in very different ways and, as a result, consensus was only achieved after many auditions, calls-backs, heated discussions, and not-so-gentle reminders that our start date was fast-approaching and we really needed someone to say the lines on camera. The part of Carson Beckett was one of the first we cast. The other producers were in Rob’s office, screening the first batch of local auditions when Brad called me in and told me to check out the guy onscreen. I hadn’t imagined Beckett with a Scottish accent but, after watching Paul McGillion in the role, I couldn’t imagine him without one. He’d brought something unexpected to the part, something we all responded to. Elizabeth Weir was not an easy character to pull off. She had to be smart, confident and strong yet needed to exude a certain warmth and empathy we were looking for in the civilian leader of the expedition. When it came time to (re)casting the role, several established names were considered (One had her own hit genre show back in the day while another went on to break out on a hit show soon after), but it was Torri Higginson who managed to strike just the right balance and vault her name to the top of the list. The role of Teyla Emmagan was a tough one to cast. Like Weir, she needed to be a strong, empathetic leader. But she also required something even more important – quite literally, an other-worldly quality that made her unique. Some equally talented actresses auditioned for the role but, as good as they were, they were never quite able to achieve that gravitas Rachel pulled off with such grace and seeming ease. Former VJ Rainbow Sun Francks won the role of Lieutenant Ford on the strength of a great audition, preceded by an equally great audition with a funny hat. I recall Brad Wright on the phone with our casting agent, advising him to ensure there would be no hat worn in the callback for fear the network would fixate on it. There wasn't, they didn't, and Rainbow delivered. The role of John Sheppard was the second to last one cast. It came right down to the wire and there were several candidates in play. The character was originally envisioned as a good ole southern boy, so it only made sense that Ben Browder’s name was bandied about early. However, he was too busy shooting Peacekeeper Wars to warrant consideration. A number of other actors were considered (one went on to play the lead in a hugely popular show the following year while another made his mark as a handsome heart throb on another hugely popular medical series) but it was Joe Flanigan who won the part based on his ability to pull off the devil-may-care attitude Brad and Robert were looking for. We come to the final role cast, a character who, in many ways, embodied everything Atlantis was about: exploration, discovery, fun, humor, and seat-of-your-pants-Holy-Sh&%-how-the-hell-am-I-going-to-get-out-of-this-adventure. And, as I mentioned in a previous post, he almost didn’t make the trip to Pegasus. Originally, the casting call went out for a completely different character, an earnest young doctor who would lend the team much-needed medical support on their off-world ventures. Unfortunately, no one could agree on who that actor should be. If the casting of Sheppard went down to the wire, then the casting of this final role went a step past it. Finally, days away from production, Robert Cooper had an idea: Forget the doctor character. Why not use an established character from SG-1? How about Rodney McKay? The writers were on board, but some executives weren't weren’t sold on the idea. They found him annoying! Hell yeah, but he’d be sooo much fun to write for! Rob got on the phone and went to bat for Rodney, pointing out that the character had come a long way since first being introduced way back in SG-1’s 48 Hours. He’d evolved, going from annoying jerk to endearingly irritating. To this day, I’m convinced that they weren’t totally convinced but, with production poised to commence, they relented, I suppose figuring they could just replace the character somewhere down the line. No one, even those who loved the idea of having the endearingly irritating Rodney McKay on board could have predicted how hugely popular the character would become.

Joseph Mallozzi 🏴‍☠️

28,063 görüntüleme • 2 yıl önce

Liz Truss's full speech at CPAC Who needs enemies when you have former Prime Minister's trashing our country 🤷‍♂️ And never forget, she lost to a lettuce 🥬 -- Well, ladies and gentlemen, it's fantastic to be back in America and it's fantastic to be back at CPAC for the second year in a row. But last year, there was a dark cloud hanging over this conference. It was called Joe Biden. And this year, we are now under the leadership of President Donald Trump. This is truly. This is truly the golden age of America. But I'm sad to report. I'm sad to report that Britain is in the dark age. We have a socialist government, commissars ruling over us, who are leading our country in a terrible direction. But what I want to say today is they are not the only problem. The current establishment stooges in Whitehall and Westminster are only the latest iteration of Britain going wrong for the past few decades. Because, let's be honest, Britain isn't working. The British system is deeply rotten. Britain is becoming a failed state. We've got people who are being arrested and locked up for posting on X and Facebook. We've seen tens of thousands of girls as young as 12 raped, tortured and even killed by Pakistani grooming gangs. And yet many of those perpetrators have not been brought to justice. In fact, those crimes have been covered up. And we know that the authorities colluded. We know there was police collusion and we know there was collusion from the local council. We have a massive problem with illegal immigration, but yet we can't even deport people who are criminals from our country because of human rights. One example was a immigrant from the Democratic Republic of Congo who had sexually abused his own stepdaughter. But he was allowed to stay in Britain on the basis of the right to family life. How disgusting. A criminal from Albania was allowed to stay in Britain because his son didn't like the kind of chicken nuggets they sell abroad. And I'm not joking you there. But it's not just a problem we have with mass migration and illegal immigration. We've also got a problem with our energy in Britain. So in Britain, fracking has been banned. I was the only Prime Minister who allowed fracking. Sadly, I wasn't in office long enough to actually make it happen. We have net zero policies that have decimated our oil and gas industry. The net result is we have the highest energy prices in the developed world. And in Britain, we've just seen the last steel plant close down last year. We cannot produce our own steel anymore. We have an economic orthodoxy, a Bank of England that has printed vast amounts of money. They've created rampant inflation. They've wasted billions of taxpayer pounds. If they Weren't the government, it would be called a heist. Yet in none of these cases, in none of these cases have any of these people, any of these authorities been held to account for the fact they have completely failed. And we're in a situation where Britain is almost bankrupt morally, socially and economically. And I think people in this room might want to know, how on earth has this happened? This is the country that invented parliamentary democracy. It's the country of the Magna Carta. It's the country of the Bill of Rights. We protected freedom of the press back in 1695, almost 100 years before the First Amendment. How on earth can the country of Adam Smith and the Industrial Revolution be de. Industrializing? It doesn't make any sense. And the answer is that everything that made Britain great is being destroyed by an establishment that hates Britain and hates the West. Like in most of Europe, our universities, our institutions and our corporations have been taken over by anti west ideology, Islamism, green extremism, anti capitalism, wokery, transgenderism. You name it, they've adopted it. And what we've seen is a massive failure of leaders in Europe to push back against this. Because this is not something the population wanted. This is not something the people in Britain or Europe voted for. This is something that was imposed from above. And what happened is that democratically elected politicians handed vast amounts of power over to the unelected and the unaccountable. In Britain, Tony Blair in particular, trashed centuries of liberty by creating a tyranny of technocrats. He created an unaccountable Supreme Court which had never been existed in Britain before. He created a much deeper and powerful state that is not held to account. He also handed vast powers over to an Alphabet soup of international bodies, the World Health Organization, the United nations, the ECHR, all of whom nobody could vote in and nobody could vote out. And all of those bodies, as you've seen in the United States of America, have been captured by the same anti west ideology. But what I find really incredible, really, really incredible is it wasn't just China and Iran and Russia that were funding these NGOs, funding these anti west groups. It was actually the United States of America under President Joe Biden through USAID Now, did you know that American taxpayer dollars was funding the BBC? Did you know that they were funding the Tony Blair Institute? Did you know that they were funding Rory Stewart's wife? It's incredible. We thought you were our friends, but you were actually American taxpayers were funding this anti west ideology. And the problem is when the people in Britain voted for something different when they tried to change the government, when they tried to change the system in 2016, in 2019 and in 2024, they found the same people were still in power. The bureaucracy had not changed. And it's no surprise that young people are losing their faith in democracy because they don't believe it can change things. And amazingly, during all of this, many so called conservatives went along with the ideology. They were busy hugging Greta Thunberg. They were putting up taxes. I'm not joking about that. They were putting up taxes. They were increasing immigration, they were pursuing transgender ideology. And it's no wonder that the Conservative Party had its worst defeat since 1834. Patriotic Brits have had enough. They've had enough. And we look across the Atlantic with envy. We see President Trump in the Executive, in the Oval Office, signing off executive orders. And we want some of that in Britain. We want drill, baby, drill. We want men banned from women's bathrooms and women's sports. We want illegal immigrants deported. We want taxes to be cut. We want a Trump revolution in Britain. We want to flood the zone. We want Elon and his nerd army of muskrats examining the British deep state. Ladies and gentlemen, we missed the first American Revolution in 1776. In fact, it was actually a revolution against us. But we want to be part of the second American revolution. We want to dismantle the British deep state, which is older and more entrenched than the American one. We need a great restoration bill to repeal all of the terrible Blair laws, the Equality act, the Climate Change act, the Human Rights act, the Constitutional Reform Act. We need to eradicate judicial activism in Britain and restore parliamentary sovereignty. We want our government run by the Executive, not by the bureaucracy. But most of all, what we need is we need to restore free speech. This is the lifeblood, our democracy. And J.D. vance is right. Vice President Vance is right. Free speech is in retreat in Britain and in Europe, to Europe's governments, particularly Britain. They see George Orwell's 1984 as an instruction manual. Look at the evidence. A British citizen was arrested for praying outside an abortion clinic. We have German prosecutors saying that if you insult somebody, you could be arrested. We had Alison Pearson, a British journalist, visited at her home by the police because of a tweet that she'd posted a year ago and since deleted. I want the police to be policing real crimes, not thought crimes. But not only this. We have a supine legacy media that pay lip service to free speech, but have suppressed stories and distorted stories. The BBC were found to have violated their editorial guidelines 1500 times in the four months after the appalling atrocities of October 7th. They were found to have been downplaying Hamas terrorism and promoting the idea that Israel was the aggressor. This is our state broadcaster funded by the taxpayer. The mainstream media have failed to report on the grooming scandal and they failed to hold the deep state to account. And much of the reason for that is the deep state of the people giving them all their information, all their leaks, all their funding, all of their material. And they're frightened of the media regulator, Ofcom. We have seen what independent media has done for the United States and we want some of that. That's why we are going to be establishing a new free speech media network in conjunction with our American allies, including, including the great people here at cpac. It will be uncensorable and uncancelable. It will take on the Britain Bashing Corporation, which is what we call the BBC. It will take on Starmer and his socialists and it will take on the censors of Germany because. Because it's only by telling people the truth in the United Kingdom, in Europe, in the Anglosphere, in America, that we will turn our backs on the war's west against itself. All of the people here are working to make America great again. I believe that we can make Britain great again. I believe that we can make Europe great again. And I believe that together we can make the west great again. Thank you. Thank you.
14:39

Liz Truss's full speech at CPAC Who needs enemies when you have former Prime Minister's trashing our country 🤷‍♂️ And never forget, she lost to a lettuce 🥬 -- Well, ladies and gentlemen, it's fantastic to be back in America and it's fantastic to be back at CPAC for the second year in a row. But last year, there was a dark cloud hanging over this conference. It was called Joe Biden. And this year, we are now under the leadership of President Donald Trump. This is truly. This is truly the golden age of America. But I'm sad to report. I'm sad to report that Britain is in the dark age. We have a socialist government, commissars ruling over us, who are leading our country in a terrible direction. But what I want to say today is they are not the only problem. The current establishment stooges in Whitehall and Westminster are only the latest iteration of Britain going wrong for the past few decades. Because, let's be honest, Britain isn't working. The British system is deeply rotten. Britain is becoming a failed state. We've got people who are being arrested and locked up for posting on X and Facebook. We've seen tens of thousands of girls as young as 12 raped, tortured and even killed by Pakistani grooming gangs. And yet many of those perpetrators have not been brought to justice. In fact, those crimes have been covered up. And we know that the authorities colluded. We know there was police collusion and we know there was collusion from the local council. We have a massive problem with illegal immigration, but yet we can't even deport people who are criminals from our country because of human rights. One example was a immigrant from the Democratic Republic of Congo who had sexually abused his own stepdaughter. But he was allowed to stay in Britain on the basis of the right to family life. How disgusting. A criminal from Albania was allowed to stay in Britain because his son didn't like the kind of chicken nuggets they sell abroad. And I'm not joking you there. But it's not just a problem we have with mass migration and illegal immigration. We've also got a problem with our energy in Britain. So in Britain, fracking has been banned. I was the only Prime Minister who allowed fracking. Sadly, I wasn't in office long enough to actually make it happen. We have net zero policies that have decimated our oil and gas industry. The net result is we have the highest energy prices in the developed world. And in Britain, we've just seen the last steel plant close down last year. We cannot produce our own steel anymore. We have an economic orthodoxy, a Bank of England that has printed vast amounts of money. They've created rampant inflation. They've wasted billions of taxpayer pounds. If they Weren't the government, it would be called a heist. Yet in none of these cases, in none of these cases have any of these people, any of these authorities been held to account for the fact they have completely failed. And we're in a situation where Britain is almost bankrupt morally, socially and economically. And I think people in this room might want to know, how on earth has this happened? This is the country that invented parliamentary democracy. It's the country of the Magna Carta. It's the country of the Bill of Rights. We protected freedom of the press back in 1695, almost 100 years before the First Amendment. How on earth can the country of Adam Smith and the Industrial Revolution be de. Industrializing? It doesn't make any sense. And the answer is that everything that made Britain great is being destroyed by an establishment that hates Britain and hates the West. Like in most of Europe, our universities, our institutions and our corporations have been taken over by anti west ideology, Islamism, green extremism, anti capitalism, wokery, transgenderism. You name it, they've adopted it. And what we've seen is a massive failure of leaders in Europe to push back against this. Because this is not something the population wanted. This is not something the people in Britain or Europe voted for. This is something that was imposed from above. And what happened is that democratically elected politicians handed vast amounts of power over to the unelected and the unaccountable. In Britain, Tony Blair in particular, trashed centuries of liberty by creating a tyranny of technocrats. He created an unaccountable Supreme Court which had never been existed in Britain before. He created a much deeper and powerful state that is not held to account. He also handed vast powers over to an Alphabet soup of international bodies, the World Health Organization, the United nations, the ECHR, all of whom nobody could vote in and nobody could vote out. And all of those bodies, as you've seen in the United States of America, have been captured by the same anti west ideology. But what I find really incredible, really, really incredible is it wasn't just China and Iran and Russia that were funding these NGOs, funding these anti west groups. It was actually the United States of America under President Joe Biden through USAID Now, did you know that American taxpayer dollars was funding the BBC? Did you know that they were funding the Tony Blair Institute? Did you know that they were funding Rory Stewart's wife? It's incredible. We thought you were our friends, but you were actually American taxpayers were funding this anti west ideology. And the problem is when the people in Britain voted for something different when they tried to change the government, when they tried to change the system in 2016, in 2019 and in 2024, they found the same people were still in power. The bureaucracy had not changed. And it's no surprise that young people are losing their faith in democracy because they don't believe it can change things. And amazingly, during all of this, many so called conservatives went along with the ideology. They were busy hugging Greta Thunberg. They were putting up taxes. I'm not joking about that. They were putting up taxes. They were increasing immigration, they were pursuing transgender ideology. And it's no wonder that the Conservative Party had its worst defeat since 1834. Patriotic Brits have had enough. They've had enough. And we look across the Atlantic with envy. We see President Trump in the Executive, in the Oval Office, signing off executive orders. And we want some of that in Britain. We want drill, baby, drill. We want men banned from women's bathrooms and women's sports. We want illegal immigrants deported. We want taxes to be cut. We want a Trump revolution in Britain. We want to flood the zone. We want Elon and his nerd army of muskrats examining the British deep state. Ladies and gentlemen, we missed the first American Revolution in 1776. In fact, it was actually a revolution against us. But we want to be part of the second American revolution. We want to dismantle the British deep state, which is older and more entrenched than the American one. We need a great restoration bill to repeal all of the terrible Blair laws, the Equality act, the Climate Change act, the Human Rights act, the Constitutional Reform Act. We need to eradicate judicial activism in Britain and restore parliamentary sovereignty. We want our government run by the Executive, not by the bureaucracy. But most of all, what we need is we need to restore free speech. This is the lifeblood, our democracy. And J.D. vance is right. Vice President Vance is right. Free speech is in retreat in Britain and in Europe, to Europe's governments, particularly Britain. They see George Orwell's 1984 as an instruction manual. Look at the evidence. A British citizen was arrested for praying outside an abortion clinic. We have German prosecutors saying that if you insult somebody, you could be arrested. We had Alison Pearson, a British journalist, visited at her home by the police because of a tweet that she'd posted a year ago and since deleted. I want the police to be policing real crimes, not thought crimes. But not only this. We have a supine legacy media that pay lip service to free speech, but have suppressed stories and distorted stories. The BBC were found to have violated their editorial guidelines 1500 times in the four months after the appalling atrocities of October 7th. They were found to have been downplaying Hamas terrorism and promoting the idea that Israel was the aggressor. This is our state broadcaster funded by the taxpayer. The mainstream media have failed to report on the grooming scandal and they failed to hold the deep state to account. And much of the reason for that is the deep state of the people giving them all their information, all their leaks, all their funding, all of their material. And they're frightened of the media regulator, Ofcom. We have seen what independent media has done for the United States and we want some of that. That's why we are going to be establishing a new free speech media network in conjunction with our American allies, including, including the great people here at cpac. It will be uncensorable and uncancelable. It will take on the Britain Bashing Corporation, which is what we call the BBC. It will take on Starmer and his socialists and it will take on the censors of Germany because. Because it's only by telling people the truth in the United Kingdom, in Europe, in the Anglosphere, in America, that we will turn our backs on the war's west against itself. All of the people here are working to make America great again. I believe that we can make Britain great again. I believe that we can make Europe great again. And I believe that together we can make the west great again. Thank you. Thank you.

Farrukh

20,818 görüntüleme • 1 yıl önce

Stargate Trivia: Casting Stargate: Atlantis While SG-1 was my first love (We were together for seven years!), my time on Atlantis proved equally memorable. The show was possessed of a similar tone in its mix of high adventure and humor, yet proved distinct in its exploration of Ancient mythology and an unfamiliar galaxy as seen through the eyes of a new set of heroes. Atlantis offered a sense of wonder and camaraderie born of isolation and constant danger. Whereas team SG-1 could always go home at the conclusion of their adventures, the members of the Atlantis expedition (at least for those first few seasons) could only draw comfort from the city of Atlantis itself – and, of course, each other. It was unique and compelling yet, at the same time, comfortingly familiar. Nowhere is this more evident than in its opening theme, composed by the late Joel Goldsmith, which is, at turns fresh, haunting, stirring and, throughout, discernibly Stargate. Stargate: Atlantis wasn’t originally planned as a companion to Stargate: SG-1. It was intended to replace the long-running series. The only problem was, with eight seasons under its belt, SG-1 wasn’t quite done yet. And fans (and the network) weren’t done with it either. And so, instead of passing the torch and segueing to a new Stargate series, we ended up producing both. In retrospect, it was quite an achievement: 40 hours of television in a year! Today's productions can barely manage a quarter that output, but Stargates SG-1 and Atlantis delivered two fantastic 40 episode seasons before SG-1 took its final bow. It wasn’t easy, but it was certainly made easier by all of the enormously talented individuals who made it happen, from the office staff and crew to the cast and my fellow writer/producers. Still, it was not without its challenges. Take casting, for instance. It may surprise you to know that, when it comes to producing a show, not everybody cares about costumes or set design or whether the script’s fifth act denouement is emotionally satisfying - but everybody, and I do mean EVERYBODY, has an opinion on casting. Studio and network execs, producers, hell, even your significant other peering over your shoulder as you screen the auditions on your laptop, will want to weigh in. Of course, the more voices in the mix the more likely there are to be disagreements. So it is with every production and Atlantis was no different. Various individuals envisioned these characters in various ways and, as a result, consensus was only achieved after many auditions, calls-backs, heated discussions, and not-so-gentle reminders that our start date was fast-approaching and we really needed someone to say the lines on camera. The part of Carson Beckett was one of the first we cast. The other producers were in Rob’s office, screening the first batch of local auditions when Brad called me in and told me to check out the guy onscreen. I hadn’t imagined Beckett with a Scottish accent but, after watching Paul McGillion (Paul McGillion) in the role, I couldn’t imagine him without one. He’d brought something unexpected to the part, something we all responded to. Elizabeth Weir was not an easy character to pull off. She had to be smart, confident and strong yet needed to exude a certain warmth and empathy we were looking for in the civilian leader of the expedition. When it came time to (re)casting the role, several established names were considered (One had her own hit genre show back in the day while another went on to break out on a hit show soon after), but it was Torri Higginson (torri higginson 🌻 🇺🇦 🕊) who managed to strike just the right balance and vault her name to the top of the list. The role of Teyla Emmagan was a tough one to cast. Like Weir, she needed to be a strong, empathetic leader. But she also required something even more important – quite literally, an other-worldly quality that made her unique. Some equally talented actresses auditioned for the role but, as good as they were, they were never quite able to achieve that gravitas Rachel Luttrell (Rachel Luttrell) pulled off with such grace and seeming ease. Former VJ Rainbow Sun Francks (Rainbow Sun Francks) won the role of Lieutenant Ford on the strength of a great audition, preceded by an equally great audition with a funny hat. I recall Brad Wright on the phone with our casting agent, advising him to ensure there would be no hat worn in the callback for fear the network would fixate on it. There wasn't, they didn't, and Rainbow delivered. The role of John Sheppard was the second to last one cast. It came right down to the wire and there were several candidates in play. The character was originally conceived as a good ole southern boy, so it only made sense that Ben Browder’s name was bandied about early. However, he was too busy shooting Peacekeeper Wars to warrant consideration. A number of other actors were considered (one went on to play the lead in a hugely popular show the following year while another made his mark as a handsome heart throb on another hugely popular medical series) but it was Joe Flanigan (Joe Flanigan) who won the part based on his ability to pull off the devil-may-care attitude Brad and Robert were looking for. We come to the final role cast, a character who, in many ways, embodied everything Atlantis was about: exploration, discovery, fun, humor, and seat-of-your-pants-Holy-Sh&%-how-the-hell-am-I-going-to-get-out-of-this-adventure. And he almost didn’t make the trip to Pegasus. Originally, the casting call went out for a completely different character, an earnest young doctor who would lend the team much-needed medical support on their off-world ventures. Unfortunately, no one could agree on an actor to fill that role. If the casting of Sheppard went down to the wire, then the casting of this final part went a step past it. Finally, days away from production, Robert Cooper had an idea: Forget the doctor character. Why not use an established character from SG-1? How about Rodney McKay played by David Hewlett (David "Stargate Genius Leader" Hewlett)? The writers were on board, but some executives weren't weren’t sold on the idea. They found him annoying! I mean, hell yeah, but he’d be sooo much fun to write for! Rob got on the phone and went to bat for Rodney, pointing out that the character had come a long way since first being introduced way back in SG-1’s 48 Hours. He’d evolved, going from annoying jerk to endearingly irritating. To this day, I’m convinced that they weren’t totally convinced but, with production poised to commence, they relented, I suppose figuring they could just replace the character somewhere down the line. No one, even those who loved the idea of having the endearingly irritating Rodney McKay on board could have predicted how hugely popular the character would become. How do you think we did?
1:01

Stargate Trivia: Casting Stargate: Atlantis While SG-1 was my first love (We were together for seven years!), my time on Atlantis proved equally memorable. The show was possessed of a similar tone in its mix of high adventure and humor, yet proved distinct in its exploration of Ancient mythology and an unfamiliar galaxy as seen through the eyes of a new set of heroes. Atlantis offered a sense of wonder and camaraderie born of isolation and constant danger. Whereas team SG-1 could always go home at the conclusion of their adventures, the members of the Atlantis expedition (at least for those first few seasons) could only draw comfort from the city of Atlantis itself – and, of course, each other. It was unique and compelling yet, at the same time, comfortingly familiar. Nowhere is this more evident than in its opening theme, composed by the late Joel Goldsmith, which is, at turns fresh, haunting, stirring and, throughout, discernibly Stargate. Stargate: Atlantis wasn’t originally planned as a companion to Stargate: SG-1. It was intended to replace the long-running series. The only problem was, with eight seasons under its belt, SG-1 wasn’t quite done yet. And fans (and the network) weren’t done with it either. And so, instead of passing the torch and segueing to a new Stargate series, we ended up producing both. In retrospect, it was quite an achievement: 40 hours of television in a year! Today's productions can barely manage a quarter that output, but Stargates SG-1 and Atlantis delivered two fantastic 40 episode seasons before SG-1 took its final bow. It wasn’t easy, but it was certainly made easier by all of the enormously talented individuals who made it happen, from the office staff and crew to the cast and my fellow writer/producers. Still, it was not without its challenges. Take casting, for instance. It may surprise you to know that, when it comes to producing a show, not everybody cares about costumes or set design or whether the script’s fifth act denouement is emotionally satisfying - but everybody, and I do mean EVERYBODY, has an opinion on casting. Studio and network execs, producers, hell, even your significant other peering over your shoulder as you screen the auditions on your laptop, will want to weigh in. Of course, the more voices in the mix the more likely there are to be disagreements. So it is with every production and Atlantis was no different. Various individuals envisioned these characters in various ways and, as a result, consensus was only achieved after many auditions, calls-backs, heated discussions, and not-so-gentle reminders that our start date was fast-approaching and we really needed someone to say the lines on camera. The part of Carson Beckett was one of the first we cast. The other producers were in Rob’s office, screening the first batch of local auditions when Brad called me in and told me to check out the guy onscreen. I hadn’t imagined Beckett with a Scottish accent but, after watching Paul McGillion (Paul McGillion) in the role, I couldn’t imagine him without one. He’d brought something unexpected to the part, something we all responded to. Elizabeth Weir was not an easy character to pull off. She had to be smart, confident and strong yet needed to exude a certain warmth and empathy we were looking for in the civilian leader of the expedition. When it came time to (re)casting the role, several established names were considered (One had her own hit genre show back in the day while another went on to break out on a hit show soon after), but it was Torri Higginson (torri higginson 🌻 🇺🇦 🕊) who managed to strike just the right balance and vault her name to the top of the list. The role of Teyla Emmagan was a tough one to cast. Like Weir, she needed to be a strong, empathetic leader. But she also required something even more important – quite literally, an other-worldly quality that made her unique. Some equally talented actresses auditioned for the role but, as good as they were, they were never quite able to achieve that gravitas Rachel Luttrell (Rachel Luttrell) pulled off with such grace and seeming ease. Former VJ Rainbow Sun Francks (Rainbow Sun Francks) won the role of Lieutenant Ford on the strength of a great audition, preceded by an equally great audition with a funny hat. I recall Brad Wright on the phone with our casting agent, advising him to ensure there would be no hat worn in the callback for fear the network would fixate on it. There wasn't, they didn't, and Rainbow delivered. The role of John Sheppard was the second to last one cast. It came right down to the wire and there were several candidates in play. The character was originally conceived as a good ole southern boy, so it only made sense that Ben Browder’s name was bandied about early. However, he was too busy shooting Peacekeeper Wars to warrant consideration. A number of other actors were considered (one went on to play the lead in a hugely popular show the following year while another made his mark as a handsome heart throb on another hugely popular medical series) but it was Joe Flanigan (Joe Flanigan) who won the part based on his ability to pull off the devil-may-care attitude Brad and Robert were looking for. We come to the final role cast, a character who, in many ways, embodied everything Atlantis was about: exploration, discovery, fun, humor, and seat-of-your-pants-Holy-Sh&%-how-the-hell-am-I-going-to-get-out-of-this-adventure. And he almost didn’t make the trip to Pegasus. Originally, the casting call went out for a completely different character, an earnest young doctor who would lend the team much-needed medical support on their off-world ventures. Unfortunately, no one could agree on an actor to fill that role. If the casting of Sheppard went down to the wire, then the casting of this final part went a step past it. Finally, days away from production, Robert Cooper had an idea: Forget the doctor character. Why not use an established character from SG-1? How about Rodney McKay played by David Hewlett (David "Stargate Genius Leader" Hewlett)? The writers were on board, but some executives weren't weren’t sold on the idea. They found him annoying! I mean, hell yeah, but he’d be sooo much fun to write for! Rob got on the phone and went to bat for Rodney, pointing out that the character had come a long way since first being introduced way back in SG-1’s 48 Hours. He’d evolved, going from annoying jerk to endearingly irritating. To this day, I’m convinced that they weren’t totally convinced but, with production poised to commence, they relented, I suppose figuring they could just replace the character somewhere down the line. No one, even those who loved the idea of having the endearingly irritating Rodney McKay on board could have predicted how hugely popular the character would become. How do you think we did?

Joseph Mallozzi 🏴‍☠️

61,091 görüntüleme • 1 ay önce

Alright, here's the epic towel rant from tonight; And so that's what kind of tipped me off in real time. I was like: wait a minute. Is Judge Doolin ruling from the bench right now? And then I was like: wait a minute. He's ruling from the bench and ordering them to appoint a new prosecutor and potentially the Attorney General. Oh my word. How—what is this? I—this wasn't on my bingo card. Even now I'm just like: Oh my God, I can't believe he did that. Judge Doolin—in a good way. I'm just like: Oh my God, there is hope. And then to follow it up with: "Oh yeah, I'm thinking about a hearing on the contempt." Oh my God—you're telegraphing. You're going to have a contempt hearing after the Attorney General is potentially on the case. The other witnesses, however, are left in this position where they have this kind of not really well-funded—like kind of spastic prosecution, like the special prosecutors on the Kearney cases. Then you got the December 23rd, 2023 criminal charges against Aidan that were charged in Dedham District Court, 23rd or 26th or so. And that was for illegally—allegedly—recording Lindsey Gaetani and then submitting an edited version of the recording into court for some reason. I don't know why Aidan did that, especially apparently when there's an original version of the recording pursuant to some of the statements in court. And then also for intimidating Lindsey—for allegedly going over there on December 23rd, 2023—against Karen Read's advice and against his lawyers' advice, apparently, according to a leaked group chat message from Facebook in 2024—in May of 2024—going over to Lindsey's apartment. And then according to the affidavit from the search warrant for Karen Read's cell phone—allegedly telling Lindsey that she shouldn't cooperate with the grand jury. She should—she could remove information from her phone or something—that Aidan would get her a lawyer, but only if she agreed to meet with a lawyer only with him present, because she had, quote, "broken his trust." It just like—wild stuff. And that new grand jury, by the way, was apparently—it did go forward. And then in time it came out that it—that was about Karen and Aidan and witness intimidation and conspiracy, because Aidan Kearney—between October and November—really August and November of 2023—it started telling Lindsey Gaetani about his communications with Karen Read that included—in writing—Exhibit O to Karen Read search warrant affidavit, which says that Karen Read told Aidan Kearney that in November of 2023—November 28, 2023, to be specific—that Karen Read told Aidan Kearney that Karen Read and her team at ex parte conversations with former U.S. Attorney Josh Levy—which was right in the window of time that Jessica Leslie, the grand juror leaker, was leaking information. Leslie started leaking in August of 2022—which is the same month that Alan Jackson joined Karen Read's legal team. And Josh Levy—who was one of the U.S. Attorneys in charge of that grand jury—Leslie was leaking about four different cases: probably the Birchmore case, definitely the Read and O'Keefe case, definitely the CDL case. One more case. We can't really—the group of us journalists involved in this—can't really figure out. So right in the middle of that—November of 2023—Josh Levy is leaking ex parte grand jury information to Karen Read, which she's putting—she's telling Aidan Kearney about; he's putting it in writing. He just was trying to just show off for Lindsey, but you don't like—come on—like what is it? First day in the IC, bro? I'm not in the IC. I'm not part of the government. I'm a towel. But anyway—so Aidan's bragging to Lindsey, and I don't think that was a very good idea. I mean, she's brilliant and stuff, but like—why would you ever say that to her? Don't say that stuff. But anyway—like, why would you say—even if it's your significant other—unless they are read-in on the intel that you are sharing—why would you ever, ever, ever share that with someone? It exposes them to an incredible liability—which, if you love them, don't do it. It also exposes your own credibility to an incredible risk of liability. You will never be trusted by the intelligence community again. Pillow talk and honeypots are how they trap operatives. If you chase sex, they will compromise you. How can you not understand that? So if you get compromised by someone who's not an agent—just someone who's your partner and you're just telling them stuff about protected federal investigations—what do you think your reputation is going to be like among the intelligence community when you're doing that and they haven't even honeypotted you? You just voluntarily started putting this shit in writing. They're going to look at you like you are out of your mind. So anyway—Karen Read apparently is telling Aidan Kearney that she's having ex parte conversations with Josh Levy. Now, the grand jury that Leslie was leaking from was impaneled in May of 2022 when Rachael Rollins used to be U.S. Attorney in Boston. Now think about this. In 2020, Rachael Rollins and Aidan Kearney—Rachael Rollins, a hyper-liberal known for her soft-on-crime stance. We'll also hear Rollins hated Michael Morrissey. Anyway, Rollins worked with Turtle Boy to send a Republican operative named Rayla Campbell to Joe Kennedy Jr.'s events in the Senate race against Ed Markey so that Ed Markey could win the Senate seat. Now, interestingly enough, Rachael Rollins then got appointed to the position of U.S. Attorney right after that. And you might say: well, Grant, that's a stretch. No, no—because then within a few months, Rachael Rollins—part of the reason she gets thrown out of office by the DOJ OIG—is because she attends an event in Andover with—guess who?—Dr. Jill Biden, the wife of the then-president who appointed her. Now, what does that mean? Well, if you really think about the geopolitical implications of the 2020 Senate race between Ed Markey in Massachusetts and Joe Kennedy Jr.—well, one of the things you're going to realize is that—think about 2020. The leadership around Biden did not know that the chaos of 2024 was going to happen with Kamala and Biden not really being up to it. You're thinking ahead to 2024. Why? Who's your biggest target if you are a sitting Democrat and you're worried about a primary challenge four years from now? Well, what if JFK's—what is it—nephew or whatever it is—is in the House of Representatives? And what if JFK started his career in the House of Representatives? And what if that new young Kennedy with red hair and sort of a photogenic face? What if he is running for JFK's old Senate seat? What if he's on the same exact trajectory as JFK? Oh, we can't have that. We—as the Biden White House—cannot have Joe Kennedy Jr. beating Ed Markey for Senate. And how it got to the point that somebody talked to Rachael Rollins and she came up with the brilliant idea to reach out to Turtle Boy so that Turtle Boy would talk to Rayla Campbell to send her to Joe Kennedy Jr.'s events to help Markey—I don't know. But that's why I think Rachael Rollins became U.S. Attorney—someone who, in my opinion, was uniquely unqualified and fundamentally unethically un-predisposed to being able to run that office. Who then in turn immediately tried to interfere in the 2022 Suffolk DA primary between Kevin Hayden and Ricardo O'Rourke—because Rollins wanted to see her progressive vision continue through O'Rourke—so she worked with Daniel Medwed—the same professor who was involved with advocating the media on behalf of Karen Read's team. She worked with Daniel Medwed to get a story leaked about how a non-existent federal probe into Kevin Hayden—to increase Ricardo O'Rourke's chances in the Suffolk DA primary. Sound familiar? Oh, hell yeah. So anyway—between November of 2022 and May of 2023—you got this weird situation where Rollins knows she's getting forced out; Levy's going to take over the office. The people who take Rollins out are Josh Levy, Bill Abley, and still head of the criminal division—Dustin Chao, I think—still head of the public integrity unit, and then executive officer who is also the press secretary or the communications director of the office. Those four people—without being named; they're named by title—were the people who cooperated with the DOJ to take Rollins out—DOJ-OIG to take Rollins out. Now, why is that interesting? Well, one—because it shows that people in that office knew that Rachael Rollins had a proclivity for weaponizing leaks about non-existent federal probes to interfere in particular district attorney races and matters. Second—Rachael Rollins and Michael Morrissey had a bifurcated history of ten years. One: Rachael Rollins had this list of 25 crimes she wouldn't prosecute, and other DAs critiqued her—not just Michael Morrissey but others. Rollins—I'm pretty sure—was the one who first called Morrissey a "meatball," in fact, because of his criticism of Rollins over that issue. Rachael Rollins—I think—has a proclivity, in my opinion, to hold a bit of a grudge. When she became U.S. Attorney and she realized she was on the way out—well, maybe the Sandra Birchmore probe started back in May of 2022 because former chief of the Canton police—Ken Berkowitz—went to the FBI and told them that the FBI covered up—the MSP unit detailed to the Norfolk DA covered up Sandra Birchmore's murder—potentially because Yuri Bukhenik and John Fanning used to work in Stoughton with Matt Farwell and Robert Devine and Billy Farwell—I think they all worked there. And furthermore—that Brian Tully, the unit commander, was partners with John Fanning for 20 years. All right, and in that regard—it is very interesting, I think—that Chief Berkowitz—who may have been very offended that his unit... So Sandra Birchmore was murdered on February 1st, 2021, at 9:23 p.m. in her apartment in Canton. Okay—on February 4th, Monday in the morning—the Canton police do a wellness check after they get a call from her—Sandra's—colleagues at the school where she worked as an administrative assistant. Now the Canton police respond—on Monday, February 4th—by Wednesday, February 6th. The Canton police have collected the following evidence in order. And if you don't believe me, you can read pages—I think 97 through 101—of the Canton Police Department audit report released in April of 2025. Point by point. Number one: the Canton police confirm—via a witness who was the maintenance worker at Sandra's apartment building—that Matt Farwell was the man on camera outside Sandra's apartment in the elevator at 9:23 p.m. on February 1st—which is exactly when Sandra died. Two: that the man was Matt Farwell, and he was the same man who helped Sandra move into her apartment. Three: that when the Canton PD went to Sandra's school, they got information that Farwell was telling people that Sandra was pregnant with his child—that he had abused her since she was a child—and that he was going to quote "take care of the problem himself" if Sandra decided to carry the baby to term. All right. All of that information—by February 6th of 2021—was passed over to the MSP. John Fanning and this whole unit—I think—really then facilitate a report sometime over the next six to 12 months that exonerates Farwell and says Sandra dies from self-harm. Well, I think that's why Ken Berkowitz blew the whistle before he died of cancer—and that's why there was a grand jury impaneled in May of 2022—and it was really about the cover-up of Sandra Birchmore's murder. Well—one—it was about Sandra Birchmore's murder. Why does that make everything so interesting? Because I think that the investigation wasn't just about who killed Sandra and why—but how was it ruled a—the result of self-harm—instead of the very obvious murder that it was. Well—that starts—2022, I think—May of 2022—the grand jury. Jessica Leslie was on the grand jury—leaker—who's going to be sentenced on October 4th of 2025. I think Jessica Leslie—ladies and gentlemen—in August of 2022 somehow leaked to Karen Read—Alan Jackson—that the Norfolk DA was dirty because they covered up—and that MSP unit—because they covered up Sandra Birchmore's murder. All right—so therefore, Alan Jackson—that's the skeleton in the closet. It wasn't what the people in the house were doing. I'm still a little suspect of who they know—but I don't think that's the big deal. I don't think Jen McCabe's social life is the big deal. Nobody cares—nobody fucking cares. Sorry for cussing. The big issue is that Jen was friends with Tully. Tully's unit knew literally where the bodies were buried. And they—I think—they brought on the PI—Marty Kraft—and Kate Peter—to insulate their exposure from the coming publicity that they knew was going to be brought upon them by Alan Jackson. And so they were worried. And who would you bring in if you had covered up a murder? If you were a MSP unit—you'd bring in someone like Kate Peter. Because you can read her in on that. She's hardened. She doesn't give a fuck. She lost two of her kids—and I don't think she even fucking cared. So who the fuck's the perfect person be like: "Bruh, if that shit gets national attention, we're fucked. So you better control that fucking narrative and handle all these like different people that get too close to this—or we're going to be exposed for Birchmore." But let me bring it back to the point here—which is in 2022, the feds clearly were starting to poke around. And come 2023—I think Brian Tully's unit was desperate. Who was going to find out because of the coverage of the Read case? Could they make sure that Kate Peter got close enough to Netflix and Gretchen Voss so that they couldn't find out what was actually going on? And could the Birchmore cover-up be kept up—even in light of the national spotlight? When you think about the fact that some people may not have been loyal to the Justice for John O'Keefe movement—but were instead primarily loyal to Brian Tully's unit. And when you think about the fact that maybe Tully's unit didn't run the best investigation of Karen Read—maybe there were some flaws. But if you think about the fact that they did get her—but if you think about it in the context of: Karen knew from the jump that the MSP were dirty over Birchmore—then you understand: Karen—that's why it was going to become an incident. Everyone knew—everyone around Tully, his friends, all of them—the unit—they knew they covered up Birchmore's murder. And they knew Karen had it in her hands if she could just figure out the PR. And that's exactly what she did—to put enough pressure on them. They took her to trial anyway—and it destroyed the fucking Norfolk DA—destroyed Brian Tully's unit. It cost them dearly—and she's a tactical fucking genius. I think Brian Tully thought he was slicker than he was by using the prosecution of Aidan Kearney—not to get a genuinely—in my opinion—bad guy who was deserving of the indictment handed up by a grand jury of his peers. But because Tully wanted to know what the real target of the federal probe is. If you don't know what a backhand is, folks—a backhand is where you investigate one thing on the surface because you're dealing with a very high-level operation like the state police—who are a paramilitary intelligence-gathering operation. So you trick them. You make them think they're under investigation for John's death and the investigation of that death. But really—you're investigating them for the cover-up of Sandra Birchmore's murder. And that's exactly what I think happened to this unit. That's what I think Brian Tully was trying to figure out—from August of 2023 until about December. I think they eventually put it together—and by August of 2024, Matthew Farwell got indicted. Now—it's a question of all this as a result of today. I want to be very clear: this is what was called for. There needed to be an independent voice with power and who takes no nonsense—who came into this and said: Nope—it's out of your hands. And that's what Judge Doolin did today. Someone just needed to not either be involved with Karen Read, Aidan Kearney, or the Norfolk DA—or Kate Peter or Marty Kraft—and prosecute this. Now, all those other witnesses—I have no idea what the hell is going to happen there. But at least for Lindsey—Judge Doolin was like: enough of this nonsense. And that's why today was such a big deal in light of that historical context—because just tracing that very insidious pattern of events over the past 18 months—you can see this became a proxy war. It was Michael Morrissey on one side with his marching soldiers: Brian Tully, Kate Peter, Marty Kraft. And then it was Karen Read and the DOJ on the other side. Okay. And their soldiers were like the Free Karen Read movement and Turtle Boy and Natalie and all these other people. This was an intelligence community proxy war. And that's why I've been trying to tell people for so long: Lindsey Gaetani was not involved. She was an unwitting pawn. These two factions both took advantage of her—including Brian Tully—who was more interested in preserving his unit's reputation than actually defending the interest of the vulnerable. In my opinion, I think Brian Tully is a terrible person. Does that mean that he's a bad person for trying to hold Karen Read accountable for John O'Keefe's death? No, of course not. He's a bad person because in what fucking world do you—as a fucking state police officer—who you—you are entrusted—not just to get the bad guys—but to protect the most fucking vulnerable? One: how do you justify what happened with Sandra Birchmore? Two: how the fuck do you get it in your fucking mind that you're going to take a 15-year unredacted extraction of a fucking vulnerable victim's cell phone and release it to a fucking defendant known for promulgating exactly that material? What fucking headspace? What satanic fucking chamber do you and Kate Peter have to be drinking blood from fucking cups in to think that that's fucking okay? Fuck you. How do you even get in the headspace where doing something like that to a fucking victim becomes acceptable. The rot in that unit—whether enabled by Morrissey or whether he didn't know about it—I don't fucking know. But the point is: the rot in that unit was so deep that they lost their fucking souls. They didn't think of victims as victims. They re-victimized victims because it was a political fucking war—and these people are so hardened, I guess, that they don't understand what it means to be vulnerable. And these were police officers—detectives—people entrusted to uphold and protect the dignity of the most vulnerable—and they fucking used victims to advance some political agenda—to deal with the fact that they covered up a fucking murder. I'm done being gentle about this. Fuck these people. And I'm not saying that it was wrong for them to investigate Karen Read. I am pleased someone tried to prosecute her. I'm pissed at them because they were thinking about it from the perspective of their own liability for an unrelated case—and they fucked everything up—and introducing Kate Peter to this shit. Oh my God. It's a disgrace. It's a disgrace to the people who were hurt. It's a disgrace to the vulnerable. I frankly do not understand how Jen McCabe, Brian Tully, and Kate Peter go to bed each night. I don't get it. I don't know. Maybe there's something that shuts off the GABA-1 receptor or something and just makes you go to bed. I don't know. Never heard of such a thing. But I'm just saying: I don't know how you do it. How do you do it? But anyway—Judge Doolin—without giving a... extemporaneous, uh, bloviating cuss-based rant like I just did—instead, in my opinion, is like: fuck all of you! You're not being involved in this prosecution anymore. Someone's gonna protect this fucking woman—Lindsey Gaetani. I'm making you appoint someone! I love that man. Good for Judge Doolin. But still—we never should have gone to this point. This is incredible. With the... the... the MSP. The fact that they had a unit operating like this for so long. This is worse than what John Connolly and Whitey Bulger did. This is institutional rot that is so pervasive that it requires fundamental reform of the MSP. They're not incapable of—um, uh—solving crimes. I'm sure most of the MSP are wonderful. Anyway—my point is: I don't think the state police officers that I generally run into—or troopers—are bad people. I think most of them are wonderful. They've never been really mean to me. They do good work. They're out there protecting our roads. They stop people from speeding. They—what else do they do? They go after commercial truck violations. They investigate homicides—like, on the whole. And this is why I think we have to be careful about how we talk about this. I am not saying that the entire MSP is just rotten. I'm saying that when you have factions or sections within the institution that understand its machinations and are able to thus manipulate the bureaucratic structure and avoid accountability—you lose the confidence of everyone. And how do you think some of those good troopers feel when they have to go out there? Yes—people like me are going to smile at them and bless them and whatever—because I know they're not part of the problem. But most people look at them and they think that they're fucking hated. They don't deserve that. They literally put their lives on the line for us every day. And if we're going to give them the respect they deserve—if we're going to make the profession have the respect that it deserves—then this kind of institutional rot can't be looked at as just an embarrassment. And it can't be looked at as something that—oh, we just wish didn't happen. Maybe some guys are going to go away. No—you point at it. You scream it from the rooftops and you say: if this happens even once—then we have so failed as an institution; we must fundamentally reform from the ground up. And this wasn't just once. It was Birchmore. It was the phone extraction. It was the SA report leak over and over and over and over again. They knew the law. They were an old boys' club. They abused it. They had cover—and it was systemically enabled. And that's why I think—to save the profession of policing in Massachusetts—there needs to be a full-on unbridled discussion about how this happened—how the personalities involved were able to do what they did. And we can't be so tribalistic that because someone we support as to their views on one case, right? We cannot be so tribalistic that we just block out everything bad that they do. Or this rot will continue. And it is pernicious. It is insidious. It is invidious. It undermines the faith that citizens completely removed from this situation have in our system of government. It undermines victims' confidence in the ability to seek redress in the face of serious fucking harm—because they think the system doesn't actually care about them. It's just using them to get someone bigger. We cannot allow this to perpetuate. And the only way to fix it is to hold up situations like what happened to Birchmore—Sandra Birchmore—and what happened to Lindsey Gaetani—hold them up in the national spotlight—and say: we—the MSP—have failed you. Brian Tully failed these people. John Fanning failed these people. Nick Guarino failed these people. Yuri Bukhenik failed these people. We need to say that. We need to highlight it. We need to say: this happened even once. Therefore, we are not good enough. Not only are we not good enough—the very fact that either of these things were able to happen—the Birchmore cover-up, the phone extraction leak—is such a pervasive, systemic degradation of the faith that victims and the public have in the justice system—that our only option is to talk about this—congressional hearings. We need the State House to have congressional hearings. We need these people to answer for what they did. And we need to make sure it never happens again. And the only way you do that is by finding out what aspects of the bureaucratic structure allowed this to happen. And it's not going to be comfortable. I don't think it's going to be comfortable for anyone to talk about the fallout of any of this—but that's exactly what happened at the CCC on a smaller scale. And if this country matters—if this form of government matters—if this republic matters—then we will fix this. We will fix it together. We will address the hard questions. We will address the uncomfortable questions. We will shed our prejudices and polemical biases at the door. We will engage in no fear, no favoritism—and we will look only for the truth and nothing but it. And if you are incapable of doing that—you're contributing—either consciously or subconsciously—to the problem. It's our only option. And you can't just say: because they prosecuted Karen Read, we can't talk about anything bad that they did. That's tribalism. That's polemical. That's what drove us to this point.
1:17:36

Alright, here's the epic towel rant from tonight; And so that's what kind of tipped me off in real time. I was like: wait a minute. Is Judge Doolin ruling from the bench right now? And then I was like: wait a minute. He's ruling from the bench and ordering them to appoint a new prosecutor and potentially the Attorney General. Oh my word. How—what is this? I—this wasn't on my bingo card. Even now I'm just like: Oh my God, I can't believe he did that. Judge Doolin—in a good way. I'm just like: Oh my God, there is hope. And then to follow it up with: "Oh yeah, I'm thinking about a hearing on the contempt." Oh my God—you're telegraphing. You're going to have a contempt hearing after the Attorney General is potentially on the case. The other witnesses, however, are left in this position where they have this kind of not really well-funded—like kind of spastic prosecution, like the special prosecutors on the Kearney cases. Then you got the December 23rd, 2023 criminal charges against Aidan that were charged in Dedham District Court, 23rd or 26th or so. And that was for illegally—allegedly—recording Lindsey Gaetani and then submitting an edited version of the recording into court for some reason. I don't know why Aidan did that, especially apparently when there's an original version of the recording pursuant to some of the statements in court. And then also for intimidating Lindsey—for allegedly going over there on December 23rd, 2023—against Karen Read's advice and against his lawyers' advice, apparently, according to a leaked group chat message from Facebook in 2024—in May of 2024—going over to Lindsey's apartment. And then according to the affidavit from the search warrant for Karen Read's cell phone—allegedly telling Lindsey that she shouldn't cooperate with the grand jury. She should—she could remove information from her phone or something—that Aidan would get her a lawyer, but only if she agreed to meet with a lawyer only with him present, because she had, quote, "broken his trust." It just like—wild stuff. And that new grand jury, by the way, was apparently—it did go forward. And then in time it came out that it—that was about Karen and Aidan and witness intimidation and conspiracy, because Aidan Kearney—between October and November—really August and November of 2023—it started telling Lindsey Gaetani about his communications with Karen Read that included—in writing—Exhibit O to Karen Read search warrant affidavit, which says that Karen Read told Aidan Kearney that in November of 2023—November 28, 2023, to be specific—that Karen Read told Aidan Kearney that Karen Read and her team at ex parte conversations with former U.S. Attorney Josh Levy—which was right in the window of time that Jessica Leslie, the grand juror leaker, was leaking information. Leslie started leaking in August of 2022—which is the same month that Alan Jackson joined Karen Read's legal team. And Josh Levy—who was one of the U.S. Attorneys in charge of that grand jury—Leslie was leaking about four different cases: probably the Birchmore case, definitely the Read and O'Keefe case, definitely the CDL case. One more case. We can't really—the group of us journalists involved in this—can't really figure out. So right in the middle of that—November of 2023—Josh Levy is leaking ex parte grand jury information to Karen Read, which she's putting—she's telling Aidan Kearney about; he's putting it in writing. He just was trying to just show off for Lindsey, but you don't like—come on—like what is it? First day in the IC, bro? I'm not in the IC. I'm not part of the government. I'm a towel. But anyway—so Aidan's bragging to Lindsey, and I don't think that was a very good idea. I mean, she's brilliant and stuff, but like—why would you ever say that to her? Don't say that stuff. But anyway—like, why would you say—even if it's your significant other—unless they are read-in on the intel that you are sharing—why would you ever, ever, ever share that with someone? It exposes them to an incredible liability—which, if you love them, don't do it. It also exposes your own credibility to an incredible risk of liability. You will never be trusted by the intelligence community again. Pillow talk and honeypots are how they trap operatives. If you chase sex, they will compromise you. How can you not understand that? So if you get compromised by someone who's not an agent—just someone who's your partner and you're just telling them stuff about protected federal investigations—what do you think your reputation is going to be like among the intelligence community when you're doing that and they haven't even honeypotted you? You just voluntarily started putting this shit in writing. They're going to look at you like you are out of your mind. So anyway—Karen Read apparently is telling Aidan Kearney that she's having ex parte conversations with Josh Levy. Now, the grand jury that Leslie was leaking from was impaneled in May of 2022 when Rachael Rollins used to be U.S. Attorney in Boston. Now think about this. In 2020, Rachael Rollins and Aidan Kearney—Rachael Rollins, a hyper-liberal known for her soft-on-crime stance. We'll also hear Rollins hated Michael Morrissey. Anyway, Rollins worked with Turtle Boy to send a Republican operative named Rayla Campbell to Joe Kennedy Jr.'s events in the Senate race against Ed Markey so that Ed Markey could win the Senate seat. Now, interestingly enough, Rachael Rollins then got appointed to the position of U.S. Attorney right after that. And you might say: well, Grant, that's a stretch. No, no—because then within a few months, Rachael Rollins—part of the reason she gets thrown out of office by the DOJ OIG—is because she attends an event in Andover with—guess who?—Dr. Jill Biden, the wife of the then-president who appointed her. Now, what does that mean? Well, if you really think about the geopolitical implications of the 2020 Senate race between Ed Markey in Massachusetts and Joe Kennedy Jr.—well, one of the things you're going to realize is that—think about 2020. The leadership around Biden did not know that the chaos of 2024 was going to happen with Kamala and Biden not really being up to it. You're thinking ahead to 2024. Why? Who's your biggest target if you are a sitting Democrat and you're worried about a primary challenge four years from now? Well, what if JFK's—what is it—nephew or whatever it is—is in the House of Representatives? And what if JFK started his career in the House of Representatives? And what if that new young Kennedy with red hair and sort of a photogenic face? What if he is running for JFK's old Senate seat? What if he's on the same exact trajectory as JFK? Oh, we can't have that. We—as the Biden White House—cannot have Joe Kennedy Jr. beating Ed Markey for Senate. And how it got to the point that somebody talked to Rachael Rollins and she came up with the brilliant idea to reach out to Turtle Boy so that Turtle Boy would talk to Rayla Campbell to send her to Joe Kennedy Jr.'s events to help Markey—I don't know. But that's why I think Rachael Rollins became U.S. Attorney—someone who, in my opinion, was uniquely unqualified and fundamentally unethically un-predisposed to being able to run that office. Who then in turn immediately tried to interfere in the 2022 Suffolk DA primary between Kevin Hayden and Ricardo O'Rourke—because Rollins wanted to see her progressive vision continue through O'Rourke—so she worked with Daniel Medwed—the same professor who was involved with advocating the media on behalf of Karen Read's team. She worked with Daniel Medwed to get a story leaked about how a non-existent federal probe into Kevin Hayden—to increase Ricardo O'Rourke's chances in the Suffolk DA primary. Sound familiar? Oh, hell yeah. So anyway—between November of 2022 and May of 2023—you got this weird situation where Rollins knows she's getting forced out; Levy's going to take over the office. The people who take Rollins out are Josh Levy, Bill Abley, and still head of the criminal division—Dustin Chao, I think—still head of the public integrity unit, and then executive officer who is also the press secretary or the communications director of the office. Those four people—without being named; they're named by title—were the people who cooperated with the DOJ to take Rollins out—DOJ-OIG to take Rollins out. Now, why is that interesting? Well, one—because it shows that people in that office knew that Rachael Rollins had a proclivity for weaponizing leaks about non-existent federal probes to interfere in particular district attorney races and matters. Second—Rachael Rollins and Michael Morrissey had a bifurcated history of ten years. One: Rachael Rollins had this list of 25 crimes she wouldn't prosecute, and other DAs critiqued her—not just Michael Morrissey but others. Rollins—I'm pretty sure—was the one who first called Morrissey a "meatball," in fact, because of his criticism of Rollins over that issue. Rachael Rollins—I think—has a proclivity, in my opinion, to hold a bit of a grudge. When she became U.S. Attorney and she realized she was on the way out—well, maybe the Sandra Birchmore probe started back in May of 2022 because former chief of the Canton police—Ken Berkowitz—went to the FBI and told them that the FBI covered up—the MSP unit detailed to the Norfolk DA covered up Sandra Birchmore's murder—potentially because Yuri Bukhenik and John Fanning used to work in Stoughton with Matt Farwell and Robert Devine and Billy Farwell—I think they all worked there. And furthermore—that Brian Tully, the unit commander, was partners with John Fanning for 20 years. All right, and in that regard—it is very interesting, I think—that Chief Berkowitz—who may have been very offended that his unit... So Sandra Birchmore was murdered on February 1st, 2021, at 9:23 p.m. in her apartment in Canton. Okay—on February 4th, Monday in the morning—the Canton police do a wellness check after they get a call from her—Sandra's—colleagues at the school where she worked as an administrative assistant. Now the Canton police respond—on Monday, February 4th—by Wednesday, February 6th. The Canton police have collected the following evidence in order. And if you don't believe me, you can read pages—I think 97 through 101—of the Canton Police Department audit report released in April of 2025. Point by point. Number one: the Canton police confirm—via a witness who was the maintenance worker at Sandra's apartment building—that Matt Farwell was the man on camera outside Sandra's apartment in the elevator at 9:23 p.m. on February 1st—which is exactly when Sandra died. Two: that the man was Matt Farwell, and he was the same man who helped Sandra move into her apartment. Three: that when the Canton PD went to Sandra's school, they got information that Farwell was telling people that Sandra was pregnant with his child—that he had abused her since she was a child—and that he was going to quote "take care of the problem himself" if Sandra decided to carry the baby to term. All right. All of that information—by February 6th of 2021—was passed over to the MSP. John Fanning and this whole unit—I think—really then facilitate a report sometime over the next six to 12 months that exonerates Farwell and says Sandra dies from self-harm. Well, I think that's why Ken Berkowitz blew the whistle before he died of cancer—and that's why there was a grand jury impaneled in May of 2022—and it was really about the cover-up of Sandra Birchmore's murder. Well—one—it was about Sandra Birchmore's murder. Why does that make everything so interesting? Because I think that the investigation wasn't just about who killed Sandra and why—but how was it ruled a—the result of self-harm—instead of the very obvious murder that it was. Well—that starts—2022, I think—May of 2022—the grand jury. Jessica Leslie was on the grand jury—leaker—who's going to be sentenced on October 4th of 2025. I think Jessica Leslie—ladies and gentlemen—in August of 2022 somehow leaked to Karen Read—Alan Jackson—that the Norfolk DA was dirty because they covered up—and that MSP unit—because they covered up Sandra Birchmore's murder. All right—so therefore, Alan Jackson—that's the skeleton in the closet. It wasn't what the people in the house were doing. I'm still a little suspect of who they know—but I don't think that's the big deal. I don't think Jen McCabe's social life is the big deal. Nobody cares—nobody fucking cares. Sorry for cussing. The big issue is that Jen was friends with Tully. Tully's unit knew literally where the bodies were buried. And they—I think—they brought on the PI—Marty Kraft—and Kate Peter—to insulate their exposure from the coming publicity that they knew was going to be brought upon them by Alan Jackson. And so they were worried. And who would you bring in if you had covered up a murder? If you were a MSP unit—you'd bring in someone like Kate Peter. Because you can read her in on that. She's hardened. She doesn't give a fuck. She lost two of her kids—and I don't think she even fucking cared. So who the fuck's the perfect person be like: "Bruh, if that shit gets national attention, we're fucked. So you better control that fucking narrative and handle all these like different people that get too close to this—or we're going to be exposed for Birchmore." But let me bring it back to the point here—which is in 2022, the feds clearly were starting to poke around. And come 2023—I think Brian Tully's unit was desperate. Who was going to find out because of the coverage of the Read case? Could they make sure that Kate Peter got close enough to Netflix and Gretchen Voss so that they couldn't find out what was actually going on? And could the Birchmore cover-up be kept up—even in light of the national spotlight? When you think about the fact that some people may not have been loyal to the Justice for John O'Keefe movement—but were instead primarily loyal to Brian Tully's unit. And when you think about the fact that maybe Tully's unit didn't run the best investigation of Karen Read—maybe there were some flaws. But if you think about the fact that they did get her—but if you think about it in the context of: Karen knew from the jump that the MSP were dirty over Birchmore—then you understand: Karen—that's why it was going to become an incident. Everyone knew—everyone around Tully, his friends, all of them—the unit—they knew they covered up Birchmore's murder. And they knew Karen had it in her hands if she could just figure out the PR. And that's exactly what she did—to put enough pressure on them. They took her to trial anyway—and it destroyed the fucking Norfolk DA—destroyed Brian Tully's unit. It cost them dearly—and she's a tactical fucking genius. I think Brian Tully thought he was slicker than he was by using the prosecution of Aidan Kearney—not to get a genuinely—in my opinion—bad guy who was deserving of the indictment handed up by a grand jury of his peers. But because Tully wanted to know what the real target of the federal probe is. If you don't know what a backhand is, folks—a backhand is where you investigate one thing on the surface because you're dealing with a very high-level operation like the state police—who are a paramilitary intelligence-gathering operation. So you trick them. You make them think they're under investigation for John's death and the investigation of that death. But really—you're investigating them for the cover-up of Sandra Birchmore's murder. And that's exactly what I think happened to this unit. That's what I think Brian Tully was trying to figure out—from August of 2023 until about December. I think they eventually put it together—and by August of 2024, Matthew Farwell got indicted. Now—it's a question of all this as a result of today. I want to be very clear: this is what was called for. There needed to be an independent voice with power and who takes no nonsense—who came into this and said: Nope—it's out of your hands. And that's what Judge Doolin did today. Someone just needed to not either be involved with Karen Read, Aidan Kearney, or the Norfolk DA—or Kate Peter or Marty Kraft—and prosecute this. Now, all those other witnesses—I have no idea what the hell is going to happen there. But at least for Lindsey—Judge Doolin was like: enough of this nonsense. And that's why today was such a big deal in light of that historical context—because just tracing that very insidious pattern of events over the past 18 months—you can see this became a proxy war. It was Michael Morrissey on one side with his marching soldiers: Brian Tully, Kate Peter, Marty Kraft. And then it was Karen Read and the DOJ on the other side. Okay. And their soldiers were like the Free Karen Read movement and Turtle Boy and Natalie and all these other people. This was an intelligence community proxy war. And that's why I've been trying to tell people for so long: Lindsey Gaetani was not involved. She was an unwitting pawn. These two factions both took advantage of her—including Brian Tully—who was more interested in preserving his unit's reputation than actually defending the interest of the vulnerable. In my opinion, I think Brian Tully is a terrible person. Does that mean that he's a bad person for trying to hold Karen Read accountable for John O'Keefe's death? No, of course not. He's a bad person because in what fucking world do you—as a fucking state police officer—who you—you are entrusted—not just to get the bad guys—but to protect the most fucking vulnerable? One: how do you justify what happened with Sandra Birchmore? Two: how the fuck do you get it in your fucking mind that you're going to take a 15-year unredacted extraction of a fucking vulnerable victim's cell phone and release it to a fucking defendant known for promulgating exactly that material? What fucking headspace? What satanic fucking chamber do you and Kate Peter have to be drinking blood from fucking cups in to think that that's fucking okay? Fuck you. How do you even get in the headspace where doing something like that to a fucking victim becomes acceptable. The rot in that unit—whether enabled by Morrissey or whether he didn't know about it—I don't fucking know. But the point is: the rot in that unit was so deep that they lost their fucking souls. They didn't think of victims as victims. They re-victimized victims because it was a political fucking war—and these people are so hardened, I guess, that they don't understand what it means to be vulnerable. And these were police officers—detectives—people entrusted to uphold and protect the dignity of the most vulnerable—and they fucking used victims to advance some political agenda—to deal with the fact that they covered up a fucking murder. I'm done being gentle about this. Fuck these people. And I'm not saying that it was wrong for them to investigate Karen Read. I am pleased someone tried to prosecute her. I'm pissed at them because they were thinking about it from the perspective of their own liability for an unrelated case—and they fucked everything up—and introducing Kate Peter to this shit. Oh my God. It's a disgrace. It's a disgrace to the people who were hurt. It's a disgrace to the vulnerable. I frankly do not understand how Jen McCabe, Brian Tully, and Kate Peter go to bed each night. I don't get it. I don't know. Maybe there's something that shuts off the GABA-1 receptor or something and just makes you go to bed. I don't know. Never heard of such a thing. But I'm just saying: I don't know how you do it. How do you do it? But anyway—Judge Doolin—without giving a... extemporaneous, uh, bloviating cuss-based rant like I just did—instead, in my opinion, is like: fuck all of you! You're not being involved in this prosecution anymore. Someone's gonna protect this fucking woman—Lindsey Gaetani. I'm making you appoint someone! I love that man. Good for Judge Doolin. But still—we never should have gone to this point. This is incredible. With the... the... the MSP. The fact that they had a unit operating like this for so long. This is worse than what John Connolly and Whitey Bulger did. This is institutional rot that is so pervasive that it requires fundamental reform of the MSP. They're not incapable of—um, uh—solving crimes. I'm sure most of the MSP are wonderful. Anyway—my point is: I don't think the state police officers that I generally run into—or troopers—are bad people. I think most of them are wonderful. They've never been really mean to me. They do good work. They're out there protecting our roads. They stop people from speeding. They—what else do they do? They go after commercial truck violations. They investigate homicides—like, on the whole. And this is why I think we have to be careful about how we talk about this. I am not saying that the entire MSP is just rotten. I'm saying that when you have factions or sections within the institution that understand its machinations and are able to thus manipulate the bureaucratic structure and avoid accountability—you lose the confidence of everyone. And how do you think some of those good troopers feel when they have to go out there? Yes—people like me are going to smile at them and bless them and whatever—because I know they're not part of the problem. But most people look at them and they think that they're fucking hated. They don't deserve that. They literally put their lives on the line for us every day. And if we're going to give them the respect they deserve—if we're going to make the profession have the respect that it deserves—then this kind of institutional rot can't be looked at as just an embarrassment. And it can't be looked at as something that—oh, we just wish didn't happen. Maybe some guys are going to go away. No—you point at it. You scream it from the rooftops and you say: if this happens even once—then we have so failed as an institution; we must fundamentally reform from the ground up. And this wasn't just once. It was Birchmore. It was the phone extraction. It was the SA report leak over and over and over and over again. They knew the law. They were an old boys' club. They abused it. They had cover—and it was systemically enabled. And that's why I think—to save the profession of policing in Massachusetts—there needs to be a full-on unbridled discussion about how this happened—how the personalities involved were able to do what they did. And we can't be so tribalistic that because someone we support as to their views on one case, right? We cannot be so tribalistic that we just block out everything bad that they do. Or this rot will continue. And it is pernicious. It is insidious. It is invidious. It undermines the faith that citizens completely removed from this situation have in our system of government. It undermines victims' confidence in the ability to seek redress in the face of serious fucking harm—because they think the system doesn't actually care about them. It's just using them to get someone bigger. We cannot allow this to perpetuate. And the only way to fix it is to hold up situations like what happened to Birchmore—Sandra Birchmore—and what happened to Lindsey Gaetani—hold them up in the national spotlight—and say: we—the MSP—have failed you. Brian Tully failed these people. John Fanning failed these people. Nick Guarino failed these people. Yuri Bukhenik failed these people. We need to say that. We need to highlight it. We need to say: this happened even once. Therefore, we are not good enough. Not only are we not good enough—the very fact that either of these things were able to happen—the Birchmore cover-up, the phone extraction leak—is such a pervasive, systemic degradation of the faith that victims and the public have in the justice system—that our only option is to talk about this—congressional hearings. We need the State House to have congressional hearings. We need these people to answer for what they did. And we need to make sure it never happens again. And the only way you do that is by finding out what aspects of the bureaucratic structure allowed this to happen. And it's not going to be comfortable. I don't think it's going to be comfortable for anyone to talk about the fallout of any of this—but that's exactly what happened at the CCC on a smaller scale. And if this country matters—if this form of government matters—if this republic matters—then we will fix this. We will fix it together. We will address the hard questions. We will address the uncomfortable questions. We will shed our prejudices and polemical biases at the door. We will engage in no fear, no favoritism—and we will look only for the truth and nothing but it. And if you are incapable of doing that—you're contributing—either consciously or subconsciously—to the problem. It's our only option. And you can't just say: because they prosecuted Karen Read, we can't talk about anything bad that they did. That's tribalism. That's polemical. That's what drove us to this point.

Grant Smith Ellis

41,546 görüntüleme • 10 ay önce

Confidence Pro Max: Remembering a Brother, a Filmmaker, and a Warrior Nick’s untimely death is a devastating blow to his family, friends, and Kenya as a whole. We didn’t see it coming, even after he was diagnosed in October 2025 with hypocellular myelodysplastic syndrome (h-MDS), a rare bone marrow disorder. When we went to see him in the hospital, he possessed such positive energy, he was convinced that he would beat this. He was Rambo a "one-man army" and we all believed he could beat it, too. He never looked defeated, or depressed, even as he began to lose weight. When he shaved his head in November, he sent me a photo and asked me to call him "Michael Jordan," after the Chicago Bulls legend whose signature look was a bald head. Even in sickness, he found a reason to smile. I met Nick in 2015, before he became a filmmaker. I remember him sitting in my office wearing a suit, asking for my support to go study filmmaking in Italy. After completing his course in Italy, his first major project upon his return was the award-winning documentary Softie, directed by Sam Soko. The film followed my journey as I ran for political office during the 2017 elections, and Nick was the one behind the drone shots. We became friends, and I enjoyed a front-row seat watching as he went on to document important stories. One of my favourites was his powerful 2021 BBC Africa Eye documentary, "Street Dreams." He directed and filmed a group of seven homeless young men in Nairobi who formed the "Street Family Dance Crew." He embedded with them to capture their raw determination to escape poverty, police harassment, and family issues during the COVID-19 pandemic. It is a story that feels like a distant world today; those dancers used to perform outside nightclubs in the CBD, but the city has since become a ghost town. Many bars closed down and replaced by restaurants that shut their doors by 9:00 PM. It’s a story that captured a time in Nairobi that is long gone. In 2024, Nick and I united as he covered the protests. While I participated in the demonstrations, he worked on an unnamed film and we often discussed safety tips. I was a storyteller before I was an activist, so I knew a thing or two about staying safe in the streets while documenting potentially dangerous stories. When Nick was falsely arrested in May 2025, for allegedly producing the BBC documentary, Blood Parliament - two of the three people arrested with him were working with me. I received a call shortly after their arrest and faced the difficult task of calling my colleagues' parents to deliver the news. The arrest was hostile; they were forced to hand over their phones and passwords, and when their equipment was finally returned, it was infected with spyware. What remains hidden from the public eye after an arrest are the cold cells, the degrading police interrogations, the court arraignments, the stares, and the judgment from both friends and strangers. Sometimes even the loss of clients who don’t want to be associated with “enemies of the state.” On a personal level, the trauma of such an arrest can lead to depression, alcoholism, or insomnia. In Nick’s case, his body crumbled, a hidden disease manifested, and before we could truly understand what it was, it stole him from us. His passing is an indictment of our failed healthcare system. Good healthcare is not free. We do not have enough blood in our blood banks and patients must organize their own donors in both public and private hospitals. Furthermore, specialized medical care is so expensive and out of reach that his family and friends were in the middle of fundraising for a life-saving bone marrow transplant in India. I am glad that he was able to produce his latest work, The People Shall, last year. The documentary is a first-hand eyewitness account of the events of June 25th, 2024, when a new republic was born. In his honour, and in honour of the hundreds of thousands suffering due to poor healthcare in this country, may we take our power back. Nick was good people. He had a positive attitude toward life and brought love and laughter into every room he entered. He could lift heavier weights at the gym than people much older and bigger than him. I had the chance to lift weights with him and his co-accused friends; he was so confident that he was the only one lifting bare-chested. That was 'confidence pro-max,' and he beat us in lifting heavier weights and doing more sets. In September 2025, I woke up early to ensure my son was ready to go drone filming with Nick. My son had recently acquired his drone pilot license, and Nick had taken him under his wing as he worked on a new film - a project he was looking forward to finishing. He surprised us all with his early exit on January 7th, but we thank God we had the chance to spend time with him. As we grieve Nick’s death, may his story inspire you to leave that boring job, find your purpose, and live a life that leaves an impact. I am so grateful for Nick’s life. May God comfort his family and friends and give them strength. He will be dearly missed.
2:50

Confidence Pro Max: Remembering a Brother, a Filmmaker, and a Warrior Nick’s untimely death is a devastating blow to his family, friends, and Kenya as a whole. We didn’t see it coming, even after he was diagnosed in October 2025 with hypocellular myelodysplastic syndrome (h-MDS), a rare bone marrow disorder. When we went to see him in the hospital, he possessed such positive energy, he was convinced that he would beat this. He was Rambo a "one-man army" and we all believed he could beat it, too. He never looked defeated, or depressed, even as he began to lose weight. When he shaved his head in November, he sent me a photo and asked me to call him "Michael Jordan," after the Chicago Bulls legend whose signature look was a bald head. Even in sickness, he found a reason to smile. I met Nick in 2015, before he became a filmmaker. I remember him sitting in my office wearing a suit, asking for my support to go study filmmaking in Italy. After completing his course in Italy, his first major project upon his return was the award-winning documentary Softie, directed by Sam Soko. The film followed my journey as I ran for political office during the 2017 elections, and Nick was the one behind the drone shots. We became friends, and I enjoyed a front-row seat watching as he went on to document important stories. One of my favourites was his powerful 2021 BBC Africa Eye documentary, "Street Dreams." He directed and filmed a group of seven homeless young men in Nairobi who formed the "Street Family Dance Crew." He embedded with them to capture their raw determination to escape poverty, police harassment, and family issues during the COVID-19 pandemic. It is a story that feels like a distant world today; those dancers used to perform outside nightclubs in the CBD, but the city has since become a ghost town. Many bars closed down and replaced by restaurants that shut their doors by 9:00 PM. It’s a story that captured a time in Nairobi that is long gone. In 2024, Nick and I united as he covered the protests. While I participated in the demonstrations, he worked on an unnamed film and we often discussed safety tips. I was a storyteller before I was an activist, so I knew a thing or two about staying safe in the streets while documenting potentially dangerous stories. When Nick was falsely arrested in May 2025, for allegedly producing the BBC documentary, Blood Parliament - two of the three people arrested with him were working with me. I received a call shortly after their arrest and faced the difficult task of calling my colleagues' parents to deliver the news. The arrest was hostile; they were forced to hand over their phones and passwords, and when their equipment was finally returned, it was infected with spyware. What remains hidden from the public eye after an arrest are the cold cells, the degrading police interrogations, the court arraignments, the stares, and the judgment from both friends and strangers. Sometimes even the loss of clients who don’t want to be associated with “enemies of the state.” On a personal level, the trauma of such an arrest can lead to depression, alcoholism, or insomnia. In Nick’s case, his body crumbled, a hidden disease manifested, and before we could truly understand what it was, it stole him from us. His passing is an indictment of our failed healthcare system. Good healthcare is not free. We do not have enough blood in our blood banks and patients must organize their own donors in both public and private hospitals. Furthermore, specialized medical care is so expensive and out of reach that his family and friends were in the middle of fundraising for a life-saving bone marrow transplant in India. I am glad that he was able to produce his latest work, The People Shall, last year. The documentary is a first-hand eyewitness account of the events of June 25th, 2024, when a new republic was born. In his honour, and in honour of the hundreds of thousands suffering due to poor healthcare in this country, may we take our power back. Nick was good people. He had a positive attitude toward life and brought love and laughter into every room he entered. He could lift heavier weights at the gym than people much older and bigger than him. I had the chance to lift weights with him and his co-accused friends; he was so confident that he was the only one lifting bare-chested. That was 'confidence pro-max,' and he beat us in lifting heavier weights and doing more sets. In September 2025, I woke up early to ensure my son was ready to go drone filming with Nick. My son had recently acquired his drone pilot license, and Nick had taken him under his wing as he worked on a new film - a project he was looking forward to finishing. He surprised us all with his early exit on January 7th, but we thank God we had the chance to spend time with him. As we grieve Nick’s death, may his story inspire you to leave that boring job, find your purpose, and live a life that leaves an impact. I am so grateful for Nick’s life. May God comfort his family and friends and give them strength. He will be dearly missed.

The People’s President

37,999 görüntüleme • 6 ay önce

"Come on, folks. Do we see what's playing out here? Marbury v. Mad might have just brought down the Commissioner of the Boston Police Department." - Towel, November 6, 2025 Rule #1 in Massachusetts politics right now; Do not mess with Attorney Corey Hopkins. She's going to get barred here just to reform the government (then I'll become her paralegal and we'll submit public records requests all day). Good plan. TRANSCRIPT (from Towel's coverage of the letter in question, uncovered by Attorney Hopkins); Hello and good evening. It is just past 6 p.m. on Monday, November 3rd, 2025. My name is Grant Smith-Ellis, and I'm back with you again for another developing news update, this time related to Boston Police Commissioner Cox responding to a developing series of scandals, in particular related to former Boston Police Officer—well, first former Canton Police Officer, then former Boston Police Officer—Kelly Dever. Now, Kelly Dever was an integral witness during the John O'Keefe and Karen Read trial about one specific series of events in the early morning of January 29, 2022—not really related to John's death per se, but related to the then-chief of the Canton Police Department, Ken Berkowitz, who was also potentially the person that went to the FBI about Brian Tully's MSP unit, Massachusetts State Police unit, detailed to the Norfolk DA, who were the same people that investigated Karen Read for John's death. Berkowitz was the same person who apparently went to the FBI in 2022 about Tully's unit through John Fanning covering up Sandra Birchmore's death at the hands of former Stoughton PD officer Matthew Farwell. Okay, Ken Berkowitz and Brian Higgins—then undercover ATF agent who himself had been in a relationship of some kind, we'll call it that, with Karen in the months before John's death. That's a whole story we will not get into. The point is, Higgins and Berkowitz go into the sally port. Now, Kelly Dever had been working since, I think it was 12 a.m. on January 28th. She worked—let me make sure I get this right now—she worked at 12 p.m., noon on January 28th to 8 p.m. Then she worked the 8 p.m. to 4 a.m. shift. Okay, she was doing 16 hours over those two days. At like 1:30 a.m., she saw Berkowitz and Higgins—or around there, maybe a little later—go into the area, an area of the Canton PD. Then—and we're going to find out—she had a meeting with Boston Police Commissioner Cox. Now, why did Commissioner Cox get himself in trouble? Well, not because of the interview we're going to watch, but instead because of an interview about a year ago where he said he knew nothing about the Kelly Dever situation or the Karen Read case. All right, now we're going to quickly come to find out that what we're about to hear from the commissioner is not the best answer in light of this little document found by the incredible Marbury v. Madison on X, Corey A. Hopkins, a business litigator based in North Carolina. Towel really likes Marbury v. Madison because, first of all, Marbury v. Madison is an awesome case, and it entrenched the supremacy of the judiciary as to saying what the law is by virtue of the Constitution. Solved a very complex problem related to the Judiciary Act of 1789 and, in particular, the emergence of political parties in 1796 and, in particular, 1800, and a slew of last-minute appointments by President Adams and a refusal by President Jefferson to commission—or one of the refusal by Jefferson's Secretary of State Madison to commission a justice of the peace. But it really was about the supremacy of the judiciary branch. Marbury v. Madison uses a lot of FOIAs, and what you're going to see right here is a FOIA request that resulted in this wonderful little document. And what does this show? All right, this document shows, folks, a letter from Stephen J. Kelleher, who's with the White Collar Public Corruption and Civil Rights Division of the FBI in Boston. It is a letter that Marbury v. Madison obtained via a FOIA, and it shows the DOJ reaching out to Commissioner Cox and saying, "Sir, hope all is well. Just a reminder—this was on February 22nd, 2024. The documents were released to the DA's office late last night." This has to do with federal documents about the investigation of John's death by the MSP unit run by Brian Tully working for the Norfolk DA. "The officer we spoke about is Kelly Dever. If you have any questions at all, feel free to call me. Vr. Steve." Okay, folks, this proves that Commissioner Cox was told about Kelly Dever and documents related to her testimony and what she saw Higgins and Berkowitz doing—which I don't think was related to John's death, but it's just embarrassing for Higgins. He was an undercover ATF agent, and embarrassing for Berkowitz. And although Berkowitz is now dead, he was either dying or not dead in 2024. And clearly, this was embarrassing, okay, to the Canton Police Chief, to the Boston Police, to Higgins, to all these people. All right. And so we see here, Cox knows about it. Cox then goes on a few months later—I think it was either after, I think it was right after Karen's second trial, but it was some months after this initial email was sent to Cox. And Cox, in his infinite wisdom, tells Boston 25 or Channel 5 or whatever it was at a news conference that he's basically never heard of Kelly Dever or the Karen Read and John O'Keefe case. Okay, that was a stupid thing to say because then this FOIA comes out in recent weeks. That leads to Alan Jackson to send a Brady letter to Mayor Michelle Wu, the Democratic mayor of Boston running unopposed in the coming election, saying that Cox should be on the Brady list. I think it was—yes, because Cox was not forthcoming about what he was told by the feds about Dever. Okay, now this is Cox's response. I just want to show you how bad of a response this is. Okay, this is a clip via Boston 25, just Cox's comment on these new developments, which—although Alan Jackson's Brady letter is what Cox was asked for comment on—even Alan Jackson himself has rightfully so given credit to Marbury v. Madison for their excellent find on this FOIA document that was unearthed. And this could cost Cox his position. All right, the Democrats in Boston already have the eye of President Trump. The DOJ is all over this unit, in my opinion, and the cover-up of Birchmore's death. Look at the DOJ's pattern of indictments, okay? Recently, not just the Jessica LeClair leaks, but also Sheriff Tompkins and other major Democrats. Look at what's going on here, folks. Think about the larger picture—the most recent indictment, the superseding indictment of Matt Farwell for the murder of Sandra Birchmore's unborn child. It's all coming together. And Commissioner Cox's answer is bad. And that's why I want to analyze it. It's not just like inappropriate. It is a bad, bad, bad answer. When I heard it, I had to immediately make a video to analyze it because that's how bad this answer is. It's short, but I'm going to tell you how bad it is after we listen to it. "But what I need, you know, it's not to be asked this question ever again because it's not—it has to pertain to anything to do with the police department. My condolences to the O'Keefe family for, you know, what they've gone through. And because we did lose a department member. But outside of that, this has nothing to do with us. And I'm not going to speak with this again." Okay, let me just make something clear. I'm not saying he was wrong. It's not wrong to invoke John's name. But doing it that way—that's grotesque. Okay, he didn't answer the question. He basically refused to do so. And again, if you didn't hear the statement—although I'm sure you did—he said, "What I need is to not be asked this question ever again pertaining to anything to do with the police department." What? "My condolences to the O'Keefe family for what they've gone through because we did lose a department member." John O'Keefe was an honorable member of the Boston PD and the SA offenders unit. "But outside of that, this has nothing to do with us, the Boston PD, and I'm not going to speak on this again." No, no, no, no—that you just cost yourself your job right there. I'm sorry. That was a terrible, terrible answer. I'm sorry for the volume. I'm just running it back. Terrible answer. The worst possible answer. You may well have just cost yourself your job because you ducked the question. Everyone knows that the question is about this document. Anyone following this knows. The implications are what Dever knew about Berkowitz and Higgins, and maybe that's not the most serious thing. But as President Nixon said, it is not the crime, it's the cover-up. Dever, whatever she did—not wanting to talk about certain things about Higgins and Berkowitz, unrelated to John's death, just because it's kind of embarrassing—that is not a problem really. It's a minor thing. You know what's a big deal? Dever definitely got Brady-listed or whatever because her testimony was a little weird. I think Alan Jackson also pressured her a little bit. But whatever, that's not the point here. Cox's response—that was bad. That was bad PR. That's like the kind of thing when Prince Andrew was forced to go out and do an interview with BBC One about Epstein, and it just cost him all his titles because he got no PR help; he got sandbagged. That kind of thing—somebody didn't prep him, or the people he was talking to didn't even think this would come up. That's a horrible answer. Twenty seconds can cost you your career if you have done something bad and you answer a tough question like that. It's defensive; it shows you have something to hide; it undermines people's faith in your ability to answer those kind of questions. That's the biggest problem for Commissioner Cox here. Instead of inspiring confidence and making it look like it was nothing or it was just a routine, he couldn't even address the fact that he was made aware in February, in particular, about Kelly Dever and he had knowledge—he had a meeting with her. Let's be clear: He put her on his schedule the very next day. Not only did he have recipient knowledge of what was going on with the federal investigation and the John O'Keefe and Karen Read case—Dever got called into his office the next day, which of course Cox initially tried to play off as just some routine meeting, as if he meets with all 2,600 or whatever of the Boston police force. No. Come on, folks. Come on, folks. Do we see what's playing out here? Marbury v. Madison might have just brought down the Commissioner of the Boston Police Department. My name is Grant Smith-Ellis. Enjoy the rest of your Monday. We'll see what other news comes in today. Sean Good on suspension. Michael Proctor's cell phone gate engulfing the world in a conflagration. Little towel basically running down the street from the masses, trying to insulate himself from the fallout of this God-forsaken situation. Institutional reform is coming—to the Norfolk DA, hopefully throughout the state police—so that the good people in law enforcement can keep helping the vulnerable and that the exploited, no matter how much pressure they come under, continue to speak their truth. And let me just say this: Whenever we stand against the flow of opinion on hotly contested issues, a man, a woman, and a Towel—do what they must in spite of the personal consequences, in spite of the dangers and obstacles and pressures. For that is the basis of all human morality. We will be there for each other in times of struggle. We will be side by side in times of joy. And when everything is on the line and when our principles matter the most, there will be no price too high to pay to center the voices of the unheard, to bring justice to the vulnerable, and to reform this God-forsaken justice system in Massachusetts so that we can all hand down a structural system to our future generations that is worthy of our Constitution, that is worthy of our collective intelligence, and that is worthy of the due reverence we all should be providing to the pursuit of justice. My name is Grant Smith-Ellis. Until next time, you're a towel, I am as well. Be well. God bless.
12:38

"Come on, folks. Do we see what's playing out here? Marbury v. Mad might have just brought down the Commissioner of the Boston Police Department." - Towel, November 6, 2025 Rule #1 in Massachusetts politics right now; Do not mess with Attorney Corey Hopkins. She's going to get barred here just to reform the government (then I'll become her paralegal and we'll submit public records requests all day). Good plan. TRANSCRIPT (from Towel's coverage of the letter in question, uncovered by Attorney Hopkins); Hello and good evening. It is just past 6 p.m. on Monday, November 3rd, 2025. My name is Grant Smith-Ellis, and I'm back with you again for another developing news update, this time related to Boston Police Commissioner Cox responding to a developing series of scandals, in particular related to former Boston Police Officer—well, first former Canton Police Officer, then former Boston Police Officer—Kelly Dever. Now, Kelly Dever was an integral witness during the John O'Keefe and Karen Read trial about one specific series of events in the early morning of January 29, 2022—not really related to John's death per se, but related to the then-chief of the Canton Police Department, Ken Berkowitz, who was also potentially the person that went to the FBI about Brian Tully's MSP unit, Massachusetts State Police unit, detailed to the Norfolk DA, who were the same people that investigated Karen Read for John's death. Berkowitz was the same person who apparently went to the FBI in 2022 about Tully's unit through John Fanning covering up Sandra Birchmore's death at the hands of former Stoughton PD officer Matthew Farwell. Okay, Ken Berkowitz and Brian Higgins—then undercover ATF agent who himself had been in a relationship of some kind, we'll call it that, with Karen in the months before John's death. That's a whole story we will not get into. The point is, Higgins and Berkowitz go into the sally port. Now, Kelly Dever had been working since, I think it was 12 a.m. on January 28th. She worked—let me make sure I get this right now—she worked at 12 p.m., noon on January 28th to 8 p.m. Then she worked the 8 p.m. to 4 a.m. shift. Okay, she was doing 16 hours over those two days. At like 1:30 a.m., she saw Berkowitz and Higgins—or around there, maybe a little later—go into the area, an area of the Canton PD. Then—and we're going to find out—she had a meeting with Boston Police Commissioner Cox. Now, why did Commissioner Cox get himself in trouble? Well, not because of the interview we're going to watch, but instead because of an interview about a year ago where he said he knew nothing about the Kelly Dever situation or the Karen Read case. All right, now we're going to quickly come to find out that what we're about to hear from the commissioner is not the best answer in light of this little document found by the incredible Marbury v. Madison on X, Corey A. Hopkins, a business litigator based in North Carolina. Towel really likes Marbury v. Madison because, first of all, Marbury v. Madison is an awesome case, and it entrenched the supremacy of the judiciary as to saying what the law is by virtue of the Constitution. Solved a very complex problem related to the Judiciary Act of 1789 and, in particular, the emergence of political parties in 1796 and, in particular, 1800, and a slew of last-minute appointments by President Adams and a refusal by President Jefferson to commission—or one of the refusal by Jefferson's Secretary of State Madison to commission a justice of the peace. But it really was about the supremacy of the judiciary branch. Marbury v. Madison uses a lot of FOIAs, and what you're going to see right here is a FOIA request that resulted in this wonderful little document. And what does this show? All right, this document shows, folks, a letter from Stephen J. Kelleher, who's with the White Collar Public Corruption and Civil Rights Division of the FBI in Boston. It is a letter that Marbury v. Madison obtained via a FOIA, and it shows the DOJ reaching out to Commissioner Cox and saying, "Sir, hope all is well. Just a reminder—this was on February 22nd, 2024. The documents were released to the DA's office late last night." This has to do with federal documents about the investigation of John's death by the MSP unit run by Brian Tully working for the Norfolk DA. "The officer we spoke about is Kelly Dever. If you have any questions at all, feel free to call me. Vr. Steve." Okay, folks, this proves that Commissioner Cox was told about Kelly Dever and documents related to her testimony and what she saw Higgins and Berkowitz doing—which I don't think was related to John's death, but it's just embarrassing for Higgins. He was an undercover ATF agent, and embarrassing for Berkowitz. And although Berkowitz is now dead, he was either dying or not dead in 2024. And clearly, this was embarrassing, okay, to the Canton Police Chief, to the Boston Police, to Higgins, to all these people. All right. And so we see here, Cox knows about it. Cox then goes on a few months later—I think it was either after, I think it was right after Karen's second trial, but it was some months after this initial email was sent to Cox. And Cox, in his infinite wisdom, tells Boston 25 or Channel 5 or whatever it was at a news conference that he's basically never heard of Kelly Dever or the Karen Read and John O'Keefe case. Okay, that was a stupid thing to say because then this FOIA comes out in recent weeks. That leads to Alan Jackson to send a Brady letter to Mayor Michelle Wu, the Democratic mayor of Boston running unopposed in the coming election, saying that Cox should be on the Brady list. I think it was—yes, because Cox was not forthcoming about what he was told by the feds about Dever. Okay, now this is Cox's response. I just want to show you how bad of a response this is. Okay, this is a clip via Boston 25, just Cox's comment on these new developments, which—although Alan Jackson's Brady letter is what Cox was asked for comment on—even Alan Jackson himself has rightfully so given credit to Marbury v. Madison for their excellent find on this FOIA document that was unearthed. And this could cost Cox his position. All right, the Democrats in Boston already have the eye of President Trump. The DOJ is all over this unit, in my opinion, and the cover-up of Birchmore's death. Look at the DOJ's pattern of indictments, okay? Recently, not just the Jessica LeClair leaks, but also Sheriff Tompkins and other major Democrats. Look at what's going on here, folks. Think about the larger picture—the most recent indictment, the superseding indictment of Matt Farwell for the murder of Sandra Birchmore's unborn child. It's all coming together. And Commissioner Cox's answer is bad. And that's why I want to analyze it. It's not just like inappropriate. It is a bad, bad, bad answer. When I heard it, I had to immediately make a video to analyze it because that's how bad this answer is. It's short, but I'm going to tell you how bad it is after we listen to it. "But what I need, you know, it's not to be asked this question ever again because it's not—it has to pertain to anything to do with the police department. My condolences to the O'Keefe family for, you know, what they've gone through. And because we did lose a department member. But outside of that, this has nothing to do with us. And I'm not going to speak with this again." Okay, let me just make something clear. I'm not saying he was wrong. It's not wrong to invoke John's name. But doing it that way—that's grotesque. Okay, he didn't answer the question. He basically refused to do so. And again, if you didn't hear the statement—although I'm sure you did—he said, "What I need is to not be asked this question ever again pertaining to anything to do with the police department." What? "My condolences to the O'Keefe family for what they've gone through because we did lose a department member." John O'Keefe was an honorable member of the Boston PD and the SA offenders unit. "But outside of that, this has nothing to do with us, the Boston PD, and I'm not going to speak on this again." No, no, no, no—that you just cost yourself your job right there. I'm sorry. That was a terrible, terrible answer. I'm sorry for the volume. I'm just running it back. Terrible answer. The worst possible answer. You may well have just cost yourself your job because you ducked the question. Everyone knows that the question is about this document. Anyone following this knows. The implications are what Dever knew about Berkowitz and Higgins, and maybe that's not the most serious thing. But as President Nixon said, it is not the crime, it's the cover-up. Dever, whatever she did—not wanting to talk about certain things about Higgins and Berkowitz, unrelated to John's death, just because it's kind of embarrassing—that is not a problem really. It's a minor thing. You know what's a big deal? Dever definitely got Brady-listed or whatever because her testimony was a little weird. I think Alan Jackson also pressured her a little bit. But whatever, that's not the point here. Cox's response—that was bad. That was bad PR. That's like the kind of thing when Prince Andrew was forced to go out and do an interview with BBC One about Epstein, and it just cost him all his titles because he got no PR help; he got sandbagged. That kind of thing—somebody didn't prep him, or the people he was talking to didn't even think this would come up. That's a horrible answer. Twenty seconds can cost you your career if you have done something bad and you answer a tough question like that. It's defensive; it shows you have something to hide; it undermines people's faith in your ability to answer those kind of questions. That's the biggest problem for Commissioner Cox here. Instead of inspiring confidence and making it look like it was nothing or it was just a routine, he couldn't even address the fact that he was made aware in February, in particular, about Kelly Dever and he had knowledge—he had a meeting with her. Let's be clear: He put her on his schedule the very next day. Not only did he have recipient knowledge of what was going on with the federal investigation and the John O'Keefe and Karen Read case—Dever got called into his office the next day, which of course Cox initially tried to play off as just some routine meeting, as if he meets with all 2,600 or whatever of the Boston police force. No. Come on, folks. Come on, folks. Do we see what's playing out here? Marbury v. Madison might have just brought down the Commissioner of the Boston Police Department. My name is Grant Smith-Ellis. Enjoy the rest of your Monday. We'll see what other news comes in today. Sean Good on suspension. Michael Proctor's cell phone gate engulfing the world in a conflagration. Little towel basically running down the street from the masses, trying to insulate himself from the fallout of this God-forsaken situation. Institutional reform is coming—to the Norfolk DA, hopefully throughout the state police—so that the good people in law enforcement can keep helping the vulnerable and that the exploited, no matter how much pressure they come under, continue to speak their truth. And let me just say this: Whenever we stand against the flow of opinion on hotly contested issues, a man, a woman, and a Towel—do what they must in spite of the personal consequences, in spite of the dangers and obstacles and pressures. For that is the basis of all human morality. We will be there for each other in times of struggle. We will be side by side in times of joy. And when everything is on the line and when our principles matter the most, there will be no price too high to pay to center the voices of the unheard, to bring justice to the vulnerable, and to reform this God-forsaken justice system in Massachusetts so that we can all hand down a structural system to our future generations that is worthy of our Constitution, that is worthy of our collective intelligence, and that is worthy of the due reverence we all should be providing to the pursuit of justice. My name is Grant Smith-Ellis. Until next time, you're a towel, I am as well. Be well. God bless.

Grant Smith Ellis

13,006 görüntüleme • 7 ay önce

Zack Polanski on BBC Radio 4's Today prog calmly knocking back everything Nick Robinson throws at him across 17 minutes NR (00:00.2), "Delighted to say that Zach Polanski is here in the Today programme studio, for the latest, indeed, for the last of our party leader interviews. Morning to you and thanks for coming in." ZP (00:09.2), "Thanks for having me." NR (00:09.8), "Nick, I want to talk to you about what your party would do if it does indeed gain some power after the votes on Thursday. But I want to begin by putting to you one of the latest storeys about you. A Times investigation says that you've made a series of false or disputed claims about jobs you've had in the past with." NR (00:31.8), "Why, for example, did you say you were a spokesperson for the British Red Cross when they are absolutely clear that, though a supporter of theirs, you were never a spokesperson for them?" ZP (00:42.3), "So I hosted, various fundraisers for the British Red Cross and indeed I would go on stage and speak for them about the amazing work they do tackling humanitarian crises, on the climate crisis and indeed for refugees all around the world. I use the wrong word and I accept that." ZP (00:57.5), "But I would essentially take words on stage with me and speak. It's important, though, and I accept this, that, you know, I don't support any political party and I've made sure that's been taken down." NR (01:06.5), "You say this sort of storey is a fuss about nothing, that you get your facts wrong because it comes up with other examples." ZP (01:11.7), "Well, I think it's totally fine to ask me questions about my past. I would also say in the same breath, though the Times published a pretty anti Semitic cartoon of me last week. I asked them to apologise. And it feels some of these storeys feel like scraping the barrel to kind of go back 10, 15 years. I've had so many friends, I'm literally talking maybe 20 or 30 in the last few weeks who have phoned me and said, a Times journalist has been phoning and they've been desperately trying, trying to find things about your past." ZP (01:36.5), "They asked me lots of questions and seemed disappointed that I didn't have some juicy, dirty gossip." NR (01:41.6), "Yeah, well, there was. Whether you call it juicy or dirty, and it wasn't gossip, it was a fact. The fact that you claimed that as a hypnotherapist, you could enlarge women's breasts using the power of thought. People are entitled to say, what's this guy really about?" ZP (01:57.2), "People are totally entitled to say that. And that's an important part of politics, that people ask you questions. What I would say is that, you know, this was 13 years ago. It was a Sun journalist's idea. I've apologised for that. Because even though it was a son journalist idea, I was an adult and I should have said no, you went along with it." NR (02:12.6), "Yeah." ZP (02:12.9), "It's important to say I wasn't a politician. And I've apologised for it repeatedly." NR (02:16.7), "And the BBC showed that some days later, in fact, you repeated the claim that you could do it. But let us not get bogged down in the past. It is striking, though, that on X last night, when, let's be honest, people who are critics of you are having a go. The Daily Mail calls it the Green Menace on its front page." NR (02:34.1), "How did you react? You said you were under relentless attacks because they, your critics don't want a wealth tax, don't want public ownership. They're trying everything in their power to stop us, you said. It's a curious thing to say, isn't it? Ahead of local elections, Green councillors will not have the power to implement any of those policies, will they?" ZP (02:54.8), "Well, I think the relentless attacks on the Green Party in this election, for a local election have partly been about the local election, but really they're about the bigger picture right now. The bigger picture is when I ran to be leader of the Green party, we had 50,000 members, we've now got 225,000 members. So we are rising." ZP (03:11.1), "And I think lots of people are worried about the prospect. And when I say people, people who own, right wing media, multimillionaires and billionaires who are worried about the prospect that they might have to pay a little bit more tax. And so I think it's important that I focus on the vision and the hope and our actual plan." ZP (03:27.4), "I also think it's a complete reality, though we've seen it in the past before with left wing leaders, that there's no secret, there's no love lost between me and the right wing media. And almost every single day they print things that just aren't true." NR (03:38.8), "But just address the point I raised. Wealth tax councils won't get to do that. Public ownership councils don't get to do that. Well, not entirely. We'll come to that in a second. You are running on a national platform of change that the people who are elected on Thursday, whether in the Welsh Parliament, you don't run candidates in the Scottish one, or in English, local councils simply cannot do." ZP (04:03.2), "Well, I think it's about what are your values as a party? And whilst other party leaders and other parties take donations from oil and gas companies or arms trade companies, private healthcare or gambling, Green Party councillors only have two vested interests and Those vested interests. We want to protect the communities we seek to serve and we want to protect the environment." NR (04:21.6), "Well, let's come to that, then, because most interesting, perhaps, is to look at what Greens say who are running for office. You are not. You are a member of the London assembly, you're not a Member of Parliament, you're not running in these elections. Now, you live in Hackney. Hackney happens in northeast London to be a top Green target for taking control from the Labour Party." NR (04:41.9), "So let's look at protecting communities. For example, on crime, the manifesto calls the Metropolitan Police institutionally racist, homophobic, sexist and misogynists. It goes on to say, greens cannot accept this system. It calls for safe spaces for, heroin users to shoot up, to end cautions for street prostitution and to end what the manifesto calls discriminatory policing of delivery riders." NR (05:08.8), "This is an agenda for an endless fight with the police, isn't it?" ZP (05:12.0), "I don't think so. Baroness Casey, in the last couple of years, did a review into Metropolitan Police and it was actually the findings that found it institutionally racist and misogynistic. Something that Sadiq Khan, the Mayor of London, to his credit, accepts. It is noticeable that Mark Rowley, the Commissioner of the Police, doesn't accept that, yet they continue, to work together in that way." ZP (05:31.1), "On the issue of drug harm, we have the highest drug deaths, of any country in Europe. And every single year for the past 13 years, drug deaths have increased. So I think the question anyone has, and we have in Hackney, is that the war on drugs has clearly failed. It's failed in cities right across this country, and more and more people are, often taking dangerous drugs." ZP (05:50.3), "So do we want people to buy them on the black market or on street corners? Or do we want people to go to a pharmacy or a medical health professional where, if they have an addiction to dangerous drugs, we can work with them to take a public health approach based in harm reduction." NR (06:02.7), "Public health approaches to. Is to legalise hard drugs and to legalise prostitution, you say to legalise and regulate and the regulators. It's still legalised, isn't it?" ZP (06:11.5), "No, the point is you can't just go into a shop and buy drugs, which is how it's presented in the press. Again, because I can keep talking about what councillors can do, rather than what" NR (06:18.3), "you would do if you were Prime Minister, because that's for another interview. Are you saying councillors should cut the police budget? Because that's what it seems to imply when you say, we cannot accept this system, let the council spend Money on crime reduction. Don't give that money to the police." ZP (06:33.7), "It's about reprioritizing. So it's." NR (06:35.5), "Does that mean cut in English?" ZP (06:36.7), "No. So let's look at example. We're straight back onto drugs. A lot of police time is spent on stop and search for cannabis use, for instance. It doesn't escape people's notice that that is often, in the politics of racism, if you're a young black person, I think it's something like you're 18 times more likely to be stopped and searched than your white peer, despite the fact there's no evidence that they're more likely to be dealing or using drugs." ZP (07:00.8), "And so I think it's important that we make sure the police time is spent properly, which I think is about community prevention, about cohesiveness and bringing communities together, particularly in, like, whether it means redirecting the budget." NR (07:11.4), "Does it mean the police budget?" ZP (07:12.9), "Well, it means redirecting within the police budget, so making sure that the time police are spent is spent on community safety." NR (07:18.2), "Well, it's interesting that we talked about police because, as you know, you've come under serious criticism for retweeting criticism of the action of the police officers who stopped the alleged attacker of Jews in Golda's Green. Now, you apologised for retweeting that." NR (07:34.1), "You said you should have a meeting with the head of the Met. You sent him a letter. I want to ask you a different question. You've not apologised for the content of that. Why did you empathise with the attacker, and not with police officers who feared for their own lives and were trying to protect other people's lives?" ZP (07:53.3), "I think there's two things in that that I, really clearly want to say. The first is my very first response to the attack was to be horrif, as everyone was, I'm sure. And the first thing I posted was solidarity to the victim, to the family and indeed, to people who are suffering right now, including as a Jewish man, where Jewish safety is not abstract." NR (08:12.0), "But then you posted that officers were repeatedly and violently kicking a mentally ill man in the head when he was incapacitated by a Taser, caused extreme offence to those officers, to the head of the Met and to many people. I ask you again, why did you empathise, Empathise with the attacker, not with the police officer." ZP (08:28.9), "As I said, there's two things I wanted to say, so that was the first. The second, what I want to say is two things can be true at the same Time officers are incredibly brave when they run towards scenes of crimes that most people, including myself, would want to run away from. At the same time, I think it is accurate, and that I was also traumatised, by seeing, someone handcuffed and completely, repeatedly kicked in the head." ZP (08:51.7), "Now, sure, if you'll forgive me, it is an answer," NR (08:54.4), "but it's not an answer to the question. You posted something with the power that you have, with the number of people who follows us, and not empathising in that post with the Jewish community or critically with the police officers, you empathise with the attacker. Look what they're doing to the alleged attacker." ZP (09:11.1), "I don't think it was your choice. As I say, the first thing I did was show solidarity to the victims and I thank the officers. Second, though, I think the sign of a compassionate society is how we treat people, even people who have done horrific things, because actually, the way we do justice in this country is in court." NR (09:26.0), "You said a key value of the Greens was protecting communities. What are your proposals for protecting the Jewish community?" ZP (09:33.5), "The Jewish community is not safe right now. And as I said, as a Jewish man, this isn't abstract for me. In fact, in the last six weeks alone, two people have been arrested. So how would you protect anti Semitic attacks towards me? I think there's lots that needs to happen in this country. The first is community cohesion and community building. Some of the work that I'm proudest of in London, that I see Londoners do, is where I see the Jewish community working alongside the Muslim community." NR (09:55.1), "What would you do? What would Zach Polanski do in order to reduce attacks on the Jewish community?" ZP (09:59.9), "So, first of all, to invest in that work, that community, faith work, to make sure communities stand together. Second, to make sure that the Jewish community, give them the investment that they need. In fact, what the Prime Minister has been doing to make sure that happens. I do think a police response is the last response when everything before it has failed." NR (10:17.6), "I still think you're not really answering the question about what you would do. Let me ask you this." ZP (10:21.0), "I think I do." NR (10:21.6), "Would you deal with, for example, a candidate who says Jewish people fear hate because they know they should be hated. Another one who suggested that the attacks on the ambulances was a false flag and carried out, presumably by Israel. Another of your candidates who blamed Israel for the Bondi beach terrorist attack." NR (10:41.0), "A fourth candidate who said Donald Trump was, quote, owned by Jews. And most horrifying of all, although this individual has now been arrested, one of your candidates who Reposted something saying ramming a synagogue isn't anti Semitism, it's revenge." NR (10:56.8), "What are you, Zach Polanski doing to end these disgusting messages?" ZP (11:03.5), "Those messages are all unacceptable and it's important to condemn that. The Green Party are an anti racist party and it's important that we stick to our values." NR (11:11.0), "We can't just say the words were an anti racist bar to. And I've just read you out five of the most revolting comments at a time when, according to an independent advisor, we face a national emergency of anti Semitism. I'm asking you, you're not responsible for everything they say. Of course you're not." NR (11:26.3), "You can't be." ZP (11:27.3), "I am responsible, actually." NR (11:28.2), "What are you going to do about it?" ZP (11:29.0), "I am the leader of a party. I was about to finish my sentence." NR (11:31.5), "Forgive me. Go on." ZP (11:32.4), "We're an anti racist party. And so what I've already committed to doing is making sure that we have a standardised vetting process in future. And also make sure that we have compulsory training of all our candidates to make it clear that anti Semitism is completely unwelcome in the Green Party as it is in society. It is also important to say one case of anti Semitism is one too many." ZP (11:50.5), "This is a handful of cases and actually we have over 4,500 candidates, the vast, vast majority of which are doing amazing work in their communities right now, going out there to tackle the cost of living crisis, to make sure that we're funding public services and making sure that it's about people power and community, grassroots power." NR (12:05.1), "You can dismiss one or two as, just, unrepresentative. I've just read five. I could have read 20 cases of revolting anti Semitism posted by your candidates. Now you're a new leader, how are you going to avoid becoming the new Jeremy Corbyn of British politics?" ZP (12:21.5), "Well, I think me and Jeremy are very different people and there's much, you know, the question was almost inviting me to condemn Jeremy Corbyn. I think there was lots that Jeremy Corbyn was putting forward to this country that I think was really positive. We've talked about wealth taxes, about public ownership. I also think it's important, speaking, for myself right now, that we make sure that we have this vetting process, that it's really clear that anti Semitism, Islamophobia, any form of hatred or hate, crime is not welcome." NR (12:47.3), "Do you believe that Palestine is, to coin a phrase, on the ballot this Thursday?" ZP (12:52.3), "I think lots of things are on the ballot this Thursday." NR (12:54.6), "But is Palestine on the ballot? This." ZP (12:56.2), "I think it's one of the elements, as is the climate crisis. As is." NR (12:58.7), "What does it mean Palestine is on the ballot? Because. The reason I ask you is because your candidate for mayor of Lewisham says Palestine is on the ballot this Thursday. Haringey Green Party campaign launch video. You might think it'd be about bins, you might think it'd be about schools, hospitals, it might be about cleaning up the roads." NR (13:17.2), "It is a series of councillors saying, as a council, I will take all appropriate steps to, uphold the inalienable rights of the Palestinian people. Do you think council elections really should be about Palestine?" ZP (13:29.8), "I think they can be about all of those things. And I think what people have seen in this country is a genocide for two and a half years that our government is still arming, are still sharing intelligence with. And I think lots of people feel very strongly both about their local services, as they should do, and feel equally strongly about the fact that there's a reprehensible genocide happening." ZP (13:48.5), "And they vote, but the way they vote in local elections" NR (13:52.6), "should be determined by their views of Israel and Palestine." ZP (13:56.0), "I wouldn't tell anyone how their vote should be determined, but I think it's an element for lots of people in how they vote." NR (14:00.1), "And do you think that will contribute to community cohesion? Do you?" ZP (14:02.7), "I think yes, because I think, we shouldn't pit Jewish safety against a genocide in Gaza. That's conflating anti Semitism and criticism of the Israeli government. That's something Benjamin Netanyahu does regularly. And as a Jewish person, that makes me feel less safe." NR (14:16.4), "Sure. But there are lots of Jewish people who would say to you they feel unsafe if they feel that their counsellors are motivated first and foremost by Palestine. And if somebody gives that speech, for example, about Palestine being on the ballot, they are likely to think that." NR (14:34.6), "We looked for, example at Barnett Greens, where one in seven residents identify as Jewish. And it includes in its manifesto the fact that, you're standing up for Palestine. Do you think that's going to help?" ZP (14:49.0), "Well, I walk regularly on Palestinian marches with hundreds and hundreds, in fact, thousands of people, many of whom are Jewish. And there have been rabbis who have spoken out on this too. I accept, though, there are Jewish people whose views are equally as valid who, don't agree with those views." ZP (15:04.0), "And I think the job of all of us who are in public life right now is to de. Escalate tensions. And look, how do we bring people together? And I accept that's a huge challenge. And I think one of the ways we could do that is by ending our complicity in the genocide." NR (15:15.4), "Let's turn finally to another issue. We'll talk at greater length when, we're talking about the possibility of you being Prime Minister, which you have said that you would like to do. One thing that is very high on the agenda now is the soaring cost of government borrowing. What would the Greens do to cut it?" ZP (15:30.6), "Well, I think we need to make sure that we're investing. So I think there's two ways of doing that. The first is, wealth taxes, which I know we've rehearsed before, but I'll just say that's for first place." NR (15:38.4), "How does that cut government borrowing?" ZP (15:40.2), "Because ultimately it means you need to borrow less if you're." NR (15:43.0), "If you're ultimately about cutting the cost of government borrowing." ZP (15:45.5), "Yes." NR (15:45.8), "Which is soaring. It's higher than it's been any time this century because people are nervous about high spending, high taxing governments that are politically unstable." ZP (15:54.7), "I think someone who speaks brilliantly on this, who I've spoken to, is the economist Mariana Matsicatu, and she talks about the fact that a government should have a mission that should be a very clear plan of how you tackle the climate crisis, how you reduce inequality. Now, if you have a clear plan and you're borrowing for that, you're taking the market with you because they can clearly see what the return on investment is and how you're bringing money back into the." ZP (16:15.2), "That's how you reduce borrowing levels. If we don't have a plan and continue to borrow, then it feels very, very scattered, and that's why things are getting worse. We need to make sure that there's a consistent plan in place that's set out carefully that can make sure we're putting money back into our communities and investing in those communities." NR (16:29.3), "Do you think you're ready to be Prime Minister?" ZP (16:31.1), "I'm not ready right now, no. I've been leader for eight months, and there's lots of skills and lots of knowledge to get, and I think that's fine. I think I'm a human being. I'm not perfect." NR (16:38.5), "But give it two years, you will be." ZP (16:40.0), "Well, we'll see in two years time, won't we? But I'll certainly be putting in the work." NR (16:43.2), "Zach Polanski, leader of the Green Party in England and Wales, thanks very much for coming into the." ZP (16:46.3), "Thank you, Nick."
16:47

Zack Polanski on BBC Radio 4's Today prog calmly knocking back everything Nick Robinson throws at him across 17 minutes NR (00:00.2), "Delighted to say that Zach Polanski is here in the Today programme studio, for the latest, indeed, for the last of our party leader interviews. Morning to you and thanks for coming in." ZP (00:09.2), "Thanks for having me." NR (00:09.8), "Nick, I want to talk to you about what your party would do if it does indeed gain some power after the votes on Thursday. But I want to begin by putting to you one of the latest storeys about you. A Times investigation says that you've made a series of false or disputed claims about jobs you've had in the past with." NR (00:31.8), "Why, for example, did you say you were a spokesperson for the British Red Cross when they are absolutely clear that, though a supporter of theirs, you were never a spokesperson for them?" ZP (00:42.3), "So I hosted, various fundraisers for the British Red Cross and indeed I would go on stage and speak for them about the amazing work they do tackling humanitarian crises, on the climate crisis and indeed for refugees all around the world. I use the wrong word and I accept that." ZP (00:57.5), "But I would essentially take words on stage with me and speak. It's important, though, and I accept this, that, you know, I don't support any political party and I've made sure that's been taken down." NR (01:06.5), "You say this sort of storey is a fuss about nothing, that you get your facts wrong because it comes up with other examples." ZP (01:11.7), "Well, I think it's totally fine to ask me questions about my past. I would also say in the same breath, though the Times published a pretty anti Semitic cartoon of me last week. I asked them to apologise. And it feels some of these storeys feel like scraping the barrel to kind of go back 10, 15 years. I've had so many friends, I'm literally talking maybe 20 or 30 in the last few weeks who have phoned me and said, a Times journalist has been phoning and they've been desperately trying, trying to find things about your past." ZP (01:36.5), "They asked me lots of questions and seemed disappointed that I didn't have some juicy, dirty gossip." NR (01:41.6), "Yeah, well, there was. Whether you call it juicy or dirty, and it wasn't gossip, it was a fact. The fact that you claimed that as a hypnotherapist, you could enlarge women's breasts using the power of thought. People are entitled to say, what's this guy really about?" ZP (01:57.2), "People are totally entitled to say that. And that's an important part of politics, that people ask you questions. What I would say is that, you know, this was 13 years ago. It was a Sun journalist's idea. I've apologised for that. Because even though it was a son journalist idea, I was an adult and I should have said no, you went along with it." NR (02:12.6), "Yeah." ZP (02:12.9), "It's important to say I wasn't a politician. And I've apologised for it repeatedly." NR (02:16.7), "And the BBC showed that some days later, in fact, you repeated the claim that you could do it. But let us not get bogged down in the past. It is striking, though, that on X last night, when, let's be honest, people who are critics of you are having a go. The Daily Mail calls it the Green Menace on its front page." NR (02:34.1), "How did you react? You said you were under relentless attacks because they, your critics don't want a wealth tax, don't want public ownership. They're trying everything in their power to stop us, you said. It's a curious thing to say, isn't it? Ahead of local elections, Green councillors will not have the power to implement any of those policies, will they?" ZP (02:54.8), "Well, I think the relentless attacks on the Green Party in this election, for a local election have partly been about the local election, but really they're about the bigger picture right now. The bigger picture is when I ran to be leader of the Green party, we had 50,000 members, we've now got 225,000 members. So we are rising." ZP (03:11.1), "And I think lots of people are worried about the prospect. And when I say people, people who own, right wing media, multimillionaires and billionaires who are worried about the prospect that they might have to pay a little bit more tax. And so I think it's important that I focus on the vision and the hope and our actual plan." ZP (03:27.4), "I also think it's a complete reality, though we've seen it in the past before with left wing leaders, that there's no secret, there's no love lost between me and the right wing media. And almost every single day they print things that just aren't true." NR (03:38.8), "But just address the point I raised. Wealth tax councils won't get to do that. Public ownership councils don't get to do that. Well, not entirely. We'll come to that in a second. You are running on a national platform of change that the people who are elected on Thursday, whether in the Welsh Parliament, you don't run candidates in the Scottish one, or in English, local councils simply cannot do." ZP (04:03.2), "Well, I think it's about what are your values as a party? And whilst other party leaders and other parties take donations from oil and gas companies or arms trade companies, private healthcare or gambling, Green Party councillors only have two vested interests and Those vested interests. We want to protect the communities we seek to serve and we want to protect the environment." NR (04:21.6), "Well, let's come to that, then, because most interesting, perhaps, is to look at what Greens say who are running for office. You are not. You are a member of the London assembly, you're not a Member of Parliament, you're not running in these elections. Now, you live in Hackney. Hackney happens in northeast London to be a top Green target for taking control from the Labour Party." NR (04:41.9), "So let's look at protecting communities. For example, on crime, the manifesto calls the Metropolitan Police institutionally racist, homophobic, sexist and misogynists. It goes on to say, greens cannot accept this system. It calls for safe spaces for, heroin users to shoot up, to end cautions for street prostitution and to end what the manifesto calls discriminatory policing of delivery riders." NR (05:08.8), "This is an agenda for an endless fight with the police, isn't it?" ZP (05:12.0), "I don't think so. Baroness Casey, in the last couple of years, did a review into Metropolitan Police and it was actually the findings that found it institutionally racist and misogynistic. Something that Sadiq Khan, the Mayor of London, to his credit, accepts. It is noticeable that Mark Rowley, the Commissioner of the Police, doesn't accept that, yet they continue, to work together in that way." ZP (05:31.1), "On the issue of drug harm, we have the highest drug deaths, of any country in Europe. And every single year for the past 13 years, drug deaths have increased. So I think the question anyone has, and we have in Hackney, is that the war on drugs has clearly failed. It's failed in cities right across this country, and more and more people are, often taking dangerous drugs." ZP (05:50.3), "So do we want people to buy them on the black market or on street corners? Or do we want people to go to a pharmacy or a medical health professional where, if they have an addiction to dangerous drugs, we can work with them to take a public health approach based in harm reduction." NR (06:02.7), "Public health approaches to. Is to legalise hard drugs and to legalise prostitution, you say to legalise and regulate and the regulators. It's still legalised, isn't it?" ZP (06:11.5), "No, the point is you can't just go into a shop and buy drugs, which is how it's presented in the press. Again, because I can keep talking about what councillors can do, rather than what" NR (06:18.3), "you would do if you were Prime Minister, because that's for another interview. Are you saying councillors should cut the police budget? Because that's what it seems to imply when you say, we cannot accept this system, let the council spend Money on crime reduction. Don't give that money to the police." ZP (06:33.7), "It's about reprioritizing. So it's." NR (06:35.5), "Does that mean cut in English?" ZP (06:36.7), "No. So let's look at example. We're straight back onto drugs. A lot of police time is spent on stop and search for cannabis use, for instance. It doesn't escape people's notice that that is often, in the politics of racism, if you're a young black person, I think it's something like you're 18 times more likely to be stopped and searched than your white peer, despite the fact there's no evidence that they're more likely to be dealing or using drugs." ZP (07:00.8), "And so I think it's important that we make sure the police time is spent properly, which I think is about community prevention, about cohesiveness and bringing communities together, particularly in, like, whether it means redirecting the budget." NR (07:11.4), "Does it mean the police budget?" ZP (07:12.9), "Well, it means redirecting within the police budget, so making sure that the time police are spent is spent on community safety." NR (07:18.2), "Well, it's interesting that we talked about police because, as you know, you've come under serious criticism for retweeting criticism of the action of the police officers who stopped the alleged attacker of Jews in Golda's Green. Now, you apologised for retweeting that." NR (07:34.1), "You said you should have a meeting with the head of the Met. You sent him a letter. I want to ask you a different question. You've not apologised for the content of that. Why did you empathise with the attacker, and not with police officers who feared for their own lives and were trying to protect other people's lives?" ZP (07:53.3), "I think there's two things in that that I, really clearly want to say. The first is my very first response to the attack was to be horrif, as everyone was, I'm sure. And the first thing I posted was solidarity to the victim, to the family and indeed, to people who are suffering right now, including as a Jewish man, where Jewish safety is not abstract." NR (08:12.0), "But then you posted that officers were repeatedly and violently kicking a mentally ill man in the head when he was incapacitated by a Taser, caused extreme offence to those officers, to the head of the Met and to many people. I ask you again, why did you empathise, Empathise with the attacker, not with the police officer." ZP (08:28.9), "As I said, there's two things I wanted to say, so that was the first. The second, what I want to say is two things can be true at the same Time officers are incredibly brave when they run towards scenes of crimes that most people, including myself, would want to run away from. At the same time, I think it is accurate, and that I was also traumatised, by seeing, someone handcuffed and completely, repeatedly kicked in the head." ZP (08:51.7), "Now, sure, if you'll forgive me, it is an answer," NR (08:54.4), "but it's not an answer to the question. You posted something with the power that you have, with the number of people who follows us, and not empathising in that post with the Jewish community or critically with the police officers, you empathise with the attacker. Look what they're doing to the alleged attacker." ZP (09:11.1), "I don't think it was your choice. As I say, the first thing I did was show solidarity to the victims and I thank the officers. Second, though, I think the sign of a compassionate society is how we treat people, even people who have done horrific things, because actually, the way we do justice in this country is in court." NR (09:26.0), "You said a key value of the Greens was protecting communities. What are your proposals for protecting the Jewish community?" ZP (09:33.5), "The Jewish community is not safe right now. And as I said, as a Jewish man, this isn't abstract for me. In fact, in the last six weeks alone, two people have been arrested. So how would you protect anti Semitic attacks towards me? I think there's lots that needs to happen in this country. The first is community cohesion and community building. Some of the work that I'm proudest of in London, that I see Londoners do, is where I see the Jewish community working alongside the Muslim community." NR (09:55.1), "What would you do? What would Zach Polanski do in order to reduce attacks on the Jewish community?" ZP (09:59.9), "So, first of all, to invest in that work, that community, faith work, to make sure communities stand together. Second, to make sure that the Jewish community, give them the investment that they need. In fact, what the Prime Minister has been doing to make sure that happens. I do think a police response is the last response when everything before it has failed." NR (10:17.6), "I still think you're not really answering the question about what you would do. Let me ask you this." ZP (10:21.0), "I think I do." NR (10:21.6), "Would you deal with, for example, a candidate who says Jewish people fear hate because they know they should be hated. Another one who suggested that the attacks on the ambulances was a false flag and carried out, presumably by Israel. Another of your candidates who blamed Israel for the Bondi beach terrorist attack." NR (10:41.0), "A fourth candidate who said Donald Trump was, quote, owned by Jews. And most horrifying of all, although this individual has now been arrested, one of your candidates who Reposted something saying ramming a synagogue isn't anti Semitism, it's revenge." NR (10:56.8), "What are you, Zach Polanski doing to end these disgusting messages?" ZP (11:03.5), "Those messages are all unacceptable and it's important to condemn that. The Green Party are an anti racist party and it's important that we stick to our values." NR (11:11.0), "We can't just say the words were an anti racist bar to. And I've just read you out five of the most revolting comments at a time when, according to an independent advisor, we face a national emergency of anti Semitism. I'm asking you, you're not responsible for everything they say. Of course you're not." NR (11:26.3), "You can't be." ZP (11:27.3), "I am responsible, actually." NR (11:28.2), "What are you going to do about it?" ZP (11:29.0), "I am the leader of a party. I was about to finish my sentence." NR (11:31.5), "Forgive me. Go on." ZP (11:32.4), "We're an anti racist party. And so what I've already committed to doing is making sure that we have a standardised vetting process in future. And also make sure that we have compulsory training of all our candidates to make it clear that anti Semitism is completely unwelcome in the Green Party as it is in society. It is also important to say one case of anti Semitism is one too many." ZP (11:50.5), "This is a handful of cases and actually we have over 4,500 candidates, the vast, vast majority of which are doing amazing work in their communities right now, going out there to tackle the cost of living crisis, to make sure that we're funding public services and making sure that it's about people power and community, grassroots power." NR (12:05.1), "You can dismiss one or two as, just, unrepresentative. I've just read five. I could have read 20 cases of revolting anti Semitism posted by your candidates. Now you're a new leader, how are you going to avoid becoming the new Jeremy Corbyn of British politics?" ZP (12:21.5), "Well, I think me and Jeremy are very different people and there's much, you know, the question was almost inviting me to condemn Jeremy Corbyn. I think there was lots that Jeremy Corbyn was putting forward to this country that I think was really positive. We've talked about wealth taxes, about public ownership. I also think it's important, speaking, for myself right now, that we make sure that we have this vetting process, that it's really clear that anti Semitism, Islamophobia, any form of hatred or hate, crime is not welcome." NR (12:47.3), "Do you believe that Palestine is, to coin a phrase, on the ballot this Thursday?" ZP (12:52.3), "I think lots of things are on the ballot this Thursday." NR (12:54.6), "But is Palestine on the ballot? This." ZP (12:56.2), "I think it's one of the elements, as is the climate crisis. As is." NR (12:58.7), "What does it mean Palestine is on the ballot? Because. The reason I ask you is because your candidate for mayor of Lewisham says Palestine is on the ballot this Thursday. Haringey Green Party campaign launch video. You might think it'd be about bins, you might think it'd be about schools, hospitals, it might be about cleaning up the roads." NR (13:17.2), "It is a series of councillors saying, as a council, I will take all appropriate steps to, uphold the inalienable rights of the Palestinian people. Do you think council elections really should be about Palestine?" ZP (13:29.8), "I think they can be about all of those things. And I think what people have seen in this country is a genocide for two and a half years that our government is still arming, are still sharing intelligence with. And I think lots of people feel very strongly both about their local services, as they should do, and feel equally strongly about the fact that there's a reprehensible genocide happening." ZP (13:48.5), "And they vote, but the way they vote in local elections" NR (13:52.6), "should be determined by their views of Israel and Palestine." ZP (13:56.0), "I wouldn't tell anyone how their vote should be determined, but I think it's an element for lots of people in how they vote." NR (14:00.1), "And do you think that will contribute to community cohesion? Do you?" ZP (14:02.7), "I think yes, because I think, we shouldn't pit Jewish safety against a genocide in Gaza. That's conflating anti Semitism and criticism of the Israeli government. That's something Benjamin Netanyahu does regularly. And as a Jewish person, that makes me feel less safe." NR (14:16.4), "Sure. But there are lots of Jewish people who would say to you they feel unsafe if they feel that their counsellors are motivated first and foremost by Palestine. And if somebody gives that speech, for example, about Palestine being on the ballot, they are likely to think that." NR (14:34.6), "We looked for, example at Barnett Greens, where one in seven residents identify as Jewish. And it includes in its manifesto the fact that, you're standing up for Palestine. Do you think that's going to help?" ZP (14:49.0), "Well, I walk regularly on Palestinian marches with hundreds and hundreds, in fact, thousands of people, many of whom are Jewish. And there have been rabbis who have spoken out on this too. I accept, though, there are Jewish people whose views are equally as valid who, don't agree with those views." ZP (15:04.0), "And I think the job of all of us who are in public life right now is to de. Escalate tensions. And look, how do we bring people together? And I accept that's a huge challenge. And I think one of the ways we could do that is by ending our complicity in the genocide." NR (15:15.4), "Let's turn finally to another issue. We'll talk at greater length when, we're talking about the possibility of you being Prime Minister, which you have said that you would like to do. One thing that is very high on the agenda now is the soaring cost of government borrowing. What would the Greens do to cut it?" ZP (15:30.6), "Well, I think we need to make sure that we're investing. So I think there's two ways of doing that. The first is, wealth taxes, which I know we've rehearsed before, but I'll just say that's for first place." NR (15:38.4), "How does that cut government borrowing?" ZP (15:40.2), "Because ultimately it means you need to borrow less if you're." NR (15:43.0), "If you're ultimately about cutting the cost of government borrowing." ZP (15:45.5), "Yes." NR (15:45.8), "Which is soaring. It's higher than it's been any time this century because people are nervous about high spending, high taxing governments that are politically unstable." ZP (15:54.7), "I think someone who speaks brilliantly on this, who I've spoken to, is the economist Mariana Matsicatu, and she talks about the fact that a government should have a mission that should be a very clear plan of how you tackle the climate crisis, how you reduce inequality. Now, if you have a clear plan and you're borrowing for that, you're taking the market with you because they can clearly see what the return on investment is and how you're bringing money back into the." ZP (16:15.2), "That's how you reduce borrowing levels. If we don't have a plan and continue to borrow, then it feels very, very scattered, and that's why things are getting worse. We need to make sure that there's a consistent plan in place that's set out carefully that can make sure we're putting money back into our communities and investing in those communities." NR (16:29.3), "Do you think you're ready to be Prime Minister?" ZP (16:31.1), "I'm not ready right now, no. I've been leader for eight months, and there's lots of skills and lots of knowledge to get, and I think that's fine. I think I'm a human being. I'm not perfect." NR (16:38.5), "But give it two years, you will be." ZP (16:40.0), "Well, we'll see in two years time, won't we? But I'll certainly be putting in the work." NR (16:43.2), "Zach Polanski, leader of the Green Party in England and Wales, thanks very much for coming into the." ZP (16:46.3), "Thank you, Nick."

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