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รำวง Matsuri (Full Performance) from One Shot Challenge @#PonytailtoShushuTH_Busking #RoseBNK48 #LuksornBNK48 #NammonnBNK48 #ArleeBNK48 #HoopBNK48 #NallBNK48 #PraewBNK48 #SaonoiBNK48 #BNK48

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Hermes + Claude + Higgsfield MCP + ViralBuilder = 💰💰💰 Four tools. One prompt chain. Hook to finished video in 10 minutes. I built a Claude skill that writes shot-by-shot Higgsfield prompts from a single creative brief. ViralBuilder tells you what's winning. The skill turns it into a production-ready prompt. Higgsfield renders it. No creative director. No guessing. No separate tools. Here is the setup: Higgsfield MCP → Open Claude Code → Settings → Connectors → Enter: → Connect your account Hermes → The agent layer running underneath Claude Code → It holds your skills, crons, memory, and routing rules → When you prompt Claude, Hermes feeds it the context it needs ViralBuilder (like Gethookd) → The winning ecom video database → Scrapes top performing ecom videos across platforms → Claude reads the data and extracts what styles, hooks, and formats are actually scaling The skill: video-prompt-builder → Installed inside Claude via Hermes → Takes a creative brief and outputs a full shot-by-shot prompt → Covers camera work, effects, transitions, pacing, and energy arc → Every output is structured for Higgsfield to render without ambiguity No switching apps. No export steps. Everything runs from one place. ▸ FIND WINNING CREATIVE ANGLES ViralBuilder tells you what the market already validated. Claude reads it and extracts the pattern. Prompts to run: "Search ViralBuilder for the top performing ecom videos in [niche] over the last 21 days. Extract the 3 dominant hook styles and rank by view velocity." "Pull the winning video formats in [niche] from ViralBuilder. Which opening 3 seconds appears most across videos spending over $10k?" "Find what video style is scaling right now in [niche] for the US market. UGC, talking head, or product demo. Filter for videos with over 1M views." "Pull the last 30 days of viral ecom hooks in [niche] from ViralBuilder. Cluster by emotional trigger. Which cluster has the most longevity?" You are not guessing at angles. You are reading what the market already spent money validating. ▸ BUILD THE PROMPT WITH THE SKILL This is where the video-prompt-builder skill takes over. You give Claude the winning angle. The skill outputs a complete shot-by-shot prompt with effects, transitions, pacing, and energy arc ready to fire into Higgsfield. Prompts to run: "Use the video-prompt-builder skill. Brief: 15-second UGC ad for [product] in [niche]. Hook style: [style from ViralBuilder]. Tone: direct to camera, US English. Output the full shot-by-shot effects timeline, effects inventory, density map, and energy arc." "Use the video-prompt-builder skill. The dominant hook in [niche] this week is [hook]. Build a 10-second product video prompt that opens with a speed ramp into a close-up product reveal. Include a signature visual effect and a low-density CTA landing." "Use the video-prompt-builder skill. Brief: replicate the pacing and energy of a [style description] video for [product]. Target duration: 20 seconds. Output all four sections. Then generate the video with Higgsfield using the shot-by-shot prompt." The skill outputs four sections every time: → Shot-by-shot effects timeline with camera, movement, and transitions per shot → Master effects inventory showing every technique used and where → Effects density map showing high, medium, and low intensity across the timeline → Energy arc describing how the video opens, builds, and lands That output goes directly into Higgsfield. No rewriting. No translating. ▸ GENERATE THE CREATIVE Claude writes the brief via the skill. Higgsfield MCP builds the video. Both happen in the same session. Prompts to run: "Use the video-prompt-builder skill to write a 15-second UGC prompt for [product]. Hook in the first 3 seconds, speed ramp into product reveal, slow-motion CTA landing. Then generate with Higgsfield in 9:16 format." "Build 3 prompt variations on this winning angle: [angle]. Each variation opens with a different effect — speed ramp, digital zoom, whip pan. Use the video-prompt-builder skill for each. Then generate all three with Higgsfield." "Use the video-prompt-builder skill. Brief: problem-solution ad for [product], 20 seconds, US market. Problem shot at high density, product reveal at medium, result and CTA at low. Generate with Higgsfield in 9:16." No separate tool. No file transfer. The video comes back in the same thread. ▸ CHAIN THE WHOLE STACK One prompt. All four tools firing together. "You are my ad creative director. Hermes has loaded my brand context. Pull the top performing video style in [niche] from ViralBuilder this week. Use the video-prompt-builder skill to write a full shot-by-shot prompt for [product] that replicates that style — 20 seconds, 9:16, US market, hook in the first 3 seconds. Output the effects timeline, inventory, density map, and energy arc. Then generate the video with Higgsfield." That single prompt replaces a half-day of production. The math before this stack: Brief: 30 minutes Script: 1 hour Creative production: 2 to 3 hours Agency or freelancer cost: $500 to $2,000 per creative With this stack: Hook to finished creative: 10 minutes Cost per creative: tool subscription, a fraction of agency rate 5 product tests in the time it used to take to brief one Bad product tests are where US ad budget disappears. $600 to $1,500 per failed test, before you even know if the angle works. This stack shows you what the market already validated before you spend a dollar on production. Hermes = your context layer. Brand, goals, past performance. Claude is always informed. ViralBuilder = your winning video database. See exactly what styles, hooks, and formats are scaling before you produce anything. video-prompt-builder skill = the translation layer. Turns a creative brief into a structured, production-ready Higgsfield prompt every time. Claude = the brain. Reads the market, writes the brief, chains the tools. Higgsfield MCP = the output. Video generated directly from the prompt. No export step. Four tools. One session. 10 minutes. Comment + RT "STACK" and I'll DM you the full workflow + the video-prompt-builder skill file.

Kid Pak

57,323 次观看 • 2 个月前

Video Cr : 1st on left : 복숭아햄찌 2nd on right : HAPPŸ🅔🅒🅗🅞석진럽 The left video is the FULL video from yesterday where 6 members’ solo performance shots played EXCEPT Jin’s Epiphany. It’s a 6 second section from 02:08 to 02:14, one second per a member. It should’ve been a 7 second segment including all 7 members with Epiphany in it. When many fans noticed and started protesting on TL and a few news articles were written about the issue, after some hours, the full video was taken down, and a video with “MikroKosmos” BGM was played twice replacing the video at issue. That was yesterday. Today finally they have added Epiphany stage shot to the clip as seen in the 2nd video and now it’s being played at FESTA ZONE. Yesterday’s protest was legitimate and based on the actual evidence of the flawed video, it was NOT some solos trying to ruin the festive moods with a manipulatively cut video clip as some of ignorant people wrongly assumed. There’s a reason why the company fixed the video, because it was wrong! The one who tried to ruin the joyful mood was the company, but they never apologize. So we still demand a sincere apology from the company, and we WILL protest again if anything like this happens again, because if it weren’t for the fans who protested yesterday, the video excluding one member would have been played today again at BTS FESTA. 영상만 수정했다고 끝이 아닙니다. 전세계 아미의 축제에 저지른 큰 실수를 솔직히 인정하고 진심으로 사과하세요. BIGHIT APOLOGIZE TO JIN BIGHIT APOLOGIZE TO JIN #하이브_당장사과해 BIGHIT MUSIC HYBE OFFICIAL BTS_official

FOR BTS JIN (김석진번역팀)

40,392 次观看 • 1 年前

🚨CANDACE OWENS FULL RESPONSE To TPUSA: Candace Owens Just OBLITERATED TPUSA’S 10-Minute DEFLECTION — She ACCEPTED Their LIVE-STREAM CHALLENGE With One Sentence That ENDED The DEBATE BEFORE IT STARTED 🔥 She went line-by-line and buried every lie they told: “I never said Mikey’s wife planned the event… I said NOBODY will tell us who did.” “You lied about the SD card, you lied about Tyler Bowyer, you lied about the audits vs DOGE.” “You called us Antifa for asking questions Charlie would’ve asked on day one.” “You’re still too afraid to say the words EGYPTIAN JETS out loud without mocking us.” “Charlie texted you the day before he died that ‘they’ were going to kill him tomorrow… and you’ve hidden it for 3 months.” Then the kill shot: “I accept your invitation. Pick the date and time. I say we do it TOMORROW. No lawyers. No scripts. No delays. Just me, the receipts, and all of you in one room. My only rule: no assassinations.” She just turned their own studio into a courtroom and dared them to show up. The same people who sold shirts of the outfit Charlie died in for $80 million in three weeks are now crying that SHE’S the one “enriching herself” for asking questions. Candace then went on to say why wait, lets do this tomorrow. Phoenix. Unscripted. Cameras rolling. Candace vs the entire TPUSA leadership at once. They won’t schedule it. We all know why. But the world is watching. Name the day. America’s ready. Charlie deserves this. Be sure to FOLLOW Candace Owens and watch her FULL Livestream from today, It's a MUST WATCH!!! I'll drop the link in the comments below. RT until Phoenix is trending worldwide. This is the moment the truth either walks in… or they run. 🇺🇸🧾💥

Project Constitution

185,353 次观看 • 7 个月前

We are back again :) After three weeks of quiet building. Introducing Genesis World 1.0, our latest simulation platform, the second release in our full-stack suite. Open-sourced. Robotics is still bottlenecked by the 1× speed of the physical world. Every model, checkpoint, and data recipe eventually needs to be tested on physical hardware, slowly, expensively, and with limited coverage. One hour in reality can become 100 days in simulation. That is how robotics model iteration moves from a wall-clock bottleneck to a compute problem. To make this work, simulation has to be both fast and trustworthy. Over the past year, we rebuilt the entire stack: a GPU-accelerated cross-platform compiler, penetration-free multi-physics contact solvers, unified rigid and deformable physics, and a photo-realistic renderer purpose-built for physical AI applications. We built Nyx, a high-performance path-traced rendering engine for robotics application. Genesis World 1.0 achieves near realtime performance with our latest development for penetration-free IPC solver, supporting various types of deformables beyond rigid bodies. It supports contact-rich, dexterous manipulation simulation across different embodiments: unitree, sharpa, wuji, genesis hand and various types of grippers. Under the hood is Quadrants, our effort in pushing forward cross-platform GPU-accelerated computation. Quadrants started as a fork of Taichi, and we rebuilt most of the critical parts for optimizing simulation workloads, giving 10x faster launch time and up to 4.6x runtime performance compared to the initial Genesis release. Together, they bring us to an unprecedentedly low sim-to-real gap, enabling zero-shot real-to-sim model evaluation and much faster iteration of GENE. All available today. Genesis World 1.0: Quadrants: Nyx:

Genesis AI

310,386 次观看 • 2 个月前

Humanoid Marathon Champion "TienKung" Enters the Factory At IROS 2025, the Beijing Humanoid Robot Innovation Center (BHRIC) and UBTECH officially launched the Software Development Kit (SDK) for their general-purpose embodied intelligence platform, "HuiSiKaiWu." This move signals a significant step towards an open-source embodied AI ecosystem. The HuiSiKaiWu platform is designed for ease of use and low-threshold deployment, enabling multi-agent collaboration (one brain, multiple functions/robots). The core "brain" uses a dual-model architecture: the Pelican VLM and the WoW World Model, driving autonomous learning and decision-making. The "cerebellum" includes the cross-body XR-1 VLA Model, which has shown strong performance in rapid, few-shot skill transfer across tasks. BHRIC simultaneously announced its first industrial application: since September 2025, the "TienKung 2.0" and "Tianyi 2.0" humanoids have been deployed at the Foton Cummins engine factory. They autonomously handle material bin fetching and transportation on the "unmanned production line," adapting to various goods and shelf heights. Foton Cummins highlighted the robots' high stability and generalization potential in complex industrial processes. Beyond industrial work, BHRIC showcased other applications: the high-performance "TienKung Ultra" is being used at the Li-Ning Sports Science Lab for running shoe tests, precisely simulating human gaits. The platform is expanding applications across manufacturing, logistics, and sports science. The HuiSiKaiWu SDK is now available for collaborative trials by research institutions and development teams, offering a full toolchain for skill calling and scene deployment. BHRIC plans to gradually open-source its core algorithms, including VLM and VLA models, and hosted the "X-Humanoid Young Talent Meetup" and the "2026 Re-Action Humanoid Robot Challenge" to build a comprehensive developer ecosystem.

RoboHub🤖

39,337 次观看 • 9 个月前

I’m thrilled to announce that we just released GraspGen, a multi-year project we have been cooking at NVIDIA Robotics 🚀 GraspGen: A Diffusion-Based Framework for 6-DOF Grasping Grasping is a foundational challenge in robotics 🤖 — whether for industrial picking or general-purpose humanoids. VLA + real data collection is all the rage now but is expensive and scales poorly for this task. For every new gripper and/or scene, you’ll have to recollect the dataset in this paradigm for the best perf. 💡Key Idea: Since grasping is such a well-defined task in simulation - why can’t we just scale synthetic data generation and train a generative model for grasping? By embracing modularity and standardized grasp formats, we can make this a turnkey technology that works zero-shot for multiple settings. GraspGen is a modular framework for diffusion-based 6-DOF grasp generation that scales across embodiment types, observability conditions, clutter, task complexity. Key Features: ✅ Multi-embodiment support: suction, parallel-jaw, and multi-fingered grippers ✅ Generalization to partial + complete 3D point clouds ✅ Generalization to single-objects + cluttered scenes ✅ Modular design uses other robotics modules and foundation models (SAM2, cuRobo, FoundationStereo, FoundationPose). This allows GraspGen to focus on only one thing - grasp generation ✅ Training recipe: grasp discriminator is trained with On-Generator data from the diffusion model - so that it learns to correct the mistakes (if any) of the diffusion generator ✅ Real-time performance (~20 Hz) before any GPU acceleration; low memory footprint 📊 Results: • SOTA on the FetchBench [Han et al. CoRL 2024] benchmark • Zero-shot sim-to-real transfer on unknown objects and cluttered scenes • Dataset of 53M simulated grasps across 8K objects from Objaverse 📄 arXiv: 🌐 Website: 💻 Code: A huge thank you to everyone involved in this journey — excited to see what the community builds on top of it! Joint work with Clemens Eppner , Balakumar Sundaralingam , Yu-Wei, Jun Yamada Wentao Yuan and other collaborators #robotics #diffusionmodels #physicalAI #simtoreal

Adithya Murali

24,106 次观看 • 1 年前

“We’re not really parting or anything. I’m still together with Hia, you know?” RAVIPA NEWEST STORE WITH SEA #RAVIPAxSeatawinan #jimmyyjp #sea_tawinan #JimmySea #LOLFanFest2025 💬: How was your couple’s show? How was your performance? 🩵: Our performance, the one where I picked the song — it was “จากกันโดยสมบูรณ์” and “Only You Can” Most people were really shocked like, “Huh? จากกันโดยสมบูรณ์ (a total farewell)? Why choose that song?” But there was nothing behind it, really. I just picked it because I wanted to change the mood. Like, our first LOL performance, we picked a song that had a cute vibe. The second year was sweet — too sweet, even. So I thought we needed to cut that sweetness with something bitter, otherwise it’d just get too sugary and cheesy. 💬: All the mommies were crying. 🩵: Why cry? We’re not really parting or anything. I’m still together with Hia, you know? 💬: But… but Hia cried first! 🩵: Hia — he’s already in an acting field. He’s full of emotion, so full of emotion. 💬: He just wanted to align his mindset with his emotions — like imagining you lost someone in your family… like his grandfather. His grandpa, right? 🩵: That’s right. 💬: So it just kind of… 🩵: Just a little, just a little, yeah. 💬: And then the other song — “Only You Can”? 🩵: Yeah, the other song “Only You Can” We wanted to switch the mood again — make it all-out fun, cut it completely from the first image that was all mellow and soft. This time, we just flipped it. We wanted to make it click too. 💬: How challenging was it? 🩵: The challenge? It was whether the audience would enjoy it with us — that’s it. We felt like we wanted to deliver the best show possible, with real quality. Not just for our pair, but for all the other pairs too. 💬: And the response was great — better than expected. 🩵: Better than expected, right? We really have to thank all the fans — not just mine, but everyone’s fandoms. They were all so lovely and supportive of every pair in LOL. ——— He’s already spelling out for you people in the back! Leave us and our boys alone!! Thank you 😑

Mhokstache ✨

30,115 次观看 • 1 年前

In September 1996, Tupac Shakur gave what would become one of his final interviews. Hours before he was shot on the Las Vegas Strip after the Mike Tyson vs. Bruce Seldon fight, Tupac stood in a hallway at the MGM Grand with Suge Knight and spoke to a reporter about Death Row's next chapter. What he said that night reveals something most people miss about who Tupac actually was. He was a businessman with a manifesto. When the reporter asked about Death Row East, Suge opened with a challenge: "You believe in God? Believe in Death Row East. Believe in that for real." Then Tupac laid out the vision in full: "We plan to take the same strategy we use with Death Row West, which is mind over matter. Taking all our weaknesses and make it into our strengths." This was not hype. Tupac understood exactly what Death Row represented to people who had been written off by the industry. He framed it as a numbers argument: "Ain't no other record company out there that sold as many records as we did. We outsold Bad Boy, LaFace, every black record label out there. We outsold them in one year. And I'm a convict and my homeboy just got off a murder case. So that tell you that it's pure talent. No hype." He then named the real enemy, and it was not Biggie. It was not the East Coast. It was the narrative being used to distract: "All these people talking about the East Coast, West Coast war, they like the Judas was to Jesus. They only here to cause confusion. We here to bring money and to bring change." That line is historically significant. At the peak of what media was selling as a coast-to-coast rap war, Tupac publicly called it manufactured division. He saw the so-called beef not as a cultural clash but as a distraction from economic power. Weak rappers, he said, were using geography as a crutch. Death Row was using it as an opportunity. The closing statement of the interview was as bold as anything he ever recorded: "We coming to the East Coast to prove there is no fear. There is no problem. There ain't nothing but opportunity. And the opportunity is overthrow the government y'all got right now, which is Bad Boy and Nas and all that... And we will bring a new government here that will feed every person in New York." He was shot that same night. He died six days later on September 13, 1996.

History Nerd

11,184 次观看 • 1 个月前

What does it take to go from absolute zero to beating the world’s best on the global stage? Zhang Xue has the answer. Born in 1987 in a remote mountain village in Hunan, his parents separated when he was young. How did a boy raised in a leaky mud house with almost nothing survive? He dropped out of junior high at 14 and became a motorcycle repair apprentice — the only thing that ever made sense to him. At 17, he opened his own tiny repair shop. How do you build a future when you start with nothing but grease on your hands and pure determination? At 19, he saw a TV crew filming nearby. What would you do if this was your one shot at something bigger? He chased their van 100 kilometers through pouring rain on an old bike, covered head to toe in mud, shouting for them to film his wheelies and jumps. They put him on television. A racing team saw his raw passion and gave him a chance. He turned pro rider and mechanic. Through many crashes, he mastered engines like few others ever have. In 2013, at age 26, he arrived in Chongqing with only 20,000 RMB in his pocket. Could a village dropout really make it in the motorcycle capital of China? He started modifying bikes and selling them online. Success came fast. By 2017, he co-founded Kaiyue Moto and scaled it from 800 bikes a year to 30,000. But when investors wanted easy profits, he asked himself: Do I settle for quick money, or chase real high-performance engineering? In March 2024, he walked away with nothing but his name and his vision. What kind of courage does it take to start over from zero — again? One month later, he launched ZXMOTO, his own name proudly on the tank. It was everything he had. In 2025, the first 500RR launched and sales exploded, reaching 750 million RMB while still investing heavily in quality. In 2026, the powerful 820RR triple arrived, followed by major funding at a 1.09 billion valuation. Then came March 28-29 in Portimão, Portugal. Could a new Chinese brand really challenge the big factory teams in WorldSSP racing? His French rider delivered back-to-back victories on the 820RR-RS, beating established international teams by nearly four seconds. For the first time, a Chinese motorcycle brand stood on the top of a World Superbike podium. The Chinese flag rose. The national anthem played. At just 38 years old, Zhang Xue — junior high dropout, former village mechanic — has proven that the underdog story is still possible. Now compare this to Elon Musk, who grew up with wealth, received excellent education, and built his companies with substantial support from government and military contracts. Zhang Xue started with nothing. No safety net. No elite schooling. Only decades of hands-on skill, relentless drive, and unbreakable belief. Same intense ambition — completely different beginnings. What does true self-made success look like? This is it. Respect to every established brand in the industry. But this run deserves to be remembered. The underdog spirit is alive.

Angelo Giuliano 🇨🇭🇮🇹

44,071 次观看 • 3 个月前

Rigathi Gachagua’s Hollow Ol Kalou “Win”: The Government Mole Unmasked The so-called victory in Ol Kalou has only reinforced one undeniable truth: Rigathi Gachagua is a government mole. I warned him yesterday not to engage in the act of achieving sexual response by self-stimulation, because this Ol Kalou “win” was nothing but a hollow, scripted victory. It has now set the perfect stage for us to expend the coming weeks and months spreading maximum awareness about his treachery and how his entire impeachment drama was a well-orchestrated Kenyan intelligence scheme designed specifically to demobilize Gen Z and contain revolutionary energy. His half-hearted apologies, sudden personality shifts, and desperate attempts at playing victim - complete with claims that he “didn’t know who Ruto was” and other unrelated garbage - will not fly. The mask has slipped too far. The contradictions are too glaring. The performance is too obvious. Gachagua’s political rehabilitation tour was never about genuine opposition. It was a controlled opposition project from the start - a safety valve for the regime to channel public anger into a harmless, manageable direction. The impeachment theatre, the selective outrage, the carefully timed “warnings” to other factions, and now this manufactured win in Ol Kalou are all part of the same intelligence playbook. The people are not stupid. This hollow victory does not translate into national momentum. It translates into heightened scrutiny. Every celebration by Gachagua and his handlers only confirms what many have long suspected: he remains an asset whose role is to divide, distract, and ultimately protect the system he pretends to challenge. Stay guided. The mole has been marked. The game is up. The coming months will be spent exposing this treachery in full detail. The so-called kingpin of the opposition is nothing more than a government plant wearing borrowed revolutionary clothes. Kenya is watching. And the people are learning in real time. Hollow victories built on deception will not save the old order. The awakening continues. The exposure is just beginning.

Francis Gaitho

36,376 次观看 • 14 天前

Late in the 2016 NCAA Men's Basketball Championship, Villanova blew a 10-point lead. With 4.7 seconds left, UNC hit a 3-pointer to tie the game. Villanova's head coach, Jay Wright, called a timeout, and as his players walked to the huddle, they were all saying the same word: “Attitude.” “It's the most important aspect of our program,” Coach Wright explains in his book titled, Attitude. “We wear 'Attitude' wristbands. And when we break a huddle, we say '1, 2, 3, Attitude.'” The test of Attitude, Wright taught his players, is: “Where is your mindset after something bad happens to you?” Where is your mindset after you blow a 10-point lead? Where is your mindset after your opponent hits a 3 to tie the game with 4.7 seconds left? “When I looked into the eyes of our players,” Wright writes, “I saw no anger or regret. No one bemoaned [the UNC player's] 'lucky shot,' or that any of our guys had failed to stop him from grabbing the pass that led to that shot, or anything else.” Instead, “they were all saying, 'Attitude. Attitude. This is what we do. Attitude. This is what we do.'” With this mindset, the players returned to the court. Villanova's Kris Jenkins inbounded the ball to Ryan "Arch" Arcidiacono. Arch dribbled up the left side of the court, crossed half court, cut right towards the 3-point arc, where he underhanded a pass to Jenkins, who caught the ball with 1.3 seconds left, and, in perfect rhythm, jumped then released the ball with 0.6 seconds, and hit a buzzer-beater to win the 2016 NCAA Men's Basketball Championship. Takeaway 1: A primary indicator of physical fitness is recovery time. If you are doing all-out sprint intervals, for instance—people who are physically fit recover from one interval to the next faster than those who are not physically fit. “So then, what is mental fitness?” the mental performance coach Greg Harden likes to ask. “Mental fitness is about recovery time,” Harden says. It's about, as Coach Wright said, where your mindset is after something bad happens to you. After something bad happens, people who are mentally fit recover faster than those who are not. Takeaway 2: Just after Kris Jenkins hit the buzzer-beater, Coach Wright famously barely reacted. Before his guys went back on the court, he explained, “I processed all the potential scenarios.” Most likely, the game was going to go to overtime where UNC would ride their wave of momentum and win the game. “No matter the outcome,” Wright continued, “because of the way our players responded after UNC tied the game ["Attitude. Attitude. This is what we do."]—I felt like they had the greatest lesson in life. I felt like that was an accomplishment that would follow them through their lives.” Ryan Holiday once told me, “You have to get to a place where doing the work is the win and everything else is extra.” Wright got to that place. He had done the work to instill in his players a mindset, he said, “that they would carry with them for the remainder of their days on earth.” “In that sense, I knew we had already won.” Everything else was extra. - - - “The fact is, none of us control what happens to us in life—but we do control our responses to those circumstances...no matter how tough it gets or how much of a challenge you face in the final 4.7 seconds of a game.” — Jay Wright Follow Billy Oppenheimer for more content like this!

Billy Oppenheimer

1,289,321 次观看 • 2 年前

What many people don’t know is that between 2007 and 2009, Solid Star recorded a lot of songs, but as the A&R and CEO of the label, I knew something was still missing. The talent was obvious, the vocals were amazing, but there was a particular spark I was searching for that I hadn’t heard yet in any of the records. One day, I called him and said, “Look, I don’t want another fast-tempo song. I need something different. Give me a mid-tempo record, something with a bounce, something emotional. Just write a proper love song.” He agreed and went to work on it. After a while, he came back and said, “I’ve written the love song. Do you want to hear it?” I told him yes immediately. Around that same period, we were at Comfort Suites in Festac, and luckily for us, the late legendary producer OJB Jezreel was there that night working with 2Baba. I introduced Solid Star to OJB and told him we really wanted to work with him. OJB welcomed the idea and asked us to come back in a few days. When we got to the appointment, OJB said he wanted to hear the song first.Solidstar sang the song for him, and almost instantly he caught the vision. Within less than 40 minutes, OJB had already created the beat, Solid Star had voiced the track, and the foundation of One in a Million was born. After the recording, OJB looked at me and said something I would never forget: “If you can get 2Face on this song, it will be massive. This sounds like something he would naturally jump on.” That advice changed everything. As soon as I got back to Festac, I took the song to 2Baba. Before he even traveled to Abuja for his 10-year anniversary celebration, he was already vibing heavily to the song. By the time he got to Abuja, he knew the lyrics almost word for word. He told me he already had ideas for what he wanted to add to the record. Then he said something that became another major turning point in Solid Star’s career: “If you don’t mind, bring Solidstar to Abuja to perform.” That Abuja event — 2Face’s 10-year anniversary — became Solid Star’s very first major stage performance. After they returned from Abuja, 2Face called me again and said, “Bring Solo to the house. I want to record my verse.” And that was how the legendary collaboration finally came together. Once the audio was done, I approached Clarence Peters with the song. He listened carefully and immediately said he had a strong visual concept for it. He suggested we travel all the way to Erin Ijesha water falls for the shoot and also involve legendary photographer Kelechi Amadi-Obi in the creative process. Everything sounded incredible — until he gave me the budget. It was a seven-figure production cost, which at that time was a huge risk for us as a growing label. I took the proposal back to my directors and explained everything to them. After deliberating, we all agreed on one thing: “Let’s give it a shot.” And that was how we traveled toOsun state and shot the iconic One in a Million video. On another note, I’ll still tell the full story of how I eventually got 2Baba to personally appear in that video.

Chiori Paul Cole

48,998 次观看 • 2 个月前