Loading video...

Video Failed to Load

Go Home

สมศักดิ์ศรี Senior Visiting Fellow แห่ง Harvard ใครอ่าน script อ่านไปแต่พิธา off script จ้าาา แล้วตั้งคำถามสำคัญ 2 คำถามให้กับคนได้คิดตาม ไม่ใช่มาแค่พูดไปเรื่อยๆ คนในห้องคือระดับสูงของเกาหลีใต้เจอแจกการบ้าน “Backsliding is global, but what is unique about Asia?” #ทิมพิธา

169,900 views • 10 months ago •via X (Twitter)

0 Comments

No comments available

Comments from the original post will appear here

Related Videos

how to produce long form documentaries with claude this is how creators are producing long-form youtube documentaries in the sleep niche for about a low cost. you'll spend most of your effort building the workflow once, then every script after that runs through the same pipeline for cents. the format that works in this niche is different from normal youtube. your viewers are actively trying to fall asleep. that's the entire point. so people leave for two reasons: they got bored, or it worked and they're out. the ones who fall asleep come back later and keep listening. that repeat listening is a huge part of why the niche prints. which means the script is 90% of the whole thing. average view duration on my channels sits close to 25 min. that number does not come from cinematic visuals or fancy editing. it comes from narrative structure. if the script gets repetitive, drifts off topic, or loses momentum halfway, people stop listening. better footage cannot rescue a weak story here. the problem is the format does not scale on its own. one video needs a 15k-20k word script, hours of narration, hundreds of visual changes, music, and final assembly. writing that manually takes forever. editing every scene takes even longer. here's the workflow i set up: claude api (NOT the chat app. HIGHLY RECOMMENDED to not skip this. in the chat interface you end up typing "continue.. write chapter 4.. don't repeat yourself.. you forgot what happened in chapter 2" and by the halfway point it's contradicting earlier sections and drifting from the outline. you spend more time babysitting than writing. the api sends every request automatically and you pay per actual usage instead of another monthly subscription) google sheets connected to the claude api. this is the whole engine. you don't need to be a dev. the sheet does two things: first it generates the full documentary structure/outline. then it writes ONE chapter at a time instead of trying to produce the entire 20k words in a single response (which is where models fall apart). before each chapter, it passes claude three things: the outline, the instructions for that specific section, and a running summary of everything already written. that running summary is the trick. it's why chapter 8 never contradicts chapter 2. capcut ai video maker for the first edit. it generates voiceover, subtitles, and an initial visual sequence from auto-matched stock footage. the stock matching is not perfect, but it gets you a 90% first draft way faster than manually searching for hundreds of clips. note: capcut caps at 3000 words, so you split the script into sections, generate each one, export, and combine into the final video. HERE'S HOW THE PRODUCTION ACTUALLY RUNS: step 1 —> topic + title + thumbnail. do NOT skip this. ai cannot tell you which topic has demand or whether a title creates curiosity. this is where most of the value still is. figure this out before you touch any automation. step 2 —> run the sheet. it builds the outline first, then writes chapter by chapter, feeding itself the running summary each time so it stays consistent. cost for a full script usually lands around $0.30-0.40 depending on the model, input length, and number of revisions. step 3 —> paste script into capcut in sub-3000 word chunks. generate voiceover + subtitles + auto-matched visuals for each. export each section. step 4 —> combine sections into the final 2-3 hour video. then you handle the parts ai can't: pacing check, misleading visuals, final editorial judgment. the reason this matters is repeatability. every script moves through the exact same production structure, but you can still change the topic, tone, evidence, pacing, and narrative direction each time. so it stops being random one-off videos and starts being a system. the math: capcut is ~$20/mo and allows many exports. claude api is a little above thirty cents per script. at 30-40 documentaries a month that works out to roughly $1 in direct software cost per finished video. that figure does NOT include your time, research, thumbnails, subscriptions, failed ideas, or the cost of building the workflow itself. it is not the full cost of the business, it's the direct software cost. one more thing worth knowing: mixing real historical/stock footage alongside ai assets is the best defense i've found against the "reused/inauthentic content" flags that destroy fully automated channels. that's from experience, not a rule youtube publishes. this is not passive income and it's not a one-click youtube machine. it's a production system that makes experimentation cheaper. ai removes the repetitive work. it does not remove the need for taste.

Sulfur

24,486 views • 17 days ago

CENTRAL CASTING…THE WORLD MOVIE (1925–2025) In 1925, something quietly began in Hollywood, a company called Central Casting. Its purpose seemed simple: to place people in scenes, fill backgrounds, and make stories look real. But what if that moment was more than entertainment history? What if it marked the beginning of something much bigger A WORLDWIDE MOVIE PRODUCTION that’s been rolling ever since? For nearly a century, Central Casting has been placing faces in the frame, but maybe that’s exactly what’s been happening on a global scale. Maybe life itself became the stage, the systems became the script, and humanity began acting out a movie too large to notice we were in it. Now, as Central Casting turns 100, the symbolism couldn’t be clearer. A century of story. A century of programming. A century of characters playing their roles. And isn’t it interesting that Donald Trump uses the phrase “Central Casting” in nearly every speech? Maybe he’s not just talking about a few people who “look the part.” Maybe, consciously or not, he’s pointing to something deeper, the GREAT STAGE itself. If this truly is a world movie, then the real question becomes: Who wrote the script? Who’s directing the scene? And what happens when the extras wake up and realize they were never extras at all? The lights are shifting. The cameras are still rolling. BUT this time, the story is changing because the CAST is waking up. 🎬 📹🍿

Paul White Gold Eagle

188,320 views • 10 months ago

The Liberal Party’s Green Delusionist can’t help himself… Mr. Guilbeault can’t seem to let go. The global facts on energy consumption, human development economics, population, and the environmental impact of Canada’s cleaner natural gas on the global coal-fired grid make his falsehoods on peak oil and pipeline capacity obvious. His years in Environment featured a 90% miss on emissions reduction, the burning down of Jasper after years of warnings to his failed Parks team, and the end of his punitive, hated carbon tax by a PM desperate to win an election by running as a conservative. So Mr. Guilbeault is lashing out. It shouldn’t be necessary to state the obvious but given the lazy press - and the fact that this climate fraud remains in this Cabinet full of the usual suspects that killed our economy for a decade, here is global energy in three simple charts: 1. FACT: Global energy demand and fossil fuel use is relentlessly rising. The world is using more of every form of energy including coal, oil and gas. 2. WHY? Because the greatest humanitarian human development moment in world history has been the energy intensive promotion of 1 billion people out of grinding poverty into the middle class in China, India and across Asia the past three decades. This is what is causing vastly higher energy consumption and rising global emissions. 3. HOW IS CANADA RELEVANT IN THE PLANET? With only 0.5% of global population and vast land and energy resources, what can we do to impact global emissions? - Alberta has more oil than the USA, Russia and China combined. We have more than enough gas to supply the needs of 4 billion people in India, China, Indonesia and across Asia. - We have the capacity and economic and proximity advantages to structurally displace a large amount of the dependence on thermal coal on the electrical grid across Asia - Because the retrofit of coal to gas is straightforward, our clean gas can cut the global emissions off the electrical grid of 4 billion people, at a scale equivalent to 2-3 times our entire national carbon footprint. Canada has been so blessed with so much. We have in front of us one of the biggest opportunities in history: To enhance human economic development commercially, environmentally, and diplomatically with trillions of dollars in trade and the soft power of becoming a critical part of global energy security. While cutting global emissions at scale. So why are green ideologues like Steven Guilbeault so angry? Because it must be killing him softly that the #1 climate action and most profound impact of Canada on global emissions in the coming decade will be trade from Alberta to Asia by the very same entrepreneurs and builders whose only request for a decade is that Stephen Guilbeault and his sad dystopian punitive green worldview just get out of the way.

David Knight Legg

36,518 views • 1 year ago

P. ESCOBAR: IRAN WILL NEVER BLINK - THE EVICTION NOTICE THAT ENDS US HEGEMONY The journalist Pepe Escobar -well connected in West Asia - says that the war script has flipped completely. Trump entered promising dominance but now scrambles for any exit while Iran stands unbreakable. What looked like American power is revealing itself as the mother of all strategic defeats. THE STRATEGIC DEFEAT UNFOLDS ➡️ Trump’s desperate secret approaches scream one truth: he is trapped with no honorable way out. ➡️ Proclaiming victory would only make the humiliation official and crystal clear to the entire planet. ➡️ This collapse dwarfs Vietnam, Iraq, and Afghanistan combined. ➡️ American hegemony in West Asia is already finished and the global empire follows right behind. IRAN'S IRONCLAD COMMITMENT ➡️ Iran has handed over a full eviction notice with zero room for negotiation. ➡️ End all sanctions, pay reparations, accept their nuclear program exactly as they want it. ➡️ The war ends only when Iran decides, on their terms, not Washington’s. ➡️ Every Iranian leader from the Supreme Leader to the IRGC to the people stands united: no compromise, no chicken out. THE BOTTOM LINE The United States is staring at imminent strategic defeat while Iran refuses to yield even an inch. This is the empire’s endgame moment. HT: YouTube Dialogue Works Dialogue works Pepe Escobar #USStrategicDefeat #IranUnbreakable #EmpireCollapse #IranEvictionNotice #TrumpHumiliation #NoSurrender #HistoricUpset

Mark

40,567 views • 4 months ago

PROF JIANG: WHAT'S REALLY GOING ON - SECRET POWERS DECIMATING POPULATIONS VIA WARS What if the wars raging in the Middle East aren't about victory or resources, but a deliberate script to slaughter millions and reshape the world? Hidden forces, exposed through Epstein's shadowy network, pull strings where nation-states are mere puppets. Everything you thought you knew about global power is a mirage —because the real goal isn't who wins, it's how many die. THE CORE THESIS: DEPOPULATION AGENDA ➡️ Epstein's files destroy illusions – Epstein, an employee of the Rothschilds, billionaires like Gates and Hoffman are part of a network of power structures above the nations. ➡️ "There are other organizations, other entities that are above nation states," as Prof Jiang reveals. ➡️ Wars like Iran aren't for conquest; they're orchestrated to kill as many as possible. BEYOND NATIONS: LAW OF THE JUNGLE ➡️Jiang: Forget BRICS or economics; it's raw might—those willing to fight and die rule, while the weak perish. ➡️ "We live in the law of the jungle. Who is strong wins. Who is weak dies." ➡️ AI surveillance, microchipped labor from India and China: the empire's slave force, no population needed. THE PARASITE AND THE HOST DISCOURSE ➡️ Nation-states like America are mere hosts, bled dry by parasites—secret societies and transnational elites. ➡️ "What matters is the parasite. What matters are the secret societies these transnational capital groups that's who controls the world." ➡️ These shadowy powers choreograph endless wars to extract wealth, then abandon the collapsing host for total control. THE BOTTOM LINE The script is set for chaos, depopulation, and control—question everything, or become part of the illusion. Prepare mentally: the world's lies are crumbling, and only truth seekers survive. #HiddenPowers #DepopulationAgenda #EpsteinFiles #GlobalReset #SpiritualWar #GreaterIsrael #LawOfTheJungle

Mark

68,075 views • 5 months ago

I am watching the new Netflix series Roger D. Parish and I was honestly surprised, in a good way at first, to hear Zimbabwe being mentioned right from the very first episode the Zimbabwean Flag features too. Even more interesting was the inclusion of Shona lines. As a Zimbabwean, moments like that usually bring a sense of pride because it feels like a small part of our culture is being recognised on a global platform. I couldn’t help but feel a bit conflicted about how the Shona language was portrayed. The way the lines were delivered sounded unnatural, almost mechanical. It did not feel like real, lived in Shona the way native speakers talk every day. Instead, it came across as forced and slightly exaggerated, which took away from what could have been a really powerful and authentic moment. What confused me most is that there are actual Zimbabwean actors and actresses based in the United States who speak fluent, natural Shona and understand the cultural depth behind the language. It would have made so much sense to involve them or at least consult native speakers to make those scenes feel real. When language is done properly, it adds texture and authenticity to a story. When it is not it can feel like a missed opportunity. That said, I still think Parish is a good series overall. The storyline is engaging and the production quality is strong. But I genuinely believe that Africa’s languages and cultures deserve better representation. If you are going to include Shona, it should sound like Shona as it is spoken by real people, not like robots reading words off a script. I hope that as more global platforms continue to tell diverse stories, they will also learn to do it with deeper respect and cultural accuracy.

Setfree Nherera Mafukidze 🇿🇼

33,293 views • 8 months ago