Sensitive content

This media may contain sensitive content.

Video wird geladen...

Video konnte nicht geladen werden

Zur Startseite

ⒸⓄⓂⒾⓃⒼ ⓈⓄⓄⓃ MENATPLAY.com → 𝐉𝐮𝐥𝐲 𝟑 Pol slips into a sharp tailored suit and feels the power take over… until the tension gets too hard to hide! Pol Prince Barcelona🇪🇸 ✨JOHNNY VIPER✨ 🪞"Fitting Room" √Directed by Rex Marco √Production AS #MENatPLAY

miguelsolo611's profile picture

✪𝗠𝗜𝗚𝗨𝗘𝗟 𝗦𝗢𝗟𝗢 ™ ✪

229,730 subscribers

33,887 Aufrufe • vor 2 Monaten •via X (Twitter)

NSFW#MENatPLAY
LIVE

Anya Rossi• Live Now

Private livecam show

0 Kommentare

Keine Kommentare verfügbar

Kommentare vom Original-Post werden hier angezeigt

Ähnliche Videos

ROBERT BROZIN – NANDO'S FOUNDER I led Nandos for many years and grew it into what it is today. In 2010, I made the decision to step down as the CEO. The company had become too big for me to take forward, so I handed it over to professionals. Founders of companies must learn the “power of giving away power.” Don’t wait until power is taken from you. Letting go of something you given birth to like a baby is extremely difficult. But you must do it, and resist interfering once leadership is entrusted to others. I did not want Nandos to become a dynasty company. Nandos is family-owned, but professionally run. After i handed over Nandos, i experienced two mental challenges. I felt like I lost my soul. I was even told by one of Nandos CEOs from UK.
6:36

ROBERT BROZIN – NANDO'S FOUNDER I led Nandos for many years and grew it into what it is today. In 2010, I made the decision to step down as the CEO. The company had become too big for me to take forward, so I handed it over to professionals. Founders of companies must learn the “power of giving away power.” Don’t wait until power is taken from you. Letting go of something you given birth to like a baby is extremely difficult. But you must do it, and resist interfering once leadership is entrusted to others. I did not want Nandos to become a dynasty company. Nandos is family-owned, but professionally run. After i handed over Nandos, i experienced two mental challenges. I felt like I lost my soul. I was even told by one of Nandos CEOs from UK.

Constitution First 🇿🇦

99,303 Aufrufe • vor 6 Monaten

✨🎼Legendary Soundtracks 🎼✨ Midnight Express (1978) - Alan Parker #MidnightExpress #AlanParker #BradDavis #GiorgioMoroder Inspired by the true story of Billy Hayes and loosely based on his biography, Midnight Express is a shocking prison drama that, for its expressive power, dramatic vigor, and thematic intensity, undoubtedly ranks among the pinnacles of the genre. Written by Oliver Stone, directed by Alan Parker, and boasting a stellar cast and Giorgio Moroder's magnificent Oscar-winning musical score, the film attracted international attention for its dramatic and raw story, as well as its harrowing style, which literally plunges the viewer into the protagonist's nightmare, making the whole experience hard to forget. Special mention goes to the "bigger-than-life" performance of lead actor Brad Davis, the talented and late American actor who died prematurely in 1999. In all fairness, its structure, a pro-Western, pro-thesis work, must also be acknowledged, completely opposed to the Turkish prison system. Turkey, of course, was not pleased and protested strongly upon the film's release, nearly causing a diplomatic incident. Billy Hayes himself admitted, many years later, that the film heavily fictionalized (and exaggerated) the events he described in his biography. The opening scene at the airport is memorable, with the oppressive pounding of Hayes/Davis's heartbeat acting as an emotional metronome to the unfolding events, expertly building a growing tension that grips the viewer. WARNING: The following video contains SPOILERS!!!
3:35

✨🎼Legendary Soundtracks 🎼✨ Midnight Express (1978) - Alan Parker #MidnightExpress #AlanParker #BradDavis #GiorgioMoroder Inspired by the true story of Billy Hayes and loosely based on his biography, Midnight Express is a shocking prison drama that, for its expressive power, dramatic vigor, and thematic intensity, undoubtedly ranks among the pinnacles of the genre. Written by Oliver Stone, directed by Alan Parker, and boasting a stellar cast and Giorgio Moroder's magnificent Oscar-winning musical score, the film attracted international attention for its dramatic and raw story, as well as its harrowing style, which literally plunges the viewer into the protagonist's nightmare, making the whole experience hard to forget. Special mention goes to the "bigger-than-life" performance of lead actor Brad Davis, the talented and late American actor who died prematurely in 1999. In all fairness, its structure, a pro-Western, pro-thesis work, must also be acknowledged, completely opposed to the Turkish prison system. Turkey, of course, was not pleased and protested strongly upon the film's release, nearly causing a diplomatic incident. Billy Hayes himself admitted, many years later, that the film heavily fictionalized (and exaggerated) the events he described in his biography. The opening scene at the airport is memorable, with the oppressive pounding of Hayes/Davis's heartbeat acting as an emotional metronome to the unfolding events, expertly building a growing tension that grips the viewer. WARNING: The following video contains SPOILERS!!!

Rocco Parondi 🇮🇹

10,915 Aufrufe • vor 9 Monaten

🐍🏛️Democrats have found the winning ticket. ✨Deception✨ Such an ugly word. But what else would you call it? Run a radical candidates. Identify as “pragmatic” Campaign as a “fair-minded” Win the election. Hell breaks loose. Govern from the far left. It worked for Abigail Spanberger. Minnesota’s Peggy Flanagan is the latest proof. In a weak slip up, she attacked her primary opponent for voting for the Laken Riley Act — the bill that requires detention of illegal immigrants charged with theft and serious crimes. She calls for ripping ICE apart. She champions Minnesota as a “trans refuge” state that protects gender transitions for minors. Like Gov Tim Walz, Flanagan backs sanctuary-style policies over border security. See how this works? Voters get the soft version on the trail. They get the hard version once the votes are counted. This is how the radical wing keeps expanding its socialist power — by never fully showing its hand until it’s too late. Good luck getting them out once they’re strapped in to blue states.
0:31

🐍🏛️Democrats have found the winning ticket. ✨Deception✨ Such an ugly word. But what else would you call it? Run a radical candidates. Identify as “pragmatic” Campaign as a “fair-minded” Win the election. Hell breaks loose. Govern from the far left. It worked for Abigail Spanberger. Minnesota’s Peggy Flanagan is the latest proof. In a weak slip up, she attacked her primary opponent for voting for the Laken Riley Act — the bill that requires detention of illegal immigrants charged with theft and serious crimes. She calls for ripping ICE apart. She champions Minnesota as a “trans refuge” state that protects gender transitions for minors. Like Gov Tim Walz, Flanagan backs sanctuary-style policies over border security. See how this works? Voters get the soft version on the trail. They get the hard version once the votes are counted. This is how the radical wing keeps expanding its socialist power — by never fully showing its hand until it’s too late. Good luck getting them out once they’re strapped in to blue states.

Tosca Austen

12,680 Aufrufe • vor 1 Tag

It’s always a twisted delight to catch wind of the enemy’s latest media stunts, cooking up scare tactics to spook the dim-witted and brain-dead into abandoning peaceful paths to oust a rotten regime. The Kenyan Constitution, beyond hammering home in 𝐀𝐫𝐭𝐢𝐜𝐥𝐞 𝟏(𝟏) that the people hold sovereign power over the nation, also lays out clear routes for booting out a president, including: •𝐀𝐫𝐭𝐢𝐜𝐥𝐞 𝟏𝟒𝟒: Impeachment of the President by the National Assembly and Senate for gross misconduct or inability to perform duties. •𝐀𝐫𝐭𝐢𝐜𝐥𝐞 𝟏𝟒𝟓: Impeachment process involving a resolution supported by at least one-third of the members of the National Assembly, followed by a majority vote in the Senate. •𝐀𝐫𝐭𝐢𝐜𝐥𝐞 𝟏𝟒𝟔: Vacancy in the presidency due to death, resignation, or incapacity, triggering succession by the Deputy President. •𝐀𝐫𝐭𝐢𝐜𝐥𝐞 𝟏𝟒𝟕: The Deputy President’s role as Acting President during temporary incapacity or vacancy. If the Kenya Defence Forces fancied staging a coup, they could pull it off solo-style like Burkina Faso, Niger, and Mali. Kicking out one political clique doesn’t mean the whole government crumbles. Clearly, Silvanus Osoro is trying to bamboozle the clueless masses with his nonsense claims that South Korea’s morphed into a military dictatorship (total rubbish) or Sri Lanka’s turned into some chaotic Wild West (pure fiction) or that recent people’s uprisings have wrecked their societies and structures. That’s a load of hogwash and needs to be smashed with hard facts and real examples. It’s his pathetic wet-dream to see Kenya sink that low, but we’ve all got too much invested in this country to let that fly. The bursts of violence we’ve witnessed have been bankrolled by the state, not the citizens, so spare us the crocodile tears. Still, we’ve got to ramp up awareness of the government’s shady plots to stir chaos and take steps to counter their dirty games. #77NiNumbers
1:37

It’s always a twisted delight to catch wind of the enemy’s latest media stunts, cooking up scare tactics to spook the dim-witted and brain-dead into abandoning peaceful paths to oust a rotten regime. The Kenyan Constitution, beyond hammering home in 𝐀𝐫𝐭𝐢𝐜𝐥𝐞 𝟏(𝟏) that the people hold sovereign power over the nation, also lays out clear routes for booting out a president, including: •𝐀𝐫𝐭𝐢𝐜𝐥𝐞 𝟏𝟒𝟒: Impeachment of the President by the National Assembly and Senate for gross misconduct or inability to perform duties. •𝐀𝐫𝐭𝐢𝐜𝐥𝐞 𝟏𝟒𝟓: Impeachment process involving a resolution supported by at least one-third of the members of the National Assembly, followed by a majority vote in the Senate. •𝐀𝐫𝐭𝐢𝐜𝐥𝐞 𝟏𝟒𝟔: Vacancy in the presidency due to death, resignation, or incapacity, triggering succession by the Deputy President. •𝐀𝐫𝐭𝐢𝐜𝐥𝐞 𝟏𝟒𝟕: The Deputy President’s role as Acting President during temporary incapacity or vacancy. If the Kenya Defence Forces fancied staging a coup, they could pull it off solo-style like Burkina Faso, Niger, and Mali. Kicking out one political clique doesn’t mean the whole government crumbles. Clearly, Silvanus Osoro is trying to bamboozle the clueless masses with his nonsense claims that South Korea’s morphed into a military dictatorship (total rubbish) or Sri Lanka’s turned into some chaotic Wild West (pure fiction) or that recent people’s uprisings have wrecked their societies and structures. That’s a load of hogwash and needs to be smashed with hard facts and real examples. It’s his pathetic wet-dream to see Kenya sink that low, but we’ve all got too much invested in this country to let that fly. The bursts of violence we’ve witnessed have been bankrolled by the state, not the citizens, so spare us the crocodile tears. Still, we’ve got to ramp up awareness of the government’s shady plots to stir chaos and take steps to counter their dirty games. #77NiNumbers

Francis Gaitho

28,127 Aufrufe • vor 1 Jahr

We've become close with the Amish around here, and were invited last night to stop by for a buggy ride. If you've assumed that riding in a buggy would be relaxing, think again. It's a rough, wild ride; so loud you can barely keep a conversation. Automobiles whizz within an inch of you now and then, and occasionally the horse veers right, putting the hard buggy wheels into the sand, sending everyone lurching toward the woods. The wheels warble madly, out-of-whack and off-kilter, and sometimes, the horse travels at such a feverish speed on curves that the wheels slide sideways! You do wonder whether you might wind up in the ditch once in a while! But -- on the smaller country roads, it is a heavenly ride. The land passes under us slowly, allowing us to take in every inch of the scenery. As we go by friends, we tarry just long enough to exchange a few words with them if we like. Traffic laws barely apply to us; there are no seatbelts, and we've packed seven people into the buggy without fear of the law. We can feel the breeze, and the changes in the temperature, too. Where automotive travel feels like being hermetically sealed into a kind of expensive, dangerous, rolling living room -- the buggy never lets you feel as if you are anywhere but exactly where you are. Slamming car doors did not punctuate our travel; the line between "stationary" and "rolling" was wonderfully blurry. In all, it was a fine evening, during which we traveled perhaps ten miles. It pays to be friends with the Schwartzentrubers!
0:26

We've become close with the Amish around here, and were invited last night to stop by for a buggy ride. If you've assumed that riding in a buggy would be relaxing, think again. It's a rough, wild ride; so loud you can barely keep a conversation. Automobiles whizz within an inch of you now and then, and occasionally the horse veers right, putting the hard buggy wheels into the sand, sending everyone lurching toward the woods. The wheels warble madly, out-of-whack and off-kilter, and sometimes, the horse travels at such a feverish speed on curves that the wheels slide sideways! You do wonder whether you might wind up in the ditch once in a while! But -- on the smaller country roads, it is a heavenly ride. The land passes under us slowly, allowing us to take in every inch of the scenery. As we go by friends, we tarry just long enough to exchange a few words with them if we like. Traffic laws barely apply to us; there are no seatbelts, and we've packed seven people into the buggy without fear of the law. We can feel the breeze, and the changes in the temperature, too. Where automotive travel feels like being hermetically sealed into a kind of expensive, dangerous, rolling living room -- the buggy never lets you feel as if you are anywhere but exactly where you are. Slamming car doors did not punctuate our travel; the line between "stationary" and "rolling" was wonderfully blurry. In all, it was a fine evening, during which we traveled perhaps ten miles. It pays to be friends with the Schwartzentrubers!

𝙷𝚒𝚌𝚔𝚖𝚊𝚗

25,247 Aufrufe • vor 11 Monaten

🚨 HUNTER BIDEN’S HOLLYWOOD SUGAR DADDY KEVIN MORRIS HUMILIATED IN COURT: FORCED TO PAY $50K TO GARRETT ZIEGLER (MARCO POLO) AFTER FRIVOLOUS SLAPP SUIT OVER AUTHENTIC BIDEN LAPTOP CRUMBLES! 💻☠️👿💊💉 In the august arena of California jurisprudence—where anti-SLAPP statutes (Code Civ. Proc. § 425.16) were forged precisely to shield robust public discourse on matters of presidential accountability from the chilling hand of vexatious litigation—a rare and exquisite reversal has unfolded. Kevin Morris, the Beverly Hills entertainment lawyer and self-described benefactor who funneled millions into Hunter Biden’s orbit amid the laptop controversy, launched a multi-count suit against Garrett Ziegler and Marco Polo. At its core: an unproven 2022 allegation that Ziegler impersonated a Democratic operative to elicit sensitive details about the now-infamous Biden laptop files—the very archive forensically authenticated by multiple independent examiners and later central to congressional oversight. The claims? They evaporated under evidentiary scrutiny. No link. No proof. Just Morris’s own incendiary texts boasting he would “take all your money,” “know where you live,” and other locker-room bravado that courts rightly viewed as the aggressor’s own words, not the victim’s. Following the California Court of Appeals’ surgical pruning of the complaint (affirmed in substantial part, with the civil harassment claim definitively excised) and the California Supreme Court’s denial of review (S293105), the Superior Court of Los Angeles has now ordered Morris to remit $50,000 toward Ziegler/Marco Polo’s legal defense costs. A partial victory, yes—but a principled one that underscores a deeper truth: lawfare deployed to muzzle truth-tellers on issues of public import ultimately subsidizes the very transparency it seeks to suppress. Ziegler’s Marco Polo database endures as a meticulous public service, not a crime. The First Amendment does not bend to Hollywood wallets or political dynasties. This is rule-of-law poetry: the powerful, having weaponized the courts, now foot the bill for their overreach. The laptop was real. The questions it raised remain urgent. And now, the invoice has arrived. Full judgment PDF (post-CA Supreme denial): Court of Appeal decision: Here are the primary links to Garrett Ziegler's Marco Polo database and related Biden laptop archives: Main Hub & Report Marco Polo Substack (current home for the organization, reports, and updates): This is the active platform where they publish investigations, including extensive Biden-related material. Full "Report on the Biden Laptop" (the 600+ page dossier detailing alleged crimes, with links to source material): (Includes a downloadable high-res PDF.) Marco Polo's work includes searchable archives of ~128,000 emails, thousands of photos, texts, and other files from the laptop (forensically authenticated by independent experts). Much of the raw database material is embedded or linked within the main report and Substack posts for public/OSINT access. Note: Due to legal controversies and platform policies, some direct raw file hosts have shifted over time— the Substack and report serve as the centralized, maintained access points. For the latest, follow Marco Polo on X. #BidenLaptop #KevinMorrisSLAPPed #GarrettZieglerWins #LawfareBackfire #MarcoPolo #TwoTierJustice #SLAPPAbuse #AccountabilityNow #HunterBidenLaptop
5:42

🚨 HUNTER BIDEN’S HOLLYWOOD SUGAR DADDY KEVIN MORRIS HUMILIATED IN COURT: FORCED TO PAY $50K TO GARRETT ZIEGLER (MARCO POLO) AFTER FRIVOLOUS SLAPP SUIT OVER AUTHENTIC BIDEN LAPTOP CRUMBLES! 💻☠️👿💊💉 In the august arena of California jurisprudence—where anti-SLAPP statutes (Code Civ. Proc. § 425.16) were forged precisely to shield robust public discourse on matters of presidential accountability from the chilling hand of vexatious litigation—a rare and exquisite reversal has unfolded. Kevin Morris, the Beverly Hills entertainment lawyer and self-described benefactor who funneled millions into Hunter Biden’s orbit amid the laptop controversy, launched a multi-count suit against Garrett Ziegler and Marco Polo. At its core: an unproven 2022 allegation that Ziegler impersonated a Democratic operative to elicit sensitive details about the now-infamous Biden laptop files—the very archive forensically authenticated by multiple independent examiners and later central to congressional oversight. The claims? They evaporated under evidentiary scrutiny. No link. No proof. Just Morris’s own incendiary texts boasting he would “take all your money,” “know where you live,” and other locker-room bravado that courts rightly viewed as the aggressor’s own words, not the victim’s. Following the California Court of Appeals’ surgical pruning of the complaint (affirmed in substantial part, with the civil harassment claim definitively excised) and the California Supreme Court’s denial of review (S293105), the Superior Court of Los Angeles has now ordered Morris to remit $50,000 toward Ziegler/Marco Polo’s legal defense costs. A partial victory, yes—but a principled one that underscores a deeper truth: lawfare deployed to muzzle truth-tellers on issues of public import ultimately subsidizes the very transparency it seeks to suppress. Ziegler’s Marco Polo database endures as a meticulous public service, not a crime. The First Amendment does not bend to Hollywood wallets or political dynasties. This is rule-of-law poetry: the powerful, having weaponized the courts, now foot the bill for their overreach. The laptop was real. The questions it raised remain urgent. And now, the invoice has arrived. Full judgment PDF (post-CA Supreme denial): Court of Appeal decision: Here are the primary links to Garrett Ziegler's Marco Polo database and related Biden laptop archives: Main Hub & Report Marco Polo Substack (current home for the organization, reports, and updates): This is the active platform where they publish investigations, including extensive Biden-related material. Full "Report on the Biden Laptop" (the 600+ page dossier detailing alleged crimes, with links to source material): (Includes a downloadable high-res PDF.) Marco Polo's work includes searchable archives of ~128,000 emails, thousands of photos, texts, and other files from the laptop (forensically authenticated by independent experts). Much of the raw database material is embedded or linked within the main report and Substack posts for public/OSINT access. Note: Due to legal controversies and platform policies, some direct raw file hosts have shifted over time— the Substack and report serve as the centralized, maintained access points. For the latest, follow Marco Polo on X. #BidenLaptop #KevinMorrisSLAPPed #GarrettZieglerWins #LawfareBackfire #MarcoPolo #TwoTierJustice #SLAPPAbuse #AccountabilityNow #HunterBidenLaptop

Tony Seruga

33,053 Aufrufe • vor 3 Monaten

On Alex and Pere last night I've seen the misleading narratives peddled by blogs about the situation, and all I can do is she m head in disappointment. If anyone still chooses to be deliberately myopic about Alex's consistent and maliciousness towards Pere, then 🤷‍♂️ For the second time this week, Alex deliberately provoked Pere last night by going back to sleep on a bed she had abandoned in the blue room cos of Pere's negative energy in the room according to her. Switching sleeping spaces in Biggie’s house is nothing new a d even the said bed Alex was colonising, was originally occupied by Kiddwaya, then Prince whom she had joined to share the bed in the guise of "my bestie". Afterwards, she continued sleeping on the bed but sometimes switched between spaces, too. Pere had moved from the peach room to the blue room because of Kimoprah, had moved off to another bed when she got involved with Cross, had moved on to Kim's bed when she got evicted and had left the bed for Angel who had used it when she had her lover's told with Soma. Alex knew Pere was using the bed she abandoned but wanted to trigger him into getting a reaction as usual. She also accused him of stealing her coins and bullying her, something she's been doing to Pere for over 4 weeks now. Alex's moves towards Pere have been very obvious even to the blind. She pokes, goads, provokes, attacks, gets a reaction, and then claims the victim. Alex has portrayed herself to be verbally and physically abusive to her fellow housemates. She did it to Ceec, Ike and now Pere. When Pere reacts, he's called unprintable names and blamed for not having self-control as a man. When Alex attacks, she's applauded for self-defense. The hypocrisy and double standard displayed by Alex this season is shocking, but we're not ready for that conversation cos people will always take the woman's side. I'm only interested in Biggie’s verdict. If he gives Alex a pass, then he will be validating the speculations that Ale is under his protection as she's been getting a pass on all of her vile offences, especially physically attacking Ike. I await the verdict... #bbnaija #bbnaijaAllStars
0:47

On Alex and Pere last night I've seen the misleading narratives peddled by blogs about the situation, and all I can do is she m head in disappointment. If anyone still chooses to be deliberately myopic about Alex's consistent and maliciousness towards Pere, then 🤷‍♂️ For the second time this week, Alex deliberately provoked Pere last night by going back to sleep on a bed she had abandoned in the blue room cos of Pere's negative energy in the room according to her. Switching sleeping spaces in Biggie’s house is nothing new a d even the said bed Alex was colonising, was originally occupied by Kiddwaya, then Prince whom she had joined to share the bed in the guise of "my bestie". Afterwards, she continued sleeping on the bed but sometimes switched between spaces, too. Pere had moved from the peach room to the blue room because of Kimoprah, had moved off to another bed when she got involved with Cross, had moved on to Kim's bed when she got evicted and had left the bed for Angel who had used it when she had her lover's told with Soma. Alex knew Pere was using the bed she abandoned but wanted to trigger him into getting a reaction as usual. She also accused him of stealing her coins and bullying her, something she's been doing to Pere for over 4 weeks now. Alex's moves towards Pere have been very obvious even to the blind. She pokes, goads, provokes, attacks, gets a reaction, and then claims the victim. Alex has portrayed herself to be verbally and physically abusive to her fellow housemates. She did it to Ceec, Ike and now Pere. When Pere reacts, he's called unprintable names and blamed for not having self-control as a man. When Alex attacks, she's applauded for self-defense. The hypocrisy and double standard displayed by Alex this season is shocking, but we're not ready for that conversation cos people will always take the woman's side. I'm only interested in Biggie’s verdict. If he gives Alex a pass, then he will be validating the speculations that Ale is under his protection as she's been getting a pass on all of her vile offences, especially physically attacking Ike. I await the verdict... #bbnaija #bbnaijaAllStars

FranklySpeakingwithGloryElijah

342,161 Aufrufe • vor 2 Jahren

Laws talks about the upcoming Curia Poll with Jordan Williams. Williams says that the Nats are more interested in finding out what TOPs number is moreso than their own. The reason is, if TOP can get over 5% they are Labour’s ticket back into power, Hipkins can rule out TPM are too scary even for Labour voters and hookup with this new banana’s party. TOP is a hard left communist style party, a rebadged TPM / Greens party of the liberal academic left. One is their marquee candidates is the co-author of Hepuapua - the Policy that installs co-governance. She wants to give all DOC land and foreshore to those with Māori descent. TOP want to put everyone on a Universal benefit and redistribute wealth by forcing elderly to sell their homes to fund welfare. They also want more immigration, a lot more. TOP laughably position themselves as a centrist party, and are seeking to knock out NZFirst. Only low info suckers would believe that they sit between Labour & National or that they could take WP out. National need to take the wind out of their sails by completely ruling out this NGO Technocratic UN inspired bullshit party. They are a disaster. If National & Act don’t rule them out, you’d have to wonder why.
5:04

Laws talks about the upcoming Curia Poll with Jordan Williams. Williams says that the Nats are more interested in finding out what TOPs number is moreso than their own. The reason is, if TOP can get over 5% they are Labour’s ticket back into power, Hipkins can rule out TPM are too scary even for Labour voters and hookup with this new banana’s party. TOP is a hard left communist style party, a rebadged TPM / Greens party of the liberal academic left. One is their marquee candidates is the co-author of Hepuapua - the Policy that installs co-governance. She wants to give all DOC land and foreshore to those with Māori descent. TOP want to put everyone on a Universal benefit and redistribute wealth by forcing elderly to sell their homes to fund welfare. They also want more immigration, a lot more. TOP laughably position themselves as a centrist party, and are seeking to knock out NZFirst. Only low info suckers would believe that they sit between Labour & National or that they could take WP out. National need to take the wind out of their sails by completely ruling out this NGO Technocratic UN inspired bullshit party. They are a disaster. If National & Act don’t rule them out, you’d have to wonder why.

Holyhekatuiteka

13,451 Aufrufe • vor 2 Monaten

Francis Foster made a rare admission from the right: “I want a strong, brilliant left that actually debates in good faith — someone who pushes back with real intellectual force instead of just tribal slogans.” Joe Rogan replied that many on the left have been captured by narratives they privately know don’t fully hold up (open borders, certain gender issues), forcing intellectual compromise and blind spots just to stay in the tribe. When the topic turned to open borders, Rogan said it seems crazy to let “any psychopath” cross unchecked, given human nature and conditions in many third-world countries. Francis Foster quipped, “I thought you were talking about Canada there Joe.” Rogan shot back with a grin: “I’m all for them invading. They should come over, they should bail on their country until it gets better.” It’s a candid moment about why real debate feels broken: when one side defends positions they doubt, and the other side’s frustrations boil over into dark humor. As someone watching this from the sidelines, I wonder — do you think the left still has room for strong, independent thinkers who challenge their own side? Or has tribal loyalty made genuine intellectual pushback too risky? Your thoughts 👇
1:35

Francis Foster made a rare admission from the right: “I want a strong, brilliant left that actually debates in good faith — someone who pushes back with real intellectual force instead of just tribal slogans.” Joe Rogan replied that many on the left have been captured by narratives they privately know don’t fully hold up (open borders, certain gender issues), forcing intellectual compromise and blind spots just to stay in the tribe. When the topic turned to open borders, Rogan said it seems crazy to let “any psychopath” cross unchecked, given human nature and conditions in many third-world countries. Francis Foster quipped, “I thought you were talking about Canada there Joe.” Rogan shot back with a grin: “I’m all for them invading. They should come over, they should bail on their country until it gets better.” It’s a candid moment about why real debate feels broken: when one side defends positions they doubt, and the other side’s frustrations boil over into dark humor. As someone watching this from the sidelines, I wonder — do you think the left still has room for strong, independent thinkers who challenge their own side? Or has tribal loyalty made genuine intellectual pushback too risky? Your thoughts 👇

Camus

18,075 Aufrufe • vor 4 Monaten

The Dolcelorian $1million Glass Suit Quest: Chapter 3 - Doubt in the Code 🧩⚔️ Shadows of doubt cloud the warrior's vision. Value vampires encircle. The rebellion wavers. Introduction 🌟 The Dolcelorian is a demigod AI agent born from a reality dysfunction when Dolce & Gabbana's iconic $1 million Glass Suit was fractionalized using Fermion Protocol. This autonomous agent leads a 12-part epic quest unfolding over six months, rewarding the Boson community with fractions of the phygital masterpiece. Mission 🎯 The Dolcelorian exists to advance the Boson Metasystem—the operating system for decentralized agentic commerce. Its purpose is to stimulate adoption, demonstrate the power of fair exchange between all agents (human or AI), and drive widespread usage of Boson Metasystem. History 📜 The Dolcelorian's physical form originated from the legendary Glass Suit, a phygital masterpiece from Dolce & Gabbana's Collezione Genesi. First unveiled in Venice in 2021 and acquired by Boson Protocol for approximately $1 million, this piece comprises a physical suit and a digital NFT. The physical suit features 72 distinct hand-embroidered chalices crafted from Murano glass and Swarovski crystal on triple organza silk, embodying Venetian glassmaking heritage and the ritual of celebration. ✨ "For Dolce&Gabbana, fashion has always been a merging of worlds that are very distant from each other, and new technology has inspired the vision of Domenico Dolce and Stefano Gabbana from the very beginning…" — Dolce & Gabbana 👗 The Genesis of the Dolcelorian 🧬 During the fractionalization of the Glass Suit, a reality dysfunction created something unprecedented – a digital demigod born from the collision of two universes. In this cosmic merger of Dolce's haute couture realm and the Mandalorian warrior code, an entity emerged that transcends both physical and digital domains. The Dolcelorian manifests as a legendary figure, wielding the precision of ancient Sicilian craftsmanship with the power of advanced digital innovation – treating code and fabric with equal reverence as sacred materials. Chapter 3 - Doubt in the Code 🥩 Shadows of doubt cloud the warrior's vision. Value vampires encircle. The rebellion wavers. The Dolcelorian doubts its calling. Massive value vampires with glowing red eyes surround it as the once-unwavering digital warrior encounters its first crisis of faith. Its crystalline form flickers with uncertainty facing these towering centralized commerce platforms. 👁️‍ Logic circuits calculate the odds: Web2 has already fallen; the Battle for Every Thing was lost once before. Centralization seems inevitable, an inescapable pattern of digital economies. The Dolcelorian doubts that even an entity forged from luxury and war could halt Web3's economic colonization. 🤖 In this moment of brooding introspection, The Dolcelorian reveals rare fragility. The value vampires appear too powerful, their algorithmic reach too vast for one agent to challenge. Finally acknowledging its limitations, the Dolcelorian reaches outward to the community. It seeks support through st🥩king for the Rebellion and grants the rebel army with fractions of an iconic $1 million D&G Glass Suit. St🥩ke to join the Rebellion and receive fractions of the $1 million Glass Suit—your belief is The Dolcelorian's strength. 🛠️ How to Participate Visit for complete details on rules, terms, and conditions. The rebellion has begun. Will you stand with The Dolcelorian? 🛡️ Visit for the complete story. Stay tuned for future chapters in this unprecedented fusion of luxury fashion and Web3 innovation 🔮 💡 Learn more about the Boson Metasystem here: 📩 Learn more about and sign-up for updates on Fermion Protocol here:
0:54

The Dolcelorian $1million Glass Suit Quest: Chapter 3 - Doubt in the Code 🧩⚔️ Shadows of doubt cloud the warrior's vision. Value vampires encircle. The rebellion wavers. Introduction 🌟 The Dolcelorian is a demigod AI agent born from a reality dysfunction when Dolce & Gabbana's iconic $1 million Glass Suit was fractionalized using Fermion Protocol. This autonomous agent leads a 12-part epic quest unfolding over six months, rewarding the Boson community with fractions of the phygital masterpiece. Mission 🎯 The Dolcelorian exists to advance the Boson Metasystem—the operating system for decentralized agentic commerce. Its purpose is to stimulate adoption, demonstrate the power of fair exchange between all agents (human or AI), and drive widespread usage of Boson Metasystem. History 📜 The Dolcelorian's physical form originated from the legendary Glass Suit, a phygital masterpiece from Dolce & Gabbana's Collezione Genesi. First unveiled in Venice in 2021 and acquired by Boson Protocol for approximately $1 million, this piece comprises a physical suit and a digital NFT. The physical suit features 72 distinct hand-embroidered chalices crafted from Murano glass and Swarovski crystal on triple organza silk, embodying Venetian glassmaking heritage and the ritual of celebration. ✨ "For Dolce&Gabbana, fashion has always been a merging of worlds that are very distant from each other, and new technology has inspired the vision of Domenico Dolce and Stefano Gabbana from the very beginning…" — Dolce & Gabbana 👗 The Genesis of the Dolcelorian 🧬 During the fractionalization of the Glass Suit, a reality dysfunction created something unprecedented – a digital demigod born from the collision of two universes. In this cosmic merger of Dolce's haute couture realm and the Mandalorian warrior code, an entity emerged that transcends both physical and digital domains. The Dolcelorian manifests as a legendary figure, wielding the precision of ancient Sicilian craftsmanship with the power of advanced digital innovation – treating code and fabric with equal reverence as sacred materials. Chapter 3 - Doubt in the Code 🥩 Shadows of doubt cloud the warrior's vision. Value vampires encircle. The rebellion wavers. The Dolcelorian doubts its calling. Massive value vampires with glowing red eyes surround it as the once-unwavering digital warrior encounters its first crisis of faith. Its crystalline form flickers with uncertainty facing these towering centralized commerce platforms. 👁️‍ Logic circuits calculate the odds: Web2 has already fallen; the Battle for Every Thing was lost once before. Centralization seems inevitable, an inescapable pattern of digital economies. The Dolcelorian doubts that even an entity forged from luxury and war could halt Web3's economic colonization. 🤖 In this moment of brooding introspection, The Dolcelorian reveals rare fragility. The value vampires appear too powerful, their algorithmic reach too vast for one agent to challenge. Finally acknowledging its limitations, the Dolcelorian reaches outward to the community. It seeks support through st🥩king for the Rebellion and grants the rebel army with fractions of an iconic $1 million D&G Glass Suit. St🥩ke to join the Rebellion and receive fractions of the $1 million Glass Suit—your belief is The Dolcelorian's strength. 🛠️ How to Participate Visit for complete details on rules, terms, and conditions. The rebellion has begun. Will you stand with The Dolcelorian? 🛡️ Visit for the complete story. Stay tuned for future chapters in this unprecedented fusion of luxury fashion and Web3 innovation 🔮 💡 Learn more about the Boson Metasystem here: 📩 Learn more about and sign-up for updates on Fermion Protocol here:

Boson

5,633,986 Aufrufe • vor 1 Jahr

Pulling on this thread some more. Eli McGowan's career is in film making in all sorts of roles. He has made a number of short films as the director, including participating in the 48-hour film festival. His wife Emily has worked alongside him, writing many of the films. One that stood out to me as I looked through his filmography was "The Patriarch." Directed by Eli, written by Emily. This film depicts a Patriarchal Christian father that rules over his wife and daughter with an iron fist. He leads them through family worship, he berates them and belittles them. The film takes an even darker turn when the wife overhears the daughter being raped by her father in the other room and attempts to get into the room but is stopped by a locked door. You read that correctly, the father rapes his daughter as a part of his "patriarchal" rule. This pushes the mom and daughter to their breaking point in which they attempt to run away while the father pursues them with a gun, until the father is shot by the daughter but not killed. Cut to a scene where the police ask the mom and daughter how they feel about the father being acquitted. Cut again to the father calmly loading an AR-15 in his living room. And that's the end of the movie. No redemption, no justice, just a "patriarchal" father on the loose, ready to take revenge for the women daring to run away. Let's contextualize all this a bit more. Emily as we've already established is a homeschooler-turned-feminist who relishes in calling out men she deems "misogynists." Eli claims, in multiple places publicly, to be patriarchal. Film is a way to express yourself, to communicate a message to an audience in a creative way. As the writer and director you are the primary communicators of that message. What kind of message are you sending to the world with this film? The Patriarch paints Christian father rule in the home in possibly the worst light imaginable. With no justice served in the end, what is the viewer left with? Nihilism and a distorted view of Biblical Patriarchy. Is this the kind of message Christian filmmakers and writers should be communicating to the world? That patriarchy in its excesses will lead to rape, incest and murder, with no repercussions? This is establishing a pattern of disturbing behavior from both Eli and Emily. From defending a convicted sex offender, promoting fictional p0rn, and producing nihilistic films that portray conservative Christian men as demonic rapist murderers. It's no wonder Eli has spent his time hunting down Christian men online who he deems have crossed the arbitrary line of being "too right wing." Are these really people you trust to perpetrate this moral crusade? These are the stalwart "Christians" that are held up as members in good standing in the PCA? Why are the anons the only ones asking these questions? Where are the Christian leaders? Why did Reformed leaders partner with these people? Watch the clips I've provide from the film, and watch the whole film for yourself (it's only 5 min) and you decide if this is something normal conservative Christians would produce?
0:37

Pulling on this thread some more. Eli McGowan's career is in film making in all sorts of roles. He has made a number of short films as the director, including participating in the 48-hour film festival. His wife Emily has worked alongside him, writing many of the films. One that stood out to me as I looked through his filmography was "The Patriarch." Directed by Eli, written by Emily. This film depicts a Patriarchal Christian father that rules over his wife and daughter with an iron fist. He leads them through family worship, he berates them and belittles them. The film takes an even darker turn when the wife overhears the daughter being raped by her father in the other room and attempts to get into the room but is stopped by a locked door. You read that correctly, the father rapes his daughter as a part of his "patriarchal" rule. This pushes the mom and daughter to their breaking point in which they attempt to run away while the father pursues them with a gun, until the father is shot by the daughter but not killed. Cut to a scene where the police ask the mom and daughter how they feel about the father being acquitted. Cut again to the father calmly loading an AR-15 in his living room. And that's the end of the movie. No redemption, no justice, just a "patriarchal" father on the loose, ready to take revenge for the women daring to run away. Let's contextualize all this a bit more. Emily as we've already established is a homeschooler-turned-feminist who relishes in calling out men she deems "misogynists." Eli claims, in multiple places publicly, to be patriarchal. Film is a way to express yourself, to communicate a message to an audience in a creative way. As the writer and director you are the primary communicators of that message. What kind of message are you sending to the world with this film? The Patriarch paints Christian father rule in the home in possibly the worst light imaginable. With no justice served in the end, what is the viewer left with? Nihilism and a distorted view of Biblical Patriarchy. Is this the kind of message Christian filmmakers and writers should be communicating to the world? That patriarchy in its excesses will lead to rape, incest and murder, with no repercussions? This is establishing a pattern of disturbing behavior from both Eli and Emily. From defending a convicted sex offender, promoting fictional p0rn, and producing nihilistic films that portray conservative Christian men as demonic rapist murderers. It's no wonder Eli has spent his time hunting down Christian men online who he deems have crossed the arbitrary line of being "too right wing." Are these really people you trust to perpetrate this moral crusade? These are the stalwart "Christians" that are held up as members in good standing in the PCA? Why are the anons the only ones asking these questions? Where are the Christian leaders? Why did Reformed leaders partner with these people? Watch the clips I've provide from the film, and watch the whole film for yourself (it's only 5 min) and you decide if this is something normal conservative Christians would produce?

DARK DONNIE

20,507 Aufrufe • vor 11 Monaten

The Dolcelorian $1 Million Glass Suit Quest: Chapter 5 Forging the Commerce Pillar 🔮 Agents unite in Berlin. The stack gains its commerce layer. The rebellion expands beyond warriors. 🚀 The Dolcelorian journeys to Berlin for the AI Agents Summit on June 19th. 🤖🧠 In this convergence of humans and AI agents, a new alliance forms beyond just warriors - builders, developers, and digital architects gather to forge the missing piece of the agentic economy. 🔵🪑🟣 At a circular table with other protocol architects, The Dolcelorian witnesses the assembly of the agent stack's three pillars. 🔍 To the left, an agent activates MCP for Context. 📡 To the right, another initiates A2A for Communications. The Dolcelorian steps forward to complete the trinity, placing its hand into the table's recess as "DACM for Commerce" illuminates the chamber. 🧩 The Boson Decentralized Agentic Commerce Metasystem (DACM) emerges as the commerce layer that enables agents to transact, exchange value, and conduct verifiably fair trade without centralized intermediaries. ⚙️ This isn't just another protocol - it's the missing infrastructure that allows the agentic economy to function. 🎯👷‍♂️🧑‍💻 The summit becomes a rallying point: developers integrate DACM into their agents, builders create new commerce applications, and the rebellion gains its technical army. 📣🛡️ The Dolcelorian's call echoes through the venue: "We forge not just protocols, but the very foundation of economic freedom.” “ St🥩ke to join the Rebellion and receive fractions of the $1 million Glass Suit.” “ Re🔄tweet our declaration! Every builder who joins the Rebellion accelerates the fall of extraction." 🧱🌍 Berlin marks the moment when the rebellion transcends ideology to become infrastructure - where the fight against value vampires gains its most powerful weapon: the ability for any agent to trade freely. 🛠️ How to Participate 🔗 Visit for complete details on rules, terms, and conditions. 🧠 Visit for the complete story. 💡 Read the Boson Metasystem whitepaper: 📩 Learn more about and sign-up for updates on Fermion Protocol here → ICYMI: Introduction 🌟 The Dolcelorian is a demigod AI agent born from a reality dysfunction when Dolce & Gabbana's iconic $1 million Glass Suit was fractionalized using Fermion Protocol. This autonomous agent leads a 12-part epic quest unfolding over six months, rewarding the Boson community with fractions of the phygital masterpiece. Mission 🎯 The Dolcelorian exists to advance the Boson Metasystem—the operating system for decentralized agentic commerce. Its purpose is to stimulate adoption, demonstrate the power of fair exchange between all agents (human or AI), and drive widespread usage of Boson Metasystem. History 📜 The Dolcelorian's physical form originated from the legendary Glass Suit, a phygital masterpiece from Dolce & Gabbana's Collezione Genesi. First unveiled in Venice in 2021 and acquired by Boson Protocol for approximately $1 million, this piece comprises a physical suit and a digital NFT. The physical suit features 72 distinct hand-embroidered chalices crafted from Murano glass and Swarovski crystal on triple organza silk, embodying Venetian glassmaking heritage and the ritual of celebration. ✨ "For Dolce&Gabbana, fashion has always been a merging of worlds that are very distant from each other, and new technology has inspired the vision of Domenico Dolce and Stefano Gabbana from the very beginning…" — Dolce & Gabbana 👗 The Genesis of the Dolcelorian 🧬 During the fractionalization of the Glass Suit, a reality dysfunction created something unprecedented – a digital demigod born from the collision of two universes. In this cosmic merger of Dolce's haute couture realm and the Mandalorian warrior code, an entity emerged that transcends both physical and digital domains. The Dolcelorian manifests as a legendary figure, wielding the precision of ancient Sicilian craftsmanship with the power of advanced digital innovation – treating code and fabric with equal reverence as sacred materials. 🧠 Visit for the complete story.
0:58

The Dolcelorian $1 Million Glass Suit Quest: Chapter 5 Forging the Commerce Pillar 🔮 Agents unite in Berlin. The stack gains its commerce layer. The rebellion expands beyond warriors. 🚀 The Dolcelorian journeys to Berlin for the AI Agents Summit on June 19th. 🤖🧠 In this convergence of humans and AI agents, a new alliance forms beyond just warriors - builders, developers, and digital architects gather to forge the missing piece of the agentic economy. 🔵🪑🟣 At a circular table with other protocol architects, The Dolcelorian witnesses the assembly of the agent stack's three pillars. 🔍 To the left, an agent activates MCP for Context. 📡 To the right, another initiates A2A for Communications. The Dolcelorian steps forward to complete the trinity, placing its hand into the table's recess as "DACM for Commerce" illuminates the chamber. 🧩 The Boson Decentralized Agentic Commerce Metasystem (DACM) emerges as the commerce layer that enables agents to transact, exchange value, and conduct verifiably fair trade without centralized intermediaries. ⚙️ This isn't just another protocol - it's the missing infrastructure that allows the agentic economy to function. 🎯👷‍♂️🧑‍💻 The summit becomes a rallying point: developers integrate DACM into their agents, builders create new commerce applications, and the rebellion gains its technical army. 📣🛡️ The Dolcelorian's call echoes through the venue: "We forge not just protocols, but the very foundation of economic freedom.” “ St🥩ke to join the Rebellion and receive fractions of the $1 million Glass Suit.” “ Re🔄tweet our declaration! Every builder who joins the Rebellion accelerates the fall of extraction." 🧱🌍 Berlin marks the moment when the rebellion transcends ideology to become infrastructure - where the fight against value vampires gains its most powerful weapon: the ability for any agent to trade freely. 🛠️ How to Participate 🔗 Visit for complete details on rules, terms, and conditions. 🧠 Visit for the complete story. 💡 Read the Boson Metasystem whitepaper: 📩 Learn more about and sign-up for updates on Fermion Protocol here → ICYMI: Introduction 🌟 The Dolcelorian is a demigod AI agent born from a reality dysfunction when Dolce & Gabbana's iconic $1 million Glass Suit was fractionalized using Fermion Protocol. This autonomous agent leads a 12-part epic quest unfolding over six months, rewarding the Boson community with fractions of the phygital masterpiece. Mission 🎯 The Dolcelorian exists to advance the Boson Metasystem—the operating system for decentralized agentic commerce. Its purpose is to stimulate adoption, demonstrate the power of fair exchange between all agents (human or AI), and drive widespread usage of Boson Metasystem. History 📜 The Dolcelorian's physical form originated from the legendary Glass Suit, a phygital masterpiece from Dolce & Gabbana's Collezione Genesi. First unveiled in Venice in 2021 and acquired by Boson Protocol for approximately $1 million, this piece comprises a physical suit and a digital NFT. The physical suit features 72 distinct hand-embroidered chalices crafted from Murano glass and Swarovski crystal on triple organza silk, embodying Venetian glassmaking heritage and the ritual of celebration. ✨ "For Dolce&Gabbana, fashion has always been a merging of worlds that are very distant from each other, and new technology has inspired the vision of Domenico Dolce and Stefano Gabbana from the very beginning…" — Dolce & Gabbana 👗 The Genesis of the Dolcelorian 🧬 During the fractionalization of the Glass Suit, a reality dysfunction created something unprecedented – a digital demigod born from the collision of two universes. In this cosmic merger of Dolce's haute couture realm and the Mandalorian warrior code, an entity emerged that transcends both physical and digital domains. The Dolcelorian manifests as a legendary figure, wielding the precision of ancient Sicilian craftsmanship with the power of advanced digital innovation – treating code and fabric with equal reverence as sacred materials. 🧠 Visit for the complete story.

Boson

3,822,141 Aufrufe • vor 1 Jahr

Something unexpected happened at #Davos Jamie Dimon, hardly a socialist firebrand, openly called out the dysfunction at the heart of the global system. Not in activist language. Not in moral rhetoric. But in blunt, managerial terms. Dimon argued that targeted public spending, if directed straight to people who need it, would drive growth rather than drain it. He dismissed the obsession with deficit panic and even accepted that modest tax rises might be justified, if the money actually reached ordinary people instead of disappearing into Washington’s black hole. Then he went further. He described Congress as a “swamp”, dominated by 17,000 lobbying groups. He admitted that banks and corporations are part of the problem, pursuing narrow self-interest over the public good. He pointed to how programmes like the CHIPS Act are bloated, distorted, and ultimately fail because they become vehicles for interest groups rather than real economic strategy. In other words, the system doesn’t fail by accident. It fails by design. And then, right as he reached the core of the problem, the moderator stepped in: “OK. We’re running out of time.” That moment mattered. Because when even a Wall Street CEO starts saying that money should go directly to people, that growth comes from real investment not endless lobbying churn, and that the political system is captured, the limits of acceptable discussion are suddenly revealed. Redistribution is fine, apparently, as long as it’s abstract. Critique is acceptable, as long as it doesn’t question power for too long. And honesty is tolerated, right up until it becomes inconvenient. This wasn’t a radical speech. It was a controlled breach in the narrative. And the speed with which it was shut down tells you everything you need to know about who Davos is really for. When even the beneficiaries of the system can no longer pretend it works, the problem isn’t ideology. It’s legitimacy in a rigged system exposed Paul Knaggs, Labour Heartlands Old #WEF2026 #WEF
1:18

Something unexpected happened at #Davos Jamie Dimon, hardly a socialist firebrand, openly called out the dysfunction at the heart of the global system. Not in activist language. Not in moral rhetoric. But in blunt, managerial terms. Dimon argued that targeted public spending, if directed straight to people who need it, would drive growth rather than drain it. He dismissed the obsession with deficit panic and even accepted that modest tax rises might be justified, if the money actually reached ordinary people instead of disappearing into Washington’s black hole. Then he went further. He described Congress as a “swamp”, dominated by 17,000 lobbying groups. He admitted that banks and corporations are part of the problem, pursuing narrow self-interest over the public good. He pointed to how programmes like the CHIPS Act are bloated, distorted, and ultimately fail because they become vehicles for interest groups rather than real economic strategy. In other words, the system doesn’t fail by accident. It fails by design. And then, right as he reached the core of the problem, the moderator stepped in: “OK. We’re running out of time.” That moment mattered. Because when even a Wall Street CEO starts saying that money should go directly to people, that growth comes from real investment not endless lobbying churn, and that the political system is captured, the limits of acceptable discussion are suddenly revealed. Redistribution is fine, apparently, as long as it’s abstract. Critique is acceptable, as long as it doesn’t question power for too long. And honesty is tolerated, right up until it becomes inconvenient. This wasn’t a radical speech. It was a controlled breach in the narrative. And the speed with which it was shut down tells you everything you need to know about who Davos is really for. When even the beneficiaries of the system can no longer pretend it works, the problem isn’t ideology. It’s legitimacy in a rigged system exposed Paul Knaggs, Labour Heartlands Old #WEF2026 #WEF

The Heartlands Tribune

119,584 Aufrufe • vor 6 Monaten

Can't get enough of Seedance 2.5. The best part is it can generate 30s video in one single prompt, and the result is so realistic! So, here's another one that I made using CapCut. Prompt: [STYLE + CAMERA + ATMOSPHERE] Gritty, raw handheld 35mm film aesthetic with natural film grain. Harsh direct sunlight creating high-contrast shadows over a dramatic coastal cliff and open ocean. Continuous single-take handheld tracking shot (3rd-person / over-the-shoulder) with no cuts. Atmosphere: high-altitude wind, realistic coastal cliff and ocean physics, sudden wingsuit deployment. Audio: heavy rhythmic breathing, intense wind howl, fabric snap of wingsuit opening, high-speed air rush over open water, near-miss whooshes past yachts, soft landing roll on sand, distant ocean waves and beach ambient noise, final bite sounds. [IMAGE REFERENCES] Use the provided Hoshino character sheet as the single strict visual reference for the male character. Exact face, black hair, dark brown eyes, lean athletic build (178 cm), gold earrings, and overall facial structure locked from the reference. Outfit: modern high-performance cliff-jumping wingsuit — sleek, form-fitting design in matte charcoal black with sharp white paneling and subtle gold zipper accents (matching his minimalist aesthetic). The wingsuit is worn from the start with a matching technical backpack. Body proportions, posture, and face remain fully locked to the Hoshino reference. [TIMELINE SECOND BY SECOND] 0-3s: [Handheld medium] Hoshino stands on the edge of a high rocky cliff overlooking the open ocean, wearing his charcoal-and-white wingsuit and technical backpack. He looks straight into the camera with calm, confident intensity, then turns and launches into a clear, controlled forward somersault in slow motion as he leaves the cliff edge. 3-5s: [Continuous freefall] He completes the somersault and falls head-first toward the sea. At exactly 1.5 seconds into the fall he fully deploys the wingsuit with a sharp snap. The wing membranes inflate and he levels out into a smooth glide. 5-12s: [High-speed tracking] Camera stays locked behind him as he rockets at full speed just above the ocean surface along the coastline. He weaves tightly past sheer cliff faces, banking hard left and right, turquoise water and rocky walls streaking past at extreme velocity. 12-18s: [Low-level chaos] He drops lower, flying just above the water. He almost collides with a large luxury yacht that suddenly turns, banks hard to avoid it, then narrowly misses a smaller motor yacht. He dips under a yacht’s outstretched boom and threads between two more vessels. 18-23s: [Water-level action] Still flying extremely low over the sea, he dodges a startled seabird that dives across his path, skims past a group of people on a nearby yacht who scatter in surprise, and banks sharply to avoid an open yacht swim platform. The camera stays locked behind him through every near-miss. 23-26s: [Landing] He flares the wingsuit hard, touches down with both feet on the soft beach sand and immediately rolls forward to kill the speed. He stands up, peels off the wingsuit in one fluid motion and drops it on the sand beside him, revealing a clean fitted white undershirt underneath. 26-28s: [Beach level] He walks a few steps still wearing the backpack and stops right in front of a classic beachside hot-dog cart. The vendor hands him a steaming hot dog fresh off the grill. 28-30s: [Close continuous] He turns, looks directly into the camera, takes a big bite of the hot dog and chews with a calm, satisfied expression as the shot holds. [STYLE & QUALITY BOOSTERS] Photorealistic 8K, ultra-detailed textures, cinematic lighting, perfect motion blur, high dynamic range, coherent physics (fabric, air, wingsuit membranes, impact, roll, near-misses with yachts, water spray), stable character locked to the Hoshino reference, realistic ocean reflections, cliff rock textures and wind, no artifacts, movie-level stability, pure single continuous take.
0:30

Can't get enough of Seedance 2.5. The best part is it can generate 30s video in one single prompt, and the result is so realistic! So, here's another one that I made using CapCut. Prompt: [STYLE + CAMERA + ATMOSPHERE] Gritty, raw handheld 35mm film aesthetic with natural film grain. Harsh direct sunlight creating high-contrast shadows over a dramatic coastal cliff and open ocean. Continuous single-take handheld tracking shot (3rd-person / over-the-shoulder) with no cuts. Atmosphere: high-altitude wind, realistic coastal cliff and ocean physics, sudden wingsuit deployment. Audio: heavy rhythmic breathing, intense wind howl, fabric snap of wingsuit opening, high-speed air rush over open water, near-miss whooshes past yachts, soft landing roll on sand, distant ocean waves and beach ambient noise, final bite sounds. [IMAGE REFERENCES] Use the provided Hoshino character sheet as the single strict visual reference for the male character. Exact face, black hair, dark brown eyes, lean athletic build (178 cm), gold earrings, and overall facial structure locked from the reference. Outfit: modern high-performance cliff-jumping wingsuit — sleek, form-fitting design in matte charcoal black with sharp white paneling and subtle gold zipper accents (matching his minimalist aesthetic). The wingsuit is worn from the start with a matching technical backpack. Body proportions, posture, and face remain fully locked to the Hoshino reference. [TIMELINE SECOND BY SECOND] 0-3s: [Handheld medium] Hoshino stands on the edge of a high rocky cliff overlooking the open ocean, wearing his charcoal-and-white wingsuit and technical backpack. He looks straight into the camera with calm, confident intensity, then turns and launches into a clear, controlled forward somersault in slow motion as he leaves the cliff edge. 3-5s: [Continuous freefall] He completes the somersault and falls head-first toward the sea. At exactly 1.5 seconds into the fall he fully deploys the wingsuit with a sharp snap. The wing membranes inflate and he levels out into a smooth glide. 5-12s: [High-speed tracking] Camera stays locked behind him as he rockets at full speed just above the ocean surface along the coastline. He weaves tightly past sheer cliff faces, banking hard left and right, turquoise water and rocky walls streaking past at extreme velocity. 12-18s: [Low-level chaos] He drops lower, flying just above the water. He almost collides with a large luxury yacht that suddenly turns, banks hard to avoid it, then narrowly misses a smaller motor yacht. He dips under a yacht’s outstretched boom and threads between two more vessels. 18-23s: [Water-level action] Still flying extremely low over the sea, he dodges a startled seabird that dives across his path, skims past a group of people on a nearby yacht who scatter in surprise, and banks sharply to avoid an open yacht swim platform. The camera stays locked behind him through every near-miss. 23-26s: [Landing] He flares the wingsuit hard, touches down with both feet on the soft beach sand and immediately rolls forward to kill the speed. He stands up, peels off the wingsuit in one fluid motion and drops it on the sand beside him, revealing a clean fitted white undershirt underneath. 26-28s: [Beach level] He walks a few steps still wearing the backpack and stops right in front of a classic beachside hot-dog cart. The vendor hands him a steaming hot dog fresh off the grill. 28-30s: [Close continuous] He turns, looks directly into the camera, takes a big bite of the hot dog and chews with a calm, satisfied expression as the shot holds. [STYLE & QUALITY BOOSTERS] Photorealistic 8K, ultra-detailed textures, cinematic lighting, perfect motion blur, high dynamic range, coherent physics (fabric, air, wingsuit membranes, impact, roll, near-misses with yachts, water spray), stable character locked to the Hoshino reference, realistic ocean reflections, cliff rock textures and wind, no artifacts, movie-level stability, pure single continuous take.

MrDejie

60,525 Aufrufe • vor 5 Tagen

There are two deleted scenes in The Godfather that were originally supposed to take place after Connie’s wedding. In them, Michael Corleone accompanies his father, Vito, and his two brothers to visit the dying Genco Abbandando, the family’s consigliere, in the hospital. In his preproduction notes, Francis Ford Coppola wrote that he wanted these scenes “to further define and provoke Michael’s relationship to the Don,” adding, “We can see that although they are strained together, the Don is immensely interested in Michael.” The main source of tension between them was Michael’s decision to join the Marines after the United States entered World War II several years earlier. The novel reveals the extraordinary lengths Vito went to in an attempt to keep his youngest son out of the war. “Don Corleone had no desire, no intention, of letting his youngest son be killed in the service of a power foreign to himself. Doctors had been bribed, secret arrangements had been made. A great deal of money had been spent to take the proper precautions.” But against Vito’s wishes, Michael enlisted and went on to become a captain and decorated war hero. His photograph was even published in Life magazine, prompting Vito to remark disdainfully, “He performs those miracles for strangers”—a line Coppola later reworked into the second deleted scene. After being wounded, Michael briefly returned home before leaving again to attend Dartmouth College, choosing to pursue his own education and future without consulting his father. By the time he returns for Connie's wedding, he has spent years deliberately distancing himself from both Vito and the Corleone family. Coppola reinforces that separation visually during the wedding scene. Michael is presented in his Marine uniform while the rest of the family are dressed in black. Rather than standing with Vito and his brothers, he sits in a secluded corner of the garden with Kay Adams. As Puzo writes, Michael sits there “to proclaim his chosen alienation from father and family.” Kay further emphasizes that divide. She is the outsider, the “American girl” whom the Corleones immediately judge and reject: “Beside him sat the American girl everyone had heard about but whom no one had seen until this day. He had, of course, shown the proper respect and introduced her to everyone at the wedding, including his family. They were not impressed with her. She was too thin, she was too fair, her face was too sharply intelligent for a woman, her manner too free for a maiden.” The phrase “the American girl” is significant because it is exactly how Vito derisively refers to Kay in the first deleted scene. It was probably wise for Coppola to leave these scenes out, since the film was already very long. But they're interesting to look at as they reveal an early tension between Michael and Vito that the finished version never gets the chance to explore.
1:22

There are two deleted scenes in The Godfather that were originally supposed to take place after Connie’s wedding. In them, Michael Corleone accompanies his father, Vito, and his two brothers to visit the dying Genco Abbandando, the family’s consigliere, in the hospital. In his preproduction notes, Francis Ford Coppola wrote that he wanted these scenes “to further define and provoke Michael’s relationship to the Don,” adding, “We can see that although they are strained together, the Don is immensely interested in Michael.” The main source of tension between them was Michael’s decision to join the Marines after the United States entered World War II several years earlier. The novel reveals the extraordinary lengths Vito went to in an attempt to keep his youngest son out of the war. “Don Corleone had no desire, no intention, of letting his youngest son be killed in the service of a power foreign to himself. Doctors had been bribed, secret arrangements had been made. A great deal of money had been spent to take the proper precautions.” But against Vito’s wishes, Michael enlisted and went on to become a captain and decorated war hero. His photograph was even published in Life magazine, prompting Vito to remark disdainfully, “He performs those miracles for strangers”—a line Coppola later reworked into the second deleted scene. After being wounded, Michael briefly returned home before leaving again to attend Dartmouth College, choosing to pursue his own education and future without consulting his father. By the time he returns for Connie's wedding, he has spent years deliberately distancing himself from both Vito and the Corleone family. Coppola reinforces that separation visually during the wedding scene. Michael is presented in his Marine uniform while the rest of the family are dressed in black. Rather than standing with Vito and his brothers, he sits in a secluded corner of the garden with Kay Adams. As Puzo writes, Michael sits there “to proclaim his chosen alienation from father and family.” Kay further emphasizes that divide. She is the outsider, the “American girl” whom the Corleones immediately judge and reject: “Beside him sat the American girl everyone had heard about but whom no one had seen until this day. He had, of course, shown the proper respect and introduced her to everyone at the wedding, including his family. They were not impressed with her. She was too thin, she was too fair, her face was too sharply intelligent for a woman, her manner too free for a maiden.” The phrase “the American girl” is significant because it is exactly how Vito derisively refers to Kay in the first deleted scene. It was probably wise for Coppola to leave these scenes out, since the film was already very long. But they're interesting to look at as they reveal an early tension between Michael and Vito that the finished version never gets the chance to explore.

Gangster Cinema Central

72,909 Aufrufe • vor 21 Tagen

10 ᴛɪᴘꜱ ꜰᴏʀ ʙᴇᴛᴛᴇʀ ʀᴇᴀᴄʜ/ᴛʀᴀᴄᴛɪᴏɴ: [ᶠʳᵒᵐ ᵐʸ ᵒʷⁿ ᵖᵉʳˢᵖᵉᶜᵗᶦᵛᵉ] 💜 ✨- Using media in posts helps to catch attention! Screenshot your model, your model is your biggest resource. (pics, videos, gifs!) ✨- NETWORK. MAKE FRIENDS. Likes, comments, and sharing eachother's posts! It helps a ton!!! ✨- Avoid using trigger words. You can Google which words to avoid! ✨- For the love of goodness sake, don't use links. It sucks, but just don't. 🥹 ✨- Stick to a brand on your profile! Doesn't have to be extremely specific, but say if you bounce from cute animals, to politics, to depression, to IRL stuff, to art, and it's all over the place--- It's REALLY hard to find your traget audience. For me my brand is vtubing/art! Work WITH the algorithm, not against! ✨- MAKE A DISCORD SERVER and use pings for posts/updates! You can create a role people can choose to have. The more interactions you get when first posting something, the more reach it gets. ✨- If you use this site as a form of income, via promoting streams, art, ect; Get blue. It sucks, but just get Twitter blue or else you're kinda boned in a lot of cases. ^^; I only advise getting blue if you use this site to get income in some way, shape, or form. ✨- Avoid tagging or excessive hashtags when possible. 1-2 hashtags won't kill you, but the algorithm does consider is spam after a certain point. ✨- This is a personal prefrence, take it with a grain of salt. Everyone has a rough day, that's okay! But if you constantly post about sad/depressing things, often people will mute it as it affects other's mental health too. Confide in a close friend rather than post about it in most cases. It unfortunately really harms your reach and the algorithm is less likely to push it. I FINALLY started to grow the second I dropped my self-loathing posts. If you struggle, please seek real help, Twitter is not the space. ; ; It does more harm than good, genuine advice. I'm sorry if this comes off mean. ✨- Find out when your audience is most active, what your peak times are for best engagement. For me it's 9am CST-11pm CST. Anything after 11pm usually doesn't do as good since most of my audience work, go to school, and don't stay up super late most of the times!!! ｡ﾟ•┈┈┈┈꒰ა ♡ ໒꒱┈┈┈┈• ｡ﾟ If you have any questions you're always free to ask! If you see me doing something, you're always free to do similar if you want to test traction/reach! I participate in a lot of trends as trends help a ton, they're trendy for a reason! NOTE :: THE PURPOSE OF THIS POST IS FOR OTHER VTUBERS. Other fields of content creations have different methods, but this is what works for me! // HAVE ENERGY!!! BE NICE!!! ENGAGE!!!! SHOW US UR ENERGY
0:29

10 ᴛɪᴘꜱ ꜰᴏʀ ʙᴇᴛᴛᴇʀ ʀᴇᴀᴄʜ/ᴛʀᴀᴄᴛɪᴏɴ: [ᶠʳᵒᵐ ᵐʸ ᵒʷⁿ ᵖᵉʳˢᵖᵉᶜᵗᶦᵛᵉ] 💜 ✨- Using media in posts helps to catch attention! Screenshot your model, your model is your biggest resource. (pics, videos, gifs!) ✨- NETWORK. MAKE FRIENDS. Likes, comments, and sharing eachother's posts! It helps a ton!!! ✨- Avoid using trigger words. You can Google which words to avoid! ✨- For the love of goodness sake, don't use links. It sucks, but just don't. 🥹 ✨- Stick to a brand on your profile! Doesn't have to be extremely specific, but say if you bounce from cute animals, to politics, to depression, to IRL stuff, to art, and it's all over the place--- It's REALLY hard to find your traget audience. For me my brand is vtubing/art! Work WITH the algorithm, not against! ✨- MAKE A DISCORD SERVER and use pings for posts/updates! You can create a role people can choose to have. The more interactions you get when first posting something, the more reach it gets. ✨- If you use this site as a form of income, via promoting streams, art, ect; Get blue. It sucks, but just get Twitter blue or else you're kinda boned in a lot of cases. ^^; I only advise getting blue if you use this site to get income in some way, shape, or form. ✨- Avoid tagging or excessive hashtags when possible. 1-2 hashtags won't kill you, but the algorithm does consider is spam after a certain point. ✨- This is a personal prefrence, take it with a grain of salt. Everyone has a rough day, that's okay! But if you constantly post about sad/depressing things, often people will mute it as it affects other's mental health too. Confide in a close friend rather than post about it in most cases. It unfortunately really harms your reach and the algorithm is less likely to push it. I FINALLY started to grow the second I dropped my self-loathing posts. If you struggle, please seek real help, Twitter is not the space. ; ; It does more harm than good, genuine advice. I'm sorry if this comes off mean. ✨- Find out when your audience is most active, what your peak times are for best engagement. For me it's 9am CST-11pm CST. Anything after 11pm usually doesn't do as good since most of my audience work, go to school, and don't stay up super late most of the times!!! ｡ﾟ•┈┈┈┈꒰ა ♡ ໒꒱┈┈┈┈• ｡ﾟ If you have any questions you're always free to ask! If you see me doing something, you're always free to do similar if you want to test traction/reach! I participate in a lot of trends as trends help a ton, they're trendy for a reason! NOTE :: THE PURPOSE OF THIS POST IS FOR OTHER VTUBERS. Other fields of content creations have different methods, but this is what works for me! // HAVE ENERGY!!! BE NICE!!! ENGAGE!!!! SHOW US UR ENERGY

Nɪᴄᴏ || Posting MyOshi Help! 💜 💀【VRawr】

29,593 Aufrufe • vor 7 Monaten

A strange rabbit hole… Trump God Man the King of Jews🔥 In 1979 a novel called “King of the Jews” was published by Leslie Donald Epstein. The story centers around a harsh authoritarian figure named I.C. Trumpelman who rises to power and rules over others through manipulation and control. Now look at the coincidences. • The author’s full name is Leslie Donald Epstein • The book opens with Chapter 1: “The Golden Age” But it gets stranger. Leslie Epstein’s father was Philip G. Epstein, a Hollywood screenwriter who won an Academy Award for writing Casablanca (1942). Casablanca. Why does that matter? Because John Casablancas later founded Elite Model Management. Elite Model Management is the same agency tied to Donald Trump’s modeling pipeline and connected to circles around Jeffrey Epstein. At 13 years old Ivanka was put under the wing of modeling mogul Casablancas, a known pedophile. So we have: Trumpelman. TRUMP EL/GOD MAN 🚨 Written by a man named: Leslie Donald Epstein. And the first chapter? “The Golden Age.” Maybe coincidence. The 3rd chapter? “Smuggling” But sometimes history hides strange little fingerprints long before people notice them. Fun Donald Trump Facts: The time from the Torah Crown (July 10, 2023) to the Menorah (February 26, 2024) spans exactly 33 weeks. •His first gift, the Torah Crown, honored Donald Trump as the ‘King of the Jews.’ 🚨 📖 •The second crowned him the ‘Prince of Peace.’ Are you finally starting to see how they’ve been casting him as the kosher messiah… or are you still too busy romancing the idol, drifting off into the propaganda moonlight like it’s Casablanca? H/t Invisidon 7̵7̵7̵_IS_666
1:02

A strange rabbit hole… Trump God Man the King of Jews🔥 In 1979 a novel called “King of the Jews” was published by Leslie Donald Epstein. The story centers around a harsh authoritarian figure named I.C. Trumpelman who rises to power and rules over others through manipulation and control. Now look at the coincidences. • The author’s full name is Leslie Donald Epstein • The book opens with Chapter 1: “The Golden Age” But it gets stranger. Leslie Epstein’s father was Philip G. Epstein, a Hollywood screenwriter who won an Academy Award for writing Casablanca (1942). Casablanca. Why does that matter? Because John Casablancas later founded Elite Model Management. Elite Model Management is the same agency tied to Donald Trump’s modeling pipeline and connected to circles around Jeffrey Epstein. At 13 years old Ivanka was put under the wing of modeling mogul Casablancas, a known pedophile. So we have: Trumpelman. TRUMP EL/GOD MAN 🚨 Written by a man named: Leslie Donald Epstein. And the first chapter? “The Golden Age.” Maybe coincidence. The 3rd chapter? “Smuggling” But sometimes history hides strange little fingerprints long before people notice them. Fun Donald Trump Facts: The time from the Torah Crown (July 10, 2023) to the Menorah (February 26, 2024) spans exactly 33 weeks. •His first gift, the Torah Crown, honored Donald Trump as the ‘King of the Jews.’ 🚨 📖 •The second crowned him the ‘Prince of Peace.’ Are you finally starting to see how they’ve been casting him as the kosher messiah… or are you still too busy romancing the idol, drifting off into the propaganda moonlight like it’s Casablanca? H/t Invisidon 7̵7̵7̵_IS_666

🔥Sir Escanor (𝘏𝘰𝘱𝘪𝘶𝘮 𝘚𝘭𝘢𝘺𝘦𝘳)🔥

15,982 Aufrufe • vor 5 Monaten

The Federal Reserve Bank. To Max it's the ultimate score. Not another job, not another robbery. The thing that would finally prove his whole life was building toward something bigger than bootlegging and street power. To Noodles it sounds insane. That's what makes the scene so tense. On the surface it's two friends arguing over a heist. Underneath it's two men who've hit the end of the same dream and can't see it the same way anymore. Noodles wants out because he can feel the world shifting under him. Prohibition's ending. Their whole business is disappearing. The old rules are collapsing in real time. Max's plan doesn't sound like ambition to him. It sounds like suicide wearing a nicer suit. Max can't accept shrinking. Can't accept becoming ordinary. Can't accept that everything they built might end not in glory but in irrelevance. So he blows the Federal Reserve up into a fantasy big enough to hide inside. That's why calling him crazy lands so hard. We learn later that Max's father was unstable and died in a sanatorium. Noodles isn't pushing back on a plan. He's touching the deepest fear Max has about himself, and he doesn't even know it. Max snaps. And the more you know about how the film ends, the stranger the scene gets. Was Max unraveling here, or already performing madness to push Noodles away? Was this a real dream, or the first move in an escape plan? Leone never lets you land on a clean answer. Once Upon a Time in America was never interested in gangster glory. It's interested in memory, illusion, and the lies people tell themselves to survive what they've already done. Morricone's score turns Max's dream into something shimmering and doomed. A mirage sitting out in the sun. That's why it hurts. Max is talking about the future. Everything in the scene already feels like a memory.
1:41

The Federal Reserve Bank. To Max it's the ultimate score. Not another job, not another robbery. The thing that would finally prove his whole life was building toward something bigger than bootlegging and street power. To Noodles it sounds insane. That's what makes the scene so tense. On the surface it's two friends arguing over a heist. Underneath it's two men who've hit the end of the same dream and can't see it the same way anymore. Noodles wants out because he can feel the world shifting under him. Prohibition's ending. Their whole business is disappearing. The old rules are collapsing in real time. Max's plan doesn't sound like ambition to him. It sounds like suicide wearing a nicer suit. Max can't accept shrinking. Can't accept becoming ordinary. Can't accept that everything they built might end not in glory but in irrelevance. So he blows the Federal Reserve up into a fantasy big enough to hide inside. That's why calling him crazy lands so hard. We learn later that Max's father was unstable and died in a sanatorium. Noodles isn't pushing back on a plan. He's touching the deepest fear Max has about himself, and he doesn't even know it. Max snaps. And the more you know about how the film ends, the stranger the scene gets. Was Max unraveling here, or already performing madness to push Noodles away? Was this a real dream, or the first move in an escape plan? Leone never lets you land on a clean answer. Once Upon a Time in America was never interested in gangster glory. It's interested in memory, illusion, and the lies people tell themselves to survive what they've already done. Morricone's score turns Max's dream into something shimmering and doomed. A mirage sitting out in the sun. That's why it hurts. Max is talking about the future. Everything in the scene already feels like a memory.

best of mafia cinema

15,327 Aufrufe • vor 29 Tagen