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ホリエモンさん公認ということで‼トーマさんのキャラクターシートをお借りして、Wan3.0の30秒で映画のPV風にしてみました🤣プロンプトはコメント欄に🎉

13,713 views • 26 days ago •via X (Twitter)

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AI_poruru(world)'s profile picture
AI_poruru(world)26 days ago

WAN 3.0 PRIME / 30s / 16:9 / 1080p Use Image 1 as the main character reference. Preserve the same adult Japanese man throughout the whole video: middle-aged, short dyed blond hair, stocky build, expressive face, realistic skin texture, same facial identity inspired by Image 1. TITLE: 「バスケットがしたいんです」 CORE STORY: A heartbreaking Japanese sports-drama movie trailer. A man who once loved basketball can no longer play. He has fallen into a rough delinquent lifestyle, carrying pain, frustration, and regret. He now wears a yankee-style black gakuran school uniform and carries a thin flattened school bag. He acts tough, but inside he is broken. One day, he sees the old basketball coach again. At that moment, vivid memories of his younger days come flooding back — his former self shining on the basketball court, playing with passion, scoring, running, and living for basketball. The contrast between his broken present and his glorious basketball past becomes overwhelming. His buried love for basketball explodes emotionally, and he finally cries out: 「バスケットがしたいです」 The whole video should feel like a deeply emotional, tearjerking Japanese movie trailer. CHARACTER / OUTFIT: Present-day character: black yankee gakuran, slightly loose silhouette, delinquent school style, dark pants, black shoes, flattened school bag. He should look like a rough former athlete who drifted into a rebellious life. Flashback younger self: the same person when he was younger, healthier, more energetic, same core facial identity, clearly recognizable as the same man in his youth. Basketball uniform, sleeveless jersey, athletic shorts, basketball shoes. In flashbacks he should look passionate, talented, and full of life. VISUAL STYLE: photoreal live-action Japanese movie trailer, emotional sports drama, cinematic but believable. Realistic skin texture, natural tears, subtle film grain. Moody realism in present-day scenes. Flashback scenes feel warmer, more alive, more hopeful, with emotional sports-movie energy. No comedy. No parody. No cartoon look. CAMERA STYLE: Use many face close-ups, upper-body shots, and medium-close shots. Start with a face close-up. In present-day scenes, use restrained handheld realism and slow push-ins. In flashbacks, use more dynamic sports energy: brief tracking shots, quick sideline motion, fast cuts of dribbling, running, shooting, defending, and celebration. Keep the emotional focus clear. MUSIC / SOUND: Emotional piano and strings mixed with restrained dramatic percussion. At first, the sound feels cold and lonely. During delinquent scenes, include metallic impact sounds and urban ambience. During flashbacks, use squeaking sneakers, dribbling basketball, gym echo, whistle, cheering, and net swish. At the climax, the music swells emotionally. 30-SECOND STRUCTURE: 0:00–0:04 Extreme close-up of his face. He stares downward, expression hard and tired, then slowly lifts his eyes. His face shows anger, exhaustion, and a life gone wrong. Background is soft and urban. A faint distant basketball bounce is heard. No dialogue. 0:04–0:08 Hard cut. Night street / alley / underpass. Upper-body to medium shot. Wearing a black yankee gakuran and carrying a flattened school bag, he walks with a rough, defeated attitude. He suddenly lashes out and kicks a metal trash can hard. The trash can flies and crashes loudly. He breathes heavily, jaw tense, eyes full of frustration. This must feel painful, not comedic. 0:08–0:12 He freezes after kicking the trash can. Tight close-up on his face. He looks away as if trying to suppress emotion. Then the first flashback fragments begin: a polished gym floor, the sound of sneakers squeaking, a basketball spinning in his younger hands, the younger version of himself starting a fast dribble, his face focused and intense. These flashbacks should clearly show his younger self as an active basketball player. 0:12–0:16 Flashback expands. We now clearly see his younger self actively excelling in basketball. He dribbles past an opponent with speed. He makes a sharp drive toward the hoop. He jumps and scores a clean layup. Teammates react. A whistle blows. The coach watches proudly from the sideline. This should feel like a vivid memory of his glory days. 0:16–0:20 Flashback continues with stronger emotion. Show his younger self making an important shot in a real game atmosphere: a jump shot, the ball flying in slow motion, the ball swishing cleanly through the net, brief crowd cheers, teammates celebrating, his younger self breathing hard, smiling, shining with confidence. Intercut very briefly with present-day close-ups of his face as these memories overwhelm him. Then cut to the entrance of an old school gym in the present. There stands the former basketball coach, calm and quiet. Recognition hits him deeply. 0:20–0:24 Upper-body close-up. He takes a few slow steps toward the coach. His eyes begin to fill with tears. He grips the flattened bag tightly. Another very brief memory flashes: his younger self dribbling confidently down the court, hearing cheers, feeling alive. Return to present. His lips tremble. He tries to stay tough, but cannot. 0:24–0:27 Emotional close-up. He lowers his head, shoulders trembling slightly. Then he looks up again, tears visible. His voice breaks. Dialogue: 「バスケットがしたいです」 Pause after the line. Let the emotion land fully. 0:27–0:30 Final emotional ending. Start from a tight close-up of his tearful face. The camera slowly pushes in closer and closer as he stares ahead with trembling emotion. His expression carries regret, longing, and the return of hope. At the final moment, the movie title appears together with an extreme close-up of his face. End on his face filling the frame, emotionally powerful and unforgettable. On-screen title: 「バスケットがしたいんです」 PERFORMANCE NOTES: The acting must stay realistic and restrained. At first he behaves like a rough delinquent hiding pain. His anger is really sadness and frustration. The flashbacks must strongly show that he was once good at basketball and alive with passion. When he sees the coach, his emotional wall collapses. His final cry should feel genuine and moving. IMPORTANT: Keep the same man visually consistent in every present-day scene. In flashbacks, clearly show a younger version of the same man. Present-day scenes use the yankee gakuran and flattened school bag. Flashback scenes use basketball uniform and active game scenes. Maintain a serious, moving sports-drama tone. NEGATIVE: comedy, parody, goofy acting, cartoon look, anime style, unstable identity, unrelated flashbacks, weak sports action, deformed hands, extra fingers, bad anatomy, duplicate characters, subtitles, watermark, logo, UI, text except final movie title.

若林's profile picture
若林26 days ago

泣いた😭😭

AI_poruru(world)'s profile picture
AI_poruru(world)26 days ago

全米が泣いた映画風です🤣

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