ๆญฃๅœจๅŠ ่ฝฝ่ง†้ข‘...

่ง†้ข‘ๅŠ ่ฝฝๅคฑ่ดฅ

๐ŸŽธ๐ŸŽป๐๐จ๐ญ๐ก๐ข๐ง๐  ๐„๐ฅ๐ฌ๐ž ๐Œ๐š๐ญ๐ญ๐ž๐ซ๐ฌ (๐Œ๐ž๐ญ๐š๐ฅ๐ฅ๐ข๐œ๐š) : ๐Œ๐จ๐ณ๐š๐ซ๐ญ ๐‡๐ž๐ซ๐จ๐ž๐ฌ (๐Ž๐Ÿ๐Ÿ๐ข๐œ๐ข๐š๐ฅ ๐•๐ข๐๐ž๐จ)๐ŸŒท๐ŸŒท โ˜˜๏ธThe most beautiful acoustic rendition Iโ€™ve heard of this song! These two brilliant classical musicians took it to a completely different level! Bravo!๐Ÿ‘๐Ÿ‘๐Ÿ’–๐Ÿ’–

63,461 ๆฌก่ง‚็œ‹ โ€ข 2 ๅนดๅ‰ โ€ขvia X (Twitter)

10 ๆก่ฏ„่ฎบ

Gabriel ็š„ๅคดๅƒ
Gabriel2 ๅนดๅ‰

๐Ÿ‘๐ŸŒน

Susana Alvarez ็š„ๅคดๅƒ
Susana Alvarez2 ๅนดๅ‰

๐Ÿ˜

L Douglas Hicks ็š„ๅคดๅƒ
L Douglas Hicks2 ๅนดๅ‰

This will be The Song of The Revolution

Eric  Bearden ็š„ๅคดๅƒ
Eric Bearden2 ๅนดๅ‰

Wow Metallica Nothing Else Matter, like A Fine Wine!

x ็š„ๅคดๅƒ
x2 ๅนดๅ‰

Kippenvel

Mister C .ูƒูŠุฑุงู† Paddystinian ็š„ๅคดๅƒ
Mister C .ูƒูŠุฑุงู† Paddystinian2 ๅนดๅ‰

@FirstLadyNot Loved thatโ€ฆand I donโ€™t even like Metallica!

โฒ˜โฒŸโฒ—โฒŸฯงโฒโฒ ็š„ๅคดๅƒ
โฒ˜โฒŸโฒ—โฒŸฯงโฒโฒ2 ๅนดๅ‰

Honestly, it's better than the original.

Ayรงa โ—ป๏ธโ—ฝโ–ซ๏ธ ็š„ๅคดๅƒ
Ayรงa โ—ป๏ธโ—ฝโ–ซ๏ธ2 ๅนดๅ‰

๐Ÿ‘๐Ÿ‘๐ŸŽถ

Eric  Bearden ็š„ๅคดๅƒ
Eric Bearden2 ๅนดๅ‰

Again Where is your Sister that plays The Piano? Now I know what a Group of Guys Do Together!

papcio 5 ็š„ๅคดๅƒ
papcio 52 ๅนดๅ‰

Jak piฤ™knie przenika siฤ™ twรณrczoล›ฤ‡.Kaลผdy utwรณr muzyczny wraca,bo jest w nim siล‚a i kaลผde inne wykonanie ,aranลผacja dodaje mu siล‚y PRZEKAZU spoล‚ecznego.

็›ธๅ…ณ่ง†้ข‘

๐Ÿ’–โœจ WORLD TOUR LIVE : USAโ€ฆ โœจ๐Ÿ’– Final update ๐Ÿฅน๐Ÿ’–๐Ÿ’• I finally received the photocards that were missing from my order! ๐Ÿ’–๐Ÿ’–๐Ÿ’•๐Ÿ’ž This time, they arrived complete, so Iโ€™m genuinely very happy and relieved ๐Ÿฅน๐Ÿ’–๐Ÿ’ž Of course, there are still a few stressful issues that were never really resolved, especially everything regarding the customs charges. There was also another item missing from my package, but I was told that it was most likely related to customs. At this point, Iโ€™ve decided to leave it as it is, mainly because this whole situation has been emotionally exhausting ๐Ÿฅน I finally have the items I really wanted, and anything else that is missing, I can simply buy again later ๐Ÿ’– Iโ€™m very happy to finally have everything, but after this experience, I personally wouldnโ€™t order from the Lezhin website again. Even for this replacement shipment (or rather, the shipment of the missing items), they still didnโ€™t provide me with a tracking number ๐Ÿ˜… Thankfully, this time I didnโ€™t have to pay any additional taxes or customs fees, so at least my package could be received normally. That made the whole process a little less stressful ๐Ÿฅน๐Ÿ’• I know some people are still waiting for their missing items to be shipped, so Iโ€™ll continue keeping an eye on the situation in case anything important happens. But as for my own case, I think this will be my final update. For my own peace of mind, I really need to leave it here ๐Ÿ˜…๐Ÿ’– Iโ€™ve already had so many problems with different shipping companies and packages over the past two months that Iโ€™m honestly exhausted. Anywayโ€ฆ I mostly wanted to show you what I received! ๐Ÿฅน๐Ÿ’–๐Ÿ’• Iโ€™ll upload the unboxing video as well as photos of all the items because they make me so happy ๐Ÿ’–๐Ÿ’– And I really want to say thank you to everyone who supported us throughout this entire process ๐Ÿฅน๐Ÿ’– Thank you to everyone who helped share the information, everyone who contributed their experiences and opinions, and everyone who privately sent me screenshots of what was happening and kept me updated on how your own cases were progressing. Iโ€™m genuinely so grateful because, in the end, this really felt like teamwork ๐Ÿ’•๐Ÿ’– We were all sharing information and trying to help each other figure out what was happening. One last thing I learned from this experienceโ€ฆ even though I sent them an unboxing video showing myself opening the package, it seems that when they determine that an item may have gone missing during the customs process, they donโ€™t take responsibility for it and instead direct you to make a claim with the shipping company ๐Ÿฅน So if you ever order from these websites and something is missing from your packageโ€ฆ cross your fingers that it was the store that forgot to include it and not something that happened during customs ๐Ÿ˜ญ๐Ÿ˜… because otherwise, getting a solution can become much more complicated. But anywayโ€ฆ thatโ€™s my final update ๐Ÿฅน๐Ÿ’–๐Ÿ’ž At least I finally have my photocards, and Iโ€™m going to show you all the photos because they make me incredibly happy ๐Ÿฅน๐Ÿ’•๐Ÿ’– After everything that happened, thatโ€™s what matters most to me now ๐Ÿ’– #worldtourlezhinus #WorldTourUS #์ง•ํฌ์Šค #jinx #jinxmanhwa #manhwa #tefy242twitter

Tefy๐Ÿก ํ…Œํ”ผ (เธ…ฬห˜เธ…ฬ€) JINXFANART ARTIS ๐Ÿฉถ

26,564 ๆฌก่ง‚็œ‹ โ€ข 1 ไธชๆœˆๅ‰

โญ SONGS FOR A NEW WORLD - UPSTAIRS AT THE GATEHOUSE โญ Let me get this out of the way first - THIS WAS SUBLIME - GO SEE IT! ! ! โœจ I was not overly familiar with Songs For A New World before seeing this production, so didn't really know what to expect. I knew it was a song cycle but that never really explains much lol ๐Ÿ˜… BUT I was extremely pleasantly surprised by it, featuring a gorgeous collection of songs by Jason Robert Brown, most notably known for his iconic musical - The Last Five Years ๐Ÿ˜Š From the euphoric opening number "The New World", to the stunning ballad "Stars and the Moon" and the hilarious "Surabaya-Santa", the show is chock full of musical theatre favourites for you to discover (as I did) ๐Ÿ˜ฑ The cast are giving me VOCALS FOR DAYS, MONTHS & YEARS! ! ! ๐Ÿ˜‚ This show is a HUGE sing and the incredibly talented cast, which includes Lizzy Parker, Luke Walsh, Eleanore Frances and Jonah Sercombe (making his professional debut in the show) all deliver beautifully, featuring soaring vocals and exquisite acting-through-song ๐Ÿฅน The simple staging by director Kai Wright and lighting design by Jason Fenn, only enhance the intimacy of the show, keeping you laser focused on the performances ๐ŸŽญ I have to mention the absolutely fantastic sound design by Glenn Oxenbury, which expertly amplified the brilliant band, led wonderfully by musical director Liam Holmes, and made sure the vocals sounded absolutely crystal clear. No small feat in a fringe venue.... BRAVO ๐Ÿ‘๐Ÿ‘๐Ÿ‘ This production is an absolute MUST-SEE for fans of Jason Robert Brown and I urge to not to miss it! ! ! ๐Ÿ˜ X x x

Theatre Fan

12,609 ๆฌก่ง‚็œ‹ โ€ข 2 ๅนดๅ‰

Kirsty Coventry was a brilliant Olympic swimmer. She is not an administrator. She does not have the capacity to do the job. She is the worst Sports Minister Zimbabwe has ever had. When we said it at the material time, people thought we were politicking. We were not. The evidence is right before you. For those who were in doubt, here is your answer. She is not capable of doing these jobs. It is like people who are brilliant footballers but will not necessarily make brilliant football administrators. The problem with various societies is that they assume because you were a brilliant swimmer, you are going to be a brilliant President of the International Olympic Committee. Just like a journalist, you can be a brilliant journalist, but it does not mean you are going to be a brilliant media owner. You can be a disastrous media owner and yet be a brilliant journalist because the two roles require completely different skill sets. Kirsty Coventry was good in the swimming pool. She is an incompetent manager. She is an incompetent administrator. This is self-evident from the disaster she left in Zimbabwe. She presided over the Sports Ministry for one and a half terms from 2018 to 2025, during which Zimbabwe could not play football inside Zimbabwe. Up to now, Zimbabweโ€™s home games are played in South Africa, sometimes in Rwanda. It is embarrassing, and it happened under her watch. She is simply incompetent. The failure, even at a small level like Zimbabwe, to ensure that stadiums in our country are functional, and to go to Cabinet and fight for those stadiums to be fixed, simply shows how incompetent she is. She was a brilliant swimmer, we cannot take that away from her, but she has been a disastrous manager. The tragedy is that many people are mesmerised by her past as a swimmer and then conflate that with the new roles she has taken up after her swimming career. Zimbabweโ€™s inability to host international football matches on home soil during her tenure was not a minor administrative detail. It was a national embarrassment that reflected weak leadership, poor coordination, and a failure to prioritise basic sporting infrastructure. Sporting excellence in the pool does not automatically translate into administrative competence in government or the international stage. The two require completely different skill sets, strategic planning, political negotiation, budgetary discipline, and institutional management. Being exceptional in one field does not guarantee effectiveness in another, and that distinction is precisely what many people refuse to make.

Hopewell Chinโ€™ono

114,638 ๆฌก่ง‚็œ‹ โ€ข 7 ไธชๆœˆๅ‰

#DONGHYUK liked this IG post about #iKON's "Goodbye Road" #๊น€๋™ํ˜ #์•„์ด์ฝ˜ #HANBIN #B_I #๋น„์•„์ด #๊น€ํ•œ๋นˆ The comments in the clip: โ€œBy my standards, itโ€™s a masterpiece compared to โ€˜Love Scenario.โ€™โ€ โ€œGoodbye, my beautiful person. These are my favorite lyricsโ€ฆ The melody is beautiful, the lyrics are beautiful too. This part is just perfect.โ€ โ€œIโ€™m a fan of BIGBANG, and of course I like iKON too, but when it comes to their songs, โ€˜Goodbye Roadโ€™ is number one in my heart for realโ€ฆ itโ€™s truly my favorite song.โ€ โ€œGoodbye Road is seriously so goodโ€ฆ I feel a little bad saying this, but personally, I like this more than โ€˜Love Scenarioโ€™ ใ… ใ… ใ… ใ… ใ… ใ… ใ… ใ… ใ… ใ… ใ…  How many times have I listened to this alreadyโ€ฆ ใ… ใ… ใ… ใ… โ€ โ€œEven now, whenever I go to karaoke, I definitely sing these two songs: โ€˜Apologyโ€™ and โ€˜Goodbye Road.โ€™โ€ โ€œIf I had known that this stage would be the last stage with all 7 of them together, I would have watched it more closely, more slowly, and cherished it moreโ€ฆ It feels so empty, sad, painful, and I miss those days so much.โ€ โ€œThis is seriously a masterpiece.โ€ โ€œNo, I actually discovered this song by chance from an Instagram Reel, and I canโ€™t believe a song like this existed;; Itโ€™s so good that Iโ€™ve been listening to it nonstopโ€ฆโ€ โ€œSighโ€ฆ I miss those days/themโ€ฆโ€ โ€œIt feels like it was only after B.I left that I truly realized just how important he was to the team ใ… ใ… . Especially when I think of B.I while listening to this song, all I can do is cryโ€ฆใ… ใ… ใ… โ€ โ€œI heard it for the first time at the Melon Music Awards yesterday, and it really stuck with me, so I immediately downloaded it and have been listening to it. Somehow, regardless of what kind of farewell or breakup it is, the concentrated emotions really hit me. I think Iโ€™ll be listening to this for a long time.โ€ โ€œIs there any song that expresses the scent of autumn and the feeling of farewell this well?โ€ โ€œThings couldโ€™ve just continued like thisโ€ฆ They blew up in 2015, and 2016โ€“17 were slow, but 2018 was as good as it could possibly get for the groupใ… ใ… . From 2019 onward, they gradually started going here and there as judges, appearing on individual variety shows, and having more overseas schedulesใ… ใ… . They couldโ€™ve just continued like this, releasing solo and unit projects tooโ€ฆ Itโ€™s too bad that this was essentially the last time they stood on stage as top idols, iKON.โ€

๐Ÿ†” ๐ญ๐ญ๐ญ๐จ๐ฉ๐Ÿ๐Ÿ‘๐Ÿ ๐ŸŒ•

26,460 ๆฌก่ง‚็œ‹ โ€ข 9 ๅคฉๅ‰

Neil Young Got His Biggest Hit. Then He Tried to Get Away From It. There is a slightly uncomfortable story hiding inside โ€œHeart of Gold.โ€ It is one of those songs that sounds as though Neil Young had been searching for simplicity all his life. Acoustic guitar. Harmonica. A few minutes of music. A voice that doesn't seem particularly interested in sounding polished. Then the song became his biggest American hit. Number one. And that, apparently, was part of the problem. Young later wrote that โ€œHeart of Goldโ€ had put him โ€œin the middle of the road.โ€ He didn't mean that the song had suddenly become bad. He meant that success had placed him in a musical territory he wasn't particularly interested in staying in. Soon afterward, he deliberately moved toward rougher, less comfortable records. Knowing that changes the way I hear the song. Because โ€œHeart of Goldโ€ doesn't actually sound like a song written by someone who has found what he is looking for. It sounds like someone who is getting tired of looking. That's an important difference. The narrator has travelled. He has been to Hollywood, crossed the ocean, spent years searching for something he can't quite define. The phrase โ€œheart of goldโ€ makes the search sound noble, almost romantic. But then comes the line that keeps disturbing the whole thing: He's getting old. There it is. Not triumph. Not arrival. Time. The song isn't really saying, I will find the perfect person. It is saying, I hope I find something genuine before I run out of road. That makes the 1998 performance at Shoreline Amphitheatre feel different to me. By then, Young had lived with this song for more than twenty-five years. He wasn't the young songwriter who had just stumbled into a massive hit anymore. He was an older musician singing words about growing older. And suddenly the simplest line in the song carries the most weight. The strange thing about โ€œHeart of Goldโ€ is how little it tries to impress you. Young's voice is thin, almost fragile. The harmonica doesn't decorate the song so much as interrupt the silence around it. Even the melody seems content to keep walking rather than make a grand entrance. Maybe that is why the song survived Young's complicated relationship with its success. People heard a gentle folk song. Young heard the road he had accidentally been pushed onto. Those aren't necessarily contradictory. A song can mean one thing to the person who writes it and something completely different to the millions who adopt it. That's probably what happened here. Young went looking for a heart of gold. America found a hit. He wasn't entirely comfortable with what it gave him, but the song had already escaped. And listening to him sing it decades later, there is something almost amusing about the whole situation. The song that made Neil Young famous for being simple became the song that complicated his career. Maybe that's the price of writing something honest. Sometimes you discover that the world wants the version of you that you were only passing through. And โ€œHeart of Goldโ€ was never supposed to be the destination.

Emotion & Music

12,827 ๆฌก่ง‚็œ‹ โ€ข 1 ไธชๆœˆๅ‰

Thereโ€™s a Little Sunshine From the 1950s in This Performance Some videos only need a few seconds to tell you that youโ€™re going to watch the whole thing. Hetty and the Jazzato Bandโ€™s performance of โ€œMambo Italianoโ€ is one of them. What caught my attention first wasnโ€™t really the song. It was the look. The two women appear in full-skirted dresses, with hairstyles and makeup that immediately bring the 1950s to mind. The vintage tone makes the stage look almost like a scene from an old film. But what I find interesting is that they donโ€™t look like people trying too hard to play characters from another era. They seem quite natural, even a little playful. Then Hetty starts singing. She doesnโ€™t need to do much. A smile, a slight turn, a small movement with the rhythmโ€”thatโ€™s enough to give the performance its energy. Beside her, the clarinet player hardly stands still. She plays while moving with the melody, making it feel as if the instrument and her body are following the same rhythm. I tend to enjoy details like these more than performances designed simply to impress. Because they show that the performers are having fun, too. โ€œMambo Italiano,โ€ written by Bob Merrill in 1954, already carries a playful character of its own. Hetty and the Jazzato Band donโ€™t try to turn it into something completely different. They keep its old-fashioned charm, add a touch of swing and jazz, and let the instruments take it from there. The clarinet stands out without overpowering the vocals. The guitar, bass, and drums behind them never compete for attention. Everything feels just rightโ€”enough to keep the song moving without taking away from its personality. Thereโ€™s something Iโ€™ve noticed when watching performances like this: nostalgia doesnโ€™t always have to feel sad. We often think of old songs with a sense of longing, but โ€œMambo Italianoโ€ brings the past back in a completely different way. Itโ€™s playful, mischievous, and a little flirtatious. The 1950s donโ€™t feel like a faded photograph here. They feel like a place that still has laughter and music in it. And maybe thatโ€™s why I keep coming back to this clip. Not because it is perfect. Actually, itโ€™s the little movements, the natural smiles, and the way the two performers respond to each other that make it memorable. You get the feeling they arenโ€™t simply performing for the audience. Theyโ€™re enjoying the song themselves. Maybe enduring music doesnโ€™t always need to prove anything. A cheerful melody, a few musicians who really know what theyโ€™re doing, and performers who genuinely enjoy what theyโ€™re playingโ€”that can be enough to make a 70-year-old song still make us want to get up and smile.

Music over time๐ŸŽป

20,990 ๆฌก่ง‚็œ‹ โ€ข 1 ไธชๆœˆๅ‰

"This [is] the brilliance of this bioweapon [the COVID jabs]... It goes to every part of your bodyโ€”it will hit you at whatever your point of susceptibility is... [there are] 1,287 side effects... This [is] the most evil assault upon humanity that anybody could imagine." Dr. Charles Hoffe, a practicing family physician in BC, Canada, describes for Maryann Gebauer how the COVID injections are a "brilliant...bioweapon" because they cause such a staggering array of health problems. Hoffe, an outspoken critic of the injections who took on the College of Physicians and Surgeons of British Columbia (the medical board recently dropped their bogus case against Hoffe, which was based on his questioning the COVID injections in social media posts), notes that the poisonous shots "will hit you at whatever your point of susceptibility is" and highlights their use of "lipid nano capsules" that ensure their payload "[goes] to every single part of [a recipient's] body." "Every patient is different... There's no two that are the same. And and this [is] the brilliance of this bioweapon," Hoffe says. "The fact that they chose the lipid nano capsules as a delivery system ensured that this would get into every single part of your body. And so because it goes to every part of your body, it will hit you at whatever your point of susceptibility is. Whatever your point of weakness is, that's where you'll notice it the most." Hoffe adds: "For some people that were more prone to cardiac things, they're gonna get cardiac symptoms. For... people [who] are more prone to autoimmune things, that's what it'll be for them. For some people that were more easily prone to getting cancer, that's what they'll get. And so it was brilliant. If you're trying to track side effects from a new treatment, but the side effects are everything you can think of, how do you track it?" "There's no medical product that has 1287 side effects," Hoffe notes. I mean, it [the adverse events of special interest list] literally read[s] like a medical dictionary... almost everything you could think of is what Pfizer had recorded in the first 90 days as side effects." "This was the most evil assault upon humanity that anybody could imagine," Hoffe adds. "Because all of these people... were told that this was gonna keep them safe. And meanwhile, it was designed to cause harm." The physician goes on to say: "The most harmful part of the virus was the spike protein. That was the warhead on it. The fact that the vaccine turned your body into a spike protein factory...it got your body to make the most dangerous part of the virus. The fact that that was there in this [injection and it] was a patented bioweapon. For anyone to say...they were doing their best and it just went wrong: Bioweapons aren't designed to keep people safe. They are designed to cause harm."

Sense Receptor

110,610 ๆฌก่ง‚็œ‹ โ€ข 1 ๅนดๅ‰

Shining On The Hill - new single - out now. โ€œThe inspiration for this song comes from a story I heard about a very rich but lonely man, who walked many miles to the top of a steep and remote mountain to seek advice from the wise old monk, who lived there. Upon hearing the manโ€™s story, the monk said nothing. Instead, he filled a cup with water, plonked it down on the table in front of him and returned to the bed where he had been lying before the interruption. The rich man was confused and sat looking at the cup of water, wondering what the monk was trying to tell him. Slowly, the ripples settled, until the water was completely still and when it was, it reflected the vast sky above him. Eventually the man came to understand that the difference between him and the monk was that while he spent his life in a ceaseless search, the world sought out the monk, with people travelling long distances and climbing the hostile slopes of the mountain to be near his perfect stillness, which shone, like a beacon, on the hill. โ€œI wrote the song in February and presented it to my wife, Louise as a musical Valentine, which gave it another dimension of meaning. It now worked as both an ode to inner peace and as a love song, perhaps they are two sides of the same coin? โ€œAmid the joyful hoo-ha of the Fairground Attraction reformation last year, Louise, and our family were confronted with the nearness of death when she had to face a life-threatening health issue. It is strange how the very good and very bad so often come along like two buses. She got the all-clear on the day that the bandโ€™s album, Beautiful Happening, was released and it was exactly that. As the year closed, feeling extremely grateful, I booked a big celebratory family holiday to Argentina and Brazil. โ€œWhile in Rio De Janeiro on Easter weekend, I took the opportunity to make this video, it was hot and that big hill was very steepโ€ฆ but, Iโ€™ll be forever climbing to hear the joy bells chiming, where you willโ€ฆ be shining on the hill.โ€

Mark Nevin

654,109 ๆฌก่ง‚็œ‹ โ€ข 1 ๅนดๅ‰

A mysterious embodied AI demo has recently sparked a lot of discussion. In the video, two robots from different manufacturers with significantly different hardware architectures, the Unitree G1 and AgiBot Yuanzheng A3, are reportedly running on the same โ€œbrain.โ€ In a complex indoor environment, they work continuously for around 10 minutes in a single uncut take, performing a series of long-horizon tasks including cleaning windows, organizing objects, resuming interrupted tasks, and cooperating with each other. What makes it even more interesting is that when one robot cannot reach a high shelf, it attempts to use a box to solve the problem. The two robots also appear capable of cooperating based on each otherโ€™s physical capabilities. If the claimed level of autonomy and the use of the same model across different embodiments are eventually verified, I think there are three things that really deserve attention: 1. Cross-embodiment generalization. If the same foundation model can operate two substantially different robotic platforms, it could mean that robotic โ€œintelligenceโ€ is gradually becoming decoupled from a specific physical body. 2. Long-horizon closed-loop execution. Continuously performing complex tasks for 10 minutes, while being able to pause, switch tasks, and later resume previous ones, is much more meaningful than completing a single 10-second demo. 3. Collaboration and dynamic planning. The two robots appear able to adjust their behavior according to environmental changes and each otherโ€™s physical capabilities. These are some of the characteristics that truly general-purpose embodied intelligence will eventually need. That said, I would remain cautious for now. The video demonstrates extremely impressive behavior, but stronger claims such as โ€œself-evolution,โ€ โ€œtrue understanding of the physical world,โ€ or overturning the Scaling Law with only dozens of hours of training data still require much stronger evidence. Failure recovery and replanning during a task also do not automatically demonstrate that the model is learning by itself. So I wouldnโ€™t call this the โ€œChatGPT momentโ€ of embodied AI yet. But if the team later discloses the model architecture, training data scale, level of human intervention, and can repeatedly reproduce these capabilities in completely unfamiliar environments, this seemingly rough 10-minute video could become one of the most memorable embodied AI demos of 2026. For now, my biggest question is simple: Who is the mysterious team behind it?

Ice Universe

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They were talking about a 5:30 a.m. load-out. Then somebody counted them in, and the room changed. That little detail is what makes this clip interesting to me. There is no big story being acted out, no expensive set, no attempt to make the song look like something it isn't. You are watching people in a studio talking about getting the gear out at 5:30 in the morning, and then, almost casually, they start playing. For a few seconds it feels more like work than performance. Then Timothy B. Schmit starts singing, and suddenly the whole thing makes sense. โ€œI Can't Tell You Whyโ€ has always sounded like a song that is trying not to disturb anybody. Even when the words are about a relationship that is falling apart, the music doesn't push the argument forward. It seems to sit in the room and wait. The bass doesn't hurry. The drums don't demand attention. Schmit's voice is soft enough that you almost have to lean toward it. Maybe that's why the studio setting suits it better than a traditional music video would. There is something very believable about hearing a song this restrained from a group that spent years making records with very little room for mistakes. You can see the machinery of the session around it: people talking, instruments waiting, the practical business of making a record. And then the song arrives without announcing itself. I like that. A lot of music videos from that period tried to turn a song into a little movie. This clip does something almost opposite. It leaves the song alone. You get the sense that these musicians could have been there at an unreasonable hour, tired, surrounded by cables and equipment, and someone simply said, โ€œLet's do it.โ€ Then they count. And Schmit sings about something people often struggle to explain even when they have plenty of time to explain it: why two people who still care about each other can keep hurting each other. There isn't always a clean reason. Sometimes the relationship has simply reached a place where knowing what is wrong doesn't tell you how to fix it. That is probably the most honest thing about the song. It doesn't solve the problem. It doesn't even pretend to understand it completely. It just stays with the question. And maybe the 5:30 a.m. conversation belongs in the song more than we realize. Everyone eventually has to pack up and leave. The equipment gets loaded. The lights go off. Another night's work is finished. But before they go, there is this small piece of music that refuses to behave like a job that can simply be checked off a list. Someone counts four beats. They play. For a few minutes, nobody needs to tell anybody why.

THE DAILY LENS

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I Will Always Love You: When a Song Left Dolly Partonโ€™s Hands Thereโ€™s a small moment in the history of โ€œI Will Always Love Youโ€ that Iโ€™ve always found more beautiful than any of the record-breaking numbers. Dolly Parton was driving when Whitney Houstonโ€™s version of her own song came on the radio. At one point the emotion hit so hard she had to pull over because she was afraid sheโ€™d crash. โ€œI couldnโ€™t believe how she did that,โ€ Dolly later said. She wasnโ€™t just hearing another singer cover her song. She was hearing something familiar become something she no longer fully recognized. Whatโ€™s worth remembering is that โ€œI Will Always Love Youโ€ was never written to be a pop power ballad. Dolly wrote it in the early 1970s, at the moment she decided to leave *The Porter Wagoner Show* and step out on her own. The song was a farewell to Wagonerโ€”painful, but deliberately free of bitterness. Dollyโ€™s own recording went to No. 1 on the country charts. And one detail shows how clearly Dolly already understood the songโ€™s value. Elvis Presley wanted to record it. Dolly was thrilled at the thought of Elvis singing her song. Then Colonel Tom Parker demanded half the publishing. Dolly said no, even though the decision broke her heart. She knew she wasnโ€™t just selling a songโ€”she was giving away ownership of the most important copyright in her publishing company. Looking back, that may have been one of the most important decisions in the songโ€™s history. Because nearly twenty years later, Whitney Houston arrived. Kevin Costner pushed for โ€œI Will Always Love Youโ€ in *The Bodyguard*, and the most important idea turned out to be the one that looked like the least: letting Whitney begin almost alone, with no band behind her. David Foster initially wanted to cut the a cappella opening. After hearing Whitney sing it, he realized there was no other way to start the song. This is where the cover becomes a masterclass in arrangement. That opening silence doesnโ€™t just spotlight Whitneyโ€™s voice. It strips away everything that could protect or cushion the singer. No drums. No strings. No piano to create a sense of safety. Only tone, breath, pitch, and space. Then the layers enter one by one. The vocal moves from restraint into power. A saxophone opens a different color. Then comes the key change near the end. According to analysis from Berklee, that modulation lifts the song a whole step, and itโ€™s especially effective because Whitneyโ€™s voice almost leads the listener into the new key before the instruments fully follow. Itโ€™s a familiar pop deviceโ€”but here it never feels like a cheap trick designed to get a reaction. It feels like the emotion has simply outgrown the old key. And that, more than anything, is the difference between Dolly and Whitney. Dolly sings the song like a goodbye someone might speak very quietly. Whitney sings it as if that same goodbye has been growing inside for years and can no longer stay contained. Same melody. Same story. Two completely different emotional rooms. Whitney didnโ€™t erase Dolly from the song. She made listeners go back to Dolly. The more you hear Whitneyโ€™s version, the more you appreciate the strength of the original writing: a melody simple enough to survive a total rebirth, and lyrics precise enough to keep their meaning when carried from country into soul, pop, and gospel. In 1992, Whitneyโ€™s version spent 14 consecutive weeks at No. 1 on the Billboard Hot 100โ€”a record at the time. But its success went far beyond the charts. It turned a song Dolly wrote as a professional goodbye into one of the definitive recordings of the person who sang it. Then the story returned to Nashville. Dolly has said that the money she made from Whitneyโ€™s versionโ€”estimated by Forbes at around $10 million in the 1990sโ€”went toward buying a commercial complex in a predominantly Black neighborhood outside the familiar Music Row area. She gave it a name that almost summarizes the entire story: โ€œthe house that Whitney built.โ€ I like how the story ends there. Not with a luxury car. Not with a mansion named after a hit. But with a piece of real estate in Nashville where Dolly said she wanted to be โ€œwith Whitneyโ€™s people,โ€ people she also considered her own. A song begins when one woman says goodbye to the man who helped shape her career. Another woman takes it, changes the way the song breathes, expands its scale, and carries it to millions of listeners. And in the end, the rewards of that version circle back to the city where Dolly first wrote the song. Maybe thatโ€™s what makes โ€œI Will Always Love Youโ€ special to me. A great songwriter knows how to write a song. A great artist knows how to make it her own. But sometimes the real miracle comes afterward: the song becomes large enough that the writer can stand outside it, listen to someone else sing it, and still find herself inside it. Dolly once said she wished she could have sung the song with Whitney. She also joked that Whitney would have outsung her for sure. That comment feels pure Dolly. No claim of ownership. No attempt to reclaim the spotlight. Just a quiet smile at a song that traveled farther than anyone could have plannedโ€”and the recognition that, somewhere, it was still her little song.

Music over time๐ŸŽป

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โ€œI experienced multiple timelines.โ€ โ€œMy whole world shattered for two hours.โ€ โ€œAnd it was the most scary, disturbing experience in my life.โ€ This is one of the wildest stories Iโ€™ve ever heard. One night, in the middle of the night, Hollywood producer Brent Friedmanโ€™s entire sense of reality broke. He just shared this mind-blowing story with Jesse Michels: โ€œIโ€™m at an Airbnb in LA one night.โ€ โ€œMy day job is Iโ€™m working on a Call of Duty game.โ€ โ€œAnd I get a chime on my Slack.โ€ โ€œItโ€™s like 1:00 in the morning.โ€ โ€œSo I read the question, and โ€ฆ answer it.โ€ Then he heard another chime. โ€œThe personโ€™s like: what you said makes no sense.โ€ โ€œIโ€™m like, okay, maybe Iโ€™m tired. Let me read what I said.โ€ But what he saw on the screen was a totally different message than the one he had just sent. โ€œSo I correct it and I send it back.โ€ โ€œAnd then โ€ฆ heโ€™s like: now youโ€™re really confusing me.โ€ โ€œI look and I read it again, and โ€ฆ his original message is different now.โ€ โ€œIโ€™m like, okay, this is weird โ€ฆ am I hallucinating?โ€ So he went to a different Slack conversation with his creative director. They talked โ€œall the time.โ€ But now, he doesnโ€™t even recognize the conversation. โ€œWeโ€™re talking about things Iโ€™ve never heard of before.โ€ โ€œThis is not the reality that I am living in.โ€ โ€œNow, Iโ€™m starting to get a little shaky.โ€ He starts to wonder if heโ€™s having a psychotic break. โ€œOr Iโ€™m thinking to myself, do people get Alzheimerโ€™s, like, overnight?โ€ โ€œWhat is happening to me?โ€ โ€œSo I go to a different device.โ€ โ€œI go to my phone.โ€ โ€œIโ€™m thinking, Iโ€™m gonna look at the texts from my wife.โ€ โ€œAnd weโ€™re talking about a dog we donโ€™t have.โ€ โ€œIโ€™m starting to really freak out now.โ€ โ€œIโ€™m checking, like, my heartโ€™s fine.โ€ โ€œIโ€™m pinching myself, Iโ€™m not dreaming.โ€ โ€œIโ€™m doing all these checks just to make sure this is really happening.โ€ โ€œAnd it really is.โ€ โ€œAnd every time I go back to the computer, it keeps changing.โ€ โ€œSo Iโ€™m like โ€ฆ Iโ€™m gonna shut down all my devices, Iโ€™m going to just take a shower.โ€ โ€œAnd Iโ€™m going to hope and pray that โ€ฆ when I wake up in the morning, everything will be reset.โ€ When heโ€™s in the shower, he hears a voice say one word: โ€œTimelines.โ€ After that, he went to sleep. The next morning, he opened his devices again with a sense of dread. โ€œI boot everything up, and everything is back to normalโ€”but only 99%.โ€ โ€œThereโ€™s a few weird little references that feel like artifacts left over from another timeline.โ€ Jesse Michels American Alchemy Brent Friedman Bryce Zabel

Holden Culotta

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