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𝐏𝐫𝐞𝐬𝐞𝐧𝐭𝐢𝐧𝐠 𝐀𝐟𝐠𝐡𝐚𝐧𝐢𝐬𝐭𝐚𝐧'𝐬 𝐎𝐟𝐟𝐢𝐜𝐢𝐚𝐥 𝐉𝐞𝐫𝐬𝐞𝐲 𝐟𝐨𝐫 𝐭𝐡𝐞 𝐈𝐂𝐂 𝐂𝐡𝐚𝐦𝐩𝐢𝐨𝐧𝐬 𝐓𝐫𝐨𝐩𝐡𝐲 𝟐𝟎𝟐𝟓! 👕 Inspired by our rich cultural heritage, the jersey design beautifully blends the elegance of Naskh calligraphy with the geometric patterns of the historic Jam Minaret in Ghor Province. 💥 The Jam Minaret, standing for nearly 800 years, is...

62,197 Aufrufe • vor 1 Jahr •via X (Twitter)

10 Kommentare

Profilbild von Abu Umamah
Abu Umamahvor 1 Jahr

Why is the kit blue? Blue is not in the flag of Afghanistan. (Present or previous). Afghanistan's landscape doesn't have seas and oceans. The majority of the population is Mulsim. Who does Blue represent?

Profilbild von NTK
NTKvor 1 Jahr

It's vile. You need something that fully covers the arms. And the head and face. It's disgraceful that these men's faces, arms and hair can be seen. It should also be black. I hope you've instructed them to not talk too. Their voices are offensive.

Profilbild von Mujeeb
Mujeebvor 1 Jahr

Ugliest jersey of Afghanistan cricket team ever

Profilbild von waleed khan ⁵⁶ S
waleed khan ⁵⁶ Svor 1 Jahr

Great work

Profilbild von Razi
Razivor 1 Jahr

No blue color in your flag why on shirt I think Indias influence

Profilbild von Malik Ameer Nawaz Bhutta
Malik Ameer Nawaz Bhuttavor 1 Jahr

@_FaridKhan @iamqadirkhawaja @_ShoaibKhalid @aliktareen @ArslanJutt43 @TheRealPCBMedia @babarazam258 Pakistan have the same champions trophy shirt as in odi !!?? #ChampionsTrophy #Pakistan #Cricket #ChampionsTrophy2025

Profilbild von Tanvir Yusaf Bhutta
Tanvir Yusaf Bhuttavor 1 Jahr

If your flag doesn’t have the color blue, then why did you design a uniform in that color? Don’t you love your flag?

Profilbild von Mdefarge
Mdefargevor 1 Jahr

I don't care what colour is on your kit. You are from an Apartheid State and should not play until women are free. "Today in Kabul a female cat has more freedom than a woman... A squirrel has more rights than a girl in Afghanistan today..."

Profilbild von Syed Fraz Ali
Syed Fraz Alivor 1 Jahr

Best of luck brothers.

Profilbild von Aziz Pardes
Aziz Pardesvor 1 Jahr

🇦🇫❤️👏🏻

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Minaret and Archaeological Remains of Jam - Afghanistan : At 1900m above sea level and far from any town, the Minaret of Jam rises within a rugged valley along the Hari-rud River at its junction with the river Jam around 215km east of Herat. Rising to 65m from a 9m diameter octagonal base, its four superimposed, tapering cylindrical shafts are constructed from fired bricks. The Minaret is completely covered with geometric decoration in relief enhanced with a Kufic inscription in turquoise tiles. Built in 1194 AD, by the great Ghurid Sultan Ghiyas-ud-din (1153-1203), its emplacement probably marks the site of the ancient city of Firuzkuh, believed to have been the summer capital of the Ghurid dynasty. Surrounding remains include a group of stones with Hebrew inscriptions from the 11th to 12th centuries on the Kushkak hill, and vestiges of castles and towers of the Ghurid settlements on the banks of the Hari River as well as to the east of the Minaret. The Minaret of Jam is one of the few well-preserved monuments representing the exceptional artistic creativity and mastery of structural engineering of the time. Its architecture and ornamentation are outstanding from the point of view of art history, fusing together elements from earlier developments in the region in an exceptional way and exerting a strong influence on later architecture in the region. This graceful soaring structure is an outstanding example of the architecture and ornamentation of the Islamic period in Central Asia and played a significant role in their further dissemination as far as India as demonstrated by the Qutb Minar, Delhi, begun in 1202 and completed in the early 14th Century AD. The innovative architecture and decoration of the Minaret of Jam played a significant role in the development of the arts and architecture of the Indian sub-continent and beyond. The Minaret of Jam and its associated archaeological remains constitute exceptional testimony to the power and quality of the Ghurid civilization that dominated the region in 12th-13th Centuries. The Minaret of Jam is an outstanding example of Islamic architecture and ornamentation in the region and played a significant role for further dissemination. Since the building of the Minaret around eight hundred years ago, no reconstruction or extensive restoration work has ever taken place in the area. The archaeological vestiges were surveyed and recorded in 1957 when the remains were first discovered by archaeologists. Subsequent surveys and studies have led only to simple precautionary stabilization measures to base of the Minaret. Thus, attributes that express the Outstanding Universal Value of the site, not least the Minaret itself, other architectural forms and their setting in the landscape, remain intact within the boundaries of the property and beyond. The authenticity of the ensemble of the Minaret of Jam and the vestiges that surround it has never been questioned. The Minaret has always been recognised as a genuine architectural and decorative masterpiece by the experts and an artistic chef-d'oeuvre by the aesthetes. Its monumental Kufic inscriptions testify to the remote and glorious origin of its builders as well as giving evidence to its early dating (1194). No reconstruction or extensive restoration work has ever taken place in the area. 🎥© lovingafghanistan (IG) #archaeohistories

Archaeo - Histories

28,433 Aufrufe • vor 1 Jahr

In a moment of immense pride for India, Assam’s Moidams have been inscribed as the 43rd UNESCO World Heritage Site. This historic recognition brings global attention to the unique 700-year-old mound burial system of the Ahom Kings at Charaideo, highlighting the rich cultural heritage of Assam and Bharat. The journey of Moidams towards this prestigious recognition was spearheaded by Hon’ble Prime Minister Shri Narendra Modi, who nominated these ancient structures as India’s official entry in 2023. This nomination underscores the cultural and historical significance of the Moidams, making them the first cultural heritage site and the third overall site from the North East to be inscribed on the World Heritage list. The Moidams at Charaideo, often referred to as the ‘Pyramids of India’, are a series of grand, earthen mounds that serve as the burial sites for the Ahom royalty. These structures date back to the 13th century and showcase the intricate funerary practices and cosmological beliefs of the Tai-Ahom people. The Moidams are characterized by their hemispherical shape, brick structures, and octagonal boundary walls with arched gateways. The vaults contain the remains of the royals along with grave goods, symbolizing their stature and reverence in society. The inclusion of Moidams in the UNESCO World Heritage List is a testament to their outstanding universal value. The International Council on Monuments and Sites (ICOMOS) highlighted the Moidams' exceptional testimony to a cultural tradition and their representation of significant stages in human history. This recognition underscores the efforts of the Archaeological Survey of India (ASI) and the Assam government in preserving these historic treasures. As we celebrate this achievement, it is essential to encourage visitors to explore the beauty and historical significance of the Moidams. Visiting Charaideo offers a glimpse into the region’s opulent history and the grandeur of the Ahom dynasty. Tourists can marvel at the architectural brilliance and the meticulous preservation efforts that have kept these structures intact. Additionally, it is crucial to promote the preservation of such monuments, which are abundant in India. The Moidams’ recognition as a UNESCO World Heritage Site serves as a reminder of the importance of conserving our cultural heritage for future generations. By visiting and supporting these sites, we contribute to their preservation and the broader narrative of India’s rich and diverse history. In celebrating the Moidams, we honour the past and look forward to a future where such legacies continue to inspire and educate. Let us cherish and preserve these invaluable treasures, ensuring they remain a source of pride and knowledge for generations to come. #MoidamsInUNESCO #AssamHeritage #AhomDynasty #IncredibleIndia #ExploreAssam #IndianHeritage #WorldHeritage #PreserveHistory #PrideOfAssam #PrideOfIndia #ExploreBharat #ExploreIndia

Gajendra Singh Shekhawat

23,751 Aufrufe • vor 2 Jahren