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🗒️🔥 𝐓𝐡𝐞 𝐇𝐨𝐭𝐥𝐢𝐬𝐭: 𝗪𝗵𝗼 𝗪𝗲𝗿𝗲 𝗧𝗵𝗲 𝗧𝗼𝗽 𝗗𝗲𝗳𝗲𝗻𝘀𝗶𝘃𝗲 𝗣𝗿𝗼𝘀𝗽𝗲𝗰𝘁𝘀 𝗧𝗵𝗶𝘀 𝗦𝘂𝗺𝗺𝗲𝗿? 🔥🗒️ Charlie Heard (TX) was one of the elite defenders at #PBFG25, he won Best Defensive Catcher after blocking everything, stealing strikes, and never missing the bag. A lockdown presence behind the dish with advanced catch-and-throw skills 👍... show more

Prep Baseball

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10,454 views • 11 months ago •via X (Twitter)

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Jackson Scudder

14,177 views • 29 days ago

I keep thinking about one of the original moments that the Left really started targeting Charlie and making Turning Point the enemy and how Charlie never backed down. When we hired Candace Owens, I had the honor of it being the three of us traveling around quite a bit… we went everywhere. Between work and building organizationally, to putting her on tour for the very first time with Charlie, helping with her personal socials and website— just everything. Charlie wanted to do everything he possibly could to maximize her voice as he did with so many because he loved her and saw her ability to do so much good for America. But this was in the era of the rise of Antifa that was manufactured by the Left. The first real danger I think we ever experienced where we were just living our lives and it made us realize we were in for a larger long term war was when we were together, just eating breakfast before some meetings and suddenly outside our window a large gang of antifa had assembled and harassed us out of our meal and then, while shouting “fascists” over and over took us to the streets to surround us and scream in our faces. They poured water on us and I’m sure wanted to throw other things at us had the police not arrived on the street and got us out of there. Charlie never backed down, in fact, instead of getting angry or physical, he stood bravely and tried have a debate with these obviously paid antifa bad actors. My young and honorable friend, (he was always genuine in his desire to save every single person he could) stood there and gave those people as he did everyone the chance to talk about ideas and I personally witnessed how fearless he was many times in the face of dangerous, unhinged activists, early early on. He never once feared these people. He just wanted to do right by what he knew was right. He knew other bystanders were always watching and learning and there was no way he could back down and let these people lie and falsely frame America the way they were trying to do. I’ll never forget his smiling face, “have a wonderful day, enjoy your capitalist breakfast.” He would have tried to talk sense into anyone and everyone and that is what he did every single day. That is why Charlie won over America. He was honest, true and genuine. Never gave up and stood in the pocket in the face of paid agitators and evil.

I keep thinking about one of the original moments that the Left really started targeting Charlie and making Turning Point the enemy and how Charlie never backed down. When we hired Candace Owens, I had the honor of it being the three of us traveling around quite a bit… we went everywhere. Between work and building organizationally, to putting her on tour for the very first time with Charlie, helping with her personal socials and website— just everything. Charlie wanted to do everything he possibly could to maximize her voice as he did with so many because he loved her and saw her ability to do so much good for America. But this was in the era of the rise of Antifa that was manufactured by the Left. The first real danger I think we ever experienced where we were just living our lives and it made us realize we were in for a larger long term war was when we were together, just eating breakfast before some meetings and suddenly outside our window a large gang of antifa had assembled and harassed us out of our meal and then, while shouting “fascists” over and over took us to the streets to surround us and scream in our faces. They poured water on us and I’m sure wanted to throw other things at us had the police not arrived on the street and got us out of there. Charlie never backed down, in fact, instead of getting angry or physical, he stood bravely and tried have a debate with these obviously paid antifa bad actors. My young and honorable friend, (he was always genuine in his desire to save every single person he could) stood there and gave those people as he did everyone the chance to talk about ideas and I personally witnessed how fearless he was many times in the face of dangerous, unhinged activists, early early on. He never once feared these people. He just wanted to do right by what he knew was right. He knew other bystanders were always watching and learning and there was no way he could back down and let these people lie and falsely frame America the way they were trying to do. I’ll never forget his smiling face, “have a wonderful day, enjoy your capitalist breakfast.” He would have tried to talk sense into anyone and everyone and that is what he did every single day. That is why Charlie won over America. He was honest, true and genuine. Never gave up and stood in the pocket in the face of paid agitators and evil.

Tyler Bowyer

25,495 views • 10 months ago

Can't help but smile at this one. One of those stories I think we are going to look back and laugh at one day. ⬇️ James Voorhies was an uncommitted catcher (and a very good one) just over a year ago. Hadn't thrown a varsity inning on the mound. In October going into his senior year I played catch with him at the local elementary school. We threw on a crabgrass field and I told him after 15 minutes of playing catch that his arm, body type, and feel for the baseball were far too advanced for him to not be on the mound. James agreed to start throwing bullpens and "give it a shot". 3 weeks later I did a workout with some of our clients and James threw a bullpen on the game mound. He was 85-87 and absolutely pounded the zone. Threw 3 of the dirtiest changeups I’ve seen (we had played with a kick-change grip a few weeks prior). I had never seen him throw against hitters. Saw a 15 minute catch play session and his first bullpen in years. I Immediately sent the video to a handful of Division 1 programs that were on his list and gave them the scoop. “He's got zero track record but everything about him looks like a future pro arm”. Responses ranged anywhere from excitement to skepticism, which was 100% to be expected. Fast forward a few months to February... CSUN pulled the trigger before his high school season even started and James went on to post a 1.09 ERA, 83 IP, 60 H, 21 BB, and 83 K in his first year of pitching to help take College Park HS to the NCS championship. So here we are essentially 1 year after Jimmy started pitching full time and he’s up to 94 mph as a true freshman, with a win and a save in his first two collegiate appearances with 7.2 IP, 4 H, 1 BB, 13 K. Pretty cool story of a guy going “all in” on something new and different, and a college program taking a chance on a guy that they see future potential in. But the best part of this story and biggest point I want to make is that I firmly believe the reason Jimmy V was the guy that CSUN took a shot on was because of his makeup, work ethic, character, and competitiveness. Jimmy is one of the best “makeup” guys I’ve ever recruited or advised. He is the perfect combination of humble and confident and was the QB/captain of his football team in high school. Jimmy made it easy for CSUN to say “that’s the guy we want to take a chance on.” And yes, it helped that he was 6’4” and a big time multi-sport athlete with a ton of upside. It fires me up to watch Jimmy doing his thing at a very high level. He’s got a ton of good baseball ahead of him. @jam8svoorhies CollegePark Baseball Diablo Valley Baseball Club CSUN Baseball

Can't help but smile at this one. One of those stories I think we are going to look back and laugh at one day. ⬇️ James Voorhies was an uncommitted catcher (and a very good one) just over a year ago. Hadn't thrown a varsity inning on the mound. In October going into his senior year I played catch with him at the local elementary school. We threw on a crabgrass field and I told him after 15 minutes of playing catch that his arm, body type, and feel for the baseball were far too advanced for him to not be on the mound. James agreed to start throwing bullpens and "give it a shot". 3 weeks later I did a workout with some of our clients and James threw a bullpen on the game mound. He was 85-87 and absolutely pounded the zone. Threw 3 of the dirtiest changeups I’ve seen (we had played with a kick-change grip a few weeks prior). I had never seen him throw against hitters. Saw a 15 minute catch play session and his first bullpen in years. I Immediately sent the video to a handful of Division 1 programs that were on his list and gave them the scoop. “He's got zero track record but everything about him looks like a future pro arm”. Responses ranged anywhere from excitement to skepticism, which was 100% to be expected. Fast forward a few months to February... CSUN pulled the trigger before his high school season even started and James went on to post a 1.09 ERA, 83 IP, 60 H, 21 BB, and 83 K in his first year of pitching to help take College Park HS to the NCS championship. So here we are essentially 1 year after Jimmy started pitching full time and he’s up to 94 mph as a true freshman, with a win and a save in his first two collegiate appearances with 7.2 IP, 4 H, 1 BB, 13 K. Pretty cool story of a guy going “all in” on something new and different, and a college program taking a chance on a guy that they see future potential in. But the best part of this story and biggest point I want to make is that I firmly believe the reason Jimmy V was the guy that CSUN took a shot on was because of his makeup, work ethic, character, and competitiveness. Jimmy is one of the best “makeup” guys I’ve ever recruited or advised. He is the perfect combination of humble and confident and was the QB/captain of his football team in high school. Jimmy made it easy for CSUN to say “that’s the guy we want to take a chance on.” And yes, it helped that he was 6’4” and a big time multi-sport athlete with a ton of upside. It fires me up to watch Jimmy doing his thing at a very high level. He’s got a ton of good baseball ahead of him. @jam8svoorhies CollegePark Baseball Diablo Valley Baseball Club CSUN Baseball

Josh Nashed

13,269 views • 5 months ago

TRANSFER TUESDAY: Miami Hurricanes Football had one of the best portal processes of any team in the country, with UH transfer WR Sam Brown (Sam Brown jr.) being one of the best additions any team made to their WR room this offseason. Brown was a standout at Houston, and by most services was the top-rated WR in the transfer portal. A well-built (nearly 6’2, 195) perimeter receiver, Brown is a highly impressive athlete, boasting a 4.4 PAI (per Tracking Football), led by a 24’01 long jump (96th percentile), and posting a 4.45 forty and a 38 vertical in high school. He joins a now loaded, explosive offense for QB Cam Ward (Cameron Ward) and creates one of the best WR trios in college football with fellow WRs Jacolby George (Jacolby George) and Xavier Restrepo (Xavier Restrepo) Last year, he forced 20 missed tackles after catch, second-best among Big 12 WRs in 2023. And he stood out against top competition: 46% of his total receiving production came against in-state, P4 competition. Brown has high grades from NFL scouts coming into the season, and will be a part of maybe the most balanced, talent-laded skill position group in the country. He’ll be a part of what could be a special season for the 2024 Miami Hurricanes offense. 🔥🔥🔥 #ShrineBowlWhosNext

TRANSFER TUESDAY: Miami Hurricanes Football had one of the best portal processes of any team in the country, with UH transfer WR Sam Brown (Sam Brown jr.) being one of the best additions any team made to their WR room this offseason. Brown was a standout at Houston, and by most services was the top-rated WR in the transfer portal. A well-built (nearly 6’2, 195) perimeter receiver, Brown is a highly impressive athlete, boasting a 4.4 PAI (per Tracking Football), led by a 24’01 long jump (96th percentile), and posting a 4.45 forty and a 38 vertical in high school. He joins a now loaded, explosive offense for QB Cam Ward (Cameron Ward) and creates one of the best WR trios in college football with fellow WRs Jacolby George (Jacolby George) and Xavier Restrepo (Xavier Restrepo) Last year, he forced 20 missed tackles after catch, second-best among Big 12 WRs in 2023. And he stood out against top competition: 46% of his total receiving production came against in-state, P4 competition. Brown has high grades from NFL scouts coming into the season, and will be a part of maybe the most balanced, talent-laded skill position group in the country. He’ll be a part of what could be a special season for the 2024 Miami Hurricanes offense. 🔥🔥🔥 #ShrineBowlWhosNext

Eric Galko

19,624 views • 2 years ago

One player I've really grown to like over the last several months is OF Kane Kepley (Carolina Baseball). Started right away at Liberty where he hit .310/.457/.432 with 13 XBH, but had a breakout summer in the Coastal Plain League to the tune of a .339/.468/.546 slash line with 8 2B, 5 HR, 26 SB and 29 BB to 11 Ks. Carried that momentum over into last season and hit .330/.482/.521 with 12 2B, 9 HR, 25 SB and an impressive 53 BB to just 27 Ks. Kepley then proceeded to have a productive summer on the Cape in which he was named an All-Star. Compact build at 5'8" and 165-pounds with sneaky strength packed into his frame. Crouched stance in the box with a medium-high handset and slightly open front side. Kepley has a minimal load and utilizes a toe tap that leads into a normal stride. With two strikes, Kepley will widen his stance and sit deeper in his base, choke up a bit, and shorten his stride in order to maximize his chances of moving the baseball. Quick hands with present bat speed. Will drop his back side to help create leverage. Overall, it's a compact operation in which he takes an efficient path to contact. Kepley's bat-to-ball skills and hand-eye coordination are outstanding. Last spring at Liberty, he boasted a 90% overall contact rate and a 93% overall IZ contact rate. It was a similar story this summer, as he ran an 89% overall contact rate and a 94% overall IZ contact rate. Kepley's pitch recognition skills and approach are both highly advanced and he rarely expands the strike zone. On the Cape, his overall chase rate was a minuscule 13%. Kepley has high-level barrel skills, a trait that is on display day in and day out. His bat control and adjustability are also advanced. Kepley is capable of using the entire field, but his highest quality of contact does come to the pull side. Hit tool is comfortably a 55, but it's closer to a 60. Kepley without a doubt is a hit-over-power profile, but there is a little bit of thump to the pull side. Has shown the ability to turn on pitches on the inner-half and drive them to the PS. For a player with this kind of profile, he posted respectable Max EVs of 106.1 and 101 during the spring and summer, respectively. Below-average power, but he'll run into a ball on occasion and hit 10+ HRs this spring. Not only is Kepley a plus runner, he most importantly knows HOW to run and get the most out of his legs. Quick first step and really advanced baseball sense both translate to the base paths where he's a chaos causer and speeds up the game for opposing teams. Kepley's speed also allows him to take an extra base on a ball in the gap or down the line. Across 179 games between college and summer ball, Kepley is 89-for-97 on stolen base attempts. Kepley this spring will rove CF for North Carolina. His speed and instincts plays at the position and he has gap-to-gap range with solid closing speed. Gets good reads off the bat. Kepley's arm is fringy, but his overall defensive skillset will give him the opportunity to prove he can stick at the position professionally. Versatile enough to play all 3 OF spots. Kepley is an old-fashioned baseball rat who plays at one speed. Selfless, high-energy player who can affect the game in a myriad of ways. A little reminiscent of Tommy Hawke. Top-5 round type this July.

Peter Flaherty III

34,227 views • 1 year ago

C Easton Carmichael (Oklahoma Baseball) is one of the top college catchers in this year's Draft. Started from the get-go as a Freshman and hit .306/.346/.482 with 18 XBH and 48 RBIs. Proceeded to enjoy an outstanding Sophomore campaign to the tune of a .366/.406/.563 slash line with 31 XBH, 64 RBIs and 12 SB. Carmichael was then an All-Star and All-League selection in the Cape League after hitting .299/.372/.496 with 10 2B, 5 HR and 23 RBIs across 36 games. Prototypical catcher's frame at 6'1" and 200-lbs with strength throughout. Slightly crouched stance in the box with a high handset and the bat held horizontally above his back shoulder. Hands drift a little bit in his load, leg lift leads into a normal stride. Does a nice job of getting into his back hip. Average bat speed. Carmichael has an aggressive approach and digs into the box ready to hit. He uses the entire field and has a tick above-average bat-to-ball skills. Has shown the ability to drive the baseball into either gap. Could stand to tighten up his swing decisions a bit; chased at a 35% clip and was particularly susceptible to secondaries down and away. Present barrel skills. Would say his hit tool is a 50 right now, though it's probably closer to a 55. It's more extra-base hit and gap-to-gap power than it is HR power for Carmichael right now, but he has shown he can generate quality contact. Posted a Max EV of 109.5 during the spring and 104.2 on the Cape. If he can pull the ball in the air more (had an Air Pull% of just 20.8 in '24), it could lead to an increase in power production. 50 raw, it plays more like 45 in-game. It's been encouraging to see the progress Carmichael has made defensively. Has gotten better at corralling balls in the dirt and his transfers have gotten quicker. Best part of Carmichael's defensive skillset is his receiving. Soft and quiet, consistently works down to up and has a knack for stealing strikes. Doesn't stab at the baseball. Average arm strength, continuing to shore up his footwork will only help as it pertains to controlling the running game and delivering accurate throws down to bases. A nice cherry on top to Carmichael's profile is that he's far from a clogger on the bases. By no means a burner, but he'll pick his spots to steal a bag. Carmichael has an intriguing toolset and profiles as a 2nd-4th round pick this July. (📽️: Oklahoma Baseball)

Peter Flaherty III

32,357 views • 1 year ago

The problem judging GM Chris Grier is clearly to SOME degree Miami is talented. And now as frustrations w/ Mike McDaniel sharpen a little, we ask how Miami consistently beats the bad teams? Here's how: - They've had a good QB (when healthy). - They've had a bigger budget! Regardless of what you think about Tua Tagovailoa's ability to stay healthy, he is clearly a good QB and that buys you a lot in this league. He won with that circus show of offensive staff mismanagement under Brian Flores. He won with a more coherent staff under Mike McDaniel. He won with his offensive coordinator being changed every year since high school. He won with his offensive coordinator being stable for three years running. He won while never being asked to throw deep, then he won while being asked to throw deep more aggressively than literally every other QB in the league. And now he's winning while never being asked to throw deep again. He won learning from Ryan Fitzpatrick to just "throw it up" to zero separation vertical guys like Devante Parker and Mike Gesicki, and now he wins by pitting the ace to with max anticipation to road runners like Tyreek Hill and Jaylen Waddle. He won using Jaylen Waddle like O.J. McDuffie and he won using Jaylen Waddle like Alvin Harper. He won throwing the ball to WRs to the near exclusion of RBs and TEs at Alabama and in his first years with McDaniel. And now his leading receivers are RB De'Von Achane and TE Jonnu Smith. He won with his RBs combining for 27 rushing TDs with a league-leading YPC, and he won with his RBs scoring only 11 or 12 TDs and having piss poor efficiency. He won with a Head Coach who wanted him GONE and even went so far as to sabotage him (see: 2021). He also won with a Head Coach who cradles his head at night and does his daily best to convince him he's the most special boy in the universe. Sitting at #5 overall in the 2020 Draft there was plenty of debate behind the scenes whether Miami should take Tua Tagovailoa, Justin Herbert, or do some dealing for Jordan Love. And you know what? To some degree, there wasn't really a wrong choice. To some degree, no matter which of the three roads they went down, they'd have had a winner at the most important position in the sport. Which brings us to the other reason Miami has had the look of a talented team over the years: cheating. (Not REALLY, of course. Let's not get any more draft picks taken away by Roger Goodell.) The fact of the matter is Miami has had a bigger effective budget than almost any other team in the sport over the last 5 years. They were given the green light on a Tank Season in 2019. Like declaring Bankruptcy, they retired all cap accruals and started fresh with zero cap debt. And just 5 years later they probably rank 4th or 5th in the entire league in cash that has already been paid out to players but has yet to be expensed against the salary cap. Think about that for a minute. There are other teams out there, e.g. the Saints and Eagles, who have a massive amount of cap debt. But they have been rolling & massaging that cap debt for a decade-plus, with people like Khai Harley and Howie Roseman keeping them on the leading edge of creative financialization of the salary cap. Miami reached their level of debt in only 5 years after their tank season. They've had an operating budget effectively 20% larger than your average NFL team. They have the Yankees budget. Add on top their fortunes from the Laremy Tunsil trade, and yes Miami has been able to amass talent...because they had a LOT to spend. Do they win over and above what Lady Luck dealt them in terms of QB choices in 2020? Do they win consistent with their league-leading budget over the last 5 years? What are they left with going forward? The oldest Defense in the NFL, and an offense that needs a line rebuild. When you consider all of the factors, this is why Albert Breer recently suggested Miami will be looking at making a change at the GM position.

The problem judging GM Chris Grier is clearly to SOME degree Miami is talented. And now as frustrations w/ Mike McDaniel sharpen a little, we ask how Miami consistently beats the bad teams? Here's how: - They've had a good QB (when healthy). - They've had a bigger budget! Regardless of what you think about Tua Tagovailoa's ability to stay healthy, he is clearly a good QB and that buys you a lot in this league. He won with that circus show of offensive staff mismanagement under Brian Flores. He won with a more coherent staff under Mike McDaniel. He won with his offensive coordinator being changed every year since high school. He won with his offensive coordinator being stable for three years running. He won while never being asked to throw deep, then he won while being asked to throw deep more aggressively than literally every other QB in the league. And now he's winning while never being asked to throw deep again. He won learning from Ryan Fitzpatrick to just "throw it up" to zero separation vertical guys like Devante Parker and Mike Gesicki, and now he wins by pitting the ace to with max anticipation to road runners like Tyreek Hill and Jaylen Waddle. He won using Jaylen Waddle like O.J. McDuffie and he won using Jaylen Waddle like Alvin Harper. He won throwing the ball to WRs to the near exclusion of RBs and TEs at Alabama and in his first years with McDaniel. And now his leading receivers are RB De'Von Achane and TE Jonnu Smith. He won with his RBs combining for 27 rushing TDs with a league-leading YPC, and he won with his RBs scoring only 11 or 12 TDs and having piss poor efficiency. He won with a Head Coach who wanted him GONE and even went so far as to sabotage him (see: 2021). He also won with a Head Coach who cradles his head at night and does his daily best to convince him he's the most special boy in the universe. Sitting at #5 overall in the 2020 Draft there was plenty of debate behind the scenes whether Miami should take Tua Tagovailoa, Justin Herbert, or do some dealing for Jordan Love. And you know what? To some degree, there wasn't really a wrong choice. To some degree, no matter which of the three roads they went down, they'd have had a winner at the most important position in the sport. Which brings us to the other reason Miami has had the look of a talented team over the years: cheating. (Not REALLY, of course. Let's not get any more draft picks taken away by Roger Goodell.) The fact of the matter is Miami has had a bigger effective budget than almost any other team in the sport over the last 5 years. They were given the green light on a Tank Season in 2019. Like declaring Bankruptcy, they retired all cap accruals and started fresh with zero cap debt. And just 5 years later they probably rank 4th or 5th in the entire league in cash that has already been paid out to players but has yet to be expensed against the salary cap. Think about that for a minute. There are other teams out there, e.g. the Saints and Eagles, who have a massive amount of cap debt. But they have been rolling & massaging that cap debt for a decade-plus, with people like Khai Harley and Howie Roseman keeping them on the leading edge of creative financialization of the salary cap. Miami reached their level of debt in only 5 years after their tank season. They've had an operating budget effectively 20% larger than your average NFL team. They have the Yankees budget. Add on top their fortunes from the Laremy Tunsil trade, and yes Miami has been able to amass talent...because they had a LOT to spend. Do they win over and above what Lady Luck dealt them in terms of QB choices in 2020? Do they win consistent with their league-leading budget over the last 5 years? What are they left with going forward? The oldest Defense in the NFL, and an offense that needs a line rebuild. When you consider all of the factors, this is why Albert Breer recently suggested Miami will be looking at making a change at the GM position.

Chris Kouffman

66,206 views • 1 year ago

𝑾𝒉𝒆𝒏 𝒊𝒕 𝑹𝑨𝑰𝑵𝑺 𝒊𝒕 𝑷𝑶𝑼𝑹𝑺⛑️ 𝐺𝑢𝑎𝑟𝑑𝑖𝑎𝑛 𝐴𝑛𝑔𝑒𝑙~𝑃𝑎𝑟𝑡 2 😇🙏 After a botched summer assignment to a new collegiate league in Texarkana, TX that saw Grant Scholzen sleeping in his car and no host family provided as promised, Grant came home and waited patiently for a summer league call. The MGF Marshalls (who by the way is one of the best run orgs in the country, more on that in a future post!) called and in his 1st game and 2nd AB with a 1-2 count in a left on left matchup with the shadows in play, Grant took a 92 mph FB off the shoulder and into the right side of his face. The only time in 5 years w/o a face shield on his helmet, it’s the only time he’s been hit above the shoulder. Was watching the game on live stream, and it was hard to tell where it actually hit him? Grant immediately started walking to the dugout and I couldn’t figure out why he was doing that, because he should be either staying at home plate gathering his bearings or going to 1B. What you don’t see is the catcher and pitcher who are close friends of Grant’s growing up facing each other in HS and teammates throughout their CBA summer/fall travel ball experiences, looking on with what just happened? The pitcher and catcher who I’m close with as well, are in shock and the pitcher then walks into the opposing dugout to see if Grant is okay? Grant was okay, but he wasn’t okay?! That helpless feeling again when you’re not there and your son has something almost tragic happen?! I was calling friends who I knew were at the game and they said he had ice on his cheek in the dugout. After the game Grant was going to drive 4 hours home and get home at 3am to attend his cousin’s church service to listen to him speak at his 2 year church missionary farewell. He got home late as I said and woke up yesterday with his face extremely swollen and his eye already black, so we saw his uncle at church, who is a pediatric dentist and he scheduled a CT Scan with an oral surgeon buddy. Grant went in this morning for the scan and to our surprise, NO broken bones. Thank you to the countless people who text and reached out with worry and wanting updates. The baseball circle is small, but big at the same time and is a comforter! Once again his mother Heidi was working overtime to protect her kids, just like my daughter’s car accident 3 weeks ago. When it rains it pours! #SwarmingBees 🐝

𝑾𝒉𝒆𝒏 𝒊𝒕 𝑹𝑨𝑰𝑵𝑺 𝒊𝒕 𝑷𝑶𝑼𝑹𝑺⛑️ 𝐺𝑢𝑎𝑟𝑑𝑖𝑎𝑛 𝐴𝑛𝑔𝑒𝑙~𝑃𝑎𝑟𝑡 2 😇🙏 After a botched summer assignment to a new collegiate league in Texarkana, TX that saw Grant Scholzen sleeping in his car and no host family provided as promised, Grant came home and waited patiently for a summer league call. The MGF Marshalls (who by the way is one of the best run orgs in the country, more on that in a future post!) called and in his 1st game and 2nd AB with a 1-2 count in a left on left matchup with the shadows in play, Grant took a 92 mph FB off the shoulder and into the right side of his face. The only time in 5 years w/o a face shield on his helmet, it’s the only time he’s been hit above the shoulder. Was watching the game on live stream, and it was hard to tell where it actually hit him? Grant immediately started walking to the dugout and I couldn’t figure out why he was doing that, because he should be either staying at home plate gathering his bearings or going to 1B. What you don’t see is the catcher and pitcher who are close friends of Grant’s growing up facing each other in HS and teammates throughout their CBA summer/fall travel ball experiences, looking on with what just happened? The pitcher and catcher who I’m close with as well, are in shock and the pitcher then walks into the opposing dugout to see if Grant is okay? Grant was okay, but he wasn’t okay?! That helpless feeling again when you’re not there and your son has something almost tragic happen?! I was calling friends who I knew were at the game and they said he had ice on his cheek in the dugout. After the game Grant was going to drive 4 hours home and get home at 3am to attend his cousin’s church service to listen to him speak at his 2 year church missionary farewell. He got home late as I said and woke up yesterday with his face extremely swollen and his eye already black, so we saw his uncle at church, who is a pediatric dentist and he scheduled a CT Scan with an oral surgeon buddy. Grant went in this morning for the scan and to our surprise, NO broken bones. Thank you to the countless people who text and reached out with worry and wanting updates. The baseball circle is small, but big at the same time and is a comforter! Once again his mother Heidi was working overtime to protect her kids, just like my daughter’s car accident 3 weeks ago. When it rains it pours! #SwarmingBees 🐝

𝐉𝐞𝐟𝐟 𝐒𝐜𝐡𝐨𝐥𝐳𝐞𝐧

82,174 views • 2 years ago

Trapjesus - 91 OG Trap Jesus Overall: 9.4/10 Let me start by saying… wow. This is easily some of the best flower I’ve smoked in a long time. This absolutely lived up to the hype. From the first smell to the final puff, everything about this felt special. Smell: 9/10 The aroma is incredible. Deep forest notes, classic OG funk, and a bright lemon presence that jumps right out of the jar. It has that rich, loud smell that instantly lets you know you’re in for something good. Flavor: 9.410 The flavor somehow translates even better than the aroma. Bright limonene hits first, followed by beautiful alpha pinene notes throughout the smoke. The exhale brings a light gas with subtle sweetness and myrcene lingering in the background. Every pull was flavorful and enjoyable. Burn: 10/10 After taking another look at the footage, this was bone white ash. Absolutely flawless. The resin ring developed quickly and stayed thick, dark, and terp rich throughout the session. This was one of those joints you find yourself staring at between hits because it was burning so beautifully. Effects: 9.5/10 The effects are where this one really shines. The body high is powerful and settles deep into the legs, creating a very relaxing and bottom heavy experience. The head high brings that classic behind the eyes OG pressure, but what stood out most was the mood elevation. Everything just felt good. Music sounded better, food tasted better, and I found myself genuinely happy for hours. The effects lasted close to four hours, which is rare for me. Final Thoughts Great flavor, incredible effects, perfect burn, and a truly memorable smoking experience. The bag appeal was solid, even if my eighth was made up of several smaller nugs. That feels like nitpicking when the smoke itself was this good. This is elite flower. The kind of smoke that reminds you why people chase exceptional cannabis in the first place. For me, this is damn near unicorn status, and I’m extremely happy I got the chance to try it.

Trapjesus - 91 OG Trap Jesus Overall: 9.4/10 Let me start by saying… wow. This is easily some of the best flower I’ve smoked in a long time. This absolutely lived up to the hype. From the first smell to the final puff, everything about this felt special. Smell: 9/10 The aroma is incredible. Deep forest notes, classic OG funk, and a bright lemon presence that jumps right out of the jar. It has that rich, loud smell that instantly lets you know you’re in for something good. Flavor: 9.410 The flavor somehow translates even better than the aroma. Bright limonene hits first, followed by beautiful alpha pinene notes throughout the smoke. The exhale brings a light gas with subtle sweetness and myrcene lingering in the background. Every pull was flavorful and enjoyable. Burn: 10/10 After taking another look at the footage, this was bone white ash. Absolutely flawless. The resin ring developed quickly and stayed thick, dark, and terp rich throughout the session. This was one of those joints you find yourself staring at between hits because it was burning so beautifully. Effects: 9.5/10 The effects are where this one really shines. The body high is powerful and settles deep into the legs, creating a very relaxing and bottom heavy experience. The head high brings that classic behind the eyes OG pressure, but what stood out most was the mood elevation. Everything just felt good. Music sounded better, food tasted better, and I found myself genuinely happy for hours. The effects lasted close to four hours, which is rare for me. Final Thoughts Great flavor, incredible effects, perfect burn, and a truly memorable smoking experience. The bag appeal was solid, even if my eighth was made up of several smaller nugs. That feels like nitpicking when the smoke itself was this good. This is elite flower. The kind of smoke that reminds you why people chase exceptional cannabis in the first place. For me, this is damn near unicorn status, and I’m extremely happy I got the chance to try it.

Squirtle_Rollz

12,637 views • 1 month ago

All cops are ******** As I was walking to catch a bus, sirens suddenly started coming from several directions. My attention was drawn to a lone police officer and two PCSOs fighting to save a man’s life. A passenger on a bus had gone into cardiac arrest and, without hesitation, they were on the floor administering CPR in a desperate attempt to bring him back. Within moments a trainee doctor joined them, and the fight to keep the man alive continued. A few minutes later — although it felt far longer — more officers arrived along with the first paramedic car. The man’s heart stopped more than once, but the effort never stopped. CPR continued, equipment arrived, and after a long battle at the scene the patient was finally prepared for transport to hospital in a critical condition, connected to everything possible to keep him alive. Medics later told the officer and PCSOs that without their immediate actions, the man would not even have made it to an ambulance. By pure chance they had been on a bus behind when they were alerted, and with no kit and no time to think, they went straight to work. Once relieved by paramedics and other officers arriving, the first officer went straight back to duty, protecting the scene and asking people to use an alternative route as the pavement had been closed. Having moments earlier been pumping a man’s chest trying to keep him alive, he then found himself dealing with the annoyance of members of the public unhappy at being told they could not walk through. It was a telling moment. I spoke briefly with the officer afterwards. He told me he has dealt with injured people before, and has been present at scenes involving the deceased, but this was the first time he had to perform CPR himself on the street. Those who have been in that position will know exactly how something like that stays with you long after the incident is over. For all the criticism aimed at police on social media, this is the side rarely seen — usually unreported — and forgotten with all the hate-officers going from routine patrol to life-and-death in seconds, doing everything they can to save someone they have never met, and carrying the weight of it afterwards. I do not know what the outcome will be for the patient, but one thing is certain — without that officer and those PCSOs, he would not have left that place alive. My thoughts are not only with the patient, and I hope he makes a recovery, but also with everyone who was there, especially the first officer on scene and the PCSOs. Today they made the difference. Sadly, I have stood at too many scenes where the fight ends differently. London & UK Street News Chris Hobbs Tom Gaymor 🎙️ Brick Cop©️ Metropolitan Police South Area - Croydon MPS

All cops are ******** As I was walking to catch a bus, sirens suddenly started coming from several directions. My attention was drawn to a lone police officer and two PCSOs fighting to save a man’s life. A passenger on a bus had gone into cardiac arrest and, without hesitation, they were on the floor administering CPR in a desperate attempt to bring him back. Within moments a trainee doctor joined them, and the fight to keep the man alive continued. A few minutes later — although it felt far longer — more officers arrived along with the first paramedic car. The man’s heart stopped more than once, but the effort never stopped. CPR continued, equipment arrived, and after a long battle at the scene the patient was finally prepared for transport to hospital in a critical condition, connected to everything possible to keep him alive. Medics later told the officer and PCSOs that without their immediate actions, the man would not even have made it to an ambulance. By pure chance they had been on a bus behind when they were alerted, and with no kit and no time to think, they went straight to work. Once relieved by paramedics and other officers arriving, the first officer went straight back to duty, protecting the scene and asking people to use an alternative route as the pavement had been closed. Having moments earlier been pumping a man’s chest trying to keep him alive, he then found himself dealing with the annoyance of members of the public unhappy at being told they could not walk through. It was a telling moment. I spoke briefly with the officer afterwards. He told me he has dealt with injured people before, and has been present at scenes involving the deceased, but this was the first time he had to perform CPR himself on the street. Those who have been in that position will know exactly how something like that stays with you long after the incident is over. For all the criticism aimed at police on social media, this is the side rarely seen — usually unreported — and forgotten with all the hate-officers going from routine patrol to life-and-death in seconds, doing everything they can to save someone they have never met, and carrying the weight of it afterwards. I do not know what the outcome will be for the patient, but one thing is certain — without that officer and those PCSOs, he would not have left that place alive. My thoughts are not only with the patient, and I hope he makes a recovery, but also with everyone who was there, especially the first officer on scene and the PCSOs. Today they made the difference. Sadly, I have stood at too many scenes where the fight ends differently. London & UK Street News Chris Hobbs Tom Gaymor 🎙️ Brick Cop©️ Metropolitan Police South Area - Croydon MPS

Crime Scene Images London

92,565 views • 4 months ago

This is the story the media seems to have buried and forgotten. Back in March 2026, a late-night trip to a Waffle House in Richardson, Texas turned into absolute chaos when gunfire erupted after an argument between two groups escalated into violence. According to police, multiple people in both groups pulled out guns and started firing. Seth Jackson was not there looking for trouble. He had just gotten off work late and stopped at the Waffle House to grab food with friends. When he saw several people attacking one of his friends, he ran toward the altercation to help. He never even made it within 15 feet. Before he could reach them, Seth was struck by a bullet. The shooting left the young man catastrophically injured and fighting for his life. Investigators later announced three arrests (one was a minor) connected to the violence surrounding the incident, and officials have stated that additional arrests are expected. But the shooter who nearly killed Seth is STILL free. The charges don’t seem match the crime. (Engaging in Organized Criminal Activity) The person responsible for permanently altering this young man’s life still has not been publicly identified or taken into custody. Meanwhile, Seth has spent the last year fighting through hospitals, surgeries, and grueling rehabilitation. And here is the breaking update the media should be talking about right now: Seth is HOME. He is continuing rehabilitation. And Friday night, Seth Jackson graduated WITH HONORS. In a wheelchair. He rolled himself across that stage himself. This young man worked two jobs before the shooting. He had already been accepted to the University of Houston. He had his future ahead of him before a senseless act of violence changed everything in seconds. Yet despite all of it, despite the pain, despite the rehabilitation, despite the life-altering injuries, he crossed that graduation stage with honors. That should have been national news. Instead, this story was buried and forgotten while the person who pulled the trigger remains free. Richardson PD says the case remains active and that they are “committed to seeking justice for Mr. Jackson and ensuring that those responsible are held accountable.” They also say more arrests are coming. For Seth’s family, justice cannot come soon enough.

This is the story the media seems to have buried and forgotten. Back in March 2026, a late-night trip to a Waffle House in Richardson, Texas turned into absolute chaos when gunfire erupted after an argument between two groups escalated into violence. According to police, multiple people in both groups pulled out guns and started firing. Seth Jackson was not there looking for trouble. He had just gotten off work late and stopped at the Waffle House to grab food with friends. When he saw several people attacking one of his friends, he ran toward the altercation to help. He never even made it within 15 feet. Before he could reach them, Seth was struck by a bullet. The shooting left the young man catastrophically injured and fighting for his life. Investigators later announced three arrests (one was a minor) connected to the violence surrounding the incident, and officials have stated that additional arrests are expected. But the shooter who nearly killed Seth is STILL free. The charges don’t seem match the crime. (Engaging in Organized Criminal Activity) The person responsible for permanently altering this young man’s life still has not been publicly identified or taken into custody. Meanwhile, Seth has spent the last year fighting through hospitals, surgeries, and grueling rehabilitation. And here is the breaking update the media should be talking about right now: Seth is HOME. He is continuing rehabilitation. And Friday night, Seth Jackson graduated WITH HONORS. In a wheelchair. He rolled himself across that stage himself. This young man worked two jobs before the shooting. He had already been accepted to the University of Houston. He had his future ahead of him before a senseless act of violence changed everything in seconds. Yet despite all of it, despite the pain, despite the rehabilitation, despite the life-altering injuries, he crossed that graduation stage with honors. That should have been national news. Instead, this story was buried and forgotten while the person who pulled the trigger remains free. Richardson PD says the case remains active and that they are “committed to seeking justice for Mr. Jackson and ensuring that those responsible are held accountable.” They also say more arrests are coming. For Seth’s family, justice cannot come soon enough.

Sarah Fields

60,993 views • 2 months ago

THIS ENTIRE CINEMATIC ACTION SHOT WAS GENERATED WITH AI. AND YOU CAN SEE EXACTLY HOW IT WAS MADE. Higgsfield has just open-sourced its Originals, giving creators full access to the workflow behind some of its best productions. For every project you can inspect: → the complete prompt → every image and audio reference → the exact generation settings, including model, quality and resolution This scene combines a continuous one-take camera move, large-scale naval combat, realistic explosions, character consistency and cinematic pacing, all driven by a single prompt. Nothing is hidden. You can study it, copy it, recreate it or use it as the starting point for your own projects. Full prompt: "SCENE CONTEXT One continuous shot. The camera faces down the wrecked, burning deck toward the BOW of the ship — and Eduardo, blown off the raised STERN DECK behind the camera by a blast, comes FLYING IN from ABOVE AND BEHIND — leaping off the second level, sailing in over the lens on a forward arc, through raining seawater — slams onto the MAIN deck one level below, AHEAD of the camera, and rolls through a tumbling somersault, momentum carrying him toward the bow. Two crewmen flee past him — one leaps overboard. Eduardo fights his way toward the bow under incoming fire: an explosion bursts on his LEFT — he dodges away and is knocked down; he struggles back to his feet — a second explosion on his RIGHT — he ducks and shields behind debris; then he breaks into a sprint for the bow — the camera sweeps around ahead of him and settles OFF THE BOW, FRONTAL: he leaps over the bow rail TOWARD the camera, the ship filling the background behind him — and THE INSTANT he clears the rail, a COLOSSAL explosion consumes the ship behind him: the blast wall catches him MID-AIR and he VANISHES inside it — he never escapes. The cloud overtakes the camera; the frame floods to 100% smoke and dust. The shot ENDS inside the dust: no transition, no reveal — it holds to the end. ACTIVE REFERENCES >> — lean pirate captain, dark curly hair falling free from under a dusty mustard-yellow cloth bandana, a small white shark tooth pinned to the front of the bandana above his temple, thin moustache, gold hoop earrings, cream linen shirt under a worn brown leather waistcoat, cloth sash and leather belts. 100% matches the reference; the man fighting down the deck toward the bow. >> — Eduardo's galleon: pale square sails, tall wooden sterncastle. 100% matches the reference; controls the ship's exterior — sails, masts, rigging and hull; already battle-damaged in this shot — burst bulwark, smoldering rigging, debris on the deck. >> — the deck of the same galleon seen FROM THE RAISED STERN DECK LOOKING FORWARD TOWARD THE BOW: the great wheel and brass compass binnacle in the near foreground, an ornate lantern post, a carved balustrade, a staircase descending to the long MAIN deck — weathered planking, small cannons along both rails, black gratings, coiled ropes, the mainmast amidships, the forecastle and bow in the far depth, open sea on both sides. 100% matches the reference; controls the full on-deck geography, set dressing AND the shot's base viewing direction — from the stern toward the bow. >> — calm bright sea, glittering sun path, hazy horizon. Controls water and sky atmosphere only. >> — weathered pirate crewmen (bandanas, rough shirts, vests). 100% match the reference; TWO of them appear early in the shot, fleeing — one leaps overboard. LOCATION MAP The deck of >> aboard >> on >> — the raised stern deck (wheel, binnacle, balustrade) at the BACK, the staircase down, the long main deck with cannons, gratings and the mainmast running FORWARD to the distant BOW, exactly as on the reference — the main deck now a wrecked corridor of splintered planks, fallen spars, torn rigging and small fires. The camera sits at the forward edge of the raised stern deck, just past the wheel, LOOKING FORWARD along the whole deck toward the bow — the reference's own vantage; the wheel and binnacle may edge the near foreground. The bow rail and bowsprit are the destination, background-center, open sea beyond them. Sea and smoke beyond the broken side rails; seawater from near-miss columns rains down over the deck in the opening. FIRST FRAME / BLOCKING First frame: deck level, MS, camera facing down the wrecked deck toward the BOW in the background-center — the view of >>: from the stern-deck edge the long main deck runs away to the bow and bowsprit against open sea and sky, cannons along both rails, the mainmast mid-depth, smoke streaming across the frame, small fires burning left and right, seawater spray falling across the deck like rain, the deck listing, loose gear sliding; the wheel and binnacle just behind/beside the camera, edging the near foreground. Eduardo is NOT in the first frame; within the first half second he comes off that second level behind the camera — his body sweeping in OVER the lens from above and behind, boots crossing the top of the frame, flying FORWARD and DOWN one deck-height into the depth of the shot toward the bow. FORMAT MODE One continuous shot — the camera does not cut on its own. The shot ENDS inside the dust whiteout; there is NO location change and NO reveal after it. PHASE 1 — the landing and the gauntlet: >> comes FLYING IN from ABOVE AND BEHIND the camera — blown off the stern deck by a blast, his body sweeping in over the lens and arcing DOWN-AND-FORWARD one full deck-height onto the main deck below, arms out in front of him, back to camera — falling THROUGH a curtain of seawater raining down from a collapsed near-miss column; he SLAMS onto the wet MAIN-deck planks in the depth of the frame and rolls through a hard tumbling somersault AWAY from the lens, toward the bow, water bursting off him and the boards, scattering debris, coming up to a crouch facing the bow, soaked and shaken. TWO crewmen of >> bolt past him in panic — one sprints aft past the camera, the other vaults the side rail and LEAPS OVERBOARD, legs kicking. Eduardo starts working down the deck toward the bow, camera following behind. An incoming round EXPLODES on his LEFT — a burst of flame, planks and spray — he flinches away to the right and is knocked off his feet onto the deck. He struggles up, heavy and unsteady, one hand pushing off a fallen spar — and a second round EXPLODES on his RIGHT — he ducks hard, shielding his head behind a broken mast stump, debris raining over him. PHASE 2 — the sprint, the frontal jump, the blast, the dust: he shoves off and breaks into a desperate sprint at 12 km/h for the bow — and as he runs, the camera SWEEPS AROUND him in one continuous arc, ending positioned OFF THE BOW, out over the open water, FACING BACK at the ship: now Eduardo sprints STRAIGHT AT THE CAMERA, the burning ship towering behind him. He plants one boot on the bow rail and LEAPS OVERBOARD TOWARD THE CAMERA — body launching up and out over the water, frontal, face and reaching arms filling the frame — and THE INSTANT he clears the rail, mid-air, the ENTIRE SHIP EXPLODES behind him in full view: a colossal white flash silhouetting his flying body for two frames, the whole vessel going up in one blast — and the expanding wall of flame-lit smoke and debris CATCHES HIM IN THE AIR from behind, swallowing his silhouette whole before he can fall clear — he VANISHES inside the explosion, never escaping it — and the cloud overtakes the lens, the dust filling 100% of the frame. The dust churns, a deep orange glow pulsing inside it and fading. HOLD inside the full dust to the last frame — the generation ENDS here, inside the dust. He never reaches the water; the blast takes him mid-air. OPTICS 47° neutral through the landing, the gauntlet and the jump. No drift. Focus rides Eduardo throughout; in the final dust the frame is pure particulate with no fixed plane. CAMERA Handheld chase behind him for the entire shot, deck level, always looking TOWARD THE BOW — footstep energy visible, jolted by each explosion; in phase 2 it accelerates after his sprint, then arcs around him in one unbroken move and settles off the bow over the water, FRONTAL to Eduardo — he runs and leaps straight into the lens with the ship in the background of his jump. The final blast is the WHOLE SHIP exploding behind his airborne body — a colossal flash, then the wall of smoke bursting forward, swallowing him mid-air and then the lens — the camera stays buried, holding inside the churning dust until the end. ACTION Strict order of events: flying entry from above through falling seawater → hard landing roll (somersault over one shoulder, forward momentum carrying the roll toward the bow, ending in a crouch) → two crewmen flee past, one over the side → left explosion → dodge right → knocked down → a hard, clumsy struggle back to his feet → right explosion → duck and shield behind the mast stump → shove off → full sprint to the bow, camera arcing around to meet him head-on → one boot on the rail → LEAP overboard straight toward the camera → THE INSTANT he clears the rail, the ENTIRE SHIP EXPLODES behind him → the blast wall catches him MID-AIR and swallows him whole → the cloud overtakes the camera → dust to 100% → hold in the dust → END. He never escapes and never reaches the water. Each explosion visibly moves his body: the first throws him down, the second folds him behind cover. PERFORMANCE During the gauntlet: jaw clenched, eyes fixed forward, water streaming off his face after the landing. The fleeing crewmen are pure panic — arms pumping, one glance back, the vault over the rail desperate. In the final sprint: full commitment, arms reaching for the rail, eyes wide — in the jump: full commitment, arms reaching at the lens, eyes wide — and mid-air the world behind him turns white: his flying silhouette swallowed by the blast, reaching hands the last thing visible. PHYSICS The flying entry has true ballistic momentum: he arrives on an arc from above, and the landing roll absorbs it — impact compresses the body, the somersault carries the leftover energy, no weightless float. Falling seawater has real weight — it rains in heavy drops and sheets, splashing off planks, soaking cloth so it clings and darkens. The listing deck tilts his movement; debris has weight and stops his foot when hit. The two deck explosions throw real shockwaves — planks lift, flame flashes then roll into smoke, and Eduardo's falls carry true body weight, hard contact with the deck, no bounce. The overboard crewman drops with real gravity. The final whole-ship explosion obeys mass: the shockwave arrives first — cloth and hair snap flat, the deck bucks under his planted boot — then the fireball's light, then the wall of smoke and debris, heavy pieces falling short, fine dust travelling farthest and swallowing the frame. Dust churns with internal motion, dense, filling every corner of the frame. LIGHTING High sea daylight 5600K, hardened by fire-glow accents from the deck fires and smoke shadow sweeping the deck; falling water catches the sun as bright streaks; each of the two explosions throws a brief warm flash from its side of the frame. The final whole-ship blast: two frames of white-hot overexposure flooding from behind, then deep fire-orange glow inside the rolling dust, fading toward neutral grey-brown as the frame holds and ends. AUDIO Phase 1: a whistling whoosh as he drops in, heavy water raining on planks, a THUD and clatter of the landing roll, grunt, ragged breath; panicked boots of the fleeing crewmen, a yell and a distant splash as one goes over the side; then BOOM left, ringing ears, his grunt as he hits the deck; scrabbling boots; BOOM right, debris pattering down over him. Phase 2: sprinting boots hammering the deck, the wooden knock of his boot on the bow rail, half a beat of pure wind as he hangs in the air — then ONE colossal BOOM as the whole ship goes up behind him, the deepest sound of the film, cracking timber and folding masts inside the roar, everything collapsing into a muffled ring, sound buried with the picture — the ring and the churn of dust holding to the last frame. No music. STYLE Photoreal live-action, fine film grain, real pyrotechnic and particulate language, one unbroken take, 8K master. POSITIVE LOCKS One continuous shot; the camera stays at deck level, behind Eduardo, always looking TOWARD THE BOW. The shot OPENS with Eduardo NOT in frame; he flies in from ABOVE AND BEHIND the camera, over the lens, on a forward arc toward the bow, through falling seawater, and lands in a tumbling roll ahead of the camera — he does not walk into frame and never appears standing before the landing. Exactly TWO fleeing crewmen: one runs aft, one leaps overboard — they appear only in the opening beat. The deck explosions land in strict order after his landing: first LEFT of him (he dodges and falls), then RIGHT of him (he ducks behind cover), then the final blast — the ENTIRE SHIP exploding the INSTANT he clears the bow rail — three explosions total, no more. The jump is FRONTAL: the camera faces Eduardo from off the bow, he leaps toward the lens with the exploding ship behind him in frame. HE NEVER ESCAPES: the blast wall catches him MID-AIR and he vanishes inside the explosion before he can fall clear — no water contact, no landing, no survival beat; the dust swallows him and then the lens. The deck matches >> throughout the run — the shot holds the reference's vantage: from the stern deck forward to the bow, wheel and binnacle at the near edge of frame, never ahead of him; sails, masts and hull match >>. The dust reaches 100% frame coverage and the shot ENDS inside the dust: the frame stays fully dust-filled to the last frame, no clearing, no new location, no reveal. Eduardo's head: mustard-yellow bandana with the small white shark tooth at the front, hair loose." Made with Seedance 2.0 on Higgsfield AI. Full open-sourced prompts & assets below 👇

THIS ENTIRE CINEMATIC ACTION SHOT WAS GENERATED WITH AI. AND YOU CAN SEE EXACTLY HOW IT WAS MADE. Higgsfield has just open-sourced its Originals, giving creators full access to the workflow behind some of its best productions. For every project you can inspect: → the complete prompt → every image and audio reference → the exact generation settings, including model, quality and resolution This scene combines a continuous one-take camera move, large-scale naval combat, realistic explosions, character consistency and cinematic pacing, all driven by a single prompt. Nothing is hidden. You can study it, copy it, recreate it or use it as the starting point for your own projects. Full prompt: "SCENE CONTEXT One continuous shot. The camera faces down the wrecked, burning deck toward the BOW of the ship — and Eduardo, blown off the raised STERN DECK behind the camera by a blast, comes FLYING IN from ABOVE AND BEHIND — leaping off the second level, sailing in over the lens on a forward arc, through raining seawater — slams onto the MAIN deck one level below, AHEAD of the camera, and rolls through a tumbling somersault, momentum carrying him toward the bow. Two crewmen flee past him — one leaps overboard. Eduardo fights his way toward the bow under incoming fire: an explosion bursts on his LEFT — he dodges away and is knocked down; he struggles back to his feet — a second explosion on his RIGHT — he ducks and shields behind debris; then he breaks into a sprint for the bow — the camera sweeps around ahead of him and settles OFF THE BOW, FRONTAL: he leaps over the bow rail TOWARD the camera, the ship filling the background behind him — and THE INSTANT he clears the rail, a COLOSSAL explosion consumes the ship behind him: the blast wall catches him MID-AIR and he VANISHES inside it — he never escapes. The cloud overtakes the camera; the frame floods to 100% smoke and dust. The shot ENDS inside the dust: no transition, no reveal — it holds to the end. ACTIVE REFERENCES >> — lean pirate captain, dark curly hair falling free from under a dusty mustard-yellow cloth bandana, a small white shark tooth pinned to the front of the bandana above his temple, thin moustache, gold hoop earrings, cream linen shirt under a worn brown leather waistcoat, cloth sash and leather belts. 100% matches the reference; the man fighting down the deck toward the bow. >> — Eduardo's galleon: pale square sails, tall wooden sterncastle. 100% matches the reference; controls the ship's exterior — sails, masts, rigging and hull; already battle-damaged in this shot — burst bulwark, smoldering rigging, debris on the deck. >> — the deck of the same galleon seen FROM THE RAISED STERN DECK LOOKING FORWARD TOWARD THE BOW: the great wheel and brass compass binnacle in the near foreground, an ornate lantern post, a carved balustrade, a staircase descending to the long MAIN deck — weathered planking, small cannons along both rails, black gratings, coiled ropes, the mainmast amidships, the forecastle and bow in the far depth, open sea on both sides. 100% matches the reference; controls the full on-deck geography, set dressing AND the shot's base viewing direction — from the stern toward the bow. >> — calm bright sea, glittering sun path, hazy horizon. Controls water and sky atmosphere only. >> — weathered pirate crewmen (bandanas, rough shirts, vests). 100% match the reference; TWO of them appear early in the shot, fleeing — one leaps overboard. LOCATION MAP The deck of >> aboard >> on >> — the raised stern deck (wheel, binnacle, balustrade) at the BACK, the staircase down, the long main deck with cannons, gratings and the mainmast running FORWARD to the distant BOW, exactly as on the reference — the main deck now a wrecked corridor of splintered planks, fallen spars, torn rigging and small fires. The camera sits at the forward edge of the raised stern deck, just past the wheel, LOOKING FORWARD along the whole deck toward the bow — the reference's own vantage; the wheel and binnacle may edge the near foreground. The bow rail and bowsprit are the destination, background-center, open sea beyond them. Sea and smoke beyond the broken side rails; seawater from near-miss columns rains down over the deck in the opening. FIRST FRAME / BLOCKING First frame: deck level, MS, camera facing down the wrecked deck toward the BOW in the background-center — the view of >>: from the stern-deck edge the long main deck runs away to the bow and bowsprit against open sea and sky, cannons along both rails, the mainmast mid-depth, smoke streaming across the frame, small fires burning left and right, seawater spray falling across the deck like rain, the deck listing, loose gear sliding; the wheel and binnacle just behind/beside the camera, edging the near foreground. Eduardo is NOT in the first frame; within the first half second he comes off that second level behind the camera — his body sweeping in OVER the lens from above and behind, boots crossing the top of the frame, flying FORWARD and DOWN one deck-height into the depth of the shot toward the bow. FORMAT MODE One continuous shot — the camera does not cut on its own. The shot ENDS inside the dust whiteout; there is NO location change and NO reveal after it. PHASE 1 — the landing and the gauntlet: >> comes FLYING IN from ABOVE AND BEHIND the camera — blown off the stern deck by a blast, his body sweeping in over the lens and arcing DOWN-AND-FORWARD one full deck-height onto the main deck below, arms out in front of him, back to camera — falling THROUGH a curtain of seawater raining down from a collapsed near-miss column; he SLAMS onto the wet MAIN-deck planks in the depth of the frame and rolls through a hard tumbling somersault AWAY from the lens, toward the bow, water bursting off him and the boards, scattering debris, coming up to a crouch facing the bow, soaked and shaken. TWO crewmen of >> bolt past him in panic — one sprints aft past the camera, the other vaults the side rail and LEAPS OVERBOARD, legs kicking. Eduardo starts working down the deck toward the bow, camera following behind. An incoming round EXPLODES on his LEFT — a burst of flame, planks and spray — he flinches away to the right and is knocked off his feet onto the deck. He struggles up, heavy and unsteady, one hand pushing off a fallen spar — and a second round EXPLODES on his RIGHT — he ducks hard, shielding his head behind a broken mast stump, debris raining over him. PHASE 2 — the sprint, the frontal jump, the blast, the dust: he shoves off and breaks into a desperate sprint at 12 km/h for the bow — and as he runs, the camera SWEEPS AROUND him in one continuous arc, ending positioned OFF THE BOW, out over the open water, FACING BACK at the ship: now Eduardo sprints STRAIGHT AT THE CAMERA, the burning ship towering behind him. He plants one boot on the bow rail and LEAPS OVERBOARD TOWARD THE CAMERA — body launching up and out over the water, frontal, face and reaching arms filling the frame — and THE INSTANT he clears the rail, mid-air, the ENTIRE SHIP EXPLODES behind him in full view: a colossal white flash silhouetting his flying body for two frames, the whole vessel going up in one blast — and the expanding wall of flame-lit smoke and debris CATCHES HIM IN THE AIR from behind, swallowing his silhouette whole before he can fall clear — he VANISHES inside the explosion, never escaping it — and the cloud overtakes the lens, the dust filling 100% of the frame. The dust churns, a deep orange glow pulsing inside it and fading. HOLD inside the full dust to the last frame — the generation ENDS here, inside the dust. He never reaches the water; the blast takes him mid-air. OPTICS 47° neutral through the landing, the gauntlet and the jump. No drift. Focus rides Eduardo throughout; in the final dust the frame is pure particulate with no fixed plane. CAMERA Handheld chase behind him for the entire shot, deck level, always looking TOWARD THE BOW — footstep energy visible, jolted by each explosion; in phase 2 it accelerates after his sprint, then arcs around him in one unbroken move and settles off the bow over the water, FRONTAL to Eduardo — he runs and leaps straight into the lens with the ship in the background of his jump. The final blast is the WHOLE SHIP exploding behind his airborne body — a colossal flash, then the wall of smoke bursting forward, swallowing him mid-air and then the lens — the camera stays buried, holding inside the churning dust until the end. ACTION Strict order of events: flying entry from above through falling seawater → hard landing roll (somersault over one shoulder, forward momentum carrying the roll toward the bow, ending in a crouch) → two crewmen flee past, one over the side → left explosion → dodge right → knocked down → a hard, clumsy struggle back to his feet → right explosion → duck and shield behind the mast stump → shove off → full sprint to the bow, camera arcing around to meet him head-on → one boot on the rail → LEAP overboard straight toward the camera → THE INSTANT he clears the rail, the ENTIRE SHIP EXPLODES behind him → the blast wall catches him MID-AIR and swallows him whole → the cloud overtakes the camera → dust to 100% → hold in the dust → END. He never escapes and never reaches the water. Each explosion visibly moves his body: the first throws him down, the second folds him behind cover. PERFORMANCE During the gauntlet: jaw clenched, eyes fixed forward, water streaming off his face after the landing. The fleeing crewmen are pure panic — arms pumping, one glance back, the vault over the rail desperate. In the final sprint: full commitment, arms reaching for the rail, eyes wide — in the jump: full commitment, arms reaching at the lens, eyes wide — and mid-air the world behind him turns white: his flying silhouette swallowed by the blast, reaching hands the last thing visible. PHYSICS The flying entry has true ballistic momentum: he arrives on an arc from above, and the landing roll absorbs it — impact compresses the body, the somersault carries the leftover energy, no weightless float. Falling seawater has real weight — it rains in heavy drops and sheets, splashing off planks, soaking cloth so it clings and darkens. The listing deck tilts his movement; debris has weight and stops his foot when hit. The two deck explosions throw real shockwaves — planks lift, flame flashes then roll into smoke, and Eduardo's falls carry true body weight, hard contact with the deck, no bounce. The overboard crewman drops with real gravity. The final whole-ship explosion obeys mass: the shockwave arrives first — cloth and hair snap flat, the deck bucks under his planted boot — then the fireball's light, then the wall of smoke and debris, heavy pieces falling short, fine dust travelling farthest and swallowing the frame. Dust churns with internal motion, dense, filling every corner of the frame. LIGHTING High sea daylight 5600K, hardened by fire-glow accents from the deck fires and smoke shadow sweeping the deck; falling water catches the sun as bright streaks; each of the two explosions throws a brief warm flash from its side of the frame. The final whole-ship blast: two frames of white-hot overexposure flooding from behind, then deep fire-orange glow inside the rolling dust, fading toward neutral grey-brown as the frame holds and ends. AUDIO Phase 1: a whistling whoosh as he drops in, heavy water raining on planks, a THUD and clatter of the landing roll, grunt, ragged breath; panicked boots of the fleeing crewmen, a yell and a distant splash as one goes over the side; then BOOM left, ringing ears, his grunt as he hits the deck; scrabbling boots; BOOM right, debris pattering down over him. Phase 2: sprinting boots hammering the deck, the wooden knock of his boot on the bow rail, half a beat of pure wind as he hangs in the air — then ONE colossal BOOM as the whole ship goes up behind him, the deepest sound of the film, cracking timber and folding masts inside the roar, everything collapsing into a muffled ring, sound buried with the picture — the ring and the churn of dust holding to the last frame. No music. STYLE Photoreal live-action, fine film grain, real pyrotechnic and particulate language, one unbroken take, 8K master. POSITIVE LOCKS One continuous shot; the camera stays at deck level, behind Eduardo, always looking TOWARD THE BOW. The shot OPENS with Eduardo NOT in frame; he flies in from ABOVE AND BEHIND the camera, over the lens, on a forward arc toward the bow, through falling seawater, and lands in a tumbling roll ahead of the camera — he does not walk into frame and never appears standing before the landing. Exactly TWO fleeing crewmen: one runs aft, one leaps overboard — they appear only in the opening beat. The deck explosions land in strict order after his landing: first LEFT of him (he dodges and falls), then RIGHT of him (he ducks behind cover), then the final blast — the ENTIRE SHIP exploding the INSTANT he clears the bow rail — three explosions total, no more. The jump is FRONTAL: the camera faces Eduardo from off the bow, he leaps toward the lens with the exploding ship behind him in frame. HE NEVER ESCAPES: the blast wall catches him MID-AIR and he vanishes inside the explosion before he can fall clear — no water contact, no landing, no survival beat; the dust swallows him and then the lens. The deck matches >> throughout the run — the shot holds the reference's vantage: from the stern deck forward to the bow, wheel and binnacle at the near edge of frame, never ahead of him; sails, masts and hull match >>. The dust reaches 100% frame coverage and the shot ENDS inside the dust: the frame stays fully dust-filled to the last frame, no clearing, no new location, no reveal. Eduardo's head: mustard-yellow bandana with the small white shark tooth at the front, hair loose." Made with Seedance 2.0 on Higgsfield AI. Full open-sourced prompts & assets below 👇

roman

106,768 views • 15 days ago

#Patriots Voluntary OTA Notes [Non-Padded] (5/28): 𝗢𝗳𝗳𝗲𝗻𝘀𝗲 • Rookie WR Kyle Williams had the catch over the day on a 35-yard over the shoulder catch delivered by QB Josh Dobbs — Williams also ran a nice curl route and completed the catch with CB Christian Gonzalez in coverage. • QB Drake Maye had no turnovers today but his accuracy was a bit off — all three QBs had multiple high throws. • QB Drake Maye ended the day on a fumbled snap. • Rookie LT Will Campbell has been going at it with DE Keion White — both Campbell and White won reps. • WR Kyle Williams fumbled the ball after a catch at one point. • WR Javon Baker made a difficult catch over CB Brandon Crossley on a deep ball delivered by QB Ben Wooldrige — Baker had a strong day and was very involved in 11-on-11s despite having multiple drops in individual drills. • TE Hunter Henry caught 3 passes from QB Drake Maye during 11-on-11s — Maye constantly looked for Henry when under pressure. • TE Jaheim Bell made a very difficult diving catch on a pass up the seam delivered by QB Drake Maye. • WR Javon Baker has been mostly repping with the backup QBs. • Rookie RB Lan Larison continues to be very involved and has looked tremendous as a pass-catcher out of the backfield. • Rookie RB TreVeyon Henderson dropped a pass intended for him during 11-on-11s — despite the drop his speed continues to stand out. • Rookie WR Efton Chism III has a very busy day garnering 4 targets from QB Josh Dobbs during 11-on-11s — Chism used his quickness to get wide open on all 4 targets but Dobbs sailed 2 of the passes. • IOL Tyrese Robinson was heavily in the mix today receiving a lot of reps throughout the day. • TE Jack Westover has consistently been involved and he operated at the TE2 with TE Austin Hooper not participating. • Veteran OT Morgan Moses once again stayed after practice to help and give advice to the young offensive lineman. • Full QB Stats: Drake Maye 9/17 Joshua Dobbs 9/16, INT Ben Wooldridge 4/6 • Limited: WR Ja'Lynn Polk OL Mike Onwenu OL Jared Wilson OT Vederian Lowe, RB Rhamondre Stevenson RB Trayveon Williams • Absent: WR Mack Hollins (Present But DNP) OL Caedan Wallace (Unknown) TE Austin Hooper (Present But DNP) • Stefon Diggs was also absent after recently being seen on a party boat in Miami with a mysterious pink substance — Mike Vrabel on the absence: “It's something that we're aware of and obviously we want to make great decisions on and off the field” 𝗗𝗲𝗳𝗲𝗻𝘀𝗲 • The lineup of DE Harold Landry, DL Christian Barmore, DL Milton Williams and DE Keion White gave the offense A LOT of problems today. • DT Milton Williams had a pressure and a batted a pass down during 11-on-11s • Rookie DT Joshua Farmer batted a pass down during team drills. • DL Keion White beat LT Will Campbell around the edge and pressured the QB. • OLB Anfernee Jennings had a pressure during team drills. • ILB Robert Spillane has been all over the field and had multiple “tackles” at or behind the line of scrimmage. • ILB Christian Elliss punched the ball loose after a catch from WR Kyle Williams. • Rookie S Craig Woodson nearly picked off QB Drake Maye after Maye sailed a throw high and up the seam. • CB Miles Battle picked off QB Josh Dobbs on a bobbled pass intended for WR John Jiles. • The defense as a whole continues to look ahead of the offense. • Limited: S Kyle Digger S Marcus Epps DL Jaquelin Roy DL Wilfried Pene LB Jahlani Tavai • Absent: CB Carlton Davis (Unknown) 𝗦𝗽𝗲𝗰𝗶𝗮𝗹 𝗧𝗲𝗮𝗺𝘀 • Field Goals (35-45 Yards) Andy Borregales: 3/4, miss wide left Borregales missed from further away* John Parker Romo: 3/4, miss wide left #NEPats

#Patriots Voluntary OTA Notes [Non-Padded] (5/28): 𝗢𝗳𝗳𝗲𝗻𝘀𝗲 • Rookie WR Kyle Williams had the catch over the day on a 35-yard over the shoulder catch delivered by QB Josh Dobbs — Williams also ran a nice curl route and completed the catch with CB Christian Gonzalez in coverage. • QB Drake Maye had no turnovers today but his accuracy was a bit off — all three QBs had multiple high throws. • QB Drake Maye ended the day on a fumbled snap. • Rookie LT Will Campbell has been going at it with DE Keion White — both Campbell and White won reps. • WR Kyle Williams fumbled the ball after a catch at one point. • WR Javon Baker made a difficult catch over CB Brandon Crossley on a deep ball delivered by QB Ben Wooldrige — Baker had a strong day and was very involved in 11-on-11s despite having multiple drops in individual drills. • TE Hunter Henry caught 3 passes from QB Drake Maye during 11-on-11s — Maye constantly looked for Henry when under pressure. • TE Jaheim Bell made a very difficult diving catch on a pass up the seam delivered by QB Drake Maye. • WR Javon Baker has been mostly repping with the backup QBs. • Rookie RB Lan Larison continues to be very involved and has looked tremendous as a pass-catcher out of the backfield. • Rookie RB TreVeyon Henderson dropped a pass intended for him during 11-on-11s — despite the drop his speed continues to stand out. • Rookie WR Efton Chism III has a very busy day garnering 4 targets from QB Josh Dobbs during 11-on-11s — Chism used his quickness to get wide open on all 4 targets but Dobbs sailed 2 of the passes. • IOL Tyrese Robinson was heavily in the mix today receiving a lot of reps throughout the day. • TE Jack Westover has consistently been involved and he operated at the TE2 with TE Austin Hooper not participating. • Veteran OT Morgan Moses once again stayed after practice to help and give advice to the young offensive lineman. • Full QB Stats: Drake Maye 9/17 Joshua Dobbs 9/16, INT Ben Wooldridge 4/6 • Limited: WR Ja'Lynn Polk OL Mike Onwenu OL Jared Wilson OT Vederian Lowe, RB Rhamondre Stevenson RB Trayveon Williams • Absent: WR Mack Hollins (Present But DNP) OL Caedan Wallace (Unknown) TE Austin Hooper (Present But DNP) • Stefon Diggs was also absent after recently being seen on a party boat in Miami with a mysterious pink substance — Mike Vrabel on the absence: “It's something that we're aware of and obviously we want to make great decisions on and off the field” 𝗗𝗲𝗳𝗲𝗻𝘀𝗲 • The lineup of DE Harold Landry, DL Christian Barmore, DL Milton Williams and DE Keion White gave the offense A LOT of problems today. • DT Milton Williams had a pressure and a batted a pass down during 11-on-11s • Rookie DT Joshua Farmer batted a pass down during team drills. • DL Keion White beat LT Will Campbell around the edge and pressured the QB. • OLB Anfernee Jennings had a pressure during team drills. • ILB Robert Spillane has been all over the field and had multiple “tackles” at or behind the line of scrimmage. • ILB Christian Elliss punched the ball loose after a catch from WR Kyle Williams. • Rookie S Craig Woodson nearly picked off QB Drake Maye after Maye sailed a throw high and up the seam. • CB Miles Battle picked off QB Josh Dobbs on a bobbled pass intended for WR John Jiles. • The defense as a whole continues to look ahead of the offense. • Limited: S Kyle Digger S Marcus Epps DL Jaquelin Roy DL Wilfried Pene LB Jahlani Tavai • Absent: CB Carlton Davis (Unknown) 𝗦𝗽𝗲𝗰𝗶𝗮𝗹 𝗧𝗲𝗮𝗺𝘀 • Field Goals (35-45 Yards) Andy Borregales: 3/4, miss wide left Borregales missed from further away* John Parker Romo: 3/4, miss wide left #NEPats

Carlos A. Lopez

32,545 views • 1 year ago

In 2017, Meghan claimed in their engagement interview, in one of the most blatant lie on TV, that she didn't know anything about Harry or the Royal Family, Prior to meeting Harry🤡 Yet in 2015, exactly ONE year before she "accidentally" met Harry, she was asked in an Interview with Hello!,Canada where she resided at the time, to pick "who she would rather be with: Prince William or Prince Harry?"🔥 Meghan was on camera, thinking about it and answered shrugging: "I dont know"🔥 Mind you, the choice should have been clear since in 2015, Prince William was married for 4 years already and Catherine just gave birth to their Daughter Charlotte, their second child😏 Yet Meghan couldnt pick and didn't pick. So the interviewer then prompted her what should have been the obvious choice: "Huh, Harry?" the interviewer said Laughing. Meghan then replied: "Harry? Sure." This cringe worthy clip came back to haunt her in 2023, during their Netflix docusery as Harry was shown the clip in her presence🔥 After seeing the clip, Harry shruggred, mimicking her, laughing: "Sure!" Meghan trying to save face then said: "Honey, I'm sorry, I, of course, choose you." No, she truly didnt😂😅 She settled for the only brother she could get; not the one she actually wanted🔥 That is why Meg couldnt pick between them even thought, harry was the single most sensical choice at that time and William was married with 2 children at the time; That is why the first thing Meg did when meeting William was throw herself in his arms for a hug; which he recoiled from; That is why William's rejection of her "friendship" hurt her so much; That is why Catherine is the woman she has attacked nonstop for the past 5 years; and thats is why her and her fans are so hell bent on attacking the Wales Marriage😏 Seeing this first clip by MeghansMole©️, I do not blame meghan for wanting better: Harry is cringeworthy and very immature when he is not "controlled"😏 And in the back of his mind, Harry knows that too; which is another reason he envies his brother so much: Catherine fell in Love with William and chose him as her first and only choice and stood by him for years, through thick or thin. But was the choice truly given to his own wife, Meghan; Was the opportunity truly given to her to pick between the brothers, Harry knows as we all do, Meg would NEVER have picked him, willingly🤷🏽‍♀️ Harry knows that even for his own wife, he was the "spare choice"; the afterthought☕️ #MarryWellMyDears

In 2017, Meghan claimed in their engagement interview, in one of the most blatant lie on TV, that she didn't know anything about Harry or the Royal Family, Prior to meeting Harry🤡 Yet in 2015, exactly ONE year before she "accidentally" met Harry, she was asked in an Interview with Hello!,Canada where she resided at the time, to pick "who she would rather be with: Prince William or Prince Harry?"🔥 Meghan was on camera, thinking about it and answered shrugging: "I dont know"🔥 Mind you, the choice should have been clear since in 2015, Prince William was married for 4 years already and Catherine just gave birth to their Daughter Charlotte, their second child😏 Yet Meghan couldnt pick and didn't pick. So the interviewer then prompted her what should have been the obvious choice: "Huh, Harry?" the interviewer said Laughing. Meghan then replied: "Harry? Sure." This cringe worthy clip came back to haunt her in 2023, during their Netflix docusery as Harry was shown the clip in her presence🔥 After seeing the clip, Harry shruggred, mimicking her, laughing: "Sure!" Meghan trying to save face then said: "Honey, I'm sorry, I, of course, choose you." No, she truly didnt😂😅 She settled for the only brother she could get; not the one she actually wanted🔥 That is why Meg couldnt pick between them even thought, harry was the single most sensical choice at that time and William was married with 2 children at the time; That is why the first thing Meg did when meeting William was throw herself in his arms for a hug; which he recoiled from; That is why William's rejection of her "friendship" hurt her so much; That is why Catherine is the woman she has attacked nonstop for the past 5 years; and thats is why her and her fans are so hell bent on attacking the Wales Marriage😏 Seeing this first clip by MeghansMole©️, I do not blame meghan for wanting better: Harry is cringeworthy and very immature when he is not "controlled"😏 And in the back of his mind, Harry knows that too; which is another reason he envies his brother so much: Catherine fell in Love with William and chose him as her first and only choice and stood by him for years, through thick or thin. But was the choice truly given to his own wife, Meghan; Was the opportunity truly given to her to pick between the brothers, Harry knows as we all do, Meg would NEVER have picked him, willingly🤷🏽‍♀️ Harry knows that even for his own wife, he was the "spare choice"; the afterthought☕️ #MarryWellMyDears

Canellecitadelle

616,849 views • 2 years ago