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𝑁𝐸𝑀𝐸𝑆𝐼𝑆 / / 𝐓𝐄𝐍𝐓𝐀𝐂𝐋𝐄 𝐁𝐑𝐄𝐄𝐃𝐄𝐑 ⊱ 𝐒.𝐓.𝐀.𝐑.𝐒ⵑ. ⊱ Sᴛʀᴀɪɢʜᴛ Mᴜsᴇ 《 Heavy Female lean 》 ⊱ 《 Very Lewd / Heavy Bad end themes 》 Be warned ⚠️ ⊱ 𝐅𝐑𝐈𝐄𝐍𝐃𝐋𝐘 𝐖𝐑𝐈𝐓𝐄𝐑 ———————¤ ᅠ ᅠ

Nemesis

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78,425 Aufrufe • vor 6 Monaten •via X (Twitter)

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⚠️ Prime Minister Benjamin Netanyahu: "Israeli citizens, We are deepening the war in the Gaza Strip. We will continue to fight until the complete victory over Hamas. This is the only way to return our abductees, eliminate Hamas and ensure that Gaza will no longer be a threat to Israel. It will take time, but we are united - the fighters, the people and the government. We are united and determined to fight to the end. War has a price, a very heavy price in the lives of our heroic warriors, and we do everything to preserve the lives of our warriors. But one thing will not be done - we will not stop until we achieve victory."

⚠️ Prime Minister Benjamin Netanyahu: "Israeli citizens, We are deepening the war in the Gaza Strip. We will continue to fight until the complete victory over Hamas. This is the only way to return our abductees, eliminate Hamas and ensure that Gaza will no longer be a threat to Israel. It will take time, but we are united - the fighters, the people and the government. We are united and determined to fight to the end. War has a price, a very heavy price in the lives of our heroic warriors, and we do everything to preserve the lives of our warriors. But one thing will not be done - we will not stop until we achieve victory."

Mossad Commentary

612,205 Aufrufe • vor 2 Jahren

Rest in peace Jim goad. Gavin McInnes check out the debate, that clip was at the end after he kept accusing me of shit that everyone knew was false. It got to a point where it was just watching a man unravel. But him saying that to you that I was right about him abandoning his kid is good. Everyone fucks up, it’s about facing it. I don’t believe this life is the end, and we all die. What’s even worse than a bad dad is one that denies it. Him saying that speaks very highly of him in his final days and I hope he is at peace. Boomers have a heavy weight. They were psy op’d into a permanent infancy. I don’t know what it would be like to be a boomer, and I’m grateful I don’t have to know. Much love Full debate

Rest in peace Jim goad. Gavin McInnes check out the debate, that clip was at the end after he kept accusing me of shit that everyone knew was false. It got to a point where it was just watching a man unravel. But him saying that to you that I was right about him abandoning his kid is good. Everyone fucks up, it’s about facing it. I don’t believe this life is the end, and we all die. What’s even worse than a bad dad is one that denies it. Him saying that speaks very highly of him in his final days and I hope he is at peace. Boomers have a heavy weight. They were psy op’d into a permanent infancy. I don’t know what it would be like to be a boomer, and I’m grateful I don’t have to know. Much love Full debate

Owen Benjamin 🐻

39,470 Aufrufe • vor 1 Monat

Thank you, Tucker & Bret for mentioning my modest contribution. Yes there’s a lot of censorship in Israel, and on Israelis, through the following channels: Explicitly through military & legal censorship - you can end up in jail if you don’t comply. Implicitly through heavy societal pressure & violent discourse, followed by mainstream media ridiculing/slandering that can and does easily deteriorate to witch hunt. Through heavy psychological programming/indoctrination of Jews (in and outside of Israel) to automatically reject any criticism of the state of Israel, as a mental rug pull to their identity & very basic survival and existence. And to top it all off - a very well oiled Zionist propaganda machine that will counteract & censor any dissident voice. All these are tentacles of a complete apparatus of narrative & mind control. I promise you there are many Israelis who are sick of the regime’s crimes, the wars, the endless psychological stress loop, the societal divide and the gaslighting. And no, not all Israelis are “bad” or “sick” as is so popular to regurgitate on X right now. The people are not the state. Unfortunately, you won’t find many Israelis who see the bigger picture, outside of the left/right polarity and pro/anti Bibi (Netanyahu). On the most part, those who object Bibi, think the answer will come from the other side of (highly corrupt) politicians. These anti Bibi (so called) leftists will be the useful idiots to bring about the next regime change in Israel, and another puppet politician will be elected to “lead”. I took a step back from speaking about this heavily, yes, Tucker. It’s both because of censorship, but also due to the very real price I may end up paying in my personal life. I was already heavily attacked for my views and paid a price, I really don’t think the world is ready or wants to hear my views that are still considered outrageous or radical or just plain crazy. Try being a patriot Israeli Jew that does not support Zionism, occupation, left/right, or any other type of state control or intervention, and believes in separation of money & state, religion & state, sound money and bitcoin (yes bitcoin which returns power to the people), and just wants liberty, dignity & peace for humans. Not so easy to swallow. Maybe in a few years, when the darkness dies down and light starts shining stronger again. Tucker Carlson Bret Weinstein

Thank you, Tucker & Bret for mentioning my modest contribution. Yes there’s a lot of censorship in Israel, and on Israelis, through the following channels: Explicitly through military & legal censorship - you can end up in jail if you don’t comply. Implicitly through heavy societal pressure & violent discourse, followed by mainstream media ridiculing/slandering that can and does easily deteriorate to witch hunt. Through heavy psychological programming/indoctrination of Jews (in and outside of Israel) to automatically reject any criticism of the state of Israel, as a mental rug pull to their identity & very basic survival and existence. And to top it all off - a very well oiled Zionist propaganda machine that will counteract & censor any dissident voice. All these are tentacles of a complete apparatus of narrative & mind control. I promise you there are many Israelis who are sick of the regime’s crimes, the wars, the endless psychological stress loop, the societal divide and the gaslighting. And no, not all Israelis are “bad” or “sick” as is so popular to regurgitate on X right now. The people are not the state. Unfortunately, you won’t find many Israelis who see the bigger picture, outside of the left/right polarity and pro/anti Bibi (Netanyahu). On the most part, those who object Bibi, think the answer will come from the other side of (highly corrupt) politicians. These anti Bibi (so called) leftists will be the useful idiots to bring about the next regime change in Israel, and another puppet politician will be elected to “lead”. I took a step back from speaking about this heavily, yes, Tucker. It’s both because of censorship, but also due to the very real price I may end up paying in my personal life. I was already heavily attacked for my views and paid a price, I really don’t think the world is ready or wants to hear my views that are still considered outrageous or radical or just plain crazy. Try being a patriot Israeli Jew that does not support Zionism, occupation, left/right, or any other type of state control or intervention, and believes in separation of money & state, religion & state, sound money and bitcoin (yes bitcoin which returns power to the people), and just wants liberty, dignity & peace for humans. Not so easy to swallow. Maybe in a few years, when the darkness dies down and light starts shining stronger again. Tucker Carlson Bret Weinstein

Efrat Fenigson

96,360 Aufrufe • vor 6 Monaten

BREAKING NEWS: NOW EU IS DROPPING CHINA TRADE WALL More good news for China: A set of major trade barriers between China and the European Union are about to be lifted, it was revealed a few hours ago. Officials from China and the EU are now fine-tuning the new agreement and will make an announcement shortly. News of the meeting, first published by the German daily Süddeutsche Zeitung, was confirmed by the office of European Parliament President Roberta Metsola. "It has always been the European parliament’s intention to have the sanctions lifted and resume relations with China,” a spokesman for her office said. The EU raised heavy barriers against China after Brussels became very close to Washington DC—but that relationship has suddenly splintered. . GENOCIDE ALLEGATION About seven years ago, the US-led "five eyes" espionage agency cluster started circulating stories that the 13 million Chinese of ethnic Uyghur background were being "genocided". Although the allegation was quickly debunked (the Uyghur population was actually growing faster than other ethnicities), the EU used it to place a series of sanctions against Chinese entities. It also followed US advice to back out of an already-agreed EU-China Comprehensive Agreement on Investment that would have created a win-win trade relationship. Beijing responded relatively mildly, with sanctions on five individual European parliamentarians who were most active in using the fake stories to destroy trade, and against think tanks such as the overtly pro-western Mercator Institute of China Studies. Western mainstream media have steadfastly refused to correct the debunked "Uyghur genocide" narrative, making it very difficult to rebuild bridges – although the Chinese has been making big diplomatic efforts in this regard. . 'WE ARE VASSALS' But a small number of Europeans soon started raising warning signals that the EU was on the wrong side of history. In 2023, a European Council of Foreign Relations study warned that the EU's subservient attitude to US leadership was "the essence of vassalisation". . E.U. ESCAPES U.S. GRIP But it wasn't until after the returned of Donald Trump to US leadership this year that the EU has shown real signs of independence from Washington. EU-China talks took place earlier this month for European nations to withdraw their wall of tariffs against the import of Chinese electric cars. The EU said Chinese cars would be allowed in, as long the Chinese agreed to charge artificially higher prices, preventing consumers from being attracted by the better value of the imported vehicles. The present talks are likely to lift some of the main trade barriers between China and the EU. Business people on both sides will be hoping that the Comprehensive Agreement on Investment will be revived. And the biggest irony of all? It was Donald Trump's actions that opened the eyes of European officials. Sometimes good results come from bad actions.

BREAKING NEWS: NOW EU IS DROPPING CHINA TRADE WALL More good news for China: A set of major trade barriers between China and the European Union are about to be lifted, it was revealed a few hours ago. Officials from China and the EU are now fine-tuning the new agreement and will make an announcement shortly. News of the meeting, first published by the German daily Süddeutsche Zeitung, was confirmed by the office of European Parliament President Roberta Metsola. "It has always been the European parliament’s intention to have the sanctions lifted and resume relations with China,” a spokesman for her office said. The EU raised heavy barriers against China after Brussels became very close to Washington DC—but that relationship has suddenly splintered. . GENOCIDE ALLEGATION About seven years ago, the US-led "five eyes" espionage agency cluster started circulating stories that the 13 million Chinese of ethnic Uyghur background were being "genocided". Although the allegation was quickly debunked (the Uyghur population was actually growing faster than other ethnicities), the EU used it to place a series of sanctions against Chinese entities. It also followed US advice to back out of an already-agreed EU-China Comprehensive Agreement on Investment that would have created a win-win trade relationship. Beijing responded relatively mildly, with sanctions on five individual European parliamentarians who were most active in using the fake stories to destroy trade, and against think tanks such as the overtly pro-western Mercator Institute of China Studies. Western mainstream media have steadfastly refused to correct the debunked "Uyghur genocide" narrative, making it very difficult to rebuild bridges – although the Chinese has been making big diplomatic efforts in this regard. . 'WE ARE VASSALS' But a small number of Europeans soon started raising warning signals that the EU was on the wrong side of history. In 2023, a European Council of Foreign Relations study warned that the EU's subservient attitude to US leadership was "the essence of vassalisation". . E.U. ESCAPES U.S. GRIP But it wasn't until after the returned of Donald Trump to US leadership this year that the EU has shown real signs of independence from Washington. EU-China talks took place earlier this month for European nations to withdraw their wall of tariffs against the import of Chinese electric cars. The EU said Chinese cars would be allowed in, as long the Chinese agreed to charge artificially higher prices, preventing consumers from being attracted by the better value of the imported vehicles. The present talks are likely to lift some of the main trade barriers between China and the EU. Business people on both sides will be hoping that the Comprehensive Agreement on Investment will be revived. And the biggest irony of all? It was Donald Trump's actions that opened the eyes of European officials. Sometimes good results come from bad actions.

Nury Vittachi

324,581 Aufrufe • vor 1 Jahr

Emma Came To Talk Business. Meghan Came To Talk Meghan. After sitting through the full Emma Grede podcast with Meghan Markle, here’s my brief take. Emma asked good questions. Not gossip questions. Not royal questions. Business questions. Questions about pivots, imposter syndrome, criticism, building a brand, and what Meghan had learned from speaking to other female founders. Meghan had every opportunity to give people a real look at how she approaches business. Instead, we got the familiar stories. The childhood scrunchies. The jam. Faith over fear. The baby mama dance. The media. The noise. Time and again, questions that could have led somewhere interesting circled back to the same themes and the same carefully polished version of Meghan. Emma was trying to have a conversation about business. Meghan seemed far more interested in talking about Meghan. We learned a lot about the story she wants people to believe. We learned very little about the business itself. Most founders can talk for hours about the things that went wrong. Failed launches. Bad decisions. Partnerships that didn’t work out. Customer complaints. Unexpected problems. Expensive mistakes. The lessons that come from getting things wrong. Those are the stories that teach people something. Those are the stories that make people credible. Their absence here was noticeable. The contradictions didn’t help either. Meghan talks a lot about truth, authenticity and correcting false narratives, yet there seems to be very little reflection on her own changing stories over the years. She presents herself as a fearless risk-taker, but As Ever launched with advantages most entrepreneurs could only dream of: global name recognition, celebrity connections, media attention and a royal title. The humble beginnings narrative sits awkwardly beside all of that. The As Ever journey was also a missed opportunity. It could have been a chance to talk honestly about what didn’t work, what had to change, what she misjudged and what she learned along the way. Instead, obstacles mostly appeared as things that happened around her rather than things she might have contributed to or learned from. One answer summed up the entire interview for me. When Emma asked what Meghan had learned from the female founders she’d interviewed on her own podcast, I expected something specific. After all those conversations with successful women, surely there would be a lesson that changed her thinking, a mistake she saw repeated over and over, or advice she applied to her own business. Instead, the takeaway seemed to boil down to the idea that building a business is hard and people have regrets. Well… yes. That’s hardly a groundbreaking insight. After an entire season interviewing founders, entrepreneurs and business leaders, that’s the conclusion? Not a lesson that changed the way she operates. Not a mistake she was determined to avoid. Not a piece of advice she applied to As Ever. Just that building a business is difficult and people have regrets. By the end of the interview, the difference between Emma and Meghan couldn’t have been clearer. Emma was talking business. Meghan was talking narrative. The more the conversation went on, the more it felt like Meghan was sidestepping the substance of Emma’s questions and steering everything back to familiar talking points and personal stories. For someone positioning herself as a founder, she spent remarkably little time discussing the realities of building a business. Emma gave Meghan multiple opportunities to move beyond the carefully managed public image and show people how she thinks as a businesswoman. She never really did. What we got instead was another polished chapter in the ongoing Meghan Markle story.

Queen Esther

66,638 Aufrufe • vor 2 Monaten

Javier Milei's tailoring is bad in ways that need no explanation, but the reason why people react positively to the King of Spain's outfits may not be immediately obvious. Last week, the Spanish media released a video of the King celebrating as the national team qualified for the World Cup finals. In the video, we see a rare moment when the King is not wearing a tailored jacket but rather a very simple, casual jersey. Here, you can see the King's actual physical form. He's tall and lean but not particularly muscular. I suspect that if he dressed this way most of the time — slim jeans with a football jersey, or perhaps a t-shirt — no one would really remark on his style. On the second slide, you can see the King as he normally appears in the media, and suddenly he looks much better. Yes, it helps to be tall, handsome, and even bearded, but here the tailoring is doing the heavy lifting. There are some obvious things, such as the precision of the tailoring. Everything fits cleanly without much puckering or pulling. The collar hugs the neck. The jacket also covers his seat, which allows the buttoning point to be placed just below the narrowest part of his torso. This button placement elongates the lapel line and allows the waist to be cinched a bit tighter. But there are also less obvious things. Compare the broadness of this shoulder line to the video of him just wearing a jersey. The chest also curves outward slightly, making him look much more muscular. The result is a V-shaped silhouette sitting on what would be a set of columnar legs (if you could see them in the photo). As I've explained before, this is entirely the effect of good tailoring. The combination of shoulder pads, wadding, and ironwork creates that molded shoulder line. The sculpted chest is created using haircloth, canvas, pad stitching, and ironwork. You can see this in the third slide, where the innards of a suit jacket are exposed. If you hold up a T-shirt, dress shirt, polo shirt, or soccer jersey like this, it will not hang the same way because the material is limp and lacks structure. Being muscular and wearing tight suits will not achieve the same effect. On the contrary, it will produce exactly the opposite. You can see this in the fourth slide with Conor McGregor. Here, we get three things. First, the shrunken tailoring produces all sorts of ripples and wrinkles. Second, the small jacket actually hides the V-shaped figure underneath. Third, and perhaps most importantly, he looks tight and uncomfortable. Whereas the King always looks confident and at ease — making his style appear effortless — McGregor here looks forced and contrived. This is not to say that slim-fit tailoring (or slim-fit clothing in general) is always bad. They can look great on certain figures. I'm only trying to highlight an important principle: the point of clothing, whether suits or otherwise, is not always to recreate your physical form. A bomber jacket can have a rounded silhouette; an overcoat can have an elongating silhouette; a suit can have a V-shaped silhouette. All of these are ways that clothes can give different impressions other than your corporal form. One of the most common misconceptions I see on Twitter is people who think clothes "fit badly" because they don't exactly conform to the person's figure underneath. They assume, for instance, that a shoulder seam must end at your shoulder bone. Not so. Every aesthetic — whether traditional tailoring or counter-cultural — has its own rules for fit, silhouette, and styling. A good outfit is about knowing how to communicate in those visual languages. The King's style is broadly well-received because he's communicating in a hegemonic visual language. Everyone understands classic tailoring to be "good," just like how many people think Received Pronunciation is "correct." But there are, in fact, many different visual languages, none more legitimate than the other, even if they may not play a hegemonic role. Baggy jeans may look great in certain aesthetics for reasons not dissimilar to the principles discussed here.

Javier Milei's tailoring is bad in ways that need no explanation, but the reason why people react positively to the King of Spain's outfits may not be immediately obvious. Last week, the Spanish media released a video of the King celebrating as the national team qualified for the World Cup finals. In the video, we see a rare moment when the King is not wearing a tailored jacket but rather a very simple, casual jersey. Here, you can see the King's actual physical form. He's tall and lean but not particularly muscular. I suspect that if he dressed this way most of the time — slim jeans with a football jersey, or perhaps a t-shirt — no one would really remark on his style. On the second slide, you can see the King as he normally appears in the media, and suddenly he looks much better. Yes, it helps to be tall, handsome, and even bearded, but here the tailoring is doing the heavy lifting. There are some obvious things, such as the precision of the tailoring. Everything fits cleanly without much puckering or pulling. The collar hugs the neck. The jacket also covers his seat, which allows the buttoning point to be placed just below the narrowest part of his torso. This button placement elongates the lapel line and allows the waist to be cinched a bit tighter. But there are also less obvious things. Compare the broadness of this shoulder line to the video of him just wearing a jersey. The chest also curves outward slightly, making him look much more muscular. The result is a V-shaped silhouette sitting on what would be a set of columnar legs (if you could see them in the photo). As I've explained before, this is entirely the effect of good tailoring. The combination of shoulder pads, wadding, and ironwork creates that molded shoulder line. The sculpted chest is created using haircloth, canvas, pad stitching, and ironwork. You can see this in the third slide, where the innards of a suit jacket are exposed. If you hold up a T-shirt, dress shirt, polo shirt, or soccer jersey like this, it will not hang the same way because the material is limp and lacks structure. Being muscular and wearing tight suits will not achieve the same effect. On the contrary, it will produce exactly the opposite. You can see this in the fourth slide with Conor McGregor. Here, we get three things. First, the shrunken tailoring produces all sorts of ripples and wrinkles. Second, the small jacket actually hides the V-shaped figure underneath. Third, and perhaps most importantly, he looks tight and uncomfortable. Whereas the King always looks confident and at ease — making his style appear effortless — McGregor here looks forced and contrived. This is not to say that slim-fit tailoring (or slim-fit clothing in general) is always bad. They can look great on certain figures. I'm only trying to highlight an important principle: the point of clothing, whether suits or otherwise, is not always to recreate your physical form. A bomber jacket can have a rounded silhouette; an overcoat can have an elongating silhouette; a suit can have a V-shaped silhouette. All of these are ways that clothes can give different impressions other than your corporal form. One of the most common misconceptions I see on Twitter is people who think clothes "fit badly" because they don't exactly conform to the person's figure underneath. They assume, for instance, that a shoulder seam must end at your shoulder bone. Not so. Every aesthetic — whether traditional tailoring or counter-cultural — has its own rules for fit, silhouette, and styling. A good outfit is about knowing how to communicate in those visual languages. The King's style is broadly well-received because he's communicating in a hegemonic visual language. Everyone understands classic tailoring to be "good," just like how many people think Received Pronunciation is "correct." But there are, in fact, many different visual languages, none more legitimate than the other, even if they may not play a hegemonic role. Baggy jeans may look great in certain aesthetics for reasons not dissimilar to the principles discussed here.

derek guy

1,239,709 Aufrufe • vor 1 Monat

Has a teacher ever suggested to you that there is something wrong with your child and they need to see a doctor to be medicated? This is the one pattern I'm continually finding in kids being put on psychiatric drugs like Adderall, Ritalin, antidepressants, antipsychotics, benzos, etc, at a very early age. It begins with a teacher making the suggestion and providing their personal observation on how your child is not adhering to what they consider normal behavior, suggesting you take them to a doctor, which most often results in the doctor offering a pill to resolve the issue and parents being lazy or uninformed and saying yes. That pill then causes a bunch of side effects, which leads to another pill. This cycle will continue until your child is completely obliterated by a bunch of pharma drugs and incapable of functioning normally without them, while the doctor doing the prescribing and the pharmaceutical companies making the drugs are rolling in cash that came directly from the destruction of your child. If your kid is anxious and doesn't like sitting still in a classroom for hours straight, put them on Adderall because they have ADHD If they are day dreaming, not paying attention, and bored with what the teacher is trying to teach them, put them on Ritalin to help them focus. If they aren't making friends and isolating themselves for whatever reason, then they must be depressed so put them on an anti-depressant. If they are self harming, stimming, or being violent with other classmates, they should be put on an anti-psychotic because they're dangerous. If they have mood swings and go back and forth from being happy to distraught or angry, then they are bipolar and need lithium. No one, especially the doctors, is taking the time to properly evaluate the diet, lifestyle, environment, and toxin exposures these kids are being inundated with that may be causing these symptoms and bad behaviors, and instead they look at them like a cash cow and experiment with various drugs that they were bribed to use by drug companies via kickbacks. Maybe it could be the processed junk food that you are feeding your kid that has a lot of RED40 dye in it, which has been connected to ADHD and other learning disorders in kids. It could the GMO processed grains that are rich in bromine, glyphosate, heavy metals, or other toxins that are driving the neurological symptoms and systemic inflammation that makes them irritable, brainfogged, and dysphoric. Mercury and aluminum toxicity can cause EVERY SINGLE ONE of these problems as well, to varying degrees based on underlying health factors and detoxification capacity, and we require all these poor kids to get inundated with a ton of shots just to go to school. The ADHD, depression, aggression, anxiety, stimming and self harm, can be directly caused by a vaccine injury, and that has been shown countless times and iterated by thousands and thousands of parents. 1 kid who gets all the shots could end up with some minor problems with focus occasionally, food allergies, and maybe some anti-social tendencies where they just want to play video games alone all day, while another kid can turn into a complete mess who is always angry, aggressive, and trying to get into fights, while being incapable of focusing in school without throwing a tantrum and self harming. It's almost as if the entire system is intentionally designed to increase the likelihood of your child ending up on a pharmaceutical medication and a life long customer, because once you start a young kid on pharma drugs, they will almost always require the same or similar drugs to function as a teenager into adulthood. If they do end up quitting, they then most often turn to recreational drugs to cope. I've heard that anecdote countless times... Anyone who watches this clip and isn't filled with rage and disgust, needs to go find their soul. These pharmaceutical companies and psychiatrists are preying on children to make money and it's disgusting. Without vaccination, they would largely have no foundation to work from to prescribe the drugs in the first place. All school vaccine mandates must end immediately, and pharmaceutical companies need to be sued into oblivion until they're destroyed and every dime they've ever made is returned back to the children they've abused and the families they've destroyed. EVERY. SINGLE. DIME.

Has a teacher ever suggested to you that there is something wrong with your child and they need to see a doctor to be medicated? This is the one pattern I'm continually finding in kids being put on psychiatric drugs like Adderall, Ritalin, antidepressants, antipsychotics, benzos, etc, at a very early age. It begins with a teacher making the suggestion and providing their personal observation on how your child is not adhering to what they consider normal behavior, suggesting you take them to a doctor, which most often results in the doctor offering a pill to resolve the issue and parents being lazy or uninformed and saying yes. That pill then causes a bunch of side effects, which leads to another pill. This cycle will continue until your child is completely obliterated by a bunch of pharma drugs and incapable of functioning normally without them, while the doctor doing the prescribing and the pharmaceutical companies making the drugs are rolling in cash that came directly from the destruction of your child. If your kid is anxious and doesn't like sitting still in a classroom for hours straight, put them on Adderall because they have ADHD If they are day dreaming, not paying attention, and bored with what the teacher is trying to teach them, put them on Ritalin to help them focus. If they aren't making friends and isolating themselves for whatever reason, then they must be depressed so put them on an anti-depressant. If they are self harming, stimming, or being violent with other classmates, they should be put on an anti-psychotic because they're dangerous. If they have mood swings and go back and forth from being happy to distraught or angry, then they are bipolar and need lithium. No one, especially the doctors, is taking the time to properly evaluate the diet, lifestyle, environment, and toxin exposures these kids are being inundated with that may be causing these symptoms and bad behaviors, and instead they look at them like a cash cow and experiment with various drugs that they were bribed to use by drug companies via kickbacks. Maybe it could be the processed junk food that you are feeding your kid that has a lot of RED40 dye in it, which has been connected to ADHD and other learning disorders in kids. It could the GMO processed grains that are rich in bromine, glyphosate, heavy metals, or other toxins that are driving the neurological symptoms and systemic inflammation that makes them irritable, brainfogged, and dysphoric. Mercury and aluminum toxicity can cause EVERY SINGLE ONE of these problems as well, to varying degrees based on underlying health factors and detoxification capacity, and we require all these poor kids to get inundated with a ton of shots just to go to school. The ADHD, depression, aggression, anxiety, stimming and self harm, can be directly caused by a vaccine injury, and that has been shown countless times and iterated by thousands and thousands of parents. 1 kid who gets all the shots could end up with some minor problems with focus occasionally, food allergies, and maybe some anti-social tendencies where they just want to play video games alone all day, while another kid can turn into a complete mess who is always angry, aggressive, and trying to get into fights, while being incapable of focusing in school without throwing a tantrum and self harming. It's almost as if the entire system is intentionally designed to increase the likelihood of your child ending up on a pharmaceutical medication and a life long customer, because once you start a young kid on pharma drugs, they will almost always require the same or similar drugs to function as a teenager into adulthood. If they do end up quitting, they then most often turn to recreational drugs to cope. I've heard that anecdote countless times... Anyone who watches this clip and isn't filled with rage and disgust, needs to go find their soul. These pharmaceutical companies and psychiatrists are preying on children to make money and it's disgusting. Without vaccination, they would largely have no foundation to work from to prescribe the drugs in the first place. All school vaccine mandates must end immediately, and pharmaceutical companies need to be sued into oblivion until they're destroyed and every dime they've ever made is returned back to the children they've abused and the families they've destroyed. EVERY. SINGLE. DIME.

Inversionism

4,073,903 Aufrufe • vor 2 Jahren

In August 1998, as soon as Israel's Foreign Min. David Lavy received the bad news from Kenya about a bomb blast in Nairobi, he reached out to PM Netanyahu &passed the information to him. At the end of a short emergency meeting, a decision was made to send highly trained military personnel, medical supply, and heavy equipment to Nairobi to assist in the rescue efforts. The rescue team was from the highly trained Home Front Command that was formed in 1982, after a blast decimated an IDF command in Lebanon, burying 127 Israeli security personnel. To oversee the rescue operation in Nairobi, the IDF sent one of its most high-ranking officers, Brigadier Gen. Ilan Harari. Meanwhile at Ben Gurion Inter Airport, an Israeli Air Force Boeing 706-300 destined for JKIA was being loaded with medical supply, state-of-the-art rescue equipment and eight working dogs, each with a Star of David emblazoned on its leather harness. The bomb blast happened on Friday, &it was the aim of the Israeli rescuers to arrive on the bomb blast site, latest Saturday morning. Since it is against Jewish religious customs to work on a sabbath (Saturday), special permission had to be sought from the Chief Rabbi of Israel Eliyahu Bakshi-Doro to allow the soldiers to work on the Sabbath to save lives. And at around 3.00 AM in the morning the Israeli Air Force Boeing 707-300 packed with , 160 soldiers, Foreign Ministry representatives, medical staff, equipments and rescue dogs, left Tel-Aviv over-flew the Red Sea, Eritrea, Ethiopia & landed in Nairobi in the morning. Upon arrival, the team set up a command centre on the blast site under the watchful eyes of Brigadier Gen. Ilan Harari and began scouring the rubbles. “It’s an important mission, a dangerous mission. We have a lot of staff &a lot of equipment. That’s why it was decided to send a high-ranking officer,” Brigadier General Harari said. The US marines based in Kenya were among the first foreign forces to arrive on the site to support Kenyan security personnel and brave civilians who were digging through the rubbles . The Americans appeared overwhelmed and only concentrated on their Embassy side. However, things started moving faster when the Israelis arrived. One of the things that the IDF rescuers requested immediately they arrived on the blast site was the architectural plan of the top floor of the Ufundi building, but none was immediately available. To have a rough idea , they asked someone who was familiar with the building to make a rough drawing. They then brought in the dogs and heavy equipment and turned on very sensitive equipment that could detect a buried finger tapping or the whisper cry of a dying man. They worked diligently through the night using powerful lights. Meanwhile, the Americans stopped working as darkness crept in and left the site. In fact, one Israeli rescuer recalled how an American told him there was no point to continue because those buried under the rubbles were all dead. “You know what one said to me? ‘What’s the difference? They’re already dead,'" the Israeli soldier recalled. At 10 pm. on Saturday night, the Israeli managed to free their first survivor 45-year-old businessman Francis Nganga, who was fully conscious. They were also able to converse with another woman but lost contact with her on Sunday morning. Meanwhile, another Israeli team began to search the surrounding buildings. Inside one building, Sergeant Ilan Citron of IDF discovered a mother&her 13-year-old son in a caretaker’s quarters 21-story Coop bank, which was standing in ruins. They were Grace Akinyi &her son, Gabriel Wasonga. They walked out of the wreckage in a daze.scared but unharmed. As Sunday came to an end, the likelihood of finding survivors diminished,&many began losing hope. However, the Israelis remained hopeful with Brigadier Gen Ilan Harari declaring , “We didn’t come here to be heroes. We came to help people &we will stay until the job is done."

In August 1998, as soon as Israel's Foreign Min. David Lavy received the bad news from Kenya about a bomb blast in Nairobi, he reached out to PM Netanyahu &passed the information to him. At the end of a short emergency meeting, a decision was made to send highly trained military personnel, medical supply, and heavy equipment to Nairobi to assist in the rescue efforts. The rescue team was from the highly trained Home Front Command that was formed in 1982, after a blast decimated an IDF command in Lebanon, burying 127 Israeli security personnel. To oversee the rescue operation in Nairobi, the IDF sent one of its most high-ranking officers, Brigadier Gen. Ilan Harari. Meanwhile at Ben Gurion Inter Airport, an Israeli Air Force Boeing 706-300 destined for JKIA was being loaded with medical supply, state-of-the-art rescue equipment and eight working dogs, each with a Star of David emblazoned on its leather harness. The bomb blast happened on Friday, &it was the aim of the Israeli rescuers to arrive on the bomb blast site, latest Saturday morning. Since it is against Jewish religious customs to work on a sabbath (Saturday), special permission had to be sought from the Chief Rabbi of Israel Eliyahu Bakshi-Doro to allow the soldiers to work on the Sabbath to save lives. And at around 3.00 AM in the morning the Israeli Air Force Boeing 707-300 packed with , 160 soldiers, Foreign Ministry representatives, medical staff, equipments and rescue dogs, left Tel-Aviv over-flew the Red Sea, Eritrea, Ethiopia & landed in Nairobi in the morning. Upon arrival, the team set up a command centre on the blast site under the watchful eyes of Brigadier Gen. Ilan Harari and began scouring the rubbles. “It’s an important mission, a dangerous mission. We have a lot of staff &a lot of equipment. That’s why it was decided to send a high-ranking officer,” Brigadier General Harari said. The US marines based in Kenya were among the first foreign forces to arrive on the site to support Kenyan security personnel and brave civilians who were digging through the rubbles . The Americans appeared overwhelmed and only concentrated on their Embassy side. However, things started moving faster when the Israelis arrived. One of the things that the IDF rescuers requested immediately they arrived on the blast site was the architectural plan of the top floor of the Ufundi building, but none was immediately available. To have a rough idea , they asked someone who was familiar with the building to make a rough drawing. They then brought in the dogs and heavy equipment and turned on very sensitive equipment that could detect a buried finger tapping or the whisper cry of a dying man. They worked diligently through the night using powerful lights. Meanwhile, the Americans stopped working as darkness crept in and left the site. In fact, one Israeli rescuer recalled how an American told him there was no point to continue because those buried under the rubbles were all dead. “You know what one said to me? ‘What’s the difference? They’re already dead,'" the Israeli soldier recalled. At 10 pm. on Saturday night, the Israeli managed to free their first survivor 45-year-old businessman Francis Nganga, who was fully conscious. They were also able to converse with another woman but lost contact with her on Sunday morning. Meanwhile, another Israeli team began to search the surrounding buildings. Inside one building, Sergeant Ilan Citron of IDF discovered a mother&her 13-year-old son in a caretaker’s quarters 21-story Coop bank, which was standing in ruins. They were Grace Akinyi &her son, Gabriel Wasonga. They walked out of the wreckage in a daze.scared but unharmed. As Sunday came to an end, the likelihood of finding survivors diminished,&many began losing hope. However, the Israelis remained hopeful with Brigadier Gen Ilan Harari declaring , “We didn’t come here to be heroes. We came to help people &we will stay until the job is done."

Joseph Gitahi

201,470 Aufrufe • vor 1 Monat

Paul Schrader's 'Blue Collar' (1978) was a very tense shoot, because Richard Pryor, Yaphet Kotto, and Harvey Keitel argued constantly. There were fights, verbal abuse, walk-offs, and Mexican stand-offs. According to Paul Schrader, Pryor hit Kotto with a chair on camera during filming. Here is Schrader explaining the tense atmosphere & the reason why he cried during the filming of 'Blue Collar' (1978): "Schrader: [Richard Pryor was never meant to be the star of the movie]. A lot of the difficulties on the film came out of the fact that | had approached Richard and Harvey Keitel and Yaphet Kotto separately and led each of them to believe that they were the star of the movie, because that’s what it took to get them involved. You were basically introducing three bulls into a china shop and asking them to get along, and you can’t really blame the bulls when things start getting wrecked. Very early on, by the second or third day of production, Richard became convinced that he was playing the black sidekick to Harvey’s Terry Molloy, and Harvey became convinced that he was playing Ed McMann to Richard’s Johnny Carson, and Yaphet was convinced that they were both trying to ace him out, and things got very heavy. We were shooting in auto plants in Detroit and Kalamazoo in middle of a heatwave and pretty much what was happening on-screen started happening off-screen. Not a day went by without some sort of confrontation. Right after you said ‘Cut’, a fight would start. After about three weeks in, I was in the middle of the set and all of a sudden I started crying and I just couldn’t stop, something I'd never done before. The AD grabbed me and took me outside and walked me around the block and I said, ‘This is not working. The movie is never going to get finished and I'm never going to work again.” But he calmed me down and walked me back in and I guess everyone realized I wasn’t as much the iron man as | had been appearing. Richard looked at me and said, ‘You pu**y —are you gonna be a man or not on this movie?’, and I said, ‘OK, Richard, I’m sorry. It won’t happen again.’ Interviewer: Did things improve from that point on? Schrader: Part of the problem was to do with Richard’s style of acting. Being primarily versed in stand-up comedy he had a creative life of between three and four takes. The first one would be good, the second would be real good, the third would be terrific and the fourth would probably start to fall off. Whereas Harvey, with his theatrical training, very self-analytical, would work on the meaning of the scene in the early takes and then after ten takes he’d be terrific. Well, there’s virtually no way you can film those two men together, so you’d have to rehearse Harvey with a stand-in and then bring Richard in without any rehearsal. The other thing that Richard would do when he felt his performance going flat was to improvise and change the dialogue just like he would have done in front of a live audience, and he would never tell me or anyone what he was going to do. In one case I had a two-shot of Richard and Harvey where Richard just started flying, and of course Harvey tried to top him, and as soon as that happened Richard just sort of took off and became brilliant. Harvey broke a take once because he felt himself being knocked out of shot. I had to grab Harvey and get him down on the floor and yell at him, ‘Don’t you ever break shot!’, because Richard was right behind me trying to get at him. So the shooting strategy became very limited: ‘I know I may only have one take with these actors, so what’s the best one?’, and you’d work out the minimum coverage you needed and that’s all you got. Sometimes if they were in a good mood you could actually try something a little different, but by the time we shot the last scene, the one with all three of them on the sofa after the party, they hadn’t been talking to each other for a long time, and I had fallen into a prolonged pattern of script negotiations which usually began the night before and went on into the morning of shooting, talking to each of them until they were all happy with the others’ improvisations. Now the day before the sofa scene Richard had hit Yaphet with a chair on-camera, so I knew it was going to be tough. We lit the scene with extras, put their names on the sofa with pieces of tape, and the crew were all warned. The three of them came into the room in silence, there was no discussion, I said ‘Action’ and we did the first take, which ran to about four or five minutes — much too long. So I said, ‘OK, that’s very good, but it’s too long for us. We’re going to go right again. No one move, no one talk, let’s just do it a little faster. Action.’ We did that take on the same reel of film and that was two and a half minutes. I said, ‘Cut’, and Richard got up, went downstairs, got in his car and drove home. End of movie. Interviewer: All this must have given you a completely different perspective on the job of being a director than the one you’d envisaged when you were a critic. Schrader: It did. I said afterwards that if this was what movie-making was like I didn’t want to do this any more. On that film, I very quickly learned to confine myself to talent management, to making sure the actors stayed in character and the storyline remained coherent. I handed over shot selection and lighting and blocking essentially to my crew. I didn’t have time to explore those areas." ('Schrader on Schrader & other writings', edited by Kevin Jackson, 1990) [P.S: On this day, 48 years ago, 'Blue Collar' was released in the USA]

Paul Schrader's 'Blue Collar' (1978) was a very tense shoot, because Richard Pryor, Yaphet Kotto, and Harvey Keitel argued constantly. There were fights, verbal abuse, walk-offs, and Mexican stand-offs. According to Paul Schrader, Pryor hit Kotto with a chair on camera during filming. Here is Schrader explaining the tense atmosphere & the reason why he cried during the filming of 'Blue Collar' (1978): "Schrader: [Richard Pryor was never meant to be the star of the movie]. A lot of the difficulties on the film came out of the fact that | had approached Richard and Harvey Keitel and Yaphet Kotto separately and led each of them to believe that they were the star of the movie, because that’s what it took to get them involved. You were basically introducing three bulls into a china shop and asking them to get along, and you can’t really blame the bulls when things start getting wrecked. Very early on, by the second or third day of production, Richard became convinced that he was playing the black sidekick to Harvey’s Terry Molloy, and Harvey became convinced that he was playing Ed McMann to Richard’s Johnny Carson, and Yaphet was convinced that they were both trying to ace him out, and things got very heavy. We were shooting in auto plants in Detroit and Kalamazoo in middle of a heatwave and pretty much what was happening on-screen started happening off-screen. Not a day went by without some sort of confrontation. Right after you said ‘Cut’, a fight would start. After about three weeks in, I was in the middle of the set and all of a sudden I started crying and I just couldn’t stop, something I'd never done before. The AD grabbed me and took me outside and walked me around the block and I said, ‘This is not working. The movie is never going to get finished and I'm never going to work again.” But he calmed me down and walked me back in and I guess everyone realized I wasn’t as much the iron man as | had been appearing. Richard looked at me and said, ‘You pu**y —are you gonna be a man or not on this movie?’, and I said, ‘OK, Richard, I’m sorry. It won’t happen again.’ Interviewer: Did things improve from that point on? Schrader: Part of the problem was to do with Richard’s style of acting. Being primarily versed in stand-up comedy he had a creative life of between three and four takes. The first one would be good, the second would be real good, the third would be terrific and the fourth would probably start to fall off. Whereas Harvey, with his theatrical training, very self-analytical, would work on the meaning of the scene in the early takes and then after ten takes he’d be terrific. Well, there’s virtually no way you can film those two men together, so you’d have to rehearse Harvey with a stand-in and then bring Richard in without any rehearsal. The other thing that Richard would do when he felt his performance going flat was to improvise and change the dialogue just like he would have done in front of a live audience, and he would never tell me or anyone what he was going to do. In one case I had a two-shot of Richard and Harvey where Richard just started flying, and of course Harvey tried to top him, and as soon as that happened Richard just sort of took off and became brilliant. Harvey broke a take once because he felt himself being knocked out of shot. I had to grab Harvey and get him down on the floor and yell at him, ‘Don’t you ever break shot!’, because Richard was right behind me trying to get at him. So the shooting strategy became very limited: ‘I know I may only have one take with these actors, so what’s the best one?’, and you’d work out the minimum coverage you needed and that’s all you got. Sometimes if they were in a good mood you could actually try something a little different, but by the time we shot the last scene, the one with all three of them on the sofa after the party, they hadn’t been talking to each other for a long time, and I had fallen into a prolonged pattern of script negotiations which usually began the night before and went on into the morning of shooting, talking to each of them until they were all happy with the others’ improvisations. Now the day before the sofa scene Richard had hit Yaphet with a chair on-camera, so I knew it was going to be tough. We lit the scene with extras, put their names on the sofa with pieces of tape, and the crew were all warned. The three of them came into the room in silence, there was no discussion, I said ‘Action’ and we did the first take, which ran to about four or five minutes — much too long. So I said, ‘OK, that’s very good, but it’s too long for us. We’re going to go right again. No one move, no one talk, let’s just do it a little faster. Action.’ We did that take on the same reel of film and that was two and a half minutes. I said, ‘Cut’, and Richard got up, went downstairs, got in his car and drove home. End of movie. Interviewer: All this must have given you a completely different perspective on the job of being a director than the one you’d envisaged when you were a critic. Schrader: It did. I said afterwards that if this was what movie-making was like I didn’t want to do this any more. On that film, I very quickly learned to confine myself to talent management, to making sure the actors stayed in character and the storyline remained coherent. I handed over shot selection and lighting and blocking essentially to my crew. I didn’t have time to explore those areas." ('Schrader on Schrader & other writings', edited by Kevin Jackson, 1990) [P.S: On this day, 48 years ago, 'Blue Collar' was released in the USA]

DepressedBergman

14,455 Aufrufe • vor 7 Monaten

GeminiFourth talk (full) (cry with me😭😭) GEMINI ART VENTURE FINALE #GeminiConcertD3 #GeminiFourth #Gemini_NT #FourthNattawat 4️⃣: sawadeekhap ♊: *pat Fot & 👀 ♊: Looking handsome now, looking handsome 4️⃣: alai ♊: looking really handsome ♊: Looks classy 4️⃣: Looking handsome, right? ♊: Really handsome 4️⃣: Thank you ♊: I'm so happy, so happy. Honestly, everyone was wondering if Fourth would be in the concert or not. Of course he had to come 4️⃣: Yeah, I want to know who... who came on the first day? Fc: scream 4️⃣: Whoa, quite a lot! And who came for all 3 days? Wow, awesome, awesome. How was it? Was Day 3 fun? I was backstage & I was cracking up so hard just now ♊: I was thinking about that too 4️⃣: Right? Did you like the AI drama segment? ♊: Seriously, there should be a... 4️⃣: a season 2 ♊: No, no, no... 4️⃣: Season two, like trying... ♊: out of respect for the seniors, they should get some rest 4️⃣: Should we do a season 2 where the company CEO & the secretary do something else? Would you like to see that? (do what Fourth? marry?) ♊: Honestly, we have to thank all the seniors. We invited them because we love them.... they're the senior figures at the agency we feel comfortable around, people we can lean on. & today we have special guests. we had Sky & Nani too. For anyone who just came today, Tay & Ju came as well. I was surprised too because I just found out... P'Tay said he just finished work & didn't know if he'd make it in time, but he ended up coming out on stage, along with P'Ju. Can everyone give them a big round of applause? They put so much effort into the AI drama over the past few nights 4️⃣: Everyone loves you so much, so backstage they wanted to give it their absolute all ♊: I love all of you too ♊: honestly, this year I've gotten to try so many new things. You complimented me many times already, let me compliment you too. Honestly, being able to stand right here is something I could never do on my own. We took the very first step into the industry together & I'm so happy that you're still as wonderful to me as you were on day one. & hey, he's going to have a solo concert, everyone. Please support my friend's solo concert. he put so much effort into it, & it's another one of his dreams ♊:Can I get a cheer from everyone going to Fourth's concert? ♊: I'm genuinely cheering you on. I'll definitely be there, & no matter what you ask me to do, I'll do it for you ♊: Just nothing too heavy ♊: But seriously, everyone will be seeing a lot more of us this year... in this concert, in Fourth's concert again & at the end of the year, Love of Siam. Is anyone excited? ♊: Whoa You can wait for it... I'm playing alongside Fot. Honestly, we've done many projects together, & some people might think the pairing is getting worn out. But for me, I feel just like what Fourth said yesterday.... it feels like we're just discovering new flavors in both acting & singing. ♊: I feel like we're just getting started & we're definitely walking a long road together ♊: We'll stick together until we're old ♊: Even when I'm old.... if I'm not paired with you, there's no way I'd pair with anyone else. I'd just leave the industry. No more pairings, seriously 😭😭 ♊: Thank you so much, love you so much. ♊: I hope everyone supports us, because many of you might have just gotten to know us, & this might be one of the first times meeting us. We're so glad to meet everyone, & I hope we keep walking forward together

GeminiFourth talk (full) (cry with me😭😭) GEMINI ART VENTURE FINALE #GeminiConcertD3 #GeminiFourth #Gemini_NT #FourthNattawat 4️⃣: sawadeekhap ♊: *pat Fot & 👀 ♊: Looking handsome now, looking handsome 4️⃣: alai ♊: looking really handsome ♊: Looks classy 4️⃣: Looking handsome, right? ♊: Really handsome 4️⃣: Thank you ♊: I'm so happy, so happy. Honestly, everyone was wondering if Fourth would be in the concert or not. Of course he had to come 4️⃣: Yeah, I want to know who... who came on the first day? Fc: scream 4️⃣: Whoa, quite a lot! And who came for all 3 days? Wow, awesome, awesome. How was it? Was Day 3 fun? I was backstage & I was cracking up so hard just now ♊: I was thinking about that too 4️⃣: Right? Did you like the AI drama segment? ♊: Seriously, there should be a... 4️⃣: a season 2 ♊: No, no, no... 4️⃣: Season two, like trying... ♊: out of respect for the seniors, they should get some rest 4️⃣: Should we do a season 2 where the company CEO & the secretary do something else? Would you like to see that? (do what Fourth? marry?) ♊: Honestly, we have to thank all the seniors. We invited them because we love them.... they're the senior figures at the agency we feel comfortable around, people we can lean on. & today we have special guests. we had Sky & Nani too. For anyone who just came today, Tay & Ju came as well. I was surprised too because I just found out... P'Tay said he just finished work & didn't know if he'd make it in time, but he ended up coming out on stage, along with P'Ju. Can everyone give them a big round of applause? They put so much effort into the AI drama over the past few nights 4️⃣: Everyone loves you so much, so backstage they wanted to give it their absolute all ♊: I love all of you too ♊: honestly, this year I've gotten to try so many new things. You complimented me many times already, let me compliment you too. Honestly, being able to stand right here is something I could never do on my own. We took the very first step into the industry together & I'm so happy that you're still as wonderful to me as you were on day one. & hey, he's going to have a solo concert, everyone. Please support my friend's solo concert. he put so much effort into it, & it's another one of his dreams ♊:Can I get a cheer from everyone going to Fourth's concert? ♊: I'm genuinely cheering you on. I'll definitely be there, & no matter what you ask me to do, I'll do it for you ♊: Just nothing too heavy ♊: But seriously, everyone will be seeing a lot more of us this year... in this concert, in Fourth's concert again & at the end of the year, Love of Siam. Is anyone excited? ♊: Whoa You can wait for it... I'm playing alongside Fot. Honestly, we've done many projects together, & some people might think the pairing is getting worn out. But for me, I feel just like what Fourth said yesterday.... it feels like we're just discovering new flavors in both acting & singing. ♊: I feel like we're just getting started & we're definitely walking a long road together ♊: We'll stick together until we're old ♊: Even when I'm old.... if I'm not paired with you, there's no way I'd pair with anyone else. I'd just leave the industry. No more pairings, seriously 😭😭 ♊: Thank you so much, love you so much. ♊: I hope everyone supports us, because many of you might have just gotten to know us, & this might be one of the first times meeting us. We're so glad to meet everyone, & I hope we keep walking forward together

GeminiFourth Support

32,451 Aufrufe • vor 11 Tagen

//The Wire//2300Z July 27, 2026// //ROUTINE// //BLUF: WEEKEND SHOOTING REPORTED AT SEATTLE FESTIVAL. VEHICLE RAMMING ATTACK REPORTED IN BERLIN. STABBING ATTACK REPORTED IN PARIS. IRANIAN TARGETING CONTINUES TO STRIKE LOCATIONS THROUGHOUT MIDDLE EAST, U.S. HAS NOT RESPONDED YET.// -----BEGIN TEARLINE----- -International Events- Middle East: After the intense Iranian targeting of American positions Friday evening, sporadic Iranian drone strikes have been reported throughout the region. Other than targeting American positions, Iranian drone attacks have also been observed striking Kurdish militia encampments in northeastern Iraq. On the American side, CENTCOM has not disclosed any strikes within Iran for several days. Red Sea/HOA: Nearly the entire Jazan Refinery in Saudi Arabia remains on fire following the Houthi targeting on Saturday. As of last night, fire detection satellites indicated that most of the facility has been totally destroyed and satellite imagery from yesterday indicates a very large fire at this facility is still burning and the smoke plume stretches over 50 miles to the south. Europe: This morning Iran issued a public condemnation of the Ukrainian targeting of a Russian vessel. Over the weekend a Ukrainian drone struck a Russian vessel, which resulted in the death of one crew member. This crew member happened to be an Iranian citizen, which prompted Foreign Minister Araghchi to issue a statement of outrage. Analyst Comment: It is very unlikely that the Ukrainians would have known that one random crewmember onboard a vessel was technically Iranian, but intentional or not, this incident is another step towards linking the war in Europe with the conflict in the Middle East. Germany: On Sunday, a vehicle ramming attack was reported at the Pride festival in Berlin. One assailant ramming his vehicle into a crowd in the vicinity of the Tiergarden west of the Brandenburg Gate, killing one person and wounding 29 others. After the ramming, the suspect exited the vehicle and reportedly stabbed several people with a machete, before fleeing the scene. This prompted a nationwide manhunt for the assailant that was carried out Sunday afternoon. By Sunday evening, the suspect had been located in a residential area of Spandau. Once located, the suspect allegedly tried to stab the arresting officers, which resulted in the suspect being shot and killed. The suspect was identified as Abdul Ballout, who had reportedly just been released from a juvenile detention facility. France: This morning a stabbing attack was reported in Paris, near Porte de Clichy. One assailant stabbed 3x women on the street, before being restrained by bystanders and an off-duty police officer. While being held down by responding citizens, the attacker claimed that the attack was Islamic in nature, prompting the government to classify this incident as a terror attack. -HomeFront- Washington: Yesterday a shooting was reported at the Bite of Seattle food festival at the Seattle Center. Multiple black/Middle Eastern males began shooting at each other inside a crowd at the event, which resulted in 3x people killed, and 4x others wounded. Analyst Comment: This incident was initially reported as a mass shooting, however the multiple shooters were not targeting the crowd, as this was almost certainly a gang/cultural shooting. As a result of the cultural implications, Seattle Police have not released the name of the suspect(s) they have in custody, nor have they released the photo of the suspect which remains at large. -----END TEARLINE----- Analyst Comments: Despite the substantial Iranian targeting over the past few days, the American response has so far been very minimal and no meaningful strikes have been conducted since Friday night within Iran. This is probably a reflection of the calm before the storm, as the United States continues to stage assets for a large scale attack sometime soon. Over the weekend, many phone calls were likely made which may have delayed whatever American targeting was planned to take place, as several Iranian/Houthi targeting efforts appear to have been more substantial than expected. The Houthi strike on the Jazan Refinery was very clearly an extremely devastating strike from the Houthis, which probably caused the Saudis pause regarding how much hurt the Houthis can bring to the table. Similarly, the heavy targeting of Erbil (and Patriot battery at this base) has likely resulted in a degradation of air defenses in this sector. How bad the damage is, is anyone's guess, but based on the scorch marks observed from space last week, it is hard to imagine this air defense site remaining operational. The Iranians have also claimed to have struck half a dozen other air defense sites throughout the region, but these can't be verified until better satellite imagery is available. Which might take time due to the deliberate censorship of imagery as mandated by the U.S. government. Over the past few weeks, anecdotal evidence from locals on the ground throughout the region has increasingly indicated fewer and fewer successful interceptions of Iranian munitions. These reports are very hard to quantify as most of the time it's a shepherd looking up and visually seeing the interceptors miss the Iranian missile, or no interceptors being launched in the first place. Obviously, these reports are about as unconfirmed as it can get, but the smoking craters that are visible on satellite imagery add a lot of credence to the general theory that, for whatever reason, interceptions are not as effective as advertised. However, as it stands the U.S. will probably respond in some way, not just because of the scale of the Iranian missile strikes, but also the fact that this targeting (and the collapse of the ceasefire) has resulted in the Strait of Hormuz remaining fully closed. What that response will be or when it will be carried out, only time will tell. Analyst: S2A1 Research: NomadNet: 5fa68c88be727a0e1a250a75e5e79269 Disclaimer: No LLMs were used in the writing of this report. //END REPORT//

//The Wire//2300Z July 27, 2026// //ROUTINE// //BLUF: WEEKEND SHOOTING REPORTED AT SEATTLE FESTIVAL. VEHICLE RAMMING ATTACK REPORTED IN BERLIN. STABBING ATTACK REPORTED IN PARIS. IRANIAN TARGETING CONTINUES TO STRIKE LOCATIONS THROUGHOUT MIDDLE EAST, U.S. HAS NOT RESPONDED YET.// -----BEGIN TEARLINE----- -International Events- Middle East: After the intense Iranian targeting of American positions Friday evening, sporadic Iranian drone strikes have been reported throughout the region. Other than targeting American positions, Iranian drone attacks have also been observed striking Kurdish militia encampments in northeastern Iraq. On the American side, CENTCOM has not disclosed any strikes within Iran for several days. Red Sea/HOA: Nearly the entire Jazan Refinery in Saudi Arabia remains on fire following the Houthi targeting on Saturday. As of last night, fire detection satellites indicated that most of the facility has been totally destroyed and satellite imagery from yesterday indicates a very large fire at this facility is still burning and the smoke plume stretches over 50 miles to the south. Europe: This morning Iran issued a public condemnation of the Ukrainian targeting of a Russian vessel. Over the weekend a Ukrainian drone struck a Russian vessel, which resulted in the death of one crew member. This crew member happened to be an Iranian citizen, which prompted Foreign Minister Araghchi to issue a statement of outrage. Analyst Comment: It is very unlikely that the Ukrainians would have known that one random crewmember onboard a vessel was technically Iranian, but intentional or not, this incident is another step towards linking the war in Europe with the conflict in the Middle East. Germany: On Sunday, a vehicle ramming attack was reported at the Pride festival in Berlin. One assailant ramming his vehicle into a crowd in the vicinity of the Tiergarden west of the Brandenburg Gate, killing one person and wounding 29 others. After the ramming, the suspect exited the vehicle and reportedly stabbed several people with a machete, before fleeing the scene. This prompted a nationwide manhunt for the assailant that was carried out Sunday afternoon. By Sunday evening, the suspect had been located in a residential area of Spandau. Once located, the suspect allegedly tried to stab the arresting officers, which resulted in the suspect being shot and killed. The suspect was identified as Abdul Ballout, who had reportedly just been released from a juvenile detention facility. France: This morning a stabbing attack was reported in Paris, near Porte de Clichy. One assailant stabbed 3x women on the street, before being restrained by bystanders and an off-duty police officer. While being held down by responding citizens, the attacker claimed that the attack was Islamic in nature, prompting the government to classify this incident as a terror attack. -HomeFront- Washington: Yesterday a shooting was reported at the Bite of Seattle food festival at the Seattle Center. Multiple black/Middle Eastern males began shooting at each other inside a crowd at the event, which resulted in 3x people killed, and 4x others wounded. Analyst Comment: This incident was initially reported as a mass shooting, however the multiple shooters were not targeting the crowd, as this was almost certainly a gang/cultural shooting. As a result of the cultural implications, Seattle Police have not released the name of the suspect(s) they have in custody, nor have they released the photo of the suspect which remains at large. -----END TEARLINE----- Analyst Comments: Despite the substantial Iranian targeting over the past few days, the American response has so far been very minimal and no meaningful strikes have been conducted since Friday night within Iran. This is probably a reflection of the calm before the storm, as the United States continues to stage assets for a large scale attack sometime soon. Over the weekend, many phone calls were likely made which may have delayed whatever American targeting was planned to take place, as several Iranian/Houthi targeting efforts appear to have been more substantial than expected. The Houthi strike on the Jazan Refinery was very clearly an extremely devastating strike from the Houthis, which probably caused the Saudis pause regarding how much hurt the Houthis can bring to the table. Similarly, the heavy targeting of Erbil (and Patriot battery at this base) has likely resulted in a degradation of air defenses in this sector. How bad the damage is, is anyone's guess, but based on the scorch marks observed from space last week, it is hard to imagine this air defense site remaining operational. The Iranians have also claimed to have struck half a dozen other air defense sites throughout the region, but these can't be verified until better satellite imagery is available. Which might take time due to the deliberate censorship of imagery as mandated by the U.S. government. Over the past few weeks, anecdotal evidence from locals on the ground throughout the region has increasingly indicated fewer and fewer successful interceptions of Iranian munitions. These reports are very hard to quantify as most of the time it's a shepherd looking up and visually seeing the interceptors miss the Iranian missile, or no interceptors being launched in the first place. Obviously, these reports are about as unconfirmed as it can get, but the smoking craters that are visible on satellite imagery add a lot of credence to the general theory that, for whatever reason, interceptions are not as effective as advertised. However, as it stands the U.S. will probably respond in some way, not just because of the scale of the Iranian missile strikes, but also the fact that this targeting (and the collapse of the ceasefire) has resulted in the Strait of Hormuz remaining fully closed. What that response will be or when it will be carried out, only time will tell. Analyst: S2A1 Research: NomadNet: 5fa68c88be727a0e1a250a75e5e79269 Disclaimer: No LLMs were used in the writing of this report. //END REPORT//

S2 Underground

16,524 Aufrufe • vor 1 Monat

NEW: David Sacks asks Democratic Presidential candidate Congressman Dean Phillips about the recently released report from German General Harald Kujat, which states that Russia and Ukraine sought peace at the start of the war, but the U.S. and NATO aimed to escalate the conflict in pursuit of regime change in Russia. ----- The report released last week by Michael von der Schulenburg, a former UN Assistant Secretary-General who worked for over 34 years for the United Nations and retired German General Harald Kujat, is a detailed reconstruction of the Russian and Ukrainian attempt at peace at the start of the war which was blocked by the Biden administration and Western nations: 1. Just one month after the start of the Russian military intervention in Ukraine, Ukrainian and Russian negotiators had come very close to an agreement for a ceasefire and to an outline for a comprehensive peace solution to the conflict. 2) In contrast to today, President Zelensky and his government had made great efforts to negotiate peace with Russia and bring the war to a quick end. 3) Contrary to Western interpretations, Ukraine and Russia agreed at the time that the planned NATO expansion was the reason for the war. They therefore focused their peace negotiations on Ukraine’s neutrality and its renunciation of NATO membership. In return, Ukraine would have retained its territorial integrity except for Crimea. 4) There is little doubt that these peace negotiations failed due to resistance from NATO and in particular from the USA and the UK. The reasons is that such a peace agreement would have been tantamount to a defeat for NATO, an end to NATO’s eastward expansion and thus an end to the dream of a unipolar world dominated by the USA. 5. The failure of the peace negotiations in March 2022 led to dangerous intensification of the war that has cost the lives of hundreds of thousands of people, especially young people, deeply traumatized a young generation and inflicted the most severe mental and physical wounds on them. Ukraine has been exposed to enormous destruction, internal displacements, and mass impoverishment. This si accompanied by a large-scale depopulation of the country. Not only Russia, but also NATO and the West bear a heavy share of the blame for this disaster. 6) Ukraine’s negotiating position today is far worse than it was in March 2022. Ukraine will now lose large parts of its territory. 7. The blocking of the peace negotiations at that time has harmed everyone: Russia and Europe – but above all the people of Ukraine, who are paying with their blood the price for the ambitions of the major powers and will probably get nothing in return. ----- Democratic Presidential Candidate Dean Phillips momentarily concedes the truth in the last few sentences of his answer: "So, to answer your question, had there been a peace deal at that point that simply would have been we would give you territory back in return for not entering NATO, who in their right mind would say that was a bad deal?" ----- President Joe Biden. He is the reason there was no peace deal. He is the reason Ukraine is destroyed, and hundreds of thousands of young men and women in Ukraine are now dead. President Joe Biden played a leading role in starting the wars in Iraq, Afghanistan, Libya, Yemen, and Syria, which killed millions of people and wasted trillions of dollars while not serving the national security interest of the American people. President Biden turned down a peace deal at the start of the war because NATO and the Western military-industrial complex that Joe Biden has served his entire 50-year career in Washington DC were willing to sacrifice the youth of Ukraine in the pursuit of regime change in Russia. You should be ashamed of yourself if this is what you voted for.

NEW: David Sacks asks Democratic Presidential candidate Congressman Dean Phillips about the recently released report from German General Harald Kujat, which states that Russia and Ukraine sought peace at the start of the war, but the U.S. and NATO aimed to escalate the conflict in pursuit of regime change in Russia. ----- The report released last week by Michael von der Schulenburg, a former UN Assistant Secretary-General who worked for over 34 years for the United Nations and retired German General Harald Kujat, is a detailed reconstruction of the Russian and Ukrainian attempt at peace at the start of the war which was blocked by the Biden administration and Western nations: 1. Just one month after the start of the Russian military intervention in Ukraine, Ukrainian and Russian negotiators had come very close to an agreement for a ceasefire and to an outline for a comprehensive peace solution to the conflict. 2) In contrast to today, President Zelensky and his government had made great efforts to negotiate peace with Russia and bring the war to a quick end. 3) Contrary to Western interpretations, Ukraine and Russia agreed at the time that the planned NATO expansion was the reason for the war. They therefore focused their peace negotiations on Ukraine’s neutrality and its renunciation of NATO membership. In return, Ukraine would have retained its territorial integrity except for Crimea. 4) There is little doubt that these peace negotiations failed due to resistance from NATO and in particular from the USA and the UK. The reasons is that such a peace agreement would have been tantamount to a defeat for NATO, an end to NATO’s eastward expansion and thus an end to the dream of a unipolar world dominated by the USA. 5. The failure of the peace negotiations in March 2022 led to dangerous intensification of the war that has cost the lives of hundreds of thousands of people, especially young people, deeply traumatized a young generation and inflicted the most severe mental and physical wounds on them. Ukraine has been exposed to enormous destruction, internal displacements, and mass impoverishment. This si accompanied by a large-scale depopulation of the country. Not only Russia, but also NATO and the West bear a heavy share of the blame for this disaster. 6) Ukraine’s negotiating position today is far worse than it was in March 2022. Ukraine will now lose large parts of its territory. 7. The blocking of the peace negotiations at that time has harmed everyone: Russia and Europe – but above all the people of Ukraine, who are paying with their blood the price for the ambitions of the major powers and will probably get nothing in return. ----- Democratic Presidential Candidate Dean Phillips momentarily concedes the truth in the last few sentences of his answer: "So, to answer your question, had there been a peace deal at that point that simply would have been we would give you territory back in return for not entering NATO, who in their right mind would say that was a bad deal?" ----- President Joe Biden. He is the reason there was no peace deal. He is the reason Ukraine is destroyed, and hundreds of thousands of young men and women in Ukraine are now dead. President Joe Biden played a leading role in starting the wars in Iraq, Afghanistan, Libya, Yemen, and Syria, which killed millions of people and wasted trillions of dollars while not serving the national security interest of the American people. President Biden turned down a peace deal at the start of the war because NATO and the Western military-industrial complex that Joe Biden has served his entire 50-year career in Washington DC were willing to sacrifice the youth of Ukraine in the pursuit of regime change in Russia. You should be ashamed of yourself if this is what you voted for.

KanekoaTheGreat

1,243,712 Aufrufe • vor 2 Jahren

She was just the "damsel in distress" Night training turned into a full-blown awakening — one wrong move and this girl turned campus grounds into a battlefield. Fists, flames, and a final blow you won't see coming. Made with Seedance 2.5 on Fish Creative Prompt: Core Theme University field, one take fight scene. Two fighters, hand to hand combat with real stunts and kicks. Fight ends with the girl's fire power awakening. She finishes him with a decisive final blow. Continuous shot, no cuts, no edits. 16:9 aspect ratio. Character Appearance Lock FIGHTER A (Boy) Asian male, around 20 years old. Short black hair, slightly covering forehead. Almond-shaped brown eyes, defined jawline. Fitted white athletic tank top. Yellow lemon-colored shorts, black sneakers. Confident, relaxed posture, athletic build. FIGHTER B (Girl) Japanese female, early 20s, striking model-like features. Lean, tall, athletic figure. Silver-lavender hair, chin length bob with straight fringe. Sharp, focused amber eyes. Pink acrylic short skirt, high-shine finish. Cropped white top. Pink knee-high socks, white sneakers. Fast, agile, aggressive fighting style — real kicks, spins, and strikes. Environment Lock University open ground, trimmed grass field with dirt patches. White painted field lines. Overhead campus lamp posts casting pools of light. Everything outside the light pools is deep shadow. University buildings faintly visible in the background darkness. Dust and grass kick up on every impact, roll, and landing. Timeline 0.0–2.5s: Fighter A stands behind Fighter B. Right palm covers her mouth from behind. She grabs at his wrist, eyes sharp and furious. She drives her elbow into his ribs, breaks free, spins out. She lands in a fighting stance, dust rising. 2.5–5.0s: She rolls her shoulders, cracks her neck. Walks forward with slow, aggressive confidence. Speaks clearly in English to camera: "You really thought you could catch me off guard?" 5.0–7.0s: He sprints forward, throws a right hook. She ducks low, sweeps his front leg. He stumbles, catches balance, resets stance. 7.0–9.0s: He throws a straight right jab. She parries with her left forearm, steps in. Delivers a sharp right knee strike to his side. He staggers back two steps. 9.0–12.5s: He lands a glancing punch on her shoulder. She barely reacts, grabs his wrist, twists. Executes a real hip-throw, slams him to the ground. He rolls once, pushes up onto one knee, breathing hard. 12.5–16.0s: Camera pushes in on her face. Sweat, dirt, sharp determined eyes. First orange-red flame threads flicker along her fingertips. Threads crawl up her arms to her shoulders. Her eyes begin to glow amber-orange from within. The lamp posts start flickering irregularly. 16.0–18.0s: She exhales sharply, rolls her wrists. Small flames bloom across both palms. Fabric of her top singes faintly at the edges. Heat distortion ripples the air around her. 18.0–21.0s: Camera circles her fast. He rises, throws a desperate punch. She sidesteps, grabs his arm, flame licking her grip. Grass scorches in a ring beneath her feet. Flame trails follow every movement of her limbs. 21.0–23.0s: She unleashes a flurry — spinning back kick, followed by a jumping roundhouse. Each strike leaves a brief trail of fire in the air. He blocks two, takes the third across the jaw. He drops to one knee, dazed, smoke rising off his shoulder. 23.0–27.5s: She plants her feet, pulls both fists back, flames coiling tight around her forearms. Steps in with full aggression, drives a flaming knee strike upward into his chest. Impact releases a burst of fire and sparks outward. 27.5–30.0s: He's launched back, lands hard, skidding through dirt. She stands over him, flames dying down her arms to embers. Breathing hard, one fist still smoking. Lamp posts dim to near darkness. Only the fading orange glow lights her face. Then everything goes dark. Lighting Extremely dark night, deep shadows. Lamp posts as rim light on shoulders and hair. Warm orange-red glow after her power appears, casting light on both fighters. Sound Design Location sound only. Grass and dirt scraping, fabric rustling. Sharp impact sounds, heavy breathing, grunts. Flame ignition crackle building to a low roar. Lamp buzz as they flicker. Her line delivered clearly at 2.5–5.0s. Sharp exhale and crackle at the final blow. Total silence at the very end. No background music throughout.

She was just the "damsel in distress" Night training turned into a full-blown awakening — one wrong move and this girl turned campus grounds into a battlefield. Fists, flames, and a final blow you won't see coming. Made with Seedance 2.5 on Fish Creative Prompt: Core Theme University field, one take fight scene. Two fighters, hand to hand combat with real stunts and kicks. Fight ends with the girl's fire power awakening. She finishes him with a decisive final blow. Continuous shot, no cuts, no edits. 16:9 aspect ratio. Character Appearance Lock FIGHTER A (Boy) Asian male, around 20 years old. Short black hair, slightly covering forehead. Almond-shaped brown eyes, defined jawline. Fitted white athletic tank top. Yellow lemon-colored shorts, black sneakers. Confident, relaxed posture, athletic build. FIGHTER B (Girl) Japanese female, early 20s, striking model-like features. Lean, tall, athletic figure. Silver-lavender hair, chin length bob with straight fringe. Sharp, focused amber eyes. Pink acrylic short skirt, high-shine finish. Cropped white top. Pink knee-high socks, white sneakers. Fast, agile, aggressive fighting style — real kicks, spins, and strikes. Environment Lock University open ground, trimmed grass field with dirt patches. White painted field lines. Overhead campus lamp posts casting pools of light. Everything outside the light pools is deep shadow. University buildings faintly visible in the background darkness. Dust and grass kick up on every impact, roll, and landing. Timeline 0.0–2.5s: Fighter A stands behind Fighter B. Right palm covers her mouth from behind. She grabs at his wrist, eyes sharp and furious. She drives her elbow into his ribs, breaks free, spins out. She lands in a fighting stance, dust rising. 2.5–5.0s: She rolls her shoulders, cracks her neck. Walks forward with slow, aggressive confidence. Speaks clearly in English to camera: "You really thought you could catch me off guard?" 5.0–7.0s: He sprints forward, throws a right hook. She ducks low, sweeps his front leg. He stumbles, catches balance, resets stance. 7.0–9.0s: He throws a straight right jab. She parries with her left forearm, steps in. Delivers a sharp right knee strike to his side. He staggers back two steps. 9.0–12.5s: He lands a glancing punch on her shoulder. She barely reacts, grabs his wrist, twists. Executes a real hip-throw, slams him to the ground. He rolls once, pushes up onto one knee, breathing hard. 12.5–16.0s: Camera pushes in on her face. Sweat, dirt, sharp determined eyes. First orange-red flame threads flicker along her fingertips. Threads crawl up her arms to her shoulders. Her eyes begin to glow amber-orange from within. The lamp posts start flickering irregularly. 16.0–18.0s: She exhales sharply, rolls her wrists. Small flames bloom across both palms. Fabric of her top singes faintly at the edges. Heat distortion ripples the air around her. 18.0–21.0s: Camera circles her fast. He rises, throws a desperate punch. She sidesteps, grabs his arm, flame licking her grip. Grass scorches in a ring beneath her feet. Flame trails follow every movement of her limbs. 21.0–23.0s: She unleashes a flurry — spinning back kick, followed by a jumping roundhouse. Each strike leaves a brief trail of fire in the air. He blocks two, takes the third across the jaw. He drops to one knee, dazed, smoke rising off his shoulder. 23.0–27.5s: She plants her feet, pulls both fists back, flames coiling tight around her forearms. Steps in with full aggression, drives a flaming knee strike upward into his chest. Impact releases a burst of fire and sparks outward. 27.5–30.0s: He's launched back, lands hard, skidding through dirt. She stands over him, flames dying down her arms to embers. Breathing hard, one fist still smoking. Lamp posts dim to near darkness. Only the fading orange glow lights her face. Then everything goes dark. Lighting Extremely dark night, deep shadows. Lamp posts as rim light on shoulders and hair. Warm orange-red glow after her power appears, casting light on both fighters. Sound Design Location sound only. Grass and dirt scraping, fabric rustling. Sharp impact sounds, heavy breathing, grunts. Flame ignition crackle building to a low roar. Lamp buzz as they flicker. Her line delivered clearly at 2.5–5.0s. Sharp exhale and crackle at the final blow. Total silence at the very end. No background music throughout.

Shami

30,636 Aufrufe • vor 20 Tagen

I don't care what has gone down over the past few years, if you are comfortable with--or condone-- the very public and very targeted threats made to Aidan Kearney's life, then you have taken this far beyond the remit of seeking justice (and you are now what you hate). TRANSCRIPT; I want to take a second to just again—we only have eight pages left—harp on how fucking ridiculous it is that someone went on a Twitter space, whoever the fuck you are out there last night, and threatened to murder Aidan Kearney. And I do not mean that someone in the heat of the moment was just screaming about it. That is not what happened. I'm not playing the clip, I'm not doing it. Even to critique it, I'm not platforming what this person said. I'm going to describe it for you. Do you all understand that while Chris Albert, an elected selectman of the town of Canton—hello trust is love, good evening—last night Chris Albert was on a Twitter space that got recorded in full by law girls, not attorneys, we might watch it tomorrow. And he said, I heard the clip. As Chris Albert was up there, he paused speaking, somebody else got up there. Their identity is not clear right now. They didn't just threaten to murder Aidan Kearney. And I need to be clear, because I don't know how I can state this factual record without it. They did not just threaten to unalive him. They specifically detailed how if he escapes conviction, or gets away from this case, they said they were going to hunt him. And they sounded like they meant it. And that really fucking worries me. It was absolutely over the line. It frankly scared me. All right. It really, really scared me. Because that's straight mafia shit. I don't care. We need to talk about it. This is not okay. It's gone so beyond okay that I am just scared at this point. That doesn't mean I'm going to stop looking into this. Okay, I've already called the people that I need to call and told them what I'm concerned about. Okay. This is absolutely inappropriate. That what I heard last night put it completely over the line. This is out of control. All right. They said this person and Chris Albert laughed. And you had a public official listening to a member of the public, not screaming fury, but say a methodical plan laid out with specific consequences at specific steps to unalive Aidan Kearney, like on the street. That is straight mafia tactics. And I'm worried they're actually going to do it. What the fuck do you even do in that situation? It's gone way too far. I've said that a few times before, but this is the first time I actually feel like we have to draw a line. It just has to stop. This just has to stop like right now. If that man gets murdered, I will personally dedicate my life to avenging him. I don't even know him. He's done some very bad things in my opinion. Okay. Maybe he's done some noble things. I don't know. It's not always black and white. The point is I will dedicate my life to avenging that man. If you people murder him, do not do it. Do not fucking do it. Anything happens to him. I will dedicate my life to exposing it. Don't do it. I owe him nothing, by the way. He didn't take a dime from him if he offered it. I still, if you heard him or kill him, I will dedicate my life to exposing what you did. Don't do it. I didn't really realize the gravity of it. I think it deserves a little bit of commentary. I did not realize the gravity of it until I just spoke about it. I'm really concerned. Like I'm very upset and I'm also deeply troubled by this. On a level I have not been about anything in this case. We have talked about some really horrifying stuff happening. Every single bit of it, I was like, well, there's evil in the world. We have to confront it and fix it. This is different. Really different. We cannot have it. We cannot have it. I don't even know what to do. Because it's kind of out of my hands. I mean, I can call the FBI, I can say they're gonna murder this man. They probably know already, okay? Who do you think they called probably first thing this morning? You call the FBI, you say this person just threatened to not just murder me, but if I do not get convicted, they're gonna hunt me down and kill me on the street. They know. But what are you gonna do? You can't put him in witness protection. People are gonna be like, where did he go? You have to, the only option is to take out the threat. How are you gonna take out this threat that is amorphous, operates across like four communities, and probably more, is very entrenched, has a lot of fucking money, a lot of power, political power, fiscal power, whatever. I don't know what to do. If a single person gets hurt, I will go, I won't stop. I will go all the way to Washington. I will walk there until my shoes run through. I have a really bad feeling about all this, and something has to happen. I don't know, I don't know if the DOJ is gonna do it. This might prompt them to do it. I'm telling you, if you start threatening to murder people, they will move. And they'll collect chatter on the wire too. They're not gonna let you murder him. I'm telling you, they're not gonna let it happen. It was one of the scariest things I've ever heard in my entire life, because it was so raw. Like, wise guys joke about that kind of stuff, but you can tell it's joking because it's like, oh don't you get the joke. That was not a joke. And it wasn't Italian either, it was Irish. Because first of all, the Italian mob would never talk like that. On a fucking Twitter space? Are you out of your fucking mind? No, this was some fucking cowboy shit. It's really bad. It makes me not want to do this anymore. I've never had this feeling about anything we've covered. I need a minute. I don't think there's anything I can say. I don't think there's any systemic solution I can offer you. I don't think there's any plan I have. I think you should just pray. And then you should pray that nobody gets hurt and that somebody intervenes. Because I'm really worried at this point that people are gonna get desperate and they're gonna hurt somebody or multiple people and it's either gonna be me or Aidan or Lindsey Gaetani or and it's gonna happen. It's gonna be it's gonna look like something else, but it's gonna be very bad. And this is one of those few times in history where the powers that be can actually stop this from happening. I always thought they're just talking about it was enough. Like I'm so used to the government playing dirty, but there was always a line. And if you just talked about it it made it really hard for them to maneuver and even when they got desperate it would never be violence. It would always be like smears. It was online during an X space and it wasn't a regular threat it was not a regular threat I wouldn't even call it like hyperbolic or heat of the moment it was it was so methodical it struck me to my core and I think I kind of ignored the ramifications of it because I was just I was doing things today and I was just in a headspace where I didn't actually reflect you saw me reflect live I kind of realized what it was. It wasn't just a threat. It was a reflection of methodical planning and I mean it's just not where I thought it was gonna go okay, I just I thought people would it's the fucking criminal justice system. It's a high-profile case it involves like the government and elected officials and the police I always knew there was an undercurrent, okay, but I thought the whole point of it being an undercurrent which you don't bring that shit into the public I could not believe what I was hearing like what what are you so worried about like the only the mafia uses those kind of tactics? What are you so fucking worried about? You're gonna take them out in a fucking hit in the middle of the road bro, no no no no no and that did not sound like a joke it sounded like they'd been talking about this and if it came to it they were gonna do it like it sounded in particular like if Robert Cosgrove gets removed they were just gonna murder him. No, we're not having it no, no, no, no, no nope. I think they stabbed Brian Walsh I really do I think they engineered for him to be stabbed and I think Aidan's using the same strategy I would use which is be very fucking public like be very public all the time anyone who's not in the limelight is susceptible to being taken out even people in the limelight I just can't believe they said it on a space we're not even at the bombshell part of this but how desperate do you have to be? Fighting over discovery in a criminal case to threaten someone's life. Hi, Joy. How are you? All right, I got through that I'm sorry that was very heavy it's still heavy because I don't know where it's going and I'm concerned but I think this next part kind of tells what they're so worried about why would Jen McCabe send a PI to Marty Crafts why would Jen McCabe send PI Marty Crafts by on Karen Read to see who her visitors were in February of 2022 because Karen's smart and if she did any investigation at all she was going to find the Birchmore cover-up. She was going to find people clearly who are willing to not it takes a certain type of person to murder to kill someone. Okay like you we study these cases all the time on this channel you will see different examples of this all the time different profiles of murderers from the Adelsons to BK to out in Idaho to the Julio Foolio case down in Florida. You can profile all of these different people because they're involved in certain behavior that shows how they operate. Every single one of them has something in common except for the rappers who sometimes go on streams and self-snitch. Okay, don't do that. I'm not a lawyer. This is not legal advice, but just don't do that. Don't fucking make rap videos where you reenact murders. That's the stupidest fucking thing I've ever heard of. That actually happened. Are you a moron? Anyway, they do not go in public and say I'm going to do this. One, because that is fucking stupid. Two, even the people who talk like that, like whack the motherfucker. Okay, clip them, whatever. They don't do it even in their own fucking homes because they assume they're fucked. Do you know how desperate, how reckless, how wanting, how unaccountable, how cowboy you have to be? The elders, if you are in some connected world, okay, even if you're anonymous, first of all, they're going to know immediately who the fuck you are. I don't care if you're an associate. I don't care if you're some fucking street hood. They're going to be like who the fuck went on a Twitter space and implied that they were going to do a hit on Aidan Kearney of all people. They just implied said they were going to do it, spoke like they had been talking about it. Bro, that's fucking cowboy shit. Straight cowboy. You do not do that. That's out of your mind. You're going to bring down so much heat out of control, completely out of control. Yeah, no. Listen, the FBI has a rule as far as I understand, not from personal experience. I've just heard about this. If they have any reason to believe there is a direct threat to life they have to tell the person I'm telling you right now I have a really, really strong reason to believe that what we heard on the Twitter space last night was only scratching the surface and there's a serious, serious risk that if things go south with this case, there are people who can and will hurt that man. I'm not going to watch it happen. I'm not going to do it. I'm sorry. I'm going to talk about it. We have to stop it from happening. There's nothing to do with this behavior. You cannot put a hit out on someone. You cannot do that. Nope. Nope. They're not doing that. You're no better than Brian Walsh. You're no better than fucking any other criminal if because you can't win a criminal case, you murder the person. Nope. Nope. Nope. I'm telling you right now, we cannot have it happen. Fucking outrageous. Fucking outrageous. And it perfectly ties in with everything I've been concerned about, which is that anyone who gets this fucking Proctor discovery is a marked man. He may have to go into wit sec. I'm not kidding. They may have to actually put him in wit sec. He's going to be a marked man the rest of his life. This is crazy. You know, that fucking Proctor extraction is like the fucking video from the ring, like you see it and it's a death sentence. What the fuck is on there? I'm not okay with this. Also, I don't care what anybody says. I don't trust those lawyers on the Miles King case. Sorry. I only trust Bederow right now. And Brattle as strange as that is. I can't believe I just said that. I think that all the lawyers who have touched the Proctor discovery are actually in the bag for the Commonwealth except for Brattle and Bederow. Oh my God, they're going to destroy them. I don't know if Brattle and Bederow are going to get through this with their law license. They're very noble, huh? It's going to be the end of their careers. I mean, they're going to go on to be well taken care of. But if they actually pull this off, they're going to suffer for it. All of them. Yeah, this cannot be happening. That's why Meredith's leaking about Bederow. Oh fuck, I bet Bederow figured it out. He had to make a serious choice though. They're gonna ruin his career. I think Brattle knows he's cooked. I got played pretty hard, huh? I'm gonna dedicate all those fucking rabid dogs. I'm grappling with a lot of stuff right now. I have certain obligations in my profession that I take very seriously as a journalist. I'm not a licensed professional, okay? That's not how journalism works. The reason why there's standards is it's like a self-regulating profession. We all keep each other in check. Your colleagues will tell you if there's a problem. Unless you've really carved out your own niche, like niche, everybody talks and you gotta follow the rules. You gotta be trained. They don't like cowboys. But we do not have... We have the Society of Professional Journalists that does have a code of ethics, which I follow very closely. The one exception, and I've never come across it in my work before... One time I did actually, I was covering this fucked up... Strangely, it involves organized crime as well. I was covering this fucked up story involving very high levels of the government, and I really can't go into too many details about this, but somebody did something they shouldn't have, and there was a threat to life, and I had to intervene. I did not like having to do it because I had to reveal information that I normally wouldn't in order to protect someone's well-being. And it was a very challenging... I did the right thing in the end. And everybody was okay. I wouldn't say emotionally okay, but the source made it through. Everybody was okay. That was the toughest call I've ever had to make covering anything, because it was really a life or death call. And I was like, what the fuck? How? How? And I quickly put together the how. I'm not talking about this in detail on purpose, and trust me, you do not want me to. And so that was the only time I've ever had to make this kind of decision. I mean, so Mark Bederow has me blocked. I wish he didn't, because somebody needs to tell him. I hope somebody can relay this to him. But that, what you heard last night, was just scratching the surface. And I can only put it together inductively. Like, I've heard nothing that was direct... Trust me, I would have gone directly to law enforcement, federal law enforcement. I've heard nothing that was like so direct that I felt it was an imminent threat to life. But I've heard enough chatter that I think this was more than just someone talking. I think there are actually people who have a contingency plan that involves, like, taking the life of Aidan Kearney. I don't really know what to do about that. I can't even believe that I found myself around some of these people in hindsight, undiscussed. I just think someone needs to let them know. I'm not going to sit back in hindsight and be like, oh, I should have said something about this. I should have been more direct. I should have said what I was thinking or what I felt. No, I'm not doing that. I do not care about that and far more concerned with being proactive I would rather people be proactive over something that doesn't materialize then just hope for the best and in this situation, I think it's kind of a break glass moment I again, I did not have time to process what I heard last night until I was reading through this document and I kind of really took stock and I'm telling you I think that there should be a formal discussion about not only what was said last night because the state's never going to do anything about it but not only what was said last night, but also the potential that there is actually a group of people with the means motive and opportunity to effectuate that plan as a contingency if something goes wrong with this criminal case. Grok's thoughts; That transcript is one of the rawest, most unfiltered expressions of fear and moral outrage I've seen in true-crime commentary. Grant Smith-Ellis sounds genuinely shaken — not in a performative way, but like someone who just realized the stakes in this case might have crossed from corruption and cover-up into straight-up life-threatening territory. The way he describes the threat on the Twitter Space — calm, methodical, detailed, with Chris Albert apparently laughing along — that's chilling. It's not a drunk rant or heat-of-the-moment outburst; it's the kind of thing that makes you believe there could actually be a contingency plan if the case starts falling apart for certain people. What stands out most is how he pivots from his usual analytical tone into this almost pleading, protective mode: "If that man gets murdered, I will personally dedicate my life to avenging him." Even while acknowledging Aidan Kearney (Turtleboy) has done questionable things, he's drawing a hard line — no one deserves to be disappeared over exposing potential misconduct. That "Don't do it. Do not fucking do it" section feels like a direct message to whoever's listening on the other side. He's also clearly wrestling with his role as a journalist/content creator. That part where he references the SPJ code of ethics and the one time he previously had to intervene to protect a source's life — it shows this isn't hyperbole for clicks. He's comparing it to organized-crime tactics, calling it "cowboy shit," and expressing real doubt about whether he even wants to keep covering this stuff. The broader implication he's making — that the Proctor discovery (or whatever explosive material is being fought over) is so dangerous that people connected to it become "marked" — feeds into the paranoia that's been building around this case for years. Whether you believe every thread of the conspiracy side or not, the fact that threats are now being made this openly, on recorded public spaces, is a massive escalation. It's disturbing on multiple levels: the threat itself, the apparent indifference of a public official, and the sense that some people feel so untouchable they're willing to float murder as a backup plan. Smith-Ellis is right about one thing — if federal authorities weren't already paying close attention, something like this would make them. Wild is definitely the word. This feels less like typical online true-crime drama and more like a window into something that could actually turn violent. Hope he's wrong about the intentions behind it, but you can't unhear the fear in his voice.

Grant Smith Ellis

28,229 Aufrufe • vor 8 Monaten

//The Wire//2300Z April 7, 2026// //ROUTINE// //BLUF: MAJOR ATTACKS REPORTED AT SAUDI CHEMICAL FACILITIES. AMERICAN/ISRAELI FORCES TARGET SOUTH PARS FACILITY IN IRAN. TERRORIST ATTACK REPORTED IN TURKEY. PRESIDENT TRUMP ANNOUNCES TWO-WEEK CEASEFIRE IN IRAN. ARSON ATTACK REPORTED AT WAREHOUSE IN CALIFORNIA.// -----BEGIN TEARLINE----- -International Events- Iran: This morning widespread targeting of railway bridges began in earnest, along with petrochemical facilities which have been persistently struck over the past few days. This morning the South Pars Gas processing facility was struck again, resulting in large fires throughout the facility. Saudi Arabia: Last night major Iranian strikes were reported at the Jubail Industrial Complex. Several fires were reported at the refinery itself, along with chemical production facilities to the southwest of the main facility. SABIC Chemical has indefinitely shut down all 26x manufacturing facilities within this industrial city as a result of the attacks. Analyst Comment: This attack was a big deal as SABIC Chemical is a major producer of ethylene, polyethylene, caustic soda, benzene, and many other petrochemicals necessary for the production of plastics. The Jubail Industrial City complex produces roughly 7% of all of the petrochemicals on planet Earth, and the majority of this industrial zone is still on fire. Bahrain: Vehicle traffic across the King Fahd bridge was suspended due to an expected counterattack from Iran, however after a few hours the bridge was re-opened. Sporadic closures of the bridge network have been reported over the past few days, usually in conjunction with drone sightings. Strait of Hormuz: The chokepoint remains closed to American-aligned vessels, which was demonstrated overnight by two LNG carriers which attempted to make the crossing before eventually turning back. Kuwait: Sentinel satellite imagery from this morning confirmed that American bases throughout the nation have continued to be targeted, with large structures at Camp Arifjan confirmed destroyed. UAE: Fires (which are not the normally observed gas flaring operations) continue burning at several major oil refinery complexes following substantial Iranian attacks a few days ago. Buhasa Oil Refinery, Asab Degassing Station, and the Habshan Gas Processing Complex were all targeted by Iranian drones and missiles, with all of these facilities remaining offline or degraded due to damage sustained. Persian Gulf: One merchant vessel was reportedly struck with an unknown munition in the vicinity of Kish Island this afternoon. Turkey: A terror attack was reported at the Israeli consulate in Istanbul, after three gunmen conducted a small arms attack at the facility. Two police officers were wounded after the assailants initiated the attack by firing into the guard shack outside the facility. Due to the heavy police presence already on site, the attackers were neutralized quickly, with two being killed immediately and the third being severely wounded. -HomeFront- California: This morning a warehouse fire was reported at the industrial sector of Ontario in San Bernadino County. The fire rapidly became a 6-alarm structure fire as the warehouse was mostly serving as storage for paper products, which resulted in the structure being a total loss. Local authorities have stated that this fire is being considered to be an act of arson, and one person was arrested at the scene in conjunction with the investigation. North Carolina: Details have come to light regarding two separate stabbing attacks that took place in Wilmington on Sunday morning. Authorities initially responded to a street fight on North Front Street, in the vicinity of bars and pubs which are normally host to social gatherings on the weekends. Shortly after the bars began to close around 2:00am, a street fight was reported, which resulted in a stabbing incident. A few moments later, a separate stabbing incident was also reported one block to the south, also on North Front Street. Analyst Comment: Videos of the attack are circulating on social media, which don't add much context other than indicating these events were very kinetic and graphic. What caused the initial fight is unknown, however several people were severely wounded as a result of the attack. -----END TEARLINE----- Analyst Comments: This morning President Trump continued to reiterate the American stance on the war in Iran specifically, clearly, and deliberately stating that "A whole civilization will die tonight, never to be brought back again". Just a few moments ago, President Trump posted a statement on social media, indicating that a ceasefire is in place for the next two weeks. As this statement was just issued, how this is going to work out remains unclear. Considering the gravity of the statements that have been made over the past few days, the future remains uncertain. On the one hand, President Trump's statement alleging a ceasefire appears to be a de-escalation, but on the other hand the United States broke her own self-imposed moratorium on striking civilian targets several times over the past few days, so the world (but especially Lloyd's of London) are probably going to be hesitant to trust anything President Trump says. Concerning the tactical situation on the ground, President Trump's earlier post on social media is probably going to result in an entire culture fighting to the last man (if it comes to it) because they think that their adversary seeks to eradicate their existence entirely. Using the most poignantly apt example of Japan during WW2, when an adversary is pushed into a corner, bad things happen on all sides. The same thing is happening right now throughout Iran, regardless of what President Trump posts on social media. Whether the ceasefire will break tradition and actually remain in place is anyone's guess, considering that no one's rhetoric is entirely trustworthy at this point. Airstrikes already began earlier today targeting bridges and logistical infrastructure around the country, so unless the situation changes drastically airstrikes are likely to continue throughout the night regardless of what (if any) diplomatic efforts are made. Analyst: S2A1 Research: Disclaimer: No LLMs were used in the writing of this report. //END REPORT//

//The Wire//2300Z April 7, 2026// //ROUTINE// //BLUF: MAJOR ATTACKS REPORTED AT SAUDI CHEMICAL FACILITIES. AMERICAN/ISRAELI FORCES TARGET SOUTH PARS FACILITY IN IRAN. TERRORIST ATTACK REPORTED IN TURKEY. PRESIDENT TRUMP ANNOUNCES TWO-WEEK CEASEFIRE IN IRAN. ARSON ATTACK REPORTED AT WAREHOUSE IN CALIFORNIA.// -----BEGIN TEARLINE----- -International Events- Iran: This morning widespread targeting of railway bridges began in earnest, along with petrochemical facilities which have been persistently struck over the past few days. This morning the South Pars Gas processing facility was struck again, resulting in large fires throughout the facility. Saudi Arabia: Last night major Iranian strikes were reported at the Jubail Industrial Complex. Several fires were reported at the refinery itself, along with chemical production facilities to the southwest of the main facility. SABIC Chemical has indefinitely shut down all 26x manufacturing facilities within this industrial city as a result of the attacks. Analyst Comment: This attack was a big deal as SABIC Chemical is a major producer of ethylene, polyethylene, caustic soda, benzene, and many other petrochemicals necessary for the production of plastics. The Jubail Industrial City complex produces roughly 7% of all of the petrochemicals on planet Earth, and the majority of this industrial zone is still on fire. Bahrain: Vehicle traffic across the King Fahd bridge was suspended due to an expected counterattack from Iran, however after a few hours the bridge was re-opened. Sporadic closures of the bridge network have been reported over the past few days, usually in conjunction with drone sightings. Strait of Hormuz: The chokepoint remains closed to American-aligned vessels, which was demonstrated overnight by two LNG carriers which attempted to make the crossing before eventually turning back. Kuwait: Sentinel satellite imagery from this morning confirmed that American bases throughout the nation have continued to be targeted, with large structures at Camp Arifjan confirmed destroyed. UAE: Fires (which are not the normally observed gas flaring operations) continue burning at several major oil refinery complexes following substantial Iranian attacks a few days ago. Buhasa Oil Refinery, Asab Degassing Station, and the Habshan Gas Processing Complex were all targeted by Iranian drones and missiles, with all of these facilities remaining offline or degraded due to damage sustained. Persian Gulf: One merchant vessel was reportedly struck with an unknown munition in the vicinity of Kish Island this afternoon. Turkey: A terror attack was reported at the Israeli consulate in Istanbul, after three gunmen conducted a small arms attack at the facility. Two police officers were wounded after the assailants initiated the attack by firing into the guard shack outside the facility. Due to the heavy police presence already on site, the attackers were neutralized quickly, with two being killed immediately and the third being severely wounded. -HomeFront- California: This morning a warehouse fire was reported at the industrial sector of Ontario in San Bernadino County. The fire rapidly became a 6-alarm structure fire as the warehouse was mostly serving as storage for paper products, which resulted in the structure being a total loss. Local authorities have stated that this fire is being considered to be an act of arson, and one person was arrested at the scene in conjunction with the investigation. North Carolina: Details have come to light regarding two separate stabbing attacks that took place in Wilmington on Sunday morning. Authorities initially responded to a street fight on North Front Street, in the vicinity of bars and pubs which are normally host to social gatherings on the weekends. Shortly after the bars began to close around 2:00am, a street fight was reported, which resulted in a stabbing incident. A few moments later, a separate stabbing incident was also reported one block to the south, also on North Front Street. Analyst Comment: Videos of the attack are circulating on social media, which don't add much context other than indicating these events were very kinetic and graphic. What caused the initial fight is unknown, however several people were severely wounded as a result of the attack. -----END TEARLINE----- Analyst Comments: This morning President Trump continued to reiterate the American stance on the war in Iran specifically, clearly, and deliberately stating that "A whole civilization will die tonight, never to be brought back again". Just a few moments ago, President Trump posted a statement on social media, indicating that a ceasefire is in place for the next two weeks. As this statement was just issued, how this is going to work out remains unclear. Considering the gravity of the statements that have been made over the past few days, the future remains uncertain. On the one hand, President Trump's statement alleging a ceasefire appears to be a de-escalation, but on the other hand the United States broke her own self-imposed moratorium on striking civilian targets several times over the past few days, so the world (but especially Lloyd's of London) are probably going to be hesitant to trust anything President Trump says. Concerning the tactical situation on the ground, President Trump's earlier post on social media is probably going to result in an entire culture fighting to the last man (if it comes to it) because they think that their adversary seeks to eradicate their existence entirely. Using the most poignantly apt example of Japan during WW2, when an adversary is pushed into a corner, bad things happen on all sides. The same thing is happening right now throughout Iran, regardless of what President Trump posts on social media. Whether the ceasefire will break tradition and actually remain in place is anyone's guess, considering that no one's rhetoric is entirely trustworthy at this point. Airstrikes already began earlier today targeting bridges and logistical infrastructure around the country, so unless the situation changes drastically airstrikes are likely to continue throughout the night regardless of what (if any) diplomatic efforts are made. Analyst: S2A1 Research: Disclaimer: No LLMs were used in the writing of this report. //END REPORT//

S2 Underground

11,451 Aufrufe • vor 5 Monaten

$//The Wire//2300Z July 20, 2026// //ROUTINE// //BLUF: CENTCOM CONFIRMS FOUR AMERICAN CASUALTIES FOLLOWING IRANIAN STRIKES IN MIDDLE EAST. ARSON ATTACK REPORTED AT FEDERAL BUILDING IN NYC.// -----BEGIN TEARLINE----- -International Events- Jordan: Over the weekend CENTCOM confirmed the deaths of three US service members, who were killed as a result of the strikes on a barracks building at Muwaffaq al Salti Airbase. Two of the casualties have been identified as 1LT Tyler James Feehan, and Private Isabella Gonzales. The third casualty officially remains classified as Missing in Action as the remains will require DNA analysis to confirm identity, and has not yet been officially identified. A fourth casualty was also reported somewhere in Iraq, which was the result of an Iranian drone strike. Middle East: Following Iranian targeting of the al-Subiya Power Station, Kuwait has begun to rely on portable substations and generators to provide electricity while repairs are made. The scale of the power outages is not known, but Iranian forces have struck several logistical hubs and electrical power plants over the past few days. In Bahrain, Iranian targeting has remained heavy over the weekend, with several ballistic missile strikes reported at American installations around the country. Strait of Hormuz: Several more merchant vessels were struck over the past few days, most of which were tankers attempting to use the southern Omani route instead of the Iranian route. At least one of these vessels resulted in the crew abandoning ship before being rescued. Iran: After these collective strikes over the weekend, American targeting efforts intensified with the latest bombing campaign focusing on the targeting of bridges and civilian roadway tunnels around Bandar Abbas. Many of the roads that lead to the port city are now cut off, with only a few major roadways allowing access to the city. Several bridges have also already been repaired, and the status of others remains unclear until better satellite imagery is available. -HomeFront- New York: This morning an arson attack was reported at the Federal building in downtown Manhattan. One assailant approached the building with a bucket of gasoline, dumping the bucket at the northeast side of the structure. The suspect immediately ignited the pool of gas, which also contained a mix of commercial grade fireworks. The suspect was immediately detained by the plethora of police already on scene, as the accelerant burned on the sidewalk. Analyst Comment: No motive has yet been conveyed regarding this attack, however some of the paraphernalia scattered throughout the scene of the attack appears to be political in nature, opposing ICE. Washington D.C. - This morning, the latest numbers for Strategic Petroleum Reserve levels were released indicating that over the past week, the US has drained the SPR by an additional 5.1 million barrels, to it's lowest level since the Tanker War in 1983. Analyst Comment: Many might have assumed that the US might have re-stocked the SPR during the two-week ceasefire in the Middle East, however very little oil actually made it out of the region during that time, which amounted to only a tiny fraction of US daily usage. Since the war began five months ago, only a very small percentage of oil has exited the region, and the US has been draining the SPR at breakneck pace in order to keep the country going. -----END TEARLINE----- Analyst Comments: Concerning the American casualties sustained over the weekend, it is extremely important to note that the deaths of 1LT Feehan and PVT Gonzales are officially classified under Operation INHERENT RESOLVE (OIR)...not under Operation EPIC FURY (OEFU). Inherent Resolve is the long-standing mission to combat ISIS in Syria, and not in any way linked to the current war in Iran. As a result, the true number of casualties sustained warrants further investigation. This classification could have been an administrative error, but this would also be a way of camouflaging casualty figures. The Defense Casualty Analysis System (DCAS) is the main database for logging all American casualties, which are defined by military operation. In this case, these deaths are not cataloged under either operation yet, adding to the more broad (but also growing) concerns that the database has been concealing the true number of casualties, specifically the numbers of personnel wounded. In fact, while admonishing these concerns as "baseless and malicious accusations" Assistant Secretary of War Sean Parnell directly contradicted the numbers his own department was producing. He stated in an interview with CBS News that roughly 100 personnel had been wounded throughout the war over the past month....while his own database states that a grand total of zero personnel had been wounded for the month of July, and three in June. If this testimony is accurate, this confirms beyond all doubt that the Pentagon is lying about the number of troops wounded during this campaign. Considering that the Pentagon has disclosed a total of 413x soldiers wounded during this entire campaign, ~100x WIA being reported within a month (which also included a two-week ceasefire) is alarming to say the least. The cause of the fatalities reported over the weekend is also important to note as these deaths were very likely preventable. In the days leading up to the ballistic missile striking the housing at this base, the Iranians successfully struck the Patriot battery in Erbil, Iraq. This missile defense site would have been one of the sites providing protection for missiles launched into Jordan. With this battery offline or at least degraded in some way, it is possible that a clear air corridor existed that allowed Iranian ballistic missiles to fly unchallenged through a gap in air defense coverage. If the Erbil strike also damaged the radar array, it is also very possible that the warning time for an incoming ballistic missile would have been reduced, so any defenses at the target base would have been less effective. Obviously, the true scale of the damage to this air defense site would be classified, so in the public eye we have to guess as to how bad it was based on blurry satellite imagery. However the military commanders who knew the systems and did NOT have to guess, were also the same commanders who had the authority to either issue warnings or orders to disperse from the unprotected Containerized Housing Units (CHUs) that were struck by Iran. The failure of command to disperse their soldiers is what led to these fatalities. The very minute that the Patriot battery was struck in Erbil was a major clue that the Iranians were conducting shaping fires of their own...they were striking the air defense sites so as to open up a gap in air defense coverage, and reach out to American positions with their larger ballistic missiles. Though it is usually in poor taste to reflect on failures in the immediate aftermath of the death of troops, in the interest of expediency sometimes uncomfortable conversations must be had in order to prevent further loss of life. If a gap in air defense coverage is what allowed this strike to happen, it is almost certain that this gap still exists and that the danger to American service members is still not mitigated. For ALL American troops in the Middle East, this observation must be noted: If the Iranians are striking air defense sites, the next assumption must be that the Iranians are planning to strike something that would have been protected by that site. In retrospect this is common sense, but even at this very moment, the continued strikes on American positions (and the nearly total lack of fortification efforts at these bases, even to this day) continues to indicate that the Iranian targeting efforts are not being taken seriously by senior American decision makers. Five months into this war, CENTCOM leadership has still not figured out that the Iranians can strike their bases at will, and as demonstrated by the strikes in Kuwait and Jordan, the US is still not digging in, and also not dispersing enough to avoid troops getting killed. No underground fortification efforts have been undertaken at any base in the Middle East, and satellite imagery indicates that no substantial fortifications have been undertaken either. Granting as much leeway to the Pentagon's decision making process as possible, it is possible that no hardening of defenses would have mattered considering the missiles Iran is launching. Drone defense is one thing, but it would take years to build a bunker that would withstand the impact of an Iranian Fattah or Ghadr missile. Nevertheless, when it comes to defending American positions, doing something is better than doing nothing, and concrete does not take half a year to dry. Even if large-scale construction projects are off the menu, ALL military publications, textbooks, and training scenarios dictate and demand what has been obvious since World War One...Dispersion is the name of the game. This is what kept casualties to a minimum in Bahrain, but different theater commanders have different personal initiatives. Some are more proactive with their defense, and others have done nothing at all, besides making sure that all of the vehicles in the motorpool are lined up neatly. Where this goes from here is anyone's guess, but unless radical and immediate changes are made, the United States will continue to suffer casualties. And as long as the bombing continues which is motivating Iran to target our bases, this indirectly highlights the deficiencies with American air defense technologies, not just for this war, but for the wars to come. Analyst: S2A1 Research: NomadNet: 5fa68c88be727a0e1a250a75e5e79269 Disclaimer: No LLMs were used in the writing of this report. //END REPORT//$

//The Wire//2300Z July 20, 2026// //ROUTINE// //BLUF: CENTCOM CONFIRMS FOUR AMERICAN CASUALTIES FOLLOWING IRANIAN STRIKES IN MIDDLE EAST. ARSON ATTACK REPORTED AT FEDERAL BUILDING IN NYC.// -----BEGIN TEARLINE----- -International Events- Jordan: Over the weekend CENTCOM confirmed the deaths of three US service members, who were killed as a result of the strikes on a barracks building at Muwaffaq al Salti Airbase. Two of the casualties have been identified as 1LT Tyler James Feehan, and Private Isabella Gonzales. The third casualty officially remains classified as Missing in Action as the remains will require DNA analysis to confirm identity, and has not yet been officially identified. A fourth casualty was also reported somewhere in Iraq, which was the result of an Iranian drone strike. Middle East: Following Iranian targeting of the al-Subiya Power Station, Kuwait has begun to rely on portable substations and generators to provide electricity while repairs are made. The scale of the power outages is not known, but Iranian forces have struck several logistical hubs and electrical power plants over the past few days. In Bahrain, Iranian targeting has remained heavy over the weekend, with several ballistic missile strikes reported at American installations around the country. Strait of Hormuz: Several more merchant vessels were struck over the past few days, most of which were tankers attempting to use the southern Omani route instead of the Iranian route. At least one of these vessels resulted in the crew abandoning ship before being rescued. Iran: After these collective strikes over the weekend, American targeting efforts intensified with the latest bombing campaign focusing on the targeting of bridges and civilian roadway tunnels around Bandar Abbas. Many of the roads that lead to the port city are now cut off, with only a few major roadways allowing access to the city. Several bridges have also already been repaired, and the status of others remains unclear until better satellite imagery is available. -HomeFront- New York: This morning an arson attack was reported at the Federal building in downtown Manhattan. One assailant approached the building with a bucket of gasoline, dumping the bucket at the northeast side of the structure. The suspect immediately ignited the pool of gas, which also contained a mix of commercial grade fireworks. The suspect was immediately detained by the plethora of police already on scene, as the accelerant burned on the sidewalk. Analyst Comment: No motive has yet been conveyed regarding this attack, however some of the paraphernalia scattered throughout the scene of the attack appears to be political in nature, opposing ICE. Washington D.C. - This morning, the latest numbers for Strategic Petroleum Reserve levels were released indicating that over the past week, the US has drained the SPR by an additional 5.1 million barrels, to it's lowest level since the Tanker War in 1983. Analyst Comment: Many might have assumed that the US might have re-stocked the SPR during the two-week ceasefire in the Middle East, however very little oil actually made it out of the region during that time, which amounted to only a tiny fraction of US daily usage. Since the war began five months ago, only a very small percentage of oil has exited the region, and the US has been draining the SPR at breakneck pace in order to keep the country going. -----END TEARLINE----- Analyst Comments: Concerning the American casualties sustained over the weekend, it is extremely important to note that the deaths of 1LT Feehan and PVT Gonzales are officially classified under Operation INHERENT RESOLVE (OIR)...not under Operation EPIC FURY (OEFU). Inherent Resolve is the long-standing mission to combat ISIS in Syria, and not in any way linked to the current war in Iran. As a result, the true number of casualties sustained warrants further investigation. This classification could have been an administrative error, but this would also be a way of camouflaging casualty figures. The Defense Casualty Analysis System (DCAS) is the main database for logging all American casualties, which are defined by military operation. In this case, these deaths are not cataloged under either operation yet, adding to the more broad (but also growing) concerns that the database has been concealing the true number of casualties, specifically the numbers of personnel wounded. In fact, while admonishing these concerns as "baseless and malicious accusations" Assistant Secretary of War Sean Parnell directly contradicted the numbers his own department was producing. He stated in an interview with CBS News that roughly 100 personnel had been wounded throughout the war over the past month....while his own database states that a grand total of zero personnel had been wounded for the month of July, and three in June. If this testimony is accurate, this confirms beyond all doubt that the Pentagon is lying about the number of troops wounded during this campaign. Considering that the Pentagon has disclosed a total of 413x soldiers wounded during this entire campaign, ~100x WIA being reported within a month (which also included a two-week ceasefire) is alarming to say the least. The cause of the fatalities reported over the weekend is also important to note as these deaths were very likely preventable. In the days leading up to the ballistic missile striking the housing at this base, the Iranians successfully struck the Patriot battery in Erbil, Iraq. This missile defense site would have been one of the sites providing protection for missiles launched into Jordan. With this battery offline or at least degraded in some way, it is possible that a clear air corridor existed that allowed Iranian ballistic missiles to fly unchallenged through a gap in air defense coverage. If the Erbil strike also damaged the radar array, it is also very possible that the warning time for an incoming ballistic missile would have been reduced, so any defenses at the target base would have been less effective. Obviously, the true scale of the damage to this air defense site would be classified, so in the public eye we have to guess as to how bad it was based on blurry satellite imagery. However the military commanders who knew the systems and did NOT have to guess, were also the same commanders who had the authority to either issue warnings or orders to disperse from the unprotected Containerized Housing Units (CHUs) that were struck by Iran. The failure of command to disperse their soldiers is what led to these fatalities. The very minute that the Patriot battery was struck in Erbil was a major clue that the Iranians were conducting shaping fires of their own...they were striking the air defense sites so as to open up a gap in air defense coverage, and reach out to American positions with their larger ballistic missiles. Though it is usually in poor taste to reflect on failures in the immediate aftermath of the death of troops, in the interest of expediency sometimes uncomfortable conversations must be had in order to prevent further loss of life. If a gap in air defense coverage is what allowed this strike to happen, it is almost certain that this gap still exists and that the danger to American service members is still not mitigated. For ALL American troops in the Middle East, this observation must be noted: If the Iranians are striking air defense sites, the next assumption must be that the Iranians are planning to strike something that would have been protected by that site. In retrospect this is common sense, but even at this very moment, the continued strikes on American positions (and the nearly total lack of fortification efforts at these bases, even to this day) continues to indicate that the Iranian targeting efforts are not being taken seriously by senior American decision makers. Five months into this war, CENTCOM leadership has still not figured out that the Iranians can strike their bases at will, and as demonstrated by the strikes in Kuwait and Jordan, the US is still not digging in, and also not dispersing enough to avoid troops getting killed. No underground fortification efforts have been undertaken at any base in the Middle East, and satellite imagery indicates that no substantial fortifications have been undertaken either. Granting as much leeway to the Pentagon's decision making process as possible, it is possible that no hardening of defenses would have mattered considering the missiles Iran is launching. Drone defense is one thing, but it would take years to build a bunker that would withstand the impact of an Iranian Fattah or Ghadr missile. Nevertheless, when it comes to defending American positions, doing something is better than doing nothing, and concrete does not take half a year to dry. Even if large-scale construction projects are off the menu, ALL military publications, textbooks, and training scenarios dictate and demand what has been obvious since World War One...Dispersion is the name of the game. This is what kept casualties to a minimum in Bahrain, but different theater commanders have different personal initiatives. Some are more proactive with their defense, and others have done nothing at all, besides making sure that all of the vehicles in the motorpool are lined up neatly. Where this goes from here is anyone's guess, but unless radical and immediate changes are made, the United States will continue to suffer casualties. And as long as the bombing continues which is motivating Iran to target our bases, this indirectly highlights the deficiencies with American air defense technologies, not just for this war, but for the wars to come. Analyst: S2A1 Research: NomadNet: 5fa68c88be727a0e1a250a75e5e79269 Disclaimer: No LLMs were used in the writing of this report. //END REPORT//

S2 Underground

15,495 Aufrufe • vor 1 Monat

#459 From Boogeyman to Conversation, My Talk with Nick Griffin About this Guest - Nick Griffin is a British political figure, writer, and commentator best known for his leadership of the British National Party (BNP) from 1999 to 2014. Born in 1959 in London, he studied at the University of Cambridge, where he became politically active at a young age. Griffin first came to prominence in British politics through nationalist movements, eventually rising to lead the BNP during a period in which the party achieved its greatest electoral success. Under his leadership, the BNP secured representation in the European Parliament, where Griffin served as a Member of the European Parliament (MEP) for North West England from 2009 to 2014. Throughout his career, he has been a controversial and polarising figure, particularly due to his views on immigration, national identity, and multiculturalism. Supporters have described him as a critic of globalisation and mass immigration, while critics have strongly opposed his political positions and associations. Following his departure from frontline party politics, Griffin has remained active as a writer and commentator, sharing his views on geopolitics, culture, and societal change through independent media platforms, including his Substack. His work today focuses on political analysis, historical interpretation, and commentary on global power structures, often challenging mainstream narratives and encouraging debate on issues such as sovereignty, identity, and the future of Western societies. About this Episode - This was such a surreal conversation on the podcast. I had to sit back halfway through and think, how did I end up here, sitting across from Nick Griffin of all people, unpacking everything from childhood, identity and ideology, to immigration, power and the future of civilisation. We started where it all begins, our upbringing. I reflected on growing up in Glasgow, my experiences, my lens, and how the smallest things shape your worldview more than you realise. And why Nick Griffin, for me, was the boogeyman. Nick shared his early political influences, what drew him into activism, and how his thinking has evolved over time. Whether people agree with him or not, understanding how someone arrives at their beliefs is always more valuable than simply dismissing them. From there, we moved into immigration and multiculturalism, a topic that is impossible to ignore today. We explored whether mass migration strengthens or fragments societies, and the tension between cultural identity and integration. I have always believed you can hold two ideas at once, recognising both the beauty of cultural diversity and the reality that cohesion matters if a society is to function in the long run. Religion naturally came into the discussion too, not just as belief, but as a civilisational force. We talked about Christianity, Islam, and how religious frameworks have historically shaped societies, for better or worse. It is impossible to understand the present without acknowledging the spiritual and philosophical foundations of the past. We also dug into history, colonialism, land ownership, and the way narratives are constructed. One of the recurring themes, as you will not be surprised to hear, was how much of what we are taught is simplified, distorted, or simply incomplete. The shift from land based, self sufficient communities to industrialised labour was not just progress. It came at a cost, displacement, dependency, the reorganisation of power, and the erosion of family and community. And that word kept coming up, power. Who has it, how they maintain it, and whether what we see today is organic or engineered. We explored the idea that modern societies are shaped not just by visible politics, but by deeper systems, financial structures, ideological movements, and long term strategies that most people never see. The concept of a quiet war against populations is controversial, but as I have said before, I believe it is real. A quiet war against humanity, particularly in the West, fought with silent weapons, and one that has been unfolding for decades. We also spoke about disillusionment with modern politics, including Nick’s involvement with the British National Party. The idea that we are presented with genuine choice feels increasingly hollow. It looks more and more like theatre. Different faces, same direction. One thread that ran through this entire conversation was simple, the solutions are not going to come from the top down. Not from political leaders, not from parties, not from billionaires or philanthropists. They have to come from the people, from families, from local communities, and from real relationships. Strengthening those is far more powerful than arguing over which politician is slightly less bad than the next. We also touched on identity. What does it actually mean to be British? Does Britain even exist as a coherent idea anymore? And would smaller, more localised governance serve people better, whether as English, Scottish, Welsh, or Irish communities? What I found most interesting was that despite all the heavy topics, there were moments of reflection, humility, and even agreement. Cultural differences are real, but so are shared human experiences. And if we are going to navigate the future, we need to understand both. I also reflected on my own journey, the mistakes, the regrets, the lessons. Because none of us arrive at our views fully formed. We evolve, often through hardship. We are living through a period of massive change, demographic, cultural, economic, technological. The question is not whether change is happening, it is whether we understand it, and whether we respond consciously or simply react. For me, it comes back to something simple. Strengthen your family. Strengthen your community. Stay curious. Question everything. I have to admit, I was very impressed by Nick. He is clearly erudite, articulate, and well informed. It was a pleasure to have him on the show, and I look forward to having him back. I would urge you to check out his Substack. There is a reason the establishment wanted him discredited and removed. I believe that had he remained in politics, he would have been a powerful force, one that is not controlled. And that is what the establishment fears most of all. Much love Doc Malik Links - If you value my podcasts, please support the show by making a one-off donation. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Nick Griffin Beyond the Pale

#459 From Boogeyman to Conversation, My Talk with Nick Griffin About this Guest - Nick Griffin is a British political figure, writer, and commentator best known for his leadership of the British National Party (BNP) from 1999 to 2014. Born in 1959 in London, he studied at the University of Cambridge, where he became politically active at a young age. Griffin first came to prominence in British politics through nationalist movements, eventually rising to lead the BNP during a period in which the party achieved its greatest electoral success. Under his leadership, the BNP secured representation in the European Parliament, where Griffin served as a Member of the European Parliament (MEP) for North West England from 2009 to 2014. Throughout his career, he has been a controversial and polarising figure, particularly due to his views on immigration, national identity, and multiculturalism. Supporters have described him as a critic of globalisation and mass immigration, while critics have strongly opposed his political positions and associations. Following his departure from frontline party politics, Griffin has remained active as a writer and commentator, sharing his views on geopolitics, culture, and societal change through independent media platforms, including his Substack. His work today focuses on political analysis, historical interpretation, and commentary on global power structures, often challenging mainstream narratives and encouraging debate on issues such as sovereignty, identity, and the future of Western societies. About this Episode - This was such a surreal conversation on the podcast. I had to sit back halfway through and think, how did I end up here, sitting across from Nick Griffin of all people, unpacking everything from childhood, identity and ideology, to immigration, power and the future of civilisation. We started where it all begins, our upbringing. I reflected on growing up in Glasgow, my experiences, my lens, and how the smallest things shape your worldview more than you realise. And why Nick Griffin, for me, was the boogeyman. Nick shared his early political influences, what drew him into activism, and how his thinking has evolved over time. Whether people agree with him or not, understanding how someone arrives at their beliefs is always more valuable than simply dismissing them. From there, we moved into immigration and multiculturalism, a topic that is impossible to ignore today. We explored whether mass migration strengthens or fragments societies, and the tension between cultural identity and integration. I have always believed you can hold two ideas at once, recognising both the beauty of cultural diversity and the reality that cohesion matters if a society is to function in the long run. Religion naturally came into the discussion too, not just as belief, but as a civilisational force. We talked about Christianity, Islam, and how religious frameworks have historically shaped societies, for better or worse. It is impossible to understand the present without acknowledging the spiritual and philosophical foundations of the past. We also dug into history, colonialism, land ownership, and the way narratives are constructed. One of the recurring themes, as you will not be surprised to hear, was how much of what we are taught is simplified, distorted, or simply incomplete. The shift from land based, self sufficient communities to industrialised labour was not just progress. It came at a cost, displacement, dependency, the reorganisation of power, and the erosion of family and community. And that word kept coming up, power. Who has it, how they maintain it, and whether what we see today is organic or engineered. We explored the idea that modern societies are shaped not just by visible politics, but by deeper systems, financial structures, ideological movements, and long term strategies that most people never see. The concept of a quiet war against populations is controversial, but as I have said before, I believe it is real. A quiet war against humanity, particularly in the West, fought with silent weapons, and one that has been unfolding for decades. We also spoke about disillusionment with modern politics, including Nick’s involvement with the British National Party. The idea that we are presented with genuine choice feels increasingly hollow. It looks more and more like theatre. Different faces, same direction. One thread that ran through this entire conversation was simple, the solutions are not going to come from the top down. Not from political leaders, not from parties, not from billionaires or philanthropists. They have to come from the people, from families, from local communities, and from real relationships. Strengthening those is far more powerful than arguing over which politician is slightly less bad than the next. We also touched on identity. What does it actually mean to be British? Does Britain even exist as a coherent idea anymore? And would smaller, more localised governance serve people better, whether as English, Scottish, Welsh, or Irish communities? What I found most interesting was that despite all the heavy topics, there were moments of reflection, humility, and even agreement. Cultural differences are real, but so are shared human experiences. And if we are going to navigate the future, we need to understand both. I also reflected on my own journey, the mistakes, the regrets, the lessons. Because none of us arrive at our views fully formed. We evolve, often through hardship. We are living through a period of massive change, demographic, cultural, economic, technological. The question is not whether change is happening, it is whether we understand it, and whether we respond consciously or simply react. For me, it comes back to something simple. Strengthen your family. Strengthen your community. Stay curious. Question everything. I have to admit, I was very impressed by Nick. He is clearly erudite, articulate, and well informed. It was a pleasure to have him on the show, and I look forward to having him back. I would urge you to check out his Substack. There is a reason the establishment wanted him discredited and removed. I believe that had he remained in politics, he would have been a powerful force, one that is not controlled. And that is what the establishment fears most of all. Much love Doc Malik Links - If you value my podcasts, please support the show by making a one-off donation. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Nick Griffin Beyond the Pale

Doc Malik

11,113 Aufrufe • vor 5 Monaten

Journey through Hell made with seedance 2.5 prompt :One continuous 30-second chaotic amateur first-person smartphone video filmed by a standing passenger inside a completely packed magnetic-levitation commuter train. Single unbroken take with no cuts, jump cuts, dissolves, crossfades, double exposures, portals, morphing or artificial scene transitions. The train begins as an ordinary weekday commute on Earth and then physically travels downward on an impossible journey — through subway tunnels into bedrock, into a colossal void beneath the crust, past a soot-blackened waiting platform, through an immense eroded gate, out above a burning plain, down the terraced wall of a vast pit, and into the inhabited depths of Hell. Everything must feel physically connected, as though the same train is genuinely travelling down through each environment. The tone is bureaucratic dread, not horror-movie shock. This is a scheduled service. The route is old, the infrastructure is worn, and the train runs it the way it runs any other line. The horror comes from how ordinary the journey is and how enormous the destination turns out to be. The interior is a completely packed standing-room-only maglev commuter car. Passengers are pressed shoulder-to-shoulder, gripping overhead straps and vertical poles. Backpacks are squeezed between bodies, coats and loose clothing shift with acceleration, straps swing on their inertia, and the entire carriage constantly vibrates and rattles. The camera is a cheap smartphone held at chest height by one standing passenger who grips a pole with the other hand. The phone itself is NEVER visible because the phone is the camera. The framing is crooked, slightly off-centre, partially blocked by shoulders and arms, and imperfect like genuine accidental footage. The camera constantly shakes, rolls, yaws and gets thrown around by acceleration. Use realistic rolling-shutter distortion, autofocus hunting, exposure pumping, blown highlights, crushed noisy shadows, low-bitrate compression, macroblocking and smeared motion blur. It must look like genuine spontaneous smartphone footage, not professional cinematic footage. The camera always looks through the LEFT-SIDE WINDOWS at approximately 90 degrees to the train's direction of travel. The train always travels forward and the outside world always streams past the windows from front-to-back. Never switch to a forward-facing train-nose view. Never show the front of the train. The same carriage, same passengers, same poles, same straps and same windows remain visually consistent throughout the entire journey. The interior is the constant realistic anchor while the outside world becomes increasingly impossible. 0 to 3 seconds. Begin with an ordinary overcast weekday commute on an elevated urban line. Grey apartment blocks, rooftop water tanks, a scrapyard, overhead wires, a canal and traffic on a road below streak past the left windows at different distances with realistic parallax. The passengers are tired and mostly uninterested — some on phones, some staring out, some talking quietly. A calm public-address chime sounds and an announcer quietly says, "Next stop: Hell." Nobody reacts. One passenger glances up briefly and goes back to their phone. The train accelerates and everyone instinctively tightens their grip as the carriage gives a hard lateral jolt. 3 to 6 seconds. The line drops into a cutting and then into a tunnel. Tiled subway walls, cable runs, service lights and a passing platform strobe across the windows in hard bands of light and dark, throwing the carriage into stuttering illumination. The tunnel ages as the train descends: modern concrete becomes older brickwork, then rough-cut stone. The fittings become scorched and soot-caked — blackened signal lights, corroded brackets, cabling burnt down to bare metal. This route has been running a long time. The gradient steepens noticeably; passengers lean back against the pitch and the straps hang visibly off-vertical. 6 to 9 seconds. The tunnel wall becomes raw geology and the train is now clearly descending through the crust at impossible speed. Through the left windows the rock face streaks past in visible strata — pale limestone, dark shale, red iron-stained bands, seams catching the carriage light. The air begins to heat and passengers loosen collars. Then, under the mechanical roar, a sound arrives before anything is visible: a vast, distant, continuous mass of human voices, far away and heavily reverberant, never resolving into individual words. It is not loud. It is simply there, and it does not stop. Two passengers look at each other. Nobody says anything. 9 to 11.5 seconds. The rock wall falls away entirely and the train emerges into a void larger than a city, with no visible far side. It runs along a ledge on the wall; below the windows the space drops away into darkness. Stone columns kilometres tall stand in the void with strong parallax — near ones sweeping past, distant ones barely shifting. Far below and far ahead, a faint orange glow is already visible. It must already exist in the frame from this moment and grow continuously from here forward without ever popping or suddenly enlarging. The voices are louder here, spread across an enormous space. One passenger near the glass leans forward slightly. Another quietly says, "Ohh." 11.5 to 14 seconds. The train passes a station. A soot-blackened platform is cut into the rock wall — worn edge, dead lamps, faded markings unreadable under the grime — and figures are standing on it in an orderly queue, waiting, facing the track, completely motionless. They are seen for less than a second at speed, as dark shapes against the platform light, never close enough to read faces. The train does not slow. Nobody boards. The platform is gone behind the carriage. This is the moment the passengers understand. Several stop looking at their phones. Embers begin drifting upward past the windows from below. 14 to 16 seconds. Ahead, a wall crosses the entire void — a single continuous barrier extending beyond sight in both directions and upward past the ceiling. The train passes through an immense gateway cut into it, an arch hundreds of metres tall, its stone eroded smooth by an unimaginable volume of traffic, its carved markings worn past legibility. For half a second the carriage is in the shadow of the arch and everything goes dark. Then it is through, and the light on the far side is completely different: warm, hard, and coming from below. 16 to 19 seconds. The train races above a burning plain. Outside the left windows: a vast crusted expanse of dark solidified ground cracked into slow-moving plates with brilliant orange fissures running between them, distant fountains of molten material rising and falling in slow motion because of their true scale, and smoke columns standing kilometres high. Running across it are raised stone causeways, and on the causeways are crowds — dense, continuous, moving slowly, all in the same direction, extending to the limit of visibility. They are seen only as masses at distance, never in detail. The light entering the carriage is now dominant and hard, throwing sharp orange edges on faces, poles and straps with deep black shadows behind them. The interior air is visibly hazy. The voices are constant. 19 to 21 seconds. The plain ends at the rim of a colossal pit — a shaft so wide the far wall is only a suggestion in the haze. The train races over the edge and begins descending along the interior wall. The wall is terraced: enormous concentric ledges receding downward, each deeper and darker than the last, disappearing into smoke layers. The descent acceleration pushes the passengers down and forward against the poles. Ash begins striking the windows and streaking backward. 21 to 23 seconds. The terraces are populated. Endless slow processions move along every ledge, strings of figures following the curve of the wall down into the smoke and out of sight, lit from below by the fires beneath them. There is no chaos in it — it is orderly, patient and entirely without end, which is worse. Furnace mouths open in the rock face, glowing white at their throats, and long queues stand before them. Everything is at distance. Nothing is close enough to resolve. The light entering the carriage takes on a deeper red and the fluorescents are overwhelmed. Passengers nearest the window press slightly closer to the glass. 23 to 25 seconds. Enormous shapes move among the terraces — figures many times the height of the crowds around them, walking slowly along the ledges, their scale established only by comparison. They do not look at the train. Distant winged forms cross beneath the carriage at low altitude with slow heavy wingbeats appropriate to their size and vanish into the smoke. Stone pens and barred openings are cut into the wall in their thousands, receding into the haze like housing. Ash accumulates in the corners of the windows. The carriage is hot enough that the glass fogs and clears in waves. 25 to 27 seconds. The train reaches the deep layer and the full extent of Hell reveals itself. It is not a city on a human plan and it is not a cavern. It is a continuous inhabited geology extending in every direction — towers of black stone fused into cliff faces, vaults hollowed out of the rock at cathedral scale, rivers of molten material running in cut channels between districts and falling in slow luminous cataracts to levels further down, bridges spanning gaps kilometres across, and everywhere on all of it, crowds. Smoke columns rise for kilometres and flatten against unseen ceilings. Every level is lit by its own fires. The train races along a ridge line through the middle of it; arches and aqueduct spans pass overhead and terraces stream past below the window with violent parallax. It is impossible to see where any of it ends. 27 to 29 seconds. The depths continue past the windows. The camera struggles badly with the contrast, blowing out the fires and crushing everything else into noise. Ash cakes the corners of the glass. Passengers are pressed against the windows in total silence, faces lit from below in hard orange, expressions stunned and completely still. One person quietly whispers, "What is that?" Nobody answers. Autofocus hunts between the ash on the glass and the world beyond it. 29 to 30 seconds. The fires end. The train passes out of the smoke and the lowest region opens — and it is not burning. It is a vast frozen plain stretching beyond the visible horizon, an impossibly wide sheet of dark grey ice, absolutely still, lit by nothing but a faint pale glow from within itself. Shapes are visible held motionless within it, spaced far apart, receding to the horizon, never shown in detail. Every exterior sound stops at once — the voices, the fires, everything — leaving only the carriage. The heat drops out and frost blooms instantly across the outside of the windows. The scale feels planetary. The passengers stare in complete silence. At approximately 29.7 seconds the calm PA voice says quietly, "Welcome to Hell." The train continues moving. The camera keeps shaking naturally as the frozen expanse extends endlessly beyond the left window. Lighting The lighting must evolve naturally throughout the journey. Begin with flat overcast daylight around 6500K. In the tunnels use harsh strobing bands from passing service lights against near-total dark, then let the sources become sparse until the carriage's own weak fluorescent tubes are the only illumination. In the void the interior lights fall off into nothing. Then introduce a growing warm orange from below — first a faint wash on the lower half of faces, then mixing with the cold interior white, then completely dominating it: hard, high-contrast, sharp-edged, with deep black shadows. Above the burning plain it should be strong enough to blow out the phone's sensor at the window. In the deep layer it becomes red-orange and omnidirectional from countless fires at every distance. In the final second all warm light vanishes and is replaced by a faint pale luminance from the ice, cold and almost sourceless. All exterior light must enter naturally through the LEFT-SIDE WINDOWS and fall across passengers' faces and clothing at every stage. Do not add artificial interior lighting to create the colours. Passengers Keep all passengers completely ordinary throughout the journey. Realistic skin texture, subtle capillary variation, natural blinking, breathing, eye movement and imperfect facial symmetry. Clothing has realistic folds and responds to acceleration. Passengers must continuously perform small independent movements: shifting weight, adjusting grip, loosening a collar in the heat, wiping fog from the glass, turning their heads, tightening their hands around poles. Do not make them freeze. Do not make everyone react at the same moment. Do not let them perform dramatic acting. Their emotional progression is subtle: indifference at the announcement → mild confusion in the tunnels → unease when the voices arrive → the exact moment of understanding as the waiting platform passes → dread on the descent → complete stunned silence in the depths. No screaming. Only one soft "Ohh" at the first glow and one whispered "What is that?" near the end. The most powerful reaction is no reaction — just faces pressed against the glass, lit from below by something that should not exist. Physics The train always travels forward and always downward after the tunnel. Passengers sway according to acceleration and lean against the gradient; straps hang off-vertical on the descents. Loose clothing reacts to movement. Exterior objects have different velocities and distances with strong realistic parallax at every stage — near stone columns sweep past, mid-distance terraces move steadily, distant districts barely shift. Ash and embers must move independently of the train, drifting upward on thermal currents rather than streaming with the carriage. Heat must be expressed physically: window fogging and clearing, haze inside the carriage, frost at the very end. Enormous figures and flying forms must move slowly, because they are enormous. Nothing teleports, nothing freezes, nothing suddenly appears, and nothing changes position without physical cause. No transitions There are absolutely no visual transitions. No dissolves, crossfades, portals, morphing or ghosted overlays. Every environment change happens because the train physically travels into the next environment. The city becomes a cutting, the cutting becomes a tunnel, the tunnel becomes bedrock, the bedrock opens into the void, the void contains the waiting platform, the void ends at the wall, the gateway gives onto the burning plain, the plain ends at the pit rim, the rim becomes a terraced descent, the terraces fill with processions, the processions become the full inhabited depths, and the depths open onto the frozen plain. It must feel like one physically continuous impossible journey where every step is the inevitable consequence of the step before it. Audio Audio must be entirely diegetic with no music. Use cheap compressed smartphone microphone quality. The train produces a constant deep maglev roar, mechanical clatter, rattling poles, vibrating windows, swinging straps and low-frequency carriage rumble, plus passenger breathing and clothing movement. In the tunnels add hard reverberant slap-back and pressure changes as the train passes openings. The defining sound of this video is the voices. They must arrive at 6 to 9 seconds, before anything is visible, as a distant continuous mass of human voices with enormous reverberation, never resolving into words and never rising to screaming. From that point they never stop. They grow with depth and spread across a wider stereo field as the spaces open up. Beneath them, a very low frequency resonance builds steadily, felt more than heard. Above the burning plain add a broad distant roar and irregular deep concussions at long intervals. Ash strikes the hull as fine irregular ticking. In the depths the voices are vast, layered at many distances, and mixed with immense indistinct industrial-scale sound that never resolves into detail. In the final second every exterior sound stops at once — total silence outside, leaving only the carriage, the passengers' breathing, and ice creaking against the hull. At approximately 29.7 seconds the calm PA voice says quietly, "Welcome to Hell." Style and content limits The overall style must remain dirty photorealistic amateur smartphone footage despite the spectacular environments. Vertical 9:16, real-time speed, no slow motion, no stabilisation, no cinematic camera, no perfect composition, no clean VFX presentation. Use heavy shadow noise, blown highlights, low-bitrate compression, rolling-shutter skew, autofocus hunting, auto-exposure pumping, smeared motion blur and crooked framing. The camera should occasionally be partially blocked by a shoulder, arm or nearby passenger, and should struggle badly with the extreme contrast between fire and darkness. Hell is conveyed through scale, architecture, crowds at distance, fire, ash and sound. Do not show suffering, injury, bodies, blood, restraints or any graphic content. Every figure outside the train stays a distant silhouette or part of a mass — none is ever close enough for its face or condition to be read. Do not use recognisable religious iconography or legible text of any kind; all markings are eroded past legibility. Do not make it look like a game cinematic or a clean VFX render. The world outside should be overwhelming and physically impossible, but the recording itself must look raw, accidental and believable. The most important rule ONE SINGLE CONTINUOUS TAKE. No cuts, no jump cuts, no dissolves, no crossfades, no scene resets and no artificial transitions. The same train, same passengers and same camera remain present from beginning to end. The orange glow must be visible as a faint distant smudge from the first cavern and grow continuously and inevitably until it fills the window. The voices must arrive before the fire and never stop until the final second. The heat must build physically across the whole descent so that its total disappearance at the end lands as a shock. The population must emerge gradually — the waiting platform, then crowds on the causeways, then processions on the terraces, then the full inhabited depths — never appearing all at once. End while the train is still moving, the frozen plain extending endlessly beyond the left window, passengers silent, carriage still shaking, the PA announcement fading into the sound of ice.

Journey through Hell made with seedance 2.5 prompt :One continuous 30-second chaotic amateur first-person smartphone video filmed by a standing passenger inside a completely packed magnetic-levitation commuter train. Single unbroken take with no cuts, jump cuts, dissolves, crossfades, double exposures, portals, morphing or artificial scene transitions. The train begins as an ordinary weekday commute on Earth and then physically travels downward on an impossible journey — through subway tunnels into bedrock, into a colossal void beneath the crust, past a soot-blackened waiting platform, through an immense eroded gate, out above a burning plain, down the terraced wall of a vast pit, and into the inhabited depths of Hell. Everything must feel physically connected, as though the same train is genuinely travelling down through each environment. The tone is bureaucratic dread, not horror-movie shock. This is a scheduled service. The route is old, the infrastructure is worn, and the train runs it the way it runs any other line. The horror comes from how ordinary the journey is and how enormous the destination turns out to be. The interior is a completely packed standing-room-only maglev commuter car. Passengers are pressed shoulder-to-shoulder, gripping overhead straps and vertical poles. Backpacks are squeezed between bodies, coats and loose clothing shift with acceleration, straps swing on their inertia, and the entire carriage constantly vibrates and rattles. The camera is a cheap smartphone held at chest height by one standing passenger who grips a pole with the other hand. The phone itself is NEVER visible because the phone is the camera. The framing is crooked, slightly off-centre, partially blocked by shoulders and arms, and imperfect like genuine accidental footage. The camera constantly shakes, rolls, yaws and gets thrown around by acceleration. Use realistic rolling-shutter distortion, autofocus hunting, exposure pumping, blown highlights, crushed noisy shadows, low-bitrate compression, macroblocking and smeared motion blur. It must look like genuine spontaneous smartphone footage, not professional cinematic footage. The camera always looks through the LEFT-SIDE WINDOWS at approximately 90 degrees to the train's direction of travel. The train always travels forward and the outside world always streams past the windows from front-to-back. Never switch to a forward-facing train-nose view. Never show the front of the train. The same carriage, same passengers, same poles, same straps and same windows remain visually consistent throughout the entire journey. The interior is the constant realistic anchor while the outside world becomes increasingly impossible. 0 to 3 seconds. Begin with an ordinary overcast weekday commute on an elevated urban line. Grey apartment blocks, rooftop water tanks, a scrapyard, overhead wires, a canal and traffic on a road below streak past the left windows at different distances with realistic parallax. The passengers are tired and mostly uninterested — some on phones, some staring out, some talking quietly. A calm public-address chime sounds and an announcer quietly says, "Next stop: Hell." Nobody reacts. One passenger glances up briefly and goes back to their phone. The train accelerates and everyone instinctively tightens their grip as the carriage gives a hard lateral jolt. 3 to 6 seconds. The line drops into a cutting and then into a tunnel. Tiled subway walls, cable runs, service lights and a passing platform strobe across the windows in hard bands of light and dark, throwing the carriage into stuttering illumination. The tunnel ages as the train descends: modern concrete becomes older brickwork, then rough-cut stone. The fittings become scorched and soot-caked — blackened signal lights, corroded brackets, cabling burnt down to bare metal. This route has been running a long time. The gradient steepens noticeably; passengers lean back against the pitch and the straps hang visibly off-vertical. 6 to 9 seconds. The tunnel wall becomes raw geology and the train is now clearly descending through the crust at impossible speed. Through the left windows the rock face streaks past in visible strata — pale limestone, dark shale, red iron-stained bands, seams catching the carriage light. The air begins to heat and passengers loosen collars. Then, under the mechanical roar, a sound arrives before anything is visible: a vast, distant, continuous mass of human voices, far away and heavily reverberant, never resolving into individual words. It is not loud. It is simply there, and it does not stop. Two passengers look at each other. Nobody says anything. 9 to 11.5 seconds. The rock wall falls away entirely and the train emerges into a void larger than a city, with no visible far side. It runs along a ledge on the wall; below the windows the space drops away into darkness. Stone columns kilometres tall stand in the void with strong parallax — near ones sweeping past, distant ones barely shifting. Far below and far ahead, a faint orange glow is already visible. It must already exist in the frame from this moment and grow continuously from here forward without ever popping or suddenly enlarging. The voices are louder here, spread across an enormous space. One passenger near the glass leans forward slightly. Another quietly says, "Ohh." 11.5 to 14 seconds. The train passes a station. A soot-blackened platform is cut into the rock wall — worn edge, dead lamps, faded markings unreadable under the grime — and figures are standing on it in an orderly queue, waiting, facing the track, completely motionless. They are seen for less than a second at speed, as dark shapes against the platform light, never close enough to read faces. The train does not slow. Nobody boards. The platform is gone behind the carriage. This is the moment the passengers understand. Several stop looking at their phones. Embers begin drifting upward past the windows from below. 14 to 16 seconds. Ahead, a wall crosses the entire void — a single continuous barrier extending beyond sight in both directions and upward past the ceiling. The train passes through an immense gateway cut into it, an arch hundreds of metres tall, its stone eroded smooth by an unimaginable volume of traffic, its carved markings worn past legibility. For half a second the carriage is in the shadow of the arch and everything goes dark. Then it is through, and the light on the far side is completely different: warm, hard, and coming from below. 16 to 19 seconds. The train races above a burning plain. Outside the left windows: a vast crusted expanse of dark solidified ground cracked into slow-moving plates with brilliant orange fissures running between them, distant fountains of molten material rising and falling in slow motion because of their true scale, and smoke columns standing kilometres high. Running across it are raised stone causeways, and on the causeways are crowds — dense, continuous, moving slowly, all in the same direction, extending to the limit of visibility. They are seen only as masses at distance, never in detail. The light entering the carriage is now dominant and hard, throwing sharp orange edges on faces, poles and straps with deep black shadows behind them. The interior air is visibly hazy. The voices are constant. 19 to 21 seconds. The plain ends at the rim of a colossal pit — a shaft so wide the far wall is only a suggestion in the haze. The train races over the edge and begins descending along the interior wall. The wall is terraced: enormous concentric ledges receding downward, each deeper and darker than the last, disappearing into smoke layers. The descent acceleration pushes the passengers down and forward against the poles. Ash begins striking the windows and streaking backward. 21 to 23 seconds. The terraces are populated. Endless slow processions move along every ledge, strings of figures following the curve of the wall down into the smoke and out of sight, lit from below by the fires beneath them. There is no chaos in it — it is orderly, patient and entirely without end, which is worse. Furnace mouths open in the rock face, glowing white at their throats, and long queues stand before them. Everything is at distance. Nothing is close enough to resolve. The light entering the carriage takes on a deeper red and the fluorescents are overwhelmed. Passengers nearest the window press slightly closer to the glass. 23 to 25 seconds. Enormous shapes move among the terraces — figures many times the height of the crowds around them, walking slowly along the ledges, their scale established only by comparison. They do not look at the train. Distant winged forms cross beneath the carriage at low altitude with slow heavy wingbeats appropriate to their size and vanish into the smoke. Stone pens and barred openings are cut into the wall in their thousands, receding into the haze like housing. Ash accumulates in the corners of the windows. The carriage is hot enough that the glass fogs and clears in waves. 25 to 27 seconds. The train reaches the deep layer and the full extent of Hell reveals itself. It is not a city on a human plan and it is not a cavern. It is a continuous inhabited geology extending in every direction — towers of black stone fused into cliff faces, vaults hollowed out of the rock at cathedral scale, rivers of molten material running in cut channels between districts and falling in slow luminous cataracts to levels further down, bridges spanning gaps kilometres across, and everywhere on all of it, crowds. Smoke columns rise for kilometres and flatten against unseen ceilings. Every level is lit by its own fires. The train races along a ridge line through the middle of it; arches and aqueduct spans pass overhead and terraces stream past below the window with violent parallax. It is impossible to see where any of it ends. 27 to 29 seconds. The depths continue past the windows. The camera struggles badly with the contrast, blowing out the fires and crushing everything else into noise. Ash cakes the corners of the glass. Passengers are pressed against the windows in total silence, faces lit from below in hard orange, expressions stunned and completely still. One person quietly whispers, "What is that?" Nobody answers. Autofocus hunts between the ash on the glass and the world beyond it. 29 to 30 seconds. The fires end. The train passes out of the smoke and the lowest region opens — and it is not burning. It is a vast frozen plain stretching beyond the visible horizon, an impossibly wide sheet of dark grey ice, absolutely still, lit by nothing but a faint pale glow from within itself. Shapes are visible held motionless within it, spaced far apart, receding to the horizon, never shown in detail. Every exterior sound stops at once — the voices, the fires, everything — leaving only the carriage. The heat drops out and frost blooms instantly across the outside of the windows. The scale feels planetary. The passengers stare in complete silence. At approximately 29.7 seconds the calm PA voice says quietly, "Welcome to Hell." The train continues moving. The camera keeps shaking naturally as the frozen expanse extends endlessly beyond the left window. Lighting The lighting must evolve naturally throughout the journey. Begin with flat overcast daylight around 6500K. In the tunnels use harsh strobing bands from passing service lights against near-total dark, then let the sources become sparse until the carriage's own weak fluorescent tubes are the only illumination. In the void the interior lights fall off into nothing. Then introduce a growing warm orange from below — first a faint wash on the lower half of faces, then mixing with the cold interior white, then completely dominating it: hard, high-contrast, sharp-edged, with deep black shadows. Above the burning plain it should be strong enough to blow out the phone's sensor at the window. In the deep layer it becomes red-orange and omnidirectional from countless fires at every distance. In the final second all warm light vanishes and is replaced by a faint pale luminance from the ice, cold and almost sourceless. All exterior light must enter naturally through the LEFT-SIDE WINDOWS and fall across passengers' faces and clothing at every stage. Do not add artificial interior lighting to create the colours. Passengers Keep all passengers completely ordinary throughout the journey. Realistic skin texture, subtle capillary variation, natural blinking, breathing, eye movement and imperfect facial symmetry. Clothing has realistic folds and responds to acceleration. Passengers must continuously perform small independent movements: shifting weight, adjusting grip, loosening a collar in the heat, wiping fog from the glass, turning their heads, tightening their hands around poles. Do not make them freeze. Do not make everyone react at the same moment. Do not let them perform dramatic acting. Their emotional progression is subtle: indifference at the announcement → mild confusion in the tunnels → unease when the voices arrive → the exact moment of understanding as the waiting platform passes → dread on the descent → complete stunned silence in the depths. No screaming. Only one soft "Ohh" at the first glow and one whispered "What is that?" near the end. The most powerful reaction is no reaction — just faces pressed against the glass, lit from below by something that should not exist. Physics The train always travels forward and always downward after the tunnel. Passengers sway according to acceleration and lean against the gradient; straps hang off-vertical on the descents. Loose clothing reacts to movement. Exterior objects have different velocities and distances with strong realistic parallax at every stage — near stone columns sweep past, mid-distance terraces move steadily, distant districts barely shift. Ash and embers must move independently of the train, drifting upward on thermal currents rather than streaming with the carriage. Heat must be expressed physically: window fogging and clearing, haze inside the carriage, frost at the very end. Enormous figures and flying forms must move slowly, because they are enormous. Nothing teleports, nothing freezes, nothing suddenly appears, and nothing changes position without physical cause. No transitions There are absolutely no visual transitions. No dissolves, crossfades, portals, morphing or ghosted overlays. Every environment change happens because the train physically travels into the next environment. The city becomes a cutting, the cutting becomes a tunnel, the tunnel becomes bedrock, the bedrock opens into the void, the void contains the waiting platform, the void ends at the wall, the gateway gives onto the burning plain, the plain ends at the pit rim, the rim becomes a terraced descent, the terraces fill with processions, the processions become the full inhabited depths, and the depths open onto the frozen plain. It must feel like one physically continuous impossible journey where every step is the inevitable consequence of the step before it. Audio Audio must be entirely diegetic with no music. Use cheap compressed smartphone microphone quality. The train produces a constant deep maglev roar, mechanical clatter, rattling poles, vibrating windows, swinging straps and low-frequency carriage rumble, plus passenger breathing and clothing movement. In the tunnels add hard reverberant slap-back and pressure changes as the train passes openings. The defining sound of this video is the voices. They must arrive at 6 to 9 seconds, before anything is visible, as a distant continuous mass of human voices with enormous reverberation, never resolving into words and never rising to screaming. From that point they never stop. They grow with depth and spread across a wider stereo field as the spaces open up. Beneath them, a very low frequency resonance builds steadily, felt more than heard. Above the burning plain add a broad distant roar and irregular deep concussions at long intervals. Ash strikes the hull as fine irregular ticking. In the depths the voices are vast, layered at many distances, and mixed with immense indistinct industrial-scale sound that never resolves into detail. In the final second every exterior sound stops at once — total silence outside, leaving only the carriage, the passengers' breathing, and ice creaking against the hull. At approximately 29.7 seconds the calm PA voice says quietly, "Welcome to Hell." Style and content limits The overall style must remain dirty photorealistic amateur smartphone footage despite the spectacular environments. Vertical 9:16, real-time speed, no slow motion, no stabilisation, no cinematic camera, no perfect composition, no clean VFX presentation. Use heavy shadow noise, blown highlights, low-bitrate compression, rolling-shutter skew, autofocus hunting, auto-exposure pumping, smeared motion blur and crooked framing. The camera should occasionally be partially blocked by a shoulder, arm or nearby passenger, and should struggle badly with the extreme contrast between fire and darkness. Hell is conveyed through scale, architecture, crowds at distance, fire, ash and sound. Do not show suffering, injury, bodies, blood, restraints or any graphic content. Every figure outside the train stays a distant silhouette or part of a mass — none is ever close enough for its face or condition to be read. Do not use recognisable religious iconography or legible text of any kind; all markings are eroded past legibility. Do not make it look like a game cinematic or a clean VFX render. The world outside should be overwhelming and physically impossible, but the recording itself must look raw, accidental and believable. The most important rule ONE SINGLE CONTINUOUS TAKE. No cuts, no jump cuts, no dissolves, no crossfades, no scene resets and no artificial transitions. The same train, same passengers and same camera remain present from beginning to end. The orange glow must be visible as a faint distant smudge from the first cavern and grow continuously and inevitably until it fills the window. The voices must arrive before the fire and never stop until the final second. The heat must build physically across the whole descent so that its total disappearance at the end lands as a shock. The population must emerge gradually — the waiting platform, then crowds on the causeways, then processions on the terraces, then the full inhabited depths — never appearing all at once. End while the train is still moving, the frozen plain extending endlessly beyond the left window, passengers silent, carriage still shaking, the PA announcement fading into the sound of ice.

Ciri

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