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𝓘𝓶𝓹𝓸𝓼𝓼𝓲𝓫𝓵𝓮, 𝓝𝓪𝓽𝓾𝓻𝓪𝓵𝓵𝔂 🌊 Reality changes shape without asking permission. 🛠️ Midjourney + Seedance 2.0 + Topaz

AlexandrIA

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11,901 Aufrufe • vor 2 Monaten •via X (Twitter)

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𝐼𝓃𝓃𝑒𝓇𝒷𝓁𝑜𝑜𝓂 🌺 This weekend, let your ideas blossom 🛠️ Midjourney + Seedance 2.0 + Topaz

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2 Months / 80+ Seedance 2.0 clips. This is the project that took me the longest to finish. Imagery: Midjourney · GPT Image 2 Animation: Seedance 2.0 on Runway Upscale: Topaz Labs SPL 2.5 Music: Suno Edit & color: DaVinci Resolve The story / breakdown 👇

2 Months / 80+ Seedance 2.0 clips. This is the project that took me the longest to finish. Imagery: Midjourney · GPT Image 2 Animation: Seedance 2.0 on Runway Upscale: Topaz Labs SPL 2.5 Music: Suno Edit & color: DaVinci Resolve The story / breakdown 👇

ibexdream

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seedance 2.0 fast with storyboards X #seedance without storyboard I made this using AI lab on CapCut with Street Football style the last animation is a bonus combo Midjourney V7 + GPT 2 on ChatGPT and same prompt

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Cia0

18,518 Aufrufe • vor 2 Monaten

Hollywood thinks it has time. It doesn’t. A tiny team just created a 10-minute film using Seedance 2.0 on Higgsfield… No studio. No crew. No million-dollar budget. Just AI and vision. This isn’t “AI content” anymore. This is filmmaking without permission. And it’s about to change everything.

Hollywood thinks it has time. It doesn’t. A tiny team just created a 10-minute film using Seedance 2.0 on Higgsfield… No studio. No crew. No million-dollar budget. Just AI and vision. This isn’t “AI content” anymore. This is filmmaking without permission. And it’s about to change everything.

RAVI KUMAR SAHU

39,455 Aufrufe • vor 5 Monaten

🌀 Myth: Iran had dignity and prestige during the Pahlavi era. ⚡Reality ( narrated by Ayatollah Khamenei ): Americans treated Iran like their backyard — even taking our fighter jets without asking Mohammad Reza Shah for permission‼️ Sound familiar⁉️ Without the Islamic Revolution, #Iran would have ended up as another submissive, oil-rich puppet state like Saudi Arabia, the UAE, or Qatar — without dignity, and without independence.

🌀 Myth: Iran had dignity and prestige during the Pahlavi era. ⚡Reality ( narrated by Ayatollah Khamenei ): Americans treated Iran like their backyard — even taking our fighter jets without asking Mohammad Reza Shah for permission‼️ Sound familiar⁉️ Without the Islamic Revolution, #Iran would have ended up as another submissive, oil-rich puppet state like Saudi Arabia, the UAE, or Qatar — without dignity, and without independence.

PersianGulf313💚 ☫❤️

69,635 Aufrufe • vor 10 Monaten

Claude Opus 5 + Seedance 2.0 = insane AI street interview ads 🤯 Character consistency, voice consistency, and product fidelity across a full 45-second continuous ad. All one with Claude Opus Skill. Perfect for DTC brands and agencies who want the highest-converting UGC format without hiring a crew, finding strangers, or chasing release forms. If you've ever tried to fake a street interview, you know the character changes between clips. The voice drifts. The background stops matching. This combo eliminates the entire loop: → Answer 3 questions in Claude — angle, who gets stopped, how long → Claude writes the interview script and every Seedance prompt in order → Generate your on-camera person in ChatGPT Images 2.0 → Generate clip 1 in Seedance 2.0 → Feed each finished clip back in as the reference for the next one → Edit for pace in CapCut No casting. No location. No creator fees. What you get: → A 4-part script where she hedges, stalls, and admits something — instead of listing benefits → 3 casting prompts so you pick the person before you spend a credit → Every Seedance prompt written out, with the reference chain mapped per clip → A reference chain that holds all 4 generations without the face degrading Built 100% with Claude Opus 5 and Seedance 2.0. 📌 Get the free Street Interview skill here:

Claude Opus 5 + Seedance 2.0 = insane AI street interview ads 🤯 Character consistency, voice consistency, and product fidelity across a full 45-second continuous ad. All one with Claude Opus Skill. Perfect for DTC brands and agencies who want the highest-converting UGC format without hiring a crew, finding strangers, or chasing release forms. If you've ever tried to fake a street interview, you know the character changes between clips. The voice drifts. The background stops matching. This combo eliminates the entire loop: → Answer 3 questions in Claude — angle, who gets stopped, how long → Claude writes the interview script and every Seedance prompt in order → Generate your on-camera person in ChatGPT Images 2.0 → Generate clip 1 in Seedance 2.0 → Feed each finished clip back in as the reference for the next one → Edit for pace in CapCut No casting. No location. No creator fees. What you get: → A 4-part script where she hedges, stalls, and admits something — instead of listing benefits → 3 casting prompts so you pick the person before you spend a credit → Every Seedance prompt written out, with the reference chain mapped per clip → A reference chain that holds all 4 generations without the face degrading Built 100% with Claude Opus 5 and Seedance 2.0. 📌 Get the free Street Interview skill here:

Mike Futia

11,620 Aufrufe • vor 1 Monat

What if aliens lived among us? Would we really accept them? If they drove taxis, sold tomatoes at the market, joined us at the neighborhood coffeehouse, and played football with us… Would they eventually become one of us? Or would we simply get used to their presence without ever truly letting them in? I made INTEGRATION, a 9-minute AI mockumentary, around that question. It may seem funny at first, but as the story unfolds, you realize it was never really about aliens. Turn on captions to watch with English subtitles. AI tools used: Script development and prompting: Hermes (ChatGPT, Claude) Image generation: GPT Image 2, Nano Banana 2 Video generation: Gemini Omni Flash, Kling 3.0, Seedance 2.0, Grok Imagine 1.5 Upscale: Topaz Music: Epidemic Sound, Suno Editing: Adobe Premiere Pro

What if aliens lived among us? Would we really accept them? If they drove taxis, sold tomatoes at the market, joined us at the neighborhood coffeehouse, and played football with us… Would they eventually become one of us? Or would we simply get used to their presence without ever truly letting them in? I made INTEGRATION, a 9-minute AI mockumentary, around that question. It may seem funny at first, but as the story unfolds, you realize it was never really about aliens. Turn on captions to watch with English subtitles. AI tools used: Script development and prompting: Hermes (ChatGPT, Claude) Image generation: GPT Image 2, Nano Banana 2 Video generation: Gemini Omni Flash, Kling 3.0, Seedance 2.0, Grok Imagine 1.5 Upscale: Topaz Music: Epidemic Sound, Suno Editing: Adobe Premiere Pro

Ozan Sihay

11,092 Aufrufe • vor 1 Monat

K-pop aesthetic meets futuristic warrior vibes! 🖤✨ I’ve been experimenting with a cinematic K-pop look lately, and the results are blowing my mind. I started by generating the base characters in Grok Imagine and Midjourney, then blended them using Nano Banana Pro into a single still image to achieve the perfect mix of idol styling and tactical armor.. From there, I used Dreamina AI Seedance 2.0 to animate the choreography, upscaled with Topaz Labs for that 4K finish, and tied the whole mood together with some custom color grading in Adobe Video Premiere. In this clip, you see a fierce group of dancers performing in a dark, post-apocalyptic landscape. The sharp movements and high-tech outfits create such a powerful, otherworldly atmosphere. This kind of style is perfect for a futuristic music video concept, a sci-fi movie teaser, or a high-end social media ad. #DreaminaSeedance2 #DreaminaAI #DreaminaCPP #Seedance2 #seedream5lite

K-pop aesthetic meets futuristic warrior vibes! 🖤✨ I’ve been experimenting with a cinematic K-pop look lately, and the results are blowing my mind. I started by generating the base characters in Grok Imagine and Midjourney, then blended them using Nano Banana Pro into a single still image to achieve the perfect mix of idol styling and tactical armor.. From there, I used Dreamina AI Seedance 2.0 to animate the choreography, upscaled with Topaz Labs for that 4K finish, and tied the whole mood together with some custom color grading in Adobe Video Premiere. In this clip, you see a fierce group of dancers performing in a dark, post-apocalyptic landscape. The sharp movements and high-tech outfits create such a powerful, otherworldly atmosphere. This kind of style is perfect for a futuristic music video concept, a sci-fi movie teaser, or a high-end social media ad. #DreaminaSeedance2 #DreaminaAI #DreaminaCPP #Seedance2 #seedream5lite

Dinda Prasetyo

22,713 Aufrufe • vor 5 Monaten

Rahul Gandhi claims there is no "Made in India." The reality tells a different story. Today, Skyroot's Vikram-1 became India's first privately developed orbital rocket to reach space—a defining milestone for India's growing private space ecosystem. From opening the space sector in 2020 to the rise of 400+ space startups, and from Gen Z founders securing global funding to teenagers building cutting-edge AI and deep-tech innovations, a new India is taking shape. This generation isn't waiting for opportunities—it is creating them. They're building, innovating, launching, and competing with the world's best. This is the real growth story. Bharat isn't asking for permission. Bharat is building its future. Vande Mataram! 🇮🇳

Rahul Gandhi claims there is no "Made in India." The reality tells a different story. Today, Skyroot's Vikram-1 became India's first privately developed orbital rocket to reach space—a defining milestone for India's growing private space ecosystem. From opening the space sector in 2020 to the rise of 400+ space startups, and from Gen Z founders securing global funding to teenagers building cutting-edge AI and deep-tech innovations, a new India is taking shape. This generation isn't waiting for opportunities—it is creating them. They're building, innovating, launching, and competing with the world's best. This is the real growth story. Bharat isn't asking for permission. Bharat is building its future. Vande Mataram! 🇮🇳

Megh Updates 🚨™

20,564 Aufrufe • vor 2 Monaten

Someone just submitted a 4-minute Seedance 2.0 film to eleven festivals with no crew, no budget sheet, and no production company attached. The rejection emails started coming back within an hour Not because the film was bad. Because the submission said "cast: zero. crew: one. budget: $0" They thought it was a joke One programmer on the jury replied off the record: "We watched it three times before anyone spoke. Then someone said 'if we reject this we look scared. If we accept it we have to rewrite every category rule we have" A woman walking through neon-lit streets in the rain. Same face four minutes later through seventeen shots and six location changes. A creature in fog. Mountains through clouds. A cockpit at orbital altitude. An explosion in deep space Every frame. One person. Seedance 2.0 Four minutes. Seventeen shots. Six locations. One consistent character. Zero humans in production The first AI feature won't come from a lab with a press release. It'll come from someone working alone who never asked permission I've been breaking down every pipeline behind renders like this for three weeks. Tomorrow I'm dropping the production system that made this possible. The full method, not a teaser If you're not here for it, someone competing for your next job will be

Someone just submitted a 4-minute Seedance 2.0 film to eleven festivals with no crew, no budget sheet, and no production company attached. The rejection emails started coming back within an hour Not because the film was bad. Because the submission said "cast: zero. crew: one. budget: $0" They thought it was a joke One programmer on the jury replied off the record: "We watched it three times before anyone spoke. Then someone said 'if we reject this we look scared. If we accept it we have to rewrite every category rule we have" A woman walking through neon-lit streets in the rain. Same face four minutes later through seventeen shots and six location changes. A creature in fog. Mountains through clouds. A cockpit at orbital altitude. An explosion in deep space Every frame. One person. Seedance 2.0 Four minutes. Seventeen shots. Six locations. One consistent character. Zero humans in production The first AI feature won't come from a lab with a press release. It'll come from someone working alone who never asked permission I've been breaking down every pipeline behind renders like this for three weeks. Tomorrow I'm dropping the production system that made this possible. The full method, not a teaser If you're not here for it, someone competing for your next job will be

Cip⚡️

60,705 Aufrufe • vor 2 Monaten

Meet "Tawan" (ตะวัน means “The sun” 🌞) 20-min Demo AI Animated Film experiment (full feature is 90 mins) With a $500 budget and 1.5 months of work, this story is based on my original idea from 2010... and today, the technology is finally ready to bring it to life. AI showed me that solo creators can now manage an entire animation workflow. No need to pitch to big studios—you can fund yourself and bring your own stories to life. Without AI, this would still be stuck in my head. (Of course, the quality is still far from high-budget films from big studios that have 300-600 people behind them, but I think the gap will close step by step in the future.) This animated created by Seedance 2.0 on Dreamina AI and Kinovi.AI and opening scene by Midjourney - thank you for watching.

Meet "Tawan" (ตะวัน means “The sun” 🌞) 20-min Demo AI Animated Film experiment (full feature is 90 mins) With a $500 budget and 1.5 months of work, this story is based on my original idea from 2010... and today, the technology is finally ready to bring it to life. AI showed me that solo creators can now manage an entire animation workflow. No need to pitch to big studios—you can fund yourself and bring your own stories to life. Without AI, this would still be stuck in my head. (Of course, the quality is still far from high-budget films from big studios that have 300-600 people behind them, but I think the gap will close step by step in the future.) This animated created by Seedance 2.0 on Dreamina AI and Kinovi.AI and opening scene by Midjourney - thank you for watching.

Victorior

4,028,649 Aufrufe • vor 3 Monaten

🥐 fresh "U Got Options" with Ben Hunt Narratives dominate markets over fundamentals in the post-2008 era. Using AI can detect story shifts for better timing and risk control 🔑 Key Takeaways Narratives Drive Prices "Truthy" stories shape moves more than reality; fundamentals matter long-term only AI Maps Narratives Tools scan transcripts, social data to spot bullish + bearish scripts and emerging, dormant stories Common Knowledge Flips Markets Widespread shared stories trigger sharp reactions, even without data changes Dormant Stories = EDGE Position early in "forgotten" narratives before the crowd reacts Options for convexity Pair narrative signals with options to capture inflection-point #volatility Crowd Psychology Markets are reflexive. Narratives build orthogonally to price until critical mass shifts sentiment Cem Karsan Cem Karsan 🥐 Ben Hunt Ben Hunt Full Interview 🥐

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Ozzy

19,362 Aufrufe • vor 7 Monaten

Watching this conversation, what really resonated with me was the clarity of intent. This isn’t about rushing to embrace crypto just because it’s trending - it’s about recognizing the reality that millions of young Pakistanis are already living on-chain. They’re transacting in stablecoins, working across borders, and building digitally native futures without waiting for permission. What Bilal bin Saqib MBE articulated so well is that the role of government isn’t to catch up to hype - it’s to create guardrails for what’s already happening, and to open the door for credible players like WLFI to help shape a more inclusive financial system. The MoU signed between Pakistan and World Liberty Financial is more than a symbolic gesture - it’s a signal that serious groundwork is being laid to bring regulation, innovation, and opportunity together. Proud of the direction we’re heading in, and looking forward to building alongside the WLFI team as this vision comes to life. Zach Witkoff Zak Folkman Chase Herro

Watching this conversation, what really resonated with me was the clarity of intent. This isn’t about rushing to embrace crypto just because it’s trending - it’s about recognizing the reality that millions of young Pakistanis are already living on-chain. They’re transacting in stablecoins, working across borders, and building digitally native futures without waiting for permission. What Bilal bin Saqib MBE articulated so well is that the role of government isn’t to catch up to hype - it’s to create guardrails for what’s already happening, and to open the door for credible players like WLFI to help shape a more inclusive financial system. The MoU signed between Pakistan and World Liberty Financial is more than a symbolic gesture - it’s a signal that serious groundwork is being laid to bring regulation, innovation, and opportunity together. Proud of the direction we’re heading in, and looking forward to building alongside the WLFI team as this vision comes to life. Zach Witkoff Zak Folkman Chase Herro

Momin

38,493 Aufrufe • vor 8 Monaten

you're not hardstuck in League because you lack skill. you're hardstuck because you haven't given yourself permission to win. the ladder isn't climbed by "talented" players. it's climbed by AUDACIOUS CRAZY mfs. here's what nobody's telling you: the guy who hit Challenger? his mechanics weren't 10x yours. his BELIEF was. the one-trick who solo-carries hardstuck teammates? he wasn't smarter. he just had the balls to assume HE was the win condition. the support who created plays out of nothing? he wasn't more talented. he just believed he deserved to dictate the fight. you're sitting there "qualified" and "skilled" waiting for permission to carry waiting for the "right time" to pop off waiting to feel "ready" to climb meanwhile someone worst is taking your LP. here's the truth: audacity beats talent 100% of the time. watched someone with zero macro understanding hit Diamond: the "talented" candidates: perfect CS every game ward every brush watched every guide play scared still 50% WR none of them climbed. the audacious one: mid CS, mid warding decent mechanics played like he was ALREADY Grandmaster walked into fights expecting to win hit Diamond in 200 games what's the difference? talent asks "am i good enough?" audacity says "i'm the win condition" skill waits for jungle ganks audacity creates its own pressure experience wants validation audacity assumes authority here's how you develop audacity in League: stop asking "can i carry this?" start saying "i'm carrying this" stop asking "should i all-in?" start all-inning stop asking "am i ready for this rank?" start playing like you're already there stop waiting for conditions: better teammates aren't coming better patches aren't coming perfect meta isn't coming just start playing like you already HAVE THEM. watched someone with 30% win rate on his main champ still climb: hardstuck player: "i only have 50% WR because my team doesn't set me up" audacious player: "i have 70% WR because i don't NEED them to set me up" same matchups. different audacity level. here's the uncomfortable part: you know exactly what you need to do to climb. farm better. position better. micro better. you don't do it because you're waiting for permission. permission from the universe ("am i allowed to do this?") permission from the meta ("is my champ viable?") permission from your doubt ("am i actually good enough?") meanwhile the audacious crazy fucker is doing it WITHOUT permission. the only difference between you and the player living your dream rank: hesitation. you hesitate to take the kill because "maybe the jungler wants it" you hesitate to engage because "maybe i should wait" you hesitate to split push because "maybe the team needs me" he doesn't hesitate. he TAKES. and guess what? when you take with audacity, your team follows because suddenly you're a threat. when he engages with confidence, it works because enemies respect the audacity. when he split pushes like he owns the lane, the enemy can't stop it. audacity creates its own reality. you're not playing scared because you lack skill. you're playing scared because you haven't given yourself PERMISSION to be dangerous. stop asking yourself if you're good enough. you already are. stop waiting for the moment to feel ready. start playing like you already WON before the game loaded. that's the shift. that's the climb. that's the difference between hardstuck and unstoppable. the world rewards audacity stop being talented and start being audacious. study the saskio way

you're not hardstuck in League because you lack skill. you're hardstuck because you haven't given yourself permission to win. the ladder isn't climbed by "talented" players. it's climbed by AUDACIOUS CRAZY mfs. here's what nobody's telling you: the guy who hit Challenger? his mechanics weren't 10x yours. his BELIEF was. the one-trick who solo-carries hardstuck teammates? he wasn't smarter. he just had the balls to assume HE was the win condition. the support who created plays out of nothing? he wasn't more talented. he just believed he deserved to dictate the fight. you're sitting there "qualified" and "skilled" waiting for permission to carry waiting for the "right time" to pop off waiting to feel "ready" to climb meanwhile someone worst is taking your LP. here's the truth: audacity beats talent 100% of the time. watched someone with zero macro understanding hit Diamond: the "talented" candidates: perfect CS every game ward every brush watched every guide play scared still 50% WR none of them climbed. the audacious one: mid CS, mid warding decent mechanics played like he was ALREADY Grandmaster walked into fights expecting to win hit Diamond in 200 games what's the difference? talent asks "am i good enough?" audacity says "i'm the win condition" skill waits for jungle ganks audacity creates its own pressure experience wants validation audacity assumes authority here's how you develop audacity in League: stop asking "can i carry this?" start saying "i'm carrying this" stop asking "should i all-in?" start all-inning stop asking "am i ready for this rank?" start playing like you're already there stop waiting for conditions: better teammates aren't coming better patches aren't coming perfect meta isn't coming just start playing like you already HAVE THEM. watched someone with 30% win rate on his main champ still climb: hardstuck player: "i only have 50% WR because my team doesn't set me up" audacious player: "i have 70% WR because i don't NEED them to set me up" same matchups. different audacity level. here's the uncomfortable part: you know exactly what you need to do to climb. farm better. position better. micro better. you don't do it because you're waiting for permission. permission from the universe ("am i allowed to do this?") permission from the meta ("is my champ viable?") permission from your doubt ("am i actually good enough?") meanwhile the audacious crazy fucker is doing it WITHOUT permission. the only difference between you and the player living your dream rank: hesitation. you hesitate to take the kill because "maybe the jungler wants it" you hesitate to engage because "maybe i should wait" you hesitate to split push because "maybe the team needs me" he doesn't hesitate. he TAKES. and guess what? when you take with audacity, your team follows because suddenly you're a threat. when he engages with confidence, it works because enemies respect the audacity. when he split pushes like he owns the lane, the enemy can't stop it. audacity creates its own reality. you're not playing scared because you lack skill. you're playing scared because you haven't given yourself PERMISSION to be dangerous. stop asking yourself if you're good enough. you already are. stop waiting for the moment to feel ready. start playing like you already WON before the game loaded. that's the shift. that's the climb. that's the difference between hardstuck and unstoppable. the world rewards audacity stop being talented and start being audacious. study the saskio way

Tony Chau

101,236 Aufrufe • vor 10 Monaten

Let's clarify what the so-called videos or photos without retouched & after effects means, Nowadays there are quite a lot of application services that adjust the proportion of facial features and shape, Yes it’s so convenient and fast. Although it In the digital world can make you look or feeling good, it is still disjoinable the reality that's why I insist on making massively scale improvements to my mask, which does not mean that the product has any flaws I must be honest that this mask is quite careful in terms of process and details to some extent, she is quite perfect already. More importantly to think about how to make you look better and fit well, After several months of repeated test verification and adjustment, The result you see is not only the changes after makeup, but also the redistribution of facial fat. For the first time, I feel that this is an inseparable face covering my face, and we are one in a realistic sense, This is the result I handed over, It turns out that the investment during this period is quite worthwhile. Before and after tell me how you feel💋

Let's clarify what the so-called videos or photos without retouched & after effects means, Nowadays there are quite a lot of application services that adjust the proportion of facial features and shape, Yes it’s so convenient and fast. Although it In the digital world can make you look or feeling good, it is still disjoinable the reality that's why I insist on making massively scale improvements to my mask, which does not mean that the product has any flaws I must be honest that this mask is quite careful in terms of process and details to some extent, she is quite perfect already. More importantly to think about how to make you look better and fit well, After several months of repeated test verification and adjustment, The result you see is not only the changes after makeup, but also the redistribution of facial fat. For the first time, I feel that this is an inseparable face covering my face, and we are one in a realistic sense, This is the result I handed over, It turns out that the investment during this period is quite worthwhile. Before and after tell me how you feel💋

Bella Paprika

84,865 Aufrufe • vor 2 Jahren

TALES OF GRIMWICKE — Chapter I is 22 minutes of AI fantasy animation inspired by the many anthropomorphic animal stories I read as a kid, with a dark twist: The model: Seedance 2.5 (ByteDance Seed ) via Segmind. 847 takes generated, mostly 30-second multi-shot prompts, over 5 hours of footage. 127 clips made the cut. About $4.5k in generation, four weeks from first take to publish. Characters and locations came out of Midjourney. Using MJ for the location plates was a revelation: the cinematography and art direction are a level above, and it renders far better as a plate than Nano Banana or GPT Image. Nano Banana (Google DeepMind run on fal) did the heavy lifting editing those plates, building anchor frames and turning MJ characters into turnaround sheets. Then I let Seedance do as much of the framing and camera operating as possible. That gave the best results. A lot of what I do in my Unreal Engine films came with me: a handheld, imperfect camera operator instead of smooth moves, focus hunting, and above all weather and atmospherics. The model does water, snow, smoke and rain really well, and leaning into that is what keeps it from looking like a Temu Pixar film. The tools I built: a portal (Node on Fly.io) that holds the bible, the refs, every prompt and every take, with a Claude agent (Claude) that writes the prompts to the house rules. A Premiere Pro (Adobe Video) panel that browses the archive, drops selects on the timeline, versions the project, strips music, and sends fixes back to Seedance. Everything is done in 720p with no upscaling, because it looks terrible. Narration is my own voice through ElevenLabs speech-to-speech. Music from Artlist.io. None of this would exist without PJ Ace and Kavan. Their narrative work, Nexus and Chronicles of Bone, proved long-form AI film was possible, and their podcasts, newsletters and X posts, updated constantly as the workflow changes under everyone's feet, showed how to actually do it. Chapter II is currently in the works and I will release it initially on my YouTube channel, The Darkest Age (@CharlieDriscollAI). Consider subscribing there to see it as soon as it drops!

TALES OF GRIMWICKE — Chapter I is 22 minutes of AI fantasy animation inspired by the many anthropomorphic animal stories I read as a kid, with a dark twist: The model: Seedance 2.5 (ByteDance Seed ) via Segmind. 847 takes generated, mostly 30-second multi-shot prompts, over 5 hours of footage. 127 clips made the cut. About $4.5k in generation, four weeks from first take to publish. Characters and locations came out of Midjourney. Using MJ for the location plates was a revelation: the cinematography and art direction are a level above, and it renders far better as a plate than Nano Banana or GPT Image. Nano Banana (Google DeepMind run on fal) did the heavy lifting editing those plates, building anchor frames and turning MJ characters into turnaround sheets. Then I let Seedance do as much of the framing and camera operating as possible. That gave the best results. A lot of what I do in my Unreal Engine films came with me: a handheld, imperfect camera operator instead of smooth moves, focus hunting, and above all weather and atmospherics. The model does water, snow, smoke and rain really well, and leaning into that is what keeps it from looking like a Temu Pixar film. The tools I built: a portal (Node on Fly.io) that holds the bible, the refs, every prompt and every take, with a Claude agent (Claude) that writes the prompts to the house rules. A Premiere Pro (Adobe Video) panel that browses the archive, drops selects on the timeline, versions the project, strips music, and sends fixes back to Seedance. Everything is done in 720p with no upscaling, because it looks terrible. Narration is my own voice through ElevenLabs speech-to-speech. Music from Artlist.io. None of this would exist without PJ Ace and Kavan. Their narrative work, Nexus and Chronicles of Bone, proved long-form AI film was possible, and their podcasts, newsletters and X posts, updated constantly as the workflow changes under everyone's feet, showed how to actually do it. Chapter II is currently in the works and I will release it initially on my YouTube channel, The Darkest Age (@CharlieDriscollAI). Consider subscribing there to see it as soon as it drops!

Charlie Driscoll

1,240,741 Aufrufe • vor 9 Tagen