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𝕏 CHAT’S DISAPPEARING MESSAGES MAKE TOP SECRET DMS SELF-DESTRUCT Your 𝕏 DMs just got classified. James Bond would flip this feature on before saying a single word! Spy Mode: • Set a timer. Messages vanish like a rogue agent • No screenshots, no evidence, no trail – 𝕏 blocks... show more

Mario Nawfal

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80,237 просмотров • 8 месяцев назад •via X (Twitter)

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CALL ON 𝕏 NOW – BECAUSE SWITCHING APPS FEELS ANCIENT 𝕏, the Everything App, is no theory anymore. Why switch apps if your contacts already live in your DMs? Call Features: •⁠ ⁠Audio or video calls straight from a DM •⁠ ⁠No app hopping, no friction, no drama •⁠ ⁠End-to-end encrypted with hidden IP •⁠ ⁠Free for everyone on iOS and Android 𝕏 already replaced half your home screen - don’t juggle between apps! Source: Elon Musk

CALL ON 𝕏 NOW – BECAUSE SWITCHING APPS FEELS ANCIENT 𝕏, the Everything App, is no theory anymore. Why switch apps if your contacts already live in your DMs? Call Features: •⁠ ⁠Audio or video calls straight from a DM •⁠ ⁠No app hopping, no friction, no drama •⁠ ⁠End-to-end encrypted with hidden IP •⁠ ⁠Free for everyone on iOS and Android 𝕏 already replaced half your home screen - don’t juggle between apps! Source: Elon Musk

Mario Nawfal

60,938 просмотров • 8 месяцев назад

EVERYONE'S TRYING TO SOLVE AI TEAM MEMORY WITH SERVERS, VECTOR DATABASES, AND ORCHESTRATION PLATFORMS. THIS OPEN SOURCE TOOL DOES IT WITH ONE FOLDER IN YOUR REPO. Every dev on your team runs Claude Code. When one agent screws something up, the rest have no idea. They just repeat the mistake next week. It's called teamlore. When your agent gets corrected or breaks something, it writes a small lore file into a .lore/ folder. That file ships with your PR, gets reviewed like normal code, and after merge every teammate's agent automatically recalls it when they touch that part of the repo. No server. No datab No accounts. No SaaS bill. Just a folder in git. Which means code review catches bad lessons before they poison the team, git blame tells you when a rule was added and why, and the whole thing works offline. One command to install: npx teamlore init Companion command: npx teamlore scarmap. Turns your team's history of mistakes into a visual heat map of the codebase. Every red zone is a place your team has been burned before. Which means every red zone is a place your agents should slow down. Here's the wildest part. The teamlore repo's own .lore/ folder contains every mistake Claude made while building teamlore itself. Dogfooded end-to-end. You can literally open the folder and read the receipts. The author's public invitation: "Would love for someone to try and break it." Available on npm. Repo just launched. 100% open source. (link in the comments)

EVERYONE'S TRYING TO SOLVE AI TEAM MEMORY WITH SERVERS, VECTOR DATABASES, AND ORCHESTRATION PLATFORMS. THIS OPEN SOURCE TOOL DOES IT WITH ONE FOLDER IN YOUR REPO. Every dev on your team runs Claude Code. When one agent screws something up, the rest have no idea. They just repeat the mistake next week. It's called teamlore. When your agent gets corrected or breaks something, it writes a small lore file into a .lore/ folder. That file ships with your PR, gets reviewed like normal code, and after merge every teammate's agent automatically recalls it when they touch that part of the repo. No server. No datab No accounts. No SaaS bill. Just a folder in git. Which means code review catches bad lessons before they poison the team, git blame tells you when a rule was added and why, and the whole thing works offline. One command to install: npx teamlore init Companion command: npx teamlore scarmap. Turns your team's history of mistakes into a visual heat map of the codebase. Every red zone is a place your team has been burned before. Which means every red zone is a place your agents should slow down. Here's the wildest part. The teamlore repo's own .lore/ folder contains every mistake Claude made while building teamlore itself. Dogfooded end-to-end. You can literally open the folder and read the receipts. The author's public invitation: "Would love for someone to try and break it." Available on npm. Repo just launched. 100% open source. (link in the comments)

Harman

34,538 просмотров • 10 дней назад

Opal, our no-code visual builder for AI workflows, just got a major upgrade. 🧠💎 We’ve added a new agent step that analyzes your goal, determines the best approach, and automatically calls the right tools — such as Veo for video or web search for research — to complete the task. We’re also adding new tools to make the agent even more capable: 💾 Memory – Remember info, like a user’s name or your style preferences across sessions. 🚀 Dynamic Routing – Let the agent choose the next best step using the “@ Go to” tool. 💬 Interactive Chat – Initiate user interactions to gather missing information or present options before moving on. Try it now →

Opal, our no-code visual builder for AI workflows, just got a major upgrade. 🧠💎 We’ve added a new agent step that analyzes your goal, determines the best approach, and automatically calls the right tools — such as Veo for video or web search for research — to complete the task. We’re also adding new tools to make the agent even more capable: 💾 Memory – Remember info, like a user’s name or your style preferences across sessions. 🚀 Dynamic Routing – Let the agent choose the next best step using the “@ Go to” tool. 💬 Interactive Chat – Initiate user interactions to gather missing information or present options before moving on. Try it now →

Google Labs

1,008,068 просмотров • 5 месяцев назад

This Facebook Ads Spy + n8n is absolutely wild 🤯 This AI agent monitors your competitor's Facebook ads on autopilot every single day. And sends daily digests to Slack each morning. Perfect for e-comm brands & agencies who need to know what's working in their niche. Here's the problem: Your competitors are launching new ads every day. By the time you manually check the Facebook Ad Library, you've already missed the testing window. This n8n automation solves it: → Runs every morning at 8am → Scrapes your competitor's newest Facebook ads via Foreplay API → AI analyzes each ad (format, hook, CTA, offer) → Sends a Slack digest with breakdowns → You see what's working before your coffee gets cold No manual checking. No spreadsheets. No missing winning angles. Built 100% in n8n. Want the complete Facebook ad spy workflow? > Comment "SPY" > Like this post And I'll send it over (must be following so I can DM)

This Facebook Ads Spy + n8n is absolutely wild 🤯 This AI agent monitors your competitor's Facebook ads on autopilot every single day. And sends daily digests to Slack each morning. Perfect for e-comm brands & agencies who need to know what's working in their niche. Here's the problem: Your competitors are launching new ads every day. By the time you manually check the Facebook Ad Library, you've already missed the testing window. This n8n automation solves it: → Runs every morning at 8am → Scrapes your competitor's newest Facebook ads via Foreplay API → AI analyzes each ad (format, hook, CTA, offer) → Sends a Slack digest with breakdowns → You see what's working before your coffee gets cold No manual checking. No spreadsheets. No missing winning angles. Built 100% in n8n. Want the complete Facebook ad spy workflow? > Comment "SPY" > Like this post And I'll send it over (must be following so I can DM)

Mike Futia

153,219 просмотров • 9 месяцев назад

I just built a Meta ad policy checker in Claude Code that catches rejections BEFORE Meta does 🤯 Drop in your ad copy → it pulls Meta's LIVE Advertising Standards, checks every line against the actual policy text, and hands each ad a verdict: Cleared for launch, Fix before launch, or Grounded. All inside Claude Code. Perfect for media buyers and DTC brands who've had ads bounced — or an account restricted — and never got a straight answer why. If you're finding out about policy problems only after the rejection email, resubmitting the same ad and praying, losing days of delivery while the appeal sits in review, and every bounce quietly teaches Meta to trust your account a little less... This runs the review before Meta ever sees the ad: → Drop in your ad copy (one ad or a whole batch) → It reads each ad and figures out which of Meta's policies apply → Scrapes the live policy pages from Meta's Transparency Center → Flags the exact phrase that violates, with Meta's own policy quoted next to it → Rewrites the risky lines so the message survives but the violation doesn't → Renders a dashboard: every ad, every finding, every fix in one place No guessing which word killed the ad. No resubmit-and-pray loops. No stacking rejections on your account history. What you get: → A verdict on every ad before you spend a dollar → The violating phrase + the policy citation, side by side → Rewrites that keep the selling intent → A report you can hand straight to your team or client Built 100% in Claude Code. No API keys, no Meta login. I'm giving away the complete Claude skill file. Want the skill for free? > Like this post > Comment "META" And I'll send it over (must be following so I can DM)

I just built a Meta ad policy checker in Claude Code that catches rejections BEFORE Meta does 🤯 Drop in your ad copy → it pulls Meta's LIVE Advertising Standards, checks every line against the actual policy text, and hands each ad a verdict: Cleared for launch, Fix before launch, or Grounded. All inside Claude Code. Perfect for media buyers and DTC brands who've had ads bounced — or an account restricted — and never got a straight answer why. If you're finding out about policy problems only after the rejection email, resubmitting the same ad and praying, losing days of delivery while the appeal sits in review, and every bounce quietly teaches Meta to trust your account a little less... This runs the review before Meta ever sees the ad: → Drop in your ad copy (one ad or a whole batch) → It reads each ad and figures out which of Meta's policies apply → Scrapes the live policy pages from Meta's Transparency Center → Flags the exact phrase that violates, with Meta's own policy quoted next to it → Rewrites the risky lines so the message survives but the violation doesn't → Renders a dashboard: every ad, every finding, every fix in one place No guessing which word killed the ad. No resubmit-and-pray loops. No stacking rejections on your account history. What you get: → A verdict on every ad before you spend a dollar → The violating phrase + the policy citation, side by side → Rewrites that keep the selling intent → A report you can hand straight to your team or client Built 100% in Claude Code. No API keys, no Meta login. I'm giving away the complete Claude skill file. Want the skill for free? > Like this post > Comment "META" And I'll send it over (must be following so I can DM)

Mike Futia

17,263 просмотров • 29 дней назад

🔥 Phoenix is officially live on Solaris AI Flow. You can now trade Phoenix perps inside a Solaris AI workflow. No code. Drop a node onto the canvas, pick an operation, and wire it to anything: AI signals, price feeds, schedules, alerts. The full order-book DEX from Ellipsis Labs, now programmable. Built so you can trade with confidence: ✦ Paper mode is on by default. Every order is checked and simulated against the live order book, real depth and real slippage, but nothing is signed or broadcast. ✦ Paper behaves exactly like Live. If an order would be rejected on-chain, it is rejected in simulation too. No false fills, no surprises. ✦ Going Live is one switch, and it asks for confirmation before any real funds move. Build it. Test it. Trade it. A full perps strategy, proven on paper before a single dollar moves. 30 operations in one node: ✦ Read live markets, order book depth, candles, and funding rates ✦ Track your positions, collateral, and PnL, realized and unrealized ✦ Place limit, market, and stop-loss orders, plus conditional triggers ✦ Cancel orders, manage margin, and move collateral, all from the workflow No scripts. No backend. No terminal to babysit. Just a workflow that trades. You can try it for free. Demo + Link down below 👇

🔥 Phoenix is officially live on Solaris AI Flow. You can now trade Phoenix perps inside a Solaris AI workflow. No code. Drop a node onto the canvas, pick an operation, and wire it to anything: AI signals, price feeds, schedules, alerts. The full order-book DEX from Ellipsis Labs, now programmable. Built so you can trade with confidence: ✦ Paper mode is on by default. Every order is checked and simulated against the live order book, real depth and real slippage, but nothing is signed or broadcast. ✦ Paper behaves exactly like Live. If an order would be rejected on-chain, it is rejected in simulation too. No false fills, no surprises. ✦ Going Live is one switch, and it asks for confirmation before any real funds move. Build it. Test it. Trade it. A full perps strategy, proven on paper before a single dollar moves. 30 operations in one node: ✦ Read live markets, order book depth, candles, and funding rates ✦ Track your positions, collateral, and PnL, realized and unrealized ✦ Place limit, market, and stop-loss orders, plus conditional triggers ✦ Cancel orders, manage margin, and move collateral, all from the workflow No scripts. No backend. No terminal to babysit. Just a workflow that trades. You can try it for free. Demo + Link down below 👇

Solaris AI

10,075 просмотров • 2 месяцев назад

It’s 𝕏 payday. The day the world’s best creators get paid for doing what they love. I now make more $ than I did during my 8 years at Apple. But to be honest, the $ is only small part of it. Today, I’m not tied to a desk. I don’t have a boss watching over me. No one is telling me where to be, what to work on, what to say, or what my day/life should look like. I wake up, bet on myself everyday, create and share my thoughts on what I believe in, and am doing something that really belongs to me. There is a MASSIVE premium on that kind of freedom that $ can’t buy. Once you experience it, it’s impossible to go back. The fulfillment and ownership of my own time cannot be replaced. I still remember everyone who told me I was stupid for wasting my time on 𝕏. “Get a real job.” “Those aren’t your real friends.” “No one cares what you post.” “Social media isn’t a career.” “You’ll never make real $ doing that.” “You just ride Elon’s dick.” “What you do isn’t even exciting.” “It won’t last.” Now all of those same people ask me how they can do it too. It’s really funny how betting on yourself looks foolish right up until it finally works. I built this life by showing up every single day when nobody believed in me and refusing to quit when it would have been easier to go back to Apple. I’m my own boss now. And I’m never handing that freedom back. 𝕏 is the place to be.

It’s 𝕏 payday. The day the world’s best creators get paid for doing what they love. I now make more $ than I did during my 8 years at Apple. But to be honest, the $ is only small part of it. Today, I’m not tied to a desk. I don’t have a boss watching over me. No one is telling me where to be, what to work on, what to say, or what my day/life should look like. I wake up, bet on myself everyday, create and share my thoughts on what I believe in, and am doing something that really belongs to me. There is a MASSIVE premium on that kind of freedom that $ can’t buy. Once you experience it, it’s impossible to go back. The fulfillment and ownership of my own time cannot be replaced. I still remember everyone who told me I was stupid for wasting my time on 𝕏. “Get a real job.” “Those aren’t your real friends.” “No one cares what you post.” “Social media isn’t a career.” “You’ll never make real $ doing that.” “You just ride Elon’s dick.” “What you do isn’t even exciting.” “It won’t last.” Now all of those same people ask me how they can do it too. It’s really funny how betting on yourself looks foolish right up until it finally works. I built this life by showing up every single day when nobody believed in me and refusing to quit when it would have been easier to go back to Apple. I’m my own boss now. And I’m never handing that freedom back. 𝕏 is the place to be.

Teslaconomics

17,459 просмотров • 12 дней назад

This is for the person who struggles with their body image. You are not alone. All the time, I wish I had even a tiny bit of consistent confidence in my body. You know what I’ve realized? I can love myself no matter what my body looks like. I can trust myself no matter my size. I can care for myself no matter what other people think of me. Can I say how hard that is when people tear me down in comments or messages? To still love myself regardless of how I’m treated? That’s a mission. It’s actually the mission we’re all on. My body can be sacred to me even if I’m self-conscious about it. Sometimes I wear something so beautiful that it reminds me that I’m beautiful too… Because what’s on the inside is what will radiate to the outside. Every day, I focus on being kind or sharing a helping hand. My body is a vessel for what I believe to be true about the world and that’s that everyone can make a difference- big or small. In a world of unfortunate circumstances- here’s a reminder: we are not defined by our circumstances but by our courage to redefine our circumstances. Sending you love today 💕 if you’re struggling, know you are not alone

This is for the person who struggles with their body image. You are not alone. All the time, I wish I had even a tiny bit of consistent confidence in my body. You know what I’ve realized? I can love myself no matter what my body looks like. I can trust myself no matter my size. I can care for myself no matter what other people think of me. Can I say how hard that is when people tear me down in comments or messages? To still love myself regardless of how I’m treated? That’s a mission. It’s actually the mission we’re all on. My body can be sacred to me even if I’m self-conscious about it. Sometimes I wear something so beautiful that it reminds me that I’m beautiful too… Because what’s on the inside is what will radiate to the outside. Every day, I focus on being kind or sharing a helping hand. My body is a vessel for what I believe to be true about the world and that’s that everyone can make a difference- big or small. In a world of unfortunate circumstances- here’s a reminder: we are not defined by our circumstances but by our courage to redefine our circumstances. Sending you love today 💕 if you’re struggling, know you are not alone

Katie Moran

251,649 просмотров • 1 год назад

I just built a Google Ads Builder in Claude Code that turns one URL into a complete, launch-ready campaign 🤯 Point it at your website and it builds the whole Google Search campaign — keywords, ad groups, every headline, the negative list — structured the way a good paid-search manager would. All inside Claude Code. Perfect for DTC brands and agencies who need Search live but don't have days to build it right. If you're staring at a blank Google Ads account, researching keywords one browser tab at a time, writing 15 headlines per ad group to a 30-character limit, guessing at a negative list while budget quietly leaks on junk clicks... This builds the entire campaign from a single input — your homepage URL: → Reads your site and works out what you sell and who for → Groups keywords into tight, high-intent ad groups → Writes every Responsive Search Ad — 15 headlines, 4 descriptions, to Google's exact limits → Builds a negative-keyword list so you stop paying for junk clicks → Adds sitelinks, callouts, match types, bidding, and a budget split → Exports a Google Ads Editor CSV you import in one click No blank-account paralysis. No keyword rabbit holes. No character-counting 60 headlines by hand. What you get: → A launch-ready campaign from just your URL → Tight ad groups built for Quality Score, not a keyword dump → Every ad written to Google's limits and policy → A one-click CSV import plus a full campaign dashboard Built 100% in Claude Code. No API keys, no Google Ads login. And I'm not sending a playbook this time — I'm giving the whole skill away for free. The actual file. Install it and build your own campaign in 5 minutes. Want the skill? > Like this post > Comment "BUILD" And I'll send it over (must be following so I can DM)

I just built a Google Ads Builder in Claude Code that turns one URL into a complete, launch-ready campaign 🤯 Point it at your website and it builds the whole Google Search campaign — keywords, ad groups, every headline, the negative list — structured the way a good paid-search manager would. All inside Claude Code. Perfect for DTC brands and agencies who need Search live but don't have days to build it right. If you're staring at a blank Google Ads account, researching keywords one browser tab at a time, writing 15 headlines per ad group to a 30-character limit, guessing at a negative list while budget quietly leaks on junk clicks... This builds the entire campaign from a single input — your homepage URL: → Reads your site and works out what you sell and who for → Groups keywords into tight, high-intent ad groups → Writes every Responsive Search Ad — 15 headlines, 4 descriptions, to Google's exact limits → Builds a negative-keyword list so you stop paying for junk clicks → Adds sitelinks, callouts, match types, bidding, and a budget split → Exports a Google Ads Editor CSV you import in one click No blank-account paralysis. No keyword rabbit holes. No character-counting 60 headlines by hand. What you get: → A launch-ready campaign from just your URL → Tight ad groups built for Quality Score, not a keyword dump → Every ad written to Google's limits and policy → A one-click CSV import plus a full campaign dashboard Built 100% in Claude Code. No API keys, no Google Ads login. And I'm not sending a playbook this time — I'm giving the whole skill away for free. The actual file. Install it and build your own campaign in 5 minutes. Want the skill? > Like this post > Comment "BUILD" And I'll send it over (must be following so I can DM)

Mike Futia

60,355 просмотров • 29 дней назад

$British Writer Pens The Best Description Of Trump I’ve Read “Why do some British people not like Donald Trump? A few things spring to mind. Trump lacks certain qualities which the British traditionally esteem. For instance, he has no class, no charm, no coolness, no credibility, no compassion, no wit, no warmth, no wisdom, no subtlety, no sensitivity, no self-awareness, no humility, no honour and no grace – all qualities, funnily enough, with which his predecessor Mr. Obama was generously blessed. So for us, the stark contrast does rather throw Trump’s limitations into embarrassingly sharp relief. Plus, we like a laugh. And while Trump may be laughable, he has never once said anything wry, witty or even faintly amusing – not once, ever. I don’t say that rhetorically, I mean it quite literally: not once, not ever. And that fact is particularly disturbing to the British sensibility – for us, to lack humour is almost inhuman. But with Trump, it’s a fact. He doesn’t even seem to understand what a joke is – his idea of a joke is a crass comment, an illiterate insult, a casual act of cruelty. Trump is a troll. And like all trolls, he is never funny and he never laughs; he only crows or jeers. And scarily, he doesn’t just talk in crude, witless insults – he actually thinks in them. His mind is a simple bot-like algorithm of petty prejudices and knee-jerk nastiness. There is never any under-layer of irony, complexity, nuance or depth. It’s all surface. Some Americans might see this as refreshingly upfront. Well, we don’t. We see it as having no inner world, no soul. And in Britain we traditionally side with David, not Goliath. All our heroes are plucky underdogs: Robin Hood, Dick Whittington, Oliver Twist. Trump is neither plucky, nor an underdog. He is the exact opposite of that. He’s not even a spoiled rich-boy, or a greedy fat-cat. He’s more a fat white slug. A Jabba the Hutt of privilege. And worse, he is that most unforgivable of all things to the British: a bully. That is, except when he is among bullies; then he suddenly transforms into a snivelling sidekick instead. There are unspoken rules to this stuff – the Queensberry rules of basic decency – and he breaks them all. He punches downwards – which a gentleman should, would, could never do – and every blow he aims is below the belt. He particularly likes to kick the vulnerable or voiceless – and he kicks them when they are down. So the fact that a significant minority – perhaps a third – of Americans look at what he does, listen to what he says, and then think ‘Yeah, he seems like my kind of guy’ is a matter of some confusion and no little distress to British people, given that: • Americans are supposed to be nicer than us, and mostly are. • You don’t need a particularly keen eye for detail to spot a few flaws in the man. This last point is what especially confuses and dismays British people, and many other people too; his faults seem pretty bloody hard to miss. After all, it’s impossible to read a single tweet, or hear him speak a sentence or two, without staring deep into the abyss. He turns being artless into an art form; he is a Picasso of pettiness; a Shakespeare of shit. His faults are fractal: even his flaws have flaws, and so on ad infinitum. God knows there have always been stupid people in the world, and plenty of nasty people too. But rarely has stupidity been so nasty, or nastiness so stupid. He makes Nixon look trustworthy and George W look smart. In fact, if Frankenstein decided to make a monster assembled entirely from human flaws – he would make a Trump. And a remorseful Doctor Frankenstein would clutch out big clumpfuls of hair and scream in anguish: ‘My God… what… have… I… created?' If being a twat was a TV show, Trump would be the boxed set.” -Nate White$

British Writer Pens The Best Description Of Trump I’ve Read “Why do some British people not like Donald Trump? A few things spring to mind. Trump lacks certain qualities which the British traditionally esteem. For instance, he has no class, no charm, no coolness, no credibility, no compassion, no wit, no warmth, no wisdom, no subtlety, no sensitivity, no self-awareness, no humility, no honour and no grace – all qualities, funnily enough, with which his predecessor Mr. Obama was generously blessed. So for us, the stark contrast does rather throw Trump’s limitations into embarrassingly sharp relief. Plus, we like a laugh. And while Trump may be laughable, he has never once said anything wry, witty or even faintly amusing – not once, ever. I don’t say that rhetorically, I mean it quite literally: not once, not ever. And that fact is particularly disturbing to the British sensibility – for us, to lack humour is almost inhuman. But with Trump, it’s a fact. He doesn’t even seem to understand what a joke is – his idea of a joke is a crass comment, an illiterate insult, a casual act of cruelty. Trump is a troll. And like all trolls, he is never funny and he never laughs; he only crows or jeers. And scarily, he doesn’t just talk in crude, witless insults – he actually thinks in them. His mind is a simple bot-like algorithm of petty prejudices and knee-jerk nastiness. There is never any under-layer of irony, complexity, nuance or depth. It’s all surface. Some Americans might see this as refreshingly upfront. Well, we don’t. We see it as having no inner world, no soul. And in Britain we traditionally side with David, not Goliath. All our heroes are plucky underdogs: Robin Hood, Dick Whittington, Oliver Twist. Trump is neither plucky, nor an underdog. He is the exact opposite of that. He’s not even a spoiled rich-boy, or a greedy fat-cat. He’s more a fat white slug. A Jabba the Hutt of privilege. And worse, he is that most unforgivable of all things to the British: a bully. That is, except when he is among bullies; then he suddenly transforms into a snivelling sidekick instead. There are unspoken rules to this stuff – the Queensberry rules of basic decency – and he breaks them all. He punches downwards – which a gentleman should, would, could never do – and every blow he aims is below the belt. He particularly likes to kick the vulnerable or voiceless – and he kicks them when they are down. So the fact that a significant minority – perhaps a third – of Americans look at what he does, listen to what he says, and then think ‘Yeah, he seems like my kind of guy’ is a matter of some confusion and no little distress to British people, given that: • Americans are supposed to be nicer than us, and mostly are. • You don’t need a particularly keen eye for detail to spot a few flaws in the man. This last point is what especially confuses and dismays British people, and many other people too; his faults seem pretty bloody hard to miss. After all, it’s impossible to read a single tweet, or hear him speak a sentence or two, without staring deep into the abyss. He turns being artless into an art form; he is a Picasso of pettiness; a Shakespeare of shit. His faults are fractal: even his flaws have flaws, and so on ad infinitum. God knows there have always been stupid people in the world, and plenty of nasty people too. But rarely has stupidity been so nasty, or nastiness so stupid. He makes Nixon look trustworthy and George W look smart. In fact, if Frankenstein decided to make a monster assembled entirely from human flaws – he would make a Trump. And a remorseful Doctor Frankenstein would clutch out big clumpfuls of hair and scream in anguish: ‘My God… what… have… I… created?' If being a twat was a TV show, Trump would be the boxed set.” -Nate White

Republicans against Trump

3,007,445 просмотров • 2 лет назад

Bye bye, VFX artists? Is this really the end? Why would a studio spend $10,000 on a single VFX shot… when tools like Seedance 2.0 can generate an entire cinematic scene in minutes? That’s the uncomfortable question no one wants to answer. We’re watching a shift happen in real time. Jobs are already being reshaped. Pipelines are changing. And the speed of evolution is hard to ignore. In just 3 years, AI went from experimental… to producing complex, high-quality visuals that were unthinkable before. Now compare that to the traditional path: A VFX artist can take years—often a decade— to reach a professional level. So what happens when that gap collapses? This isn’t just about replacing artists. It’s about redefining what “creating” even means. The barrier to entry is disappearing. The tools are getting exponentially better. And the timeline is accelerating. The real question isn’t if this changes the industry— It’s how fast.

Bye bye, VFX artists? Is this really the end? Why would a studio spend $10,000 on a single VFX shot… when tools like Seedance 2.0 can generate an entire cinematic scene in minutes? That’s the uncomfortable question no one wants to answer. We’re watching a shift happen in real time. Jobs are already being reshaped. Pipelines are changing. And the speed of evolution is hard to ignore. In just 3 years, AI went from experimental… to producing complex, high-quality visuals that were unthinkable before. Now compare that to the traditional path: A VFX artist can take years—often a decade— to reach a professional level. So what happens when that gap collapses? This isn’t just about replacing artists. It’s about redefining what “creating” even means. The barrier to entry is disappearing. The tools are getting exponentially better. And the timeline is accelerating. The real question isn’t if this changes the industry— It’s how fast.

nachos2d

42,982 просмотров • 3 месяцев назад

The fact that I be on this lady mind is funny, but I love this I get paid for this ..Nicki how are you going to buy anyone’s catalog when you got liens on your publishing and your tour deal? You blew your advance from your last tour and now this tour is collateral, so you’re literally bout to tour for free cause you owe Uncle Sam money.. You wanna holler that people judge your disgusting ass husband because they’re not used to being “loved” but you know who is used to be loved exactly like you? Wendy Williams. He loved her pockets to the end, letting her do all types of drugs so he could keep digging in that purse while you sit up there looking like an ass.. That man is keeping you all drugged up and mixing your coke wit horse tranquilizers and ozempic so he can make you more stupid while taking your money and letting you look crazy. YOU HAVE TO BUY LOVE. You have no room to judge anybody on anything. You have no friends (hence why they got you out here looking like a complete maniac while they “yesss queen!” you to death just to keep their brownie points and your nasty ego under control) your brothers are pedophiles, your real dad is drug addict like you, and your lil sister is living in the projects. You might be “Nicki Minaj” on the surface but deep down inside you’re that hurt lil girl that your mom abandoned in Trinidad till you was five and that’s why you hate her, you want to take about apologizing to mothers like you didn’t hit your own mom and as it came out your own mouth you still haven’t forgiven her …Muah no family, no friends😘 just coke.

The fact that I be on this lady mind is funny, but I love this I get paid for this ..Nicki how are you going to buy anyone’s catalog when you got liens on your publishing and your tour deal? You blew your advance from your last tour and now this tour is collateral, so you’re literally bout to tour for free cause you owe Uncle Sam money.. You wanna holler that people judge your disgusting ass husband because they’re not used to being “loved” but you know who is used to be loved exactly like you? Wendy Williams. He loved her pockets to the end, letting her do all types of drugs so he could keep digging in that purse while you sit up there looking like an ass.. That man is keeping you all drugged up and mixing your coke wit horse tranquilizers and ozempic so he can make you more stupid while taking your money and letting you look crazy. YOU HAVE TO BUY LOVE. You have no room to judge anybody on anything. You have no friends (hence why they got you out here looking like a complete maniac while they “yesss queen!” you to death just to keep their brownie points and your nasty ego under control) your brothers are pedophiles, your real dad is drug addict like you, and your lil sister is living in the projects. You might be “Nicki Minaj” on the surface but deep down inside you’re that hurt lil girl that your mom abandoned in Trinidad till you was five and that’s why you hate her, you want to take about apologizing to mothers like you didn’t hit your own mom and as it came out your own mouth you still haven’t forgiven her …Muah no family, no friends😘 just coke.

KenBarbie™

19,326,049 просмотров • 2 лет назад

things to know about wv dms from someone who has experience with the bubble app and had a chat with skz hyunjin for over a year: - its 𝗿𝗲𝗮𝗹, it’s the members themselves - for us it’s a 1:1 chat with the idol but for them it’s like a groupchat with all the people who paid - they can see and directly reply to you if they want to but there’s too many ppl so it’s hard for them to see. 𝘆𝗼𝘂 𝘀𝗲𝗻𝗱𝗶𝗻𝗴 𝗮 𝗺𝗲𝘀𝘀𝗮𝗴𝗲 𝗮𝗻𝗱 𝘁𝗵𝗲𝘆 𝘀𝗲𝗻𝗱𝗶𝗻𝗴 𝗼𝗻𝗲 𝗯𝗮𝗰𝗸 𝗱𝗼𝗲𝘀𝗻’𝘁 𝗺𝗲𝗮𝗻 𝗵𝗲’𝘀 𝗿𝗲𝗽𝗹𝘆𝗶𝗻𝗴 𝘁𝗼 𝘆𝗼𝘂 𝗱𝗶𝗿𝗲𝗰𝘁𝗹𝘆!!! they can actually select the message they want so if they ever reply to you you’ll know for sure. - they have an option in their version of the app where they click and it automatically mentions the name you have set on the app and it looks like he’s directly addressing you but it’s the same for every fan. - theres a 1 next to the messages, if it disappears, the member is in the chat, doesn’t mean he read specifically your message, remember it’s a gc for them. - the translations are bad so it’ll look weird, you can deactivate the automatic translation on the 3 dots on the upper right. make sure you always look for translations on here (ENHYPEN WEVERSE) before you bring something to tl. finally, ai bots reply immediately, once the boys go inactive or get busy, no matter how many messages you send you won’t get a reply. stop saying it’s fake or ai, i know its weird and you guys are new to it and it seems impossible bc they’re busy but its the same as when they come to weverse and reply to a bunch of people, they have time for that. you will see some members are more active and chatty than others too. please be careful with your words, these are the members’s words. + here’s jumgwon sending a text while on live earlier:

things to know about wv dms from someone who has experience with the bubble app and had a chat with skz hyunjin for over a year: - its 𝗿𝗲𝗮𝗹, it’s the members themselves - for us it’s a 1:1 chat with the idol but for them it’s like a groupchat with all the people who paid - they can see and directly reply to you if they want to but there’s too many ppl so it’s hard for them to see. 𝘆𝗼𝘂 𝘀𝗲𝗻𝗱𝗶𝗻𝗴 𝗮 𝗺𝗲𝘀𝘀𝗮𝗴𝗲 𝗮𝗻𝗱 𝘁𝗵𝗲𝘆 𝘀𝗲𝗻𝗱𝗶𝗻𝗴 𝗼𝗻𝗲 𝗯𝗮𝗰𝗸 𝗱𝗼𝗲𝘀𝗻’𝘁 𝗺𝗲𝗮𝗻 𝗵𝗲’𝘀 𝗿𝗲𝗽𝗹𝘆𝗶𝗻𝗴 𝘁𝗼 𝘆𝗼𝘂 𝗱𝗶𝗿𝗲𝗰𝘁𝗹𝘆!!! they can actually select the message they want so if they ever reply to you you’ll know for sure. - they have an option in their version of the app where they click and it automatically mentions the name you have set on the app and it looks like he’s directly addressing you but it’s the same for every fan. - theres a 1 next to the messages, if it disappears, the member is in the chat, doesn’t mean he read specifically your message, remember it’s a gc for them. - the translations are bad so it’ll look weird, you can deactivate the automatic translation on the 3 dots on the upper right. make sure you always look for translations on here (ENHYPEN WEVERSE) before you bring something to tl. finally, ai bots reply immediately, once the boys go inactive or get busy, no matter how many messages you send you won’t get a reply. stop saying it’s fake or ai, i know its weird and you guys are new to it and it seems impossible bc they’re busy but its the same as when they come to weverse and reply to a bunch of people, they have time for that. you will see some members are more active and chatty than others too. please be careful with your words, these are the members’s words. + here’s jumgwon sending a text while on live earlier:

eris ⁷

40,703 просмотров • 3 месяцев назад

I just built an influencer outreach AI agent in Claude Code 🤯 One prompt → it scrapes TikTok, finds creators in your niche, researches their content, and writes personalized outreach DMs that reference their actual videos. All inside Claude Code. Perfect for DTC brands and agencies who are still scrolling TikTok and Instagram manually, DMing creators one by one, and tracking everything in a messy spreadsheet. If you're spending hours every week searching for creators in your niche, checking follower counts, skimming their content to see if they're a fit, then writing the same generic "love your content!" DM twelve times... This agent eliminates the entire loop: → Give it a niche keyword and follower range → Scrapes TikTok via Apify and returns real creator profiles with engagement data → Filters by followers, engagement rate, and brand partnership signals → Deep-dives their recent content — what they post, what brands they already rep, their hook style → Writes a personalized outreach DM that references specific videos they've made No scrolling for hours. No copy-pasting bios into spreadsheets. No generic "collab?" DMs that get ignored. What you get: → A scored creator list with handles, followers, engagement rates, and contact info → Research briefs on each creator — content style, audience signals, brand fit assessment → Personalized pitches your team can send immediately → A brand context file that compounds — every campaign teaches the system what works Built 100% in Claude Code with Apify for scraping. I put together a full playbook with the exact skill files, brand context template, and the workflow to set this up yourself. Want the full playbook completely for free? > Like this post > Comment "AGENT" And I'll send it over (must be following so I can DM)

Mike Futia

25,655 просмотров • 5 месяцев назад

This guy built an AI pipeline that generates hyperrealistic fashion models in 47 minutes and now dropshippers pay him $1,400 to clone the entire system. He got tired of watching e-com brands lose $8K per photoshoot when a single product angle changed so he built a 9-node workflow that generates 127 product videos from one Pinterest photo without hiring a single model. Here's the exact breakdown: → Claude writes a 34-parameter JSON brand DNA before any image is touched target psychographics, price anchor, vibe matrix, anti-inspiration blacklist → Pinterest becomes the model source library but you can't just download and animate → Kling 2.6 takes that static JPG and turns it into 5-second video but only after the prompt architecture is locked → Negative prompt node runs 41 exclusion terms: no plastic skin, no CGI glow, no symmetry artifacts, no doll face, no synthetic lighting → That one step kills the "AI look" that tanks engagement by 67% in the first 3 seconds → TikTok Studio uploads 19 videos in one batch with zero manual captioning because the brand voice was pre-programmed in step one → Atlas scrapes Amazon product links and auto-generates a Shopify store with hero images, pricing tiers, scarcity copy, and mobile-optimized checkout in 90 seconds → The store goes live before the first TikTok video finishes processing The key move 94% of people skip: you can't animate the photo before you inject the negative prompt. If you send a raw Pinterest image straight into image-to-video the face morphs into a wax figure. The fabric loses texture. The hands grow extra fingers. The whole thing screams "AI" and your CTR dies. His system runs the exclusion filter first so the model moves like she's shot on an iPhone 15 Pro in natural light. One brand hit 2.6M views on TikTok in 11 days with zero paid ads and converted at 3.7% because the videos looked like organic UGC not polished studio content. Brands now pay him $1,400 for the full pipeline setup + $340/month to keep the store synced with new product drops and seasonal video batches. The entire system runs on $23/month in API costs and one laptop. No photographer. No model agency. No product samples. Just a prompt template, a Pinterest account, and the discipline to filter out the AI artifacts before you render movement.

Shade

536,735 просмотров • 2 месяцев назад

$Would you dare chase justice while swinging thousands of feet above traffic below? Seedance 2 prompt on BudgetPixel AI Create a 15-second ultra-realistic cinematic high-altitude tether-swinging action sequence in strict 16:9 landscape, native 4K, 24fps. Use one seamless continuous drone follow shot with no cuts, no teleporting, and no time skips. The motion must feel physically continuous, dynamic, thrilling, and always readable. REFERENCE: image1 = main heroine reference. Use image1 as the strict identity reference for the heroine’s face, facial proportions, hairstyle, hair color, body proportions, age impression, outfit, shoes, accessories, styling, and overall recognizable appearance. Preserve her identity consistently throughout the whole video. Keep her as an original urban tether-swinging action heroine. Do not redesign her into a branded superhero character. Do not add franchise logos, copyrighted chest emblems, or recognizable third-party superhero symbols. CORE CONCEPT: This is an original urban tether-swinging action short. The heroine moves through the city using thin wrist-launched fiber lines, momentum, wall-running, rooftop movement, and real parkour body mechanics. She travels at high altitude between tall buildings, then lands on a rooftop, defeats one villain, and ends with a powerful shout. HOOK: The first second must be an instant scroll-stopping hook. Start with the heroine already falling backward off the edge of a very tall skyscraper. For a brief moment, it looks like she may actually fall. Then she instantly fires one thin tether line upward, it catches, and her body snaps into a huge high-altitude swing between buildings. STYLE: Photorealistic live-action realism. Premium cinematic action quality. Bright daytime Los Angeles atmosphere with realistic haze, realistic motion blur, realistic fabric movement, realistic body weight, real inertia, and practical environmental interaction. The sequence should feel like a premium action movie shot, not animation, not a game cutscene, and not a cartoon. CAMERA: One uninterrupted drone follow shot only. No cuts. No resets. No jumpy edits. No impossible viewpoint teleporting. The drone camera must stay wide enough to show both the heroine and the environment together. It may tilt, roll, arc, climb, and dive with the motion, but it must always feel like one real flying camera tracking her. Keep the framing intense and fast, but always readable. ENVIRONMENT: Bright daytime in a dense modern city inspired by Los Angeles and Hollywood. Show: - tall glass and concrete high-rises - rooftop edges - billboards and signage - palm trees far below where visible - busy roads and traffic far beneath - bright haze and sunny atmosphere - believable large-scale urban depth The action must happen mainly high above the street between tall buildings, not low near the ground for most of the video. VILLAIN RULE: Only one villain appears in the entire video. The villain is one adult male enemy only. He wears a fitted black suit, black shirt, and black shoes. No mask, no armor, no fantasy costume. He appears only in the rooftop combat section. Do not generate multiple enemies. Do not generate background enemies. Do not clone or duplicate the villain. ACTION RULES: The heroine’s movement must feel hand-and-foot driven, not magical floating. She must visibly: - fire thin tether lines from her hands - swing with real tension and momentum - push off building surfaces - run along walls with clear foot placement - absorb landings with bent knees - sprint briefly on a rooftop - fight one villain using fast practical action - finish in control Her body mechanics must stay realistic: - core engaged during swings - arms extended or flexed according to line tension - knees bend on landing and push-off - visible transfer of momentum between swing, wall-run, leap, landing, and combat Do not make her hover weightlessly. Do not make the tether line act like magic. Do not make her float in place unnaturally. EMOTIONAL ARC: - opening: shock and immediate control - mid-swing: intense focus - rooftop approach: rising confidence - rooftop fight: sharp aggression and urgency - ending: victorious adrenaline and fearless release AUDIO: No music. Effects and ambience only: - rushing wind - tether firing and tension snaps - air pass-by - foot impacts on walls and rooftop surfaces - city ambience far below - distant traffic and horns - fabric movement - breathing - one short rooftop fight impact sequence - one powerful final shout from the heroine TIMELINE: 0:00–0:01 Start from black into a shocking rooftop-edge fall. The heroine is already dropping backward off a skyscraper. For a fraction of a second it feels dangerous and uncontrolled. She immediately flicks her wrist and fires one thin tether line upward. It catches instantly. The drone yanks back and reveals the start of a huge swing. 0:01–0:04 The heroine swings at high altitude between tall buildings. The city is far below. Her body forms a long aerodynamic arc, one arm holding tension through the line, legs trailing cleanly behind. The drone follows wide and slightly rolled, emphasizing height, speed, and scale. 0:04–0:06 At the swing’s forward rise, she releases the line and redirects toward a nearby glass-and-concrete building. She plants onto the wall and runs across it diagonally with 4 to 5 clear steps. Her feet hit the wall with visible force. Her jaw is set and focused. The drone stays close but wide enough to keep the city depth visible. 0:06–0:08 She pushes explosively off the wall, fires a new tether line, and swings again through a narrower corridor between tall buildings. The movement should feel faster and more controlled now. She threads cleanly through the urban gap and angles toward a rooftop landing zone ahead. 0:08–0:09.5 She releases the line and lands hard but controlled on a rooftop. Knees bend deeply to absorb impact. She rolls into a short forward recovery step, then rises immediately into a sprint across the rooftop surface. 0:09.5–0:12 One villain in a black suit steps in to stop her. Keep only this single enemy. The heroine engages him in a short, sharp rooftop fight. She avoids his first attack with a quick slip, grabs or redirects his arm, drives one fast body shot or elbow, then uses his off-balance momentum to throw or slam him down onto the rooftop. The fight must feel quick, practical, and decisive. Real impact reactions. No slow choreography. No extra enemies. 0:12–0:13.5 The villain is down and no longer a threat. The heroine steps past him and moves to the rooftop edge. Wind moves her hair and outfit. She looks outward over the city with intense adrenaline and triumph. 0:13.5–0:15 At the rooftop edge, she turns slightly toward the open skyline, lifts her chest, and shouts one powerful final line: “가자!” She immediately launches forward off the rooftop edge into another leap just as the clip ends. End on the feeling that the action is continuing beyond the cut. IMPORTANT RULES: - one continuous drone follow shot only - no cuts - no teleporting - no cloning - no multiple villains - only one black-suited villain - no giant web canopy - use only thin functional tether lines - no franchise logos - no copyrighted chest symbols - preserve the uploaded identity consistently - action must stay realistic and momentum-driven - rooftop fight must be short, sharp, and readable - final shout must be “가자!” NEGATIVE: no cartoon, no anime, no game-engine look, no fake CGI stiffness, no floating, no weightless hovering, no random disconnected acrobatics, no city-wide web canopy, no superhero logo, no copyrighted spider emblem, no extra enemies, no masked villain, no armored villain, no cloned villain, no empty city, no dark night setting, no rain, no slow motion, no blurred identity, no outfit drift, no face drift, no extra limbs, no broken anatomy, no unrealistic hand deformation, no collision with buildings during swings, no messy unreadable fight.$

Would you dare chase justice while swinging thousands of feet above traffic below? Seedance 2 prompt on BudgetPixel AI Create a 15-second ultra-realistic cinematic high-altitude tether-swinging action sequence in strict 16:9 landscape, native 4K, 24fps. Use one seamless continuous drone follow shot with no cuts, no teleporting, and no time skips. The motion must feel physically continuous, dynamic, thrilling, and always readable. REFERENCE: image1 = main heroine reference. Use image1 as the strict identity reference for the heroine’s face, facial proportions, hairstyle, hair color, body proportions, age impression, outfit, shoes, accessories, styling, and overall recognizable appearance. Preserve her identity consistently throughout the whole video. Keep her as an original urban tether-swinging action heroine. Do not redesign her into a branded superhero character. Do not add franchise logos, copyrighted chest emblems, or recognizable third-party superhero symbols. CORE CONCEPT: This is an original urban tether-swinging action short. The heroine moves through the city using thin wrist-launched fiber lines, momentum, wall-running, rooftop movement, and real parkour body mechanics. She travels at high altitude between tall buildings, then lands on a rooftop, defeats one villain, and ends with a powerful shout. HOOK: The first second must be an instant scroll-stopping hook. Start with the heroine already falling backward off the edge of a very tall skyscraper. For a brief moment, it looks like she may actually fall. Then she instantly fires one thin tether line upward, it catches, and her body snaps into a huge high-altitude swing between buildings. STYLE: Photorealistic live-action realism. Premium cinematic action quality. Bright daytime Los Angeles atmosphere with realistic haze, realistic motion blur, realistic fabric movement, realistic body weight, real inertia, and practical environmental interaction. The sequence should feel like a premium action movie shot, not animation, not a game cutscene, and not a cartoon. CAMERA: One uninterrupted drone follow shot only. No cuts. No resets. No jumpy edits. No impossible viewpoint teleporting. The drone camera must stay wide enough to show both the heroine and the environment together. It may tilt, roll, arc, climb, and dive with the motion, but it must always feel like one real flying camera tracking her. Keep the framing intense and fast, but always readable. ENVIRONMENT: Bright daytime in a dense modern city inspired by Los Angeles and Hollywood. Show: - tall glass and concrete high-rises - rooftop edges - billboards and signage - palm trees far below where visible - busy roads and traffic far beneath - bright haze and sunny atmosphere - believable large-scale urban depth The action must happen mainly high above the street between tall buildings, not low near the ground for most of the video. VILLAIN RULE: Only one villain appears in the entire video. The villain is one adult male enemy only. He wears a fitted black suit, black shirt, and black shoes. No mask, no armor, no fantasy costume. He appears only in the rooftop combat section. Do not generate multiple enemies. Do not generate background enemies. Do not clone or duplicate the villain. ACTION RULES: The heroine’s movement must feel hand-and-foot driven, not magical floating. She must visibly: - fire thin tether lines from her hands - swing with real tension and momentum - push off building surfaces - run along walls with clear foot placement - absorb landings with bent knees - sprint briefly on a rooftop - fight one villain using fast practical action - finish in control Her body mechanics must stay realistic: - core engaged during swings - arms extended or flexed according to line tension - knees bend on landing and push-off - visible transfer of momentum between swing, wall-run, leap, landing, and combat Do not make her hover weightlessly. Do not make the tether line act like magic. Do not make her float in place unnaturally. EMOTIONAL ARC: - opening: shock and immediate control - mid-swing: intense focus - rooftop approach: rising confidence - rooftop fight: sharp aggression and urgency - ending: victorious adrenaline and fearless release AUDIO: No music. Effects and ambience only: - rushing wind - tether firing and tension snaps - air pass-by - foot impacts on walls and rooftop surfaces - city ambience far below - distant traffic and horns - fabric movement - breathing - one short rooftop fight impact sequence - one powerful final shout from the heroine TIMELINE: 0:00–0:01 Start from black into a shocking rooftop-edge fall. The heroine is already dropping backward off a skyscraper. For a fraction of a second it feels dangerous and uncontrolled. She immediately flicks her wrist and fires one thin tether line upward. It catches instantly. The drone yanks back and reveals the start of a huge swing. 0:01–0:04 The heroine swings at high altitude between tall buildings. The city is far below. Her body forms a long aerodynamic arc, one arm holding tension through the line, legs trailing cleanly behind. The drone follows wide and slightly rolled, emphasizing height, speed, and scale. 0:04–0:06 At the swing’s forward rise, she releases the line and redirects toward a nearby glass-and-concrete building. She plants onto the wall and runs across it diagonally with 4 to 5 clear steps. Her feet hit the wall with visible force. Her jaw is set and focused. The drone stays close but wide enough to keep the city depth visible. 0:06–0:08 She pushes explosively off the wall, fires a new tether line, and swings again through a narrower corridor between tall buildings. The movement should feel faster and more controlled now. She threads cleanly through the urban gap and angles toward a rooftop landing zone ahead. 0:08–0:09.5 She releases the line and lands hard but controlled on a rooftop. Knees bend deeply to absorb impact. She rolls into a short forward recovery step, then rises immediately into a sprint across the rooftop surface. 0:09.5–0:12 One villain in a black suit steps in to stop her. Keep only this single enemy. The heroine engages him in a short, sharp rooftop fight. She avoids his first attack with a quick slip, grabs or redirects his arm, drives one fast body shot or elbow, then uses his off-balance momentum to throw or slam him down onto the rooftop. The fight must feel quick, practical, and decisive. Real impact reactions. No slow choreography. No extra enemies. 0:12–0:13.5 The villain is down and no longer a threat. The heroine steps past him and moves to the rooftop edge. Wind moves her hair and outfit. She looks outward over the city with intense adrenaline and triumph. 0:13.5–0:15 At the rooftop edge, she turns slightly toward the open skyline, lifts her chest, and shouts one powerful final line: “가자!” She immediately launches forward off the rooftop edge into another leap just as the clip ends. End on the feeling that the action is continuing beyond the cut. IMPORTANT RULES: - one continuous drone follow shot only - no cuts - no teleporting - no cloning - no multiple villains - only one black-suited villain - no giant web canopy - use only thin functional tether lines - no franchise logos - no copyrighted chest symbols - preserve the uploaded identity consistently - action must stay realistic and momentum-driven - rooftop fight must be short, sharp, and readable - final shout must be “가자!” NEGATIVE: no cartoon, no anime, no game-engine look, no fake CGI stiffness, no floating, no weightless hovering, no random disconnected acrobatics, no city-wide web canopy, no superhero logo, no copyrighted spider emblem, no extra enemies, no masked villain, no armored villain, no cloned villain, no empty city, no dark night setting, no rain, no slow motion, no blurred identity, no outfit drift, no face drift, no extra limbs, no broken anatomy, no unrealistic hand deformation, no collision with buildings during swings, no messy unreadable fight.

Sharon Riley

59,224 просмотров • 7 дней назад

BOOGAS AIRDROP Boogas has been stuck behind bars for 118 days! Intern is free on the outside, but his whereabouts is unknown. James has read the X-Rules 1000x times…he still has no idea what they did wrong 😂 Rok has done so many bicep curls he’s starting to look like Popeye! All hope of freedom is quickly fading… Then, suddenly, ROK and James hear a buzzing noise in the distance! Is it a swarm of 🐝? No, far too loud for that! The noise intensifies as it draws nearer… They look out their window, and a BOOGA DRONE appears 😎 It’s carrying a package and even speaking Boogish! Intern! He’s learned how to pilot drones 🤖 1000s of “care packages” are airborne, making their way to all Boogas’ prison cells! ⎯⎯⎯🔺AIRDROP🔺⎯⎯⎯ Get Intern's attention! CLAIM your AIRDROP in 3 simple steps: 1. 🔁 Quote Repost this post. Help Intern find you (or say whatever you'd like 😎) 2. 💬 Drop your MultiversX wallet in the comments, or DM Boogas Intern. 3. 🔖 Bookmark this post! Intern will be working until New Years Day... ⏳ 48 hrs to claim your drop! Freedom is near, Let's end the year with a bang 🌋 Ooga Booga!

BOOGAS AIRDROP Boogas has been stuck behind bars for 118 days! Intern is free on the outside, but his whereabouts is unknown. James has read the X-Rules 1000x times…he still has no idea what they did wrong 😂 Rok has done so many bicep curls he’s starting to look like Popeye! All hope of freedom is quickly fading… Then, suddenly, ROK and James hear a buzzing noise in the distance! Is it a swarm of 🐝? No, far too loud for that! The noise intensifies as it draws nearer… They look out their window, and a BOOGA DRONE appears 😎 It’s carrying a package and even speaking Boogish! Intern! He’s learned how to pilot drones 🤖 1000s of “care packages” are airborne, making their way to all Boogas’ prison cells! ⎯⎯⎯🔺AIRDROP🔺⎯⎯⎯ Get Intern's attention! CLAIM your AIRDROP in 3 simple steps: 1. 🔁 Quote Repost this post. Help Intern find you (or say whatever you'd like 😎) 2. 💬 Drop your MultiversX wallet in the comments, or DM Boogas Intern. 3. 🔖 Bookmark this post! Intern will be working until New Years Day... ⏳ 48 hrs to claim your drop! Freedom is near, Let's end the year with a bang 🌋 Ooga Booga!

Boogas 😎

127,391 просмотров • 1 год назад

The largest theft in history has already happened. The people behind it just cannot open what they stole yet. Right now, intelligence agencies and criminal groups are quietly copying the world's encrypted data, bank records, medical files, state secrets, private messages, and storing every byte untouched. They cannot read any of it. They are collecting it anyway, because they know the key is about to be invented. The strategy has a name, harvest now, decrypt later, and in 2026 it stopped being theory. Washington declared this the Year of Quantum Security in January, backed by the FBI, the NSA, and NIST. Canada ordered every federal agency to file a migration plan by April. Europe set its deadline for December. Governments do not impose operational deadlines on a someday problem. They do it when the clock is already running. Here is what moved the clock. Every password, every transfer, every secret on Earth is protected by one assumption, that a certain math problem is too hard to solve. Quantum computers solve exactly that problem. For years the machine that could do it looked decades away. Then in late 2025 Google's Willow chip cracked the hardest part of building one, and in March 2026 Google's own researchers estimated that breaking the encryption behind Bitcoin might take fewer than 500,000 qubits, down from 20 million, and could run in minutes. The day this becomes real has a name, Q-Day, and the latest estimates place it between 2030 and 2033. Now make it concrete. Roughly 6.5 million Bitcoin, about a third of every coin that will ever exist, worth close to 500 billion dollars, sit in addresses that have already exposed the very key a quantum computer needs. That includes the coins of Satoshi, the anonymous creator. On Q-Day they become, in the researchers' own word, trivially stealable. It would not look like a crash or a whale selling. It would look like half a trillion dollars of the most secure money ever built simply walking out the door. The asset designed to trust no one and no institution turns out to rest on a single unverified bet, that one math problem stays hard forever. This is what sits beneath the entire digital world. A bank balance, a Bitcoin, a classified cable, all of it is real only because of a proof you supposedly cannot forge. Quantum breaks the proof. Everything we call secure is true only until someone finally checks, and for the first time the check is visible on the horizon. You cannot know whether your data has already been copied. You cannot know the exact day the key arrives. The trust holding up the digital age is a clock counting down to a zero no one can see. The honest counter matters. No machine on Earth can break this encryption today, and serious cryptographers still argue the real threat is a decade or more away. The timeline is far from certain. Quantum-safe codes already exist, the migration has started, and Bitcoin can move its coins to safety before Q-Day if it acts in time. The danger is not that everything breaks tomorrow. It is that anything which must stay secret into the 2030s, a state secret, an identity, a private key, is being stolen today and is already on the clock. The breach is not coming. It is already here, sitting in storage, perfectly encrypted, waiting for a machine that does not exist yet to read it out loud. Research and opinion, not investment advice.

The largest theft in history has already happened. The people behind it just cannot open what they stole yet. Right now, intelligence agencies and criminal groups are quietly copying the world's encrypted data, bank records, medical files, state secrets, private messages, and storing every byte untouched. They cannot read any of it. They are collecting it anyway, because they know the key is about to be invented. The strategy has a name, harvest now, decrypt later, and in 2026 it stopped being theory. Washington declared this the Year of Quantum Security in January, backed by the FBI, the NSA, and NIST. Canada ordered every federal agency to file a migration plan by April. Europe set its deadline for December. Governments do not impose operational deadlines on a someday problem. They do it when the clock is already running. Here is what moved the clock. Every password, every transfer, every secret on Earth is protected by one assumption, that a certain math problem is too hard to solve. Quantum computers solve exactly that problem. For years the machine that could do it looked decades away. Then in late 2025 Google's Willow chip cracked the hardest part of building one, and in March 2026 Google's own researchers estimated that breaking the encryption behind Bitcoin might take fewer than 500,000 qubits, down from 20 million, and could run in minutes. The day this becomes real has a name, Q-Day, and the latest estimates place it between 2030 and 2033. Now make it concrete. Roughly 6.5 million Bitcoin, about a third of every coin that will ever exist, worth close to 500 billion dollars, sit in addresses that have already exposed the very key a quantum computer needs. That includes the coins of Satoshi, the anonymous creator. On Q-Day they become, in the researchers' own word, trivially stealable. It would not look like a crash or a whale selling. It would look like half a trillion dollars of the most secure money ever built simply walking out the door. The asset designed to trust no one and no institution turns out to rest on a single unverified bet, that one math problem stays hard forever. This is what sits beneath the entire digital world. A bank balance, a Bitcoin, a classified cable, all of it is real only because of a proof you supposedly cannot forge. Quantum breaks the proof. Everything we call secure is true only until someone finally checks, and for the first time the check is visible on the horizon. You cannot know whether your data has already been copied. You cannot know the exact day the key arrives. The trust holding up the digital age is a clock counting down to a zero no one can see. The honest counter matters. No machine on Earth can break this encryption today, and serious cryptographers still argue the real threat is a decade or more away. The timeline is far from certain. Quantum-safe codes already exist, the migration has started, and Bitcoin can move its coins to safety before Q-Day if it acts in time. The danger is not that everything breaks tomorrow. It is that anything which must stay secret into the 2030s, a state secret, an identity, a private key, is being stolen today and is already on the clock. The breach is not coming. It is already here, sitting in storage, perfectly encrypted, waiting for a machine that does not exist yet to read it out loud. Research and opinion, not investment advice.

Shanaka Anslem Perera ⚡

185,481 просмотров • 1 месяц назад

Google Gemini Omni is f*cking insane for UGC ads 🤯 Google just dropped their new video model and I spent the past 24 hours putting it through its paces. Multi-shot UGC ads -> Consistent creator across every scene ->Agent mode that runs the whole session. Perfect for DTC brands and agencies who need UGC creative at volume without hiring creators or paying per-video platform fees. If you're briefing creators every week, waiting days for footage, paying $150–$300 per UGC video, and still getting ads that miss the brand vibe... Gemini Omni eliminates the entire loop: → Generate a realistic AI creator from a single image prompt → Upload your creator + product image, reference both by filename in every prompt → Agent mode writes and runs your full production session → Creator stays consistent across every scene change and outfit → Product label accurate, correct color, readable text → 5-shot direct response ad in one briefing No creator briefs. No waiting for footage. No per-video platform fees. What you get: → Multi-shot UGC ads with a locked creator across every scene → AI creator image prompt tuned for realism — not plastic AI faces → Asset tagging system that keeps your product consistent shot to shot → A reusable workflow: new product, new angle, same pipeline I also built a Claude Cowork skill that writes your entire production package before you generate a single frame: Creator prompt, shot list, dialogue, asset-tagged prompts, and voiceover script. I put together a full playbook with the Claude skill file and the exact workflow to run this yourself. Want access for free? > Like this post > Comment "OMNI" And I'll send it over (must be following so I can DM)

Mike Futia

33,831 просмотров • 2 месяцев назад

Within the first two minutes or so, she’s already used the word “learns” three times, and four times in total over fifteen minutes, if you count them all. Just like when Harry and Meghan went on about the “harms” while collecting that absurdly paid-for award, which she trots out again here. Once, fine, could be a slip. Twice, that’s worrying. Three times? Are you even aware of what you’re saying, Meghan? What on earth is going on? She takes a perfectly normal verb and adds an s, turning it into a noun. It makes no sense. She has been doing this for a while and now Harry is copying it too. In plain English, “learn” is a verb. You do not slap an s on it and turn it into a noun, no matter how much self-help or corporate waffle you have swallowed. Saying “a lot of learns” is just wrong. The proper phrasing is “a lot of lessons” or “a lot of learning.” Their habit of adding s to abstract or non-count words like learns, leadings or learnings is nonsense. Using “harms” in this broad, vague way is just as bad. It turns an uncountable noun into a countable one with no reason at all and leaves everyone guessing what the “harms” actually are. It is meaningless, pretentious, and completely opaque. For someone who bangs on about vintage this and old-school that, you’d think she’d want her grammar to be vintage too — proper and correct, fitting the whole analog purist image she’s been pushing. But of course not. Making up words seems to be a skill she’s happily passed on to the squaddies. Case in point: “derangers.” And all the “learns” in the world still haven’t taught them that it isn’t a word. It reads like pseudo-corporate drivel, the sort of buzzword soup you get in self-help circles trying to sound profound, but it is completely wrong. I also noticed Meghan misusing terms she thinks CEOs or business founders use. Her explanations have nothing to do with how the words actually function in business, and they certainly would not have worked for her first product drops or for As Ever. I’ll break it down in detail as a female founder with twenty years in business, showing what she’s lifted from books to sound like a “founder” and what proves she has no idea what she’s talking about or is simply wrong. For now, the learns moment is enough. It is only the start of the buzzword nonsense we’ve come to expect, tedious to sit through, and absurdly easy to dismantle. #MeghanIsTheProblem #MeghanMarkleExposed #WordSaladMarkle

Within the first two minutes or so, she’s already used the word “learns” three times, and four times in total over fifteen minutes, if you count them all. Just like when Harry and Meghan went on about the “harms” while collecting that absurdly paid-for award, which she trots out again here. Once, fine, could be a slip. Twice, that’s worrying. Three times? Are you even aware of what you’re saying, Meghan? What on earth is going on? She takes a perfectly normal verb and adds an s, turning it into a noun. It makes no sense. She has been doing this for a while and now Harry is copying it too. In plain English, “learn” is a verb. You do not slap an s on it and turn it into a noun, no matter how much self-help or corporate waffle you have swallowed. Saying “a lot of learns” is just wrong. The proper phrasing is “a lot of lessons” or “a lot of learning.” Their habit of adding s to abstract or non-count words like learns, leadings or learnings is nonsense. Using “harms” in this broad, vague way is just as bad. It turns an uncountable noun into a countable one with no reason at all and leaves everyone guessing what the “harms” actually are. It is meaningless, pretentious, and completely opaque. For someone who bangs on about vintage this and old-school that, you’d think she’d want her grammar to be vintage too — proper and correct, fitting the whole analog purist image she’s been pushing. But of course not. Making up words seems to be a skill she’s happily passed on to the squaddies. Case in point: “derangers.” And all the “learns” in the world still haven’t taught them that it isn’t a word. It reads like pseudo-corporate drivel, the sort of buzzword soup you get in self-help circles trying to sound profound, but it is completely wrong. I also noticed Meghan misusing terms she thinks CEOs or business founders use. Her explanations have nothing to do with how the words actually function in business, and they certainly would not have worked for her first product drops or for As Ever. I’ll break it down in detail as a female founder with twenty years in business, showing what she’s lifted from books to sound like a “founder” and what proves she has no idea what she’s talking about or is simply wrong. For now, the learns moment is enough. It is only the start of the buzzword nonsense we’ve come to expect, tedious to sit through, and absurdly easy to dismantle. #MeghanIsTheProblem #MeghanMarkleExposed #WordSaladMarkle

༺𝐻𝑅𝐻 𝐿𝒶𝒹𝓎 𝒥༻ 👑

93,385 просмотров • 10 месяцев назад