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๐—˜๐—ฑ๐—ถ๐˜๐—ต ๐—ฃ๐—ถ๐—ฎ๐—ณ - ๐—ก๐—ผ๐—ป, ๐—๐—ฒ ๐—ก๐—ฒ ๐—ฅ๐—ฒ๐—ด๐—ฟ๐—ฒ๐˜๐˜๐—ฒ ๐—ฅ๐—ถ๐—ฒ๐—ป (๐Ÿญ๐Ÿต๐Ÿฑ๐Ÿต) โค๏ธโค๏ธโค๏ธ "Non, Je Ne Regrette Rien," performed by the legendary French chanteuse ร‰dith Piaf and released in 1960, is a powerful ballad of resilience and self-acceptance. Its title, translating to "No, I Do Not Regret Anything," encapsulates its message of...

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Classical Music & Opera ็š„ๅคดๅƒ
Classical Music & Opera1 ๅนดๅ‰

Piaf's "Non, Je Ne Regrette Rien" is an emotional anthem of resilience, reflecting her turbulent life. Originally meant for another artist, Piaf recognized its power and premiered it triumphantly at L'Olympia, making it a chart-topping hit. Beyond personal meaning, it became a symbol for the French Foreign Legion. Its timeless appeal spans generations through covers, films, and TV, reinforcing its message of embracing life without regrets.

Solar Heavy ็š„ๅคดๅƒ
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A relaxing piano song just for you

Ana ็š„ๅคดๅƒ
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โ™ฅ๏ธ

with love, lava โ™ก ็š„ๅคดๅƒ
with love, lava โ™ก1 ๅนดๅ‰

Her voice is till today very special ๐Ÿฅฐ

Classical Music & Opera ็š„ๅคดๅƒ
Classical Music & Opera1 ๅนดๅ‰

The icon โค๏ธ

Tellmesomethinggood ็š„ๅคดๅƒ
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One of my favorite songs โค๏ธ๐Ÿ‡ซ๐Ÿ‡ท

Classical Music & Opera ็š„ๅคดๅƒ
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Glad you enjoy. Have a great day โค๏ธ๐ŸŽถ

lidia silva ็š„ๅคดๅƒ
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โคโคโค

โ™ฅ๏ธLTB๐Ÿ”ฅLuciferโ€™s X ๐Ÿ˜ˆDevilโ€™s Advocate ็š„ๅคดๅƒ
โ™ฅ๏ธLTB๐Ÿ”ฅLuciferโ€™s X ๐Ÿ˜ˆDevilโ€™s Advocate1 ๅนดๅ‰

โ—๏ธ โค๏ธโ€๐Ÿ”ฅ The Sheer Emotional Passion & ๐Ÿ’ช๐Ÿผ Of The Timeless & Incomparable Piaf Leaves You Speechless Bravo ๐Ÿ‘๐Ÿผ Edith โ—๏ธ

Ana ็š„ๅคดๅƒ
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Poderosas letras sobre resiliencia y auto aceptaciรณnโ€ฆโ€ No, no me arrepiento de nada โ€œโ€ฆ

Harry ็š„ๅคดๅƒ
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๐Ÿ˜๐Ÿ˜๐Ÿ˜

็›ธๅ…ณ่ง†้ข‘

"The Sound of Silence" is an iconic folk-rock song by the American duo Simon & Garfunkel. It was written by Paul Simon and released as a single in 1965. The song's haunting melody and evocative lyrics made it a timeless classic that continues to resonate with audiences across generations. The genesis of "The Sound of Silence" can be traced back to Paul Simon's early days as a songwriter in the early 1960s. He wrote the original version of the song when he was just 21 years old and it was initially titled "The Sounds of Silence." The song was included in their debut album, "Wednesday Morning, 3 A.M," released in 1964. However, the album had limited success, and Simon & Garfunkel's future as a duo was uncertain. Despite the lackluster performance of their debut album, the song's potential caught the attention of Tom Wilson, a producer at Columbia Records. Without Simon or Garfunkel's knowledge, he decided to remix "The Sound of Silence," adding electric instruments and drums to the acoustic version. This new version gave the song a more contemporary and dynamic sound, capitalizing on the folk-rock movement that was gaining popularity at the time. In January 1966, the remixed version of "The Sound of Silence" was released as a single, and it quickly began to climb the charts. The song struck a chord with listeners, as its lyrics tapped into feelings of isolation, alienation, and the struggle to communicate in an increasingly disconnected world. The opening lines, "Hello darkness, my old friend, I've come to talk with you again," instantly captured the imaginations of listeners and set the tone for the rest of the song. As "The Sound of Silence" gained traction, Simon & Garfunkel's popularity surged, and they went on to release more successful albums, becoming one of the most influential and celebrated musical acts of the 1960s. The song's success also played a significant role in propelling the folk-rock genre into the mainstream. Over the years, "The Sound of Silence" has been covered by numerous artists, further cementing its status as a timeless classic. Its enduring appeal lies in its ability to evoke deep emotions and contemplation, making it relevant in different historical and cultural contexts. The song's legacy has been immortalized in popular culture, appearing in films, television shows, and advertisements, further solidifying its status as a song that transcends time and resonates with people from all walks of life. Its powerful message about the importance of meaningful communication in a world filled with noise and distraction continues to be relevant and poignant to this day.

Historic Vids

3,178,838 ๆฌก่ง‚็œ‹ โ€ข 3 ๅนดๅ‰

#WATCH | Geneva: At the 7th Meeting - 58th Session of Human Rights Council, Indian Diplomat Kshitij Tyagi says, "India is exercising its right of reply in response to the baseless and malicious references made by Pakistan. It is regrettable to see Pakistan's so-called leaders and delegates continuing to dutifully spread falsehoods handed down by its military terrorist complex. Pakistan is making a mockery of the OIC by abusing it as its mouthpiece... The union territories of J&K and Ladakh will always remain an integral and inalienable part of India. The unprecedented political, social and economic progress in J&K in the past few years speaks for itself. These successes are a testament to the people's trust in the government's commitment to bring normalcy to a region scarred by decades of Pakistan-sponsored terrorism. As a country where human rights abuses, persecution of minorities and systematic erosion of democratic values constitute state policies and which brazenly harbours UN-sanctioned terrorists, Pakistan is in no position to lecture anyone. Instead of its unhealthy obsession with India, Pakistan should focus on providing actual governance and justice to its own people. It is unfortunate that this Council's time continues to be wasted by a failed state which thrives on instability and survives on international handouts. Its rhetoric reeks of hypocrisy, its actions of inhumanity and its governance of incompetence. India remains focused on democracy, progress and ensuring dignity for its people. Values that Pakistan would do well to learn from..." (Source: UN Web TV)

ANI

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This is why I would like to serve as Chancellor of Oxford University - to raise its profile and utility. The Chancellorship could be completely different and better connect with the whole university community. I have the time, commitment and ability to do this, in support of the executive leadership of the university. I would want to meet, get to know and affirm everyone, from Vice Chancellor to the hard working group I met moving mattresses and beds around in one of the Colleges this week - and be the Chancellor for them all. The office of #Chancellor could engage with both the great events of the university but also its people, by getting to invest time in the community and represent its heart and soul. I may be the โ€˜outsiderโ€™ but I came to all the appointments I have held, as such. In each case, I have invested everything of myself in embodying the place, its people and their traditions. I serve to live out a balance of deep respect for worthy customs with a lightness of touch, which makes everything unstuffy and accessible. As an outsider, I bring no vested certainty of past practice, only an open mind to embrace all, especially the new. My representation and advocacy for the university, its mission, excellence, intent and history will be โ€˜evangelicalโ€™, in commitment, and unconfined. Conventional in appearance but utterly unconventional in style, I would love to serve University of Oxford in the years ahead.

Alastair Bruce

73,665 ๆฌก่ง‚็œ‹ โ€ข 1 ๅนดๅ‰