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๐—˜๐—ป๐—ท๐—ผ๐˜† ๐˜๐—ต๐—ถ๐˜€ ๐Ÿฏ ๐—บ๐—ถ๐—ป๐˜‚๐˜๐—ฒ๐˜€ ๐Ÿฐ๐Ÿด ๐˜€๐—ฒ๐—ฐ๐—ผ๐—ป๐—ฑ๐˜€ ๐—๐—ผ๐—ฟ๐—ฑ๐—ฎ๐—ป ๐—”๐˜†๐—ฒ๐˜„ ๐—ถ๐—ป๐˜๐—ฒ๐—ฟ๐˜ƒ๐—ถ๐—ฒ๐˜„... ๐˜„๐—ถ๐˜๐—ต ๐—ป๐—ผ ๐˜€๐—ผ๐˜‚๐—ป๐—ฑ. It's the sort of thing every content producer dreads. Before the ๐Ÿ‡ฌ๐Ÿ‡ญ Ghana captain walked into the shot, I was sure the sound was OK. Now... watch the start of the video. First 10 seconds: Jordan waits...

108,413 views โ€ข 21 days ago โ€ขvia X (Twitter)

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"That pussy Adam Cole broke his ankle like the complete dork that he is." MJF talks about the revisionist history of his story with Adam Cole "Here's what happened. At the time, and this is just a fact, we were the highest minute-for-minute drawing angle, not just in AEW, but in all of professional wrestling at that point. We were moving the most merch in the company. At that point, and was to no fault, Bloodline's going to go down as one of the greatest long-term thing, but at that point there was a bit of lull in their story at that point in 2023, and we had taken lead and Better Than You, Baby is what everybody was talking about and then that pussy Adam Cole broke his ankle like the complete dork that he is and then he decided to turn on me because he's a horrible human being. But I learned a lot in that in that year I learned a lot about myself you know when I when I was outโ€”full disclosure I was in a very dark place." I also asked about the injuries he had suffered "It was my hip, my left shoulder; my last two pay-per-view matchesโ€”pretty much the left side of my body was useless. But I wasn't going to tell the doctors that because that's not how I was brought up. In not just in real life, but in this business. When I had that time off, I had a lot of time to reflect and it made me angry. Now I look back on it and I shouldn't have been angry at the fans. Who I should have been angry was that myself. Because I went from being, โ€˜MJF is the best thing since sliced bread,โ€™ and within a flip of a switch, โ€˜It's MJF sucks. He's killing this company that we love.โ€™ It took, if we're being honest, it took all the way into like the first month of this year of 2025 for everybody to be like, โ€˜Maybe we were harsh. Maybe he's actually still one of the best in the world. They can't help it. But I know why. It's because nobody likes a braggart. But the unfortunate thing is I can't help myself. I'm just really good at my job and I can't help but talk about it."

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John Carpenter on how Howard Hawks's "Rio Bravo" (1959) inspired him to become a filmmaker: "As I got older I began to see that certain directors did certain things. One of the earliest examples of this was Roger Corman. I started going to see these exciting, fast, kind of cheesy but really fun monster movies, and there was one name that kept coming up on the screen: Roger Corman. 'It Conquered the World' (1956), 'Not of This Earth' (1957), 'Attack of the Crab Monsters' (1957), 'The Undead' (1957)... But | really understood for the first time what a director did when I saw 'Rio Bravo' in 1959. There was something about that movie that was like home and I can't really explain it. It was held over in Bowling Green for three or four weeks in a row because people kept coming to see it. I abandoned to see what was new in the other movie house in town to see this movie every weekend again and again because there was something in it that was different from the other westerns I had seen. I had certainly seen John Wayne before. He had become a part of my growing-up experience. He was the action guy, the cowboy. He was the guy in 'Flying Tigers' (1942) who was flying the airplanes. So what was so different about that movie? Then I became aware of this credit: โ€œHoward Hawksโ€™ Rio Bravo.โ€ I looked at the poster and I said to myself, โ€œWho is this guy? He didn't write the movie and he wasn't starring in it so why is his name up here? And why is he last in the credits?โ€ All these things started to occur to me, but it was the emotional impact of the film that got me to start using my brain. Some way I figure out that this director made that movie." ("The Prince of Darkness: The Prince of Darkness", Gilles Boulenger, 2001) P.S: Remembering the great American filmmaker Howard Hawks on his 130th birthday.

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In 1977, before anyone knew what Star Wars would become, Alec Guinness sat down to explain how a knighted Shakespearean actor ended up in a science fiction film he almost turned down. The script arrived while Guinness was finishing a picture in Hollywood. The name attached to it impressed him. "I heard it had been delivered by George Lucas, and I thought that was impressive because he was a respected young director." Then he learned what kind of film it was, and his enthusiasm collapsed: "When I found out it was science fiction, I thought, 'oh crumbs,' and felt it simply wasn't for me. But then I started reading." What kept him going wasn't the writing. By his own account, the writing was a problem: "It seemed to me the dialogue was pretty ropey, but I had to keep turning the page. That is an essential quality in a script. You have to want to know what happens next." That instinct, the inability to put the pages down, was enough. He met Lucas, the two got on well, and Guinness found himself signing on. Then comes the part of the interview that has since become legend, told here in 1977 with no idea of how the numbers would balloon. Guinness recounts the percentage deal: "My agent asked for 2% because we didn't think it would make any money. I'd never had a percentage on a film before." The story of how it grew is almost comic in its modesty: "The day before the film opened in San Francisco, George Lucas phoned me. He's very diffident and shy, and said he thought the movie was going to be all right. He said they were grateful for the little alterations I suggested and offered me another half percent, making it two and a half. A few weeks later, I asked the producer for something in writing, and he mentioned a quarter percent, so it ended up being 2 1/4%." A modest slice of a film nobody expected to earn anything. Asked what fascinated him about it, Guinness reached past the genre and landed on something simpler: "I think it has a marvelous healthy innocence. It has great pace, it's wonderful to look at, and it's full of guts. There are no horrors and no sex at all." He described the strange aftereffect of watching it: "It had a sort of wonderful freshness about it. It was like fresh air. When I came out of the cinema into London, I thought the city looked gritty and full of rubbish because the film had been so invigorating. It's simple stuff for all ages." And already, before the franchise existed, people were reading more into it than Guinness ever intended. Asked if he was becoming a kind of guru figure, he answered with characteristic dryness: "I am getting some pretty strange letters. One said, 'my wife and I have got problems, would you come over and live with us for a few months?'"

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With the Russia hoax being exposed more every single day, there is another hoax making its rounds again. Hoax: In 2018 Putin said that he directed his people to help Trump win the election. A short, out of context clip is now their "proof" of Russian election interference to help Trump in 2016. Brennan talked about it. Peter Baker posted about it a couple days ago. Bill Maher played it on his show last night, claiming it was proof of Russian interference to help Trump. It's all over MSNBC and CNN again. They probably all know the truth about the clip but it doesn't stop them from lying about it. Firstly, it should come as no surprise that CNN's clip is different from almost all of the others broadcasted, as you will shortly see. Top clip is the hoax: Putin is asked if he wanted Trump to win and then asked if he directed his officials to help him. Putin answers "yes I did." Here's what actually happened. Putin had just stated that he in no way directed anyone to interfere in the election, that there was no collusion, and that it was all ridiculous nonsense. Putin called the accusations garbage more than once in the press conference. Putin was then asked by a reporter why people should believe his denials about election interference and if he would hand over the 12 people Mueller indicted (show indictments btw). Putin took out his translator ear piece and gave a long answer about working with Trump to find out if crimes were committed, America and Russia working together on other stuff, treaties, etc. During that answer (bottom clip) he again said the accusations of interference were not true. At the end of his answer, the same reporter who asked him the previous questions asked "Did you want Trump to win and did you instruct officials to help him." By watching any other broadcast than CNN, it becomes very clear what happened. Putin did not hear the first half of the reporter's followup question because he was putting on an ear piece and the volume of the reporter's mic was down. Watch the top clip and the last 20 seconds of the bottom clip. Look at the difference. You will see it is obvious that Putin did not hear the first question and only heard the second question about if he instructed people to help Trump. It's obvious that he thought it applied to what he was just talking about, which was America and Russia working together. It's so funny how in the foreign broadcasts and some of the American ones, it's clear that Putin didn't hear the first half of the question. But on CNN the volume is magically up and it appears that Putin heard both questions. But the fact is that Putin had just spent most of the press conference denying any interference in the election or collusion with Trump. He wasn't all of a sudden admitting it now. He didn't hear the first question. The hoaxers never play any of the rest of the press conference with all the denials. In another press conference after this one Putin again says it was all a hoax cooked up to undermine Trump's presidency. If the MSM cared at all about America or the truth they would lay out what I just did. If you don't want to watch all the context, just watch the top clip, the beginning of the bottom clip, and the last 20 seconds of the bottom clip and you will see clearly what happened.

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Denzel Washingtonโ€™s epic monologue towards the end of Training Day was largely improvised on set. Director Antoine Fuqua was so blown away by his performance, he says he thinks he "forgot to yell cutโ€. He explainsโ€ฆ โ€œThatโ€™s Denzel. He was just in his zone. I mean, that was one of those moment...people talk about AI. Those are the moments where you go...it's a great tool. It's gonna be a great tool, I think...but the emotion, and the moment that an actor can bring - you can't predict that. That's something that's just inside of Denzel. And when that came out, I was just like - I hope I got it. I just turned to my operator - who was shaking- I looked over at the guy - I was like, โ€œplease tell me you got that.โ€ Because that was the take. That was it. There was no other take - I mean, how do you tell an actor like that, that that wasn't good enough? โ€ฆHe walked over to me, and he just had this look in his eyes. I was like, โ€œyou good?โ€ He said, โ€œyou good?โ€ I said, โ€œYeahโ€ฆโ€ Some of that was in the script, but he flipped it the way he did it. "Putting cases on all you." He kind of added some things in there. And then he just went into a whole other zone with the whole King Kong thing- with Pelican Bay - Denzel started that. That was Denzel. That was him, man. He just kind of lit up, and I think I forgot to yell cut. I was just watching it, because everybody started walking away, and I'm just watching him, and then he lights a cigarette - and he's talking - and I'm just watching him. I think at some point he probably looked at me like, you going to cut? And I'm like, โ€œoh yeah, yeah, cut.โ€ He was still in it. That's the thing with Denzel. He was so Alonsoโ€ฆI'm just watching him for a while because I didn't know what else he was going to do. It was just so magical. And then I think he looked up at me and I was like, โ€œOkay, cut, cut.โ€

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