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𝗘𝗻𝗷𝗼𝘆 𝘁𝗵𝗶𝘀 𝟯 𝗺𝗶𝗻𝘂𝘁𝗲𝘀 𝟰𝟴 𝘀𝗲𝗰𝗼𝗻𝗱𝘀 𝗝𝗼𝗿𝗱𝗮𝗻 𝗔𝘆𝗲𝘄 𝗶𝗻𝘁𝗲𝗿𝘃𝗶𝗲𝘄... 𝘄𝗶𝘁𝗵 𝗻𝗼 𝘀𝗼𝘂𝗻𝗱. It's the sort of thing every content producer dreads. Before the 🇬🇭 Ghana captain walked into the shot, I was sure the sound was OK. Now... watch the start of the video. First 10 seconds: Jordan waits... for me as I center the phone after initially testing equipment, I walk in, say hello, then you see me mouthing "testing mic" again. So, what happened? A quick troubleshoot afterwards revealed that the part of the tripod stand gripping my phone had, somehow, clamped the volume button... turning the sound all the way down. No sound. It must have happened at some point during the setup. I dunno. What did I miss? Because I had been briefed before the interview that Jordan was in the mood for any kind of questions, I went all in: asked about his apparent lack of releasing balls, his famous family's response to the criticisms, then about his increasong personal records with the team, the floods in Ghana etc. The best part: last 10 seconds. We shared a lighthearted moment when I asked him to say something in our native Ga (he speaks it fluently) and he volleyed it oh-so-brilliantly. Woulda made an amazing meme tbh. 😃 But, hey. You win some, you lose some. Dust off, move on. Onwards and upwards. #GalaxyS26Ultrashow more

Gary Al-Smith

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108,524 görüntüleme • 2 ay önce •via X (Twitter)

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This man was criticized for expecting a “thank you” for a good deed. He always saw the same man walking when he drove to work. He assumed the man was walking because he did not have any other means of transportation. He used his own money and bought the man an electric scooter, the man took the scooter and just silently walked away, no thank you or anything else at all. I don’t think that was too much to ask, a thank you goes a long way, otherwise it makes people look ungrateful. Back in college, I had a classmate that I always saw walking home after class. It didn’t matter whether it was raining or snowing, or hot out. Whenever I drove past him he always looked miserable and I could tell he didn’t like to walk all the time. In class I had asked him where he lived, and I found out it was on my way home so I offered to drop him off because it was really cold out and had snowed about a foot. He agreed and we chatted on the way home, nothing serious just pleasant conversation. I dropped him off and went on my way home. For me this was a one time thing, I only offered because how bad it was snowing. After class the next day, he walked with me and when I got to my car he got in. I didn’t agree or offer him a ride that day but he assumed that since I was ok with giving him a ride the day prior that I would be ok with it this day too. I didn’t say anything about it because at this point I didn’t care really. So the next day came and went, once again he walked with me to the car but that day was different. I wouldn’t be going his way because I had to work after class. So before I got to the car I said “I’ll see you tomorrow.” He looked dumbfounded and said aren’t you taking me home? I said no, I have to get to work. He then asked me how he would get home, and I told him the same way you always have. He then gave me excuses for why I was being a jerk because I was making him walk in the cold. I didn’t argue I just told him I helped him out when I could, but I wasn’t about to go out of my way because he didn’t have a car and besides I didn’t want to be late for work. He didn’t speak to me for the rest of the semester because of it, something tells me I was better off not offering to help in the first place.

This man was criticized for expecting a “thank you” for a good deed. He always saw the same man walking when he drove to work. He assumed the man was walking because he did not have any other means of transportation. He used his own money and bought the man an electric scooter, the man took the scooter and just silently walked away, no thank you or anything else at all. I don’t think that was too much to ask, a thank you goes a long way, otherwise it makes people look ungrateful. Back in college, I had a classmate that I always saw walking home after class. It didn’t matter whether it was raining or snowing, or hot out. Whenever I drove past him he always looked miserable and I could tell he didn’t like to walk all the time. In class I had asked him where he lived, and I found out it was on my way home so I offered to drop him off because it was really cold out and had snowed about a foot. He agreed and we chatted on the way home, nothing serious just pleasant conversation. I dropped him off and went on my way home. For me this was a one time thing, I only offered because how bad it was snowing. After class the next day, he walked with me and when I got to my car he got in. I didn’t agree or offer him a ride that day but he assumed that since I was ok with giving him a ride the day prior that I would be ok with it this day too. I didn’t say anything about it because at this point I didn’t care really. So the next day came and went, once again he walked with me to the car but that day was different. I wouldn’t be going his way because I had to work after class. So before I got to the car I said “I’ll see you tomorrow.” He looked dumbfounded and said aren’t you taking me home? I said no, I have to get to work. He then asked me how he would get home, and I told him the same way you always have. He then gave me excuses for why I was being a jerk because I was making him walk in the cold. I didn’t argue I just told him I helped him out when I could, but I wasn’t about to go out of my way because he didn’t have a car and besides I didn’t want to be late for work. He didn’t speak to me for the rest of the semester because of it, something tells me I was better off not offering to help in the first place.

SonnyBoy🇺🇸

37,380 görüntüleme • 1 ay önce

Gene Hackman on the moment his father left, and what it gave him as an actor: In an interview reflecting on his early life, Gene Hackman was asked about a theme that runs through the lives of so many artists: the departure of a parent. "Well, my dad left us when I was about 13, I guess." The interviewer asked if it was easy or hard. Hackman's answer was blunt: "No, it was tough." Then came the detail that has stayed with him for a lifetime. His father did not sit him down. There was no farewell speech. Hackman was outside with his friends when it happened. "I was down the street playing with some guys and he drove by and kind of waved and... that was it." A casual wave from a passing car. That was the goodbye. Decades later, the wound had not closed. When asked whether life changed radically after that, Hackman answered with a question of his own: "It's only been 65 years or so, you know. It's not something that goes away easily. Is it ever?" The interviewer suggested the experience probably made him a better actor. Hackman refused to romanticise it. "I don't know. I don't advocate that." But he did acknowledge what pain can offer the artist willing to face it: "You get in touch with your feelings and, you know, that's what we're here for. I think the more that you can draw on that kind of thing and, of course, get something out of it." Source: Global ImageWorks

Gene Hackman on the moment his father left, and what it gave him as an actor: In an interview reflecting on his early life, Gene Hackman was asked about a theme that runs through the lives of so many artists: the departure of a parent. "Well, my dad left us when I was about 13, I guess." The interviewer asked if it was easy or hard. Hackman's answer was blunt: "No, it was tough." Then came the detail that has stayed with him for a lifetime. His father did not sit him down. There was no farewell speech. Hackman was outside with his friends when it happened. "I was down the street playing with some guys and he drove by and kind of waved and... that was it." A casual wave from a passing car. That was the goodbye. Decades later, the wound had not closed. When asked whether life changed radically after that, Hackman answered with a question of his own: "It's only been 65 years or so, you know. It's not something that goes away easily. Is it ever?" The interviewer suggested the experience probably made him a better actor. Hackman refused to romanticise it. "I don't know. I don't advocate that." But he did acknowledge what pain can offer the artist willing to face it: "You get in touch with your feelings and, you know, that's what we're here for. I think the more that you can draw on that kind of thing and, of course, get something out of it." Source: Global ImageWorks

History Nerd

38,196 görüntüleme • 2 ay önce

"That pussy Adam Cole broke his ankle like the complete dork that he is." MJF talks about the revisionist history of his story with Adam Cole "Here's what happened. At the time, and this is just a fact, we were the highest minute-for-minute drawing angle, not just in AEW, but in all of professional wrestling at that point. We were moving the most merch in the company. At that point, and was to no fault, Bloodline's going to go down as one of the greatest long-term thing, but at that point there was a bit of lull in their story at that point in 2023, and we had taken lead and Better Than You, Baby is what everybody was talking about and then that pussy Adam Cole broke his ankle like the complete dork that he is and then he decided to turn on me because he's a horrible human being. But I learned a lot in that in that year I learned a lot about myself you know when I when I was out—full disclosure I was in a very dark place." I also asked about the injuries he had suffered "It was my hip, my left shoulder; my last two pay-per-view matches—pretty much the left side of my body was useless. But I wasn't going to tell the doctors that because that's not how I was brought up. In not just in real life, but in this business. When I had that time off, I had a lot of time to reflect and it made me angry. Now I look back on it and I shouldn't have been angry at the fans. Who I should have been angry was that myself. Because I went from being, ‘MJF is the best thing since sliced bread,’ and within a flip of a switch, ‘It's MJF sucks. He's killing this company that we love.’ It took, if we're being honest, it took all the way into like the first month of this year of 2025 for everybody to be like, ‘Maybe we were harsh. Maybe he's actually still one of the best in the world. They can't help it. But I know why. It's because nobody likes a braggart. But the unfortunate thing is I can't help myself. I'm just really good at my job and I can't help but talk about it."

"That pussy Adam Cole broke his ankle like the complete dork that he is." MJF talks about the revisionist history of his story with Adam Cole "Here's what happened. At the time, and this is just a fact, we were the highest minute-for-minute drawing angle, not just in AEW, but in all of professional wrestling at that point. We were moving the most merch in the company. At that point, and was to no fault, Bloodline's going to go down as one of the greatest long-term thing, but at that point there was a bit of lull in their story at that point in 2023, and we had taken lead and Better Than You, Baby is what everybody was talking about and then that pussy Adam Cole broke his ankle like the complete dork that he is and then he decided to turn on me because he's a horrible human being. But I learned a lot in that in that year I learned a lot about myself you know when I when I was out—full disclosure I was in a very dark place." I also asked about the injuries he had suffered "It was my hip, my left shoulder; my last two pay-per-view matches—pretty much the left side of my body was useless. But I wasn't going to tell the doctors that because that's not how I was brought up. In not just in real life, but in this business. When I had that time off, I had a lot of time to reflect and it made me angry. Now I look back on it and I shouldn't have been angry at the fans. Who I should have been angry was that myself. Because I went from being, ‘MJF is the best thing since sliced bread,’ and within a flip of a switch, ‘It's MJF sucks. He's killing this company that we love.’ It took, if we're being honest, it took all the way into like the first month of this year of 2025 for everybody to be like, ‘Maybe we were harsh. Maybe he's actually still one of the best in the world. They can't help it. But I know why. It's because nobody likes a braggart. But the unfortunate thing is I can't help myself. I'm just really good at my job and I can't help but talk about it."

Sean Ross Sapp of Fightful.com

36,450 görüntüleme • 9 ay önce

👉OK, so a few days back I saw a photo in my phone, that prior I had not caught the significance of. Frank Turek, was standing in the far left corner of the photo & it looked to me, like he is pointing his phone to film Rick Cutler. -Allegedly. So my friend here, sent me the original video that someone had caught, at some point, & asked me to see what I can do with it. -The first video is the original one that I was sent. -The second item, is a picture of the video that I took. Something to me, looked a lot like a face, & sunglasses. I then saved that image & edited it in my basic phone adjustments, to try to define what I thought I am seeing, as best I could. -Next, is the picture, that gave me the original impression, that Turek was filming Cutler. -And then I edited a video to highlight what I think… I am seeing. -ALLEGEDLY… Thoughts please? Honesty alway’s welcome. Charliesangels47 Candace Owens Baron Coleman Project Constitution Jon Bray Diligent Denizen 🇺🇸

👉OK, so a few days back I saw a photo in my phone, that prior I had not caught the significance of. Frank Turek, was standing in the far left corner of the photo & it looked to me, like he is pointing his phone to film Rick Cutler. -Allegedly. So my friend here, sent me the original video that someone had caught, at some point, & asked me to see what I can do with it. -The first video is the original one that I was sent. -The second item, is a picture of the video that I took. Something to me, looked a lot like a face, & sunglasses. I then saved that image & edited it in my basic phone adjustments, to try to define what I thought I am seeing, as best I could. -Next, is the picture, that gave me the original impression, that Turek was filming Cutler. -And then I edited a video to highlight what I think… I am seeing. -ALLEGEDLY… Thoughts please? Honesty alway’s welcome. Charliesangels47 Candace Owens Baron Coleman Project Constitution Jon Bray Diligent Denizen 🇺🇸

Selina Anne

32,464 görüntüleme • 2 ay önce

Al Pacino says Francis Ford Coppola sat him down a few weeks into filming The Godfather and showed him footages of his performance saying he wasn’t impressed and he was sure he was about to be fired Al Pacino: “Because when I walked in there, again, that was a big thing for me to walk into Gingerman. Because I didn’t go there because I didn’t have money to buy the drinks.” “So I went in there, and Francis was eating with his family, and I was standing there, and he says, ‘We had a talk.’” “So I thought, well, here we go, you know? We’re not going to go anywhere.” “He tells me, ‘You know, I had faith in you. I believed in you.’” “I said, ‘Yeah, I know,’ but it’s—well, you’re not— I don’t know what to do now. What do I say now?” “He says, ‘Well, I only show you the rushes, the footage that we had shot already, and that was going to see something.’” “So I went and saw the rushes, and I’m looking at the screen, and I’m seeing mistakes.” “I was hoping that I could blend in with the scenery and not be seen specifically, or, you know, spotted.” “I just wanted to just blend and just be natural.” “And I thought, well, I know this, the way it looks now, but that’s part of what is going to turn into Michael Corleone.” “So, of course, like I said, two friends, naturally, the actor’s instinct, I just said, ‘Yeah, I see what you mean. That always quiets everybody down. I see, I see what you’re saying.’” “Yes. Sure, yeah, yeah, I’ll work on that.” “I thought, well. Then I thought I was out. And I sort of wanted to be out.”

Al Pacino says Francis Ford Coppola sat him down a few weeks into filming The Godfather and showed him footages of his performance saying he wasn’t impressed and he was sure he was about to be fired Al Pacino: “Because when I walked in there, again, that was a big thing for me to walk into Gingerman. Because I didn’t go there because I didn’t have money to buy the drinks.” “So I went in there, and Francis was eating with his family, and I was standing there, and he says, ‘We had a talk.’” “So I thought, well, here we go, you know? We’re not going to go anywhere.” “He tells me, ‘You know, I had faith in you. I believed in you.’” “I said, ‘Yeah, I know,’ but it’s—well, you’re not— I don’t know what to do now. What do I say now?” “He says, ‘Well, I only show you the rushes, the footage that we had shot already, and that was going to see something.’” “So I went and saw the rushes, and I’m looking at the screen, and I’m seeing mistakes.” “I was hoping that I could blend in with the scenery and not be seen specifically, or, you know, spotted.” “I just wanted to just blend and just be natural.” “And I thought, well, I know this, the way it looks now, but that’s part of what is going to turn into Michael Corleone.” “So, of course, like I said, two friends, naturally, the actor’s instinct, I just said, ‘Yeah, I see what you mean. That always quiets everybody down. I see, I see what you’re saying.’” “Yes. Sure, yeah, yeah, I’ll work on that.” “I thought, well. Then I thought I was out. And I sort of wanted to be out.”

agim𓍯

61,868 görüntüleme • 20 gün önce

HILARIOUS: President Trump: “Lindsey and I did not exactly get off to the best of starts. Running against each other back in 2016, Lindsey said something rather nasty on his flight to becoming the next President of the United States — so naturally, I did something I shouldn’t have done. I shared his personal cell phone number with the millions of people that happened to be watching that particular day as I made a speech.” “And I remember the number: 202-228-0292, if anybody wants to give it a shot. His phone exploded. He said, ‘I had that number for 20 years. His phone totally — I don’t know what he did with it.” “But it was Lindsey who had the last laugh — because while I blew up his phone for one day, we became great friends, and Lindsey did not stop calling me for the next ten years.”

HILARIOUS: President Trump: “Lindsey and I did not exactly get off to the best of starts. Running against each other back in 2016, Lindsey said something rather nasty on his flight to becoming the next President of the United States — so naturally, I did something I shouldn’t have done. I shared his personal cell phone number with the millions of people that happened to be watching that particular day as I made a speech.” “And I remember the number: 202-228-0292, if anybody wants to give it a shot. His phone exploded. He said, ‘I had that number for 20 years. His phone totally — I don’t know what he did with it.” “But it was Lindsey who had the last laugh — because while I blew up his phone for one day, we became great friends, and Lindsey did not stop calling me for the next ten years.”

RedWave Press

141,266 görüntüleme • 1 ay önce

John Carpenter on how Howard Hawks's "Rio Bravo" (1959) inspired him to become a filmmaker: "As I got older I began to see that certain directors did certain things. One of the earliest examples of this was Roger Corman. I started going to see these exciting, fast, kind of cheesy but really fun monster movies, and there was one name that kept coming up on the screen: Roger Corman. 'It Conquered the World' (1956), 'Not of This Earth' (1957), 'Attack of the Crab Monsters' (1957), 'The Undead' (1957)... But | really understood for the first time what a director did when I saw 'Rio Bravo' in 1959. There was something about that movie that was like home and I can't really explain it. It was held over in Bowling Green for three or four weeks in a row because people kept coming to see it. I abandoned to see what was new in the other movie house in town to see this movie every weekend again and again because there was something in it that was different from the other westerns I had seen. I had certainly seen John Wayne before. He had become a part of my growing-up experience. He was the action guy, the cowboy. He was the guy in 'Flying Tigers' (1942) who was flying the airplanes. So what was so different about that movie? Then I became aware of this credit: “Howard Hawks’ Rio Bravo.” I looked at the poster and I said to myself, “Who is this guy? He didn't write the movie and he wasn't starring in it so why is his name up here? And why is he last in the credits?” All these things started to occur to me, but it was the emotional impact of the film that got me to start using my brain. Some way I figure out that this director made that movie." ("The Prince of Darkness: The Prince of Darkness", Gilles Boulenger, 2001) P.S: Remembering the great American filmmaker Howard Hawks on his 130th birthday.

John Carpenter on how Howard Hawks's "Rio Bravo" (1959) inspired him to become a filmmaker: "As I got older I began to see that certain directors did certain things. One of the earliest examples of this was Roger Corman. I started going to see these exciting, fast, kind of cheesy but really fun monster movies, and there was one name that kept coming up on the screen: Roger Corman. 'It Conquered the World' (1956), 'Not of This Earth' (1957), 'Attack of the Crab Monsters' (1957), 'The Undead' (1957)... But | really understood for the first time what a director did when I saw 'Rio Bravo' in 1959. There was something about that movie that was like home and I can't really explain it. It was held over in Bowling Green for three or four weeks in a row because people kept coming to see it. I abandoned to see what was new in the other movie house in town to see this movie every weekend again and again because there was something in it that was different from the other westerns I had seen. I had certainly seen John Wayne before. He had become a part of my growing-up experience. He was the action guy, the cowboy. He was the guy in 'Flying Tigers' (1942) who was flying the airplanes. So what was so different about that movie? Then I became aware of this credit: “Howard Hawks’ Rio Bravo.” I looked at the poster and I said to myself, “Who is this guy? He didn't write the movie and he wasn't starring in it so why is his name up here? And why is he last in the credits?” All these things started to occur to me, but it was the emotional impact of the film that got me to start using my brain. Some way I figure out that this director made that movie." ("The Prince of Darkness: The Prince of Darkness", Gilles Boulenger, 2001) P.S: Remembering the great American filmmaker Howard Hawks on his 130th birthday.

DepressedBergman

55,688 görüntüleme • 3 ay önce

Justin Thomas is playing the Charles Schwab Challenge this week for the first time in 4 years. Ahead of the event, he said he builds his schedule around what best prepares him for the majors and it may change year to year: “Everybody's different. I would say the most, the first and foremost, most important thing that a lot of the top guys, a lot of, anybody that's in the majors, you're going to at least I would think, is what's going to prepare me the best for the major. So like I've had success in majors when I play the week before. “But playing San Antonio the week before the Masters for me doesn't feel like that's getting me prepared as much as possible for the Masters. Therefore, I don't play San Antonio. I had a year where the PGA, when it was at Southern Hills I wanted to play the week before Byron Nelson, it's easy travel, and I played the week before. So it's very situational of when you play, don't play in that regard. “But I mean I really, really, really try with all my might to not do four in a row, four in a row is like I'm not fun to be around. It's very taxing. So I try to cap it at three. “And, yeah, there's a lot of great tournaments, we're very fortunate to have to miss some great events, but you have to at some point. So just kind of start with the majors and fill it in here and there, I guess.” Justin is coming off the back of a final round 65 to finish T4 at the PGA Championship, his best of the season so far, and will be looking to continue that form and contend for his first win at Colonial Country Club. Justin Thomas PGA TOUR

Justin Thomas is playing the Charles Schwab Challenge this week for the first time in 4 years. Ahead of the event, he said he builds his schedule around what best prepares him for the majors and it may change year to year: “Everybody's different. I would say the most, the first and foremost, most important thing that a lot of the top guys, a lot of, anybody that's in the majors, you're going to at least I would think, is what's going to prepare me the best for the major. So like I've had success in majors when I play the week before. “But playing San Antonio the week before the Masters for me doesn't feel like that's getting me prepared as much as possible for the Masters. Therefore, I don't play San Antonio. I had a year where the PGA, when it was at Southern Hills I wanted to play the week before Byron Nelson, it's easy travel, and I played the week before. So it's very situational of when you play, don't play in that regard. “But I mean I really, really, really try with all my might to not do four in a row, four in a row is like I'm not fun to be around. It's very taxing. So I try to cap it at three. “And, yeah, there's a lot of great tournaments, we're very fortunate to have to miss some great events, but you have to at some point. So just kind of start with the majors and fill it in here and there, I guess.” Justin is coming off the back of a final round 65 to finish T4 at the PGA Championship, his best of the season so far, and will be looking to continue that form and contend for his first win at Colonial Country Club. Justin Thomas PGA TOUR

Flushing It

242,188 görüntüleme • 3 ay önce

🎥 || Stephen Lord reveals that in Monza Lewis Hamilton felt quite emotional and left a personal note for Kimi Antonelli in his room, the note will be there forever as well. "Probably the one that I'm fondest of, happened this year and it's quite an interesting insight into the Lewis perhaps that the people don't see." "It was after the race in Monza. [..] I think the engineers had left so Lewis was upstairs in the room on his own. Lewis came down the stairs, ready to leave and head home. He goes to the bottom of the stairs and he stopped and then he turned around and he went back upstairs. He's forgotten something, didn't think much of it." "He came back down about 10 minutes later and he grabbed a guy that works with the team - Carlos. And you could see that Lewis was really quite emotional. And I was stood there and he said 'It's has only just occurred me that I'm never gonna see that room ever again' and he said 'I'm really emotional, it's like I can't leave, I feel kind of sad to walk away from that room because I been in that room for so many years and I'm never gonna see it again'. And he was really quite touched that he was leaving it behind." "Anyways, so off he went, I went back up to the room to pack his last few bits of driving kit and grab the helmets and everything." "I walked into the room and on the wall there's quite a long handwritten note. It was a note to Kimi. It was basically welcoming him to his new room and it was wishing him the best of luck, saying some really nice things about the team and how 'if you care for them, they'll care for you' because they're a great team. And I thought 'wow what a nice thing to do. Actually now we've had it glass cut so it'll be there forever." "I walked into the bathroom and next to the toilet, above the toilet roll holder was 'Lewis was here' with a big smiley face."

🎥 || Stephen Lord reveals that in Monza Lewis Hamilton felt quite emotional and left a personal note for Kimi Antonelli in his room, the note will be there forever as well. "Probably the one that I'm fondest of, happened this year and it's quite an interesting insight into the Lewis perhaps that the people don't see." "It was after the race in Monza. [..] I think the engineers had left so Lewis was upstairs in the room on his own. Lewis came down the stairs, ready to leave and head home. He goes to the bottom of the stairs and he stopped and then he turned around and he went back upstairs. He's forgotten something, didn't think much of it." "He came back down about 10 minutes later and he grabbed a guy that works with the team - Carlos. And you could see that Lewis was really quite emotional. And I was stood there and he said 'It's has only just occurred me that I'm never gonna see that room ever again' and he said 'I'm really emotional, it's like I can't leave, I feel kind of sad to walk away from that room because I been in that room for so many years and I'm never gonna see it again'. And he was really quite touched that he was leaving it behind." "Anyways, so off he went, I went back up to the room to pack his last few bits of driving kit and grab the helmets and everything." "I walked into the room and on the wall there's quite a long handwritten note. It was a note to Kimi. It was basically welcoming him to his new room and it was wishing him the best of luck, saying some really nice things about the team and how 'if you care for them, they'll care for you' because they're a great team. And I thought 'wow what a nice thing to do. Actually now we've had it glass cut so it'll be there forever." "I walked into the bathroom and next to the toilet, above the toilet roll holder was 'Lewis was here' with a big smiley face."

sin ⁴⁴

490,217 görüntüleme • 1 yıl önce

Michael Jordan reveals the decision framework his father taught him before his murder that he still uses every day: "The thing that I remember the most about my father, and I had him for 32 years, and I never look at it from a negative sense. Obviously he was murdered, and rarely do I get the chance to talk about him." "The thing that I do remember all the time, I think about him practically every day, is for a person like myself who lives in the spotlight and so critical from people all the time in terms of what I do, what I say, where I go." "The thing he always said is, take a pause before you make a decision and say what if. The purpose for saying what if is that whatever decision you make is always either going to have consequences, pros and cons."

Michael Jordan reveals the decision framework his father taught him before his murder that he still uses every day: "The thing that I remember the most about my father, and I had him for 32 years, and I never look at it from a negative sense. Obviously he was murdered, and rarely do I get the chance to talk about him." "The thing that I do remember all the time, I think about him practically every day, is for a person like myself who lives in the spotlight and so critical from people all the time in terms of what I do, what I say, where I go." "The thing he always said is, take a pause before you make a decision and say what if. The purpose for saying what if is that whatever decision you make is always either going to have consequences, pros and cons."

Jaynit

919,414 görüntüleme • 2 ay önce

Charlie Sheen reveals his best guess is he contracted HIV during sexual experimentation with men and says he didn't have it before that specific window “Probably in that pocket of time with the experimentation with the thing, and I don't really ever say that in the book or the doc, but there's a reason in the book that it does fall into that as far as the chronology goes into that specific window into that moment.” “What gives you the confidence that it happened then?” “Cuz I didn't have it before that and then found out I had it right after that.” “But never identified the person that you actually got it from.” “No. Because it's at that point that much partying, trying to actually pin that on, and the only reason to do that would have been just as a responsible thing for others. I think the barge had moved far enough down the river at that point that it was about, oh, let's get this thing under control, you know.”

Charlie Sheen reveals his best guess is he contracted HIV during sexual experimentation with men and says he didn't have it before that specific window “Probably in that pocket of time with the experimentation with the thing, and I don't really ever say that in the book or the doc, but there's a reason in the book that it does fall into that as far as the chronology goes into that specific window into that moment.” “What gives you the confidence that it happened then?” “Cuz I didn't have it before that and then found out I had it right after that.” “But never identified the person that you actually got it from.” “No. Because it's at that point that much partying, trying to actually pin that on, and the only reason to do that would have been just as a responsible thing for others. I think the barge had moved far enough down the river at that point that it was about, oh, let's get this thing under control, you know.”

Hribi

166,332 görüntüleme • 2 ay önce

Joe Rogan said Chris Rock getting slapped by Will Smith in the Oscars was like the best thing that ever happened to him. Adam Sandler: His live special was fuck! I loved it. I loved it. Joe Rogan: Yeah, and it was also like the build-up because of getting slapped by Will Smith and all that crazy shit. Yeah, yeah, yeah. I think that was like the best thing that ever happened to him, because then he became like wild again. Like, his stand-up was like outrageous. It was like the Rock of old. Adam Sandler: That night was like watching a fucking Super Bowl. You were just like, "What? it's a live event. Holy fuck, what the fuck?" And then he was a badass, and then I think he had some white shit on, and he looked cool as fuck. You were waiting for him to talk about it, and then he got to it and he got fucking excited to say it.

Joe Rogan said Chris Rock getting slapped by Will Smith in the Oscars was like the best thing that ever happened to him. Adam Sandler: His live special was fuck! I loved it. I loved it. Joe Rogan: Yeah, and it was also like the build-up because of getting slapped by Will Smith and all that crazy shit. Yeah, yeah, yeah. I think that was like the best thing that ever happened to him, because then he became like wild again. Like, his stand-up was like outrageous. It was like the Rock of old. Adam Sandler: That night was like watching a fucking Super Bowl. You were just like, "What? it's a live event. Holy fuck, what the fuck?" And then he was a badass, and then I think he had some white shit on, and he looked cool as fuck. You were waiting for him to talk about it, and then he got to it and he got fucking excited to say it.

Deborah

1,911,617 görüntüleme • 3 ay önce

😳 Ilia Topuria says as soon as Max Holloway did his gesture rather than stand and trade, he knew he was going to knock him out “I was like, listen, we are not gonna go the the 5th round. More specifically, the last 10 seconds because I’m gonna finish you before that. So why don’t we do something that you do in the last 10 seconds, in the first 10 seconds? That’s why I did it, and once he did this [the bullfighting gesture], I knew I would be the first to knock you out but you just confirmed it.” (via VicBlends)

😳 Ilia Topuria says as soon as Max Holloway did his gesture rather than stand and trade, he knew he was going to knock him out “I was like, listen, we are not gonna go the the 5th round. More specifically, the last 10 seconds because I’m gonna finish you before that. So why don’t we do something that you do in the last 10 seconds, in the first 10 seconds? That’s why I did it, and once he did this [the bullfighting gesture], I knew I would be the first to knock you out but you just confirmed it.” (via VicBlends)

Home of Fight

1,097,219 görüntüleme • 3 ay önce

In 1977, before anyone knew what Star Wars would become, Alec Guinness sat down to explain how a knighted Shakespearean actor ended up in a science fiction film he almost turned down. The script arrived while Guinness was finishing a picture in Hollywood. The name attached to it impressed him. "I heard it had been delivered by George Lucas, and I thought that was impressive because he was a respected young director." Then he learned what kind of film it was, and his enthusiasm collapsed: "When I found out it was science fiction, I thought, 'oh crumbs,' and felt it simply wasn't for me. But then I started reading." What kept him going wasn't the writing. By his own account, the writing was a problem: "It seemed to me the dialogue was pretty ropey, but I had to keep turning the page. That is an essential quality in a script. You have to want to know what happens next." That instinct, the inability to put the pages down, was enough. He met Lucas, the two got on well, and Guinness found himself signing on. Then comes the part of the interview that has since become legend, told here in 1977 with no idea of how the numbers would balloon. Guinness recounts the percentage deal: "My agent asked for 2% because we didn't think it would make any money. I'd never had a percentage on a film before." The story of how it grew is almost comic in its modesty: "The day before the film opened in San Francisco, George Lucas phoned me. He's very diffident and shy, and said he thought the movie was going to be all right. He said they were grateful for the little alterations I suggested and offered me another half percent, making it two and a half. A few weeks later, I asked the producer for something in writing, and he mentioned a quarter percent, so it ended up being 2 1/4%." A modest slice of a film nobody expected to earn anything. Asked what fascinated him about it, Guinness reached past the genre and landed on something simpler: "I think it has a marvelous healthy innocence. It has great pace, it's wonderful to look at, and it's full of guts. There are no horrors and no sex at all." He described the strange aftereffect of watching it: "It had a sort of wonderful freshness about it. It was like fresh air. When I came out of the cinema into London, I thought the city looked gritty and full of rubbish because the film had been so invigorating. It's simple stuff for all ages." And already, before the franchise existed, people were reading more into it than Guinness ever intended. Asked if he was becoming a kind of guru figure, he answered with characteristic dryness: "I am getting some pretty strange letters. One said, 'my wife and I have got problems, would you come over and live with us for a few months?'"

In 1977, before anyone knew what Star Wars would become, Alec Guinness sat down to explain how a knighted Shakespearean actor ended up in a science fiction film he almost turned down. The script arrived while Guinness was finishing a picture in Hollywood. The name attached to it impressed him. "I heard it had been delivered by George Lucas, and I thought that was impressive because he was a respected young director." Then he learned what kind of film it was, and his enthusiasm collapsed: "When I found out it was science fiction, I thought, 'oh crumbs,' and felt it simply wasn't for me. But then I started reading." What kept him going wasn't the writing. By his own account, the writing was a problem: "It seemed to me the dialogue was pretty ropey, but I had to keep turning the page. That is an essential quality in a script. You have to want to know what happens next." That instinct, the inability to put the pages down, was enough. He met Lucas, the two got on well, and Guinness found himself signing on. Then comes the part of the interview that has since become legend, told here in 1977 with no idea of how the numbers would balloon. Guinness recounts the percentage deal: "My agent asked for 2% because we didn't think it would make any money. I'd never had a percentage on a film before." The story of how it grew is almost comic in its modesty: "The day before the film opened in San Francisco, George Lucas phoned me. He's very diffident and shy, and said he thought the movie was going to be all right. He said they were grateful for the little alterations I suggested and offered me another half percent, making it two and a half. A few weeks later, I asked the producer for something in writing, and he mentioned a quarter percent, so it ended up being 2 1/4%." A modest slice of a film nobody expected to earn anything. Asked what fascinated him about it, Guinness reached past the genre and landed on something simpler: "I think it has a marvelous healthy innocence. It has great pace, it's wonderful to look at, and it's full of guts. There are no horrors and no sex at all." He described the strange aftereffect of watching it: "It had a sort of wonderful freshness about it. It was like fresh air. When I came out of the cinema into London, I thought the city looked gritty and full of rubbish because the film had been so invigorating. It's simple stuff for all ages." And already, before the franchise existed, people were reading more into it than Guinness ever intended. Asked if he was becoming a kind of guru figure, he answered with characteristic dryness: "I am getting some pretty strange letters. One said, 'my wife and I have got problems, would you come over and live with us for a few months?'"

History Nerd

94,762 görüntüleme • 3 ay önce

Daniel Craig's charismatic performance in Layer Cake (2004) caught the attention of Bond producer Barbara Broccoli and helped pave the way for his casting as James Bond. Craig initially hesitated to make Layer Cake, but after reading the script, he discovered how much fun it was. When asked about it years later, he recalled: “I mean again, another film I was dragged kicking and screaming it. Seems to be my MO, doesn’t it? Look, the way it turned out was fantastic but I thought it was sort of all sort of popular kind of something or other and actually it what it what it did for me was it freed me up in a way that I couldn’t have imagined. You know it’s sort of not serious, but it’s a kind of it’s a sort of funny film. It’s a comedy to a certain degree and it I just I don’t know what happened, when I got into it and I started reading and I went God, this is so much fun. And I kind of allowed myself to enjoy it sounds like kind of like I’m some sort of stoic.”

Daniel Craig's charismatic performance in Layer Cake (2004) caught the attention of Bond producer Barbara Broccoli and helped pave the way for his casting as James Bond. Craig initially hesitated to make Layer Cake, but after reading the script, he discovered how much fun it was. When asked about it years later, he recalled: “I mean again, another film I was dragged kicking and screaming it. Seems to be my MO, doesn’t it? Look, the way it turned out was fantastic but I thought it was sort of all sort of popular kind of something or other and actually it what it what it did for me was it freed me up in a way that I couldn’t have imagined. You know it’s sort of not serious, but it’s a kind of it’s a sort of funny film. It’s a comedy to a certain degree and it I just I don’t know what happened, when I got into it and I started reading and I went God, this is so much fun. And I kind of allowed myself to enjoy it sounds like kind of like I’m some sort of stoic.”

Remnants of the Past

2,535,436 görüntüleme • 12 gün önce

Oh now it makes sense [2026.txt] Q. What kind of regrets did you have? 🦊 While working on the album, there were times when I had differences in opinion with the company, and what I hated most was starting to doubt myself. When I felt like I was losing confidence and thinking, "Was I wrong?" Even though deep down, I still believed I was right. But as my certainty in myself kept fading, it felt like the confidence I had built up was slowly shrinking too. That was something I regretted. Today’s live (Taking the shirt off story) 🦊 i really didn’t have any plans of doing it until the rehearsals 🦊 why I did it was…before going on stage, the staff said “yeonjun, today is the last day so do everything and do whatever you want” so the sadness and frustration i had at the end of ‘no labels: part 01’ suddenly exploded from within me so i was like “yeah, i’m going to vent my spite today” and decided to take it off right before the performance 🦊 so that’s what happened…because i had a lot of pent up frustration against the company

Oh now it makes sense [2026.txt] Q. What kind of regrets did you have? 🦊 While working on the album, there were times when I had differences in opinion with the company, and what I hated most was starting to doubt myself. When I felt like I was losing confidence and thinking, "Was I wrong?" Even though deep down, I still believed I was right. But as my certainty in myself kept fading, it felt like the confidence I had built up was slowly shrinking too. That was something I regretted. Today’s live (Taking the shirt off story) 🦊 i really didn’t have any plans of doing it until the rehearsals 🦊 why I did it was…before going on stage, the staff said “yeonjun, today is the last day so do everything and do whatever you want” so the sadness and frustration i had at the end of ‘no labels: part 01’ suddenly exploded from within me so i was like “yeah, i’m going to vent my spite today” and decided to take it off right before the performance 🦊 so that’s what happened…because i had a lot of pent up frustration against the company

Sara

87,967 görüntüleme • 6 ay önce

oh seungkwan it was indeed heavenly 😭 🍊 rock with you adlibs was heavenly? im really thankful for that. i added a new adlib to rock with you 🍊 if it’s not my part during concerts, we adjust the mic volume since there are 9 of us. if all mics are on, the sound balance gets messy so we raise the volume for the person singing and lower the others. i did the new adlib [before] but the volume was probably lowered, but carats still noticed even that small detail. so i talked to the sound team the next day and raised the volume for that part and then it was heard properly. when people appreciate it, it really gives me strength as a singer. i just did it naturally bc i felt good. i just went with the flow. i really like seeing people like it

oh seungkwan it was indeed heavenly 😭 🍊 rock with you adlibs was heavenly? im really thankful for that. i added a new adlib to rock with you 🍊 if it’s not my part during concerts, we adjust the mic volume since there are 9 of us. if all mics are on, the sound balance gets messy so we raise the volume for the person singing and lower the others. i did the new adlib [before] but the volume was probably lowered, but carats still noticed even that small detail. so i talked to the sound team the next day and raised the volume for that part and then it was heard properly. when people appreciate it, it really gives me strength as a singer. i just did it naturally bc i felt good. i just went with the flow. i really like seeing people like it

🐻

98,075 görüntüleme • 6 ay önce

GUMMY YUMMY WITH TTP #TeeTeePorxMoschinoFragrances 🐻‍❄️: It might not have been a happy situation, but it was something that really impressed me 👤: Tell us, tell us 🐻‍❄️: The thing that impressed me (points at Tee) happened during DEXX show 🐶: Why? 🐻‍❄️: Well… at first, I didn’t realize that the silver piece had come loose. I was confused about why I couldn’t hear anything through my in-ear monitor. I only realized what happened when he came over and tried to fix it for me because I kept tried turning around and adjusting it, but I still couldn’t find it. Then he came over, held it, and tried to put it back into place, but it just…wouldn’t lock in 🐶: It wouldn’t lock in. At first, it was actually stuck, but I didn’t know when it had fallen off. During that dance move, there was a little “click” sound, and I saw the wire. I noticed the wire had become loose and was like, “Aow,” but then the receiver had gone somewhere. So I tried to find it during that part of the performance, but I couldn’t. Then I saw it dangling around on him, so I was about to help clip it back into place, but I was about to start singing // Tee really looks after Por every single moment

GUMMY YUMMY WITH TTP #TeeTeePorxMoschinoFragrances 🐻‍❄️: It might not have been a happy situation, but it was something that really impressed me 👤: Tell us, tell us 🐻‍❄️: The thing that impressed me (points at Tee) happened during DEXX show 🐶: Why? 🐻‍❄️: Well… at first, I didn’t realize that the silver piece had come loose. I was confused about why I couldn’t hear anything through my in-ear monitor. I only realized what happened when he came over and tried to fix it for me because I kept tried turning around and adjusting it, but I still couldn’t find it. Then he came over, held it, and tried to put it back into place, but it just…wouldn’t lock in 🐶: It wouldn’t lock in. At first, it was actually stuck, but I didn’t know when it had fallen off. During that dance move, there was a little “click” sound, and I saw the wire. I noticed the wire had become loose and was like, “Aow,” but then the receiver had gone somewhere. So I tried to find it during that part of the performance, but I couldn’t. Then I saw it dangling around on him, so I was about to help clip it back into place, but I was about to start singing // Tee really looks after Por every single moment

ѕ тα я я у ✨

17,541 görüntüleme • 1 ay önce

I took my 12yo grandson to see Godzilla Minus One in the theater. He was of course excited, but I was a little concerned because would it be too scary. The WHOLE MOVIE he was sitting forward in his seat, his hands gripping the armrests, staring unblinking, jaw agape. He was picking up on stuff I didn't get. But you need to know my grandson has an eidetic (photographic) memory. So I'm watching it, and there's a report that Godzilla is seen near Giza. Big deal I think, but my grandson gasps and says "Oh no!" Because HE had remembered that the girl got a job in Giza. But I had not. When it ended, I asked my grandson if it was too scary. He said, breathlessly, "No!" Then I asked him what was the best part, and he said, "Every part was the best part." I reluctantly had to say that despite my great love for the original 1954 movie, Godzilla Minus One beats it. Two other facts: 1) The IJN Takao was a real ship which survived the war. It even survived Leyte Gulf! 2) Godzilla Minus One cost less than $15 million. We could have made 25 of them for the cost of Avatar: The Way of Water. Or 15 for the cost of Wakanda Forever. Godzilla Minus One punked the American movie system so hard.

Sandy Petersen 🪔

408,429 görüntüleme • 5 ay önce