Sensitive content

This media may contain sensitive content.

ะ—ะฐะณั€ัƒะทะบะฐ ะฒะธะดะตะพ...

ะะต ัƒะดะฐะปะพััŒ ะทะฐะณั€ัƒะทะธั‚ัŒ ะฒะธะดะตะพ

ะะฐ ะณะปะฐะฒะฝัƒัŽ

๐—ž๐—จ๐—ก๐—š ๐—ฆ๐—ข๐—•๐—ฅ๐—”๐—ก๐—š ๐—ž๐—œ๐—ฅ๐—ข๐—ง, ๐—ฃ๐—”'๐—ก๐—ข ๐—ž๐—” ๐—ฆ๐—œ๐—ฆ๐—œ๐—š๐—”๐—ช?๐Ÿค” Watch the Official Trailer here #KikirotKirot premieres ๐—๐—จ๐—ก๐—˜ ๐Ÿญ๐Ÿฎ only on VMX! SUBSCRIBE NOW for only โ‚ฑ169 para ma-experience mo yung kirot na masarap #VMXPh #VMXKikirotKirot

VMXPH's profile picture

VMX

91,776 subscribers

15,670 ะฟั€ะพัะผะพั‚ั€ะพะฒ โ€ข 4 ะผะตััั†ะตะฒ ะฝะฐะทะฐะด โ€ขvia X (Twitter)

ะšะพะผะผะตะฝั‚ะฐั€ะธะธ: 0

ะะตั‚ ะดะพัั‚ัƒะฟะฝั‹ั… ะบะพะผะผะตะฝั‚ะฐั€ะธะตะฒ

ะ—ะดะตััŒ ะฟะพัะฒัั‚ัั ะบะพะผะผะตะฝั‚ะฐั€ะธะธ ะธะท ะพั€ะธะณะธะฝะฐะปัŒะฝะพะณะพ ะฟะพัั‚ะฐ

ะŸะพั…ะพะถะธะต ะฒะธะดะตะพ

Today we make history on X by premiering our film "The War On Children" here. Watch the trailer and then help us prove filmmakers donโ€™t need woke studios to succeed by subscribing to watch the full film. Whatโ€™s the film about? Thereโ€™s a war on our children right now. Far left activists will stop at nothing to indoctrinate them, sexualize them, guilt them and punish them until they submit to their woke religion. For too long the dots havenโ€™t been connected to expose their battle plan. This film exposes EVERYTHING. The War On Children is the ultimate X film. Many of the people and stories featured were found right here on ๐•. Many risked losing their accounts (and more) to expose this war on our children but now Elon Musk owns the site and even heโ€™s subscribed to me and has access to our film. Jump in with us and letโ€™s make history. If you donโ€™t know how to subscribe, hereโ€™s how: Scroll down to the next tweet that has a link you can click to subscribe OR go back to my main page on here Robby Starbuck, make sure you already follow me and then youโ€™ll have the option to click SUBSCRIBE for $5. That gets you access to our film! What if you want a higher quality TV or home theatre experience? You can download the Movies Plus app on nearly every TV, App Store and even XBOX. Then search The War On Children to rent the film there. Alternatively, you can download the Rumble app as well where the film is also available to rent for $11.99. And thanks again Elon Musk for making X a place where the truth lives and people can have meaningful debates again. Without your actions, this film would not be premiering here today. A big thanks to all who participated Libs of TikTok Rand Paul Riley Gaines John K. Amanchukwu Sr. Seth Gruber Courage Is A Habit Lisa Logan Jessica Tapia Based Detrans๐ŸฆŽLaylaJane Kara Frederick Harrison Tinsley Kelley Paul Brett Craig Keelin Washington justindanhof William Lamberth For anyone who wants to do more to support our work, you can contribute any amount at so that we can make other amazing films and provide adult only screenings to churches. Thank you in advance for subscribing! WARNING: This film is not suitable for children

Robby Starbuck

8,175,285 ะฟั€ะพัะผะพั‚ั€ะพะฒ โ€ข 2 ะปะตั‚ ะฝะฐะทะฐะด

The Ludo Boost Camp Has Officially Begun๐Ÿš€ Today marks the beginning of a mega milestone for Ludo, the official launch of our token farming event. In this video, our Chief Marketing and Communications Officer, Shahab Ganji (Shahab), gives a full introduction to Ludo and explains everything you need to know about the Ludo Boost Camp, how it works, whatโ€™s coming next, and how you can take part from day one. Watch the full video to understand what itโ€™s all about and why this marks the start of something truly big. Over the next few days and weeks, weโ€™ll onboard more and more community members and projects. Things will start gradually, but over time we will unlock new and exciting parts of the Ludo Boost Camp experience. For the community: You can now become a Ludo Educator, start farming Ludo XP, and later convert it into $LUDO tokens. Apply here to get started: For projects: You can now apply to become an Opportunity Partner and gain real users for free using the Ludo platform and see what itโ€™s all about in the video. Submit your project here: Once you apply, our team will personally guide you through every step to make sure your onboarding runs smoothly and you understand exactly how everything works. Weโ€™ll reach out through our official Ludo Telegram account so please keep an eye on your private messages in Telegram over the next few days after applying. This is only the beginning, but itโ€™s the start of something truly big. Join us early, be part of the movement, and grow with us. Ludo Boost Camp is live. Letโ€™s go!

Ludo

12,782 ะฟั€ะพัะผะพั‚ั€ะพะฒ โ€ข 11 ะผะตััั†ะตะฒ ะฝะฐะทะฐะด

After the success of her blockbuster film with Joshua Garcia, actress #JuliaBarretto admitted that she intentionally stepped away from accepting new acting projects, choosing to wait for the right opportunity rather than rushing into another role. The actress made the revelation during the media junket for Regal Entertainmentโ€™s official #MetroManilaFilmFestival entry, #HauntedCarnival, where she was formally introduced as one of the filmโ€™s lead stars. Looking back on the overwhelming response to โ€œUn/Happy For You,โ€ Julia said the experience inspired her to become more intentional about the projects she would take on next. โ€œSobra ko pong saya sa โ€˜Unhappy For You,โ€™ ginusto kong mas maingat sa susunod kong gagawin,โ€ she shared. For Julia, finding fulfillment in her work became more important than simply staying busy. โ€œI want to finish the project na fulfilled ako na may impact siya sa akin. So naghintay ako ng tamang timing. You just have to be patient, and God is good, dumating โ€™to and I have an exciting project also na naisasabay ko with this,โ€ she explained. The actress believes every career move happens at the right moment, saying that taking a step back allowed her to gain clarity on the direction she wants to pursue. โ€œI guess timing is everything and everything happens for a reason. Sometimes, itโ€™s good to take a pause para malaman mo iyong direction na gusto mong puntahan,โ€ she added. Aside from discussing her return to the big screen, Julia also addressed her current career status, confirming that she is now working independently after parting ways with Viva Artists Agency, which had managed her career for several years. According to the actress, becoming independent has given her the freedom to explore new collaborations and embrace opportunities from different production companies. โ€œItโ€™s a good time in my life to be able to explore and to work with everyone kasi lahat may magandang istorya, and gusto ko lang ma-grab โ€˜yong opportunity na โ€™yon kapag naisip nila ako para sa proyekto,โ€ she said. Despite the transition, Julia emphasized that her separation from her former management was handled with mutual respect, stressing that she remains grateful to everyone who has helped shape her career. โ€œBut you know what? At the same time, I donโ€™t want to burn bridges. Sa lahat ng network, management, na production house, naalagaan ako, naprotektahan ako, naging mabuti sa akin and sobra akong grateful,โ€ she shared. Now entering a new chapter in her career, Julia said she hopes to collaborate with more artists and filmmakers she has yet to work with, regardless of the production company behind the project. โ€œSince napag-usapan na natin, andoโ€™n pa rin โ€˜yong desire ko na makipagtrabaho sa lahat from Viva, to Star Cinema, to Regal, and with all the production houses. Gusto kong patuloy pa rin iyong trabaho, basta naman may magandang istorya.โ€ Rather than defining herself as a freelancer, Julia prefers to see this phase of her career as simply being open to new possibilities. โ€œโ€˜Wag natin gamitin ang word na iyon (freelancer). Gamitin natin na โ€˜open to opportunities,โ€™โ€ she declared. Apart from โ€œHaunted Carnival,โ€ the actress is also set to headline another film under acclaimed director Jerrold Tarog, where she will share the screen with Christopher de Leon and Charo Santos. (โœ๏ธ and ๐Ÿ“น Kiko Escuadro)

radar PH

90,469 ะฟั€ะพัะผะพั‚ั€ะพะฒ โ€ข 2 ะผะตััั†ะตะฒ ะฝะฐะทะฐะด

Aโ€™TIN gets villainized over and over again, but I refuse to believe thatโ€™s who we are. No fandom is perfect. We have our flaws too. But youโ€™ll never convince me that this community is defined by toxicity because time and time again, Iโ€™ve seen more kindness than hate. ๐Ÿฉต This is the Aโ€™TIN community I know ๐Ÿ’  My younger cousin made her own lightstick out of boxes and paper because thatโ€™s all she had. I posted it on TikTok, and not long after, a Berry ๐Ÿ“ reached out to me. She said she wanted to give my cousin her extra lightstick. I remember asking, โ€œAre you sure?โ€ because I didnโ€™t want her to go out of her way for us. She replied, โ€œNo problem. I just want to make her happy.โ€ ๐Ÿ˜ญ๐Ÿ˜ฉ Can you imagine that? She didnโ€™t know us. We werenโ€™t friends. She didnโ€™t owe us anything. Yet she chose kindness anyway. And this is not an isolated story. Aโ€™TIN has organized donation drives, supported local businesses, raised funds for communities in need, cared for the environment, and shown up for one another in ways that often go unnoticed. Teh?? May nagkakabitan pa nga ng eyelash extensions. May nagdadala ng pansit para di magutom sa pila ang kapwa nila aโ€™tin. This is the community SB19 built. The kind of people who are willing to give something valuable to a complete stranger without expecting anything in return. And you want me to believe theyโ€™re defined by toxicity? I only wish more people knew just how generous, compassionate, and supportive Aโ€™TIN truly is. Iโ€™m genuinely so happy to be part of this fandom. And if youโ€™re here on X, Berry Majโ€ฆ thank you. You probably donโ€™t realize it, but you gave my cousin more than a lightstick. You gave her a memory sheโ€™ll carry with her for a very long time ๐Ÿฅน๐Ÿค sobrang saya niya talaga nanginginig pa siya kasi di nya na macontain yung happiness na nararamdaman niya. Thank you, SB19 Official, for bringing me into this wonderful community. ๐Ÿค

love shan (IA) ๐Ÿ‡ต๐Ÿ‡ญ๐Ÿ‡บ๐Ÿ‡ธ๐Ÿณ๏ธโ€๐ŸŒˆ๐ŸŒท

86,389 ะฟั€ะพัะผะพั‚ั€ะพะฒ โ€ข 2 ะผะตััั†ะตะฒ ะฝะฐะทะฐะด

THEY DELETED MY YOUTUBE CHANNEL! We need your help to reboot live-streaming Friends, My YouTube channel was deleted on September 18th. I was in Russia as an election observer, and I had just given an anti-imperialist speech to the World Public Assembly when I got back to my hotel room to see messages from people wondering why all my videos were gone. I have had this channel since 2008. I started it when I debated a classmate about โ€œsocialism vs. capitalismโ€ at Baldwin-Wallace, when Barack Obama was contending with Hillary Clinton in the Democratic primaries. After 18 years, the channel and all of its videos were suddenly gone. I need your help! If you support anti-imperialist voices and oppose this kind of censorship, I urgently need you to send this letter and the accompanying video to everyone you can. I need you to subscribe to the Center for Political Innovation YouTube channel and set a notification for our next upcoming livestream on Monday, September 28th at 9 p.m. Eastern. We need to rebuild my social media audience QUICKLY! Do not let the algorithm drive me into obscurity. We donโ€™t know exactly why this happened or what the official reason was. The only reason given by YouTube was its policy regarding โ€œviolent extremist or criminal organizations.โ€ This could be related to the way I have discussed the conflict in Yemen, including writing a book on the history of AnsarAllah (Houthis) and describing them as an anti-colonial liberation movement. It could be my interview with Viktor Bout from prison, a Russian who was falsely charged with various crimes before finally being able to go home to his family due to a prisoner exchange. It could be my support for and coverage of protests for Dr. Hak Ja Han, an advocate of peaceful reunification of the Korean Peninsula who is currently imprisoned in South Korea on bribery charges that her supporters dispute. Whatever specifically triggered the decision, I am not just some random person on YouTube. I have met with multiple heads of state. I spoke directly with Russian President Putin in 2024. I had an exclusive, face-to-face sit-down interview with Ebrahim Raisi in 2023. I lead an organization of anti-imperialist activists, a growing community of resistance and network of activists called the Center for Political Innovation. I risked my life in 2015 on a humanitarian mission with the Red Crescent Society of the Islamic Republic of Iran, trying to bring medical aid to Yemen through the Saudi blockade. We are not going to be silenced. I am not going to back down now because I never do. We need all hands on deck! It is urgent that everyone step up to the plate and help us reboot the nightly livestreams that not only provide updates on global news and insights about history, spirituality, and economics, but also provide hope and community to thousands of people who tune in for nightly broadcasts. We know the game they are playing. Do not let our enemies in Silicon Valley and the intelligence agencies select who gets to be a voice for anti-imperialism and who does not. I know we are winning. The new, rising BRICS economy and the global anti-colonial movement are in the ascendant, and the Wall Street monopolists and Pentagon hawks are getting desperate because they know they are losing. So right now, I am asking everyone who supports our work to do two things: 1. Subscribe to the Center for Political Innovation YouTube channel and set a notification for our livestream on Monday, September 28th at 9 p.m. Eastern. HERE: 2. Share this message and the accompanying video with everyone you can. If you are able, please make a contribution to help cover our organizational costs DONATE HERE: We need to rebuild quickly. Please do not let the algorithm drive us into obscurity. We are winning! Our community is marching forward! Best, Caleb NIGHTLY LIVE-STREAMS START UP AGAIN ON MONDAY, SEPTEMBER 28TH, 9PM EASTERN WATCH HERE:

Caleb T. Maupin

29,929 ะฟั€ะพัะผะพั‚ั€ะพะฒ โ€ข 3 ะดะฝะตะน ะฝะฐะทะฐะด

And thatโ€™s a wrap on First Stand !! Incoming โ€œI ain't reading that, happy for u, or sorry that happenedโ€ post xD First Stand Gameplay - Was pretty happy with how the lane swaps and adjustments to Atakhan worked out. Donโ€™t know the exact number), but it felt like mostly Ruinous with games of Voracious where it made sense and no lane swaps - There was a good amount of AD/AP squishy and tank mix in each role with omega gigachad Zeka pulling out the Sylas Ahri and Akali where it made sense ๐Ÿ™ƒ - Skarner and Kalista were the outliers on priority, but teams didnโ€™t seem particularly effective with Kalistaโ€ฆ - Skarner on the other hand; will discuss with the team about larger work on him when we get back; heโ€™s too effective at too many things, while also being impotent for regular players - As announced yesterday by Greeley, weโ€™re hoping to see adaptive drafts continue with Fearless for the rest of the year, I think diversity will continue to increase as teams get better at finding lines to draft that make certain counterpick/situational champs god tier after certain champs are out; it will evolve into more of a TFT/Chess style โ€œfind the optimal line to draft with the pieces givenโ€, which the prospects are really exciting - An improvement point feels like how long it takes to end if a team gets a significant early lead; part of this is how optimal boringly slowly choking the opponent out is over 15 min, rather than changing the incentive structure so that ahead teams can make major decisive play and can end the game swiftly - Maybe an opportunity space for the futureโ€ฆ but interested in hearing peoplesโ€™ thoughts on this First Stand Experience - It was amazing and inspiring seeing how many fans were coming out to support the teams without tickets - Not only the KC fans who flew from Europe to do a meetup watch party and it was great chatting to a few, but also what felt like an unstoppable number of college girls coming out to support HLE. I think I counted about 100 wearing HLE jackets on finals day, but it was a reminder of how integrated and mainstream popular League feels in the East - As soon as the entry to the cheerfuls (signs) opened, they all charged in to go and start drawing their cards, it was honestly quite shocking the level of dedication and enthusiasm that some of these fans had, but also awesome - I canโ€™t possibly imagine something like that happening in the Westโ€ฆ - We also had the honor to play in a mini Arena tournament with a bunch of LCK Legends that have I've been watching for 15 years and didnโ€™t do too shabby; went 6th, 3rd, 2nd, but Mingyo and Sangho were too goodโ€ฆ - It will be the first and last time I get to say I killed Pray, Smeb, Kuro, Madlife, Shy on repeat :D and the players watching on stream were surprised to see the Devs were actually pretty decent LOL, which felt nice - A fan came out specifically to play with Kuro, wearing a ROX Tigers jersey and seeing the joy of getting to meet and play with your hero, she was laughing, smiling, it must have been the time of her life; itโ€™s just a reminder of how meaningful League can be and just makes us really inspired to keep working hard to make the game good Solo Q Experience and Balance - Outside of the work obligations, had some time to slam 20 Solo Q games; was pleasantly surprised by my level this time around, feels like Iโ€™m playing around solidly KR D2/D1 level, which is quite shocking, because itโ€™s not like Iโ€™m Masters level on NA right now and havenโ€™t been able to play more than 50 games in the last 6 months due to life. Probably would've won more if I wasn't such a kda player xD - Main character syndrome still feels really peak here, the person either goes 8-0 or 0-8 and is spam FFโ€™ing repeatedly, so minimizing my enemy laner impact, scaling and playing defensively to support my jungler feels most effective even though Iโ€™m playing Ori who feels like a dog champ on this server, since itโ€™s so hard to actually land QW on anyone due to their mechanics and itโ€™s risky to walk in river and so easy to die to ganks - Moving to help jungler in lost fights to avoid mental boom is the only thing that Iโ€™m finding annoying, some of these fight selections feel extremely perplexing, like Zac wanting to fight Lee at first scuttle with no prio and I end up having to sac my lane half the time to prevent them from AFKโ€™ing or soft inting because I didnโ€™t move, itโ€™s super annoyingโ€ฆ - Every post game chat also feels like at least 3 players are writing their PhD thesis, which is somewhat amusing, but also really unfortunateโ€ฆ - It feels like Lee Sin or Viego are in every game with a 30% pickrate, so if you can prevent the team from throwing and always follow them around and play secondary, they can carry, whereas on NA, Lee Sins in Diamond can't carry and suck relatively (ping hurts as well), so itโ€™s not like you can play around them reliably - It was interesting to feel again for myself just how different these champs feel in their balance state across servers, indeed in one of the press conferences there was a question about balancing decisions making no sense for the state of the champ on KR server. I can see why KR players get angry when we buff Lee because the other regions suck at him, he unironically feels 2-3% winrate stronger on KR server, same with Jayce who has a monstrous pickrate here as well - We even almost buffed Lee Sin for First Stand because heโ€™s been pretty absent from Pro, so Iโ€™m actually not quite sure what weโ€™re meant to do about thatโ€ฆ - The other thing that I forgot was how good it was to play on 2ms ping. Iโ€™m not sure whether itโ€™s net positive for the person dodging or the person hitting, but since I mostly play immobile mages, it feels like I can dodge line skillshots and range leash people more effectively, which makes Mages feel so much better, though it also means itโ€™s extremely hard to QW tag someone in a teamfight as Ori, let alone hit them with R - Iโ€™m curious if any people have done any analysis on this - I also attached typical KR Lee Sin penta ๐Ÿ˜… Anyway, back to NA tmrw, lots of work to do

Matt Leung-Harrison

153,071 ะฟั€ะพัะผะพั‚ั€ะพะฒ โ€ข 1 ะณะพะด ะฝะฐะทะฐะด

He didn't run. That's the detail nobody expects. Every instinct in a wild, broken animal screams "run" the second a human gets close. Flight is the oldest survival code there is. And yet โ€” he didn't run. Watch the video and you'll understand why that single fact should terrify you more than comfort you. Because an animal that doesn't run from you anymore has already given up on the idea that running matters. He has already decided, somewhere in that starving, exhausted brain, that whatever comes next can't possibly be worse than what came before. Sit with that for a second. What does it take to break that instinct? What does it take to make a living creature so depleted, so past the point of hope, that self-preservation itself shuts off? We're not talking about a dog that was "a little scared." We're talking about a dog who had already made peace with dying alone in the grass, hidden from a world that had already decided he didn't matter. And then someone showed up anyway. This is the part of the internet nobody warns you about. Not the cute part. Not the "aww" part. The part where you realize how close "almost too late" actually is โ€” and how many of these moments are happening right now, in ditches and fields and abandoned lots, with nobody filming, nobody coming, nobody ever finding out. This one was found. I'm not going to walk you through what happens in the footage. I'm not going to spoil the moment his body language shifts, or the second you can physically see the exact heartbeat where "prey" turns into "please." Words can't carry that anyway. You have to watch it happen in real time, frame by frame, to feel what it actually is: the most fragile, most honest negotiation on earth โ€” a terrified animal deciding, right in front of a camera, whether trust is worth the risk one more time. Here's what almost nobody talks about when it comes to strays like this. Dogs abandoned long enough don't behave like pets. They behave like wild animals, because that's exactly what they've had to become. The friendliness gets stripped away first โ€” that's a luxury, and luxuries are the first thing survival deletes. What's left underneath is raw calculation: threat or not a threat, food or not food, safe or not safe. Every second spent deciding wrong could be the last second they get. So when you see an animal in that state hold still โ€” when you see it let a stranger's hand get closer than four legs and thirty years of abandonment should ever allow โ€” you're not looking at "cute." You're looking at the single bravest decision an animal without language, without hope, without any promise of a good outcome, is capable of making. That's what's buried in this video. That's the part that will actually get you. And here's the twist that makes this whole thing so much heavier once you know it: this isn't rare. This is happening at a scale most people never let themselves think about. Estimates on free-roaming and abandoned dogs worldwide run into the hundreds of millions. Hundreds of millions of versions of this exact moment โ€” animals lying in grass, behind dumpsters, under bridges, past the point of hoping anyone comes โ€” and only a fraction of them ever get a camera pointed at them, let alone a hand extended. Every viral rescue video you've ever scrolled past is a survivor's story. For every one of these, there are dozens that never get told, because nobody showed up in time to tell them. That's not meant to guilt you. It's meant to explain why this specific video hits different the second you actually watch it instead of skimming past it. You're not watching content. You're watching one of the rare good outcomes in a numbers game that is brutally stacked against good outcomes. Now โ€” about the moment itself. There's a very specific window in every rescue like this. Rescuers call it different things, but it comes down to the same handful of seconds: the animal has to choose, right then, whether the human in front of it is a predator or a possibility. There's no in-between. No negotiation period. No "let me think about it." It happens in the space of a breath, and everything after depends on which way it breaks. You can see it happen in this footage. You can actually watch the exact moment where the decision gets made โ€” where you'd swear the animal's whole nervous system recalibrates in real time. If you've never seen that moment up close, you don't actually know what "trust" looks like at its most primal. Most of us only ever encounter trust after it's already established, already comfortable, already taken for granted. This is trust being built from absolute zero, live, on camera, with everything on the line. I've watched hundreds of these rescue videos over the years โ€” the genuinely real ones, not the staged reels that flood every feed now with fake "before" shots and suspiciously perfect lighting. The real ones all share this same fingerprint: a pause. A held breath. A moment where absolutely nothing happens except two creatures deciding, silently, whether the next few seconds are going to be safe. This video has that pause. And it's the reason you need to actually watch it instead of just reading about it. Because here's the thing text can never replicate: body language. The tension in a spine before it releases. The exact angle of an ear that tells you, before anything else does, whether fear is winning or losing. None of that survives translation into words. You either watch it happen, or you miss it completely. Let's talk about what "broken" actually costs an animal, physically, because most people underestimate it wildly. Extended abandonment doesn't just mean hunger. It means the body starts making impossible trade-offs. Muscle gets sacrificed for basic organ function. Coat and skin โ€” usually the first thing to show damage โ€” become secondary priorities compared to keeping a heart beating and lungs working. By the time visible damage shows up on the outside, the inside has usually already been compromising for weeks, sometimes months. Vets who specialize in stray and feral rescue will tell you the same thing over and over: what you see on the surface is never the full story. The surface is the last thing the body protects. If the outside already looks that rough, you almost don't want to know what's happening underneath. That's the stakes this video is actually operating at, even if the softness of the moment makes it easy to forget. This isn't a feel-good clip about a slightly dirty dog getting a bath. This is triage. This is the line between "made it" and "didn't," captured completely by accident, because someone happened to have a phone out at exactly the right moment. And that's maybe the most unsettling part of all of this, if you actually think about it for more than five seconds: how much of survival โ€” for an animal with zero ability to ask for help โ€” comes down to pure, dumb chance. Right place. Right time. Right person, willing to stop instead of walk past. How many times has "walking past" been the actual ending to a story like this one? We'll never know, because those endings don't get filmed. They don't get posted. They don't get millions of views and thousands of comments. They just... end, quietly, in a field somewhere, with nobody ever finding out there was a story there at all. This time, someone stopped. I want to be straight with you about something else, because it's the part that actually separates a real rescue from a manufactured one, and it matters more than people think. You can tell โ€” almost instantly โ€” when a rescue video is authentic versus when it's been engineered for engagement. Authentic ones are messy. Uncomfortable. Slow in places where a scripted video would cut. The animal doesn't hit its emotional beats on cue. There's confusion, hesitation, sometimes a step backward before the step forward. Real fear doesn't resolve on a content creator's timeline. It resolves on the animal's timeline, whenever that ends up being โ€” thirty seconds, three minutes, sometimes far longer than anyone filming has patience for. This one has that texture. That's what makes it worth your two minutes instead of just another manufactured "rescue" clip built for a fake reaction. There's a reason rescue footage โ€” the real kind โ€” keeps outperforming almost everything else on this platform, and it's not because people are shallow or looking for cheap emotion. It's because this content taps into something most of us don't get nearly enough exposure to anymore: raw, unscripted stakes. Something is genuinely at risk. Something genuinely uncertain is happening. In a feed built almost entirely out of performance, irony, and content calculated down to the frame, a moment like this lands like a gut punch precisely because nobody could have staged the way it actually plays out. You can't fake that pause. You can't script that flinch, or the moment right after it, when the flinch stops. That's why you need to watch this instead of scrolling past the description of it. Because I can tell you it happened. I can't make you feel it happening. That gap โ€” between knowing about something and actually witnessing it โ€” is the entire reason video exists as a medium in the first place. Let's talk for a second about what happens after a moment like this, because most people watch these videos and never think past the ending card. Rescue is not resolution. It's the very first data point in a much longer, much harder process that almost nobody films because it isn't visually dramatic enough to go viral. Quarantine periods. Vet visits. Bloodwork. The slow, exhausting process of convincing a nervous system that's been running on high alert for months that it's actually allowed to relax now. Some animals take days to decompress. Some take literal years. Trust, once it's been broken at the level this video hints at, doesn't rebuild on anyone's convenient schedule. That's the part that never gets the same reach. The three-months-later update, the "he finally slept through the night" post, the "he let a stranger pet him for the first time" milestone that would look like nothing to anyone who didn't know the whole story. Those posts get a fraction of the views the rescue moment gets, even though they're arguably the more important part of the story. The internet loves a beginning. It's much worse at sticking around for the middle. So if this video moves you โ€” and it will, if you actually watch it instead of skimming past โ€” do something with that feeling beyond just scrolling to the next post. Rescues like this don't happen because of luck alone. They happen because someone, somewhere, decided that stopping mattered more than being on time to wherever they were headed. They happen because someone funded a vet bill, fostered an animal mid-recovery, drove two hours to pick up a dog that wasn't even theirs yet. None of that is glamorous. None of it goes viral on its own. But all of it is the actual machinery behind every single one of these videos you've ever watched and felt something about. If there's one thing I'd want you to take from this before you hit play, it's this: pay attention to the exact moment things shift. Don't just watch for the "aww." Watch for the decision. Watch for the specific second an animal that has every biological reason to run instead chooses to stay. That's the whole story, compressed into a handful of frames. Everything else โ€” the outcome, the relief, the ending โ€” is just what happens after that decision gets made. Most people will watch this video for the ending. Watch it for the middle instead. That's where the real thing is happening. And once you've seen it โ€” once you've actually watched that shift happen in real time instead of reading about it secondhand โ€” you'll understand why videos like this stop people mid-scroll every single time, no matter how many of them they've already seen. Because no matter how many of these you watch, that exact moment never gets less powerful. It just reminds you, over and over, of how much is riding on someone simply choosing to stop. Let's go back to the beginning for a second, because there's a question almost nobody asks about videos like this, and it's the one that actually matters most. How long was he out there before anyone found him? Nobody in the video knows the answer. Nobody watching it will ever know the answer. That's the part that sits with you long after the clip ends โ€” not the moment of rescue itself, but the enormous, silent, unfilmed stretch of time that came before it. Days? Weeks? However long it was, it was long enough to erase every part of him except the will to keep breathing. Long enough that hiding in overgrown grass, invisible to a world that had stopped looking for him, had become the only strategy left. That's the actual horror hiding underneath a video that, on the surface, looks gentle. Everything soft about the footage is only possible because of everything brutal that happened just outside the frame, in the hours and days the camera never captured. This is why I keep telling you not to treat this as passive scrolling material. There is an entire invisible story sitting behind every second of visible footage, and your brain fills in almost none of it unless you slow down and actually let the video play out in full, without skipping ahead, without half-watching while doing five other things. Now, let's talk about why content like this spreads the way it does โ€” because understanding the mechanics actually makes the moment hit harder, not softer. Platforms reward exactly one thing above everything else: retention. Not likes. Not shares. Not comments. Time spent actually watching, second by second, without looking away. And there is almost nothing on this entire platform that earns retention like genuine, unscripted animal footage where the outcome isn't obvious from frame one. Think about why that is. A cooking video, you already know the dish is going to come out fine. A prank video, you already know it's a joke. A dance video, a fashion video, a "get ready with me" video โ€” the outcome was never in question to begin with. But a video like this one? The outcome is not guaranteed. For the first several seconds, you genuinely do not know which way it's going to go. That uncertainty is exactly what makes your eyes stay locked on the screen instead of your thumb flicking to the next post. That's not manipulation. That's not a trick. That's just what happens when something real, with real stakes, ends up on a feed built almost entirely out of things that were never actually uncertain in the first place. Here's something worth sitting with: most people, if you stopped them and asked directly, would say they care about animal welfare. Genuinely, sincerely, most people mean it when they say that. And yet the actual scale of the stray and abandoned animal crisis worldwide remains something most of the same people have almost no real information about. Not because they don't care โ€” because nobody ever hands them the numbers in a way that actually lands. So here they are, stated plainly, without softening them: hundreds of millions of dogs live as strays globally, a significant share of them in conditions of chronic hunger, untreated injury, and disease. Shelters in country after country report the same pattern every single year โ€” intake numbers that outpace adoption numbers, resources that fall short of need, and volunteers stretched thin trying to hold together a system that was never built to handle the actual scale of the problem. None of that is abstract when you're watching one specific dog in one specific patch of grass. It becomes very real, very fast, once you understand that what you're looking at isn't an isolated incident. It's one visible thread pulled out of an enormous, mostly invisible pattern. That's part of why this particular video deserves more than a passive scroll-past. It's not just "a nice moment." It's a small, rare, filmed exception to something that is happening constantly, relentlessly, without cameras, without rescuers, without any kind of happy resolution at all. Let's talk about the rescuer for a second, because they never get enough credit in videos like this, and it's worth correcting that. Whoever is behind that camera โ€” whoever made the decision to stop, to approach slowly, to read an animal's body language carefully enough to know when to move closer and when to hold back โ€” did something that looks simple on video and is genuinely difficult in real life. Approaching a frightened, possibly injured, possibly defensive stray animal correctly is a skill. Get it wrong, and you can panic the animal into fleeing somewhere far worse, or hurting itself trying to escape, or in rare cases, defending itself the only way it knows how. The people who do this well, over and over, in situation after situation, are operating on a mix of instinct and hard-earned experience that most of us will never develop, because most of us will never need to. That instinct is exactly why this rescue plays out the way it does instead of ending in a chase, a panic, or worse. Give that person their due before you close this tab. What you're watching is competence dressed up as tenderness. It looks soft. It is not easy. Now โ€” a quick myth-versus-reality breakdown, because misconceptions about rescue moments like this one are everywhere, and they change how people watch this kind of footage. Myth: a starving, frightened stray will always be aggressive toward humans. Reality: fear responses vary enormously animal to animal. Some go defensive. Many, especially those who were once someone's pet before being abandoned, retain a flicker of learned trust toward people, buried under the fear, waiting for a reason to resurface. Myth: rescue is basically instant โ€” approach, comfort, done. Reality: what you see in a two-minute clip is often the result of a much slower, more careful approach happening just before the camera starts rolling, sometimes minutes, sometimes far longer. Myth: once rescued, an animal is "fine." Reality: rescue is step one of dozens. Medical evaluation, parasite treatment, nutritional rehabilitation, and behavioral decompression all come after, often over a period of weeks or months, invisible to anyone who only ever saw the viral clip. Keep those in mind while you watch. They completely change what you're actually looking at. One more thing before you go press play, because it's the detail that changes how the whole video reads. Location matters more than people think. An animal hidden deep in overgrown grass, off any visible path, away from foot traffic, isn't there by accident. Animals in that condition instinctively seek concealment โ€” it's one of the last functioning defense mechanisms left once running is no longer a realistic option. Being found at all, in a spot chosen specifically to not be found, is already a low-probability event before a single second of footage even starts. That's the invisible math sitting underneath this entire video. The odds of this exact outcome happening were never good. And yet here we are. If you've read this far without watching the video yet, that's honestly a little bit funny, because everything above was building toward one single, simple, unavoidable conclusion: None of this โ€” the psychology, the statistics, the survival instinct, the odds stacked against him โ€” means anything close to what it means once you actually see it unfold in real time, on his face, in his body, in the exact second everything changes. Reading about a moment like this is the trailer. Watching it is the movie. Let me leave you with one last thing, because it's the part people usually forget by the time they close the app and move on with their day. Every single one of us has scrolled past a moment like this before. Not this exact video โ€” but this exact shape of moment. The thumbnail that looked heavy. The caption that hinted at something hard. The three seconds of hesitation before deciding whether today was a day you had the emotional bandwidth to watch an animal suffer before things got better. Most days, most people, scroll past. That's not a character flaw. That's just what an endless feed trains you to do โ€” protect your attention, protect your mood, keep moving. But here's the thing about this specific kind of video that makes stopping worth it, every single time: the discomfort at the start is never the point. It's the toll you pay to get to the part that actually matters โ€” the shift, the decision, the moment fear loses. Skip the discomfort, and you skip the entire reason the video exists in the first place. You end up with secondhand information about a moment that was never designed to be understood secondhand. Think about the last time a video actually changed your mood for the rest of the day. Not entertained you โ€” changed something. Made you call someone. Made you donate somewhere you'd never donated before. Made you look at your own dog curled up on the couch and feel something different for a second. Those moments are rare precisely because most content isn't built to carry that kind of weight. Most content is built to be forgotten by the next scroll. This isn't most content. There's a reason rescue footage keeps circulating years after it's first posted, resurfacing on different accounts, different platforms, different captions, over and over, long after the original context is gone. It's because moments like this don't expire. A joke gets old. A trend dies in a week. But the exact second an abandoned, broken animal decides to trust a stranger anyway โ€” that doesn't age. It hits the same way in five years that it hits today, because the thing it's tapping into isn't a trend. It's something much older than any platform, any algorithm, any feed. It's the oldest story there is, really, just told without words: something was broken, someone showed up anyway, and against every reasonable expectation, that was enough. We don't get many unscripted, unforced examples of that anymore. Almost everything in front of us now is curated, edited, angled for a reaction. This isn't. This is just what actually happened, captured because a phone happened to be there, no different than it would have looked if no camera existed at all. That's rare. That's worth two minutes of your undivided attention instead of a half-watched scroll-by. So here's the actual ask, plain and simple: don't just watch this one and move on like it's any other post in your feed today. Watch it properly. Let it play all the way through without skipping ahead to see how it ends. Notice the exact second his body changes. Notice what happens right after that. And then, if it moves you even a fraction as much as it should, do one small thing with that feeling before it fades โ€” share it with someone, support a rescue near you, or just remember, the next time you see a stray on the side of a road, that stopping is always an option. It's always been an option. Somebody just has to choose to take it. That choice is the entire video. Everything else is just what happens after it gets made. One last thought, and then I'll let you go watch it instead of reading about it any longer. Somewhere out there, right now, there's another version of this exact scene playing out with no camera anywhere near it. No rescuer. No hand reaching out slowly through tall grass. No moment where fear loses. Just an animal, alone, running out of time in silence. We can't fix that with a video. Nobody's pretending we can. But we can make sure the ones that do get found, the ones that do get a camera and a rescuer and a happy ending, actually get seen โ€” properly seen, not scrolled past in half a second on the way to something louder and easier. This is one of the good ones. One of the rare stories where showing up actually happened in time. Don't waste that by treating it like background noise. He didn't run. Now go find out why.

Earth Unveiled

199,087 ะฟั€ะพัะผะพั‚ั€ะพะฒ โ€ข 14 ะดะฝะตะน ะฝะฐะทะฐะด

๐Ÿšจ๐Ÿ›ธ๐Ÿ‘ฝ Alien Craft and Bodies - How Confident? ๐Ÿ‘ฝ๐Ÿ›ธ๐Ÿšจ "Confidence is high. Repeat: confidence is high." ~The Sherminator Grusch/Kelly Part 1 - Video and Transcript "As somebody who was in very high positions of trust over the years, I can assure you that that...the U.S. government has engaged in a crash retrieval and reverse engineering operation of non-human crafts and recovering the biologics as well. I take that assessment very seriously" ~Grusch (I'll do my best to finish all three parts tonight) ~ Biggest Takeaway How did Grusch see evidence of alleged non-human craft and bodies and how confident is he that this is legit? Grusch: "I came in as a skeptical eye, having briefed to a lot of U.S. programs. And I was thinking, oh, I'll figure out what this is. This might be some kind of U.S. program, some prosaic natural phenomenon, some kind of adversarial program, some strategic technical surprise. "Eventually, as I started pulsing my networks, digging into archives where, we'll just say, certain programs forgot to fully clean out safe drawers, and finding both audio-visual documentation. And then interviewing over 40 people all the way up to, I'll just say, the cabinet level over the course of four years. So a combination of oral testimony, audio-visual evidence and documentation. I became convinced, at a high-confidence level that the U.S. has engaged in a crash retrieval and reverse engineering operation of - like the trailer you just played, said - non-human crafts and recovering, you know, the biologics as well. "And I say high-confidence, as somebody who's written assessments for the President of the United States. I take that assessment very seriously, and that confidence level very seriously. But as somebody who was in very high positions of trust over the years, I can assure you that that is an accurate statement. That the U.S. government, its private partners, allies and adversaries, do have programs, doing this exact thing." ~~~ Megyn Kelly: "It's the age-old question that has fascinated humans for centuries and continues to: are we alone in the universe, or even on our own planet? My next guest says, not only are UFOs - or now they're called UAPs - Unidentified Anomalous Phenomena. That's hard to remember, but UAPs - real, but the government has allegedly been aware of them for decades and running a disinformation campaign to make you feel like an idiot if you believe reports about them. "David Grusch is a former US Air Force Intelligence Officer and senior intelligence official. He was his agency's co-lead in UAP investigation and quote 'transmedium object analysis' and was reporting to the Pentagon's UAP Task Force as well. In 2023, Grusch filed a whistleblower complaint asserting that the United States has been operating a quote, 'multi-decade UAP crash retrieval and reverse engineering program,' meaning we're taking what we find - vehicles - and trying to figure out how they operated. And that Congress has been kept in the dark about large portions of the program. He later testified under oath before the House Oversight Committee, drawing national attention when he made this claim here. Watch." ~Video from the 2023 Oversight Committee Hearing~ Rep. Nancy Mace: "If you believe we have crashed craft, stated earlier, do we have the bodies of the pilots who piloted this craft?" David Grusch: "As I've stated publicly already in my NewsNation interview, biologics came with some of these recoveries, yeah." Mace: "Were they, I guess, human or non-human biologics?" Grusch: "Non-human, and that was the assessment of people with direct knowledge on the program I talked to that are currently still on the program." ~ Kelly: "So, he's alleging that we have crafts and we have non-human biologics from those crafts, and that the American people are being kept in the dark about it. And he is not alone. He is not alone. Now, Pentagon officials have publicly denied that there's any verified evidence of non-human intelligence or secret programs of this kind. They've been denying it for 80 years. But now, a new documentary called 'The Age of Disclosure' is taking center stage. It's extraordinary, examining decades of this alleged secrecy, and they have everyone in this film. "The film features interviews with 34 former and current government officials, including Secretary of State, Marco Rubio, and Representative Anna Paulina Luna, who claim the U.S. has long been concealing evidence of non-human intelligence and UAPs. Here's a part of the trailer." Begin Excerpt from "The Age of Disclosure" Tim Gallaudet: "Humanity is not the only intelligence in the Universe." Dr. Eric Davis: "Humanity is not the only intelligent species." Brett Feddersen: "We are absolutely not alone." Karl Nell: "Non-human intelligence exists." Jim Semivan: "UAPs are real ,they're here, and they're not human." Jay Stratton: "I have seen with my own eyes, non-human craft and non-human beings." Senator Mike Rounds: "This is so secret, very, very few people in our entire government have been allowed access to it." Secretary Marco Rubio: "Even presidents have been operating on a need-to-know basis, but that begins to ramp out of control." Kirsten Gillibrand: "It's not acceptable to have secret parts of government that no one ever sees." Rep. Tim Burchett Press Office: "You better be careful about a government that doesn't trust its people, because there's no telling what they'll pull on ya." ~End AoD Excerpt~ Kelly: "It's extraordinary. Let's get into it. David joins me now. David, thank you so much for your service and for being here." Grusch: "Thanks. Mellon. Um, excuse me (laughs). Thanks, Megan. Thank you for having me on." Kelly: "(laughs) No worries. This is like a crazy story and a stunning story and disturbing. And I have to tell you, I've always been sort of open minded to this issue, but more skeptical. And I my skepticism is gone, having watched 'The Age of Disclosure.'" (Until we hear from a firsthand witness who says they worked hands-on what they feel was a non-human craft, in the alleged Legacy crash retrieval and reverse engineering program, I think it's smart to retain some skepticism.) Kelly: "['The Age of Disclosure' is] incredibly well done, and they've got everybody. I mean, all of the like, astrophysicists and extremely-well-educated, and accomplished, scientists - who have been investigating this from the start. Well, not the start, because it was 80 years ago, but in recent decades - on camera, on the record, saying as much as they can. "And the director of the film (Dan Farah) has been making the rounds saying, the only reason he was able to get so many people to participate is because they felt there was safety in numbers and that they couldn't either fire everyone, or worse. Because a lot of these guys, these are distinguished guys, served in the Air Force like yourself, or served at the Pentagon, served all over the armed forces. A lot of these guys are actually worried not just about their careers getting killed, but about them themselves getting killed. I mean, set it up for us on the stakes of the number of people who went on camera and actually started saying as much as they could without violating classified restrictions." Grusch: "Certainly, that's a real fear, and we can certainly get into that. 'Age of Disclosure' was, you know, a project I didn't fully participate in, however, I do applaud the effort in these individuals for at least coming forward and speaking. And like you, I was a very skeptical person. I was certainly open to the topic. I was interested in space and science in a very precocious way, as a child. I ended up studying physics and the Air Force gave me a full-ride scholarship. And I was always, obviously, open to the topic, but I was in positions of high trust in the government at the most extreme levels, having walked the halls of the West Wing, personally handled the presidential daily intelligence brief and had some of the same broad accesses that the President and his cabinet has had over the years, even as a young man across multiple administrations "I figured - when I was eventually brought into this topic, working for the UAP Task Force - oh, I would know this exists. Somebody would have slipped and said something to me. At the time, I was briefed to over 90% out of all black programs in the Department of Defense and also the Intelligence Community, and I had an arrogant opinion of the topic. I was certainly open to the idea, but I figured I haven't seen any evidence and I would have been briefed into those kind of things, because I had a need-to-know at the time. So I came into it very similar to you, but open minded." Kelly: "And then, what specifically were you assigned to where you started to see actual evidence that we've been researching this for 80 years, that we do have crafts recovered, that we have, quote, 'biologics' recovered, which include some sort of other being. And what was your reaction when you started to learn this?" Grusch: "Yeah, I was very skeptical. I was in my military capacity, I had a parallel-civilian-intelligence career as well. But in my military-reserve capacity, I was the backup Intelligence Director for the National Reconnaissance Offices operation center. I briefed the NRO director. That's where I handled the PDB" Kelly: "Presidential Daily Brief." Grusch: "And I handled, essentially, all sensitive activities and all that stuff. And so, the UAP Task Force was looking for a representative from that organization. I came in as a skeptical eye, having briefed to a lot of U.S. programs. And I was thinking, oh, I'll figure out what this is. This might be some kind of U.S. program, some prosaic natural phenomenon, some kind of adversarial program, some strategic technical surprise. "But eventually, as I started pulsing my networks, digging into archives where, we'll just say, certain programs forgot to fully clean out safe drawers, and finding both audio visual documentation. And then interviewing over 40 people all the way up to, I'll just say, the cabinet level over the course of four years. So a combination of oral testimony, audio-visual evidence and documentation. I became convinced, at a high-confidence level that the U.S. has engaged in a crash retrieval and reverse engineering operation of - like the trailer you just played, said - non-human crafts and recovering, you know, the biologics as well. "And I say high-confidence, as somebody who's written assessments for the President of the United States. I take that assessment very seriously, and that confidence level very seriously. But as somebody who was in very high positions of trust over the years, I can assure you that that is an accurate statement. That the U.S. government, its private partners, allies and adversaries, do have programs, doing this exact thing." Kelly: "Many in our audience may know you, David, you've been kind of really celebrated [by] people for coming out as a whistleblower and calling attention the fact that our government's been hiding this from us. And even when told to disclose what they know to investigators and to the public or to the oversight seers they haven't. There's a deeper program called The Legacy program that has really...seems to have been trying to hide the most shocking pieces of what we know from even the UAP Task Force."

Joe Murgia

21,199 ะฟั€ะพัะผะพั‚ั€ะพะฒ โ€ข 8 ะผะตััั†ะตะฒ ะฝะฐะทะฐะด

The Trump administration is attacking free speech, say the media and Democrats. On Monday, Attorney General Pam Bondi said, โ€œThereโ€™s free speech and then thereโ€™s hate speech. And thereโ€™s no place [for it], especially now, especially after what happened to Charlie.โ€ Fear of the Trump administration led ABC to abandon late-night comedian Jimmy Kimmel yesterday, said progressives. Kimmel had claimed the man who assassinated conservative leader Charlie Kirk was โ€œMAGA.โ€ Brendan Carr, chair of the Federal Communications Commission (FCC), which regulates broadcast networks, said, in response, โ€œThis is a very, very serious issue right now for Disney [ABCโ€™s owner]. We can do this the easy way or the hard way. These companies can find ways to take action on Kimmel, or there is going to be additional work for the FCC ahead.โ€ However, prominent Trump supporters condemned Bondiโ€™s remarks en masse, near-instantaneously, and she backtracked the next day, saying, โ€œIf you want to be a hateful person and simply say hateful things, that is your right to do so.โ€ As for Carr, he dismissed the idea that his words played a significant role in ABCโ€™s decision, telling Public, โ€œthe reporting is that Disney itself had their own concerns about the programming. A lot of folks want to point fingers here at convenient targets because they donโ€™t want to see or deal with the broader market trends. Late night ratings are way down.โ€ And yet it is difficult to believe that Carrโ€™s remarks had no influence. It is reasonable to think that Nexstar may have feared that the FCC wouldnโ€™t approve its acquisition of Tegna, which operates 64 stations in 51 markets, if it had allowed Kimmelโ€™s show to continue. That purchase requires the FCC to allow Nexstar to go beyond current limits on broadcast station ownership. And, notes the Journal, Carrโ€™s remarks may have indirectly impacted Disney: โ€œExecutives also discussed staff safety, including threatening emails staff on Kimmelโ€™s show had received after Carrโ€™s remarks and the posting of some of their personal information online, the people said.โ€ The FCC repealed the โ€œfairness doctrineโ€ in 1987, since it required too much government regulation of content, and the FCCโ€™s โ€œpublic interestโ€ power is not a license to police programs like Kimmel. Indeed, the FCCโ€™s mandate today is largely structural with narrow content exceptions (e.g., indecency, childrenโ€™s programming, and political advertising). As such, Carrโ€™s remarks were โ€œjawboning,โ€ a term that refers to speech or implied threats by government officials to pressure private parties into actions that officials cannot legally mandate. Such jawboning can be a form of indirect censorship. President Biden engaged in similar pressure tactics when he publicly said social media companies were โ€œkilling peopleโ€ by not removing Covid โ€œmisinformation.โ€ Biden officials also invoked Section 230 to coerce platforms into greater censorship, and internal Facebook emails revealed that the company was worried about failing to secure a data deal with Europe if it did not comply with the administrationโ€™s censorship demands. The Leftโ€™s complaints about censorship are made in particularly bad faith, given its role in defending the Biden administrationโ€™s coercive jawboning and the resulting mass censorship during Covid. The Left also normalized โ€œcancellations,โ€ calling for countless public figures and private individuals to be deplatformed and fired for causing offense. In 2018, Kimmel mocked Roseanne Barr after ABC canceled her show after she posted an offensive tweet about a black former Obama administration official. The people decrying what Bondi and Carr said are the same ones who demanded sweeping government censorship of social media platforms in the guise of combating โ€œmisinformationโ€ and โ€œhate speechโ€ in 2020 and 2021. Consider Barack Obama, who criticized Carrโ€™s remarks. It was Obamaโ€™s people at the Department of Homeland Security, FBI, National Science Foundation, DOD, and CIA who put in place the Censorship Industrial Complex between 2016 and 2024. And it was Obama who gave a 2022 speech at Stanford laying out a vision for government โ€œregulationโ€ of social media platforms one week before DHS launched its โ€œDisinformation Governance Board.โ€ The Democrat-supported Censorship Industrial Complex was and remains, in Europe and elsewhere, a far greater threat to free speech than the angry remarks of Trump and Carr, as inappropriate and as unhelpful as they were. The Complex was embedded in the government, including the Intelligence Community, and operated secretly to manipulate information, public opinion, and โ€œwhole narratives.โ€ New York Times columnist David French, who criticized the Trump administration for censorship, defended government censorship in the past as โ€œcorrecting misinformationโ€ and pointed to the First Amendment rights of government employees. Itโ€™s important to remember the context we are in. A little over one week has passed since an individual, who appears to be a Left-wing romantic partner of a trans-identified male, assassinated a major conservative leader, Charlie Kirk. Assassination is the ultimate form of censorship. And Kirk was a communications and organizing prodigy who many on the Right viewed as future Republican presidential material. Kirkโ€™s killing comes after 10 years of the Left, broadly defined to include the media, Democrats, and the progressive NGO industry, dehumanizing Republicans. As such, many, if not most, on the Right hold the Left responsible for the killing of one of its most promising leaders, who also happened to be a family man and Christian. When it comes to public opinion, five times more people on the Left justify violence than those on the Right. A YouGov survey conducted after Kirkโ€™s assassination found that 25% of people who describe themselves as โ€œvery liberalโ€ and 17% who describe themselves as โ€œliberalโ€ say that it is sometimes justified to resort to violence to achieve political goals. Only 3% of people who describe themselves as โ€œvery conservativeโ€ and 6% of people who describe themselves as โ€œconservativeโ€ said the same thing. A separate poll earlier this year found that 55% of people who identify as left of center say that it would be at least somewhat justified to murder Trump. But it is short-sighted for the Trump administration to do and say things that undermine its ability to demand free speech abroad, and hold the Left accountable at home. The Trump administration has rightly raised the alarm about censorship in Europe and Brazil of American social media platforms, and often of Americans. Carrโ€™s remarks about the โ€œeasy way or the hard wayโ€ undercut the administrationโ€™s free speech diplomacy.... Please subscribe now to support Public's defense of free speech, read the rest of the article, and watch the full video!

Michael Shellenberger

42,752 ะฟั€ะพัะผะพั‚ั€ะพะฒ โ€ข 1 ะณะพะด ะฝะฐะทะฐะด