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50 Cent put Charlamagne on notice in real time when the Drake Super Bowl talk came up‼️💯. On "The Breakfast Club", 50 dropped that Drake had turned down the Super Bowl multiple times (he and others have referenced two or three occasions)‼️. Charlamagne’s face and immediate reaction told the story‼️he was caught off guard and started trying to reframe it on the spot‼️. 50 didn’t let the pivot slide‼️. He pointed out the obvious: if Jay-Z (via Roc Nation’s partnership with the NFL) was actually offering Drake the stage and Drake was the one saying no, that undercuts the pure “Jay is just hating Drake” narrative that a lot of people lean on‼️. You can’t run the “he’s blocking him out of spite” story and also claim the offers were real without the logic falling apart‼️. 50 checked that framing right there‼️. Then the conversation shifted to 50’s own situation, and he confirmed what he’d said before: Jay didn’t want him on the 2022 Super Bowl LVI halftime show either‼️. Roc Nation allegedly tried to keep him off the bill‼️. Eminem refused to do it without 50, so they had to bring him in as the “surprise.” 50 has been consistent on this‼️he’s said if it was up to them, he wouldn’t have been there‼️. He frames it as culture being competitive, but notes that when it crosses into blocking business opportunities (especially when the other side isn’t even competing for current chart slots or relevance in the same way), it stops making sense‼️. This isn’t isolated‼️. Jay has a track record of using industry position and leverage for personal or competitive reasons rather than pure merit‼️: - The long-running tension with 50 goes back years and has included business and platform issues beyond just music‼️. - Damon Dash has repeatedly accused Jay of interfering in deals and opportunities that would have paid him, describing a pattern of stepping on things when money was on the table‼️. - Historical examples include the way power dynamics played out around Roc-A-Fella splits, artist placements, and access during peak Roc years. Jay has never been shy about leveraging his position‼️whether through labels, streaming (Tidal), sports, or the NFL partnership‼️. The idea that Jay-Z “didn’t play a part” in the Drake–Kendrick situation is pure nonsense‼️. Roc Nation has shaped Super Bowl halftime selections for years‼️. Kendrick getting the 2025 New Orleans slot right in the middle/aftermath of the biggest beef in years wasn’t some neutral coincidence, especially with the cultural and streaming impact of “Not Like Us.”‼️ Jay later claimed it was simply because Kendrick was having a monster year and insisted it wasn’t about the battle‼️. That defense is convenient‼️. When the person controlling one of the biggest stages in music hands it to one side of an active, highly publicized war while the other side has previously turned the same stage down, pretending there’s zero connection or influence requires willful blindness‼️. The power is real, the history of selective use of that power exists, and the Super Bowl decisions sit right in the middle of both‼️. 50’s point lands because he’s lived both sides of it: the competitive culture "and" the business blocking‼️. When Charlamagne tried to keep the narrative tidy in the moment, 50 simply wouldn’t let the contradiction stand‼️. Watch the pattern‼️💯

50 Cent put Charlamagne on notice in real time when the Drake Super Bowl talk came up‼️💯. On "The Breakfast Club", 50 dropped that Drake had turned down the Super Bowl multiple times (he and others have referenced two or three occasions)‼️. Charlamagne’s face and immediate reaction told the story‼️he was caught off guard and started trying to reframe it on the spot‼️. 50 didn’t let the pivot slide‼️. He pointed out the obvious: if Jay-Z (via Roc Nation’s partnership with the NFL) was actually offering Drake the stage and Drake was the one saying no, that undercuts the pure “Jay is just hating Drake” narrative that a lot of people lean on‼️. You can’t run the “he’s blocking him out of spite” story and also claim the offers were real without the logic falling apart‼️. 50 checked that framing right there‼️. Then the conversation shifted to 50’s own situation, and he confirmed what he’d said before: Jay didn’t want him on the 2022 Super Bowl LVI halftime show either‼️. Roc Nation allegedly tried to keep him off the bill‼️. Eminem refused to do it without 50, so they had to bring him in as the “surprise.” 50 has been consistent on this‼️he’s said if it was up to them, he wouldn’t have been there‼️. He frames it as culture being competitive, but notes that when it crosses into blocking business opportunities (especially when the other side isn’t even competing for current chart slots or relevance in the same way), it stops making sense‼️. This isn’t isolated‼️. Jay has a track record of using industry position and leverage for personal or competitive reasons rather than pure merit‼️: - The long-running tension with 50 goes back years and has included business and platform issues beyond just music‼️. - Damon Dash has repeatedly accused Jay of interfering in deals and opportunities that would have paid him, describing a pattern of stepping on things when money was on the table‼️. - Historical examples include the way power dynamics played out around Roc-A-Fella splits, artist placements, and access during peak Roc years. Jay has never been shy about leveraging his position‼️whether through labels, streaming (Tidal), sports, or the NFL partnership‼️. The idea that Jay-Z “didn’t play a part” in the Drake–Kendrick situation is pure nonsense‼️. Roc Nation has shaped Super Bowl halftime selections for years‼️. Kendrick getting the 2025 New Orleans slot right in the middle/aftermath of the biggest beef in years wasn’t some neutral coincidence, especially with the cultural and streaming impact of “Not Like Us.”‼️ Jay later claimed it was simply because Kendrick was having a monster year and insisted it wasn’t about the battle‼️. That defense is convenient‼️. When the person controlling one of the biggest stages in music hands it to one side of an active, highly publicized war while the other side has previously turned the same stage down, pretending there’s zero connection or influence requires willful blindness‼️. The power is real, the history of selective use of that power exists, and the Super Bowl decisions sit right in the middle of both‼️. 50’s point lands because he’s lived both sides of it: the competitive culture "and" the business blocking‼️. When Charlamagne tried to keep the narrative tidy in the moment, 50 simply wouldn’t let the contradiction stand‼️. Watch the pattern‼️💯

(st_ides)

136,039 views • 29 days ago

Over the last few years I've watched thousands of hours of videos about transgenderism in all its forms, I watch them in full, whether they are a few minutes or hours long, I look for segments that I can edit into bite size videos, normally under 2 minutes, videos that will peak people about the insanity of transgenderism... But this video is one of the most depressing I've edited... The young girl is 13, and she's trying to make the best of the madness she lives in, she calls her dad, her mum, and her dad's "girlfriend" lives with them... But the part at the end really upset me,...watch and you'll see what I mean...😔

Over the last few years I've watched thousands of hours of videos about transgenderism in all its forms, I watch them in full, whether they are a few minutes or hours long, I look for segments that I can edit into bite size videos, normally under 2 minutes, videos that will peak people about the insanity of transgenderism... But this video is one of the most depressing I've edited... The young girl is 13, and she's trying to make the best of the madness she lives in, she calls her dad, her mum, and her dad's "girlfriend" lives with them... But the part at the end really upset me,...watch and you'll see what I mean...😔

Jonny Bell

116,860 views • 8 months ago

The story isn’t that Game and Fat Joe hopped the same flight and got lost in the bush together‼️. It’s that both of them—years apart—walked into the same larger-than-life Angolan promoter’s world, came home with the same kind of war stories, and then sat down on *Joe and Jada* in February 2026 so Game could tell Joe to his face what the trip actually looked like‼️. The promoter’s name keeps changing depending on who’s talking: Riquinho, Raquino, Rukino, Casablanca. Real name Henrique Miguel‼️. After Angola’s civil war he became the guy who brought American hip-hop to Luanda‼️. Huge money up front‼️. The kind of payday that makes a Bronx rapper who had never flown get on a plane, and the kind that makes a Compton rapper who already had hits think he’d just hit the lottery‼️. Fat Joe’s version⁉️ Joe never used to fly‼️. Ja Rule talked him onto the plane in the mid-2000s by telling him Africa paid the bills and this one gig was bigger than anything else they were doing‼️. They land‼️. The promoter is waiting. Joe later described him as looking like a beautiful Muhammad Ali with no white in his eyes‼️. Nobody in the room looked him in the face when they served him‼️. After the first show, the bags were packed for the airport‼️. Middle of the night: knock on the door. A hundred guys with machine guns‼️. The promoter walks in and tells the manager they’re staying for more “extravaganza.”‼️ Joe calls it a friendly kidnapping‼️. They did extra shows‼️. They got paid extra‼️. They stayed days, then a week, then closer to two weeks‼️. The U.S. embassy (or whoever the quiet Americans at the hotel buffet were) slipped Joe a card and said this same man had just done it to DMX‼️. Call this number, we’ll extract you from the parking garage‼️. Joe stayed tough, took the money, and left when the promoter finally let them leave. He made more than he had ever made in his life and still went back to Africa over and over—Ghana, Nigeria, Djibouti, Rwanda, Somalia, “every hood.” He tells the story like a badge‼️. The Game’s version (told to Fat Joe)⁉️ Game got the same half-a-million-up-front offer for one show‼️. They picked him up in Bentleys “like Mandela.” He is sliding through what he calls the Congo, seeing women with fruit bowls and chickens on their heads, when the promoter rolls up to the hotel with what Game swears is 19 million soldiers‼️. They have hyenas on chains. Game, Compton-proud, starts talking about pit bulls‼️. Then he sees the spit hanging from the hyena’s mouth—it never hits the ground, just hanging between tooth and limbo. That’s when he says he’s about to earn his spot on “hallucination mountain.”‼️ After the show, 10,000 people treat him like he’s Pac on the West Coast‼️. The promoter comes back wanting more dates‼️. Machine guns with no caps on them, bigger than Bow Wow‼️. Game tells the story the way he tells every story: cinematic, slightly unhinged, details that sound like a fever dream until you remember Fat Joe already lived a quieter version of the same script with the same man‼️. Joe sits there listening, laughing, and then slides into his own add-ons: the trunk of a Lincoln filled with pallets of hundred-dollar bills so a $50k “interview fee” looked like a toothpick; the best massage of his life in Djibouti followed by Seal Team 6 chilling in the hotel pool because that hotel is the fastest jump-off to the Middle East‼️. He keeps going back because the money is real and, in his telling, so is the love. Game keeps the hyena image‼️. Both of them walked in thinking they were just collecting a check‼️. Both of them left knowing the promoter ran that part of the map like a president of the hood‼️. They didn’t take the trip together. They just survived the same myth and lived to tell it to each other‼️.

The story isn’t that Game and Fat Joe hopped the same flight and got lost in the bush together‼️. It’s that both of them—years apart—walked into the same larger-than-life Angolan promoter’s world, came home with the same kind of war stories, and then sat down on Joe and Jada in February 2026 so Game could tell Joe to his face what the trip actually looked like‼️. The promoter’s name keeps changing depending on who’s talking: Riquinho, Raquino, Rukino, Casablanca. Real name Henrique Miguel‼️. After Angola’s civil war he became the guy who brought American hip-hop to Luanda‼️. Huge money up front‼️. The kind of payday that makes a Bronx rapper who had never flown get on a plane, and the kind that makes a Compton rapper who already had hits think he’d just hit the lottery‼️. Fat Joe’s version⁉️ Joe never used to fly‼️. Ja Rule talked him onto the plane in the mid-2000s by telling him Africa paid the bills and this one gig was bigger than anything else they were doing‼️. They land‼️. The promoter is waiting. Joe later described him as looking like a beautiful Muhammad Ali with no white in his eyes‼️. Nobody in the room looked him in the face when they served him‼️. After the first show, the bags were packed for the airport‼️. Middle of the night: knock on the door. A hundred guys with machine guns‼️. The promoter walks in and tells the manager they’re staying for more “extravaganza.”‼️ Joe calls it a friendly kidnapping‼️. They did extra shows‼️. They got paid extra‼️. They stayed days, then a week, then closer to two weeks‼️. The U.S. embassy (or whoever the quiet Americans at the hotel buffet were) slipped Joe a card and said this same man had just done it to DMX‼️. Call this number, we’ll extract you from the parking garage‼️. Joe stayed tough, took the money, and left when the promoter finally let them leave. He made more than he had ever made in his life and still went back to Africa over and over—Ghana, Nigeria, Djibouti, Rwanda, Somalia, “every hood.” He tells the story like a badge‼️. The Game’s version (told to Fat Joe)⁉️ Game got the same half-a-million-up-front offer for one show‼️. They picked him up in Bentleys “like Mandela.” He is sliding through what he calls the Congo, seeing women with fruit bowls and chickens on their heads, when the promoter rolls up to the hotel with what Game swears is 19 million soldiers‼️. They have hyenas on chains. Game, Compton-proud, starts talking about pit bulls‼️. Then he sees the spit hanging from the hyena’s mouth—it never hits the ground, just hanging between tooth and limbo. That’s when he says he’s about to earn his spot on “hallucination mountain.”‼️ After the show, 10,000 people treat him like he’s Pac on the West Coast‼️. The promoter comes back wanting more dates‼️. Machine guns with no caps on them, bigger than Bow Wow‼️. Game tells the story the way he tells every story: cinematic, slightly unhinged, details that sound like a fever dream until you remember Fat Joe already lived a quieter version of the same script with the same man‼️. Joe sits there listening, laughing, and then slides into his own add-ons: the trunk of a Lincoln filled with pallets of hundred-dollar bills so a $50k “interview fee” looked like a toothpick; the best massage of his life in Djibouti followed by Seal Team 6 chilling in the hotel pool because that hotel is the fastest jump-off to the Middle East‼️. He keeps going back because the money is real and, in his telling, so is the love. Game keeps the hyena image‼️. Both of them walked in thinking they were just collecting a check‼️. Both of them left knowing the promoter ran that part of the map like a president of the hood‼️. They didn’t take the trip together. They just survived the same myth and lived to tell it to each other‼️.

(st_ides)

143,542 views • 5 days ago

Game being hurt about that Super Bowl still makes sense if you sit with how the night was built‼️. Dr. Dre puts on the biggest hip-hop halftime in Super Bowl history: Snoop, Mary J. Blige, Eminem, Kendrick, and then 50 Cent swinging in upside down for “In Da Club.” It was sold as an L.A. homecoming‼️. The city was on the field‼️. Compton was on the field‼️. Aftermath’s whole lineage was on the field‼️. Except one of Dre’s actual Compton products wasn’t⁉️. Game said it out loud a few months later on *I Am Athlete*‼️. He was hurt‼️. Not “the culture won” Instagram caption he posted right after the show‼️. Hurt‼️. He pointed at the obvious: Eminem is not from L.A. 50 is not from L.A. If it had been a Detroit Super Bowl or a New York Super Bowl, L.A. niggas would not have been invited just because they were legends‼️. The Rams were playing‼️. The stadium was in Inglewood‼️. Dre produced it‼️. And the call never came‼️. He even said YG should have been there too‼️. He called himself not a “safe” artist‼️. That part tracks with how Game has always moved‼️. The 50 Cent piece is the part that stings extra‼️. Eminem made sure 50 was on that stage‼️. That’s not rumor — 50 and people around the camp have said it for years‼️. Em wasn’t going to let his guy get left off Dre’s night‼️. Fair‼️. Loyalty‼️. Same energy Game has always claimed he gives people‼️. The difference is nobody in that circle fought to put Game on the bill‼️. Twelve minutes, Snoop later said‼️. Politics, Game said. Either way, the Compton artist who actually came up under Dre on *The Documentary* watched two outsiders and the younger Compton guy who inherited the “voice of the city” slot get the moment‼️. That’s where the Kendrick part lives‼️. It’s not that Game and Kendrick ever had a public war in 2022‼️. It’s that Kendrick was the other Compton name Dre and the NFL were comfortable putting next to Dre and Snoop‼️. Game has said he put Kendrick on early mixtapes, took him on tour, showed love when it was still a come-up‼️. Then years later he can’t get him on the phone, but he can get Drake‼️. That’s the current documentary-era complaint‼️. The Super Bowl snub sits underneath it like old scar tissue‼️. Same city, same Dre orbit, same “who gets to represent L.A. on the biggest stage” question — and Game wasn’t the answer they picked‼️. He has spent 2026 saying he doesn’t have a problem with the Boogeyman and the Boogeyman doesn’t have a problem with him‼️. He also put Drake on *The Documentary III*, rapped about not having to pick sides, and still couldn’t resist the “they say I’m beefing with Kendrick, how the fuck do that sound⁉️” line. That’s Game‼️. He will deny the beef while listing every reason the distance exists‼️. Resentment doesn’t always come out as a diss record the next week‼️. Sometimes it sits for four years until the next album cycle, the next Drake feature, and the next time somebody asks why the original Compton Aftermath artist wasn’t standing on that white house set while Em made sure 50 got his “In Da Club” moment‼️. Game watched it happen in his city‼️. He said he was hurt‼️. The rest is just whether he ever stopped being hurt‼️. The future will tell‼️

Game being hurt about that Super Bowl still makes sense if you sit with how the night was built‼️. Dr. Dre puts on the biggest hip-hop halftime in Super Bowl history: Snoop, Mary J. Blige, Eminem, Kendrick, and then 50 Cent swinging in upside down for “In Da Club.” It was sold as an L.A. homecoming‼️. The city was on the field‼️. Compton was on the field‼️. Aftermath’s whole lineage was on the field‼️. Except one of Dre’s actual Compton products wasn’t⁉️. Game said it out loud a few months later on I Am Athlete‼️. He was hurt‼️. Not “the culture won” Instagram caption he posted right after the show‼️. Hurt‼️. He pointed at the obvious: Eminem is not from L.A. 50 is not from L.A. If it had been a Detroit Super Bowl or a New York Super Bowl, L.A. niggas would not have been invited just because they were legends‼️. The Rams were playing‼️. The stadium was in Inglewood‼️. Dre produced it‼️. And the call never came‼️. He even said YG should have been there too‼️. He called himself not a “safe” artist‼️. That part tracks with how Game has always moved‼️. The 50 Cent piece is the part that stings extra‼️. Eminem made sure 50 was on that stage‼️. That’s not rumor — 50 and people around the camp have said it for years‼️. Em wasn’t going to let his guy get left off Dre’s night‼️. Fair‼️. Loyalty‼️. Same energy Game has always claimed he gives people‼️. The difference is nobody in that circle fought to put Game on the bill‼️. Twelve minutes, Snoop later said‼️. Politics, Game said. Either way, the Compton artist who actually came up under Dre on The Documentary watched two outsiders and the younger Compton guy who inherited the “voice of the city” slot get the moment‼️. That’s where the Kendrick part lives‼️. It’s not that Game and Kendrick ever had a public war in 2022‼️. It’s that Kendrick was the other Compton name Dre and the NFL were comfortable putting next to Dre and Snoop‼️. Game has said he put Kendrick on early mixtapes, took him on tour, showed love when it was still a come-up‼️. Then years later he can’t get him on the phone, but he can get Drake‼️. That’s the current documentary-era complaint‼️. The Super Bowl snub sits underneath it like old scar tissue‼️. Same city, same Dre orbit, same “who gets to represent L.A. on the biggest stage” question — and Game wasn’t the answer they picked‼️. He has spent 2026 saying he doesn’t have a problem with the Boogeyman and the Boogeyman doesn’t have a problem with him‼️. He also put Drake on The Documentary III, rapped about not having to pick sides, and still couldn’t resist the “they say I’m beefing with Kendrick, how the fuck do that sound⁉️” line. That’s Game‼️. He will deny the beef while listing every reason the distance exists‼️. Resentment doesn’t always come out as a diss record the next week‼️. Sometimes it sits for four years until the next album cycle, the next Drake feature, and the next time somebody asks why the original Compton Aftermath artist wasn’t standing on that white house set while Em made sure 50 got his “In Da Club” moment‼️. Game watched it happen in his city‼️. He said he was hurt‼️. The rest is just whether he ever stopped being hurt‼️. The future will tell‼️

(st_ides)

110,082 views • 15 days ago

DMX didn’t just like dogs. Other rappers talk about it like the dogs were part of the crew‼️ bodyguards, hype men, family, and sometimes the actual weapon‼️. Jadakiss told the one that always gets repeated‼️. Before the fame, X used to move through Yonkers with a pit named Boomer‼️. Jada’s version is simple: if you saw X with Boomer, you already knew what time it was‼️. He didn’t need a gun‼️. “Not armed robbery‼️. Dog robbery.”‼️ Boomer was trained tight enough that the sight of him was the threat‼️. Jada also said Boomer was calm when X was in the car, but the second X stepped out, the energy changed‼️. That’s the picture most of them paint — the dog wasn’t decoration. It was an extension of him‼️💯. Murda Mook told the wildest one on Drink Champs‼️. Harlem, 121st and 7th. X is battling a dude named Den on the block‼️. Crowd around them‼️. X starts a bar about the dog — something like “be careful with my dog, she might bite you”‼️ and on cue the dog growls at the opponent‼️. Then X cuts it off mid-growl: “Chill, ma. Let me get ’em.”‼️ The other rapper thought the growl was part of the rhyme‼️. Mook swears X had the dog trained to ad-lib‼️. Whether it was fully planned or just that tight a bond, the story stuck because it sounded exactly like something only X would do‼️. Fredro Starr remembered pulling up on a Ruff Ryders video shoot in Harlem and seeing X arrive solo — no security, no entourage, just him and the dog‼️. Stayed on set for hours like that‼️. The dog wasn’t a prop for the camera‼️. It was how he moved‼️. That’s the through-line from the people who were actually around him: X trusted dogs more than people because dogs don’t lie, don’t switch up, and will still protect you after you punish them‼️. He barked on records because he lived with that energy. The Ruff Ryders name, the “Get At Me Dog” hook, the pits in the videos — none of it was a gimmick to the guys who watched him walk the block with Boomer or rehearse a growl into a punchline‼️. Later life got messy with the animal cruelty case, and that’s part of the record too‼️. But the stories other rappers tell from the early days and the peak years are consistent: those dogs weren’t accessories‼️. They were the only ones he never had to question‼️💯.

DMX didn’t just like dogs. Other rappers talk about it like the dogs were part of the crew‼️ bodyguards, hype men, family, and sometimes the actual weapon‼️. Jadakiss told the one that always gets repeated‼️. Before the fame, X used to move through Yonkers with a pit named Boomer‼️. Jada’s version is simple: if you saw X with Boomer, you already knew what time it was‼️. He didn’t need a gun‼️. “Not armed robbery‼️. Dog robbery.”‼️ Boomer was trained tight enough that the sight of him was the threat‼️. Jada also said Boomer was calm when X was in the car, but the second X stepped out, the energy changed‼️. That’s the picture most of them paint — the dog wasn’t decoration. It was an extension of him‼️💯. Murda Mook told the wildest one on Drink Champs‼️. Harlem, 121st and 7th. X is battling a dude named Den on the block‼️. Crowd around them‼️. X starts a bar about the dog — something like “be careful with my dog, she might bite you”‼️ and on cue the dog growls at the opponent‼️. Then X cuts it off mid-growl: “Chill, ma. Let me get ’em.”‼️ The other rapper thought the growl was part of the rhyme‼️. Mook swears X had the dog trained to ad-lib‼️. Whether it was fully planned or just that tight a bond, the story stuck because it sounded exactly like something only X would do‼️. Fredro Starr remembered pulling up on a Ruff Ryders video shoot in Harlem and seeing X arrive solo — no security, no entourage, just him and the dog‼️. Stayed on set for hours like that‼️. The dog wasn’t a prop for the camera‼️. It was how he moved‼️. That’s the through-line from the people who were actually around him: X trusted dogs more than people because dogs don’t lie, don’t switch up, and will still protect you after you punish them‼️. He barked on records because he lived with that energy. The Ruff Ryders name, the “Get At Me Dog” hook, the pits in the videos — none of it was a gimmick to the guys who watched him walk the block with Boomer or rehearse a growl into a punchline‼️. Later life got messy with the animal cruelty case, and that’s part of the record too‼️. But the stories other rappers tell from the early days and the peak years are consistent: those dogs weren’t accessories‼️. They were the only ones he never had to question‼️💯.

(st_ides)

53,332 views • 7 days ago

THIS IS UTTERLY HORRIFYING‼️‼️‼️ DID YOU KNOW SEXUAL PREDATORS CAN RAPE UP TO 3 CHILDREN IN COLORADO AND GET ONLY PROBATION⁉️⁉️⁉️ YEAH, WELL…NEITHER DID I. Colorado State Representative Brandi Bradley ABSOLUTELY UNLEASHES an onslaught of SHOCKING STATISTICS during closing arguments for a bill that protects the children of Colorado. HB25-1073 PROTECTING CHILDREN FROM SEXUAL PREDATORS WAS KILLED BECAUSE EVERY DEMOCRAT VOTED AGAINST IT‼️‼️‼️ EVERY. SINGLE. DEMOCRAT 👈🏼 LET THAT SINK IN COLORADO‼️‼️‼️ The current Colorado state sentencing guidelines for Sex offenders WILL MAKE YOU SICK‼️ 70% of those convicted of sexually assaulting a child goes straight on probation, they will not see one day in prison. Of the few that do go to prison, 73% of them are paroled, with an average sentence of just 8 years. Under the current sentencing structure, NOT ONE CHILD SEX OFFENDER HAS BEEN SENTENCED TO MORE THAN 25 YEARS!!! NOT A SINGLE ONE‼️ COLORADO CHILDREN WHO ARE RAPED ARE THE ONLY ONES WHO GET A LIFE SENTENCE‼️ A LIFETIME OF PAIN, TRAUMA, AND ALMOST ALL OF THEM WILL SUFFER FROM SUBSTANCE ABUSE ISSUES‼️ WAKE UP COLORADO‼️WAKE TF UP‼️

THIS IS UTTERLY HORRIFYING‼️‼️‼️ DID YOU KNOW SEXUAL PREDATORS CAN RAPE UP TO 3 CHILDREN IN COLORADO AND GET ONLY PROBATION⁉️⁉️⁉️ YEAH, WELL…NEITHER DID I. Colorado State Representative Brandi Bradley ABSOLUTELY UNLEASHES an onslaught of SHOCKING STATISTICS during closing arguments for a bill that protects the children of Colorado. HB25-1073 PROTECTING CHILDREN FROM SEXUAL PREDATORS WAS KILLED BECAUSE EVERY DEMOCRAT VOTED AGAINST IT‼️‼️‼️ EVERY. SINGLE. DEMOCRAT 👈🏼 LET THAT SINK IN COLORADO‼️‼️‼️ The current Colorado state sentencing guidelines for Sex offenders WILL MAKE YOU SICK‼️ 70% of those convicted of sexually assaulting a child goes straight on probation, they will not see one day in prison. Of the few that do go to prison, 73% of them are paroled, with an average sentence of just 8 years. Under the current sentencing structure, NOT ONE CHILD SEX OFFENDER HAS BEEN SENTENCED TO MORE THAN 25 YEARS!!! NOT A SINGLE ONE‼️ COLORADO CHILDREN WHO ARE RAPED ARE THE ONLY ONES WHO GET A LIFE SENTENCE‼️ A LIFETIME OF PAIN, TRAUMA, AND ALMOST ALL OF THEM WILL SUFFER FROM SUBSTANCE ABUSE ISSUES‼️ WAKE UP COLORADO‼️WAKE TF UP‼️

Just Jen ℞ 🫡🇺🇸

164,790 views • 6 months ago

‼️‼️🇷🇺🇺🇲 BIG | There is a high level of concern among Russian military propagandists. 🟦 The well-known Russian military propagandist and commentator, Kirill Fedorov, laments: 📌 "We are dealing with a serious situation... a situation from which there is no beautiful and simple solution. At least, I don't see such a solution from my couch." 🇺🇸 "We practically have no leverage over the USA, except for nuclear weapons. We are neither China nor the Soviet Union. And no one will be the winner in a nuclear war." 📌 "At this stage, the United States is simply stronger and does what it wants in its 'hemisphere.' That is a fact." See the latest updates with us: Visioner

‼️‼️🇷🇺🇺🇲 BIG | There is a high level of concern among Russian military propagandists. 🟦 The well-known Russian military propagandist and commentator, Kirill Fedorov, laments: 📌 "We are dealing with a serious situation... a situation from which there is no beautiful and simple solution. At least, I don't see such a solution from my couch." 🇺🇸 "We practically have no leverage over the USA, except for nuclear weapons. We are neither China nor the Soviet Union. And no one will be the winner in a nuclear war." 📌 "At this stage, the United States is simply stronger and does what it wants in its 'hemisphere.' That is a fact." See the latest updates with us: Visioner

Visioner

776,933 views • 8 months ago

🔥🚨NEW: Bryce Mitchell announces he no longer supports President Donald Trump, claims he’s actually the Anti-Christ and predicts the ‘mark of the beast’ is coming in 42 months. 👀 “I’m not with Donald Trump no more,” Mitchell said in a video posted to Instagram. “I don’t support him. I don’t like him. I think he’s a corrupted leader. .. The first thing for me is that he didn’t release the Epstein files. They’re even acting like they didn’t exist. And of course they’re sending Israel and Ukraine all of our tax dollars, just like the numb nuts before him(Joe Biden) did. .. And now he’s blaming the beef farmers for the price of beef.” “If you’re a Christian, I want you to get into Revelation 13:3 and I want you to read that verse about the anti christ. About the one that was fatally wounded in the head, then he was miraculously healed and the whole world marveled at him and said no man can make war with him. Yeah, I do think Donald Trump is that beast of Revelation 13:3.” “I’m totally done with the dude. He’s done to me. He’s a goner. He’s compromised. He’s right up there with the rest of the pedophiles, man.”

🔥🚨NEW: Bryce Mitchell announces he no longer supports President Donald Trump, claims he’s actually the Anti-Christ and predicts the ‘mark of the beast’ is coming in 42 months. 👀 “I’m not with Donald Trump no more,” Mitchell said in a video posted to Instagram. “I don’t support him. I don’t like him. I think he’s a corrupted leader. .. The first thing for me is that he didn’t release the Epstein files. They’re even acting like they didn’t exist. And of course they’re sending Israel and Ukraine all of our tax dollars, just like the numb nuts before him(Joe Biden) did. .. And now he’s blaming the beef farmers for the price of beef.” “If you’re a Christian, I want you to get into Revelation 13:3 and I want you to read that verse about the anti christ. About the one that was fatally wounded in the head, then he was miraculously healed and the whole world marveled at him and said no man can make war with him. Yeah, I do think Donald Trump is that beast of Revelation 13:3.” “I’m totally done with the dude. He’s done to me. He’s a goner. He’s compromised. He’s right up there with the rest of the pedophiles, man.”

Parry Punch

950,531 views • 10 months ago

In 2001, when MTV’s "Cribs" cameras arrived at Redman’s Staten Island duplex, the world expected the usual parade of marble foyers, infinity pools, and garages stuffed with exotic cars‼️. Instead, they got “De La Casa”—a modest two-bedroom, two-bathroom townhouse that looked lived-in, cluttered, and completely unapologetic‼️. Redman, born Reginald “Reggie” Noble, was already a hip-hop veteran known for his dense, humorous lyricism and Funk Doctor Spock persona‼️. The network approached him like many other artists of the era: they had a couple of nicer houses lined up for him to tour, the kind with grand double doors that would let a star open them theatrically and declare ownership of the good life‼️. Redman declined‼️. He later explained that his mother would have immediately called him out for pretending a rented mansion was his‼️. So he invited the crew to the actual place he called home‼️. The production team showed up early one morning, earlier than expected‼️. Redman was still in bed‼️. His cousin—known as Sugar Bear or Mr. Cream was passed out on the floor in a sleeping bag‼️. The doorbell was two exposed wires hanging from a hole; visitors had to touch them together to make a sound‼️. The screen door had no screen‼️. When the small crew (pared down because the space could not hold more) stepped inside, they found themselves in a real working musician’s apartment rather than a staged showcase‼️. Redman gave the tour with the same deadpan energy he brought to his records‼️. The bedroom became “Exhibit A”: clothes piled in plastic bins and corners, empty food containers, a collection of adult movies he casually described as being for “the freaks,” and hangers that stood in for a proper wardrobe‼️. He ironed clothes on the floor‼️. His “walk-in closet” was barely big enough to step into and back out of‼️. The bathroom held an assortment of body washes‼️Herbal Essences among them‼️that he presented with pride‼️. Downstairs sat a home studio with records scattered across the floor and bare walls. Gold plaques mixed with laundry‼️. In the kitchen, a George Foreman grill waited near frozen fish fillets he liked to cook‼️. On top of the refrigerator sat the famous “dollar box,” a plain shoebox stuffed with crumpled bills‼️. “If I need some money,” he told the camera, “I just run to the dollar box and go get me some bread, or some juice.” He recommended everyone keep one‼️. He never apologized for any of it‼️💯. “This is what an apartment look like when a brother doing his album,” he said, “or he ain’t run off to the hills and buy a big crib away from the hood‼️. This apartment is right in the hood, and it’s nice.”‼️ The episode ends with him in the doorway, inviting the cameras back and yelling for them to bring something to eat next time‼️. Viewers were stunned‼️. In an era when "Cribs" specialized in aspirational excess‼️ and when some guests quietly rented properties or cars to inflate the image‼️Redman’s episode felt like a glitch in the matrix‼️. Some people assumed it was a prank or a hoax‼️. It was neither‼️. The producers later confirmed everything was authentic‼️. The crew had even held a quick outdoor meeting after walking in, processing the unexpected reality of the space‼️. The episode became one of the most talked-about and highest-rated installments of the series, remembered long after the marble and crystal faded from memory‼️. Redman’s decision was deliberate‼️. He wanted fans to see that not every working artist lived like a cartoon of wealth‼️. Many were doing fine without the spectacle‼️. The unfiltered tour cemented his reputation for keeping it real in a culture that often rewarded performance‼️. Years later he still lived in the same Staten Island house (by then nicknamed “De La Castle”), having made only modest upgrades‼️. The dollar box had evolved into a sock in one retelling, the television got bigger, a closet door appeared, but the spirit remained the same‼️💯.

In 2001, when MTV’s "Cribs" cameras arrived at Redman’s Staten Island duplex, the world expected the usual parade of marble foyers, infinity pools, and garages stuffed with exotic cars‼️. Instead, they got “De La Casa”—a modest two-bedroom, two-bathroom townhouse that looked lived-in, cluttered, and completely unapologetic‼️. Redman, born Reginald “Reggie” Noble, was already a hip-hop veteran known for his dense, humorous lyricism and Funk Doctor Spock persona‼️. The network approached him like many other artists of the era: they had a couple of nicer houses lined up for him to tour, the kind with grand double doors that would let a star open them theatrically and declare ownership of the good life‼️. Redman declined‼️. He later explained that his mother would have immediately called him out for pretending a rented mansion was his‼️. So he invited the crew to the actual place he called home‼️. The production team showed up early one morning, earlier than expected‼️. Redman was still in bed‼️. His cousin—known as Sugar Bear or Mr. Cream was passed out on the floor in a sleeping bag‼️. The doorbell was two exposed wires hanging from a hole; visitors had to touch them together to make a sound‼️. The screen door had no screen‼️. When the small crew (pared down because the space could not hold more) stepped inside, they found themselves in a real working musician’s apartment rather than a staged showcase‼️. Redman gave the tour with the same deadpan energy he brought to his records‼️. The bedroom became “Exhibit A”: clothes piled in plastic bins and corners, empty food containers, a collection of adult movies he casually described as being for “the freaks,” and hangers that stood in for a proper wardrobe‼️. He ironed clothes on the floor‼️. His “walk-in closet” was barely big enough to step into and back out of‼️. The bathroom held an assortment of body washes‼️Herbal Essences among them‼️that he presented with pride‼️. Downstairs sat a home studio with records scattered across the floor and bare walls. Gold plaques mixed with laundry‼️. In the kitchen, a George Foreman grill waited near frozen fish fillets he liked to cook‼️. On top of the refrigerator sat the famous “dollar box,” a plain shoebox stuffed with crumpled bills‼️. “If I need some money,” he told the camera, “I just run to the dollar box and go get me some bread, or some juice.” He recommended everyone keep one‼️. He never apologized for any of it‼️💯. “This is what an apartment look like when a brother doing his album,” he said, “or he ain’t run off to the hills and buy a big crib away from the hood‼️. This apartment is right in the hood, and it’s nice.”‼️ The episode ends with him in the doorway, inviting the cameras back and yelling for them to bring something to eat next time‼️. Viewers were stunned‼️. In an era when "Cribs" specialized in aspirational excess‼️ and when some guests quietly rented properties or cars to inflate the image‼️Redman’s episode felt like a glitch in the matrix‼️. Some people assumed it was a prank or a hoax‼️. It was neither‼️. The producers later confirmed everything was authentic‼️. The crew had even held a quick outdoor meeting after walking in, processing the unexpected reality of the space‼️. The episode became one of the most talked-about and highest-rated installments of the series, remembered long after the marble and crystal faded from memory‼️. Redman’s decision was deliberate‼️. He wanted fans to see that not every working artist lived like a cartoon of wealth‼️. Many were doing fine without the spectacle‼️. The unfiltered tour cemented his reputation for keeping it real in a culture that often rewarded performance‼️. Years later he still lived in the same Staten Island house (by then nicknamed “De La Castle”), having made only modest upgrades‼️. The dollar box had evolved into a sock in one retelling, the television got bigger, a closet door appeared, but the spirit remained the same‼️💯.

(st_ides)

67,042 views • 29 days ago

World Labs co-founder Justin Johnson says Atlas can recreate the famous "Bullet Time" shot from The Matrix with iPhones: "The way they did that shot is they had a ring of hundreds of cameras. [Neo] fell over in the studio, they had hundreds of cameras viewing that angle on a green screen, and then they used those hundreds and hundreds of cameras to make that famous shot in The Matrix." "Now with Atlas, we can do this with as few as three cameras. No studio capture, no green screen, no expensive calibration. We can literally stick three iPhones on tripods and use these to take video of something happening." "From those three iPhone videos, we can then reframe the shot and imagine, like, freeze time, have the camera fly in as the milk is splashing up, and get these amazing frozen-time views. We can do this with just a couple cameras." Justin Johnson

World Labs co-founder Justin Johnson says Atlas can recreate the famous "Bullet Time" shot from The Matrix with iPhones: "The way they did that shot is they had a ring of hundreds of cameras. [Neo] fell over in the studio, they had hundreds of cameras viewing that angle on a green screen, and then they used those hundreds and hundreds of cameras to make that famous shot in The Matrix." "Now with Atlas, we can do this with as few as three cameras. No studio capture, no green screen, no expensive calibration. We can literally stick three iPhones on tripods and use these to take video of something happening." "From those three iPhone videos, we can then reframe the shot and imagine, like, freeze time, have the camera fly in as the milk is splashing up, and get these amazing frozen-time views. We can do this with just a couple cameras." Justin Johnson

a16z

43,300 views • 10 days ago

#WATCH | On Shreyas Iyer and Yashasvi Jaiswal excluded from the squad for Asia Cup 2025, Indian Men's cricket team chief selector, Ajit Agarkar says, "...With regards to Yashasvi, it is just unfortunate again. What Abhishek Sharma has done over the last few months or a year or so that he has been with the team, plus he can bowl a little bit - that gives us an option, if required by the Captain. One of these guys was always going to miss out...With regards to Shreyas, you will have to tell me who we can replace. No fault of his, nor is it ours. It's just that you can pick 15 and at that moment, he will have to wait for his chance."

#WATCH | On Shreyas Iyer and Yashasvi Jaiswal excluded from the squad for Asia Cup 2025, Indian Men's cricket team chief selector, Ajit Agarkar says, "...With regards to Yashasvi, it is just unfortunate again. What Abhishek Sharma has done over the last few months or a year or so that he has been with the team, plus he can bowl a little bit - that gives us an option, if required by the Captain. One of these guys was always going to miss out...With regards to Shreyas, you will have to tell me who we can replace. No fault of his, nor is it ours. It's just that you can pick 15 and at that moment, he will have to wait for his chance."

ANI

330,848 views • 1 year ago

In the remarks, 50 says something to the effect of: Yayo is “the one friend that is like I wish he wasn’t my friend but he’s my best friend type of person,” because “he does that all the time.”‼️ He elaborates that life would be a lot easier without certain problems Yayo causes or escalates‼️. Specifically, 50 notes he “wouldn’t even have to go through my Jimmy Henchman period” if not for Yayo’s actions‼️. He acknowledges Yayo’s heart is in the right place, but “he does cause things… he’s a different animal.”‼️ When Yayo messes up (no matter the size), he quickly says “my bad,” they move on‼️and then it happens again‼️. 50 characterizes the apology as essentially meaning “chill out, let me do that again‼️.” It’s a long-running dynamic they’ve lived with‼️. People (and sometimes the pair themselves in broader G-Unit/Power talk) have compared their bond to "Ghost and Tommy" from "Power"‼️the ultra-loyal, ride-or-die childhood friends from the streets who built something bigger together, stay linked through chaos, violence, and loyalty tests, and where one often has to clean up or absorb the fallout from the other’s hotter, more impulsive moves‼️. 50 (as the more calculated, empire-building figure) maps loosely to Ghost; Yayo (the aggressive, ride-for-the-crew energy who’s always ready) maps to Tommy‼️. The comparison captures the brotherly, non-negotiable loyalty mixed with constant friction and escalation that defines them‼️. "Power" itself is 50’s production vehicle, so the parallel is culturally apt even if not always stated word-for-word in every clip‼️. 50 Cent and Tony Yayo (Marvin Bernard) go back to the late ’90s as Southside Queens street guys who formed G-Unit with Lloyd Banks‼️. Yayo has been one of the most consistent, publicly loyal members through the group’s rise, incarcerations, fallouts, and reunions‼️. 50 has repeatedly put him on (albums, tours, videos, opportunities), and Yayo has stressed lifelong gratitude‼️“never bite the hand that feeds you,” he’d still ride even if 50 dissed him, etc‼️. Their bond is more friendship/street brotherhood than pure business (Yayo has contrasted it with more transactional mentor-protégé setups)‼️. They still appear together, joke, and operate in that G-Unit orbit years later‼️. The major escalation 50 specifically ties to Yayo (and the “Jimmy Henchman period”) is the 2007 assault on Jimmy Henchman’s 14-year-old son‼️. Yayo and associate Lowell “Lodi Mack” Fletcher were involved in confronting/assaulting the teen (reports describe slapping, yelling about Czar Entertainment, and a pistol-whipping element from Fletcher)‼️. This was amid the broader G-Unit vs. The Game / Jimmy Henchman tensions (Henchman managed Game; the beef had roots in industry/street rivalries involving Chris Lighty and others)‼️. 50 was not present (he documented being at home), but the incident massively intensified the war‼️. Aftermath that 50 and the crew had to deal with included‼️: - Retaliation attempts, including the shooting of Yayo’s mother’s house (family inside)‼️. - Murder-for-hire plots and attempts targeting G-Unit figures, including reported efforts aimed at 50 (one tied to the “I’ll Still Kill” video set that reportedly failed due to a jammed gun, per Yayo’s later accounts)‼️. - Ongoing violence and legal fallout that stretched for years; Henchman was later convicted in connection with the murder of Lodi Mack and received a life sentence-plus term‼️. 50’s point is that Yayo’s street-level, escalatory style created (or supercharged) conflicts that pulled the whole circle into heavier, more dangerous, and more public “periods” of war that a more restrained approach might have avoided or de-escalated‼️. Yayo’s loyalty and willingness to go hard for the crew is the flip side of the same coin‼️exactly why 50 keeps him close even while half-jokingly (or not) wishing the headaches weren’t part of the package‼️. It’s classic “this n**a is my brother and also the reason we got extra problems‼️

In the remarks, 50 says something to the effect of: Yayo is “the one friend that is like I wish he wasn’t my friend but he’s my best friend type of person,” because “he does that all the time.”‼️ He elaborates that life would be a lot easier without certain problems Yayo causes or escalates‼️. Specifically, 50 notes he “wouldn’t even have to go through my Jimmy Henchman period” if not for Yayo’s actions‼️. He acknowledges Yayo’s heart is in the right place, but “he does cause things… he’s a different animal.”‼️ When Yayo messes up (no matter the size), he quickly says “my bad,” they move on‼️and then it happens again‼️. 50 characterizes the apology as essentially meaning “chill out, let me do that again‼️.” It’s a long-running dynamic they’ve lived with‼️. People (and sometimes the pair themselves in broader G-Unit/Power talk) have compared their bond to "Ghost and Tommy" from "Power"‼️the ultra-loyal, ride-or-die childhood friends from the streets who built something bigger together, stay linked through chaos, violence, and loyalty tests, and where one often has to clean up or absorb the fallout from the other’s hotter, more impulsive moves‼️. 50 (as the more calculated, empire-building figure) maps loosely to Ghost; Yayo (the aggressive, ride-for-the-crew energy who’s always ready) maps to Tommy‼️. The comparison captures the brotherly, non-negotiable loyalty mixed with constant friction and escalation that defines them‼️. "Power" itself is 50’s production vehicle, so the parallel is culturally apt even if not always stated word-for-word in every clip‼️. 50 Cent and Tony Yayo (Marvin Bernard) go back to the late ’90s as Southside Queens street guys who formed G-Unit with Lloyd Banks‼️. Yayo has been one of the most consistent, publicly loyal members through the group’s rise, incarcerations, fallouts, and reunions‼️. 50 has repeatedly put him on (albums, tours, videos, opportunities), and Yayo has stressed lifelong gratitude‼️“never bite the hand that feeds you,” he’d still ride even if 50 dissed him, etc‼️. Their bond is more friendship/street brotherhood than pure business (Yayo has contrasted it with more transactional mentor-protégé setups)‼️. They still appear together, joke, and operate in that G-Unit orbit years later‼️. The major escalation 50 specifically ties to Yayo (and the “Jimmy Henchman period”) is the 2007 assault on Jimmy Henchman’s 14-year-old son‼️. Yayo and associate Lowell “Lodi Mack” Fletcher were involved in confronting/assaulting the teen (reports describe slapping, yelling about Czar Entertainment, and a pistol-whipping element from Fletcher)‼️. This was amid the broader G-Unit vs. The Game / Jimmy Henchman tensions (Henchman managed Game; the beef had roots in industry/street rivalries involving Chris Lighty and others)‼️. 50 was not present (he documented being at home), but the incident massively intensified the war‼️. Aftermath that 50 and the crew had to deal with included‼️: - Retaliation attempts, including the shooting of Yayo’s mother’s house (family inside)‼️. - Murder-for-hire plots and attempts targeting G-Unit figures, including reported efforts aimed at 50 (one tied to the “I’ll Still Kill” video set that reportedly failed due to a jammed gun, per Yayo’s later accounts)‼️. - Ongoing violence and legal fallout that stretched for years; Henchman was later convicted in connection with the murder of Lodi Mack and received a life sentence-plus term‼️. 50’s point is that Yayo’s street-level, escalatory style created (or supercharged) conflicts that pulled the whole circle into heavier, more dangerous, and more public “periods” of war that a more restrained approach might have avoided or de-escalated‼️. Yayo’s loyalty and willingness to go hard for the crew is the flip side of the same coin‼️exactly why 50 keeps him close even while half-jokingly (or not) wishing the headaches weren’t part of the package‼️. It’s classic “this n**a is my brother and also the reason we got extra problems‼️

(st_ides)

114,155 views • 28 days ago

Eminem's comments on Rakim's hiphop with these word; Look — people mix up their favorite rappers with the best rappers all the time‼️. That’s fine‼️. Favorites are personal‼️. But when you talk about who actually moved the needle, who changed what the microphone was even *for*, you keep coming back to the same name‼️. Rakim‼️. Greatness ain’t only how well you do something‼️. It’s if you were the first to do it‼️. He was the first person I ever heard take inside rhyme schemes and treat a bar like it had rooms inside it‼️. He’d start a thought in the middle of the measure, fold a second rhyme underneath it, then come back at the end and *hit* it — like he’d planned the landing from the first syllable‼️. Nobody was thinking in that geometry yet‼️. He just did it‼️. Calm‼️. No yelling‼️. No gimmick‼️. Just a dude from Long Island writing like a saxophone player because that’s how he heard time‼️. That’s the part people still undersell‼️. Before him, a lot of rap was end-rhyme, punch, pose‼️. After *Paid in Full*, the whole craft got denser‼️. Internal rhymes, off-beat placement, ideas that didn’t have to sit on the four‼️. He single-handedly pushed the genre forward to be more complex lyrically — and then Kane and G Rap and the rest of that wave grew out of the space he opened‼️. You can hear the family tree if you listen‼️. I was a sponge for that stuff‼️. Compound syllables, Juice Crew, the guys who treated words like puzzles‼️. Rakim was the one who showed you the puzzle could be three-dimensional‼️. I said it on record: I’m a product of Rakim‼️. That’s not a throwaway line. When I was coming up, every time I thought I’d figured out how far you could stretch a bar, I’d go back to “I Ain’t No Joke” or “Microphone Fiend” or “Follow the Leader” and realize the ceiling was higher than I thought‼️. He made the pen feel like an instrument instead of a weapon you just swing‼️. The confidence was quiet. That’s harder than loud. Anybody can bark‼️. He made you lean in‼️. And the thing is, he never had to chase the moment‼️. The moment chased him‼️. Four albums with Eric B. and the template was already set — how you ride a loop, how you leave space, how you sound like you’re thinking in real time even when every syllable is placed‼️. Later cats interpolated him without even knowing they were doing it‼️. That’s influence that doesn’t need a press cycle‼️. I put him on every list I make because the list without him is incomplete‼️. Not because he sold the most or toured the loudest. Because after him, rappers had to get better or get left‼️. He changed the way people thought about rap. That’s the whole job, if you take the job seriously‼️. The rest of us are still writing in the rooms he built‼️‼️.

Eminem's comments on Rakim's hiphop with these word; Look — people mix up their favorite rappers with the best rappers all the time‼️. That’s fine‼️. Favorites are personal‼️. But when you talk about who actually moved the needle, who changed what the microphone was even for, you keep coming back to the same name‼️. Rakim‼️. Greatness ain’t only how well you do something‼️. It’s if you were the first to do it‼️. He was the first person I ever heard take inside rhyme schemes and treat a bar like it had rooms inside it‼️. He’d start a thought in the middle of the measure, fold a second rhyme underneath it, then come back at the end and hit it — like he’d planned the landing from the first syllable‼️. Nobody was thinking in that geometry yet‼️. He just did it‼️. Calm‼️. No yelling‼️. No gimmick‼️. Just a dude from Long Island writing like a saxophone player because that’s how he heard time‼️. That’s the part people still undersell‼️. Before him, a lot of rap was end-rhyme, punch, pose‼️. After Paid in Full, the whole craft got denser‼️. Internal rhymes, off-beat placement, ideas that didn’t have to sit on the four‼️. He single-handedly pushed the genre forward to be more complex lyrically — and then Kane and G Rap and the rest of that wave grew out of the space he opened‼️. You can hear the family tree if you listen‼️. I was a sponge for that stuff‼️. Compound syllables, Juice Crew, the guys who treated words like puzzles‼️. Rakim was the one who showed you the puzzle could be three-dimensional‼️. I said it on record: I’m a product of Rakim‼️. That’s not a throwaway line. When I was coming up, every time I thought I’d figured out how far you could stretch a bar, I’d go back to “I Ain’t No Joke” or “Microphone Fiend” or “Follow the Leader” and realize the ceiling was higher than I thought‼️. He made the pen feel like an instrument instead of a weapon you just swing‼️. The confidence was quiet. That’s harder than loud. Anybody can bark‼️. He made you lean in‼️. And the thing is, he never had to chase the moment‼️. The moment chased him‼️. Four albums with Eric B. and the template was already set — how you ride a loop, how you leave space, how you sound like you’re thinking in real time even when every syllable is placed‼️. Later cats interpolated him without even knowing they were doing it‼️. That’s influence that doesn’t need a press cycle‼️. I put him on every list I make because the list without him is incomplete‼️. Not because he sold the most or toured the loudest. Because after him, rappers had to get better or get left‼️. He changed the way people thought about rap. That’s the whole job, if you take the job seriously‼️. The rest of us are still writing in the rooms he built‼️‼️.

(st_ides)

27,522 views • 10 days ago

Faith Evans’ consistent narrative is that nothing sexual happened with 2Pac‼️; she has always denied sleeping with him‼️. Her fullest account appears in her 2008 memoir Keep the Faith and later interviews (including with VladTV)‼️. According to her⁉️: - She met Tupac at a club in Los Angeles (introduced via Treach of Naughty by Nature) shortly after his prison release‼️. He flattered her about her music and asked her to sing on a track‼️. - She claims she did not know he was signed to Death Row (rival to Bad Boy) until she arrived at the studio (Can-Am) and saw Death Row affiliates‼️. She has said she got Biggie’s okay for the collab and was focused on getting paid‼️. - She recorded the chorus for “Wonda Why They Call U Bitch” (from All Eyez on Me)‼️. After the session she was owed money (she has cited figures like $25,000 in some accounts)‼️. Tupac said the payment would come at his hotel (the Peninsula)‼️. - At the hotel, after others left, his demeanor changed‼️. He referenced the Quad Studios shooting (“niggas set me up that night”), said something to the effect of “If I give it to you, then you my bitch,” and propositioned her for oral sex in what she described as a “very surprising and offensive way.”‼️ She viewed it as a setup/plan‼️. She refused, left without the money, and has always maintained they never had sex‼️. In a 1996 Video Music Box interview (around the time of the beef), she also denied any involvement and called Tupac’s stories concocted‼️. She has repeatedly framed herself as used as a pawn in the East-West/Bad Boy–Death Row conflict‼️. 2Pac told a completely different story‼️. He publicly claimed they had sex and used it as a weapon against Biggie‼️. The most famous version is on the 1996 diss track “Hit ’Em Up”: “You claim to be a player, but I fucked your wife…” (and related lines about “that’s why I fucked your bitch, you fat motherfucker”)‼️. In interviews he was more coy but clearly leaned into the claim‼️. In the February 1996 Vibe interview with Kevin Powell (the “Live from Death Row” cover story), when asked about rumors of spending time with Faith outside the studio, he responded along the lines of “You mean the rumor that I fucked her⁉️” with laughter, and elsewhere said things like “I don’t kiss and tell” while an anonymous source in the piece described them as “very, very close.”‼️ A New York Times Magazine profile of Suge Knight around the same period included Suge teasing Pac about a shirt supposedly from Faith and Pac responding in a salacious tone that he “did enough.”‼️ Multiple people close to Tupac (cousins, associates like Desiree Smith, Dru Down, producers, and others who have spoken over the years) have said he told them privately that he slept with her‼️sometimes framing it as revenge after the Quad shooting, sometimes as something that happened after the studio session or hotel visit‼️. Accounts vary on exact details and timing, and some conflict with Faith’s timeline (e.g., claims she came to the hotel more willingly or in disguise, or that contact continued afterward)‼️. Faith has always rejected these as lies or exaggerations used to escalate the beef‼️. In short: Faith’s version is a professional collab that turned into an unwanted sexual proposition she rejected, with no sex occurring‼️. Tupac’s version (in lyrics, interviews, and private claims relayed by others) is that they did have sex, which he then publicly weaponized against Biggie‼️. The contradiction is direct and has never been reconciled; it remains one of the most contested personal elements of the East-West Coast feud‼️💯.

(st_ides)

124,188 views • 20 days ago

Chris Williamson says the anti-family message is one of the reasons women no longer want to have children "There's a girl with a list on TikTok who wrote 350 reasons not to have kids, like 8 pages long, and it went super viral. It's everything from 'literally a parasite growing inside of your body' to 'can't wear cute heels with the girls,' 'will have to miss brunch,' and all of the different issues that can occur during childbirth." "By the sound of things, it is a really good idea that she's not a mother, and I'm glad that she's choosing not to have kids. But that tone is prevalent because people see, 'This is what I have to sacrifice now: pain, discomfort, lack of freedom for something that I have no idea about, whether or not it's going to make me satisfied in the future.'"

Chris Williamson says the anti-family message is one of the reasons women no longer want to have children "There's a girl with a list on TikTok who wrote 350 reasons not to have kids, like 8 pages long, and it went super viral. It's everything from 'literally a parasite growing inside of your body' to 'can't wear cute heels with the girls,' 'will have to miss brunch,' and all of the different issues that can occur during childbirth." "By the sound of things, it is a really good idea that she's not a mother, and I'm glad that she's choosing not to have kids. But that tone is prevalent because people see, 'This is what I have to sacrifice now: pain, discomfort, lack of freedom for something that I have no idea about, whether or not it's going to make me satisfied in the future.'"

Fibonacci 🥷

66,912 views • 3 months ago

How they got here⁉️ I gat you‼️ Nore and Vlad go back to the late 2000s. Nore did a pile of VladTV interviews. Even in 2009 he was calling Vlad an instigator; Vlad’s answer then is the same one he uses now — public comments are journalism, private gossip is instigating‼️. The first real public freeze was November 2020‼️. After Vlad’s comments about Louis Farrakhan, Nore asked him to pull every Nore clip off the channel. “He disrespected hip-hop… he didn’t say sorry.”‼️ They thawed it on camera in March 2024. Vlad sat on Drink Champs. Nore introduced him as a media pioneer‼️. Vlad’s version of the deal: I do your show, you do mine‼️. Nore later agreed to a VladTV sit-down, then stalled, then never showed‼️. That is the fuse‼️. What started this round⁉️ Vlad went on Akademiks in August 2026 and said it out loud‼️. He did the three-hour Drink Champs episode, then got the runaround when it was time for Nore to sit on VladTV‼️. “Nore is about Nore. His word don’t mean ish. He’s a snake.”‼️ He also said they argued, Nore told him “call me the n-word, I know you want to,” and Vlad answered that he has more Black kids than Nore does‼️. Nore’s reply⁉️ Nore did not deny the agreement. He claimed the flake‼️. “I don’t front everybody. I fronted on you.” Then the line that traveled: “I did to you what you do to our culture. I bent you over and I fucked you.” Grown man. Right to change his mind. “I don’t like you.”‼️ He stacked three extra charges: Vlad “tried to put Rick Ross in jail” (the 2008 civil suit after the Ozone Awards fight — a jury later awarded Vlad $300k); Vlad lives off “Black drama” and is “Jerry Springer now”; having Black kids does not get you into the cookout‼️. Closer: “I played the game that you been playing for years. Welcome to the party.”‼️ Vlad’s reply⁉️ First the X post after vacation: he’s back, “I’m about to fuck shit up. Starting with Nore’s bitch ass. Get your popcorn ready.”‼️ Then the August 31 response video with Charleston White‼️. His frame is professionalism, not culture war. Nore confirmed the flake on camera — that is the case‼️. A 2008 civil lawsuit is not snitching and does not put anyone in jail‼️. Nore’s 2026 interview is not a prize; Vlad says he wanted the word kept. He claims other guests got the same treatment: do Drink Champs, then get ghosted when they ask Nore to return the favor‼️. He treats the “I bent you over like you bent the culture” line as cover for a broken handshake‼️. In summary⁉️ This is Old tension + 2020 freeze + 2024 makeup episode with a swap that never happened + Vlad calling Nore a snake + Nore turning the no-show into a cultural payback speech + Vlad answering that the speech is cove‼️r. Still live. Vlad promised more‼️. Nore already said he is not doing the interview‼️. One to watch‼️💯

How they got here⁉️ I gat you‼️ Nore and Vlad go back to the late 2000s. Nore did a pile of VladTV interviews. Even in 2009 he was calling Vlad an instigator; Vlad’s answer then is the same one he uses now — public comments are journalism, private gossip is instigating‼️. The first real public freeze was November 2020‼️. After Vlad’s comments about Louis Farrakhan, Nore asked him to pull every Nore clip off the channel. “He disrespected hip-hop… he didn’t say sorry.”‼️ They thawed it on camera in March 2024. Vlad sat on Drink Champs. Nore introduced him as a media pioneer‼️. Vlad’s version of the deal: I do your show, you do mine‼️. Nore later agreed to a VladTV sit-down, then stalled, then never showed‼️. That is the fuse‼️. What started this round⁉️ Vlad went on Akademiks in August 2026 and said it out loud‼️. He did the three-hour Drink Champs episode, then got the runaround when it was time for Nore to sit on VladTV‼️. “Nore is about Nore. His word don’t mean ish. He’s a snake.”‼️ He also said they argued, Nore told him “call me the n-word, I know you want to,” and Vlad answered that he has more Black kids than Nore does‼️. Nore’s reply⁉️ Nore did not deny the agreement. He claimed the flake‼️. “I don’t front everybody. I fronted on you.” Then the line that traveled: “I did to you what you do to our culture. I bent you over and I fucked you.” Grown man. Right to change his mind. “I don’t like you.”‼️ He stacked three extra charges: Vlad “tried to put Rick Ross in jail” (the 2008 civil suit after the Ozone Awards fight — a jury later awarded Vlad $300k); Vlad lives off “Black drama” and is “Jerry Springer now”; having Black kids does not get you into the cookout‼️. Closer: “I played the game that you been playing for years. Welcome to the party.”‼️ Vlad’s reply⁉️ First the X post after vacation: he’s back, “I’m about to fuck shit up. Starting with Nore’s bitch ass. Get your popcorn ready.”‼️ Then the August 31 response video with Charleston White‼️. His frame is professionalism, not culture war. Nore confirmed the flake on camera — that is the case‼️. A 2008 civil lawsuit is not snitching and does not put anyone in jail‼️. Nore’s 2026 interview is not a prize; Vlad says he wanted the word kept. He claims other guests got the same treatment: do Drink Champs, then get ghosted when they ask Nore to return the favor‼️. He treats the “I bent you over like you bent the culture” line as cover for a broken handshake‼️. In summary⁉️ This is Old tension + 2020 freeze + 2024 makeup episode with a swap that never happened + Vlad calling Nore a snake + Nore turning the no-show into a cultural payback speech + Vlad answering that the speech is cove‼️r. Still live. Vlad promised more‼️. Nore already said he is not doing the interview‼️. One to watch‼️💯

(st_ides)

317,201 views • 13 days ago

‼️‼️‼️🇮🇷 It turns out that the Iranian police and regime security forces, including fighters from the Islamic Revolutionary Guard Corps, after completely shutting down the internet and all communication means across the country yesterday, set up a real slaughter against the protesters. 🇮🇷 Here is what opposition journalist Ilia Hashemi writes: 📌 "Based on conversations with eyewitnesses and a surgeon from one of Tehran's hospitals, I can confirm that the number of deaths in Karaj and Shahriar last night in Tehran is significantly high." 🥼 "According to the surgeon, who was in the operating room all night, the number of killed protesters is greater than the number of people who died during the 12-day war with Israel in June 2025." 🔹 Last year, over 1,000 Iranians officially died in the war with Israel... ▪️ According to reports, Iranian military used not only automatic rifles but also machine guns and sniper rifles during the bloody crackdowns on protesters last night... 🟥 Iran's Foreign Minister Abbas Araghchi states that the violent protests in Iran are backed by the US and Israel. See the latest updates with us: Visioner

‼️‼️‼️🇮🇷 It turns out that the Iranian police and regime security forces, including fighters from the Islamic Revolutionary Guard Corps, after completely shutting down the internet and all communication means across the country yesterday, set up a real slaughter against the protesters. 🇮🇷 Here is what opposition journalist Ilia Hashemi writes: 📌 "Based on conversations with eyewitnesses and a surgeon from one of Tehran's hospitals, I can confirm that the number of deaths in Karaj and Shahriar last night in Tehran is significantly high." 🥼 "According to the surgeon, who was in the operating room all night, the number of killed protesters is greater than the number of people who died during the 12-day war with Israel in June 2025." 🔹 Last year, over 1,000 Iranians officially died in the war with Israel... ▪️ According to reports, Iranian military used not only automatic rifles but also machine guns and sniper rifles during the bloody crackdowns on protesters last night... 🟥 Iran's Foreign Minister Abbas Araghchi states that the violent protests in Iran are backed by the US and Israel. See the latest updates with us: Visioner

Visioner

491,323 views • 8 months ago

Every year someone names a new bottleneck for AI compute scaling. Dylan Patel on why power isn't gonna be the big one over the next few years: fundamentally there's many different ways to generate power (rather than just one company that can produce the EUV tools needed for the chips themselves) and the supply chains are simpler and easier to ramp. You can do jet engines bolted to the ground. Ship engines. Diesel recips from auto manufacturers with declining volumes. Fuel cells. Each category alone delivers tens of gigawatts by end of decade. Combined, hundreds. Even if energy costs double, a GPU goes from $1.40/hr to $1.50/hr. Nobody notices a dime when the models are improving so fast the value dwarfs the cost. Even if you don't add more power, but simply add more batteries, you can unlock 20% more of the US's terawatt scale power grid. This is because grid utilities want to make sure they're sized for peak summer load that hits a few hours a year. With enough batteries, you can make this guarantee, even without turning on more power plants! Fundamentally, there's a lot of different ways to bring power online over the next few years. Building more logic and memory is far more difficult and centralized, so that's where Dylan thinks the bottleneck will be.

Every year someone names a new bottleneck for AI compute scaling. Dylan Patel on why power isn't gonna be the big one over the next few years: fundamentally there's many different ways to generate power (rather than just one company that can produce the EUV tools needed for the chips themselves) and the supply chains are simpler and easier to ramp. You can do jet engines bolted to the ground. Ship engines. Diesel recips from auto manufacturers with declining volumes. Fuel cells. Each category alone delivers tens of gigawatts by end of decade. Combined, hundreds. Even if energy costs double, a GPU goes from $1.40/hr to $1.50/hr. Nobody notices a dime when the models are improving so fast the value dwarfs the cost. Even if you don't add more power, but simply add more batteries, you can unlock 20% more of the US's terawatt scale power grid. This is because grid utilities want to make sure they're sized for peak summer load that hits a few hours a year. With enough batteries, you can make this guarantee, even without turning on more power plants! Fundamentally, there's a lot of different ways to bring power online over the next few years. Building more logic and memory is far more difficult and centralized, so that's where Dylan thinks the bottleneck will be.

Dwarkesh Patel

214,172 views • 5 months ago