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ะ—ะฐะณั€ัƒะทะบะฐ ะฒะธะดะตะพ...

ะะต ัƒะดะฐะปะพััŒ ะทะฐะณั€ัƒะทะธั‚ัŒ ะฒะธะดะตะพ

ะะฐ ะณะปะฐะฒะฝัƒัŽ

๐—ฆ๐˜‚๐—ฐ๐—ฐ๐˜‚๐—ฏ๐˜‚๐˜€ ๐——๐˜‚๐—ป๐—ด๐—ฒ๐—ผ๐—ป - ๐—–๐—ฌ๐—ข๐—” - ๐Ÿฏ Previous post: Sylvia! Indecisive ๐˜ข๐˜จ๐˜ข๐˜ช๐˜ฏ~ Mind torn between defense and surrender๐Ÿคญ "What's wrong, cute thing?~" The succubus teases. "Can't handle my nice hands on your soft tits?" You begin muttering an incantation to dispel the charm, the arcane leaves your body... [ ๐— ๐—”๐—ก๐—”...

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ะะตั‚ ะดะพัั‚ัƒะฟะฝั‹ั… ะบะพะผะผะตะฝั‚ะฐั€ะธะตะฒ

ะ—ะดะตััŒ ะฟะพัะฒัั‚ัั ะบะพะผะผะตะฝั‚ะฐั€ะธะธ ะธะท ะพั€ะธะณะธะฝะฐะปัŒะฝะพะณะพ ะฟะพัั‚ะฐ

ะŸะพั…ะพะถะธะต ะฒะธะดะตะพ

Vayne takes you on a hunt. you don't know why. she doesn't take anyone. she says stay behind me. don't speak unless i speak first. don't make a sound when we move. you say yes. she looks at you for a second longer than usual. "if i tell you to run, you run. you don't look back for me. are we clear" you say yes. she doesn't answer. she just turns and walks out the door. you follow her through the city streets. she moves different when she's working. shoulders lower. steps shorter. her head doesn't turn but her eyes do. you can feel her cataloguing everything. the man smoking outside the tavern. the cat under the cart. the second floor window with the curtain half drawn. she leads you through an alley you didn't know existed. stops at a brick wall. then she climbs. there are handholds carved into the mortar that you wouldn't have noticed if she hadn't used them first. she's halfway up before she realizes you're still at the bottom. she looks down at you. "up" you climb. your hands are shaking by the time you reach the top. the roof is flat. old clay tiles along the edges. a low wall you can crouch behind. the city stretches out below you in every direction. a thousand windows glowing gold in the dusk. she's already at the far side. crouched. crossbow unslung. watching a building across the square. she doesn't look at you when you come up beside her. "stay low" you crouch. "that building. third floor. second window from the left" you look. "i see it" he'll come to that window sometime tonight. i've watched him do it for three nights. i want to know who he meets you ask who he is. her jaw tightens. "a demon pretending to be a man" you don't ask what that means. you settle in beside her. the wind is up here. it pulls at her hair and she doesn't bother fixing it. the sun is going down behind her. her profile in the gold light looks like something carved. her hands on the crossbow are steady. completely still. you've never seen anyone be this still. an hour passes. she doesn't move. you try not to move. your leg falls asleep. you shift an inch. she looks at you. you go completely still again. she looks back at the window. another hour. the sun is gone. the city is blue and black. lamps are lighting up one by one. the air is getting cold. you're shivering before you realize you're shivering. she notices. she doesn't say anything. then she takes off her cloak. doesn't look at you. holds it out to the side. "take it" you say "you'll be cold" "i don't get cold. take it" you take it. it's warm from her. it smells like leather and steel and something underneath. pine. smoke. something you can't name. you put it around your shoulders. the hem pools on the tile. it's huge on you. it's not huge on her. you hadn't realized how tall she is until you were wearing her cloak. she doesn't look at you for the next ten minutes. the stars come out. she shifts closer to you. just a little. so her shoulder is almost touching yours. you don't say anything about it. she doesn't either. you can feel the heat coming off her even through the cloak. another hour. still nothing at the window. she says "tell me something" you blink. "what" "anything. i need to stay sharp. talking keeps me sharp. not about the target. something else" you didn't expect that. you tell her about a book you've been reading. she listens. actually listens. her eyes never leave the window but you can tell she's hearing every word. she asks one question. you answer. she goes quiet again. you keep talking. quieter now. she interrupts you. "shh" she's not looking at the window anymore. she's looking at the roof two buildings over. you don't see anything. you don't see anything for a long time. then you do. a shadow that moves the wrong way. her hand finds yours. she doesn't look at you when she does it. her eyes don't leave the shadow. her fingers lace through yours and LOCK. tight. too tight. knuckles going white around your hand. "don't move" she breathes. you don't move. you can feel every ounce of her focus through her grip. it's not a lover's hold. it's a predator's. every muscle in her hand coiled. ready to drop yours the instant she needs the crossbow. she's not holding you for you. she's holding you to keep track of where you are without having to look. it should scare you. it doesn't. there is something about being held that tight by someone that dangerous that makes the rest of the world go quiet. your heartbeat slows. your breathing slows. the cold stops mattering. you are not the one hunting but you are with the one who is. and nothing is going to get through her to reach you. the shadow crosses the roof and disappears into a stairwell. she watches the spot it left for another full minute. her hand is still locked around yours. she doesn't loosen it. you don't want her to. finally she lets out a breath you didn't know she was holding. "not him. but someone who works for him" her grip eases. slowly. finger by finger. like she's having to consciously tell each one to let go. the last one is her thumb. it stays against your palm for half a second longer than the rest. then she takes her hand back. the cold rushes in where she was. she glances at you. just for a second. then she looks back at the window. the rest of the night she's quieter than before. the target never shows. when the sky starts turning grey she stands up. stretches. rolls her shoulders. looks out over the city one last time. "we're done" you stand too. your legs don't work right. she catches your elbow without looking. "careful" she keeps her hand there until you're steady. then she takes it away. you start to hand her cloak back. she says "keep it for the climb down" she goes first. you follow. the handholds are easier going down once you know where they are. when you're both on the ground she turns to take the cloak. you hand it to her. her fingers brush yours. she doesn't pull back as fast as she usually does. she puts the cloak back on. it's warm now. from you. she has to notice. she doesn't say anything about it. she walks you home. at your door she stops. "don't tell anyone what you saw tonight" you say "i didn't see much" she looks at you. her eyes in the lamplight. the edge of her mouth. almost softer than it should be. "you saw enough" then she turns and walks back into the dark. you close the door. your hand still feels cold where hers was. you can still smell pine on your shirt. you don't sleep. Study the Saskio way
8:09

Vayne takes you on a hunt. you don't know why. she doesn't take anyone. she says stay behind me. don't speak unless i speak first. don't make a sound when we move. you say yes. she looks at you for a second longer than usual. "if i tell you to run, you run. you don't look back for me. are we clear" you say yes. she doesn't answer. she just turns and walks out the door. you follow her through the city streets. she moves different when she's working. shoulders lower. steps shorter. her head doesn't turn but her eyes do. you can feel her cataloguing everything. the man smoking outside the tavern. the cat under the cart. the second floor window with the curtain half drawn. she leads you through an alley you didn't know existed. stops at a brick wall. then she climbs. there are handholds carved into the mortar that you wouldn't have noticed if she hadn't used them first. she's halfway up before she realizes you're still at the bottom. she looks down at you. "up" you climb. your hands are shaking by the time you reach the top. the roof is flat. old clay tiles along the edges. a low wall you can crouch behind. the city stretches out below you in every direction. a thousand windows glowing gold in the dusk. she's already at the far side. crouched. crossbow unslung. watching a building across the square. she doesn't look at you when you come up beside her. "stay low" you crouch. "that building. third floor. second window from the left" you look. "i see it" he'll come to that window sometime tonight. i've watched him do it for three nights. i want to know who he meets you ask who he is. her jaw tightens. "a demon pretending to be a man" you don't ask what that means. you settle in beside her. the wind is up here. it pulls at her hair and she doesn't bother fixing it. the sun is going down behind her. her profile in the gold light looks like something carved. her hands on the crossbow are steady. completely still. you've never seen anyone be this still. an hour passes. she doesn't move. you try not to move. your leg falls asleep. you shift an inch. she looks at you. you go completely still again. she looks back at the window. another hour. the sun is gone. the city is blue and black. lamps are lighting up one by one. the air is getting cold. you're shivering before you realize you're shivering. she notices. she doesn't say anything. then she takes off her cloak. doesn't look at you. holds it out to the side. "take it" you say "you'll be cold" "i don't get cold. take it" you take it. it's warm from her. it smells like leather and steel and something underneath. pine. smoke. something you can't name. you put it around your shoulders. the hem pools on the tile. it's huge on you. it's not huge on her. you hadn't realized how tall she is until you were wearing her cloak. she doesn't look at you for the next ten minutes. the stars come out. she shifts closer to you. just a little. so her shoulder is almost touching yours. you don't say anything about it. she doesn't either. you can feel the heat coming off her even through the cloak. another hour. still nothing at the window. she says "tell me something" you blink. "what" "anything. i need to stay sharp. talking keeps me sharp. not about the target. something else" you didn't expect that. you tell her about a book you've been reading. she listens. actually listens. her eyes never leave the window but you can tell she's hearing every word. she asks one question. you answer. she goes quiet again. you keep talking. quieter now. she interrupts you. "shh" she's not looking at the window anymore. she's looking at the roof two buildings over. you don't see anything. you don't see anything for a long time. then you do. a shadow that moves the wrong way. her hand finds yours. she doesn't look at you when she does it. her eyes don't leave the shadow. her fingers lace through yours and LOCK. tight. too tight. knuckles going white around your hand. "don't move" she breathes. you don't move. you can feel every ounce of her focus through her grip. it's not a lover's hold. it's a predator's. every muscle in her hand coiled. ready to drop yours the instant she needs the crossbow. she's not holding you for you. she's holding you to keep track of where you are without having to look. it should scare you. it doesn't. there is something about being held that tight by someone that dangerous that makes the rest of the world go quiet. your heartbeat slows. your breathing slows. the cold stops mattering. you are not the one hunting but you are with the one who is. and nothing is going to get through her to reach you. the shadow crosses the roof and disappears into a stairwell. she watches the spot it left for another full minute. her hand is still locked around yours. she doesn't loosen it. you don't want her to. finally she lets out a breath you didn't know she was holding. "not him. but someone who works for him" her grip eases. slowly. finger by finger. like she's having to consciously tell each one to let go. the last one is her thumb. it stays against your palm for half a second longer than the rest. then she takes her hand back. the cold rushes in where she was. she glances at you. just for a second. then she looks back at the window. the rest of the night she's quieter than before. the target never shows. when the sky starts turning grey she stands up. stretches. rolls her shoulders. looks out over the city one last time. "we're done" you stand too. your legs don't work right. she catches your elbow without looking. "careful" she keeps her hand there until you're steady. then she takes it away. you start to hand her cloak back. she says "keep it for the climb down" she goes first. you follow. the handholds are easier going down once you know where they are. when you're both on the ground she turns to take the cloak. you hand it to her. her fingers brush yours. she doesn't pull back as fast as she usually does. she puts the cloak back on. it's warm now. from you. she has to notice. she doesn't say anything about it. she walks you home. at your door she stops. "don't tell anyone what you saw tonight" you say "i didn't see much" she looks at you. her eyes in the lamplight. the edge of her mouth. almost softer than it should be. "you saw enough" then she turns and walks back into the dark. you close the door. your hand still feels cold where hers was. you can still smell pine on your shirt. you don't sleep. Study the Saskio way

Tony Chau

11,734 ะฟั€ะพัะผะพั‚ั€ะพะฒ โ€ข 2 ะผะตััั†ะตะฒ ะฝะฐะทะฐะด

Hereโ€™s all you have to do when a girl compliments you: She says, โ€œYouโ€™re so funny/handsome/cool/sexy/hot/whatever.โ€ You say, โ€œThanks! [pause] You know, we donโ€™t hang out enough!โ€ Super low pressure, super rejection-resistant. Super EASY for her to agree with โœ… After she AGREES that the two of you do not hang out enough, you say: โ€œCool. Hey, let me get your number. Letโ€™s get a bite or a drink this week or next.โ€ It doesnโ€™t matter if you think: โ€ข Sheโ€™s just being friendly โ€ข Sheโ€™s just being nice โ€ข Itโ€™s some kind of prank or whatever You still do the same thing anyway. Follow the PROCESS, and override your doubts or insecurities. (Men miss roughly 50% of the flirting women do.) If itโ€™s one of those, she either a.) wonโ€™t be at all excited when you say the two of you donโ€™t hang out enough, or b.) will wiggle out of giving you her number (e.g., โ€œHow about I give you my Instagram?โ€ โ†’ thatโ€™s a polite rejection). No skin off your nose. But if she IS interested, now youโ€™ve just gotten yourself a date. WHAT IF ITโ€™S A RANDOM GIRL YOU DONโ€™T KNOW? In this case, you just do this: HER: โ€œYouโ€™re so funny/handsome/cool/sexy/hot/whatever.โ€ YOU: โ€œThanks. I can see you have excellent taste.โ€ HER: โ€œHaha / whatever.โ€ YOU: โ€œI like people with good taste. We should hang out.โ€ Then you just do the rest the same as above. Just remember: You do this no matter what your โ€˜gutโ€™ tells you (โ€œSheโ€™s probably just being niceโ€ฆโ€), because your โ€˜gutโ€™ is often WRONG!
0:20

Hereโ€™s all you have to do when a girl compliments you: She says, โ€œYouโ€™re so funny/handsome/cool/sexy/hot/whatever.โ€ You say, โ€œThanks! [pause] You know, we donโ€™t hang out enough!โ€ Super low pressure, super rejection-resistant. Super EASY for her to agree with โœ… After she AGREES that the two of you do not hang out enough, you say: โ€œCool. Hey, let me get your number. Letโ€™s get a bite or a drink this week or next.โ€ It doesnโ€™t matter if you think: โ€ข Sheโ€™s just being friendly โ€ข Sheโ€™s just being nice โ€ข Itโ€™s some kind of prank or whatever You still do the same thing anyway. Follow the PROCESS, and override your doubts or insecurities. (Men miss roughly 50% of the flirting women do.) If itโ€™s one of those, she either a.) wonโ€™t be at all excited when you say the two of you donโ€™t hang out enough, or b.) will wiggle out of giving you her number (e.g., โ€œHow about I give you my Instagram?โ€ โ†’ thatโ€™s a polite rejection). No skin off your nose. But if she IS interested, now youโ€™ve just gotten yourself a date. WHAT IF ITโ€™S A RANDOM GIRL YOU DONโ€™T KNOW? In this case, you just do this: HER: โ€œYouโ€™re so funny/handsome/cool/sexy/hot/whatever.โ€ YOU: โ€œThanks. I can see you have excellent taste.โ€ HER: โ€œHaha / whatever.โ€ YOU: โ€œI like people with good taste. We should hang out.โ€ Then you just do the rest the same as above. Just remember: You do this no matter what your โ€˜gutโ€™ tells you (โ€œSheโ€™s probably just being niceโ€ฆโ€), because your โ€˜gutโ€™ is often WRONG!

Girls Chase ๐Ÿƒโ€โ™€๏ธ๐Ÿ’จ

350,324 ะฟั€ะพัะผะพั‚ั€ะพะฒ โ€ข 6 ะผะตััั†ะตะฒ ะฝะฐะทะฐะด

Friendzoned & Feminized - Cuยขky J0I for Betas You finally work up the courage to ask out the hot girl in your friend group; but when she cruelly turns you down, mocking you & laughing, you canโ€™t help but throb - the humiliation turns you on when it comes from a vixen like her. She puts you in your place & then explains she has a date with a real man, an Alpha. She makes you stroke, staring at the lxngerie sheโ€™s gonna wear for him, explaining all the differences between you & Chad. You see her face light up with another cruel idea, sheโ€™s gonna feminize you & ur inferior pxnis to ensure you never get confused between betas like you & Alphas like Chad again. You want her so bad, but somehow the denial is hotter. Knowing what a real man is gonna do to her makes you want to explode. How easily she bossed you around and degraded you makes you love her more. She takes a quick picture of you in your exposed, humiliated state to make sure the other girls in your friend group never give you a chance. She continues to makes you j-rk, brining you into a gooned frenzy, before telling you that youโ€™re gonna have to wait around for her all night while sheโ€™s busy getting fxยขked by Alpha. Your cuยขky, feminized ยขlitty ยขums last. Youโ€™re even lower than the friendzone, youโ€™ve been demoted to the girl-friend zone.
0:29

Friendzoned & Feminized - Cuยขky J0I for Betas You finally work up the courage to ask out the hot girl in your friend group; but when she cruelly turns you down, mocking you & laughing, you canโ€™t help but throb - the humiliation turns you on when it comes from a vixen like her. She puts you in your place & then explains she has a date with a real man, an Alpha. She makes you stroke, staring at the lxngerie sheโ€™s gonna wear for him, explaining all the differences between you & Chad. You see her face light up with another cruel idea, sheโ€™s gonna feminize you & ur inferior pxnis to ensure you never get confused between betas like you & Alphas like Chad again. You want her so bad, but somehow the denial is hotter. Knowing what a real man is gonna do to her makes you want to explode. How easily she bossed you around and degraded you makes you love her more. She takes a quick picture of you in your exposed, humiliated state to make sure the other girls in your friend group never give you a chance. She continues to makes you j-rk, brining you into a gooned frenzy, before telling you that youโ€™re gonna have to wait around for her all night while sheโ€™s busy getting fxยขked by Alpha. Your cuยขky, feminized ยขlitty ยขums last. Youโ€™re even lower than the friendzone, youโ€™ve been demoted to the girl-friend zone.

Mistress Avalon โค๏ธŽ LADominaXoX

20,566 ะฟั€ะพัะผะพั‚ั€ะพะฒ โ€ข 14 ะดะฝะตะน ะฝะฐะทะฐะด

Megyn Kelly rips into idiotic LA Mayor Karen Bass by declaring she is 'too stupid' to lead: Karen Bass: "All of this can be found at URL." Megyn Kelly: "She is too stupid to be the mayor of Los Angeles. She is too stupid to be in public office. You failed, madam. You failed. You were too dumb to realize that URL was a placeholder. And then to actually look to your team and say, What is the URL? You are a moron. And I am sorry for our friends in Los Angeles who don't deserve this. I realize they voted for this woman, but I'm going to assume they thought she had two nickels to rub together in between her ears. Live and learn. She's too dumb to be your leader." Karen Bass is so stupid she couldnโ€™t pour water out of a boot with instructions on the heel.
4:29

Megyn Kelly rips into idiotic LA Mayor Karen Bass by declaring she is 'too stupid' to lead: Karen Bass: "All of this can be found at URL." Megyn Kelly: "She is too stupid to be the mayor of Los Angeles. She is too stupid to be in public office. You failed, madam. You failed. You were too dumb to realize that URL was a placeholder. And then to actually look to your team and say, What is the URL? You are a moron. And I am sorry for our friends in Los Angeles who don't deserve this. I realize they voted for this woman, but I'm going to assume they thought she had two nickels to rub together in between her ears. Live and learn. She's too dumb to be your leader." Karen Bass is so stupid she couldnโ€™t pour water out of a boot with instructions on the heel.

Eric Abbenante

560,844 ะฟั€ะพัะผะพั‚ั€ะพะฒ โ€ข 1 ะณะพะด ะฝะฐะทะฐะด

โ€œYou donโ€™t really need the window seatโ€ฆ do you?โ€ A woman boards her flight out of Newark, ready for a caylm trip; she even paid extra for a window seat. But when she gets thereโ€ฆ someone else is already sitting in it. She politely says, โ€œHey, I think thatโ€™s my seat.โ€ The woman looks at her and goes, *โ€œWellโ€ฆ do you really need it?โ€* The AUDACITY. After a little back-and-forth, the seat thief finally moves; but the story doesnโ€™t end there. She leaves her bagโ€ฆ under the rightful passengerโ€™s seat. So now not only did she try to steal the seat; sheโ€™s claiming the legroom too. When asked to move it? She refuses. Straight up: *โ€œThe bagโ€™s staying.โ€* At this point, a flight attendant steps in and shuts it ALL the way down: โ€œNope. Not your seat, not your space. And no; weโ€™re not putting your bag up for you. You can do it yourself.โ€ People will really try you over a seat they didnโ€™t even pay forโ€ฆ and then double down like theyโ€™re entitled to your space too. If you were in that situationโ€ฆ would you have handled it calmly like she did, or would you have lost your patience the second they said โ€œdo you really need it?โ€
2:38

โ€œYou donโ€™t really need the window seatโ€ฆ do you?โ€ A woman boards her flight out of Newark, ready for a caylm trip; she even paid extra for a window seat. But when she gets thereโ€ฆ someone else is already sitting in it. She politely says, โ€œHey, I think thatโ€™s my seat.โ€ The woman looks at her and goes, *โ€œWellโ€ฆ do you really need it?โ€* The AUDACITY. After a little back-and-forth, the seat thief finally moves; but the story doesnโ€™t end there. She leaves her bagโ€ฆ under the rightful passengerโ€™s seat. So now not only did she try to steal the seat; sheโ€™s claiming the legroom too. When asked to move it? She refuses. Straight up: *โ€œThe bagโ€™s staying.โ€* At this point, a flight attendant steps in and shuts it ALL the way down: โ€œNope. Not your seat, not your space. And no; weโ€™re not putting your bag up for you. You can do it yourself.โ€ People will really try you over a seat they didnโ€™t even pay forโ€ฆ and then double down like theyโ€™re entitled to your space too. If you were in that situationโ€ฆ would you have handled it calmly like she did, or would you have lost your patience the second they said โ€œdo you really need it?โ€

Dr.L

526,306 ะฟั€ะพัะผะพั‚ั€ะพะฒ โ€ข 3 ะผะตััั†ะตะฒ ะฝะฐะทะฐะด

A fan who is also a singer has just paid tribute to ROSALรA live on the show. She handed her a flash drive containing her songs and thanked the artist for inspiring her and for being a reference for smaller singers like herself, giving them faith that they, too, can achieve worldwide success. โ€œThank you. Thank you so, so much. No, I donโ€™t have a reference. I donโ€™t have a greater reference than you in music. You are the most personified expression of art that exists, and I thank you with all my heart for what you do, for your music, for your art, for saving so many lives with your music. Iโ€™m incredibly grateful. Thanks to you, many artists believe that one day they can reach so many people, attract as much attention as you do, with such honesty and sincerity. I brought you a flash drive with my musicโ€”bold as I amโ€”and this is my moment to give it to you.โ€
1:21

A fan who is also a singer has just paid tribute to ROSALรA live on the show. She handed her a flash drive containing her songs and thanked the artist for inspiring her and for being a reference for smaller singers like herself, giving them faith that they, too, can achieve worldwide success. โ€œThank you. Thank you so, so much. No, I donโ€™t have a reference. I donโ€™t have a greater reference than you in music. You are the most personified expression of art that exists, and I thank you with all my heart for what you do, for your music, for your art, for saving so many lives with your music. Iโ€™m incredibly grateful. Thanks to you, many artists believe that one day they can reach so many people, attract as much attention as you do, with such honesty and sincerity. I brought you a flash drive with my musicโ€”bold as I amโ€”and this is my moment to give it to you.โ€

ROSALรA UPDATE

99,290 ะฟั€ะพัะผะพั‚ั€ะพะฒ โ€ข 7 ะผะตััั†ะตะฒ ะฝะฐะทะฐะด

This chick is doing her best to explain an important phenomenon to men. Unfortunately she is using 2020s chick-speak about โ€˜boundariesโ€™ and โ€˜respecting yourselfโ€™ and other such buzzwords, which make the message nigh incomprehensible. So here is how I would put it to you, as a man: โžก๏ธ No girl wants to be with a dude who is going to make pleasing her his life mission. The behavior screams โ€˜simpโ€™ and makes her feel like you are beneath her, which makes her not want you. No chick wants to be with a man who is beneath her. โžก๏ธ No girl wants to be with a dude who will let her run all over him in conversation, talking about things that he doesnโ€™t want to hear about, controlling the flow of the conversation. That screams โ€˜weak dudeโ€™, who is either afraid to take control or does not know how. What should you do instead? โœ… If you are hooking up with a girl and she says, โ€œIโ€™m not looking for a relationship right now,โ€ you say, โ€œAWESOME. ME TOO.โ€ And now all of a sudden she is confused and beguiled because you are not chasing her for the relationship. Why arenโ€™t you chasing her for the relationship? Do you not WANT her? It will drive her crazy, she will start thinking about it over and over again, and she will desperately work to try to get you to want the relationship with her. If you keep just banging her while acting like you donโ€™t care, eventually she will want the relationship with you so bad herself it will drive her crazy. โœ… If you are talking to a girl and she is talking about some other dude she was dating, then unless you are actually curious about that (and if she is a girl you are sleeping with, it is worth getting to know some about her prior relationshipsโ€ฆ you will learn her behavior patterns, why she broke up with exes, plus any obvious red flags that can let you hit the eject button before you get in too deep), all you have to say to get off that topic is, โ€œYeah, thatโ€™s cool and all,โ€ and act really bored and start looking around. (If she canโ€™t take a hint then you just tell her, โ€œDonโ€™t you have a girlfriend or someone you can tell this to?โ€) The basic frame is โ€œIโ€™M JUST HERE TO BANG YOU AND HAVE FUN.โ€ It doesnโ€™t matter if you secretly want marriage with her and 15 babies. You want to let HER chase the relationship and fall into YOUR frame. If she starts going off on conversation you donโ€™t want to hear about, act bored or change the topic. If she starts trying to say she doesnโ€™t want a relationship, get out ahead of that frame and own it yourself (โ€œMe neither, weโ€™re in accordโ€). Women want your attention. Women who are sleeping with you IN PARTICULAR want it. If she feels she is losing your attention, that your interest in or commitment to her is waning, it will cause her to go nuts trying to get it back. And, in so doing, she becomes more invested, and falls in love. The peculiar ways of women!
2:09

This chick is doing her best to explain an important phenomenon to men. Unfortunately she is using 2020s chick-speak about โ€˜boundariesโ€™ and โ€˜respecting yourselfโ€™ and other such buzzwords, which make the message nigh incomprehensible. So here is how I would put it to you, as a man: โžก๏ธ No girl wants to be with a dude who is going to make pleasing her his life mission. The behavior screams โ€˜simpโ€™ and makes her feel like you are beneath her, which makes her not want you. No chick wants to be with a man who is beneath her. โžก๏ธ No girl wants to be with a dude who will let her run all over him in conversation, talking about things that he doesnโ€™t want to hear about, controlling the flow of the conversation. That screams โ€˜weak dudeโ€™, who is either afraid to take control or does not know how. What should you do instead? โœ… If you are hooking up with a girl and she says, โ€œIโ€™m not looking for a relationship right now,โ€ you say, โ€œAWESOME. ME TOO.โ€ And now all of a sudden she is confused and beguiled because you are not chasing her for the relationship. Why arenโ€™t you chasing her for the relationship? Do you not WANT her? It will drive her crazy, she will start thinking about it over and over again, and she will desperately work to try to get you to want the relationship with her. If you keep just banging her while acting like you donโ€™t care, eventually she will want the relationship with you so bad herself it will drive her crazy. โœ… If you are talking to a girl and she is talking about some other dude she was dating, then unless you are actually curious about that (and if she is a girl you are sleeping with, it is worth getting to know some about her prior relationshipsโ€ฆ you will learn her behavior patterns, why she broke up with exes, plus any obvious red flags that can let you hit the eject button before you get in too deep), all you have to say to get off that topic is, โ€œYeah, thatโ€™s cool and all,โ€ and act really bored and start looking around. (If she canโ€™t take a hint then you just tell her, โ€œDonโ€™t you have a girlfriend or someone you can tell this to?โ€) The basic frame is โ€œIโ€™M JUST HERE TO BANG YOU AND HAVE FUN.โ€ It doesnโ€™t matter if you secretly want marriage with her and 15 babies. You want to let HER chase the relationship and fall into YOUR frame. If she starts going off on conversation you donโ€™t want to hear about, act bored or change the topic. If she starts trying to say she doesnโ€™t want a relationship, get out ahead of that frame and own it yourself (โ€œMe neither, weโ€™re in accordโ€). Women want your attention. Women who are sleeping with you IN PARTICULAR want it. If she feels she is losing your attention, that your interest in or commitment to her is waning, it will cause her to go nuts trying to get it back. And, in so doing, she becomes more invested, and falls in love. The peculiar ways of women!

Girls Chase ๐Ÿƒโ€โ™€๏ธ๐Ÿ’จ

39,530 ะฟั€ะพัะผะพั‚ั€ะพะฒ โ€ข 7 ะผะตััั†ะตะฒ ะฝะฐะทะฐะด

1) Always charm her friends before her (Potential cock-blocks) 2) Talk slower and completely slow your whole bodyโ€™s movements until the girls start mirroring your speed / sway (Her anxiety lowering) 3) bridge all your responses to her with โ€œhmmโ€ โ€œoh yeahโ€ and โ€œmmmโ€ so you never risk responding on her anxious beat, solidifying you as her authority (which means first stage of arousal) 4) if she leans away, you are losing her If she stays neutral, you are fine. if she leans closer, you are winning. 5) Talk to mid one first and cute one last but keep the same energy with all so that they all feel average and replaceable. 6) Do not let her friend mark her territory by resting her head on you because she is making it IMPOSSIBLE for the cute one to respond to you, she will choose her friendship/reputation with her girlfriends over you and not text you just because you got too friendly with her bestie. (Also the girl resting her head will NOT GIVE YOU PUSSY OR CALL YOU TONIGHT lol Yes women are that evil and your odds for a text back are slim to none, they only cuddle in public and ghost you cause you are stranger danger) 7) After getting the girls # go to the cute one as she is adding you and whisper in her ear, (serious tone but quick now) โ€œYour the only one I am gonna text, okay?โ€ Say whole sentence fast EXCEPT the ok part, emphasize that so you always get an โ€œokayโ€ back from her. (Yes, They are like dogs) She will respect that you are polite enough to keep it in the shadows but also crazy enough to tell her the game-plan which paints you as the villain archetype in her psyche which is the 2nd stage of Arousal. Steps for Arousal within a 5-10 minute convo ๐Ÿฅƒ -COLD ๐Ÿฅถ 1) Authority figure ( Lawful ) = she feels safe Her anxiety lowers Do not be afraid to agree a lot. -HOT ๐Ÿฅต 2) Villain archetype ( out law ) = Fulfills her thrill seeking and love to be teased Casually raising her anxiety (arousal again) Do not be afraid to disagree a lot. Depending on what kind of girl she is, these 2 steps are interchangeable. Gain experience outside and these steps become autopilot and instinctive, Very easy to do.
0:57

1) Always charm her friends before her (Potential cock-blocks) 2) Talk slower and completely slow your whole bodyโ€™s movements until the girls start mirroring your speed / sway (Her anxiety lowering) 3) bridge all your responses to her with โ€œhmmโ€ โ€œoh yeahโ€ and โ€œmmmโ€ so you never risk responding on her anxious beat, solidifying you as her authority (which means first stage of arousal) 4) if she leans away, you are losing her If she stays neutral, you are fine. if she leans closer, you are winning. 5) Talk to mid one first and cute one last but keep the same energy with all so that they all feel average and replaceable. 6) Do not let her friend mark her territory by resting her head on you because she is making it IMPOSSIBLE for the cute one to respond to you, she will choose her friendship/reputation with her girlfriends over you and not text you just because you got too friendly with her bestie. (Also the girl resting her head will NOT GIVE YOU PUSSY OR CALL YOU TONIGHT lol Yes women are that evil and your odds for a text back are slim to none, they only cuddle in public and ghost you cause you are stranger danger) 7) After getting the girls # go to the cute one as she is adding you and whisper in her ear, (serious tone but quick now) โ€œYour the only one I am gonna text, okay?โ€ Say whole sentence fast EXCEPT the ok part, emphasize that so you always get an โ€œokayโ€ back from her. (Yes, They are like dogs) She will respect that you are polite enough to keep it in the shadows but also crazy enough to tell her the game-plan which paints you as the villain archetype in her psyche which is the 2nd stage of Arousal. Steps for Arousal within a 5-10 minute convo ๐Ÿฅƒ -COLD ๐Ÿฅถ 1) Authority figure ( Lawful ) = she feels safe Her anxiety lowers Do not be afraid to agree a lot. -HOT ๐Ÿฅต 2) Villain archetype ( out law ) = Fulfills her thrill seeking and love to be teased Casually raising her anxiety (arousal again) Do not be afraid to disagree a lot. Depending on what kind of girl she is, these 2 steps are interchangeable. Gain experience outside and these steps become autopilot and instinctive, Very easy to do.

Zherka

119,902 ะฟั€ะพัะผะพั‚ั€ะพะฒ โ€ข 2 ะปะตั‚ ะฝะฐะทะฐะด

What is it like to grow up in one of the most talked about families in the world? Well, todayโ€™s guest is Ivanka Trump - someone whoโ€™s lived much of her life in the public eye, from childhood through business, and all the way to the White House. From a young age, her life was anything but normal. She grew up surrounded by media attention and moments that most people could never relate to. At just nine years old, she was dealing with reporters outside her school during her parentsโ€™ divorce - an experience she says shaped how she saw trust and the world around her. As she got older, that pressure didnโ€™t go away. She built a career in real estate before stepping into government and working at the highest level during one of the most intense political periods in recent history. I found myself coming back to something we discussed around how living under that kind of scrutiny forces you to get really clear on who you are, because if you donโ€™t, the world will define it for you. And a lot of this conversation comes back to that idea. Being intentional with your time and your decisions, and even what you allow into your mind, because without that, itโ€™s very easy to get pulled in a direction that isnโ€™t really yours. I wanted to know: - How do you grow up under constant public scrutiny? - What does pressure actually do to a person over time? - How do you know who to trust when youโ€™re in the spotlight? - What is power really like behind closed doors? Thereโ€™s a moment where she reflects on how, for a long time, protecting herself meant building walls and not trusting people, but over time she realised those same walls can stop you from having real connection. Let me know your thoughts after watching this one.
1:43

What is it like to grow up in one of the most talked about families in the world? Well, todayโ€™s guest is Ivanka Trump - someone whoโ€™s lived much of her life in the public eye, from childhood through business, and all the way to the White House. From a young age, her life was anything but normal. She grew up surrounded by media attention and moments that most people could never relate to. At just nine years old, she was dealing with reporters outside her school during her parentsโ€™ divorce - an experience she says shaped how she saw trust and the world around her. As she got older, that pressure didnโ€™t go away. She built a career in real estate before stepping into government and working at the highest level during one of the most intense political periods in recent history. I found myself coming back to something we discussed around how living under that kind of scrutiny forces you to get really clear on who you are, because if you donโ€™t, the world will define it for you. And a lot of this conversation comes back to that idea. Being intentional with your time and your decisions, and even what you allow into your mind, because without that, itโ€™s very easy to get pulled in a direction that isnโ€™t really yours. I wanted to know: - How do you grow up under constant public scrutiny? - What does pressure actually do to a person over time? - How do you know who to trust when youโ€™re in the spotlight? - What is power really like behind closed doors? Thereโ€™s a moment where she reflects on how, for a long time, protecting herself meant building walls and not trusting people, but over time she realised those same walls can stop you from having real connection. Let me know your thoughts after watching this one.

Steven Bartlett

339,418 ะฟั€ะพัะผะพั‚ั€ะพะฒ โ€ข 3 ะผะตััั†ะตะฒ ะฝะฐะทะฐะด

Here are some tips for those who want to practice face acting: โžก๏ธU motion: Move your head in a "U" Shape so it's never stuck in the same place. This will help your movements look more interesting. โžก๏ธKey points: When practicing with your model, learn to get to a "Key point." This is when you can automatically get to an expression without using toggles. I use surprised and angry expressions a lot, so I know exactly how to move my face to achieve that look, mainly for clips or comedic effect. I practiced enough so I know what it will look like on the model. โžก๏ธHead tilts: If you struggle with face acting, a simple head tilt will go a long way. Overall, the movement and face acting of your model does matter. It can help it look more interesting, but also, it's okay if you can't face acting all the time. Using just key animations when you're gaming will work perfectly. Example: You died in a game, and you go to the key point of surprise. You know, making this face will make your model look shocked, so you will do a dramatic eye open and mouth agape to achieve this, to reflect onto your model. Lastly. The way your model moves is usually 30% rigging artist,20% tracking (webcam/iPhone), and 50% you. Your rigging artist can give you the tools, but only you can make your models' results reflect your emotions. As always, DO YOUR PARAMETERS AND SETTINGS IN VTUBE STUDIO. It will not be perfect to your face and camera settings unless you adjust the model, (This is an old video I did on parameters) Holy Yapfest.
0:36

Here are some tips for those who want to practice face acting: โžก๏ธU motion: Move your head in a "U" Shape so it's never stuck in the same place. This will help your movements look more interesting. โžก๏ธKey points: When practicing with your model, learn to get to a "Key point." This is when you can automatically get to an expression without using toggles. I use surprised and angry expressions a lot, so I know exactly how to move my face to achieve that look, mainly for clips or comedic effect. I practiced enough so I know what it will look like on the model. โžก๏ธHead tilts: If you struggle with face acting, a simple head tilt will go a long way. Overall, the movement and face acting of your model does matter. It can help it look more interesting, but also, it's okay if you can't face acting all the time. Using just key animations when you're gaming will work perfectly. Example: You died in a game, and you go to the key point of surprise. You know, making this face will make your model look shocked, so you will do a dramatic eye open and mouth agape to achieve this, to reflect onto your model. Lastly. The way your model moves is usually 30% rigging artist,20% tracking (webcam/iPhone), and 50% you. Your rigging artist can give you the tools, but only you can make your models' results reflect your emotions. As always, DO YOUR PARAMETERS AND SETTINGS IN VTUBE STUDIO. It will not be perfect to your face and camera settings unless you adjust the model, (This is an old video I did on parameters) Holy Yapfest.

โ™ฅ๏ธCutiepierin | L2D RIG ARTIST

93,206 ะฟั€ะพัะผะพั‚ั€ะพะฒ โ€ข 8 ะผะตััั†ะตะฒ ะฝะฐะทะฐะด

๐Ÿšจ THE โ€œLAST TIME I HOLD YOUโ€ TREND IS BREAKING EVERYONE ON TIKTOK - AND THIS ONE MIGHT BE THE HARDEST TO WATCH This mom saw a TikTok saying thereโ€™s always a โ€œlast timeโ€ you ever pick up your kidโ€ฆ and you never know when it is. So she calls her teenage son over and tries it. She can barely get the words out: โ€œI donโ€™t remember the last time I carried you to bedโ€ฆโ€ โ€œSay โ€˜upโ€ฆ I hold youโ€™ like you used to.โ€ โ€œIโ€™ll pick you up for the last time.โ€ And he actually plays along. He says โ€œupโ€ฆ I hold youโ€ the exact way he did as a little kid. And then she lifts him - even though heโ€™s taller than her now - and she breaks instantly. The comments are full of grown adults sobbing, moms losing it, and people calling this โ€œthe most emotional trend TikTok has ever had.โ€ What really destroyed everyone is that the son participated like he knew exactly what it meant to her. What would YOU say if you knew it was the last time?
2:24

๐Ÿšจ THE โ€œLAST TIME I HOLD YOUโ€ TREND IS BREAKING EVERYONE ON TIKTOK - AND THIS ONE MIGHT BE THE HARDEST TO WATCH This mom saw a TikTok saying thereโ€™s always a โ€œlast timeโ€ you ever pick up your kidโ€ฆ and you never know when it is. So she calls her teenage son over and tries it. She can barely get the words out: โ€œI donโ€™t remember the last time I carried you to bedโ€ฆโ€ โ€œSay โ€˜upโ€ฆ I hold youโ€™ like you used to.โ€ โ€œIโ€™ll pick you up for the last time.โ€ And he actually plays along. He says โ€œupโ€ฆ I hold youโ€ the exact way he did as a little kid. And then she lifts him - even though heโ€™s taller than her now - and she breaks instantly. The comments are full of grown adults sobbing, moms losing it, and people calling this โ€œthe most emotional trend TikTok has ever had.โ€ What really destroyed everyone is that the son participated like he knew exactly what it meant to her. What would YOU say if you knew it was the last time?

HustleBitch

3,625,599 ะฟั€ะพัะผะพั‚ั€ะพะฒ โ€ข 7 ะผะตััั†ะตะฒ ะฝะฐะทะฐะด

๐Ÿ‘ฉ๐Ÿปโ€๐Ÿ’ผ : Mr. Nawat, have you ever thought that since you were the person who created the MGI business brand, it turns out that you are both a strength and a weakness in this business? Your strength is that you are always thinking and growing your business. But your weakness is if one day Mr. Nawat is no longer there. You are no longer in this business. So what will happen to this business? Boss : Now I can pass on a lot of genetics. Decentralization must continue like Engfa in the near future. I will let her be an administrator in overseeing the competition in the country. ๐Ÿ‘ฉ๐Ÿปโ€๐Ÿ’ผ: She have a business mind? Boss : Yes, I'm lucky to have this kid. โ€œShe believes in me not because I am her employer. But she saw me as her father.โ€ GLAMOROUS12 ENGFA #เธญเธดเธ‡เธŸเน‰เธฒเธกเธซเธฒเธŠเธ™ #EngfaWaraha Engfa Waraha (เธ•เธฑเธงเธˆเธฃเธดเธ‡)
0:52

๐Ÿ‘ฉ๐Ÿปโ€๐Ÿ’ผ : Mr. Nawat, have you ever thought that since you were the person who created the MGI business brand, it turns out that you are both a strength and a weakness in this business? Your strength is that you are always thinking and growing your business. But your weakness is if one day Mr. Nawat is no longer there. You are no longer in this business. So what will happen to this business? Boss : Now I can pass on a lot of genetics. Decentralization must continue like Engfa in the near future. I will let her be an administrator in overseeing the competition in the country. ๐Ÿ‘ฉ๐Ÿปโ€๐Ÿ’ผ: She have a business mind? Boss : Yes, I'm lucky to have this kid. โ€œShe believes in me not because I am her employer. But she saw me as her father.โ€ GLAMOROUS12 ENGFA #เธญเธดเธ‡เธŸเน‰เธฒเธกเธซเธฒเธŠเธ™ #EngfaWaraha Engfa Waraha (เธ•เธฑเธงเธˆเธฃเธดเธ‡)

๐“œ๐”‚ ๐“ข๐“พ๐“ท๐“ผ๐“ฑ๐“ฒ๐“ท๐“ฎ ๐ŸŒค๏ธ

31,894 ะฟั€ะพัะผะพั‚ั€ะพะฒ โ€ข 2 ะปะตั‚ ะฝะฐะทะฐะด

Problems in the bedroom arenโ€™t problems in the bedroom. Theyโ€™re symptoms. Itโ€™s a sign of something going on outside of it. This woman called in because her libido was turned "off." She wanted it turned "on" for herself and for her husband. Once John asked a few questions, he discovered something deeper. She had traumatic events from her past. She had shared some of it with her husband. But not all. She was afraid to tell him everything, so she held it inside. That fear, that holding back, was showing up in the bedroom. We often think intimacy is just the physical act. But intimacy is bringing yourself, all the vulnerable, hidden parts, and letting your spouse see it. When your naked you are exposed and vulnerable. One part of the interview stood out. She had mentioned therapy before. Her husband told her it was a waste of time. If you wife has an issue and she's coming to you providing a potential solution you should pay attention. The message she got from her husband even though he was probably trying to help is either he doesn't hear me, or I'm being dismissed. Your wife needs to know that she can be vulnerable with you and show you what hurts her and not feel like she's going to be dismissed. You want to be a safe place she can run to, not a place she feels she needs to hide from.
1:21

Problems in the bedroom arenโ€™t problems in the bedroom. Theyโ€™re symptoms. Itโ€™s a sign of something going on outside of it. This woman called in because her libido was turned "off." She wanted it turned "on" for herself and for her husband. Once John asked a few questions, he discovered something deeper. She had traumatic events from her past. She had shared some of it with her husband. But not all. She was afraid to tell him everything, so she held it inside. That fear, that holding back, was showing up in the bedroom. We often think intimacy is just the physical act. But intimacy is bringing yourself, all the vulnerable, hidden parts, and letting your spouse see it. When your naked you are exposed and vulnerable. One part of the interview stood out. She had mentioned therapy before. Her husband told her it was a waste of time. If you wife has an issue and she's coming to you providing a potential solution you should pay attention. The message she got from her husband even though he was probably trying to help is either he doesn't hear me, or I'm being dismissed. Your wife needs to know that she can be vulnerable with you and show you what hurts her and not feel like she's going to be dismissed. You want to be a safe place she can run to, not a place she feels she needs to hide from.

Joel Lopez | Save Your Marriage

20,917 ะฟั€ะพัะผะพั‚ั€ะพะฒ โ€ข 8 ะผะตััั†ะตะฒ ะฝะฐะทะฐะด

"It has always been my intention to appeal to the highest place that I can. I've said I will go as far as I need to. I have a daughter. She's two. I cannot send her out into the world where she has no rights. There is a next generation of little girls that we have to protect." ๐Ÿ’ฅ๐Ÿ’ฅ๐Ÿ’ฅ Sall Grover, you are an absolute hero. I am so honoured to be your friend and to stand with you in this fight. #TicklevGiggle #IStandWithSallGrover ๐Ÿ’— A Current Affair
6:34

"It has always been my intention to appeal to the highest place that I can. I've said I will go as far as I need to. I have a daughter. She's two. I cannot send her out into the world where she has no rights. There is a next generation of little girls that we have to protect." ๐Ÿ’ฅ๐Ÿ’ฅ๐Ÿ’ฅ Sall Grover, you are an absolute hero. I am so honoured to be your friend and to stand with you in this fight. #TicklevGiggle #IStandWithSallGrover ๐Ÿ’— A Current Affair

Rachael Wong

237,213 ะฟั€ะพัะผะพั‚ั€ะพะฒ โ€ข 1 ะณะพะด ะฝะฐะทะฐะด

This is such a beautiful and important message! During the SEEK 2026 conference in Denver, Colo., ChurchPOP asked Sister Ines Sandoval, OCD, of the Carmelite Sisters of the Sacred Heart of Los Angeles, if she had any wisdom to share with mothers. This came after a candid conversation among a group of moms outside a booth at the yearly FOCUS conference. As a spiritual mother herself, Sister Ines gifted us with a profound, much-needed message. โ€œMothers, first of all, I just want to tell you how beautiful you are,โ€ she begins. โ€œI want to thank you for your 'yes'โ€ฆโ€ Sister Ines continues her message of encouragement, saying, โ€œIโ€™m blessed to be a spiritual mother, but you and Iโ€”we walk this road together.โ€ She explains that both the vocation of spiritual motherhood and that of physical motherhood require a whole-body and spiritual investment. Then, she adds a special message to mothers who might be questioning whether or not their work is valued or worthy. โ€œI just want to remind you, yes,โ€ she says. โ€œPlease, donโ€™t give up, and thank you for claiming your spiritual motherhood and your authority as a daughter of the King.โ€ What a powerful reminder! What do you think of Sister Ines Sandoval's encouraging words for mothers? You can find the full article here:
0:54

This is such a beautiful and important message! During the SEEK 2026 conference in Denver, Colo., ChurchPOP asked Sister Ines Sandoval, OCD, of the Carmelite Sisters of the Sacred Heart of Los Angeles, if she had any wisdom to share with mothers. This came after a candid conversation among a group of moms outside a booth at the yearly FOCUS conference. As a spiritual mother herself, Sister Ines gifted us with a profound, much-needed message. โ€œMothers, first of all, I just want to tell you how beautiful you are,โ€ she begins. โ€œI want to thank you for your 'yes'โ€ฆโ€ Sister Ines continues her message of encouragement, saying, โ€œIโ€™m blessed to be a spiritual mother, but you and Iโ€”we walk this road together.โ€ She explains that both the vocation of spiritual motherhood and that of physical motherhood require a whole-body and spiritual investment. Then, she adds a special message to mothers who might be questioning whether or not their work is valued or worthy. โ€œI just want to remind you, yes,โ€ she says. โ€œPlease, donโ€™t give up, and thank you for claiming your spiritual motherhood and your authority as a daughter of the King.โ€ What a powerful reminder! What do you think of Sister Ines Sandoval's encouraging words for mothers? You can find the full article here:

ChurchPOP

13,077 ะฟั€ะพัะผะพั‚ั€ะพะฒ โ€ข 6 ะผะตััั†ะตะฒ ะฝะฐะทะฐะด

Jordan Peterson: "If you can't fix your room, you can't fix your life" "Why should you even bother improving yourself? The answer is something like: so you don't suffer anymore stupidly than you have to. And maybe so others don't have to either. It's not some casual self-help doctrine. If you don't organize yourself properly, you'll pay for it. In a big way. And so will the people around you." Peterson continues: "You can say, 'Well, I don't care about that.' But that's actually not true, you do care about it. Because if you're in pain, you will care about it. It's very rare that you can find someone in excruciating pain who would say, 'Well, it would be no better if I was out of this.' Pain brings the idea that it would be better if it didn't exist along with it. It's incontrovertible." On how to start: "Look around for something that bothers you and see if you can fix it. You can do this in a room. Sit in your bedroom and think: 'If I wanted to spend ten minutes making this room better, what would I have to do?' You have to ask yourself that, it's a genuine question. And things will pop out. There's a stack of papers bugging you. Some rubbish behind your computer monitor you haven't attended to for six months. Cables tangled up." He explains why this matters: "If you were coming to see me for psychotherapy, the easiest thing would be to get you to organize your room. You think, is that psychotherapy? It depends on how you conceive the limits of your being. Start where you can start. If something announces itself as in need of repair that you could repair, fix it. Fix a hundred things like that, your life will be a lot different." On fixing what you repeat every day: "People tend to think of their daily routines as trivial. You get up, brush your teeth, have breakfast. Those probably constitute 50% of your life. People think, they're mundane, I don't need to pay attention to them. No, that's exactly wrong. The things you do every day are the most important things you do. Hands down. Just do the arithmetic." On staying within your competence: "Sometimes you don't know how to fix something. Imagine you're walking down the street and there's a guy who's alcoholic and schizophrenic and has been homeless for ten years. That's a problem. It would be good if you could fix it, but you haven't got a clue. You walk around that and go find something you could fix. Just because something announces itself as in need of repair doesn't mean it's you, right then and there, who should repair it. You have to have some humility. You don't walk up to a helicopter that isn't working and just start tinkering away." Peterson shares the key insight: "As soon as you give your mind a genuine aim, it'll reconfigure the world in keeping with that aim. That's actually how you see to begin with. You've all seen the video where you watch basketballs being tossed back and forth, and while you're doing that, a gorilla walks into the middle of the video and you don't see it. If you thought about that experiment for five years, that would be about the right amount of time to spend thinking about it." He explains what it reveals: "What it shows you is that you see what you aim at. If you can get one thing through your head, that would be a good one. You see what you aim at. One inference you might draw from that is: be careful what you aim at. What you aim at determines the way the world manifests itself to you. So if the world is manifesting itself in a very negative way, one thing to ask is: are you aiming at the right thing?"
6:59

Jordan Peterson: "If you can't fix your room, you can't fix your life" "Why should you even bother improving yourself? The answer is something like: so you don't suffer anymore stupidly than you have to. And maybe so others don't have to either. It's not some casual self-help doctrine. If you don't organize yourself properly, you'll pay for it. In a big way. And so will the people around you." Peterson continues: "You can say, 'Well, I don't care about that.' But that's actually not true, you do care about it. Because if you're in pain, you will care about it. It's very rare that you can find someone in excruciating pain who would say, 'Well, it would be no better if I was out of this.' Pain brings the idea that it would be better if it didn't exist along with it. It's incontrovertible." On how to start: "Look around for something that bothers you and see if you can fix it. You can do this in a room. Sit in your bedroom and think: 'If I wanted to spend ten minutes making this room better, what would I have to do?' You have to ask yourself that, it's a genuine question. And things will pop out. There's a stack of papers bugging you. Some rubbish behind your computer monitor you haven't attended to for six months. Cables tangled up." He explains why this matters: "If you were coming to see me for psychotherapy, the easiest thing would be to get you to organize your room. You think, is that psychotherapy? It depends on how you conceive the limits of your being. Start where you can start. If something announces itself as in need of repair that you could repair, fix it. Fix a hundred things like that, your life will be a lot different." On fixing what you repeat every day: "People tend to think of their daily routines as trivial. You get up, brush your teeth, have breakfast. Those probably constitute 50% of your life. People think, they're mundane, I don't need to pay attention to them. No, that's exactly wrong. The things you do every day are the most important things you do. Hands down. Just do the arithmetic." On staying within your competence: "Sometimes you don't know how to fix something. Imagine you're walking down the street and there's a guy who's alcoholic and schizophrenic and has been homeless for ten years. That's a problem. It would be good if you could fix it, but you haven't got a clue. You walk around that and go find something you could fix. Just because something announces itself as in need of repair doesn't mean it's you, right then and there, who should repair it. You have to have some humility. You don't walk up to a helicopter that isn't working and just start tinkering away." Peterson shares the key insight: "As soon as you give your mind a genuine aim, it'll reconfigure the world in keeping with that aim. That's actually how you see to begin with. You've all seen the video where you watch basketballs being tossed back and forth, and while you're doing that, a gorilla walks into the middle of the video and you don't see it. If you thought about that experiment for five years, that would be about the right amount of time to spend thinking about it." He explains what it reveals: "What it shows you is that you see what you aim at. If you can get one thing through your head, that would be a good one. You see what you aim at. One inference you might draw from that is: be careful what you aim at. What you aim at determines the way the world manifests itself to you. So if the world is manifesting itself in a very negative way, one thing to ask is: are you aiming at the right thing?"

Jaynit

68,550 ะฟั€ะพัะผะพั‚ั€ะพะฒ โ€ข 3 ะผะตััั†ะตะฒ ะฝะฐะทะฐะด

Since I like Fousey I will give him some serious game. 1) Have more than 3 girls on every stream and just start ignoring the one that isnโ€™t throwing pussy your way. She will instinctively compete with the others and start chasing the prize (you) - They are only horny when they are losing and NEVER when they are getting favours out of you. 2) Take more risks with your flirting, If they already spend heaps of time talking to you about anything and are not afraid of you, you can get more aggressive in all areaโ€™s. Basically all you want to see after you say you want to โ€œbust inside herโ€ is if she will laugh and milk the fantasy for a moment. 3) Remind her what her life is like without you by asking her, โ€œwhat do you even do all day?โ€ Women are always bored, even when they are not, so she does not want to be reminded of her life without you in this moment. 4) Fousey is in the position to say, โ€œSince we not fucking you paying for your own meal.โ€ This becomes extremely important when she sees you pay for another womans meal, (this is why you should have brought more girls) friendzone the shit out of them ONLY when you have another that is flirting, mildly friendzone her if you got nobody / so you can still recover. 5) Never have female friends that are not used to holding your hand for various activities, such as drivingโ€ฆ Without touch, you are sinking fast. Get all women, whether cute or ugly to be touchy with you for the perfect smoke screen. If Fousey was holding her hand, she would have cooked more. 6) STOP talking about anything that is NOT sexual, you are killing her pusy temperature. Stick to only teasing and avoiding big topics. 7) Never go on a date with a woman who knows Zherka๐Ÿ˜‚ - More at Get activated๐Ÿ’ฐ
2:05

Sensitive content

Since I like Fousey I will give him some serious game. 1) Have more than 3 girls on every stream and just start ignoring the one that isnโ€™t throwing pussy your way. She will instinctively compete with the others and start chasing the prize (you) - They are only horny when they are losing and NEVER when they are getting favours out of you. 2) Take more risks with your flirting, If they already spend heaps of time talking to you about anything and are not afraid of you, you can get more aggressive in all areaโ€™s. Basically all you want to see after you say you want to โ€œbust inside herโ€ is if she will laugh and milk the fantasy for a moment. 3) Remind her what her life is like without you by asking her, โ€œwhat do you even do all day?โ€ Women are always bored, even when they are not, so she does not want to be reminded of her life without you in this moment. 4) Fousey is in the position to say, โ€œSince we not fucking you paying for your own meal.โ€ This becomes extremely important when she sees you pay for another womans meal, (this is why you should have brought more girls) friendzone the shit out of them ONLY when you have another that is flirting, mildly friendzone her if you got nobody / so you can still recover. 5) Never have female friends that are not used to holding your hand for various activities, such as drivingโ€ฆ Without touch, you are sinking fast. Get all women, whether cute or ugly to be touchy with you for the perfect smoke screen. If Fousey was holding her hand, she would have cooked more. 6) STOP talking about anything that is NOT sexual, you are killing her pusy temperature. Stick to only teasing and avoiding big topics. 7) Never go on a date with a woman who knows Zherka๐Ÿ˜‚ - More at Get activated๐Ÿ’ฐ

Zherka

109,248 ะฟั€ะพัะผะพั‚ั€ะพะฒ โ€ข 1 ะณะพะด ะฝะฐะทะฐะด

As a parent, lap reading is a joy. Itโ€™s a chance to cuddle your little one, while exposing them to rich vocabulary, concepts of print, and the wonder of books. When it comes to infants, however, lap reading can deprive babies of their favorite (and most important) sight: YOU. Which is why you might want to explore face-to-face reading as well. (With your baby facing toward you and the book simultaneously.) Developmentally, there are multiple benefits to allowing your baby to see you as you read together. Your little one is an expert at โ€œreadingโ€ your face. This posture allows your baby to track your eyes to discover what youโ€™re tuning in to. It also allows them to watch your mouth and learn how youโ€™re making the words and sounds that accompany the pictures. This clever little one illustrates the case beautifully, creating a face-to-face experience of her own. Watch as our hero divides her attention between the book (and her important page turning responsibility!) and dadโ€™s face - which she swivels her head to admire with equal (if not greater) interest. Kudos to dad, as well, as he balances book time and face time with his daughter - taking time to honor her interest in connection and observation. The logistics can obviously be a little trickier (consider reading face-to-face as your partner holds baby in their lap as one potential solution) - but the benefits are well worth the effort. Face-to-face reading for the win! This adorable father-daughter duo was shared to IG by mylittlemissameliaa.
1:00

As a parent, lap reading is a joy. Itโ€™s a chance to cuddle your little one, while exposing them to rich vocabulary, concepts of print, and the wonder of books. When it comes to infants, however, lap reading can deprive babies of their favorite (and most important) sight: YOU. Which is why you might want to explore face-to-face reading as well. (With your baby facing toward you and the book simultaneously.) Developmentally, there are multiple benefits to allowing your baby to see you as you read together. Your little one is an expert at โ€œreadingโ€ your face. This posture allows your baby to track your eyes to discover what youโ€™re tuning in to. It also allows them to watch your mouth and learn how youโ€™re making the words and sounds that accompany the pictures. This clever little one illustrates the case beautifully, creating a face-to-face experience of her own. Watch as our hero divides her attention between the book (and her important page turning responsibility!) and dadโ€™s face - which she swivels her head to admire with equal (if not greater) interest. Kudos to dad, as well, as he balances book time and face time with his daughter - taking time to honor her interest in connection and observation. The logistics can obviously be a little trickier (consider reading face-to-face as your partner holds baby in their lap as one potential solution) - but the benefits are well worth the effort. Face-to-face reading for the win! This adorable father-daughter duo was shared to IG by mylittlemissameliaa.

Dan Wuori

435,655 ะฟั€ะพัะผะพั‚ั€ะพะฒ โ€ข 7 ะผะตััั†ะตะฒ ะฝะฐะทะฐะด

Amber Heard: โ€œAll the fucking trust is gone in the relationship because you keep splitting.โ€ Johnny Depp: โ€œI'm not gonna be in a physical fucking altercation with you.โ€ Amber Heard: โ€œWhat about all the other times you split?โ€ Johnny Depp: โ€œYou fucking hit me last night.โ€ Amber Heard: โ€œI'm not gonna get into the details of that fight. You and I both know that you split when there is no physical violence invovled. And, if you split, and you go into a different room and you don't actually leave that house, it does nothing but perpetuate the fight.โ€ ๐Ÿšฉ Amber Heard: โ€œI'm sorry that I didn't hit you across the face in a proper slap, but I was hitting you. I was not punching you. You didn't get punched. You got hit! I'm sorry I hit you like this but I did not punch you! I did not fucking deck you! I fucking was hitting you! I don't know what the motion of my actual hand was, but youโ€™re fine. I did not hurt you. I did not punch you. I was hitting you. Johnny Depp: โ€œHow are your toes?โ€ (Referring to the door scraping Amber Heardโ€™s toes as he was trying to keep her from breaking into where he had locked himself in.) Amber Heard: โ€œIโ€™m not sitting here bitching about it, am I? You are! That's the difference between me and you. You're a fucking baby! You are such a baby! Grow the fuck up Johnny!โ€ ๐Ÿšฉ Amber Heard: โ€œI did start a physical fight, so you did the right thing, the big thing. You know what, you are admirable! Whatโ€™s your excuse when there's not a physical fight? What's the excuse there?โ€ ๐Ÿšฉ Amber Heard: โ€œHave I ever been able to knock you off of your feet? Or off your balance? You're going to get up on the stand, Johnny, and say, (mocking voice) "she started it?โ€ Really? I have never been able to overpower you! And that's a difference, the difference the whole world, and that a jury and that a judge will see. That there's a very big difference between me and you!โ€ ๐Ÿšฉ Johnny Depp: โ€œI lost a fucking finger. I had a can of mineral spirits thrown at my nose.โ€ Amber Heard: โ€œYou can please tell people that it was a fair fight, and see what the jury and judge think. Tell the world, Johnny, tell them โ€˜Johnny Depp, I, Johnny Depp, a man, Iโ€™m a victim too of domestic violence.โ€™ And see how many people believe or side with you.โ€ And for the people who say she says, โ€œmanโ€ and not โ€œa man;โ€ that makes it even worse for her because that is further evidence of just how nonchalant and fearless she was that she was goading him like that.
1:11

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Amber Heard: โ€œAll the fucking trust is gone in the relationship because you keep splitting.โ€ Johnny Depp: โ€œI'm not gonna be in a physical fucking altercation with you.โ€ Amber Heard: โ€œWhat about all the other times you split?โ€ Johnny Depp: โ€œYou fucking hit me last night.โ€ Amber Heard: โ€œI'm not gonna get into the details of that fight. You and I both know that you split when there is no physical violence invovled. And, if you split, and you go into a different room and you don't actually leave that house, it does nothing but perpetuate the fight.โ€ ๐Ÿšฉ Amber Heard: โ€œI'm sorry that I didn't hit you across the face in a proper slap, but I was hitting you. I was not punching you. You didn't get punched. You got hit! I'm sorry I hit you like this but I did not punch you! I did not fucking deck you! I fucking was hitting you! I don't know what the motion of my actual hand was, but youโ€™re fine. I did not hurt you. I did not punch you. I was hitting you. Johnny Depp: โ€œHow are your toes?โ€ (Referring to the door scraping Amber Heardโ€™s toes as he was trying to keep her from breaking into where he had locked himself in.) Amber Heard: โ€œIโ€™m not sitting here bitching about it, am I? You are! That's the difference between me and you. You're a fucking baby! You are such a baby! Grow the fuck up Johnny!โ€ ๐Ÿšฉ Amber Heard: โ€œI did start a physical fight, so you did the right thing, the big thing. You know what, you are admirable! Whatโ€™s your excuse when there's not a physical fight? What's the excuse there?โ€ ๐Ÿšฉ Amber Heard: โ€œHave I ever been able to knock you off of your feet? Or off your balance? You're going to get up on the stand, Johnny, and say, (mocking voice) "she started it?โ€ Really? I have never been able to overpower you! And that's a difference, the difference the whole world, and that a jury and that a judge will see. That there's a very big difference between me and you!โ€ ๐Ÿšฉ Johnny Depp: โ€œI lost a fucking finger. I had a can of mineral spirits thrown at my nose.โ€ Amber Heard: โ€œYou can please tell people that it was a fair fight, and see what the jury and judge think. Tell the world, Johnny, tell them โ€˜Johnny Depp, I, Johnny Depp, a man, Iโ€™m a victim too of domestic violence.โ€™ And see how many people believe or side with you.โ€ And for the people who say she says, โ€œmanโ€ and not โ€œa man;โ€ that makes it even worse for her because that is further evidence of just how nonchalant and fearless she was that she was goading him like that.

Maddie

5,111,883 ะฟั€ะพัะผะพั‚ั€ะพะฒ โ€ข 5 ะผะตััั†ะตะฒ ะฝะฐะทะฐะด