AFRICAN & BLACK HISTORY's banner
AFRICAN & BLACK HISTORY's profile picture

AFRICAN & BLACK HISTORY

@AfricanArchives • 1,112,035 subscribers

Sharing African and Black History Daily to the World || support us on https://t.co/McpWmyvMQ8

Shorts

Afro aesthetics from the 70s.

Afro aesthetics from the 70s.

820,650 Aufrufe

Muhammad Ali dodges 21 punches in 10 seconds, 1977.

Muhammad Ali dodges 21 punches in 10 seconds, 1977.

235,250 Aufrufe

64 years ago today, Uganda was proclaimed independent from the British with Milton Obote as the first prime minister.

64 years ago today, Uganda was proclaimed independent from the British with Milton Obote as the first prime minister.

26,625 Aufrufe

Malcolm X on Living Fearless.

Malcolm X on Living Fearless.

40,597 Aufrufe

“The most disrespected person in America, is the Black woman. The most unprotected person in America, is the Black woman. The most neglected person in America, is the Black woman.” —Malcolm X

“The most disrespected person in America, is the Black woman. The most unprotected person in America, is the Black woman. The most neglected person in America, is the Black woman.” —Malcolm X

707,010 Aufrufe

Malcolm X on the hypocrisy of the oppressor.

Malcolm X on the hypocrisy of the oppressor.

37,459 Aufrufe

The Amazing Footwork of Muhammad Ali, 1966.

The Amazing Footwork of Muhammad Ali, 1966.

45,511 Aufrufe

Baka Women Transform River Water Into Rhythm in Ancient Drumming Tradition. Deep in the rainforests of Central Africa, music is not limited to instruments made of wood or metal. For the women of the Baka people, the river itself becomes an instrument. Among the Baka, who live primarily in the forests of Cameroon, Gabon, and the Republic of the Congo, women practice a remarkable musical tradition known as water drumming. Standing waist-deep in a river or stream, they rhythmically strike the surface of the water with their hands, creating sharp, resonant sounds that echo through the forest. By carefully controlling the angle of their palms and the force of each strike, the women produce different tones—deep thuds, crisp slaps, and splashes that blend into intricate rhythms. When performed together, these sounds form complex musical patterns that accompany singing, celebration, and communal gatherings. This tradition is not just entertainment. It reflects the deep relationship between the Baka people and the forest environment that sustains them. Rivers, trees, animals, and the natural world are central to their culture, spirituality, and daily life. Transforming water into music demonstrates a creative harmony with nature that has been passed down through generations. Water drumming also highlights the important cultural role of women in Baka society. Through song, rhythm, and performance, they preserve stories, traditions, and collective identity.

Baka Women Transform River Water Into Rhythm in Ancient Drumming Tradition. Deep in the rainforests of Central Africa, music is not limited to instruments made of wood or metal. For the women of the Baka people, the river itself becomes an instrument. Among the Baka, who live primarily in the forests of Cameroon, Gabon, and the Republic of the Congo, women practice a remarkable musical tradition known as water drumming. Standing waist-deep in a river or stream, they rhythmically strike the surface of the water with their hands, creating sharp, resonant sounds that echo through the forest. By carefully controlling the angle of their palms and the force of each strike, the women produce different tones—deep thuds, crisp slaps, and splashes that blend into intricate rhythms. When performed together, these sounds form complex musical patterns that accompany singing, celebration, and communal gatherings. This tradition is not just entertainment. It reflects the deep relationship between the Baka people and the forest environment that sustains them. Rivers, trees, animals, and the natural world are central to their culture, spirituality, and daily life. Transforming water into music demonstrates a creative harmony with nature that has been passed down through generations. Water drumming also highlights the important cultural role of women in Baka society. Through song, rhythm, and performance, they preserve stories, traditions, and collective identity.

79,839 Aufrufe

Malcolm X on Living Fearless.

Malcolm X on Living Fearless.

54,919 Aufrufe

“In order for nonviolence to work, your opponent must have a conscience. The United States has none.” —Stokely Carmichael aka Kwame Ture

“In order for nonviolence to work, your opponent must have a conscience. The United States has none.” —Stokely Carmichael aka Kwame Ture

40,995 Aufrufe

The Amazing Footwork of Muhammad Ali, 1966.

The Amazing Footwork of Muhammad Ali, 1966.

60,006 Aufrufe

Muhammad Ali dodges 21 punches in 10 seconds, 1977.

Muhammad Ali dodges 21 punches in 10 seconds, 1977.

64,567 Aufrufe

Malcolm X on the hypocrisy of the oppressor.

Malcolm X on the hypocrisy of the oppressor.

46,815 Aufrufe

Malcolm X on the hypocrisy of the oppressor.

Malcolm X on the hypocrisy of the oppressor.

81,311 Aufrufe

Malcolm X on Living Fearless.

Malcolm X on Living Fearless.

52,362 Aufrufe

“In order for nonviolence to work, your opponent must have a conscience. The United States has none.” —Stokely Carmichael aka Kwame Ture

“In order for nonviolence to work, your opponent must have a conscience. The United States has none.” —Stokely Carmichael aka Kwame Ture

34,317 Aufrufe

Videos

AfricanArchives's profile picture

The arrest of Patrice Lumumba, 1960. Patrice Lumumba🇨🇩 was the first legally elected prime minister of D.R Congo. He was assassinated in 1961 following a military coup supported by U.S.A & Belgian imperialism which was admitted by the State Dept in 2013 authorized by president Eisenhower. For over a 100 years, the US and Belgium have played key roles in shaping Congo's destiny. In April 1884, seven months before the Berlin Congress, the US became the first country in the world to recognise the claims of King Leopold II of the Belgians to the territories of the Congo. In the few months prior to his assassination, Lumumba had been the first elected prime minister of the Republic of the Congo, newly founded on June 30, 1960. A revolutionary nationalist, he was a major leader in the country’s fight for independence from Belgian colonialism. He intended to use the country’s vast resources to improve the lives of the Congolese people. They had endured unspeakable suffering under Belgian rule, with literally millions having died on its plantations and in its mines. His rise to power alarmed Belgium. While having been forced to grant the Congolese people formal independence, it had no intention of giving them real independence or surrendering its economic interests in the mineral-rich land—rubber, ivory, and copper, diamonds, gold & more. Nor did U.S. imperialism. By 1960s, it too was exploiting the Congo’s resources & was determined to expand its economic, political & military influence in Africa. It wanted to establish a compliant, bought-off government that wouldn’t stand in its way & they saw him as a threat. The U.S. with Belgian assistance, began plotting to remove Lumumba from office and silence him...for good. To accomplish this, they took advantage of the fact that the country was not yet really in the hands of, as Lumumba had put it, “its own children.” Behind the façade of formal independence, Belgian military officers still controlled the Congo’s army and police. The mineral corporations still had tight control over the wealth of the country and over an apparatus of corrupt politicians. Secret agents of the U.S. CIA, Belgian intelligence, and other powers were working day and night to keep power firmly and permanently in the hands of forces subservient to imperialism. Among those eager to collaborate with imperialism was Joseph Mobutu. He had been a colonel in the Belgian colonial army, and was made head of the “new” imperialist-controlled army. And Mobutu was working hand-in-hand with the CIA on how to kill Patrice Lumumba. To carry out the CIA’s assassination directive, Mobutu staged an army coup d’etat, suppressing political organizations in the capital. On January 17, 1961, a firing squad shot to death the Congolese anti-colonialist fighter and leader Patrice Lumumba. His body was buried, but then dug up and dismembered and burned and dissolved in acid so there would not even be a corpse around which his supporters could rally. If you love our content and would like to support the page, you can buy us a coffee here:

AFRICAN & BLACK HISTORY

261,287 Aufrufe • vor 1 Monat

AfricanArchives's profile picture

where are they now?

AFRICAN & BLACK HISTORY

4,952,051 Aufrufe • vor 2 Jahren

AfricanArchives's profile picture

Happy birthday to the Father of Rock N' Roll, the legendary, Chuck Berry! He would have been 100 today! Chuck Berry is perhaps the defining musician of the early rock & roll era, the one figure responsible for the music's sound, style, and sensibility that created the blueprint for the generations that followed. A guitarist who wanted to play like T-Bone Walker and croon like Nat King Cole, Berry married these two styles to a swinging beat that spliced jump blues with juke joint R&B and hillbilly boogie -- a blend that arrived nearly fully realized with his 1955 debut single "Maybellene," a record that topped the R&B charts and crashed into the pop Top Ten. Berry quickly followed "Maybellene" with a series of fleet-fingered, quick-witted singles like "Roll Over Beethoven," "School Day," "Sweet Little Sixteen," and "Johnny B. Goode" that constitute one of the richest and deepest American songbooks of the 20th century, a collection of tunes that captures the exuberance of post-war popular culture, a period filled with automobiles, teenagers, and rock & roll music. It was also a period of great racial strife, something Berry alluded to in his work -- witness the Black pride of "Brown Eyed Handsome Man." Berry's prison sentence for violating the Mann Act coincided with a cooling of rock & roll's commercial fortunes in the early 1960s. When he was released, the Beatles and the Rolling Stones had revived rock & roll, an opening Berry seized with a series of terrific hit singles: "No Particular Place to Go," "You Never Can Tell," and "Nadine." During the late '60s, Berry became the only one of his rock & roll peers to actively court a younger audience of hippies, a move that eventually paid off in 1972 when the ribald "My Ding-A-Ling" gave him his only number one hit. Berry effectively retired from active duty after 1979's Rockit, but he continued to play regular gigs with pickup bands and experienced the occasional revival, such as Taylor Hackford's 1987 celebratory concert film and documentary Hail! Hail! Rock 'N' Roll. During his later years, Berry retired to his hometown of St. Louis, playing regular gigs at Blueberry Hill until the late 2010s. Upon his 90th birthday in 2016, Berry announced the release of his first album in decades but he would not live to see the release of Chuck in 2017; he passed on March 18, 2017.

AFRICAN & BLACK HISTORY

32,555 Aufrufe • vor 6 Tagen

AfricanArchives's profile picture

where are they now?

AFRICAN & BLACK HISTORY

702,137 Aufrufe • vor 5 Monaten