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@benjamins_st • 23,724 subscribers
Arsenal and I love 🦉, Hip-hop, entertainment and everything in-between. And..I'm a writer...pls argue intelligently!....and ‼️⁉️ is my signature‼️🤷
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How they got here⁉️ I gat you‼️ Nore and Vlad go back to the late 2000s. Nore did a pile of VladTV interviews. Even in 2009 he was calling Vlad an instigator; Vlad’s answer then is the same one he uses now — public comments are journalism, private gossip is instigating‼️. The first real public freeze was November 2020‼️. After Vlad’s comments about Louis Farrakhan, Nore asked him to pull every Nore clip off the channel. “He disrespected hip-hop… he didn’t say sorry.”‼️ They thawed it on camera in March 2024. Vlad sat on Drink Champs. Nore introduced him as a media pioneer‼️. Vlad’s version of the deal: I do your show, you do mine‼️. Nore later agreed to a VladTV sit-down, then stalled, then never showed‼️. That is the fuse‼️. What started this round⁉️ Vlad went on Akademiks in August 2026 and said it out loud‼️. He did the three-hour Drink Champs episode, then got the runaround when it was time for Nore to sit on VladTV‼️. “Nore is about Nore. His word don’t mean ish. He’s a snake.”‼️ He also said they argued, Nore told him “call me the n-word, I know you want to,” and Vlad answered that he has more Black kids than Nore does‼️. Nore’s reply⁉️ Nore did not deny the agreement. He claimed the flake‼️. “I don’t front everybody. I fronted on you.” Then the line that traveled: “I did to you what you do to our culture. I bent you over and I fucked you.” Grown man. Right to change his mind. “I don’t like you.”‼️ He stacked three extra charges: Vlad “tried to put Rick Ross in jail” (the 2008 civil suit after the Ozone Awards fight — a jury later awarded Vlad $300k); Vlad lives off “Black drama” and is “Jerry Springer now”; having Black kids does not get you into the cookout‼️. Closer: “I played the game that you been playing for years. Welcome to the party.”‼️ Vlad’s reply⁉️ First the X post after vacation: he’s back, “I’m about to fuck shit up. Starting with Nore’s bitch ass. Get your popcorn ready.”‼️ Then the August 31 response video with Charleston White‼️. His frame is professionalism, not culture war. Nore confirmed the flake on camera — that is the case‼️. A 2008 civil lawsuit is not snitching and does not put anyone in jail‼️. Nore’s 2026 interview is not a prize; Vlad says he wanted the word kept. He claims other guests got the same treatment: do Drink Champs, then get ghosted when they ask Nore to return the favor‼️. He treats the “I bent you over like you bent the culture” line as cover for a broken handshake‼️. In summary⁉️ This is Old tension + 2020 freeze + 2024 makeup episode with a swap that never happened + Vlad calling Nore a snake + Nore turning the no-show into a cultural payback speech + Vlad answering that the speech is cove‼️r. Still live. Vlad promised more‼️. Nore already said he is not doing the interview‼️. One to watch‼️💯
(st_ides)232,631 views • 1 day ago
Ray Daniels has told this story on multiple podcasts because it’s one of the cleanest examples of how “pop splits” versus “urban splits” actually change the check‼️. The song is Nicki Minaj’s “Only” from *The Pinkprint* (2014) — the one with Drake, Lil Wayne, and Chris Brown on the hook‼️. Official writers are Nicki, Drake, Wayne, Dr. Luke, Cirkut, JMIKE, Theron Thomas, and Timothy Thomas (the R. City brothers)‼️. Ray Daniels manages/works with the Thomas brothers‼️. His team wrote the hook and Chris Brown’s sung part‼️. Nicki wrote her verse; Drake and Wayne wrote theirs. Chris Brown was paid as a featured artist and, according to Ray, did not take a writer’s share the same way the others did‼️. They did the record with Dr. Luke. Luke’s rule in the room was simple: there are seven writers on this song, so we split the publishing seven ways‼️. Everybody walks with roughly 13–14 percent‼️. Because Ray had *two* writers on the record (Theron and Timothy), his side left with about 26–27 percent‼️. He contrasts that with what usually happens on the urban/hip-hop side. The producer often takes 50 percent off the top‼️. Then the big features come in with their standard deal: a flat fee *plus* a set publishing percentage (Ray has used examples like 17.5 percent) no matter how many other people are on the record‼️. After Nicki, Drake, Wayne, and Chris Brown’s teams all take their cuts, the original writers are left fighting over the scraps — sometimes 5–10 percent total‼️. Ray has said that if they had done “Only” with a typical urban producer instead of Luke, he probably would have walked with something closer to 5–10 percent after the fight‼️. That’s the point he keeps making: same song, same contribution, completely different math depending on whose room you’re in and whose rules you play by‼️. The pop-style equal split is why he still talks about owning a real piece of a Nicki/Drake/Wayne/Chris Brown record more than a decade later‼️💯.
(st_ides)174,744 views • 1 day ago
Vlad called DJ EFN “broke and bummy” while responding to N.O.R.E‼️. He said EFN looks dusty, shops Marshalls, wears “bunny shoes” and an Apple Watch while Nore pulls up in watches and designer, and that EFN almost certainly isn’t getting an equal cut of Drink Champs‼️. He added that if EFN stopped showing up, nobody would notice because he has no personality, barely contributes, and has “the personality of one of the drinks.”‼️ That shot at the co-host was the extra layer. The actual beef is between Vlad and Nore‼️. How it started⁉️ Vlad did Drink Champs in March 2024. The understanding on his side was simple reciprocity: he flies to Miami, sits for the episode, Nore comes do VladTV‼️. Nore kept postponing‼️. Vlad eventually went on Akademiks’ Off The Record and called Nore selfish and a “snake” whose word doesn’t mean anything‼️. He also said he spent around $7K on the trip (flight, hotel, security)‼️. Nore answered on the August 26 Drink Champs episode with Ray Daniels, Mad Skillz, and DJ Epps‼️. He confirmed he canceled on purpose. “I don’t like you.”‼️ He called Vlad a rat who tried to put Rick Ross in jail (the 2008 Ozone Awards civil case Vlad won), said Vlad profits off “Black drama,” compared VladTV to Jerry Springer, and framed the no-show as payback: “I did to you what you did to our culture.” EFN was sitting there laughing and talking with him‼️. Vlad’s response⁉️ Vlad posted “DJ Vlad Responds to Nore.” He brought up the drinking culture on the show (he said Nore wouldn’t let him fake it with soda), called out the “dark side” of putting people with drinking problems on a drinking platform, and then went after EFN for riding along instead of saying “hold on, Vlad came to our show.” That’s when the broke/bummy/dusty/no-spine comments landed‼️. The older context⁉️ This wasn’t their first round‼️. Nore had previously asked Vlad to take down all his old VladTV interviews‼️. They patched it enough for the 2024 Drink Champs episode, then it fell apart again over the unreturned favor‼️. The Rick Ross lawsuit from 2008 keeps getting dragged back in every time someone wants to call Vlad a rat‼️. That’s the sequence: promised interview that never happened, Vlad calling Nore a snake on Akademiks, Nore going nuclear on his own show with EFN present, Vlad hitting both of them back and making the money/looks comment about EFN specifically‼️.
(st_ides)41,134 views • 22 hours ago
Rich Homie Quan talked about this in a 2022 interview on Math Hoffa’s *My Expert Opinion* podcast. He described “checking in” the first time he went to Los Angeles‼️. He said people already knew what time his flight landed and which hotel he was staying at before he even got off the plane‼️. The line was that they had to go pull up on Big U (Eugene “Big U” Henley).‼️ Quan framed it as a respect/community thing rather than a shakedown‼️. He said he never had problems, and the only thing asked of him was taking pictures with local kids‼️. He treated it as an LA tradition of making connections, not paying anyone or getting involved in street politics‼️.
(st_ides)43,167 views • 1 day ago
Game being hurt about that Super Bowl still makes sense if you sit with how the night was built‼️. Dr. Dre puts on the biggest hip-hop halftime in Super Bowl history: Snoop, Mary J. Blige, Eminem, Kendrick, and then 50 Cent swinging in upside down for “In Da Club.” It was sold as an L.A. homecoming‼️. The city was on the field‼️. Compton was on the field‼️. Aftermath’s whole lineage was on the field‼️. Except one of Dre’s actual Compton products wasn’t⁉️. Game said it out loud a few months later on *I Am Athlete*‼️. He was hurt‼️. Not “the culture won” Instagram caption he posted right after the show‼️. Hurt‼️. He pointed at the obvious: Eminem is not from L.A. 50 is not from L.A. If it had been a Detroit Super Bowl or a New York Super Bowl, L.A. niggas would not have been invited just because they were legends‼️. The Rams were playing‼️. The stadium was in Inglewood‼️. Dre produced it‼️. And the call never came‼️. He even said YG should have been there too‼️. He called himself not a “safe” artist‼️. That part tracks with how Game has always moved‼️. The 50 Cent piece is the part that stings extra‼️. Eminem made sure 50 was on that stage‼️. That’s not rumor — 50 and people around the camp have said it for years‼️. Em wasn’t going to let his guy get left off Dre’s night‼️. Fair‼️. Loyalty‼️. Same energy Game has always claimed he gives people‼️. The difference is nobody in that circle fought to put Game on the bill‼️. Twelve minutes, Snoop later said‼️. Politics, Game said. Either way, the Compton artist who actually came up under Dre on *The Documentary* watched two outsiders and the younger Compton guy who inherited the “voice of the city” slot get the moment‼️. That’s where the Kendrick part lives‼️. It’s not that Game and Kendrick ever had a public war in 2022‼️. It’s that Kendrick was the other Compton name Dre and the NFL were comfortable putting next to Dre and Snoop‼️. Game has said he put Kendrick on early mixtapes, took him on tour, showed love when it was still a come-up‼️. Then years later he can’t get him on the phone, but he can get Drake‼️. That’s the current documentary-era complaint‼️. The Super Bowl snub sits underneath it like old scar tissue‼️. Same city, same Dre orbit, same “who gets to represent L.A. on the biggest stage” question — and Game wasn’t the answer they picked‼️. He has spent 2026 saying he doesn’t have a problem with the Boogeyman and the Boogeyman doesn’t have a problem with him‼️. He also put Drake on *The Documentary III*, rapped about not having to pick sides, and still couldn’t resist the “they say I’m beefing with Kendrick, how the fuck do that sound⁉️” line. That’s Game‼️. He will deny the beef while listing every reason the distance exists‼️. Resentment doesn’t always come out as a diss record the next week‼️. Sometimes it sits for four years until the next album cycle, the next Drake feature, and the next time somebody asks why the original Compton Aftermath artist wasn’t standing on that white house set while Em made sure 50 got his “In Da Club” moment‼️. Game watched it happen in his city‼️. He said he was hurt‼️. The rest is just whether he ever stopped being hurt‼️. The future will tell‼️
(st_ides)72,824 views • 3 days ago
Here's a list of things the Goth baddie did to appreciate Drake for buying her a house‼️
(st_ides)474,525 views • 18 days ago
![Charlamagne Tha God has a well-known style of probing, needling, and sometimes baiting guests on "The Breakfast Club‼️especially when they clash with artists, narratives, or circles he seems more aligned with‼️. He frames it as “asking the questions people want answered” or seeking “unity,” but the effect is often to put the guest on the defensive, extract reactions, and shape the public story in a particular direction‼️. A clear example is his 2016 interview with "Beanie Sigel" (the Philly veteran‼️. At the time Beanie was in a heated fallout with Meek Mill‼️another Philly artist who has been a frequent, higher-profile guest on the show‼️. Charlamagne repeatedly returned to the Meek beef even after Beanie addressed it‼️. He called Beanie a “hater,” questioned his loyalty and motives, and kept pressing on the diss records, studio sessions, and the larger Philly dynamics‼️. Beanie pushed back hard and repeatedly: - He told Charlamagne to stop “harping on that” and “talking out [his] neck.”‼️ - He said Charlamagne was “not qualified” to speak on street-level situations because “you don’t come from my world… You sit up here and your job is to play games. Play with something safe… Don’t play with me.”‼️ - He called out the selective energy, pointing out that Charlamagne would “badger a little girl” (referencing the Lil Mama interview) but got checked by others, and labeled the approach cowardly‼️. Charlamagne stood on the “hater” and hypocrite framing‼️. The tension escalated to the point Beanie threatened to walk out and the “P.O. Meter” (their on-air tension gauge) spiked‼️. Observers and recaps described it as Charlamagne interrogating and trying to provoke a reaction rather than simply covering the story‼️. This fits a broader pattern‼️. Charlamagne often softens or contextualizes for certain artists while staying aggressive with those who challenge them or fall outside preferred lanes‼️. Meek has had his own later friction with the show (including over Charlamagne’s comments about Meek “not recovering” from the Drake beef)‼️, but in the Beanie moment the pressure was clearly directed at the person opposing Meek‼️. Similar dynamics show up in other interviews where guests who don’t play along get needled, labeled, or steered into defensive positions while Charlamagne maintains the “just asking questions / seeking truth” posture‼️. The technique is subtle in presentation (persistent follow-ups, loaded labels like “hater,” claims of wanting unity) but effective at generating heat, clips, and a narrative that favors one side‼️. Beanie’s response⁉️calling out the games, the lack of qualification on real-world stakes, and the selective toughness‼️highlighted how the approach lands when the guest refuses to play along‼️💯.](https://image.24vids.com/tw-2088975508226679062/amplify_video_thumb/2088975369449701376/img/CdrX8-2NOvIjHWrk.jpg)
Charlamagne Tha God has a well-known style of probing, needling, and sometimes baiting guests on "The Breakfast Club‼️especially when they clash with artists, narratives, or circles he seems more aligned with‼️. He frames it as “asking the questions people want answered” or seeking “unity,” but the effect is often to put the guest on the defensive, extract reactions, and shape the public story in a particular direction‼️. A clear example is his 2016 interview with "Beanie Sigel" (the Philly veteran‼️. At the time Beanie was in a heated fallout with Meek Mill‼️another Philly artist who has been a frequent, higher-profile guest on the show‼️. Charlamagne repeatedly returned to the Meek beef even after Beanie addressed it‼️. He called Beanie a “hater,” questioned his loyalty and motives, and kept pressing on the diss records, studio sessions, and the larger Philly dynamics‼️. Beanie pushed back hard and repeatedly: - He told Charlamagne to stop “harping on that” and “talking out [his] neck.”‼️ - He said Charlamagne was “not qualified” to speak on street-level situations because “you don’t come from my world… You sit up here and your job is to play games. Play with something safe… Don’t play with me.”‼️ - He called out the selective energy, pointing out that Charlamagne would “badger a little girl” (referencing the Lil Mama interview) but got checked by others, and labeled the approach cowardly‼️. Charlamagne stood on the “hater” and hypocrite framing‼️. The tension escalated to the point Beanie threatened to walk out and the “P.O. Meter” (their on-air tension gauge) spiked‼️. Observers and recaps described it as Charlamagne interrogating and trying to provoke a reaction rather than simply covering the story‼️. This fits a broader pattern‼️. Charlamagne often softens or contextualizes for certain artists while staying aggressive with those who challenge them or fall outside preferred lanes‼️. Meek has had his own later friction with the show (including over Charlamagne’s comments about Meek “not recovering” from the Drake beef)‼️, but in the Beanie moment the pressure was clearly directed at the person opposing Meek‼️. Similar dynamics show up in other interviews where guests who don’t play along get needled, labeled, or steered into defensive positions while Charlamagne maintains the “just asking questions / seeking truth” posture‼️. The technique is subtle in presentation (persistent follow-ups, loaded labels like “hater,” claims of wanting unity) but effective at generating heat, clips, and a narrative that favors one side‼️. Beanie’s response⁉️calling out the games, the lack of qualification on real-world stakes, and the selective toughness‼️highlighted how the approach lands when the guest refuses to play along‼️💯.
(st_ides)396,726 views • 17 days ago
![Willy Northpole (a former G-Unit affiliate) told this story about his first night at 50 Cent’s Connecticut mansion (the old Mike Tyson place near Hartford)‼️. 50 had strict house rules: no fighting in the house, and no bringing girls over‼️. Northpole said these were normal/respectable rules since it was 50’s house‼️. On Northpole’s first night there (50 wasn’t home yet), Tony Yayo got into a fight with a guy in the house named Hov described by Northpole as “the babysitter of the house‼️. They were fighting over something related to 50‼️. The fight happened in/around the indoor pool area‼️. Hov threw a chair at Yayo; Yayo caught it “like Superman.” Yayo already had a cast on his arm from the night before, when he had stabbed himself while cutting a hole in a Louis Vuitton belt‼️. The next morning at 6 a.m., 50 used the intercom/conference phone system that was in all the rooms and called out: “Who’s in my house⁉️ Whoever’s in my house, come to the conference room.”‼️ Everyone gathered and sat at the table‼️. 50 walked in wearing a hoodie—Northpole’s first time seeing him‼️. The vibe was that everybody was scared of him, so Northpole stayed quiet and didn’t even introduce himself‼️. 50 looked at Yayo and asked what happened‼️. He looked at Hov, who said nothing‼️. Yayo explained that the other guy had called him a pussy (or similar insult)‼️. As they talked back and forth, 50 put his hand up on a big glass window in a Tony Montana-style pose and asked Yayo: “What’s the rules of fighting in my house⁉️” Yayo answered: “There’s no fighting in your house.”‼️ 50 replied: “Do you think you’re exempt⁉️” Yayo said no. 50 then said something to the effect of “Monday I’m calling Jimmy [Iovine]. You’re going to Geffen,” and walked out. (In the telling, this was framed as a disciplinary threat/relocation, similar to how The Game was later sent to Geffen.)‼️ That’s the full account as Northpole has told it in interviews (notably on Bootleg Kev). It paints 50 as running a tight, disciplined ship even at home during the peak G-Unit era‼️💯.](https://image.24vids.com/tw-2090995420109386156/amplify_video_thumb/2090995324584112128/img/UBihY7zj2gWRO9E4.jpg)
Willy Northpole (a former G-Unit affiliate) told this story about his first night at 50 Cent’s Connecticut mansion (the old Mike Tyson place near Hartford)‼️. 50 had strict house rules: no fighting in the house, and no bringing girls over‼️. Northpole said these were normal/respectable rules since it was 50’s house‼️. On Northpole’s first night there (50 wasn’t home yet), Tony Yayo got into a fight with a guy in the house named Hov described by Northpole as “the babysitter of the house‼️. They were fighting over something related to 50‼️. The fight happened in/around the indoor pool area‼️. Hov threw a chair at Yayo; Yayo caught it “like Superman.” Yayo already had a cast on his arm from the night before, when he had stabbed himself while cutting a hole in a Louis Vuitton belt‼️. The next morning at 6 a.m., 50 used the intercom/conference phone system that was in all the rooms and called out: “Who’s in my house⁉️ Whoever’s in my house, come to the conference room.”‼️ Everyone gathered and sat at the table‼️. 50 walked in wearing a hoodie—Northpole’s first time seeing him‼️. The vibe was that everybody was scared of him, so Northpole stayed quiet and didn’t even introduce himself‼️. 50 looked at Yayo and asked what happened‼️. He looked at Hov, who said nothing‼️. Yayo explained that the other guy had called him a pussy (or similar insult)‼️. As they talked back and forth, 50 put his hand up on a big glass window in a Tony Montana-style pose and asked Yayo: “What’s the rules of fighting in my house⁉️” Yayo answered: “There’s no fighting in your house.”‼️ 50 replied: “Do you think you’re exempt⁉️” Yayo said no. 50 then said something to the effect of “Monday I’m calling Jimmy [Iovine]. You’re going to Geffen,” and walked out. (In the telling, this was framed as a disciplinary threat/relocation, similar to how The Game was later sent to Geffen.)‼️ That’s the full account as Northpole has told it in interviews (notably on Bootleg Kev). It paints 50 as running a tight, disciplined ship even at home during the peak G-Unit era‼️💯.
(st_ides)230,562 views • 11 days ago
What led to the beef⁉️ In February 2007, 50 Cent was on Angie Martinez’s Hot 97 show and called Koch Records a “graveyard” for artists—implying it was a dead-end label where careers went to die, and that he could effectively shut down projects there‼️. Jim Jones (Dipset) had recently signed/released on Koch and was having success (notably with *Hustler’s P.O.M.E.* and “We Fly High”)‼️. Cam’ron, defending his crew and the label’s relevance, called in (or was put on the phone) and the two went at it live: arguing about sales, industry power, and who was bigger‼️. It turned personal and heated‼️. From there⁉️: - Cam’ron released the diss “Curtis” (mocking 50’s real name, Curtis Jackson, and going at his image/career)‼️. - 50 Cent fired back with “Funeral Music” (and later other tracks), including lines positioning Jim Jones as the new Dipset boss and Cam as demoted‼️. - There were videos, internet exchanges, and more disses‼️. Cam has repeatedly described the whole thing as “fun” and “just music” in later interviews, saying they never had deep personal street-level heat—more competitive industry sparring‼️. 50 has similarly said they wasted time on it due to competitive nature rather than real personal animosity, and they’ve long since reconciled (publicly cool for years, including joint appearances)‼️. During their 2024 interview on Cam’s *Talk With Flee* (with 50 as the guest), Cam brought up the specific move and called it a checkmate‼️. At the time of the beef, Dipset was dealing with *internal problems* that the public didn’t fully know about‼️Cam said nobody outside knew they weren’t fully on the same page, and he was hoping to fix things privately before they spilled out further‼️. 50 Cent then brought Jim Jones and Juelz Santana out on stage at one of his New York shows (Hammerstein Ballroom era references appear in accounts)‼️. Cam said when he saw members of his own group on stage with his opponent, it felt like the situation was spinning out of control: “It was a checkmate moment… This n***a’s devious‼️. But I respected it—I liked that shit.”‼️ He noted he wouldn’t have thought to reach out to someone like Tony Yayo or Lloyd Banks in a parallel situation, and he viewed the move as smart psychological warfare that exploited (and publicized) the existing Dipset tension‼️. 50’s side of the same conversation: He basically threw the invitation out as a calculated shot without being sure Jim would take it‼️. He joked along the lines of “We like Jimmy better than you anyway, Cam,” watched the response, saw interest, and invited him properly‼️. He described it as testing the waters and seeing what happened—Jim “bit.” Tony Yayo and others have separately called 50 a master manipulator who used chess/Art of War-style tactics in beefs, and this fit that pattern‼️. The stage appearance made the Dipset fractures more public and accelerated the perception that the group was fracturing (Jim and Cam’s relationship issues were already simmering)‼️. Cam has framed it in hindsight as an effective, respected chess move rather than pure betrayal talk, though Jim Jones later pushed back on the framing when the interview resurfaced‼️. They’ve long buried it—Cam has said when they finally spoke years later the first topic was getting to the money, and they’ve appeared together since‼️. The whole arc is classic mid-2000s New York competitive rap theater that started over a radio comment about a label and got amplified by diss records and one very public power move‼️💯.
(st_ides)130,401 views • 7 days ago
Faith Evans’ consistent narrative is that nothing sexual happened with 2Pac‼️; she has always denied sleeping with him‼️. Her fullest account appears in her 2008 memoir *Keep the Faith* and later interviews (including with VladTV)‼️. According to her⁉️: - She met Tupac at a club in Los Angeles (introduced via Treach of Naughty by Nature) shortly after his prison release‼️. He flattered her about her music and asked her to sing on a track‼️. - She claims she did not know he was signed to Death Row (rival to Bad Boy) until she arrived at the studio (Can-Am) and saw Death Row affiliates‼️. She has said she got Biggie’s okay for the collab and was focused on getting paid‼️. - She recorded the chorus for “Wonda Why They Call U Bitch” (from *All Eyez on Me*)‼️. After the session she was owed money (she has cited figures like $25,000 in some accounts)‼️. Tupac said the payment would come at his hotel (the Peninsula)‼️. - At the hotel, after others left, his demeanor changed‼️. He referenced the Quad Studios shooting (“niggas set me up that night”), said something to the effect of “If I give it to you, then you my bitch,” and propositioned her for oral sex in what she described as a “very surprising and offensive way.”‼️ She viewed it as a setup/plan‼️. She refused, left without the money, and has always maintained they never had sex‼️. In a 1996 Video Music Box interview (around the time of the beef), she also denied any involvement and called Tupac’s stories concocted‼️. She has repeatedly framed herself as used as a pawn in the East-West/Bad Boy–Death Row conflict‼️. 2Pac told a completely different story‼️. He publicly claimed they had sex and used it as a weapon against Biggie‼️. The most famous version is on the 1996 diss track “Hit ’Em Up”: “You claim to be a player, but I fucked your wife…” (and related lines about “that’s why I fucked your bitch, you fat motherfucker”)‼️. In interviews he was more coy but clearly leaned into the claim‼️. In the February 1996 *Vibe* interview with Kevin Powell (the “Live from Death Row” cover story), when asked about rumors of spending time with Faith outside the studio, he responded along the lines of “You mean the rumor that I fucked her⁉️” with laughter, and elsewhere said things like “I don’t kiss and tell” while an anonymous source in the piece described them as “very, very close.”‼️ A *New York Times Magazine* profile of Suge Knight around the same period included Suge teasing Pac about a shirt supposedly from Faith and Pac responding in a salacious tone that he “did enough.”‼️ Multiple people close to Tupac (cousins, associates like Desiree Smith, Dru Down, producers, and others who have spoken over the years) have said he told them privately that he slept with her‼️sometimes framing it as revenge after the Quad shooting, sometimes as something that happened after the studio session or hotel visit‼️. Accounts vary on exact details and timing, and some conflict with Faith’s timeline (e.g., claims she came to the hotel more willingly or in disguise, or that contact continued afterward)‼️. Faith has always rejected these as lies or exaggerations used to escalate the beef‼️. In short: Faith’s version is a professional collab that turned into an unwanted sexual proposition she rejected, with no sex occurring‼️. Tupac’s version (in lyrics, interviews, and private claims relayed by others) is that they did have sex, which he then publicly weaponized against Biggie‼️. The contradiction is direct and has never been reconciled; it remains one of the most contested personal elements of the East-West Coast feud‼️💯.
(st_ides)112,853 views • 7 days ago
🚨Word on the streets is Usher allegedly uses stunt doubles for his tours‼️
(st_ides)172,337 views • 13 days ago
Drake couldn't get his eyes outta her T*** and didn't know when he said it out loud‼️😂
(st_ides)328,059 views • 24 days ago
Nas told this story on the "Drink Champs" podcast with N.O.R.E. while promoting "The Lost Tapes 2" in 2019‼️. Prince showed up at the release party for Nas’s 1999 album "I Am…"‼️. Nas approached him directly (“I pulled a N.O.R.E. move”) and said something like: “Yo, look man, let’s do this. Let’s do this song.”‼️ Prince’s reply: “Do you own your masters⁉️” Nas answered honestly that he didn’t‼️and that he was far from it, still owing the label (Columbia/Sony) about four or five more albums under his contract‼️. He recalled being blown away / “Damn.”‼️ Prince then said: “When you own your masters, give me a ring.”‼️ Nas has described it as Prince dropping a jewel that helped him “see the future.”‼️ They stayed cool afterward, kicked it a few times, and Prince even invited him onstage at one point‼️ (Nas said he was too nervous to go up)‼️. Nas also noted the pressure Prince was under from people wanting to work with him, adding that Prince had turned Michael Jackson down‼️. It makes you wonder what type of record Nas and Prince would have cooked up if it had happened‼️💯
(st_ides)172,646 views • 14 days ago
Respect to Blacc Sam for that reply‼️. That was a clean, grounded take‼️. No overhyping, no forced loyalty plays, no industry-speak — just a street-level read on the whole Kendrick-Drake situation that cut through the noise‼️. He kept it measured, spoke from experience instead of fan bias, and didn’t feel the need to perform for either side‼️. That’s rare in these conversations‼️. The way he framed it showed somebody who’s actually lived around real pressure and real consequences, not just podcast pressure‼️. Straight bars of common sense‼️. Salute to him for that one‼️💯.
(st_ides)185,054 views • 19 days ago
The Ice Cube–Mack 10 fallout is a personal/family issue from around 2005 that ended Westside Connection‼️ Westside Connection (Ice Cube, Mack 10, and WC) was formed in the mid-1990s‼️. They first appeared together on tracks like “Westside Slaughterhouse” (Mack 10’s 1995 album) and “West Up!” before dropping the platinum *Bow Down* in 1996 and *Terrorist Threats* in 2003‼️. The group ended shortly after the second album‼️. What started it⁉️ Mack 10 has given the most detail (2010 AllHipHop interview that was later deleted, plus a 2020 VladTV sit-down)‼️. The conflict centered on Ice Cube’s brother-in-law (his wife Kim’s brother)‼️. Mack said the man was disrespectful and “fucked my money up.”‼️ He went to Cube four or five times asking him to handle it internally before it escalated‼️. It eventually did: reports say Mack’s people beat the brother-in-law‼️. There was also an argument that happened in front of Cube’s wife, which Mack believes made the situation worse‼️. Mack’s consistent line: “Basically, I didn’t do anything to him and he didn’t do anything to me.”‼️ He has said if Cube’s wife hadn’t been present during the argument, they might still be making records‼️. Cube has never given a detailed public version‼️. He has only called it “a violation that can’t be overlooked.”‼️ A secondary rumor (never confirmed by either) is that Mack was also upset Cube didn’t want a second tour behind *Terrorist Threats*‼️. Mack owns the Westside Connection trademark because the second album came out on his Hoo-Bangin’ label‼️. Why it has lasted this long⁉️ This is family business, not just two rappers falling out‼️. Cube treats it as something that crossed a line he won’t ignore‼️. Mack has said he tried to resolve it diplomatically multiple times before it blew up‼️. Neither side has made a public move that the other accepted‼️. Cube still works and performs with WC (they grew up around the corner from each other), but not with Mack‼️. Mack has said for years that he “fucks with who fucks with me” and hadn’t spoken to Cube in nearly 20 years as of 2023‼️. That’s now over two decades‼️. In a July 2023 Breakfast Club interview, Charlamagne asked Ice Cube about a Westside Connection reunion after seeing photos of him with WC‼️. Cube’s answer was direct: “Probably not.” “I don’t wanna do another Westside Connection.”‼️ When Charlamagne brought up Mack 10 having told his side of the story, Cube replied, “Of course he do… I don’t wanna talk about it to be honest, because he know what it is.”‼️ Reactions from both sides⁉️ **Mack 10** has talked about it more‼️. In 2023 he told Bootleg Kev he hadn’t seen or spoken to Cube in almost 20 years and wasn’t chasing a reunion‼️. In August 2026 at the Cali Love 3 festival he went further and more positive: he stopped his set to say he still has love for both Ice Cube and WC, calling himself “too blessed to be mad at anybody” and adding “fuck being mad about some 25-year-old shit.”‼️ He was responding to WC having addressed the situation at an earlier Cali Love show‼️. He even played Westside Connection material and invited the crowd to treat it like the group was there‼️. Ice Cube stays reserved‼️. He confirmed in 2023 (Breakfast Club and Cam’ron’s *It Is What It Is*) that there is a real problem with Mack that he considers a violation he cannot overlook, while emphasizing he has no issues with WC‼️. He has shown no public interest in a reunion and has moved on to other projects (Mount Westmore with Snoop, E-40, and Too $hort; Big3 basketball; films)‼️. *WC* has stayed with Cube‼️. He has described it as “real life behind the music” being different from the records‼️. Fans still want the group back and often call the situation petty after this many years, but Cube has not budged and Mack’s recent comments, while warmer, have not produced any joint appearance or statement from Cube’s side‼️. As of now there is no reconciliation‼️💯.
(st_ides)88,792 views • 10 days ago
In a December 2016 Breakfast Club" interview (promoting "The Return of East Atlanta Santa"), Gucci Mane claimed Angela Yee had previously pursued him sexually; she strongly denied it on air, and the exchange created lasting tension that flared up again in 2019‼️. During the interview, Charlamagne Tha God asked if Gucci had “smashed” Angela‼️. Gucci replied along the lines of “Hell nah‼️ She done tried… She was on my dick back then,”‼️ adding that she used to text him asking what hotel he was at (after an earlier interview he recalled with her and Melyssa Ford)‼️. Angela denied it repeatedly, saying he must have her confused with someone else, that she never had his number, and that no such texts or pursuit happened‼️. Gucci insisted on the details; the male hosts laughed while the moment grew awkward and confrontational‼️. Angela later clarified that Gucci had appeared on her earlier Shade 45 show "The Morning After" (not her nighttime "Lip Service" show), where conversations could get explicit, but she maintained there was never any personal pursuit or hotel texts‼️. Clips and reactions circulated widely‼️💯. The issue stayed relatively quiet for years‼️. In October 2019 Gucci posted an Instagram clip of the 2016 exchange, claiming "The Breakfast Club" had banned him over it (“#TruthHurts #Getoffmydick”)‼️. The hosts addressed it on air (including a “Breakfast Club Court” segment), denied any formal ban, and said interview requests had simply been declined because of discomfort after the earlier comments‼️. Angela presented her side and said Gucci had reached out privately about apologizing but she wanted it public‼️. Gucci then sat for a lengthy interview with Charlamagne (separate from the regular show)‼️. He blamed “that punk-ass bitch” (Angela) for the ban talk, called DJ Envy a “pussy” as well, and said he would confront Envy in person about what he and Angela had done‼️if Envy came at him wrong, he would “slap the shit out of him.”‼️ Envy responded on Instagram that Gucci was never banned, that he had simply said he wouldn’t do an interview without clearing it with his co-host (supporting his team), and that the threats were nothing new‼️. Angela also shaded Gucci (including a jab about his 2009 look) and reiterated her denial‼️. In short: the core story is Gucci’s on-air claim that Angela had tried to sleep with him years earlier (texts about hotels after an old interview), her firm denial, years of residual tension, Gucci’s 2019 claim of being effectively shut out of the show, the hosts’ public pushback, and Gucci escalating with personal insults and a physical threat toward Envy‼️. Both sides stuck to their versions; no resolution or physical confrontation followed in the public record of that period‼️.
(st_ides)155,722 views • 17 days ago
NBA YoungBoy (Kentrell DeSean Gaulden, born October 20, 1999, Baton Rouge) rose from a violent upbringing to become one of rap’s most prolific and commercially dominant artists, known for raw street narratives, massive streaming numbers, and constant legal battles‼️. His father received a 55-year prison sentence early on‼️. Raised mainly by his maternal grandmother (who later died), he broke his neck as a toddler, leaving permanent forehead scars from a halo brace‼️. He dropped out around ninth grade, spent time in juvenile detention (including for robbery), lived in a group home, and began recording as a teen‼️. He moved in with fellow Baton Rouge rapper OG3Three and funded studio time through street hustling‼️. Early on he affiliated with TBG (Top Boy Gorilla), a Baton Rouge crew/label‼️. Key members included G. Money (Gee Money / Da Real Gee Money; real name Garrett Burton) and Fredo Bang‼️. Gaulden was close with G. Money’s younger brother and treated G. Money like a mentor/“big brother”—he stayed with him, learned from him, and appeared in early TBG content (including the “iPhone 6” video)‼️. His debut mixtape Life Before Fame (2015) was released under TBG; he and associates wore TBG merch‼️. He left to co-found Never Broke Again (NBA) with OG3Three, frustrated by limited shine while focus stayed on G‼️. Money and Fredo‼️. The split turned personal. A major flashpoint was the allegation (confirmed by G. Money) that he had slept with Gaulden’s sister‼️. Gaulden referenced it on tracks like “Changes” and “Pour One”; G. Money responded with the diss “Industry.”‼️ On September 10, 2017, G. Money (22) was shot and killed outside a Dallas Drive studio in Baton Rouge‼️. Deandre Fields (NBA Lil Pap), an NBA associate, was charged with second-degree murder‼️. In 2023 he pled to accessory after the fact and received five years (while serving a federal weapons sentence); he has maintained innocence‼️. Gaulden’s camp denied his involvement‼️. The killing intensified the long-running NBA vs. TBG feud, which produced further shootings and deaths‼️. He built a regional following with independent mixtapes from 2015 (Life Before Fame, Mind of a Menace series, Before I Go, 38 Baby featuring Boosie and Kevin Gates, etc.)‼️. He signed with Atlantic/Artist Partner Group around 2017. Breakthroughs included “Untouchable,” “No Smoke,” and “Outside Today.”‼️ Extremely prolific, he released dozens of projects, scored multiple Billboard 200 No. 1s, and earned extensive RIAA certifications—often while incarcerated or on house arrest‼️. Studio albums include‼️: Until Death Call My Name (2018) Top (2020) Sincerely, Kentrell (2021; No. 1 while incarcerated) The Last Slimeto (2022) I Rest My Case (2023) Don’t Try This at Home (2023) I Just Got a Lot on My Shoulders (2024)‼️ Later releases include MASA (2025) and Slime Cry (2026). Major mixtapes such as AI YoungBoy, AI YoungBoy 2 (No. 1), and 38 Baby 2 fueled his rise‼️. He founded the Never Broke Again label, signing artists like NoCap and Quando Rondo‼️. Troubles ran parallel to his career: juvenile robbery; 2016 attempted-murder charge (pled to aggravated assault—suspended sentence + probation); 2018 assault/kidnapping/weapons cases; 2019 Miami shooting involving his circle (probation violation, jail, house arrest); 2020 federal gun/drug arrests; a California case (not guilty on some counts); and extended Utah house arrest (roughly 2021–2025) with added drug, fraud, and weapons charges‼️. He pled guilty to federal felon-in-possession weapons charges, received about 23 months plus probation and fines, served time, and was released around March 2025‼️. On or around May 28–29, 2025, President Donald Trump granted him a presidential pardon for the federal gun charges, ending remaining probation and travel restrictions‼️. Gaulden publicly thanked Trump‼️. Post-pardon he announced tours; by mid-2026 he had relocated to South Korea and stated he did not intend to return to the U.S‼️💯.
(st_ides)137,184 views • 15 days ago
![There is a circulating rumor about Busta Rhymes’ sexuality, primarily driven by unverified claims from a celebrity bodyguard in 2024‼️ In a May 2024 interview with Cam Capone News, bodyguard Big Homie CC (who has not claimed to have worked directly for Busta but said he was around him at times) called the rapper a “super zest monster.”‼️ He alleged that promoters routinely needed to bring “fun boys” into Busta’s VIP sections at clubs and described an incident in which Busta supposedly pulled a gay lawyer into his section and kept him there‼️. Big Homie claimed this was “common knowledge” in the industry and that he had known about it since around 2012‼️. These remarks spread online‼️. In December 2024, music executive/manager Wack 100 confronted Big Homie during an Instagram Live, repeatedly demanding a yes-or-no answer about whether Busta is gay and stressing that Busta is “a brother to me” whose children he knows‼️. Big Homie largely avoided a direct confirmation and suggested meeting in person instead‼️. Internet reactions largely questioned why Wack was pressing the issue so hard‼️. Busta Rhymes has not publicly addressed these specific 2024 claims‼️. He has six children from relationships with women and has continued performing and appearing publicly without referencing the rumors‼️. Older, separate claims have also surfaced over the years, including a 2020 YouTube account from a man who said Busta approached him outside a gay club, held his hand, and invited him to VIP. These remain anecdotal and unproven‼️. Orlando Brown (the former That’s So Raven actor). In early 2024 made a widely mocked, unsubstantiated claim in a viral clip that he had been intimate with a long list of male celebrities, including Busta Rhymes, Diddy, Usher, and others‼️. Online reactions largely dismissed Brown’s statements as unreliable‼️. Busta himself has a mixed public record on LGBTQ topics: In the 2007 documentary Hip-Hop: Beyond Beats and Rhymes, he walked out of an interview when asked about homophobia in hip-hop, saying, “I can’t partake in that conversation… What I represent culturally doesn’t condone [homosexuality] whatsoever.”‼️ He has been accused of using anti-gay slurs in incidents reported in 2006 (at a Miami diner packed with LGBTQ patrons)‼️ and 2013 (at a Miami burger restaurant)‼️. In 2012, after Frank Ocean came out, Busta told MTV: “Whatever that man does in his personal space is that man’s choice and that man’s business‼️. I am an extremely huge fan of Frank Ocean… Just keep that music poppin’… and you got my money.” He added that the world should accept people’s choices‼️. These older comments and incidents are frequently cited when the sexuality rumors resurface, but they do not constitute confirmation of the recent allegations‼️. In short, the rumor exists as tabloid/social-media speculation fueled by one bodyguard’s claims and some older anecdotes‼️. It remains unproven, Busta has not confirmed it‼️](https://image.24vids.com/tw-2089516969594618324/amplify_video_thumb/2089516915714609152/img/WD9Ne-icNuAr5CRw.jpg)
There is a circulating rumor about Busta Rhymes’ sexuality, primarily driven by unverified claims from a celebrity bodyguard in 2024‼️ In a May 2024 interview with Cam Capone News, bodyguard Big Homie CC (who has not claimed to have worked directly for Busta but said he was around him at times) called the rapper a “super zest monster.”‼️ He alleged that promoters routinely needed to bring “fun boys” into Busta’s VIP sections at clubs and described an incident in which Busta supposedly pulled a gay lawyer into his section and kept him there‼️. Big Homie claimed this was “common knowledge” in the industry and that he had known about it since around 2012‼️. These remarks spread online‼️. In December 2024, music executive/manager Wack 100 confronted Big Homie during an Instagram Live, repeatedly demanding a yes-or-no answer about whether Busta is gay and stressing that Busta is “a brother to me” whose children he knows‼️. Big Homie largely avoided a direct confirmation and suggested meeting in person instead‼️. Internet reactions largely questioned why Wack was pressing the issue so hard‼️. Busta Rhymes has not publicly addressed these specific 2024 claims‼️. He has six children from relationships with women and has continued performing and appearing publicly without referencing the rumors‼️. Older, separate claims have also surfaced over the years, including a 2020 YouTube account from a man who said Busta approached him outside a gay club, held his hand, and invited him to VIP. These remain anecdotal and unproven‼️. Orlando Brown (the former That’s So Raven actor). In early 2024 made a widely mocked, unsubstantiated claim in a viral clip that he had been intimate with a long list of male celebrities, including Busta Rhymes, Diddy, Usher, and others‼️. Online reactions largely dismissed Brown’s statements as unreliable‼️. Busta himself has a mixed public record on LGBTQ topics: In the 2007 documentary Hip-Hop: Beyond Beats and Rhymes, he walked out of an interview when asked about homophobia in hip-hop, saying, “I can’t partake in that conversation… What I represent culturally doesn’t condone [homosexuality] whatsoever.”‼️ He has been accused of using anti-gay slurs in incidents reported in 2006 (at a Miami diner packed with LGBTQ patrons)‼️ and 2013 (at a Miami burger restaurant)‼️. In 2012, after Frank Ocean came out, Busta told MTV: “Whatever that man does in his personal space is that man’s choice and that man’s business‼️. I am an extremely huge fan of Frank Ocean… Just keep that music poppin’… and you got my money.” He added that the world should accept people’s choices‼️. These older comments and incidents are frequently cited when the sexuality rumors resurface, but they do not constitute confirmation of the recent allegations‼️. In short, the rumor exists as tabloid/social-media speculation fueled by one bodyguard’s claims and some older anecdotes‼️. It remains unproven, Busta has not confirmed it‼️
(st_ides)129,102 views • 15 days ago
50 Cent put Charlamagne on notice in real time when the Drake Super Bowl talk came up‼️💯. On "The Breakfast Club", 50 dropped that Drake had turned down the Super Bowl multiple times (he and others have referenced two or three occasions)‼️. Charlamagne’s face and immediate reaction told the story‼️he was caught off guard and started trying to reframe it on the spot‼️. 50 didn’t let the pivot slide‼️. He pointed out the obvious: if Jay-Z (via Roc Nation’s partnership with the NFL) was actually offering Drake the stage and Drake was the one saying no, that undercuts the pure “Jay is just hating Drake” narrative that a lot of people lean on‼️. You can’t run the “he’s blocking him out of spite” story and also claim the offers were real without the logic falling apart‼️. 50 checked that framing right there‼️. Then the conversation shifted to 50’s own situation, and he confirmed what he’d said before: Jay didn’t want him on the 2022 Super Bowl LVI halftime show either‼️. Roc Nation allegedly tried to keep him off the bill‼️. Eminem refused to do it without 50, so they had to bring him in as the “surprise.” 50 has been consistent on this‼️he’s said if it was up to them, he wouldn’t have been there‼️. He frames it as culture being competitive, but notes that when it crosses into blocking business opportunities (especially when the other side isn’t even competing for current chart slots or relevance in the same way), it stops making sense‼️. This isn’t isolated‼️. Jay has a track record of using industry position and leverage for personal or competitive reasons rather than pure merit‼️: - The long-running tension with 50 goes back years and has included business and platform issues beyond just music‼️. - Damon Dash has repeatedly accused Jay of interfering in deals and opportunities that would have paid him, describing a pattern of stepping on things when money was on the table‼️. - Historical examples include the way power dynamics played out around Roc-A-Fella splits, artist placements, and access during peak Roc years. Jay has never been shy about leveraging his position‼️whether through labels, streaming (Tidal), sports, or the NFL partnership‼️. The idea that Jay-Z “didn’t play a part” in the Drake–Kendrick situation is pure nonsense‼️. Roc Nation has shaped Super Bowl halftime selections for years‼️. Kendrick getting the 2025 New Orleans slot right in the middle/aftermath of the biggest beef in years wasn’t some neutral coincidence, especially with the cultural and streaming impact of “Not Like Us.”‼️ Jay later claimed it was simply because Kendrick was having a monster year and insisted it wasn’t about the battle‼️. That defense is convenient‼️. When the person controlling one of the biggest stages in music hands it to one side of an active, highly publicized war while the other side has previously turned the same stage down, pretending there’s zero connection or influence requires willful blindness‼️. The power is real, the history of selective use of that power exists, and the Super Bowl decisions sit right in the middle of both‼️. 50’s point lands because he’s lived both sides of it: the competitive culture "and" the business blocking‼️. When Charlamagne tried to keep the narrative tidy in the moment, 50 simply wouldn’t let the contradiction stand‼️. Watch the pattern‼️💯
(st_ides)136,039 views • 16 days ago