(st_ides)
@benjamins_st • 25,878 subscribers
Arsenal and I love 🦉, Hip-hop, entertainment and everything in-between. And..I'm a writer...pls argue intelligently!....and ‼️⁉️ is my signature‼️🤷
Shorts
Videos
Here's a list of things the Goth baddie did to appreciate Drake for buying her a house‼️
(st_ides)475,731 просмотров • 2 месяцев назад
How they got here⁉️ I gat you‼️ Nore and Vlad go back to the late 2000s. Nore did a pile of VladTV interviews. Even in 2009 he was calling Vlad an instigator; Vlad’s answer then is the same one he uses now — public comments are journalism, private gossip is instigating‼️. The first real public freeze was November 2020‼️. After Vlad’s comments about Louis Farrakhan, Nore asked him to pull every Nore clip off the channel. “He disrespected hip-hop… he didn’t say sorry.”‼️ They thawed it on camera in March 2024. Vlad sat on Drink Champs. Nore introduced him as a media pioneer‼️. Vlad’s version of the deal: I do your show, you do mine‼️. Nore later agreed to a VladTV sit-down, then stalled, then never showed‼️. That is the fuse‼️. What started this round⁉️ Vlad went on Akademiks in August 2026 and said it out loud‼️. He did the three-hour Drink Champs episode, then got the runaround when it was time for Nore to sit on VladTV‼️. “Nore is about Nore. His word don’t mean ish. He’s a snake.”‼️ He also said they argued, Nore told him “call me the n-word, I know you want to,” and Vlad answered that he has more Black kids than Nore does‼️. Nore’s reply⁉️ Nore did not deny the agreement. He claimed the flake‼️. “I don’t front everybody. I fronted on you.” Then the line that traveled: “I did to you what you do to our culture. I bent you over and I fucked you.” Grown man. Right to change his mind. “I don’t like you.”‼️ He stacked three extra charges: Vlad “tried to put Rick Ross in jail” (the 2008 civil suit after the Ozone Awards fight — a jury later awarded Vlad $300k); Vlad lives off “Black drama” and is “Jerry Springer now”; having Black kids does not get you into the cookout‼️. Closer: “I played the game that you been playing for years. Welcome to the party.”‼️ Vlad’s reply⁉️ First the X post after vacation: he’s back, “I’m about to fuck shit up. Starting with Nore’s bitch ass. Get your popcorn ready.”‼️ Then the August 31 response video with Charleston White‼️. His frame is professionalism, not culture war. Nore confirmed the flake on camera — that is the case‼️. A 2008 civil lawsuit is not snitching and does not put anyone in jail‼️. Nore’s 2026 interview is not a prize; Vlad says he wanted the word kept. He claims other guests got the same treatment: do Drink Champs, then get ghosted when they ask Nore to return the favor‼️. He treats the “I bent you over like you bent the culture” line as cover for a broken handshake‼️. In summary⁉️ This is Old tension + 2020 freeze + 2024 makeup episode with a swap that never happened + Vlad calling Nore a snake + Nore turning the no-show into a cultural payback speech + Vlad answering that the speech is cove‼️r. Still live. Vlad promised more‼️. Nore already said he is not doing the interview‼️. One to watch‼️💯
(st_ides)317,201 просмотров • 1 месяц назад
![Charlamagne Tha God has a well-known style of probing, needling, and sometimes baiting guests on "The Breakfast Club‼️especially when they clash with artists, narratives, or circles he seems more aligned with‼️. He frames it as “asking the questions people want answered” or seeking “unity,” but the effect is often to put the guest on the defensive, extract reactions, and shape the public story in a particular direction‼️. A clear example is his 2016 interview with "Beanie Sigel" (the Philly veteran‼️. At the time Beanie was in a heated fallout with Meek Mill‼️another Philly artist who has been a frequent, higher-profile guest on the show‼️. Charlamagne repeatedly returned to the Meek beef even after Beanie addressed it‼️. He called Beanie a “hater,” questioned his loyalty and motives, and kept pressing on the diss records, studio sessions, and the larger Philly dynamics‼️. Beanie pushed back hard and repeatedly: - He told Charlamagne to stop “harping on that” and “talking out [his] neck.”‼️ - He said Charlamagne was “not qualified” to speak on street-level situations because “you don’t come from my world… You sit up here and your job is to play games. Play with something safe… Don’t play with me.”‼️ - He called out the selective energy, pointing out that Charlamagne would “badger a little girl” (referencing the Lil Mama interview) but got checked by others, and labeled the approach cowardly‼️. Charlamagne stood on the “hater” and hypocrite framing‼️. The tension escalated to the point Beanie threatened to walk out and the “P.O. Meter” (their on-air tension gauge) spiked‼️. Observers and recaps described it as Charlamagne interrogating and trying to provoke a reaction rather than simply covering the story‼️. This fits a broader pattern‼️. Charlamagne often softens or contextualizes for certain artists while staying aggressive with those who challenge them or fall outside preferred lanes‼️. Meek has had his own later friction with the show (including over Charlamagne’s comments about Meek “not recovering” from the Drake beef)‼️, but in the Beanie moment the pressure was clearly directed at the person opposing Meek‼️. Similar dynamics show up in other interviews where guests who don’t play along get needled, labeled, or steered into defensive positions while Charlamagne maintains the “just asking questions / seeking truth” posture‼️. The technique is subtle in presentation (persistent follow-ups, loaded labels like “hater,” claims of wanting unity) but effective at generating heat, clips, and a narrative that favors one side‼️. Beanie’s response⁉️calling out the games, the lack of qualification on real-world stakes, and the selective toughness‼️highlighted how the approach lands when the guest refuses to play along‼️💯.](https://image.24vids.com/tw-2088975508226679062/amplify_video_thumb/2088975369449701376/img/CdrX8-2NOvIjHWrk.jpg)
Charlamagne Tha God has a well-known style of probing, needling, and sometimes baiting guests on "The Breakfast Club‼️especially when they clash with artists, narratives, or circles he seems more aligned with‼️. He frames it as “asking the questions people want answered” or seeking “unity,” but the effect is often to put the guest on the defensive, extract reactions, and shape the public story in a particular direction‼️. A clear example is his 2016 interview with "Beanie Sigel" (the Philly veteran‼️. At the time Beanie was in a heated fallout with Meek Mill‼️another Philly artist who has been a frequent, higher-profile guest on the show‼️. Charlamagne repeatedly returned to the Meek beef even after Beanie addressed it‼️. He called Beanie a “hater,” questioned his loyalty and motives, and kept pressing on the diss records, studio sessions, and the larger Philly dynamics‼️. Beanie pushed back hard and repeatedly: - He told Charlamagne to stop “harping on that” and “talking out [his] neck.”‼️ - He said Charlamagne was “not qualified” to speak on street-level situations because “you don’t come from my world… You sit up here and your job is to play games. Play with something safe… Don’t play with me.”‼️ - He called out the selective energy, pointing out that Charlamagne would “badger a little girl” (referencing the Lil Mama interview) but got checked by others, and labeled the approach cowardly‼️. Charlamagne stood on the “hater” and hypocrite framing‼️. The tension escalated to the point Beanie threatened to walk out and the “P.O. Meter” (their on-air tension gauge) spiked‼️. Observers and recaps described it as Charlamagne interrogating and trying to provoke a reaction rather than simply covering the story‼️. This fits a broader pattern‼️. Charlamagne often softens or contextualizes for certain artists while staying aggressive with those who challenge them or fall outside preferred lanes‼️. Meek has had his own later friction with the show (including over Charlamagne’s comments about Meek “not recovering” from the Drake beef)‼️, but in the Beanie moment the pressure was clearly directed at the person opposing Meek‼️. Similar dynamics show up in other interviews where guests who don’t play along get needled, labeled, or steered into defensive positions while Charlamagne maintains the “just asking questions / seeking truth” posture‼️. The technique is subtle in presentation (persistent follow-ups, loaded labels like “hater,” claims of wanting unity) but effective at generating heat, clips, and a narrative that favors one side‼️. Beanie’s response⁉️calling out the games, the lack of qualification on real-world stakes, and the selective toughness‼️highlighted how the approach lands when the guest refuses to play along‼️💯.
(st_ides)398,810 просмотров • 2 месяцев назад
Ray Daniels has told this story on multiple podcasts because it’s one of the cleanest examples of how “pop splits” versus “urban splits” actually change the check‼️. The song is Nicki Minaj’s “Only” from *The Pinkprint* (2014) — the one with Drake, Lil Wayne, and Chris Brown on the hook‼️. Official writers are Nicki, Drake, Wayne, Dr. Luke, Cirkut, JMIKE, Theron Thomas, and Timothy Thomas (the R. City brothers)‼️. Ray Daniels manages/works with the Thomas brothers‼️. His team wrote the hook and Chris Brown’s sung part‼️. Nicki wrote her verse; Drake and Wayne wrote theirs. Chris Brown was paid as a featured artist and, according to Ray, did not take a writer’s share the same way the others did‼️. They did the record with Dr. Luke. Luke’s rule in the room was simple: there are seven writers on this song, so we split the publishing seven ways‼️. Everybody walks with roughly 13–14 percent‼️. Because Ray had *two* writers on the record (Theron and Timothy), his side left with about 26–27 percent‼️. He contrasts that with what usually happens on the urban/hip-hop side. The producer often takes 50 percent off the top‼️. Then the big features come in with their standard deal: a flat fee *plus* a set publishing percentage (Ray has used examples like 17.5 percent) no matter how many other people are on the record‼️. After Nicki, Drake, Wayne, and Chris Brown’s teams all take their cuts, the original writers are left fighting over the scraps — sometimes 5–10 percent total‼️. Ray has said that if they had done “Only” with a typical urban producer instead of Luke, he probably would have walked with something closer to 5–10 percent after the fight‼️. That’s the point he keeps making: same song, same contribution, completely different math depending on whose room you’re in and whose rules you play by‼️. The pop-style equal split is why he still talks about owning a real piece of a Nicki/Drake/Wayne/Chris Brown record more than a decade later‼️💯.
(st_ides)268,458 просмотров • 1 месяц назад
Drake couldn't get his eyes outta her T*** and didn't know when he said it out loud‼️😂
(st_ides)328,828 просмотров • 2 месяцев назад
![Willy Northpole (a former G-Unit affiliate) told this story about his first night at 50 Cent’s Connecticut mansion (the old Mike Tyson place near Hartford)‼️. 50 had strict house rules: no fighting in the house, and no bringing girls over‼️. Northpole said these were normal/respectable rules since it was 50’s house‼️. On Northpole’s first night there (50 wasn’t home yet), Tony Yayo got into a fight with a guy in the house named Hov described by Northpole as “the babysitter of the house‼️. They were fighting over something related to 50‼️. The fight happened in/around the indoor pool area‼️. Hov threw a chair at Yayo; Yayo caught it “like Superman.” Yayo already had a cast on his arm from the night before, when he had stabbed himself while cutting a hole in a Louis Vuitton belt‼️. The next morning at 6 a.m., 50 used the intercom/conference phone system that was in all the rooms and called out: “Who’s in my house⁉️ Whoever’s in my house, come to the conference room.”‼️ Everyone gathered and sat at the table‼️. 50 walked in wearing a hoodie—Northpole’s first time seeing him‼️. The vibe was that everybody was scared of him, so Northpole stayed quiet and didn’t even introduce himself‼️. 50 looked at Yayo and asked what happened‼️. He looked at Hov, who said nothing‼️. Yayo explained that the other guy had called him a pussy (or similar insult)‼️. As they talked back and forth, 50 put his hand up on a big glass window in a Tony Montana-style pose and asked Yayo: “What’s the rules of fighting in my house⁉️” Yayo answered: “There’s no fighting in your house.”‼️ 50 replied: “Do you think you’re exempt⁉️” Yayo said no. 50 then said something to the effect of “Monday I’m calling Jimmy [Iovine]. You’re going to Geffen,” and walked out. (In the telling, this was framed as a disciplinary threat/relocation, similar to how The Game was later sent to Geffen.)‼️ That’s the full account as Northpole has told it in interviews (notably on Bootleg Kev). It paints 50 as running a tight, disciplined ship even at home during the peak G-Unit era‼️💯.](https://image.24vids.com/tw-2090995420109386156/amplify_video_thumb/2090995324584112128/img/UBihY7zj2gWRO9E4.jpg)
Willy Northpole (a former G-Unit affiliate) told this story about his first night at 50 Cent’s Connecticut mansion (the old Mike Tyson place near Hartford)‼️. 50 had strict house rules: no fighting in the house, and no bringing girls over‼️. Northpole said these were normal/respectable rules since it was 50’s house‼️. On Northpole’s first night there (50 wasn’t home yet), Tony Yayo got into a fight with a guy in the house named Hov described by Northpole as “the babysitter of the house‼️. They were fighting over something related to 50‼️. The fight happened in/around the indoor pool area‼️. Hov threw a chair at Yayo; Yayo caught it “like Superman.” Yayo already had a cast on his arm from the night before, when he had stabbed himself while cutting a hole in a Louis Vuitton belt‼️. The next morning at 6 a.m., 50 used the intercom/conference phone system that was in all the rooms and called out: “Who’s in my house⁉️ Whoever’s in my house, come to the conference room.”‼️ Everyone gathered and sat at the table‼️. 50 walked in wearing a hoodie—Northpole’s first time seeing him‼️. The vibe was that everybody was scared of him, so Northpole stayed quiet and didn’t even introduce himself‼️. 50 looked at Yayo and asked what happened‼️. He looked at Hov, who said nothing‼️. Yayo explained that the other guy had called him a pussy (or similar insult)‼️. As they talked back and forth, 50 put his hand up on a big glass window in a Tony Montana-style pose and asked Yayo: “What’s the rules of fighting in my house⁉️” Yayo answered: “There’s no fighting in your house.”‼️ 50 replied: “Do you think you’re exempt⁉️” Yayo said no. 50 then said something to the effect of “Monday I’m calling Jimmy [Iovine]. You’re going to Geffen,” and walked out. (In the telling, this was framed as a disciplinary threat/relocation, similar to how The Game was later sent to Geffen.)‼️ That’s the full account as Northpole has told it in interviews (notably on Bootleg Kev). It paints 50 as running a tight, disciplined ship even at home during the peak G-Unit era‼️💯.
(st_ides)235,724 просмотров • 1 месяц назад
DJ Vlad recently used view counts and industry rankings to argue that N.O.R.E. and Drink Champs have fallen off, while pointing out that his own 2024 appearance remains one of the show’s biggest episodes‼️. In a response video after N.O.R.E. went at him on Drink Champs, Vlad said the podcast “used to be a hot podcast two years ago” but has been declining‼️. He highlighted that his March 2024 interview on the show pulled 1.9 million YouTube views—far more than most of N.O.R.E.’s recent episodes‼️. Vlad contrasted that number with current Drink Champs interviews featuring major names like Lizzo, which he said were landing in the 80,000–100,000 view range‼️. “I did 10 times,” he noted, adding that numbers don’t lie‼️. He also cited Complex’s Hip-Hop Media Power Ranking. According to Vlad, N.O.R.E. was No. 5 in 2023, dropped to No. 11 the following year, and sits at No. 25 in the 2026 list—“damn near the bottom.” Vlad, meanwhile, is ranked No. 3 this year, a spot he said N.O.R.E. has never reached‼️. The 2026 Complex ranking confirms those placements: DJ Akademiks at No. 1, Joe Budden at No. 2, DJ Vlad at No. 3, and N.O.R.E. at No. 25 (down from No. 11 the prior year)‼️. The comments came amid a public feud‼️. Vlad appeared on Drink Champs in 2024 expecting a reciprocal VladTV interview that never happened‼️. N.O.R.E. later admitted he changed his mind and framed it as payback, calling Vlad a “rat” and comparing his platform to Jerry Springer‼️. Vlad responded by calling N.O.R.E. a snake whose word “don’t mean ish,” then used the view and ranking data to argue the show itself is slipping‼️. For reference, the recent Drink Champs episode in which N.O.R.E. spent a large portion going after Vlad sat at around 116,000 views shortly after release, consistent with the lower recent numbers Vlad cited‼️. The 1.9 million figure for Vlad’s own episode still stands as one of the show’s stronger YouTube performances‼️. Vlad’s broader point was that Drink Champs is no longer the same cultural force it was a couple of years ago, and that his appearance outperformed the current output by a wide margin‼️. N.O.R.E. and the show have not issued a detailed public rebuttal to the specific view-count or ranking claims‼️💯.
(st_ides)188,250 просмотров • 1 месяц назад
The story isn’t that Game and Fat Joe hopped the same flight and got lost in the bush together‼️. It’s that both of them—years apart—walked into the same larger-than-life Angolan promoter’s world, came home with the same kind of war stories, and then sat down on *Joe and Jada* in February 2026 so Game could tell Joe to his face what the trip actually looked like‼️. The promoter’s name keeps changing depending on who’s talking: Riquinho, Raquino, Rukino, Casablanca. Real name Henrique Miguel‼️. After Angola’s civil war he became the guy who brought American hip-hop to Luanda‼️. Huge money up front‼️. The kind of payday that makes a Bronx rapper who had never flown get on a plane, and the kind that makes a Compton rapper who already had hits think he’d just hit the lottery‼️. Fat Joe’s version⁉️ Joe never used to fly‼️. Ja Rule talked him onto the plane in the mid-2000s by telling him Africa paid the bills and this one gig was bigger than anything else they were doing‼️. They land‼️. The promoter is waiting. Joe later described him as looking like a beautiful Muhammad Ali with no white in his eyes‼️. Nobody in the room looked him in the face when they served him‼️. After the first show, the bags were packed for the airport‼️. Middle of the night: knock on the door. A hundred guys with machine guns‼️. The promoter walks in and tells the manager they’re staying for more “extravaganza.”‼️ Joe calls it a friendly kidnapping‼️. They did extra shows‼️. They got paid extra‼️. They stayed days, then a week, then closer to two weeks‼️. The U.S. embassy (or whoever the quiet Americans at the hotel buffet were) slipped Joe a card and said this same man had just done it to DMX‼️. Call this number, we’ll extract you from the parking garage‼️. Joe stayed tough, took the money, and left when the promoter finally let them leave. He made more than he had ever made in his life and still went back to Africa over and over—Ghana, Nigeria, Djibouti, Rwanda, Somalia, “every hood.” He tells the story like a badge‼️. The Game’s version (told to Fat Joe)⁉️ Game got the same half-a-million-up-front offer for one show‼️. They picked him up in Bentleys “like Mandela.” He is sliding through what he calls the Congo, seeing women with fruit bowls and chickens on their heads, when the promoter rolls up to the hotel with what Game swears is 19 million soldiers‼️. They have hyenas on chains. Game, Compton-proud, starts talking about pit bulls‼️. Then he sees the spit hanging from the hyena’s mouth—it never hits the ground, just hanging between tooth and limbo. That’s when he says he’s about to earn his spot on “hallucination mountain.”‼️ After the show, 10,000 people treat him like he’s Pac on the West Coast‼️. The promoter comes back wanting more dates‼️. Machine guns with no caps on them, bigger than Bow Wow‼️. Game tells the story the way he tells every story: cinematic, slightly unhinged, details that sound like a fever dream until you remember Fat Joe already lived a quieter version of the same script with the same man‼️. Joe sits there listening, laughing, and then slides into his own add-ons: the trunk of a Lincoln filled with pallets of hundred-dollar bills so a $50k “interview fee” looked like a toothpick; the best massage of his life in Djibouti followed by Seal Team 6 chilling in the hotel pool because that hotel is the fastest jump-off to the Middle East‼️. He keeps going back because the money is real and, in his telling, so is the love. Game keeps the hyena image‼️. Both of them walked in thinking they were just collecting a check‼️. Both of them left knowing the promoter ran that part of the map like a president of the hood‼️. They didn’t take the trip together. They just survived the same myth and lived to tell it to each other‼️.
(st_ides)143,542 просмотров • 1 месяц назад
🚨This song is circulating in the streets and could be in Drake’s upcoming project
(st_ides)139,454 просмотров • 1 месяц назад
🚨Word on the streets is Usher allegedly uses stunt doubles for his tours‼️
(st_ides)172,722 просмотров • 1 месяц назад
Nas told this story on the "Drink Champs" podcast with N.O.R.E. while promoting "The Lost Tapes 2" in 2019‼️. Prince showed up at the release party for Nas’s 1999 album "I Am…"‼️. Nas approached him directly (“I pulled a N.O.R.E. move”) and said something like: “Yo, look man, let’s do this. Let’s do this song.”‼️ Prince’s reply: “Do you own your masters⁉️” Nas answered honestly that he didn’t‼️and that he was far from it, still owing the label (Columbia/Sony) about four or five more albums under his contract‼️. He recalled being blown away / “Damn.”‼️ Prince then said: “When you own your masters, give me a ring.”‼️ Nas has described it as Prince dropping a jewel that helped him “see the future.”‼️ They stayed cool afterward, kicked it a few times, and Prince even invited him onstage at one point‼️ (Nas said he was too nervous to go up)‼️. Nas also noted the pressure Prince was under from people wanting to work with him, adding that Prince had turned Michael Jackson down‼️. It makes you wonder what type of record Nas and Prince would have cooked up if it had happened‼️💯
(st_ides)173,858 просмотров • 2 месяцев назад
Respect to Blacc Sam for that reply‼️. That was a clean, grounded take‼️. No overhyping, no forced loyalty plays, no industry-speak — just a street-level read on the whole Kendrick-Drake situation that cut through the noise‼️. He kept it measured, spoke from experience instead of fan bias, and didn’t feel the need to perform for either side‼️. That’s rare in these conversations‼️. The way he framed it showed somebody who’s actually lived around real pressure and real consequences, not just podcast pressure‼️. Straight bars of common sense‼️. Salute to him for that one‼️💯.
(st_ides)185,054 просмотров • 2 месяцев назад
Alright, here's the real tea on the Tyga-Drake beef‼️💯 Back in the Young Money days, they were supposed to be label fam, but Tyga felt the whole "brotherhood" with Drake (and Nicki) was fake industry PR‼️. In October 2014, he went nuclear in a Vibe interview: "I don't like Drake as a person‼️. He's just fake to me‼️. I like his music though."‼️(it's also not surprising the interview was done by no other than Charlamagne, ther certified Drake hater from day one)‼️💯 Tyga followed it with the track "Make It Work"‼️💯straight disses like "Nigga never was my homie... you're corny" and some sneaky Drake-flow mimicry‼️💯. Drake clapped back cleverly: First, he posted Kylie Jenner (Tyga's controversial young girlfriend at the time) chilling in his studio on IG‼️💯. Then, on If You're Reading This It's Too Late (Feb 2015), "6 PM in New York" had the killer line: "You need to act your age and not your girl's age."‼️💯 The media and petty cycle turned it into full drama‼️💯age-gap tabloid fuel‼️, social media jabs‼️, the works‼️. Tyga later called it growing apart plus miscommunication, with headlines fanning the flames: "Once you get into the petty game, it's like, alright, let's be petty all day."‼️💯 How they squashed it⁉️ Kanye West played peacemaker‼️(surprisingly)‼️. Around his Yeezy Season 2 show (late 2015), Ye put them in a room‼️. They hugged, chopped it up like men, and that was it‼️💯. By early 2016, Tyga was on radio saying "Ain't no tension... We cool."‼️ No money or family harmed, so why beef⁉️ It never got super ugly because deep down it was more miscommunication than mortal enemy stuff‼️. Kanye forcing the talk showed a lot of these feuds die fast when adults actually speak offline‼️💯. They've been cool ever since—no shots, no drama‼️💯. Just two guys who moved on and kept eating‼️. But it was an interesting time for those who witnessed it‼️💯
(st_ides)223,970 просмотров • 2 месяцев назад
What led to the beef⁉️ In February 2007, 50 Cent was on Angie Martinez’s Hot 97 show and called Koch Records a “graveyard” for artists—implying it was a dead-end label where careers went to die, and that he could effectively shut down projects there‼️. Jim Jones (Dipset) had recently signed/released on Koch and was having success (notably with *Hustler’s P.O.M.E.* and “We Fly High”)‼️. Cam’ron, defending his crew and the label’s relevance, called in (or was put on the phone) and the two went at it live: arguing about sales, industry power, and who was bigger‼️. It turned personal and heated‼️. From there⁉️: - Cam’ron released the diss “Curtis” (mocking 50’s real name, Curtis Jackson, and going at his image/career)‼️. - 50 Cent fired back with “Funeral Music” (and later other tracks), including lines positioning Jim Jones as the new Dipset boss and Cam as demoted‼️. - There were videos, internet exchanges, and more disses‼️. Cam has repeatedly described the whole thing as “fun” and “just music” in later interviews, saying they never had deep personal street-level heat—more competitive industry sparring‼️. 50 has similarly said they wasted time on it due to competitive nature rather than real personal animosity, and they’ve long since reconciled (publicly cool for years, including joint appearances)‼️. During their 2024 interview on Cam’s *Talk With Flee* (with 50 as the guest), Cam brought up the specific move and called it a checkmate‼️. At the time of the beef, Dipset was dealing with *internal problems* that the public didn’t fully know about‼️Cam said nobody outside knew they weren’t fully on the same page, and he was hoping to fix things privately before they spilled out further‼️. 50 Cent then brought Jim Jones and Juelz Santana out on stage at one of his New York shows (Hammerstein Ballroom era references appear in accounts)‼️. Cam said when he saw members of his own group on stage with his opponent, it felt like the situation was spinning out of control: “It was a checkmate moment… This n***a’s devious‼️. But I respected it—I liked that shit.”‼️ He noted he wouldn’t have thought to reach out to someone like Tony Yayo or Lloyd Banks in a parallel situation, and he viewed the move as smart psychological warfare that exploited (and publicized) the existing Dipset tension‼️. 50’s side of the same conversation: He basically threw the invitation out as a calculated shot without being sure Jim would take it‼️. He joked along the lines of “We like Jimmy better than you anyway, Cam,” watched the response, saw interest, and invited him properly‼️. He described it as testing the waters and seeing what happened—Jim “bit.” Tony Yayo and others have separately called 50 a master manipulator who used chess/Art of War-style tactics in beefs, and this fit that pattern‼️. The stage appearance made the Dipset fractures more public and accelerated the perception that the group was fracturing (Jim and Cam’s relationship issues were already simmering)‼️. Cam has framed it in hindsight as an effective, respected chess move rather than pure betrayal talk, though Jim Jones later pushed back on the framing when the interview resurfaced‼️. They’ve long buried it—Cam has said when they finally spoke years later the first topic was getting to the money, and they’ve appeared together since‼️. The whole arc is classic mid-2000s New York competitive rap theater that started over a radio comment about a label and got amplified by diss records and one very public power move‼️💯.
(st_ides)148,350 просмотров • 1 месяц назад
Drake checked 21 Savage with immediate effect‼️🤣😂. Look at that side look like "for real bruh‼️🤣🤣
(st_ides)307,868 просмотров • 4 месяцев назад
In a December 2016 Breakfast Club" interview (promoting "The Return of East Atlanta Santa"), Gucci Mane claimed Angela Yee had previously pursued him sexually; she strongly denied it on air, and the exchange created lasting tension that flared up again in 2019‼️. During the interview, Charlamagne Tha God asked if Gucci had “smashed” Angela‼️. Gucci replied along the lines of “Hell nah‼️ She done tried… She was on my dick back then,”‼️ adding that she used to text him asking what hotel he was at (after an earlier interview he recalled with her and Melyssa Ford)‼️. Angela denied it repeatedly, saying he must have her confused with someone else, that she never had his number, and that no such texts or pursuit happened‼️. Gucci insisted on the details; the male hosts laughed while the moment grew awkward and confrontational‼️. Angela later clarified that Gucci had appeared on her earlier Shade 45 show "The Morning After" (not her nighttime "Lip Service" show), where conversations could get explicit, but she maintained there was never any personal pursuit or hotel texts‼️. Clips and reactions circulated widely‼️💯. The issue stayed relatively quiet for years‼️. In October 2019 Gucci posted an Instagram clip of the 2016 exchange, claiming "The Breakfast Club" had banned him over it (“#TruthHurts #Getoffmydick”)‼️. The hosts addressed it on air (including a “Breakfast Club Court” segment), denied any formal ban, and said interview requests had simply been declined because of discomfort after the earlier comments‼️. Angela presented her side and said Gucci had reached out privately about apologizing but she wanted it public‼️. Gucci then sat for a lengthy interview with Charlamagne (separate from the regular show)‼️. He blamed “that punk-ass bitch” (Angela) for the ban talk, called DJ Envy a “pussy” as well, and said he would confront Envy in person about what he and Angela had done‼️if Envy came at him wrong, he would “slap the shit out of him.”‼️ Envy responded on Instagram that Gucci was never banned, that he had simply said he wouldn’t do an interview without clearing it with his co-host (supporting his team), and that the threats were nothing new‼️. Angela also shaded Gucci (including a jab about his 2009 look) and reiterated her denial‼️. In short: the core story is Gucci’s on-air claim that Angela had tried to sleep with him years earlier (texts about hotels after an old interview), her firm denial, years of residual tension, Gucci’s 2019 claim of being effectively shut out of the show, the hosts’ public pushback, and Gucci escalating with personal insults and a physical threat toward Envy‼️. Both sides stuck to their versions; no resolution or physical confrontation followed in the public record of that period‼️.
(st_ides)156,712 просмотров • 2 месяцев назад