The Best Films
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The man who stops to greet Vito in this scene from The Godfather Part II was actually just an extra named Carmelo Russo. He was supposed to walk past Robert De Niro without saying anything, but during the take he decided to stop, shake his hand and greet him. Coppola reportedly wasn’t happy that Russo had gone off script, but De Niro liked what it added to the scene. Vito had become such a respected figure in the neighborhood that even someone passing him in the street would stop to pay their respects. The unscripted moment ended up staying in the film.
The Best Films944,585 görüntüleme • 17 gün önce
Reportedly, Joe Pesci’s explosive blackjack scene in Casino was filmed early in the morning while the casino floor was closed to the public. Pesci improvised much of his abuse toward the dealers, including throwing cards at them, giving the scene its raw, unpredictable energy. Filming at the Riviera took place between 1 a.m. and 4 a.m. to avoid disrupting real gamblers. Some dealers and extras struggled to keep a straight face because Pesci’s improvised outbursts were so funny, forcing multiple takes; the scene allegedly took the longest to film for this reason.
The Best Films1,941,314 görüntüleme • 1 ay önce
One of the subtle details in American Gangster is Frank Lucas’ habit of pouring excessive amounts of sugar while dining. Fans have long interpreted it as a silent cue for his bodyguards to stay alert before something is about to happen. The screenplay never explicitly confirms it, but the recurring gesture, especially before Frank confronts Tango, adds another layer to Denzel Washington’s calculated performance.
The Best Films833,253 görüntüleme • 1 ay önce
Reportedly, one of Scarface's sweetest moments wasn’t scripted. During the Cadillac dealership scene, Al Pacino unexpectedly put on Michelle Pfeiffer’s hat while she was looking away. Her amused reaction and line were reportedly genuine, and Brian De Palma kept the exchange because it subtly showed Elvira beginning to warm to Tony Montana.
GangsterFilmz810,681 görüntüleme • 2 ay önce
While Casino was filming at the Riviera in Las Vegas, the interior scenes were shot between 1:00 a.m. and 4:00 a.m. so they wouldn’t interrupt real gamblers. Then the casino did the exact opposite. It hung a giant banner outside reading: “Robert De Niro, Sharon Stone, and Joe Pesci filming the new movie Casino inside!” The film crew tried not to disturb business. The casino used the movie to bring in even more customers
GangsterFilmz496,586 görüntüleme • 2 ay önce
Fabrizio’s death scene in The Godfather was deleted from the final cut, despite being completely accurate to Mario Puzo’s novel. In the book, Michael tracks down Fabrizio years after his betrayal in Sicily and has him killed as revenge for Apollonia’s death. Coppola removed the scene because it slowed the ending’s pacing and distracted from Michael’s final transformation into the new Don. While the theatrical cut leaves Fabrizio’s fate ambiguous, the original intention was clear: the Corleones got their revenge.
GangsterFilmz143,311 görüntüleme • 19 gün önce
One of the funniest moments in Dog Day Afternoon was never scripted. When Sonny asks Sal which country he’d like to escape to, John Cazale unexpectedly replied, “Wyoming.” Al Pacino’s confused response, “Sal… Wyoming’s not a country,” was completely genuine, as he had no idea Cazale was going to improvise the line. Even director Sidney Lumet admitted he nearly burst out laughing behind the camera.
The Best Films301,544 görüntüleme • 1 ay önce
One of Pulp Fiction’s coolest recurring details is what happens every time Vincent Vega goes to the bathroom. In three separate instances over the course of the film, things go terribly wrong for Vincent. Mia Wallace mistakes his heroin for cocaine and overdoses. Pumpkin and Honey Bunny rob the diner. During the stakeout at Butch’s apartment, Vincent walks out of the bathroom straight into Butch’s gun. Some critics suggest the recurring bathroom scenes also wink at classic Hollywood, where toilets were once too taboo to show on screen.
GangsterFilmz249,884 görüntüleme • 1 ay önce
Denzel Washington improvised the legendary “King Kong ain’t got shit on me!” line in Training Day. Terry Crews, who appears in the scene, has said he was so captivated watching Denzel that he was barely thinking about acting himself. He was simply watching a master at work. You can feel it in the finished film. One actor delivered an all-time performance, and everyone else in the scene was along for the ride.
The Best Films292,750 görüntüleme • 1 ay önce
According to Henry Hill, Joe Pesci’s portrayal of Tommy in Goodfellas was “90–99% accurate” to the real Tommy DeSimone. The biggest difference was physical. DeSimone was a huge, heavily built man, a far cry from the 5’4” Pesci. The personality, though? Pesci apparently nailed it.
The Best Films135,774 görüntüleme • 23 gün önce
James Caan completely improvised this little moment in The Godfather. When Sonny grabs the FBI photographer’s camera and smashes it on the ground, nobody knew Caan was going to do it. He then came up with throwing money down to pay for it on the spot. Caan said it came from the way he grew up. If you broke something, you paid for it. Such a small detail, but it feels completely natural for Sonny.
The Best Films40,395 görüntüleme • 8 gün önce
James Woods reportedly filmed all of his scenes as Lester Diamond in Casino over a single weekend while taking a break from shooting HBO’s Indictment: The McMartin Trial. Despite the incredibly tight schedule, Woods still delivered one of Martin Scorsese’s most memorable supporting performances.
GangsterFilmz232,962 görüntüleme • 1 ay önce
One of the smartest pieces of visual storytelling in The Godfather happens during Vito Corleone’s funeral. Every mourner tosses a rose and moves on. Clemenza pauses and looks up at his Don’s monument, paying quiet respect to a lifelong friend. Johnny Fontane gently places his rose on the coffin and leans against it, just as he had leaned on Vito throughout his life. Then there’s Tessio: he doesn’t leave a flower and fakes making the sign of the cross by adjusting his collar instead, a subtle hint that his loyalty to the Corleone’s was already gone. The funeral was not just a goodbye to Vito. It subtly reveals who truly loved him and who was already looking beyond him.
GangsterFilmz358,854 görüntüleme • 2 ay önce
One of the most underrated deleted scenes in The Godfather Part II is when Al Neri shows Michael photographs of Fabrizio, whom they finally tracked down. Michael barely reacts. He studies the pictures for a moment and confirms the identity. What makes the scene hit so hard is that Apollonia had been gone for years by then. Michael had built an empire, started a new family, and become one of the most powerful men in America. Yet the second Fabrizio’s face appears, you realise he never truly left Michael’s mind. There’s something deeply tragic about it. Michael rarely talks about Apollonia after Sicily. He never shares his grief. But that brief look at the photographs tells you everything. Some wounds don’t heal; they just get buried under years of responsibility, power and revenge. Fabrizio probably spent years convincing himself he’d gotten away with it. The photographs tell a different story. Michael Corleone never forgot. His men didn’t need him to say anything.
The Best Films397,643 görüntüleme • 2 ay önce
While filming American Gangster in Thailand, Ridley Scott hired villagers from around Chiang Mai as extras. Incredibly, some were reportedly veterans of the very drug-smuggling network associated with Frank Lucas during the Vietnam War, meaning people connected to the real story ended up appearing in the film recreating it.
The Best Films45,664 görüntüleme • 10 gün önce
Clemenza was originally intended to return in The Godfather Part II, with the storyline that ultimately went to Frankie Pentangeli, including turning against Michael and appearing before the Senate committee. Richard S. Castellano was expected to reprise the role, but negotiations collapsed. Francis Ford Coppola said Castellano wanted a substantial salary and greater control over his dialogue, while Castellano and his widow disputed that version and cited disagreements over the character and the weight he was expected to regain. Clemenza was replaced in the modern-day storyline by Frankie Pentangeli, played by Michael V. Gazzo, who earned an Oscar nomination for the performance.
The Best Films87,115 görüntüleme • 21 gün önce