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Glenn Williams

@GlennHasABeard • 4,742 subscribers

@adobefirefly Ambassador Tutorials | Prompts | Algorithm breakdowns 📌 Highlights: Best guides Husband. Luthier. Chaos creator.

Shorts

Minimax H3 Max. Ten marbles, one per second, single file, off the edge. Prompt: "a new marble leaving the jar roughly every second, never two at once" Duration: 15s. Camera: locked, shelf height. A rate in the picture and a rate in the sound line. Two clocks that agree.

Minimax H3 Max. Ten marbles, one per second, single file, off the edge. Prompt: "a new marble leaving the jar roughly every second, never two at once" Duration: 15s. Camera: locked, shelf height. A rate in the picture and a rate in the sound line. Two clocks that agree.

54,357 Aufrufe

Topaz. 480p source to 4K, same frame, same crop around the eye. Model: Starlight Precise 2.6, Precise mode. Sharpness: 5. Output: 4K. Frame interpolation off. Source was rendered native 480p in Seedance 2.5, which is how I render most things to save credits. Topaz is the reason I can. The freckles are the tell. At 480p they're a blur. After Starlight Precise they're individual marks with edges, and the skin keeps its pores instead of going to plastic.

Topaz. 480p source to 4K, same frame, same crop around the eye. Model: Starlight Precise 2.6, Precise mode. Sharpness: 5. Output: 4K. Frame interpolation off. Source was rendered native 480p in Seedance 2.5, which is how I render most things to save credits. Topaz is the reason I can. The freckles are the tell. At 480p they're a blur. After Starlight Precise they're individual marks with edges, and the skin keeps its pores instead of going to plastic.

15,202 Aufrufe

Videos

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