
Homer Pavlos
@HomerPavlos • 54,986 subscribers
Philosopher • Author • Lacedaemon • Spartan Email : [email protected]
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Odysseus was away from his home for 20 years, ten years fighting in the Trojan War and ten more years struggling at sea before being "washed ashore" in Ithaca, at his home. After everything he endured, he returned to Ithaca alone, aged, weary, burdened with suffering and sorrow, and unrecognizable to everyone. Dressed in rags so no one would recognize him, he was accompanied by Eumaeus, the swineherd, who also did not recognize him. As they approached the palace, Odysseus saw Argos, his beloved dog and friend who had missed him during his time in Ilion (Troy), now in a very miserable state. Homer describes Argos as covered in ticks, neglected, lying still as if waiting for something, his death, but not quite ready yet. A brief conversation takes place over Argos between Odysseus and Eumaeus, after which Odysseus enters the hall with the suitors. Now, Argos is ready to die. He can finally take his last breath, as the moment he had waited for over 20 years had arrived, he saw his best friend one last time. His longing and hope for the return of his master had kept him alive for 20 whole years. Only Argos recognized him. The hero Odysseus, deeply moved, could not hold back a tear, which he secretly wiped away so that Eumaeus wouldn’t see it and suspect something. "νόσφιν απομόρξατο δάκρυ" "he secretly wiped away his tear." Homer writes: Rhapsody ρ, Line 290 Thus they were speaking to each other, But the dog, lying down, lifted his head and ears; Argos, Odysseus’ faithful dog, whom he once raised but never got to enjoy, as Odysseus left early for sacred Ilion (Troy). 295. ... lying in a pile of dung spilled in front of the gates by mules and cattle, which the servants took to fertilize Odysseus' estate. 300. There Argos lay, full of ticks. The moment he sensed Odysseus near him, he wagged his tail and lowered both ears, but he couldn’t get up to reach him. Odysseus saw him from afar and secretly wiped away his tear so Eumaeus wouldn’t notice, and then he asked him: 305. "A wonder, this dog, Eumaeus, lying in the manure. He is good in body, but I’m not sure if he’s as swift as he is beautiful, or if he’s one of those table-fed dogs of men, kept only as an ornament by lords." 325. As he said this, he entered the well-built house and went straight into the hall with the shining suitors. And the fate of black death seized Argos, immediately after he saw Odysseus for the first time in twenty years.. Homer Pavlos✍️
Homer Pavlos1,003,474 görüntüleme • 22 saat önce

Greek coastguard: We asked the muslim invaders: "You have a baby too, you have to take it" and they answered "We don’t care about the babies, we have many, we’ll make another. Now we want to save ourselves" It's a racially and religiously motivated war. Tolerance is killing you
Homer Pavlos884,388 görüntüleme • 18 gün önce

Odysseus was away from his home for 20 years, ten years fighting in the Trojan War and ten more years struggling at sea before being "washed ashore" in Ithaca, at his home. After everything he endured, he returned to Ithaca alone, aged, weary, burdened with suffering and sorrow, and unrecognizable to everyone. Dressed in rags so no one would recognize him, he was accompanied by Eumaeus, the swineherd, who also did not recognize him. As they approached the palace, Odysseus saw Argos, his beloved dog and friend who had missed him during his time in Ilion (Troy), now in a very miserable state. Homer describes Argos as covered in ticks, neglected, lying still as if waiting for something - his death - but not quite ready yet. A brief conversation takes place over Argos between Odysseus and Eumaeus, after which Odysseus enters the hall with the suitors. Now, Argos is ready to die. He can finally take his last breath, as the moment he had waited for over 20 years had arrived, he saw his best friend one last time. His longing and hope for the return of his master had kept him alive for 20 whole years. Only Argos recognized him! The hero Odysseus, deeply moved, could not hold back a tear, which he secretly wiped away so that Eumaeus wouldn’t see it and suspect something. (“νόσφιν απομόρξατο δάκρυ” “he secretly wiped away his tear.”) Homer writes: Rhapsody ρ, Line 290 Thus they were speaking to each other, But the dog, lying down, lifted his head and ears; Argos, Odysseus’ faithful dog, whom he once raised but never got to enjoy, as Odysseus left early for sacred Ilion (Troy). 295. ...lying in a pile of dung spilled in front of the gates by mules and cattle, which the servants took to fertilize Odysseus' estate. 300. There Argos lay, full of ticks. The moment he sensed Odysseus near him, he wagged his tail and lowered both ears, but he couldn’t get up to reach him. Odysseus saw him from afar and secretly wiped away his tear so Eumaeus wouldn’t notice, and then he asked him: 305. “A wonder, this dog, Eumaeus, lying in the manure. He is good in body, but I’m not sure if he’s as swift as he is beautiful, or if he’s one of those table-fed dogs of men, kept only as an ornament by lords.” 325. As he said this, he entered the well-built house and went straight into the hall with the shining suitors. And the fate of black death seized Argos, immediately after he saw Odysseus for the first time in twenty years ... ----- Homer Pavlos✍️
Homer Pavlos2,631,458 görüntüleme • 7 ay önce

Emily Wilson is a kind of a feminist that is truly a bad person that wants to hurt you. Not directly, but in depth, through her profession as a classicist. She is attacking my culture and the Greeks because she hates virtues. She is blatantly lying because most of you don't know to read Greek. But I am Greek and I can read both modern and ancient Greek. So let me tell you why she is purposely lying. The references with insulting epithets toward the servant/slave women who betrayed Odysseus’s house and slept with the suitors are numerous. The most common ones, however, are "bitches" and "shameless" that were serious insults. Most foreigners translated the word "bitch" as "slut" which is correct to say that this is wrong because it's not what the text writes but in a sense of "non-literal translation" it's not out of context because those women who slept with the suitors and betrayed Penelope were "shameless bitches". Especially the word "shameless" is a strong insult in Greek. It implies sexual shamelessness lack of decency, and moral boldness and this is why foreign translators are using the word "sluts" in English. But Homer doesn't use the Greek word directly to call them "whores". The following translations I will use are made directly from the ancient Greek text into modern Greek. We Greeks do not read foreign translations. What we call an adaptation (απόδοση) from ancient to modern Greek is not considered a "translation" for us, since it is the same language. In other words an adaptation of a Greek text bridges the gap between ancient or dialectic Greek and the modern target audience. 1. Odysseus to a servant woman (Book 18, line 340): "Bitch, if I go and immediately repeat your wretched words to Telemachus, he will tear you to pieces, you’ll be smashed into bits." [ἦ τάχα Τηλεμάχῳ ἐρέω, κύον (=Bitch), οἷ᾽ ἀγορεύεις, κεῖσ᾽ ἐλθών, ἵνα σ᾽ αὖθι διὰ μελεϊστὶ τάμῃσιν] 2. Penelope to Melantho (the servant who slept with Eurymachus and betrayed them), when Melantho spoke rudely to Odysseus (who was still disguised) (Book 19, line 91): "Nevertheless, you bold, shameless bitch, you do not escape my notice at all, doing a great deed which you will wipe off on your own head." [πάντως, θαρσαλέη, κύον ἀδεές (=fearless bitch), οὔ τί με λήθεις ἔρδουσα μέγα ἔργον, ὃ σῇ κεφαλῇ ἀναμάξεις] 3. "Perhaps in foreign lands too, some servant women insult him, every time he enters a famous lord’s house, just like these bitches here who all together insult you, stranger. I imagine that to avoid their reproach, their shamelessness…" (Book 19, around line 370) 4. "Servant women shamelessly dragging themselves here and there." (Book 20, line 318) 5. "Twelve of them appeared completely shameless, who had no regard for me and showed no respect to Penelope." (Book 22, line 422) Emily Wilson cannot tolerate any criticism of the women who betrayed the man Odysseus and slept like shameless bitches with the enemy, betraying Penelope. In her worldview, men are always the bad guys, and only women are the heroines. She herself calls the academic translators misogynists. It is inconceivable that there are today "eunuch" academics who defend this malicious and worthless woman. This woman is in Classical Studies in order to destroy them, so that you, who will read her books, will form a false image of the epics that built Western civilization. How Odysseus is not a hero, Achilles is not a hero, men are not great and brave but evil, and how the patriarchy must be fought so that women can win. They are trying to convince you that there is no heroism in Homer. Yet the epics were written precisely for this reason: so that you understand what it means to be a hero, what sacrifices are required, what difficulties you will face, and how you will achieve eternal fame. How you will conquer your passions, how anger destroys you, and how moral virtues lead you toward godlike status. She hates all of this. She wants you spiritually dead. She hates you. Therefore, it is completely justified for you to hate them too.
Homer Pavlos331,228 görüntüleme • 1 ay önce

> "Saint George was a Turk" > "NO, he was a Palestinian" Meanwhile, George (a Greek name) was born to Greek parents in the Greek city of Cappadocia in the Roman Empire. Saint George was Greek you uneducated kids. Half of Greece is named George. Meanwhile in Greece every year:
Homer Pavlos361,124 görüntüleme • 2 ay önce

Tucker Carlson has never read about the pogroms against the Greek Christians of Constantinople carried out by Muslim Turks that took place in 1955, just 70 years ago. These events took place roughly 30 years after the Greek-Armenian-Assyrian genocide, which was motivated by both religious and racial hatred. By then, the goal was to completely erase every remaining Greek element from Asia Minor. Their next target was the once-Greek Constantinople. It was a warm September evening in 1955, in the heart of Constantinople, a city still echoing with the ghosts of its Greek-Byzantine past. The Greek community was already marginalized by years of discriminatory policies, felt the weight of suspicion. After the fall of Constantinople, thousands were slaughtered, but they tried to keep the flame alive. But, on September 6 (1955), a false report spread like a spark in dry grass: a bomb had allegedly damaged the Turkish consulate in Thessaloniki, near the house where Mustafa Kemal was born. The bombing was a staged provocation, orchestrated by Turkish authorities to incite rage. By dusk, Constantinople was a tinderbox. Mobs, organized and armed with clubs, knives, and gasoline, poured into the streets, targeting Greek homes, businesses, and churches. The government’s role was clear; lists of Greek properties had been prepared in advance, and the police stood by, complicit or indifferent. It was all staged. A plan with only one purpose. To murder innocent Greek Christians that were living peacefully in the land of their ancestors, in the City that was built by their fathers. A crowd, chanting Kemalist slogans just like the days of the Genocide of 1922, smashes windows, looting everything; shelves, ovens, even family photos. The mob moves with precision, targeting Greek-owned properties. Churches, like the Zoodochos Pigi in Balat, are desecrated; holy icons are shattered, and altars burned. The Greek cemetery in Şişli is vandalized, graves defiled in an orgy of destruction. 4,348 Greek businesses, 110 hotels, 27 pharmacies, 23 schools, and 73 churches were damaged or destroyed. Many Greeks were killed, hundreds injured and numerous women assaulted. The mobs, often transported from outside Constantinople, carried out their rampage over two days, September 6–7, leaving the Greek community in ruins. The pogrom was a death knell. Many lost everything; homes, livelihoods, security. Greeks of Constantinople were reducing over time already after the fall in 1453. But that was the final hit. The exodus of Greeks from Turkey, reduced the community of over 250.000 to fewer than 2.000 today. As dawn broke on September 7, Constantinople became "Istanbul". The last Greeks, descendants of those who found the City, who built the city, who defended the City, who had history in this City, were expelled from their ancestral homeland. Streets were littered with broken glass and shattered dreams. The Greek community, a cornerstone of the city’s history, was left to pick up the pieces. That was, the anti-Greek "Istanbul pogrom" that took place on 6–7 September 1955. These events are fresh in our memories. How can we forget all the thing they did to us? They came and they expelled Greeks from their homes. Constantinople, Asia Minor, Cappadocia, Pontus, Cyprus, Ionia. We will never forget, everything they did to us. We will never coexist with them.
Homer Pavlos55,570 görüntüleme • 20 gün önce

Greeks attacking Pakistanis holding a march in Athens celebrating Muhammad's birthday.
Homer Pavlos492,868 görüntüleme • 7 ay önce

Archaeologists discovered 1,700-year-old Greco-Roman statues in Israel. One of the statues was identified by a Greek inscription bearing the name "Lycurgus." One small correction for the archaeologists: Lycurgus was not the founder of Sparta but its Lawgiver. This is huge.
Homer Pavlos81,938 görüntüleme • 1 ay önce

Modern society is afraid of these films. They don't stay faithful to the primary texts, because these works of the Greeks promote patriotism, heroism, hysterophemia, glory (κλέος), excellence (αρετή), and emphasize that everything revolves around the nation (έθνος) and religion (θρησκεία), around values and sacrifices for your country and your people. Those who control the "arts" hate these virtues. Homer's Iliad and Odyssey, the Persian Wars epics, Alexander, tragedies or even Roman Empire, portray warriors and heroes fighting for honor, their country, their comrades, and the gods. Achilles seeks immortal fame. He is choosing to go to war although he knew he would die. Hector defends Troy, his family and his people. Spartans at Thermopylae embody the sacrifice for Greece. Alexander embodied the Plato's dream of a King Philosopher. They hate those virtues. They are trying to attack those manly role models so they can destroy your perspective and the respect you have for your ancestors. "The Greek identity, being of the same blood and the same language, the common sanctuaries of the gods and sacrifices, and similar customs and ways of life." (Herodotus Book 8, 144) Shared blood, language, customs, and shrines (as Herodotus notes) fostered a Panhellenic identity. Hollywood will never promote the Greek virtues. To understand these things, Greeks have to produce these movies. We need films produced by Greeks, in the Greek language, with Greek actors, and with love and passion for our history. Because Hollywood hates the messages of the Classics. And modern discomfort isn't unique to Greece. Similar shifts hit Roman epics, medieval tales or even biblical stories. Modern society hates Homer. That's why they don't understand him. They just read him through their wrong translations just to manipulate the context for their own personal agendas. Modern society hates Homer because his works shaped Western thought and formed the foundation of a civilization based on human moral values, religion, and ethics. It hates him because his works offer strong, manly role models that can inspire your sons to become better men and think outside the box. They don’t want that. They want you weak and disillusioned with classical studies. All these pseudo intellectuals have invaded the academic community of classical studies and archaeology and are trying to completely rewrite the facts in order to repel you. They want to fully control classical studies the same way they control art. Because if they control the Classics they will control the civilizational narrative.
Homer Pavlos102,546 görüntüleme • 1 ay önce

Before the Battle of Gaugamela, Parmenion went to Alexander's tent & urged him to attack the Persians at night when they would least expect it. Alexander replied in front of everyone that it would be shameful to steal the victory; instead, he must win it openly & without deceit.
Homer Pavlos75,087 görüntüleme • 1 ay önce

Important archaeological discovery in Mieza, Greece. The Royal Gymnasium where Alexander and around 50 more Greeks were taught by Aristotle, along with its stoas, the stadium, the palaestra (wrestling school), and even the writing tools that students used 2,300 years ago. HUGE!
Homer Pavlos56,767 görüntüleme • 1 ay önce