Shara
@itsshara_ai • 16,566 subscribers
AI Creator | Talks about AI Tools | DM for Promotion I CPP @Higgsfield - @Flovaai [email protected]
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I gave Pippitofficial Creative Agent one simple idea: an ordinary kid on a city rooftop discovers he can control fire. This is what came out of it. The concept: a mini origin story. A quiet sunset, a spark of fear, then the moment he takes control, all in about 15 seconds. How I built it on the Canvas: 1. Brainstormed the story with the Creative Agent. It wrote a creative design doc with the style, mood and rules for the whole project. 2. Locked a style anchor image first, so every shot shares the same lighting and color palette. 3. Generated character sheets from multiple angles to keep the hero's face and outfit consistent. 4. Added locations and voice clips. Everything sits on one Canvas, connected, so nothing gets lost. 5. Refined by simply telling the Agent what to change. It kept the full project context, so no re-explaining. 6. The Agent built a shot-by-shot storyboard and generated the final video with Seedance 2.5. Visual highlights: warm sunset and fire tones against the cool night city, a close-up fire ring for the big hero moment, and the same character holding up from the first frame to the last. That consistency is what makes it feel like one film instead of random clips. Unbeatable Introductory Price: Get started for as low as $1.50 for your first month. More Affordable Seedance 2.5 Generation: For Seedance 2.5 at 720P, Pippit AI offers a promotional price of as low as $0.035/second, compared with $0.079/second on other tools. Limited-time 90% OFF, try it here: #CreativeAgent #PippitAI #Seedance #PippitPartner
Shara24,630 次观看 • 24 天前
There’s a big difference between generating a cool product image and actually turning that idea into an ad. GPT Image 2.5 is coming to CapCut, where it will be available through Design Studio and AI Image. The workflow I tested was: Product concept → visual exploration → storyboard → Seedance 2.5 → edit And because the whole thing happens around CapCut PC, the generated commercial can keep evolving instead of becoming another one-off AI clip. That feels much closer to how I actually want to make ads. #GPTImage25 #CapCutPC #AIVideo #Seedance25
Shara18,564 次观看 • 1 个月前
Most AI editors simply trim clips. This one opens up a real timeline and actually engages in a conversation. If you ask it to fix the sound, it doesn't just guess. It first analyzes the footage - every clip, every frame. It even asks you what you’re really looking for. Then, it creates the sound design itself: footsteps, the rustle of clothing, steam, impact sounds all placed exactly where they occur on screen. Not happy with the pacing? Just tell it. Before making any changes, it reviews the entire cut identifying exactly what’s off, down to the millisecond. No music. No filler. Just sound, timed precisely to the frame. This is editing that actually listens to you. Invideo
Shara17,243 次观看 • 1 个月前
I made this 30-second clip on Higgsfield AI 🧩 Prompt: Create a 30-second first-person POV cinematic food-and-pet video. On a rainy evening, inside a compact but beautifully lived-in contemporary European-style home kitchen, an adult man's hands prepare a complete comforting dinner: pan-seared salmon, roasted baby potatoes, honey-glazed carrots, and a creamy mushroom soup. During the preparation, he prepares a tiny cooled piece of salmon for his small puppy waiting nearby. The video is intimate, observational, natural and completely unscripted in feeling. The entire sequence uses a controlled multi-camera-feeling POV structure created through hard cuts. Every cooking action is shown clearly and physically. At the end, the complete dinner is arranged on a wooden serving board and carried to a small dining table. SCENE SETTING: A compact, warm modern home kitchen that has clearly been used for years. The kitchen contains matte cream cabinets, a dark stone countertop, a stainless-steel induction cooktop, a small convection oven, an old wooden cutting board, ceramic bowls, a cast-iron skillet, a medium saucepan and a compact countertop rice/steam cooker. On the counter are the prepared ingredients in separate containers: a skin-on salmon fillet, baby potatoes, small carrots, fresh mushrooms, heavy cream, garlic, butter, fresh rosemary, thyme, olive oil, a small bowl of honey, black pepper, sea salt, and chopped parsley. A wooden dining table is visible several steps away from the kitchen. Near the table sits a small cream-colored fluffy puppy with slightly darker ears. The puppy is lying on a folded gray blanket, quietly watching the man's hands. It occasionally raises its head when it smells the salmon but otherwise remains patient. A large kitchen window is above the sink. Outside, heavy evening rain falls against the glass. Water droplets slowly travel down the window, and blurred streetlights glow through the wet glass. Whenever the camera faces the window, the rain remains clearly visible. The refrigerator contains a few ordinary magnets and a small blank paper note. No readable branding, logos, recognizable labels or copyrighted imagery appear anywhere. POV LOCK: Every shot is first-person POV from the eye level of an approximately 178cm tall adult man working naturally in the kitchen. Only his hands, wrists and forearms are visible. His face and body are never shown, including reflections. The hands have medium-light natural skin, short clean fingernails and a small faint healed scratch near the left thumb. He wears a charcoal-gray long-sleeve home shirt with the sleeves casually rolled to the forearms and a dark beige kitchen apron. These exact hand, sleeve and apron details remain consistent throughout the entire video. The camera behaves like a real human head. It moves only when the person naturally turns, bends, reaches, looks toward the stove, looks toward the puppy or walks toward the table. No independent cinematic camera movement. Slight natural body sway, subtle breathing movement, tiny framing imperfections and realistic handheld instability are allowed. FORMAT MODE: Controlled multi-shot sequence. Real-time speed. Hard cuts only. Every segment begins with an action already in progress. Hands, utensils or food must already be visible immediately after every cut. No empty establishing shots. No slow motion. No artificial time-lapse. No dissolves. The emotional center is the small interaction between the man and the puppy. The final complete dinner is the visual culmination. COOKING CONTINUITY LOCK: This is a high-priority continuity rule. Every pan, bowl, saucepan, tray and plate must contain exactly what was previously placed inside it. Nothing appears or disappears without being visibly handled. Every completed action happens only once. No cooking action is repeated after it has already occurred. The salmon remains the same individual fillet throughout the video. The same potatoes remain the same potatoes. The same soup remains in the same saucepan. The puppy's salmon piece comes from the same salmon fillet that is eventually served. No duplicate food is allowed. Unused ingredients remain inside their original containers until visibly used. The salmon journey is locked: Beat 1 — the raw salmon fillet is placed skin-side down into the hot cast-iron skillet. Beat 2 — the salmon remains in the skillet while its underside sears. Beat 3 — the same salmon is turned once and continues cooking. Beat 4 — the cooked salmon is removed from the skillet. Beat 5 — a small piece is taken from the edge of that exact fillet and cooled for the puppy. Beat 6 — the remaining salmon is placed onto the final serving board. The missing piece remains visibly missing from the salmon until the end. ACTION BEATS: BEAT 1 — SALMON + POTATOES At the beginning, the cast-iron skillet is empty and heating. The man's right hand places the same skin-on salmon fillet into the skillet with metal tongs. A strong natural sizzle begins immediately. The salmon remains in the exact same position while the skin gradually becomes crisp. With the other hand, he places halved baby potatoes into a separate shallow roasting pan. A small amount of olive oil and rosemary is added. The oven door opens and the potatoes are placed inside. The oven closes. Hard cut. BEAT 2 — SALMON SEARING The salmon remains inside the same skillet. The edges begin turning opaque while the skin becomes golden and crisp. The man's hand adds a small knob of butter, crushed garlic and fresh thyme beside the fish. The butter melts around the salmon. He gently tilts the skillet and spoons the hot butter over the top of the fish several times. Steam rises naturally. No fish is removed yet. Hard cut. BEAT 3 — SOUP The same saucepan is now visible on the second burner. The saucepan contains sliced mushrooms and butter. The man's hand stirs them slowly until they soften. Cream is poured into the saucepan. The cream mixes naturally with the mushrooms. A small amount of black pepper and salt is added. The soup begins steaming gently. The rain continues audibly outside. Hard cut. BEAT 4 — FINAL SALMON + PUPPY The man returns to the skillet. Using the same metal tongs, he carefully turns the same salmon fillet ONCE. The underside is beautifully browned and the surface glistens with butter. He cooks it briefly. He then removes the salmon from the skillet and places it onto the wooden cutting board. The puppy, hearing the movement, raises its head from the blanket. The man notices the puppy. He smiles subtly. Using a fork, he separates a very small flaky piece from the edge of the salmon. The missing section remains visible. He places the small piece into his palm. He brings it close to his mouth and gently blows on it twice to cool it. The man's face remains completely outside the frame. The camera naturally lowers as he crouches beside the puppy. The puppy is now sitting upright with its tail gently moving. He places the cooled salmon piece on the gray blanket in front of the puppy. The puppy carefully approaches. It takes the salmon in small bites. Its eyes narrow slightly while chewing. Its tail gives a few happy movements. The man's hand gently scratches the puppy behind one ear. The puppy leans its head into his fingers. This interaction is quiet, natural and affectionate. Hard cut. BEAT 5 — PLATING At the beginning of this beat, an empty rectangular wooden serving board is on the dining table. The roasted potatoes are removed from the oven and placed into a small ceramic bowl. The mushroom soup is ladled into a deep ceramic bowl. The honey-glazed carrots are transferred onto a narrow plate. The salmon, still with the small missing section from the puppy's piece, is lifted from the cutting board using the tongs. It is placed onto a long ceramic plate. A few rosemary leaves and chopped parsley are added naturally. The four finished components are arranged together on the wooden serving board. Nothing is duplicated. Every portion comes from the food previously prepared. Steam rises naturally from the soup, salmon and potatoes. The plating is attractive but imperfect and homemade. Hard cut. BEAT 6 — DINNER TABLE The serving board begins exactly as it appeared at the end of Beat 5. The man grips both sides of the wooden board. He turns away from the kitchen and walks several natural steps toward the dining table. The camera moves with his body. The image sways subtly with each step. The rainy window passes through the background. The puppy follows behind him with its tail raised. He gently places the serving board onto the dining table. The puppy sits beside the table and looks up at him. His hands enter the lower portion of the frame. He briefly scratches the puppy's head. The final frame holds on the steaming homemade dinner with the puppy sitting beside the table. OPTICS AND CAMERA: Natural first-person human POV. Approximately 45–50 degree diagonal field of view. No artificial zoom. No gimbal. No drone movement. No impossible camera transitions. Camera movement comes exclusively from realistic head and body movement. When reaching toward the skillet, the camera naturally leans forward. When looking toward the puppy, the head turns downward. When crouching, the camera lowers with the body. When walking to the dining table, natural footstep-induced vertical movement is visible. Autofocus behaves naturally between hands, food, puppy and background. Slight focus breathing is allowed. Minor framing imperfections are encouraged. No fisheye distortion. No exaggerated lens effects. No cinematic crane shots. PHYSICS: Hyper-realistic cooking physics. Salmon skin crackles and becomes crisp. Butter melts immediately when touching the hot skillet. Steam rises according to heat. Cream swirls naturally into the mushroom mixture. Potatoes have believable weight and moisture. Honey coats the carrots rather than floating separately. Food never duplicates, disappears or changes shape unnaturally. The puppy's fur reacts naturally to touch. The puppy's ears move subtly according to sound and attention. Its pupils adjust naturally. Its jaw and mouth movements during eating remain realistic. The puppy must never behave like a human. No floating objects. No clipping. No impossible hand positions. No teleporting food. LIGHTING: Warm practical kitchen lighting from overhead fixtures. Cool blue-gray ambient light from the rainy window. Soft reflections on the dark countertop. Subtle warm highlights around the skillet and oven. Natural exposure prioritizing hands and food without making the scene look like a commercial. The rain outside creates a gentle cool contrast against the warm kitchen interior. No extreme HDR. No excessive bloom. No artificial beauty lighting. No perfect food-commercial presentation. REALISM: The final result should feel like an authentic first-person home video captured by a real person, but with exceptionally high visual fidelity. Food must look edible and naturally imperfect. The salmon should have uneven browning. The potatoes should have slightly different shapes. The carrots should vary subtly in size. The soup surface should contain natural movement. The serving board should not look perfectly symmetrical. The puppy should feel like a real young dog rather than a cartoon mascot. FRAME RATE: Stable real-time 24fps. No slow motion. No speed ramping. No frame interpolation artifacts. No ghosting. No stuttering. No temporal deformation. AUDIO: Only natural synchronized environmental audio. Continuous rain against the kitchen window. Soft distant city ambience. Skillet sizzling. Butter bubbling. Knife touching the cutting board. Potatoes moving inside the roasting pan. Oven door opening and closing. Soup gently simmering. Ceramic bowls touching the countertop. Tongs lightly clicking against the skillet. Soft puppy breathing. Tiny puppy chewing sounds. The puppy's collar makes a very subtle metallic sound when it moves. Wooden serving board makes a soft dull sound when placed on the table. No narration. No dialogue. No music. No subtitles. No text overlays. No logos. No watermark. FINAL NEGATIVE LOCK: No Japanese kitchen. No Japanese meal. No mackerel. No tamagoyaki. No rice set meal. No tabby cat. No copied character design. No recognizable branded products. No readable logos. No artificial food duplication. No changing hand appearance. No changing sleeves. No changing puppy appearance. No changing kitchen layout. No random ingredients appearing. No objects teleporting. No impossible physics. No cinematic camera that moves independently from the person's body. No CGI-looking food. No advertisement aesthetic. No staged comedy. No exaggerated animal behavior. The entire video must maintain one coherent physical reality from the first frame to the final frame.
Shara15,449 次观看 • 1 个月前
![Created with Seedance 2.5 No reference images. No animators. Just prompts Prompt: [0:00–0:04] VISUAL: MAYA CHEN, mid-20s, hospital gown, jolts awake in a black-site lab, wires ripping off her arms, alone in the dark. Heart monitor beside her flatlines then screams back to life. VO (whispered, shaky): "She died for six minutes." SFX: monitor alarm, sharp gasp. [0:04–0:08] VISUAL: She stumbles to a mirror — her reflection glitches for a half-second, showing a different face. VO: "Then she remembered everything." SFX: electronic stutter. Music: single dissonant string hit. [0:08–0:12] VISUAL: Corridor flash-cuts — she runs past sterile white labs, security monitors turning red as she passes, alarms beginning. VO: "They didn't erase her. They copied her." Music: percussion builds fast. [0:12–0:16] VISUAL: Two SECURITY DRONES round a corner ahead. Maya doesn't stop — she grabs a fire extinguisher, swings it into the first drone mid-run. SFX: metal impact, sparks, drone crashing. [0:16–0:20] VISUAL: She reaches a reinforced door, palm against a scanner. It flashes red — DENIED. Alarms peak. She looks back — more drones closing in. VO (breathless, defiant): "Wrong copy." [0:20–0:25] VISUAL: Her eyes flash the same glitch pattern from the mirror. The scanner flickers, then turns green. Door slams open. SFX: scanner chime, heavy door release, alarms cutting out. Music: swells hard, drops to silence. [0:25–0:30] VISUAL: Wide shot — Maya steps through into blinding white light, silhouette only. Hold on the frame. TITLE CARD (over the frame, no cut): NULL POINT Tagline: "Some things can't be deleted."](https://image.24vids.com/tw-2090823791203213814/amplify_video_thumb/2090823757380345856/img/VJ-zpqVKGhOl3edf.jpg)
Created with Seedance 2.5 No reference images. No animators. Just prompts Prompt: [0:00–0:04] VISUAL: MAYA CHEN, mid-20s, hospital gown, jolts awake in a black-site lab, wires ripping off her arms, alone in the dark. Heart monitor beside her flatlines then screams back to life. VO (whispered, shaky): "She died for six minutes." SFX: monitor alarm, sharp gasp. [0:04–0:08] VISUAL: She stumbles to a mirror — her reflection glitches for a half-second, showing a different face. VO: "Then she remembered everything." SFX: electronic stutter. Music: single dissonant string hit. [0:08–0:12] VISUAL: Corridor flash-cuts — she runs past sterile white labs, security monitors turning red as she passes, alarms beginning. VO: "They didn't erase her. They copied her." Music: percussion builds fast. [0:12–0:16] VISUAL: Two SECURITY DRONES round a corner ahead. Maya doesn't stop — she grabs a fire extinguisher, swings it into the first drone mid-run. SFX: metal impact, sparks, drone crashing. [0:16–0:20] VISUAL: She reaches a reinforced door, palm against a scanner. It flashes red — DENIED. Alarms peak. She looks back — more drones closing in. VO (breathless, defiant): "Wrong copy." [0:20–0:25] VISUAL: Her eyes flash the same glitch pattern from the mirror. The scanner flickers, then turns green. Door slams open. SFX: scanner chime, heavy door release, alarms cutting out. Music: swells hard, drops to silence. [0:25–0:30] VISUAL: Wide shot — Maya steps through into blinding white light, silhouette only. Hold on the frame. TITLE CARD (over the frame, no cut): NULL POINT Tagline: "Some things can't be deleted."
Shara17,123 次观看 • 2 个月前