Jayce

@jblacksomething • 1,882 subscribers

They/them 🏳️‍🌈 Free Palestine 🇵🇸

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Jayce

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I am 30-fucking-years-old and this is still one of the funniest things I have ever seen

Easily one of THE most important and most imitated pieces of imagery in film history, and it was a (happy) accident that left the crew gleefully cackling about how it was sick as hell. I fucking love movies.

I’m sorry for the Dr Who posting but this special effect of the flaming torches on the model composite?? Oh my gosh??

Thinking about the Honda-And-Tsuburaya-As-Fuck bit in Godzilla Minus One where he’s stomping around the countryside to the terror of rural families again.

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The dude that slips on his ass is still one of the funniest fucking things I’ve ever seen

I’ve never seen the Shin Godzilla Zipline movie before!! LOVE the King Kong vs. Godzilla JSDF operation vibes of trying to bury him!

My jaw is on the floor over the special effects for the siren, how the hell did they do this??

It is just fully the scariest fucking trick in the world lmfao

As even Orson Welles had to add… “VERY good director.”

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Particularly WRETCHED evil eunuch in this one, too 😂

I’ve always found Branagh’s Frankenstein considerably less than the sum of its parts (De Niro’s godfuckingawful in it), but the camerawork is SO dynamic and I think the Bride’s self-immolation is still the craziest fire stunt I’ve ever seen. How the fuck did they do this?

I will never stop loving this stuff 😩

Keita Amemiya’s Tekkōki Mikazuki (2000) is a tapestry of scraps, riffs, parodies, and bold re-envisionings of just about every Tokusatsu property under the sun. The Ultras, Kamen Riders, Super Sentai, kaiju, mecha. It’s all here, overstimulating as hell, and it’s a fucking ride.

A reminder of how fucking incredible the original Rodan is for your Tuesday scrolling

Peng-Yi Chang’s Demon Fighter/Night Orchid (1983) (it has more alternative titles than I think anyone knows what to do with) is a showcase of Taiwanese wuxia’s near miraculous ability to blend utter goddamn junk with genuine avant garde absurdity. LOOK at this stuff!!!!

Kenji Misumi’s Zatoichi Challenged (1967) isn’t quite the vicious thunderclap that precedes it, but it oozes style and mood, and rattles and shakes with easily the best kaiju-toned score Akira Ifukube contributed to the series. This shit is electrifying! This shit is excellent!!

Look how alive the camerawork is! It’s stunning!

Thinking about the Honda-And-Tsuburaya-As-Fuck bit in Godzilla Minus One where he’s stomping around the countryside to the terror of rural families again.

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Ifukube’s only real rival in the series.